Thallumaala

Posted on August 22, 2022 by Tennyson

Vampire Owl: I heard that this movie is all about fights.

Vampire Bat: Yes, the title does signify the same.

Vampire Owl: Do you think that there could be more fights in our realm too?

Vampire Bat: We don’t have such small fights. We have only wars.

Vampire Owl: Maybe the wars could be reduced to smaller fights.

Vampire Bat: The smaller fights are not of relevance.

Vampire Owl: They can help stop the bigger wars.

Vampire Bat: I am sure that zombies and werewolves won’t agree to that.

Vampire Owl: Well, Uncle Dracula might agree.

Vampire Bat: For that, he requires a champion. The protagonist of this movie could serve as one in an undead state.

[Gets a marble cake and three cups of mint tea].

What is the movie about? :: There is a fight between Manavaalan Wazim (Tovino Thomas) and SI Reji Mathew (Shine Tom Chacko), and it is a one on one battle while their friends look on. The reason for this fight goes back by a few years, and there is a score to settle. A long time ago, Wazim was someone who usually got into fights, and after the pandemonium was over, he made friends with those who fought with him – the fights develop into a friends ciricle which includes him along with Jamshi (Lukman Avaran), Sathaar (Swathi Das Prabhu), Vikas (Adhri Joe) and Rajesh (Austin Dan). At the same time, he had also fallen in love with Fathima Beevi (Kalyani Priyadarshan), a famous Instagram and Youtube sensation based in UAE, even though she has her roots in Kerala. Despite her early doubts, she soon becomes assured that he could be the one for her, and manages to convince her parents to let her marry the man, even though none of her relatives have a good opinion about her – some of them even think that he is a useless young man who is of no good to the society.

So, what happens with the events here as we just keep looking? :: Wazim’s parents (Johny Antony and Neena Kurup) had already ceased having good opinions about him. They want him to go and do some job in Dubai rather than wander around Ponnani town and pick up fights. After starting a fight with Siyad (Noushad Ali), and after they burn down Wazim’s father’s theatre, he is forcibly sent to the Middle East. But when he comes back, he starts another fight, this time with the group led by Reji – it lands them in the hospital, but hopes for revenge. Reji who wants to make up with them is not accepted with them, as everyone other than him and Wazim seems to be upset whenever the other group is seen around. Kalapurakkal David (Binu Pappu) who was part of Reji’s gang had warned against the two groups seeing each other again, but the situation seems to be in favour of both teams fighting each other again. At the same time, there is also a pending fight with Omega Babu (Chemban Vinod Jose) and Jamshi is depressed about it as he often remembers being beaten up by him. So, can Wazim fight these battles along with being able to marry Fathima?

The defence of Thallumaala :: This is the one movie which you might want to watch if there is the need for seeing a lot of fighting on the big screen. The movie also remains colourful throughout its run, and the visuals are really good. The humour works well during most of the time, and they have really added some fine doses of comedy in between to elevate the level of the film. There is the reminder of masculine ego which is hurt, as it was in Maheshinte Prathikaaram, where two women do talk about the madness of the major male characters who decide to go on an unnecessary fight. The audience will keep getting fights over fights, and in the end, they will have the feeling of having watched a big adventure with fists and legs as the main character never stop thinking about fights even if they cease to believe in love and the other common things in a movie. Some of the songs remain very notable, especially for the different kind of treatment. There are those dance moves which were already seen in the released songs. The world becomes different with this movie, and there is no need to have any outside interference related to this.

The claws of flaw :: Thallumaala‘s trailer had already given the feeling that this was going to be about fights, but it takes a lot of steps towards meaningless fights starting out of nowhere. The trailer itself was indeed confusing up to an extent. The first half takes some time get to be interesting, and most of the engaging moments can be seen as happening in the second half. The romantic side is rather strange around here, as there seems to be no real reason for the incidents to happen and turn the hero and heroine to marriage, especially for the lady who is very rich and remains an Instagram sensation who is adored by so many people all around the world. The story is not that strong, with most of the incidents in the film having not much of a meaning. The show of the sequence of events in also everywhere, and we don’t see anything occurring straight enough. In the first half, the tale keeps moving through different timelines as if they have a time machine – everything is basically everywhere to keep the audience confused. There were many things which could be added and also removed around here as there is struggle to be overcome.

