Porinju Mariyam Jose

What is the movie about? :: Porinju (Joju George), Mariyam (Nyla Usha) and Jose (Chemban Vinod Jose) used to be close friends from childhood days itself. Porinju has been in love with Mariyam since then with the support of Jose. She continued her studies at school even though her friends dropped out, and found one or two reasons to meet Porinju every time. But because of her dead father’s opposition, she has been keeping Porinju waiting. Porinju is the butcher of the village while Jose did even smaller jobs to support his family which included his father, brother, wife and daughter. Both of them never really missed a chance to enjoy life though, with some local alcohol and cigarettes. They are much loved by the people of the village, as they look forward to the local church festival to have the best of fun. Mariyam has been the village’s money lender since her father Varghese’s (Nandhu) death.

So, what happens with the events to follow? :: Set in one of the villages in the outskirts of Thrissur town in the 1980s, there is a lot of focus on the church festival which forms the basis of everything. It is during such a festival that something happens, which changes the equation. As Prince (Rahul Madhav), the young blood of the house of the rich and powerful Iype (Vijayaraghavan) falls for Mariya, chaos errupts. As he grabs her backside, Jose is there to beat him up, only to find the members of Iype’s family beating him up together. Porinju who has been in good terms with Iype decides to help his friend, but this fight doesn’t end there. Prince is a typical spoiled brat who wouldn’t stand being beaten up by someone of lesser social status, as he decides to return during the next festival, and teach Porinju and Jose a lesson, much to the dismay of Iype.

The defence of Porinju Mariyam Jose :: It can be clearly seen that Porinju Mariyam Jose is not a typical mass masala movie which is often expected when knowing about a premise like this. There are some fine introductions in the beginning stages, and we come to know about the incidents in the movie from the common village people themselves. The spirit of the age and people are nicely captured here, and the setting is nothing less than catching one’s attention. The action scenes are violent, but feels realistic with the intensity that surrounds it. There are some thrilling moments, and we have the funny sequences here and there. The romantic side remains emotional, and we feel its effect that would go through decades and into the grave. The touch of realism keeps this movie apart from the other movies from the same director, and we become part of this world with ease.

The claws of flaw :: There might be the feeling that Porinju Mariyam Jose is more suited for the time period of 1980s and 1990s, but I would say that it wouldn’t have this much of a beauty if it was presented then. A certain amount of stretching can also be seen in the second half, and the story doesn’t rise to go further away from the usual stuff – there is no special ingredient regarding that. This movie could have actually had more, with other happenings of the village, and a solid reason for all these twist of events. The messages could have been stronger, and this never-ending cycle of violence could have been given a pause at some point. Some people might say that this is not as good as the veteran director’s earlier movies, but I would consider that to be a case of personal opinion, because this movie’s case is to be considered separately, like a deviation.

The performers of the soul :: Joju George had greatness written all over Joseph, and here is back with another lead role, and something else to remember in a different way. He had also won the National Film Award – Special Mention for that flick which is considered to among the best emotional investigative thrillers of all-time. As we also remember two other emotional roles from him in Virus and June, it can be seen that this movie explores another side of him with the character of Porinju. The man here plays a lovable character even though he is always there in the middle of the fights. The emotional moments once again has the best here, and we see that the same touch our hearts again, and the ending does provide that Joseph-like feeling for us. From the release of Joseph itself, we have been aware that there is really nothing that Joju can’t do, and only he can make it better each and every time.

Further performers of the soul :: As a movie which thrives with its performances, Joju is not the only person who serves as the lighthouse, the fixed mark and guiding light to this movie. Nyla Usha, who is best known for Punyalan Agarbathis, was not to be seen in its sequel Punyalan Private Limited, but we did see her in Lucifer. We knew how well she could suit this role from the trailer itself. She plays a strong character, and she does that with so much ease, and makes us believe the same with a realistic side. Chemban Vinod Jose is a master of many things, as he had proven with the award winning Ee Ma Yau, but that was just one part of it. He blends into some roles so well that we feel that he is providing another flawed character to be loved by all. Vijayaraghavan plays the man caught between two loyalties very well that we feel for him, no matter what he does. Rahul Madhav’s role is rather small, and with too weak an antagonist, he serves okay.

