Punyalan Pvt Ltd

What is the movie about? :: Joy Thakkolkkaran (Jayasurya) was going through a good run with his business of Punyalan Agarbathis, until a series of misfortunes strikes his life, beginning with the death of his wife Anu Joy (Nyla Usha) due to complications related to delivery. It is soon followed by the bank sequestrating his business due to his inability to repay the loan taken. This leaves his best friend and right hand Greenu sharma (Aju Varghese) on a journey to the Middle East in search of a job. Abhayakumar (Sreejith Ravi) is still left there as his driver, and Advocate Peerthanesh (Dharmajan Bolgatty) is his lawyer and the new best friend. They plan to create a new venture, and this would be Punyalan Water, a substitute for the usual mineral water in Kerala, made in an innovative style. But his problems are only beginning, against the system, including the road transport corporation and the city corporation itself.

And what is to follow in this particular adventure? :: As the system seems to stop himself from becoming the businessman that he has always wanted to be, a bankrupt state awaits him. But he decides to fight against it. This would bring him face to face against Shakthan Rajashekharan (Vijayaraghavan), the Chief Minister of the state whose fate is to be decided by the upcoming by-elections, as one seat at Thrissur is all that matters in a close call with the total number of MLAs. With Joy’s challenges going viral in Facebook, and his ideas becoming popular with the common man, the Chief Minister is forced to come live on Facebook, and make a declaration, that would lead to the sequence of events, which have the strength to change the path in the elections. But the question remains if Joy’s new adventure in the business field can be successful in one way or the other!

The defence of Punyalan Private Limited :: There is some motivation to be taken from this movie, regarding the need for the public to be aware of certain things in a democracy, including their own power. At these times when there is so much of debate on so many things both in the state and the centre, this movie becomes very much relevant. There is some humour which has been powered by sarcasm, even though some jokes just go around aimlessly reaching nowhere. At the same time, the movie keeps coming up with more and more ideas, and uses its cast to make things better. You see that the idea here is a much needed one for these times, even though not that strong with how it is executed, with the courtroom scenes also not being strong or funny not going on a path like Jolly LLB. If you liked Punyalan Agarbathis, I don’t see why you shouldn’t watch Punyalan Private Limited here. There is the feel-good factor, and some nice visuals of Thrissur too.

The claws of flaw :: One will notice that there is more dialogues and less action in this movie, and you will also notice that most of the things here might not happen at all, under any circumstance – the common man’s chance is rather too far away. There is also the lack of strength with many arguments around here, and a smart twist doesn’t happen with the protagonist – even when there was the chance to bring the big surprises, they are not there to be seen. The much needed depth is missing here with the tale, something which a political satire could claim to have, in order to reach better heights. The idea was rather limitless, but what comes on the screen is not. We also see the lack of any memorable female character in this movie, as only one who comes close to being the female lead is Arya herself during her short presence as a reporter. Nyla Usha’s character is dead, and Rachana Narayanankutty is replaced by Dharmajan as the lawyer.

Performers of the soul :: Jayasurya is once again the one who leads the way, and he has this character played with ease. No matter how the movie fares at the box-office, this character is certain to remain with that strength which it has always had, for that much is clarified with this performance. Sreejith Ravi and Dharmajan are the ones we are supposed to look out for here, as far as the comedy is concerned, and they do deliver, but the same level is not managed until the end. Aju Varghese is sadly limited to a few video calls here, as he arrives and leaves through video chatting. Meanwhile, Vijayaraghavan shines on the other side, as the politician who is interested in nothing other than playing political games to stay glued to his Chief Minister seat – it is something which he has played before with success as we all know, but it suits him very well this time too. As I have already made it clear, there is no female character worth mentioning other than the one Arya plays.