The performers of the soul :: It is indeed great to see Tovino Thomas in a different avatar around here. His roles in Vaashi, Naaradan, Minnal Murali, Kaanekkaane, Kilometers and Kilometers and Forensic were all different, as he played superhero, lawyer, journalist, forensic expert and many others in a short period of time, and he has done the same with some fine skills. This role will be something to remember for him, as he also seems to get younger with this one, as this reckless youth is also of variety. Shine Tom Chacko indeed shines in this work, and he seems to perfectly suit the character. It would seem like the right thing to have him Soubin Shahir who dropped out of the film, as a character like this one requires Shine. Kalyani Priyadarshan, even though becomes the leading actress, has much less to do for the progress of the tale, and in between the fights which are supposed to happen at all times, would be happening with or without her presence in Kerala. Among the friends, it is Lukman Avaran who stands out, as he seem to blend in here like no other. In the other gang, Binu Pappu remains notable – in both gangs, all of them are indeed of relevance. Johny Antony’s father role is lovable, and Shafi Kollam of Star Magic fame gets a fine role to perform. Chemban Vinod Jose is there but with not much to do.

How it finishes :: Among the releases set around Independence Day and a week beyond, this particular movie seems to have the advantage over the others. It cannot be considered as the better film among these choices, but is surely the one flick that seems to attract the young audience to the theatres more than any other. The film makes us wonder if the only thing that the new generation does is to fight, and whether everything is solved by fighting with each other, a disappointing trend for a movie which has Mahatma Gandhi as the father of the nation, and after seventy five years post getting independence. Yet, there is the assurance of entertainment, and the funny side often makes sure that the fighting does not feel too cruel around here. It is to be noted that Shine Tom Chacko brings this movie back to life so well, and we end up wanting his character to win in the end. Well, this variety for sure, and it is not in the story, but in what surrounds it, as we are introduced to the one real fight movie in the Malayalam film industry. It is also realistic if we consider the number of random fights which have broken out in the state for no reason, and adorn the news.

Release date: 12th August 2022
Running time: 148 minutes
Directed by: Khalid Rahman
Starring: Tovino Thomas, Shine Tom Chacko, Kalyani Priyadarshan, Chemban Vinod Jose, Lukman Avaran, Binu Pappu, Johny Antony, Neena Kurup, Gokulan, Swathi Das Prabhu, Adhri Joe, Austin Dan, Assim Jamal, Shafi Kollam, VP Khalid, Noushad Ali, Bhanumathi Payyannur, Ann Salim, Mashar Hamsa, James Elia, Unni Raja, Mohammed Eravattoor, Anand Bal, Satheesh Kumar, Balan Parakkal, Babu Annur, Nasar Karutheni, Salim Kumar (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Georgettan’s Pooram

Posted on April 2, 2017 by Tennyson

Vampire Owl: Why is it that all these people have characters that have something or the other to highlight as a title?

Vampire Bat: You mean, like that first Malayalam movie to release this year – Jomonte Suvisheshangal.

Vampire Owl: And surely Jacobinte Swargarajyam.

Vampire Bat: Along with Darwinte Parinamam.

Vampire Owl: As well as Maheshinte Prathikaram.

Vampire Bat: This is the fifth with this kind of a title, there is no real difference in possessiveness.

Vampire Owl: I think that these people, George, Jomon, Darwin, Jacob and Mahesh are related.

Vampire Bat: There is a great chance that Jacob and Jomon are – they even tell the same story, you know.

Vampire Owl: Maybe they are from different generations, and it is just history repeating itself in a distant family.

Vampire Bat: Georgettan’s Pooram might be more distant with the use of slang in it, though.

[Gets the tickets with some caramel popcorn and vegetable puffs].

What is the movie about? :: A team of four mischievous boys have grown up to be George Vadakkan (Dileep), and his best friends who are known only by their nicknames, Vava (Vinay Forrt), Pallan (Sharfudheen) and Chullan (Thiru Actlab). Living in and around the city of Trichur, the four friends spend most of their time doing nothing, having drinks or simply sleeping, in Mathai Parambu, a piece of land donated to the public by a former Kabbadi player who was part of great achievements from the Indian Kabbadi team – they also have for company and old kabbadi player, Joseph (T.G. Ravi). But George’s father, the parish priest of the local church of the Mar Thoma denomination, Mathew Vadakkan (Renji Panicker), wishes for something or anything better for his son – nobody believes in the same though, even his own friends and relatives.

So, what happens next? :: As the four goes through the path which leads nowhere, George comes across Merlin (Rajisha Vijayan) during a funeral, and immediately falls in love with her. Even though she tells him that he wishes to become a nun and despite the fact that she belongs to another denomination, he shamelessly decides to run after her for love. Without having to do anything else in life, such things have been very easy for him. There is also the entry of Peter Mathai (Chemban Vinod Jose), who claims to be the son of E.V. Mathai and claims the ownership of Mathai Parambu. He seems to be determined to take control of land by one way or the other. But the team of four are not willing to give up their place, and in an effort to save their land as well as to make Merlin fall in love with George, they go on doing some strange things, none of which works well enough.