How it finishes :: The first half of the movie is indeed better than the second, when things get kind of slower and predictable. Maybe a little bit more of an effort could have made everything better, but we can say with confidence that Porinju Mariyam Jose jumps far ahead of the director’s last few movies with ease. One can also have no doubt about the fact that this movie thrives on its performances with the best possible cast for each role. We are taken to that world of rivalry and revenge, as we also become part of it. Porinju Mariyam Jose is a movie which is there to stay in the mind for long – it doesn’t have to pretend to gain that recognition. It is a movie which is there to stay, and go on strong until the Onam releases try to take over, but as of now, special appreciation is needed for this movie which is kept family-friendly even with the different themes which could have been explored in another raw manner.

Release date: 23rd August 2019
Running time: 130 minutes
Directed by: Joshiy
Starring: Joju George, Chemban Vinod Jose, Nyla Usha, Sudhi Koppa, Sinoj Varghese, Rahul Madhav, TG Ravi, Swasika, Vijayaraghavan, Salim Kumar, Malavika Menon, Kalabhavan Niyas, IM Vijayan, Sarasa Balussery, Nandhu, Jayaraj Warrier, Disney James

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Maradona

What is the movie about? :: Maradona (Tovino Thomas) is a young man who finds some illegal ways of getting easy money every time, and for his support, there is his childhood friend Sudhi (Tito Wilson). Breaking law came easy to them, and they did the same without any regret. Both gets in trouble as they end up in a dangerous situation involving a lawyer as well as a rich politician. The influential people are looking for revenge on the young men, and it sets Martin (Chemban Vinod Jose) and his aid Anto (Kichu Tellus) are after them. They search for Maradona and his friend throughout Kerala, and follows the trail to the neighbouring states of Tamil Nadu and Karnataka. While Sudhi travels to Kanyakumari with a journey to the South, Maradona seeks refuge in the flat of his distant relative at Bangalore. Martin searches and finds the links getting close to finding both of them at different points.

So, what happens with the events to follow? :: Maradona is not happy with his stay, but he has nowhere to go. The result is that he finds his own moments of happiness in the flat. Soon, he finds new friends in the nearby homes including a girl who works as a home nurse at the adjacent flat, Asha (Sharanya R Nair). The relationship goes further, as both can’t help falling in love with each other. But with the people chasing him getting closer, Maradona will have think about more than just love to make something good out of life. Is there a chance for a happy ending for Maradona? What can satisfy the people who are chasing him? Hope might be the thing with wings, but is Maradona good enough to have some? How much more trouble can he take after being injured in a clash?

The defence of Maradona :: The movie’s game is that of life, and the man named after the great footballer needs to score his goals – life is a tough game, and we can see the same reflected without exaggeration here. The visuals are nicely captured, and the songs are lovely to listen here. The “Kaadhale” song along with its visuals are nothing less than the bliss of solitude, as Wordsworth would compare. The thrills are present with a chase going on right from the beginning. The action scenes are good, and as a movie with more, we see the drama and the romantic scenes working very well too. Above them all, we see the gradual transformation of the character as he goes through the situations which he hasn’t been familiar with. It is a coming of age story in a different way, and there is nothing here that restricts the movie’s slow, but steady movement towards the same.

The claws of flaw :: The movie feels a little bit stretched with its idea, and even then, a flashback to the flawed hero is not that much there. The title Maradona might have mislead many people, but there is absolutely no presence of football in this one; it is just that people kicking others are present all the time. There is also more scope for Maradona, not just with its thrills and action, but also with the cute romantic side – more of the comic side could have made the presence felt right there. The ending might seem a little bit too far-fetched for a movie like this, and it is more or less an attempt to quickly move towards a happy ending loved by the audience, something which Mayaanadhi never really tried to achieve. Dealing with a certain divergence, this one could have thrived on it, but takes a step back as it moves towards the end – there is no doubt of the same being enjoyable though.