Soul exploration :: There are so many things that the movie criticises, including the terrible condition of the roads, lack of safety for women, irritating situation brought by demonetisation, troubles in beginning a new business venture, pathetic attitude of politicians and the influential towards the common man, compulsory national anthems in cinemas, dumb social media trending, misuse of public funds, inability to eat or drink what one wishes to, hypocritical approach towards public cleanliness, exploitation in the name of taxes and tolls, laziness of the government authorities in doing their jobs and many more. The idea seems to be to criticise almost all parties, the politicians as villains who don’t care about the public at all, and it doesn’t begin or end with one person or one party, in one state, or at the national level. The movie takes on almost everyone, from one end of politics to the other.

How it finishes :: Punyalan Private Limited has been the movie that so many people have been waiting for, after the success of Punyalan Agarbathis, and while the sequel to Aadu Oru Bheekara Jeeviyanu has been a much awaited one for the new generation, this movie is something which everyone, especially the family audience have waited for. It is also surely a waiting long above an over-hyped, over-slow-motion, copied flick’s sequel which has all style and zero substance, recently being talked about rather too much that needed, in those troll pages. This has actually been a little too long a wait, and Punyalan Private Limited has surely delivered something even when the void stared at it, but not that much as one would have wanted to, after this long period of waiting. But, when we look at the two movies separately, this one surely is close enough to the first one, and it gets there without that much of a trouble.

Release date: 17th November 2017
Running time: 129 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Aju Varghese, Dharmajan Bolgatty, Vijayaraghavan, Guinness Pakru, Sreejith Ravi, Prem Prakash, Ponnamma Babu, Sunil Sukhada, Vinod Kovoor, Guinness Pakru, Vishnu Govind, Jayaraj Warrier, Arya Rohit, Sathi Premji

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@ Cemetery Watch
✠ The Vampire Bat.

Georgettan’s Pooram

Vampire Owl: Why is it that all these people have characters that have something or the other to highlight as a title?

Vampire Bat: You mean, like that first Malayalam movie to release this year – Jomonte Suvisheshangal.

Vampire Owl: And surely Jacobinte Swargarajyam.

Vampire Bat: Along with Darwinte Parinamam.

Vampire Owl: As well as Maheshinte Prathikaram.

Vampire Bat: This is the fifth with this kind of a title, there is no real difference in possessiveness.

Vampire Owl: I think that these people, George, Jomon, Darwin, Jacob and Mahesh are related.

Vampire Bat: There is a great chance that Jacob and Jomon are – they even tell the same story, you know.

Vampire Owl: Maybe they are from different generations, and it is just history repeating itself in a distant family.

Vampire Bat: Georgettan’s Pooram might be more distant with the use of slang in it, though.

[Gets the tickets with some caramel popcorn and vegetable puffs].

What is the movie about? :: A team of four mischievous boys have grown up to be George Vadakkan (Dileep), and his best friends who are known only by their nicknames, Vava (Vinay Forrt), Pallan (Sharfudheen) and Chullan (Thiru Actlab). Living in and around the city of Trichur, the four friends spend most of their time doing nothing, having drinks or simply sleeping, in Mathai Parambu, a piece of land donated to the public by a former Kabbadi player who was part of great achievements from the Indian Kabbadi team – they also have for company and old kabbadi player, Joseph (T.G. Ravi). But George’s father, the parish priest of the local church of the Mar Thoma denomination, Mathew Vadakkan (Renji Panicker), wishes for something or anything better for his son – nobody believes in the same though, even his own friends and relatives.

So, what happens next? :: As the four goes through the path which leads nowhere, George comes across Merlin (Rajisha Vijayan) during a funeral, and immediately falls in love with her. Even though she tells him that he wishes to become a nun and despite the fact that she belongs to another denomination, he shamelessly decides to run after her for love. Without having to do anything else in life, such things have been very easy for him. There is also the entry of Peter Mathai (Chemban Vinod Jose), who claims to be the son of E.V. Mathai and claims the ownership of Mathai Parambu. He seems to be determined to take control of land by one way or the other. But the team of four are not willing to give up their place, and in an effort to save their land as well as to make Merlin fall in love with George, they go on doing some strange things, none of which works well enough.