What follows these events? :: The team of four are clueless as usual, as they are used to do nothing good, and seems to come up with nothing constructive. Even their inspiration, Joseph dies by falling from the top of a tower there. One day, Peter seems to be ready to give up the claim to the land, but for the same, George and his friends will have to play kabbadi, and also start winning. The people of the locality also backs them in this to keep the land in the hands of the public. But is it possible for them to win against top level players with some quick training? How far can the public support and prayers boost them? Is Peter really the son of E.V. Mathai, and does he mean what he says? Can George manage to win the love of Merlin and the appreciation of his parents and siblings? Not really the easier things to do for George, but he decides not to give up.

The defence of Georgettan’s Pooram :: Despite not using the state award winning actress, the star of Anuraga Karikkin Vellam, Rajisha Vijayan to her best of potential, the movie does manage to use Dileep well enough – we get to be confident that he will be back for more with another light-hearted movie, not just producing one like he did for Kattappanayile Rithwick Roshan. Vinay Forrt and Sharafudheen also remains interesting, and there is entertainment guaranteed from their side. The level of comedy is fluctuating throughout the movie, but there are some nice ones in this flick. The second half has things getting rather intense, and the plot gets an upgrade there. Chemban Vinod Jose once again impresses the audience with the way that he carries on as the man with a mission, and he remains our hope for future in a lot of different kinds of roles. Renji Panicker continues what he has been doing the best, as the father figure, and this time at more than one level.

The claws of flaw :: The movie is just too long, and it could have easily been made shorter without some bad jokes in the first half and those slow motion sequences of heroism in the second – Karinkunnam 6s had managed to bring volleyball to the centre of everything and managed to be an interesting flick; but this one gets kabbadi too late in the second half only, and things get serious slowly only. Sudheer Karamana gets to play kabbadi here as he had done for volleyball in last year’s Manju Warrier starrer. A certain amount of absence in logic is also there, and the movie also gets confused in working with the Christian denominations. If the priest shown as protagonist’s father is actually a priest of Mar Thoma denomination, as a protestant church, the church building or the house wouldn’t be having saints or statues of anyone. If the person was intended to be a Catholic priest, he wouldn’t have been married – it is a strange world right there. One also wonders why the protagonist has to go after the girl shamelessly after she says no – shouldn’t the “no” always mean a “no”? And still he is a hero?

How it finishes :: Georgettan’s Pooram could have done a lot better not only with its comedy, but also with its sporting side. But as it is now, it is surely a watchable flick, and the best entertainer with Dileep as the main character after Two Countries which had him at what he has been doing the best. The protagonist shouldn’t have turned a super kabbadi player all of a sudden though, battling against the big players. Maybe some restraint could have been brought with the heroism. Maybe, a better flow could have been maintained. But for some time-pass, nobody can deny that this movie has something here and there for most of the people. Surely bigger in fun compared to Dileep’s recent movies, and surely better than any movie in that long list of continuous movies from Kammath and Kammath to Ivan Maryadaraman, Georgettan’s Pooram can ask for some of your time as long as you enough to spare!

Release date: 1st April 2017
Running time: 155 minutes
Directed by: K. Biju
Starring: Dileep, Rajisha Vijayan, Chemban Vinod Jose, Vinay Forrt, Sharafudheen, Thiru Actlab, Renji Panicker, T. G. Ravi, Sudheer Karamana, Kalaranjini, Assim Jamal, Jayaraj Warrier, Sunil Sukhada, Sathi Premji, Kulappulli Leela

@ Cemetery Watch
✠ The Vampire Bat.

Anarkali

Posted on November 13, 2015 by Tennyson

What is it about? :: Shanthanu (Prithviraj Sukumaran) who arrives at Lakshadweep Islands as a diving instructor actually has another plan in his mind. His old friend Zachariya (Biju Menon) is already on the island and they are joined by Koya (Suresh Krishna) to whom they tell that love story which goes back by many years. The tale is about a girl named Nadira (Priyal Gor) and her love with Shanthanu before being separated by her father. Far away from her, and with no idea where the girl is, Shanthanu hopes to find her through her brother who is an officer at the Naval base at Kavaratti, the capital of Lakshadweep. With her rich and influential father standing on the way, and very less chances to find his lady love, Shanthanu knows that he will need all the help that he can get.