The performers of the soul :: Tovino once again scores as the flawed hero – the question here once again whether his flaws lead to his fall or can he rise above it? There are similarities to his character in Mayaanadhi, but clearly, this role is tougher, and there is no asking for sympathy – all actions of this particular character are intentional, and most of them are not good even for the standards of the typically bad hero. The movie celebrates his deeds, whether good or bad, and it is on his character that the movie progresses. We also see the gradual change that come across the character – it is also nicely shown by him. We have the character that is close to life, and we never doubt the flawed hero’s reality that is displayed here, no matter how much it stays away from the usual heroic stuff.

Further performers of the soul :: Chemban Vinod Jose as strong as he has always been, playing an antagonist without backing down at any moment. He has his own moments here too, showing more than one side of the character. Tito Wilson with the Angamaly Diaries fame excels once again, and his supporting role is once again natural and realistic. Sharanya R Nair is the new face in this flick, and this addition to the list of heroines nicely makes her presence felt. All her work here is nicely balanced, and we are glad to welcome her into the industry, being confident that there is a lot more for her to contribute. Leona Lishoy also makes her presence felt with her supporting work again. The cuteness factor does help, but it is not restricted to that, and we see her going through the different emotions at various points of time without any problem that a newcomer would be exhibiting, and all’s just natural.

How it finishes :: There is something about the movie chosen by Tovino Thomas, for they bring the difference almost every time. Maradona also shows such qualities, with the seemingly usual characters and usual tale choosing to go through a divergent path, with quite a different treatment. This one might not be the movie for everyone, but just like Tharangam, it chooses to make something more out of what seems to be a usual story. In a monotonous world, there are only a few movies which try to experiment with its content, covering the possibility of predictability so well – Maradona will be remembered as one of those movies. With some moments which can stay in our minds for long, this one will continue to be the one movie which will go on into the Onam vacations despite nature having its own way with the never-ending rainfall.

Here is a video song from the movie:

Release date: 27th July 2018
Running time: 148 minutes
Directed by: Vishnu Narayan
Starring: Tovino Thomas, Chemban Vinod Jose, Tito Wilson, Sharanya R Nair, Leona Lishoy, Shalu Rahim, Kichu Tellus, Parthavi, Niranjan Harish, Hari Thampuran, Nistar Ahmed, Jins Baskar

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Villain

What is the movie about? :: Mathew K Manjooran (Mohanlal) is the ADGP in the city who has been out of action for about six months following a road accident which lead to the death of his wife and only child. He is looking forward to take voluntary retirement from service on the day on which the murder of three big names in the city occur in an abandoned mansion. Therefore, it becomes the final case that he has to take care of, even though he is forced to carry it over through for a few days after his retirement, as requested by his colleagues in the department. In this twisted case which includes a police officer Vinod Abraham (Kottayam Nazeer) as one of the dead, he is provided assistance by H Sreenivasan (Renji Panicker) who was first given the investigation charge, along with two subordinate officers Harshitha Chopra (Raashi Khanna) and Iqbal Mohammed (Chemban Vinod Jose) who are now part of the city task force which he had started long ago.

And what is to follow in this particular adventure? :: The one who used to be one of the strongest arms of law, has undergone quite a change in the recent past, as Mathew seems to be more of a tired and philosophical man these days. The one thing that he does hold on to is his love for Shakespeare, with a reflection of the same in his life, as he remembers Lady Macbeth’s words about all the perfumes of Arabia, has his own hesitation related to vengeance like Hamlet, fights a possibility of being drowned in madness like King Lear, and has his own Brutus in the police force, as does Julius Ceasar – he is also the Prospero of his own Tempest. He figures out that there is someone trying to get their attention, and at the same time, another murder of three people takes place. Meanwhile, the clues seem to lead to Shaktivel Palanisamy (Vishal) and Shreya Venkatesh (Hansika Motwani). But they wonder about how the six dead people are related.