What follows these events? :: The team of four are clueless as usual, as they are used to do nothing good, and seems to come up with nothing constructive. Even their inspiration, Joseph dies by falling from the top of a tower there. One day, Peter seems to be ready to give up the claim to the land, but for the same, George and his friends will have to play kabbadi, and also start winning. The people of the locality also backs them in this to keep the land in the hands of the public. But is it possible for them to win against top level players with some quick training? How far can the public support and prayers boost them? Is Peter really the son of E.V. Mathai, and does he mean what he says? Can George manage to win the love of Merlin and the appreciation of his parents and siblings? Not really the easier things to do for George, but he decides not to give up.

The defence of Georgettan’s Pooram :: Despite not using the state award winning actress, the star of Anuraga Karikkin Vellam, Rajisha Vijayan to her best of potential, the movie does manage to use Dileep well enough – we get to be confident that he will be back for more with another light-hearted movie, not just producing one like he did for Kattappanayile Rithwick Roshan. Vinay Forrt and Sharafudheen also remains interesting, and there is entertainment guaranteed from their side. The level of comedy is fluctuating throughout the movie, but there are some nice ones in this flick. The second half has things getting rather intense, and the plot gets an upgrade there. Chemban Vinod Jose once again impresses the audience with the way that he carries on as the man with a mission, and he remains our hope for future in a lot of different kinds of roles. Renji Panicker continues what he has been doing the best, as the father figure, and this time at more than one level.

The claws of flaw :: The movie is just too long, and it could have easily been made shorter without some bad jokes in the first half and those slow motion sequences of heroism in the second – Karinkunnam 6s had managed to bring volleyball to the centre of everything and managed to be an interesting flick; but this one gets kabbadi too late in the second half only, and things get serious slowly only. Sudheer Karamana gets to play kabbadi here as he had done for volleyball in last year’s Manju Warrier starrer. A certain amount of absence in logic is also there, and the movie also gets confused in working with the Christian denominations. If the priest shown as protagonist’s father is actually a priest of Mar Thoma denomination, as a protestant church, the church building or the house wouldn’t be having saints or statues of anyone. If the person was intended to be a Catholic priest, he wouldn’t have been married – it is a strange world right there. One also wonders why the protagonist has to go after the girl shamelessly after she says no – shouldn’t the “no” always mean a “no”? And still he is a hero?

How it finishes :: Georgettan’s Pooram could have done a lot better not only with its comedy, but also with its sporting side. But as it is now, it is surely a watchable flick, and the best entertainer with Dileep as the main character after Two Countries which had him at what he has been doing the best. The protagonist shouldn’t have turned a super kabbadi player all of a sudden though, battling against the big players. Maybe some restraint could have been brought with the heroism. Maybe, a better flow could have been maintained. But for some time-pass, nobody can deny that this movie has something here and there for most of the people. Surely bigger in fun compared to Dileep’s recent movies, and surely better than any movie in that long list of continuous movies from Kammath and Kammath to Ivan Maryadaraman, Georgettan’s Pooram can ask for some of your time as long as you enough to spare!

Release date: 1st April 2017
Running time: 155 minutes
Directed by: K. Biju
Starring: Dileep, Rajisha Vijayan, Chemban Vinod Jose, Vinay Forrt, Sharafudheen, Thiru Actlab, Renji Panicker, T. G. Ravi, Sudheer Karamana, Kalaranjini, Assim Jamal, Jayaraj Warrier, Sunil Sukhada, Sathi Premji, Kulappulli Leela

@ Cemetery Watch
✠ The Vampire Bat.

Oru Muthassi Gadha

orumuthassigadha-2

Vampire Owl: So, the title is not about the story from grandma.

Vampire Bat: No, it is more about the blunt mace.

Vampire Owl: I guess I misunderstood this one then. I see variety.

Vampire Bat: This one battled with Kochavva Paulo Ayyappa Coelho, Oppam and Oozham which were running at the theatres during that time.

Vampire Owl: And it was there in those multiplexes for quite a long time.