The defence of Anarkali :: The success of Anarkali lies in being direct and not taking the easy way out like many other movies. It is a believable love story with strong presence of the “true love” elements and along with maintaining that status, goes beyond states and languages. The comic sequences are very nicely done, and Biju Menon with his amazing comic timing, makes sure that the funny side is perfect. The visuals are amazing, and if you look deeper into this movie, there are similarities with Mosayile Kuthira Meenukal and there is an abiding sad mood of “impossible hope” throughout the movie which reminds one of Prithviraj’s another flick, London Bridge. But Anarkali manages to soar ahead of all these movies. The visuals here might be the best you can have from an island location and the songs are good. The emotions are strong throughout this movie.

Claws of flaw :: A disadvantage of the movie is its length, even though there is no feeling of drag anywhere – that is quite an achievement for the people behind the flick. The movie’s love story is still cliched up-to an extent with the hero and heroine waiting for the approval of the girl’s father, and making that one last effort defying all odds. It could have also used Sufism more. There is also a little bit of Mosayile Kuthira Meenukal here, but Anarkali does manage to rise above that by being an entertainer and a full love story for all kinds of audience. But aren’t these things which can be forgiven in the case of a true romantic story? There is no romance without cliche, and with a lot of other aspects staying away from the cliches, Anarkali is not going to be just another love story, because it is better! You really don’t need to judge this movie based on the opinions of the others, because this one is for the heart and that changes according to individual.

Performers of the soul :: You see another chance for Prithviraj Sukumaran here, and he has once again provided an amazing performance to make sure that this one will work well along with his other movies in the theatre, Ennu Ninte Moideen and Amar Akbar Anthony. There is a lot of energy from him here, and he has also kept this character close to our hearts. Intensity and tranquility are just two sides of this character, and with Prithviraj’s exceptional skills, reaches the audience really well. Biju Menon is there in the supporting role after playing the lead in Salt Mango Tree, and he has managed to give the right amount of the same; most of the funny side of the movie is handled by him, and you will surely love his character. He brings so many of those memorable comic situations in this one. Meanwhile, Renji Panicker and Major Ravi has notable cameo roles.

Further Performers of the soul :: Coming to the heroines, even though only one fits the exact definition, there are two others who share some nice screen presence. Priyal Gor might be the cutest heroine ever to step into the Malayalam movie industry. Another positive thing is that she could bring the emotions to the scene very well. Meanwhile, Miya George has a strong character to perform here and she manages that very well; she is also the first to arrive on screen. Samskruthy Shenoy who plays the third significant female character brings her best performance here – the abiding sadness of her character is elegantly reflected on her face. The Kerala State Film Award Winner of this year, Sudev Nair does a very nice job. Kabir Bedi is very strong in his role, Suresh Krishna brings a notable performance. As Prithviraj scores his hat-trick success, there nothing negative in the cast.

Soul exploration :: Once again, the symbol of true love is “waiting” – there is something about the romance here. The two lovers are radically determined in this movie, as the sea becomes the metaphor for the distance between them and it is the final obstacle for them just like the girl’s father was the metaphor for the same earlier. As the ocean kept them away, it is the island of loneliness to which the protagonist was restricted to, and it has a form when he reaches Lakshadweep. The sea and the girl’s father are his obstacles among which only one needs to be conquered at a time, and as true love is not without troubles, he goes through them, but not without risking his own life and earning a name on the pages inside the chronicles where the saga of sacrifice is written. True love is near impossible because it demands a lot, and our protagonist runs right through, as the emotional side remains strong.

How it finishes :: Anarkali is above Amar Akbar Anthony and Ennu Ninte Moideen both in content and presentation; the feel-good factor also comes as a nice advantage. Rising above the latter as well as Premam, this is undoubtedly the best romantic story which has released for quite some time. If you don’t blindly adore these three movies, you can easily fall in love with Anarkali, because it is made clear in the beginning itself that nothing other than true love awaits in the flick. There is no need to go for the general opinion in this case because a lot of people are still lost in the other movies from Prithviraj and might find it not that easy to digest a movie which has a better philosophical side. If you place these four movies and think neutrally without consulting anyone else, you will know, and in the end, you will re-assert the fact that true love is beyond all barriers and that there is the need to visit the beautiful Lakshadweep Islands.

Release date: 13th November 2015
Running time: 168 minutes
Directed by: Sachy
Starring: Prithviraj Sukumaran, Miya George, Priyal Gor, Biju Menon, Samskruthy Shenoy, Kabir Bedi, Sudev Nair, Suresh Krishna, Rajeev Menon, Major Ravi, Assim Jamal, Renji Panicker, Madhupal, Shyamaprasad.