The defence of Villain :: There are thrills in store with Villain, and there is some suspense over how things are going to come down. The first half has us guessing about more than one thing not just about the murderers, but also about the protagonist. We feel that there is a link coming up between everything, and things are set very well by the end of the first half. The thrills are there, and the twists are provided a little too early unlike The Great Father. The mass elements also take the backseat for most of the time, which is a great thing here. There is also the case against vengeance here, as we hear about it eating up the one who seeks it as much as those who end up on the receiving end of an act of revenge. You will notice that the emotional side is very strong with this one, as we feel the grief as much as the protagonist does on the big screen. Villain is also a very good-looking movie on the screen, as there is so much of visual beauty, and the locations seem to be nicely chosen. The songs are also sweet.

The claws of flaw :: If the identity as well as the motive of the murderers was left for a big twist in the end, that would have served this movie a lot better. This is the kind of premise that can support more twists in between, and the movie doesn’t use its resources to the best effect. The movie also needed a flashback from Vishal’s character’s angle, to really explore his perspective instead of taking a few things for granted – it is the same with Hansika’s flashback which relates to him. Also, the movie is a little too long, when you look at it. The scissors could have been put on some of the flashback sequences, and they could have been restricted to the songs and a few dialogues – we see have seen that done very well with the movie Memories. The idea about killing out of love and killing out of hate is very good, but not done in the way it could have brought the best effect. The talk about “the grey” side between black and white is also not used to its best advantage in the final scenes.

Performers of the soul :: The tranquility among the waves inside his mind, which is wonderfully depicted by Mohanlal with this character is the best thing about this movie. The serenity that is reflected on his face which has the feeling of pain visibly hidden, is nothing less than beauty to watch. He has two looks in this one, a side of the confident police officer determined to fight crime, having the look with the mustache, and also the side of the tired former police officer trying to solve one final case with just hope, having the look with the white beard. The latter one goes deep, and the pain that this particular avatar seems to possess, got the ability to break your heart with an abiding sadness if you get too close to the character with a case of empathy. Coming right out of a good run with Udaharanam Sujatha and C/O Saira Banu, Manju Warrier plays the wife of Mohanlal’s character, and she has handled it without trouble, even though the same is not a long one. The girl who plays their daughter was also very good, strong and energetic all the time.

Further performers of the soul :: Vishal and Hansika Motwani make fine debut in the Malayalam movie industry, even though a number of their sequences do give way for style over the rest. The former seems to have perfect hold of his character, while the latter, along with looking good, comes up with good support, despite given not much of a character development. We feel that Vishal could have been here earlier. Srikanth has much less to do than expected, and has a little too stylish a villain as his character. Aju Varghese has a rather small appearance as in Loham, while Renji Panicker and Siddique have no problems in doing their job here. Also, one can’t help not loving Chemban Vinod Jose as a police officer once again. He is at his best when he is playing a thief or a police officer, and he scores high here too. Whether it is about playing the good guy or the bad guy, whether it is about doing a funny role, or a serial villain, he has been so good these days. Coming out of a thief role in Varnyathil Aashanka, here he is doing protagonist’s support with ease. Also, another person to note is Raashi Khanna who began with Madras Cafe getting to play a smart cop here, and that works, a long way ahead of the other supporting female cops in our movies.

How it finishes :: The one movie to which this flick seems to have the most similarity, might be B. Unnikrishnan’s own movie, Grandmaster. But the reflection of sadness in this movie, and the situation of the protagonist is more comparable to that of Sam Alex in Jeethu Joseph’s Prithviraj starrer thriller, Memories. But you can easily notice the difference in treatment here, as things go more philosophical in nature, and the same replaces the powerful suspense and twist that Memories had, and the identity of the killers and the motives are revealed rather too early. But Villain is never short of being entertaining. It is surely better than the two huge Mohanlal blockbusters of last year Oppam and Pulimurugan, but is nowhere near Drishyam with the same. Villain is the kind of movie that would work with almost every kind of audience, and it is one more reason for you and your family to not miss this engaging thriller.