Vampire Bat: Which is why this one deserves more respect.

Vampire Owl: We remember how good Om Shanti Oshana was, from the same director.

Vampire Bat: Yes, just his second movie. Doesn’t that feel like reason enough to watch this one?

Vampire Owl: Yes, a lot more than the other reasons.

Vampire Bat: Lets make it happen then.

[Gets three cups of tea with banana chips].

What is the movie about? :: Siby (Suraj Venjaramoodu) lives in the city with his wife Jean (Lena), daughter Alice (Aparna Balamurali), son Alan (Nohad Shajahan) and his mother, Leelamma (Rajini Chandy). Due to his mothers ill-tempered nature, Siby finds it difficult to find domestic help when he and his wife goes for help, and even his friends are afraid to come to his house. She is always angry towards her daugher-in-law, continuously finding fault with her, and her attitude towards her grandchildren makes sure that Alice wishes to stay in the hostel and Alan wishes to spend more time at the school. Their last hope comes in the form of a Bengali worker who somehow manages to get along with his mother. Even though this is a certain amount of relief, her nature remains the same, and even his boss Anil (Vijayaraghavan) has to face her wrath.

So, what happens next in the movie? :: It is Anil himself who advices Siby to take the whole family to a trip which can make things better. But with his mother not willing to go, they are forced to go on the journey all by themselves. Leelama stays back at home, and she is joined by Soosama (Bhagyalakshmi), Jean’s mother who intends to keep her company. Even though they don’t get along well in the beginning, things change later, and Leelama’s flashbacks are revealed. This leads to her coming with a wishlist, and they going on a trip to find more from Leelama’s flashbacks. After this journey, which will include Alice and her boyfriend Milind (Rajeev Pillai) along with Leelama’s classmate’s grandson Brilly (Jude Anthany Joseph), there are changes coming, not just to her family, but also to those around her.

The defence of Oru Muthassi Gadha :: This movie comes up to provide a message nicely, that too with all its simplicity. It is a similar feeling which was in Om Shanti Oshana, that we have here, and we even see some of the characters from that movie again. That smooth feeling is also maintained in this movie, with no scope for melodrama, and we take this movie in a light-hearted manner too with the needed feel-good. There is energy here, and there are moments which go directly into one’s heart. It is a reminder to us that there are things that can be changed, and we have to try hard enough for the same. It is by looking through another person’s eyes, can we know them better, and it is different for each person from different situations – the movie asks us to try to go through the same instead of judging them all. It also talks about going on with our busy lives along with giving enough care to our parents and grandparents. The movie does look really good with its visuals and there are also some nice songs to go with the same – it also does end well.

Claws of flaw :: This is surely not that good as Om Shanti Oshana, one can be sure about that considering the fun side. Oru Muthassi Gadha does preach, and that might not go well with everyone. There are moments when this movie could have been funnier, and there are points where this one could have been more serious about its message – but this one maintains one path right from the beginning to the end, that is of a light-hearted movie with a message, without moving out of its simplicity to bring something that strikes the heart in a deeper way. There are also jokes that go wrong, and the moments which are overdone, which affects this movie, but only up-to an extent. There could have been more ideas about presenting a grandmother like this, but Oru Muthassi Gadha believes that it had enough of experimentation a little too early, and hesitates to bring more. Well, you do wish for more here considering the main idea.

Performers of the soul :: Rajini Chandy leads the way here as the protagonist, and even as a new face, she has made things work so well, rising above everyone else. Keeping her company is Bhagyalakshmi, without doubt, as she goes on to bring the change here in this movie. There is no real leading actor in this movie, and it is with Rajeev Pillai who is paired with Aparna Balamurali who is back from Maheshinte Prathikaram that some part of it lies, and he also has his funny moments. Aparna is once again good in another role here, or rather two of them. Jude Anthany Joseph also surprises us with some nice funny lines including the “M for Marry” and “Inception” dialogues which are really well-timed – there is something special about those funny dialogues which directors themselves use as actors as long as they do it well enough. To add to that, Suraj Venjaramoodu and Lena along with the whole family really work well together in this flick – its one nice family here.

