Vampire Owl: I remember that I once dropped bomb in the land of zombies during a lockdown.
Vampire Bat: It was a magical orb; you don’t call it a bomb.
Vampire Owl: In our worlds, the orbs replace the bombs.
Vampire Bat: We are no longer using that magic in our lives.
Vampire Owl: The dark magic has still spread enough in the realm.
Vampire Bat: Such evil has been limited to the lands of the northern witches.
Vampire Owl: Dr. Frankenstein had ended the witches by himself.
Vampire Bat: Mr. Frankenstein won no science vs magic battle.
Vampire Owl: Frankenstein will end all unnecessary magic with the use of science.
Vampire Bat: Now you know why Uncle Dracula banned him.
[Gets a sweet puffs and three cups of Kodaikanal tea].
What is the movie about? :: Violet (Meghann Fahy) had been suffering as she was unable to leave her alcoholic and abusive husband despite her being a therapist herself. But this had changed as the man committed suicide, but she was blamed for it, and people often told the stories about her killing her husband as she was unable to suffer his atrocities anymore, as even the neighbours could not stand the man. On an eventful day, after finishing daily work, she is startled by a metre reading man knocking on her window and she had guided him to the back of her home. Later, Violet decides to leave her young son Toby (Jacob Robinson) at home in the care of her younger sister Jen (Violett Beane) and go for her first date after the death of her husband. Jen makes sure that her sister wears the best clothes and manages to find her true love this time and get married to lead a good life. With everything set and with the best wishes of her sister, Violet reaches Palate, a grand restaurant at the top of a skyscraper for a date with a photographer named Henry (Brandon Sklenar), whom she has been messaging through a dating app.
So, what happens with the events here as we just keep looking? :: As Henry is late, she spends some time at the bar and meets Richard (Reed Diiamond), a little elderly man waiting on a blind date, Matt (Jeffery Self), a server on his first day at the restaurant, Cara (Gabrielle Ryan), the friendly bartender, Phil (Ed Weeks), the restaurant’s pianist, and Connor (Travis Nelson), a young man waiting for his sister. Henry reaches, and as they start their date, Violet begins receiving messages on her mobile phone through a short-rage texting system. These messages from this unknown user starts with memes which gradually become more threatening. Henry tells her that it could only be someone seated in their section of the restaurant as the range would only be that much. Despite Violet trying to ignore the drops, the crisis elevates as the unknown person asks her to check her home security cameras. As she checks for the same through camera, she finds Jen being knocked out by a masked man who locks Toby inside a room, and she is warned against telling everyone about it, as the boy would be killed if anyone comes to know about it.
And what more is to follow here as lives seem to be at stake with time running out? :: The messenger tells her that only by careful actions, her son will be saved, and warns her against leaving from the restaurant, as she is to continue her date. When she moves, it seems that the man knows, and as she moves into the toilet, she finds hidden cameras near the wash, and the same was also seen on the side of her table. She pretends to be scared of heights and ask for the table to be moved from their location with the city view to anywhere else. Henry manages to have the same done with the help of the staff, but she is forced to come back as the messenger asks her to return to the same seat or her child would die. They return to the same table, which the staff says was particularly chosen for them through a call, but both of them remember none of it. The messenger further instructs Violet to find a camera in Henry’s bag kept on a side and destroy its SD card. Violet manages to complete the job and finds out that Henry, who works for the city mayor, has photos which would serve as evidence against the man. But this would not be the last thing she will have to do to save her son. How long can she survive like this?
The defence of Drop :: The movie is powered by a fine performance from Meghann Fahy who drops the anchor with a performance that requires some fine skill, as she has to continue fighting against all odds with control over her actions as much as the emotions. Brandon Sklenar also provides some fine support here as he plays the next significant character. These characters are placed in a situation which does not go much about one and half hours, and with such a short run-time, the movie leaves one with no wasted time. There are some nice situations which feels more real than the others. The anxieties about digital life and surveillance feels very much real as we never really move away from the same, no matter how much we feel that this would not happen to us. The suspense and thrills we feel here are more like taken right out of a world that we know. There is also that emotional side related to the life of the main character. Then there is the stunning world of the restaurant with a view and the tension that something big is going to happen any time soon, and the audience are prepared for the same.
The claws of flaw :: When we think deeply about the movie, we can’t help feeling that the villain’s plan depends on the near-impossible, requiring the best of timing and perfect surveillance that stretches the willing suspension of disbelief at times – this happens in such an area where immense possibilities are there, and just going for the same in the usual manner and then trying to hide the evidence would have been the better options however we look at it. The idea that the main character, despite being a person with skills related to the mind decides to stay with her abusive and alcoholic husband who does not have the right state of mind makes us wonder what kind of skills she has in her field of psychology. The flashback which goes there is not that much either, and we never really go that deep into past, and yet there is so much of talk about the same. Then the finish seems to be done in a hurry as the revealing is done and then the chase happens as if they were just put there to end the film as soon as possible.
How it finishes :: Drop takes advantage of the fear of being watched digitally with no idea of who is doing the same; it is indeed one of the scariest feelings that one could have, as this has become an inevitable part of our life in one way or the other. Meghann Fahy carries the same tension while not really out of the character’s long trauma right on her shoulders. Her performance that stands apart makes sure that the emotional stakes feel raw and very much human, even when the technology around her tries to take over. It is to be noted that all of these happens in the restricted space of the top floor of a skyscraper where the restaurant is situated. There, it expertly turns an everyday social setting into a terrifying nightmare, and for the same, it needs the applause, as some of us might think twice about talking to a digital stranger too. It could have still become something more, but it chooses not to, as the terror lies a little too much in the messages and a video cam rather than on the main location in real space, and we should have had a little bit more of the main character’s past and a less quick journey in the final stages. But we have everything that ends well, and we are left with messages, which is very much fine.
Release date: 11th April 2025
Running time: 95 minutes
Directed by: Christopher Landon
Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jeffery Self, Ed Weeks
<<< Click here to go to the previous review.
<<< Click here to go to the biggest movie of last year.
<<< Click here to go to the most awaited sequel of the year.
@ Cemetery Watch
✠ The Vampire Bat.






