Release date: 27th October 2017
Running time: 143 minutes
Directed by: B. Unnikrishnan
Starring: Mohanlal, Manju Warrier, Raashi Khanna, Vishal, Hansika Motwani, Aju Varghese, Chemban Vinod Jose, Srikanth, Siddique, Renji Panicker, Anand, Idavela Babu, Kottayam Nazeer, Balaji Sarma, Antony Perumbavoor, Sai Kumar, Irshad, Sanju Shivram, Vishnu Govindan

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Velipadinte Pusthakam

What is the movie about? :: Pheonix College of Arts and Science was established ten years ago as a result of the efforts of Vishwanathan (Anoop Menon), a local man who was killed on a terrible night after he made this possible. The location of this college is at a coastal village, where most children stop education at the school level itself, and a few don’t even bother to get to the verandah of nursery. There have been the presence of rich people like Mathan Tharakan (Siddique) and his right hand man, a criminal Kakka Ramesh (Chemban Vinod Jose) who don’t want the local youth to attend college, as it would deprive them of the workers for their fishing business. The college did develop into a popular institution ten years after its inception though, and people from city also joined in to make the campus a mixture of different kings of students, as the number of students from the village doesn’t get any higher, with fishing being a traditional job for the locals.

So, what happens with the events to follow? :: Into this college where the memories of Vishwanathan is more treasured that anything else, there has been the entry of violence – there is nothing political or religious in nature with the quarrels being rather social. With more students filling in the vacant seats left by the locals, there are two groups which can’t afford to see each other. The first one is led by Franklin (Sarath Kumar), as the son of the best friend of Vishwanathan, coming from the local fishing community – proud and not backing away from a fight. They ridicule those coming from outside as rich beggars who have been trying to take away their opportunities and buy seats with cash. The second one has their leader in Sameer (Arun Kurian) who is an angry young man coming from a rich family in the city, and wastes no time in getting into fights and ridicule his rivals for being poor and doing fishing.

And what else is to follow with the book of revelation? :: The two gangs find one reason or the other to fight it out at open spaces or inside the college auditorium when there is the need for some privacy. Supporting the city gang against the village team is the vice principal of the college, Prem Raj (Salim Kumar) who has become an irritation to the female students as well as the teachers, earning him the nick name Kamaraj. Franklin and his team gets rid of him with a nicely executed plan which exposes him in front of the principal. He manages to continue as a professor, while the post of vice principal goes to Michael Idicula (Mohanlal), a happy and easy-going professor who teaches Malayalam. With a grand entry, he manages to be a favourite of all students, and even manages to win the trust both Franklin and Sameer at the same time. But there is one more thing that he will need to do, and by doing the same, he will make sure that there will be some revelations, not just about himself, but also about Vishwanathan and his death.

The defence of Velipadinte Pusthakam :: The movie is entertaining for sure, and the first half has a lot of funny moments to add to the cause – whenever there is something related to the college and its people, there is the comic side that comes up; it is Salim Kumar who handles that all the time. The visuals of the coastal village is very good, and there are some dialogues to remembered, some as serious ones, and a few from the comic side – this is never the complete with its funny side though. With its ups and downs, the movie depends on Mohanlal to save it, and it is his presence that makes the audience miss some of the troubles that this movie has. There are some twists in this movie, some are on the funny side, and the rest are on the more serious angle – some of the thrills come not that strong, but they are surely present there. The most interesting song remains the one you have already listened, and had become the big hit.

The claws of flaw :: The movie’s trouble is with its second story, which makes one wish to return to the college, and keep things there. The thrilling side is not used as one would have wanted it to be, and the revelation of the suspense could have been done in a much better manner. There is also the lack of focus on a number of characters that could have done wonders. The second half becomes inferior to the first, and the curse of the second half tightens its grip on rather too many occasions. We also think that there would be some relevant social theme being taken about the rich and the poor, which is not there – with those early clashes, that could have been on the list of things to show for sure. Also, Mohanlal as a lecturer could have become the perfect lecturer to transform this college through a series of interesting events, rather than skipping through all that. This one is also too long a movie, which is why there is the feeling of dragging in between.