How it finishes :: Unlike what many people had thought, Sreenivasan and Vineeth Sreenivasan got only smaller roles to do here, but we do remember them. The movie does live up to its trailer, and it is sure to make a very nice choice to watch with family. There are enough messages for the families and the new generation to take home, and Oru Muthassi Gadha is the kind of movie that is sure to be interesting for all types of audience, even without trying to go beyond its limitations – this one has still managed to bring its message in a different way. This movie also makes one wait for more movies from Jude Anthany Joseph, who seems to be the one director whose movies can be watched without second thoughts. Well, this one has a shared universe with Om Shanti Oshana – now that is something which you don’t usually see around here!

Release date: 14th September 2016
Running time: 144 minutes
Directed by: Jude Anthany Joseph
Starring: Rajini Chandy, Bhagyalakshmi, Aparna Balamurali, Suraj Venjaramoodu, Lena, Jude Anthany Joseph, Sreenivasan, Vineeth Sreenivasan, Vijayaraghavan, Renji Panicker, Rajeev Pillai, Ramesh Pisharody, Sathi Premji, Dharmajan Bolgatty, Musthafa, Nohad Shajahan, Bijukuttan, Baby Meenakshi (cameo), Lal Jose (cameo)

orumuthassigadha

@ Cemetery Watch
✠ The Vampire Bat.

Pretham

pretham

Vampire Owl: So, you are saying that the ghost has finally arrived.

Vampire Bat: Yes, it has come to provide us with its presence.

Vampire Owl: I heard that this one even has a mentalist?

Vampire Bat: Yes, one mentalist played by Jayasurya.

Vampire Owl: The looks do seem very interesting.

Vampire Bat: And when it is from the director who has brought us a number of good movies.

Vampire Owl: It has been a long time since we have seen an interesting ghost. I hope that this one will qualify to be there as a good one.

Vampire Bat: There is no reason to think that a ghost can’t be good. It will hurt the creature’s feelings.

Vampire Owl: Yes, we shouldn’t be judgmental towards the poor creatures from the other world.

Vampire Bat: Exactly. We need them too; they bring the balance in a boring human existence as we can’t always do the same.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Three youngsters Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), and Shibu Majeed (Govind Padmasoorya) has begun their own business of a resort after working hard till their thirties. The three are best friends keeps remembering things from the past. They invest most of their money and also what they could manage from their ancestral wealth to buy this resort on which they have placed their hopes. They go through their lives with a crush on Suhanisa (Pearle Maaney) who learns dance at the resort, and doing only those things which are of interest, as they are no longer working under a person as they used to, and are completely out of control of their parents. Living a life full of enjoyment, and doing nothing other than those small things that come upon the resort, the three feels that this could go on forever.

So, what happens next? :: But as strange incidents begin to happen in the resort, they consult John Don Bosco (Jayasurya), a psychic and a mentalist who is referred to them by the local priest (Harish Perady) after failing to bring any change with the use of holy water. After making some attempts, he finds that the person behind all these is the restless spirit of Clara (Sruthi Ramachandran), who has a history that goes back to this resort when she last stayed here. Is John strong enough to get rid of this revenge-seeking ghost? What does she want from the three friends? Are they responsible for her death and the hopeless nature of her spirit? How can a mentalist work with a ghost who is not even interested in contacting and talking with humans? Is there something bigger hidden under the resort that should not be brought out?

The defence of Pretham :: This one successfully gets rid of the white saree idea which was too common in our horror movies – instead it goes for the black churidar which the spirit was wearing while committing suicide, which is fair as there are no shops supplying white sarees in the other world no matter which religious text we look at. The visuals are really good with the resort on the beachside, and we do get the horror comedy as we wanted to. There is just enough of both horror and comedy, not in high doses. The entertainment factor is there, varying for different people according to the tastes. With Jayasurya entering the scene as the mentalist, things get more interesting, and it is from there that the movie gets more engaging as a horror movie. In the end, we also get to see some of the cruel, sadistic face of the new generation youth which looks for success only, as it doesn’t matter for them that whose little dreams are crushed in the process – there is also the social issue.

Claws of flaw :: This one still happens to be predictable, and the message is also not brought to the screen in the best way. It is also not for the people who have watched so many horror movies and are looking for big scares – they are not much there for some reason. There were so many moments which could have had them, and we think that they are going to arrive, but that doesn’t happen at all. This one doesn’t really go on to become a special one with big difference, even with a mentalist as its main character, and that is a disappointment that Pretham doesn’t even try hard enough for the same. The comedy is also flawed at parts, with the adult jokes getting nowhere and some of them won’t connect with anyone at all. With a cast that has full ability to bring the fun, one has to wonder why that was not utilized to the maximum.

Performers of the soul :: As expected, Jayasurya is the pick of them all – it was already clear in the trailer, and it is reiterated very often in this movie from the first moment he shows up on the beach. Just like a wide variety of characters that he has played throughout his career, this one also leaves a mark, and it is due to him that the movie gets to be at a better strength all of a sudden. He comes, and delivers as it was expected of him – there is no question of doubting this man and the character played by him. He is no Sunny Joseph of Manichithrathazu, but a mentalist is indeed something new in a Malayalam movie. Among Aju Varghese, Sharafudheen and Govind Padmasoorya, it is the first two that create the fun here. Pearle Maaney looks strangely uncomfortable with the whole situation. Harish Perady is sadly limited to a smaller existence.

How it finishes :: One can be pretty sure that this won’t get to the level of Su.. Su… Sudhi Vathmeekam which was the last effort from the same director, but I would consider this to be surely better than Punyalan Agarbathis; in these three movies, it was all Jayasurya, and he is the pick yet again. This is surely a big escape from the past this year that had what might be Jayasurya’s worst movie which was IDI – Inspector Dawood Ibrahim. If you are looking for an enjoyable horror comedy, you are sure to have it; but there won’t be anything more than that – there is enough for some fun, and we get to take the messages home. Well, we don’t get many horror movies in Malayalam; and there are surely not enough ghosts. The Prithviraj Sukumaran-Tovino Thomas starrer Ezra might change this in a very different way, but until that, lets watch Pretham as we are not looking for The Conjuring or Insidious here.

Release date: 12th August 2016
Running time: 126 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Aju Varghese, Sharafudheen, Sharanya Menon, Govind Padmasoorya, Sruthi Ramachandran, Pearle Maaney, Dharmajan Bolgatty, Sunil Sukhada, Sathi Premji, Harish Perady, Devan, Vijay Babu, Nyla Usha, Arya Rohit, Anjana Appukuttan

pretham

@ Cemetery Watch
✠ The Vampire Bat.

Ivide

ividee (1)

What is it about? :: Varun Blake (Prithviraj Sukumaran) is a police officer in the Atlanta Police Department, with the Indian origins as he was adopted by an American couple from a church-run orphanage at Kottayam. Roshni Mathew (Bhavana) is his ex-wife who had decided to separate from him due to his violent behaviour and never-ending insecurities. Krish Hebbar (Nivin Pauly) is her new boss at the new job, and he is someone who used to be her classmate. He is also her newly found love interest at the time of crisis. At the same time, there are murders happening in the city, and the murdered people are all immigrants of Indian origin. As Varun goes after the case and discovers a link, but he might be presented with a choice in the end, which will define his quality as a person and a police officer.

What is it really about? :: We are introduced into the story and are provided with narration when needed in the voice of Prithvraj who himself talks in Malayalam, a language his character is not able to speak. It makes things clear, that it is his subconscious speaking in the only language which he knew during his childhood, and the movie is all about how he finally manages to let go and becomes a better person. He is a man of bad temper and insecurities, but as the movie reaches the end, he becomes a changed man, and all the other characters and incidents are just reasons to bring him to that end. Yes, it is all about Varun Blake, the Indian child adopted into an American family, as he moves towards that change which is rather too radical for him – everything else including the murders are reasons.