Performers of the soul :: Mohanlal, in his usual style, manages to cover the limitations of the script here. Due to the same, this movie also becomes a treat for the fans, who will get to clap here and there, especially with his entry and more in the second half. Munthirivallikal Thalirkkumbol from this year, and Oppam and Pulimurugan from last year have all been doing wonders for him. Anoop Menon has much to with flashbacks, and he remains pretty much suitable, but has not many dialogues. You will find out that Sarath Kumar as well Arun Kurian finds themselves limited as their characters’ rivalry is lost rather too easily. The work here is no challenge for them. Even Anna Reshma Rajan fades away in the process, and so does almost every female character including Priyanka Nair and Sneha Sreekumar. Salim Kumar here has one a full swing comedy attack as he launches one funny dialogue after the other, and with ups and downs, some of them misses by a long distance, but there are a few others which are close to target. The two negative characters played by Chemban Vinod Jose and Siddique are solid, without doubt.

How it finishes :: How much Velipadinte Pusthakam would work for you, certainly depends on your expectations. The expectations were also so high for this one – this was also the movie I was looking for, with Lal Jose and Mohanlal coming together, and the cast from Angamaly Diaries, Sarath Kumar and Anna Reshma Rajan doing some memorable roles. Yes, even more expectations than what was there for Njandukalude Nattil Oru Idavela and Adam Joan. If that much is your expectation, there will be some trouble. The movie is actually quite far away from what you might have expected from the trailer. I was surely surprised by how much the movie has deviated from what I had thought about it, and it is due to the same, that I have crafted the story in such a way that none of the twists, whether serious or funny, are revealed. If you are watching Veilpadinte Pusthakam, be prepared for the deviation. You can’t deny the presence of fun though, especially if you are watching it with family.

Release date: 31st August 2017
Running time: 157 minutes
Directed by: Lal Jose
Starring: Mohanlal, Anoop Menon, Anna Reshma Rajan, Arun Kurian, Sarath Kumar, Chemban Vinod Jose, Alencier Ley Lopez, Priyanka Nair, Siddique, Salim Kumar, Jude Anthany Joseph, Sneha Sreekumar, Shivaji Guruvayoor, Krishna Kumar

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Thrissivaperoor Kliptham

What is the movie about? :: David Pauly (Chemban Vinod Jose) and Joy Chembadan (Baburaj) have been enemies since childhood. There was a certain incident over a girl in their school which had turned the two against each other on an eventful rainy day. The two have fought each other for so long that the city of Thrissur knows their rivalry very well, and knows what would happen if the two were to come face to face. With Joy being accused of messing up David’s betrothal ceremony, the latter decides that it is time to settle the scores by dealing the final blow which will be fatal for his opponent from school days. For the same, he calls up his friends, but ends up being in a fight with Joy’s hired goons. It is during that time that Girija Vallabhan (Asif Ali) enters the situation. He is a young man who lives in the outskirts of Thrissur city, and is in a struggle with his uncle Chandu Menon (Sunil Sukhada) who doesn’t allow him to take the profit from their family property, or sell it.

So, what happens with the events to follow? :: Bhageerathy (Aparna Balamurali), a bold and angry young lady and auto rickshaw driver also become part of their lives, as she is seen almost everywhere in the city. Vallabhan who visits the city, also ends up meeting her, as well as David, as part of some not so pleasant events. He decides to join the gang of David, and after being hit by a flying stick during a fight between David and Joy’s team, gets the chance, and he has never been happier. But it is short-lived, as they are caught by OK Sehladhan (Sreejith Ravi), who is a friend of Joy, and had studied in the same school. After getting out of the police station, the gang decides to have revenge on Joy by messing up his jewellery shop inauguration, for which he has invited a famous movie star from North India, Nilina Mehndi (Shilpi Sharma). With no chance to match up with Joy who deals with gold, David’s team tries to use both brain and brawn to mess up the enemy. But are they good enough for that?

The defence of Thrissivaperoor Kliptham :: There is some nice humour in between here, which brought the theatre alive on a number of occasions. We see a lot of interesting moments in the early rivalry between the characters, and the first few minutes are among the best, and this one surely knows how to begin nicely, and catch the interest of the audience early enough. You will find even a few messages in this one, which come at the end. There is the need to forgive, and the realization that what you are luckier than you think you are, in life, and those who are deprived of what you have, are so many – a few things which we wanted were just trivial; the movie asserts. The first half is superior to the second by a long way, and the expectations are high at the interval. An effort at feel-good elements is also there by the end, when you look closer. The visuals of the city are really good, as the essence is nicely captured here. The songs are just okay, and there is not that much to gain there.

The claws of flaw :: There is the curse of the second half which troubles this movie, and the problems begin right when the latter half starts. It seems to be everywhere, not certain about which direction it is heading to. Even in the climax, except for coming up with that message for not just the audience, but also for the characters in the movie which undergo change, there is not that much to talk about. There is also the presence of some irritating sequences, and also those which could have been just avoided – that way, the movie could have gone with a run-time less than two hours, making this a little, funny movie with a message in the end. One also has to wonder where this movie would have reached if it had maintained that funny side it had displayed in the first few minutes – but Thrissivaperoor Kliptham had chosen to be cursed in the second half, and it had to come down; which sorcerer or witch had cursed a movie which had so much potential? Well, it might be a wizard that we don’t know.

Performers of the soul :: Aparna Balamurali is surely having a nice run, with fine performances in Sarvopari Palakkaran and Sunday Holiday already in the theatres with a fine feel-good run, extending from her work in Oru Muthassi Gada and Maheshinte Prathikaaram. Here, once again, she is good, playing a strong character, and she successfully rises above the flaws in making of the character – she also has rather less presence here with the focus being on the gangs. Asif Ali’s adventure goes back to Adventures of Omanakuttan and that smaller role in Take Off, and Avarude Raavukal. Both Asif and Aparna had their combination working in Sunday Holiday. The point to be noted here is that despite him being claimed as the hero, he is not really one, and as the hero who is not really the hero, he has nicely managed his work in the movie. Shilpi Sharma has less presence here, with a few scenes and one song, and looks very good throughout, in her first Malayalam movie.

Further performers of the soul :: Chemban Vinod Jose continues his journey through Thrissur which was going great in the satirical fun movie Varnyathil Aashanka. One can say that he is the one hero that this movie has, more heroic in character than anyone else. It is him who deserves the best applause in this particular flick, whether it is about the serious scenes or those funny moments – these days, whatever be the character, we love to have his presence. Unlike a few years ago, we see very less of Baburaj in movies these days, and it is very good to see him back, and for some reason, he is also given lesser of the funny side. You will also find Vineeth Mohan of Adi Kapyare Kootamani fame here in a good, smaller role. Rony David and Irshad provides some good company to the protagonist, while Vijayakumar and a few others nicely work on the other team. Rachana Narayanankutty and Zarina Wahab are in one scene each, and if you miss those scenes, you miss them.

How it finishes :: Movies based on Thrissur has been many more this year, with Georgettan’s Pooram and Varnyathil Aashanka there with this particular movie, and even Sarvopari Palakkaran was set mostly in Thrissur despite beginning from the Kottayam side; Jomonte Suvisheshangal was also based there. Among all these movies, this is surely the movie which has captured Thrissur in the best way. After drawing some good audience even further away from the city in which it is based, there is something about this movie that has attracted the audience to watch it. Thrissivaperoor Kliptham is surely a movie which could have improved itself in the second half on its journey towards the climax, but beginning so well, and with help of humour, this one manages to keep itself as a movie which provides some entertainment, and the performances from the cast support the whole thing very well.