The defence of Ivide :: Ivide has the touch of the highly skilled director, Shyamaprasad who refuses to let this go as an investigative thriller, and rather takes it into the minds of the characters who are just simple human beings caught in the web of life. There are reasons for each and every action which defines the lives of the main characters and everyone around, as things come together and there is one touch of integrity, vanity or brutal ambition which creates that butterfly effect exhibiting a ferocious core. Ivide is not really that thriller that you were looking for, but powerful drama of the modern world which makes one question the past, the present and the future. This is set in a beautiful world which has been well transformed on to the screen by the camera – love those skyline shots and the natural beauty on screen; the songs are pretty good too.

The claws of flaw :: The movie is slow; surely a lot faster than movies like Annayum Rasoolum which asks you to go and have Chicken Biriyani and come back only to know that nothing has happened and then you need to go for tea and see if anything good occurs on the screen. In contrast to that, Ivide‘s lack of pace is beautiful, and it adds to the mood of the movie, but still it is drag for the common man. The thriller element is completely lost while the movie deviates to other territories, and thus it does give the fans of the genre certain disappointment if they were just looking for that, and nothing else. Ivide also has other minor struggles here and there with its progress, but if you can get into the rhythm, you might be able to forgive most of them. Even with mixing of genres, the focus on murders is rather lazy. The entertainment factor rather misses out for the regular audience too.

Performers of the soul :: This had to be Prithviraj Sukumaran’s movie, and it surely is. It is all about his character as he moves through that life in which there was always the need to let go, but it is only realized much later. The identity crisis and the confusion about love and care are portrayed very nicely with all the complexities as Prithviraj becomes the true show stealer. He also gets the most memorable lines, and once again establishes himself as the right one to play the cop. Nivin Pauly’s character becomes a major reason for all these to happen, but he is left with less to do, and in a not so challenging role, he does fine. Bhavana is also nice, but once again she and Nivin just do the support in the game lead by Prithviraj. Prakash Bare makes a good appearance too. The foreign actors and actresses also create the needed impact.

Soul exploration :: The movie takes a ride through roots and the absence of knowledge about it, love and the search for it, hope and the desire to believe in it, and love and the search for it in a modernized world in which we can’t go through by looking though just one perspective. There are many things which are dealt with in this movie, and it starts with the racial alienation, and it goes on to explore the insecurities felt by different people because of a wide variety of reasons. There is inability to belong somewhere or with someone, and there is consistent feeling of not being what someone is. There is the corporate evil also in display. Well, even in the end, the fact remains that there is absolutely no reconciliation with his girlfriend and adoptive mother for the main character, and it is a let down for the movie which explores themes like these.

How it finishes :: If you are looking for an investigative thriller in the model of Memories or Mumbai Police, you might need to look for another options, as this is not that kind of Prithviraj movie meant to keep you guessing about the murderer. It is not intense by that order, but surely is intense by the feelings, if and only if you can relate to the character Varun Blake played by Prithviraj. You need to get that emotional connection here, and unless you try early enough and realize the need, you might not get there, and might miss out experiencing the hidden beauty of this movie. It might make you believe that a thriller is in store in the beginning, but do not fall into that trap, and instead fall for the emotions and begin having that emotional connection with the characters right from the start, and then the ride will take that twist of fate and go the right way. Be warned though, about so much of English in this one – still, there are enough subtitles in Malayalam.

Release date: 29th May 2015
Running time: 159 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Prithviraj Sukumaran, Bhavana, Alexandra Bartee, Prakash Bare, Jia Patel, Dhanish Karthik, Deepti Nair, Sathi Premji, Haridev, Sunil Veettil, Shaun Xavier, Tim Naddy, Juan Alexander, Kirstein Gilbert, Robin Cole

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✠ The Vampire Bat.