Release date: 11th August 2017
Running time: 139 minutes
Directed by: Ratheish Kumar
Starring: Asif Ali, Aparna Balamurali, Chemban Vinod Jose, Shilpi Sharma, Vineeth Mohan, Baburaj, Vijayakumar, Rachana Narayanankutty, Rony David, Zarina Wahab, Sunil Sukhada, Jayaraj Warrier, Sreejith Ravi, Sudheesh, Meghanadhan, Nandhu, Irshad, Neeraja Rajendran, TG Ravi, Sneha Sreekumar, Manju Sunichen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Varnyathil Aashanka

What is the movie about? :: Pratheesh (Shine Tom Chacko) is a simple guy looking to start a business in or around the city of Thrissur. But usual way of making money doesn’t come naturally to him – he is always looking for the easy path, the shortcuts to his objective. His people doesn’t have a high opinion about him, especially his uncle (Jayaraj Warrier) from whom he takes small amounts of money which he can’t pay back. He also needs money for his new business and has nobody to aid him. At the same time, he has to pay to get back the gold ornaments of his friend Thanima (Gayathri Suresh), which he had used to get money for his needs – she threatens to commit suicide after letting everyone know that he is responsible for her death. Pratheesh even tries pickpocketing, but gets beaten up before escaping. His best friend is Wilson (Chemban Vinod Jose) who also goes through a similar phase, and is looking for some money for family matters.

So, what happens with the events to follow? :: Meanwhile, Shivan (Kunchacko Boban) is a rather experienced thief in the locality. He is known to be very good at his work, and whenever he brings something home, everyone thinks that he has stolen it. Pratheesh, Wilson and Shivan meets up over alcohol, and Gilbert (Manikandan R Achari) from the nearby town also joins them. As they all have their own problems, they decide to solve them all by doing a big heist at the nearby Aishwarya Jewellery owned by Ittoop (Sunil Sukhada). It is something that could change their lives forever, and they plan to do it the simple and effective way, on a twenty four hour harthal night which will have almost nobody on the road in front of the shop. With violence having broken out after the death of a party worker, people have been staying indoor throughout the district, and they decide to use it to their advantage. If things work out right, this would be their one big heist and the last one.

And what else is to happen here? :: Dayanandhan (Suraj Venjaramoodu) is just another guy living nearby, and has been sitting idle at home after the bar where he was working had shut down according to the new liquor policy of the government. His wife Keerthana (Rachana Narayanankutty) goes to work at a nearby textile shop, and he isn’t interested in searching for a new job. They have also taken loans, and as they had married after eloping, there is nobody from their place to help them. While returning home after meeting a friend at Aluva on the same harthal day, Dayanandan comes up against the same thieves, and they decide to shut him up in one way or the other. There are also two policemen, Gireesh (Tini Tom) and Murugan (Dinesh Prabhakar) who arrives at the same location at the same time. This leaves everyone confused, on what is to happen next. Everyone has their own problems to deal with, but this one only gets more twisted.

The defence of Varnyathil Aashanka :: The movie goes through a satirical mode with its content, as it takes on what has been happening in the state during some time. There is a lot of humour happening here with simple incidents, as you would notice – the simple things in life gets packed into more and more humour, and there seems to be no difficulty in doing the same at any point. There are also those reflections and messages to take home, as uses its humour to show the people around us as they are – you see that the thieves are the same, and you doubt if this and that are the same. Never does the movie losses its pace, and you will see that it is always interesting. You also see the power of team work in this one, as this is not limited to one person overshadowing the rest – everyone gets to do their part, and contribute to the tale as well as the overall humour. You are going to be interested in being part of the simple man’s heist without complications, in one way or the other.

The claws of flaw :: Despite providing a reflection of the state of our surroundings and leaving the message, the movie’s final funny and interesting speech will feel a little too lengthy, and the final moments will also seem not matching the whole movie, as it goes without the wonder which was rather expected. There also those moments which seem to defy logic, but in the name of bringing the funny side in a neat way, you will find things to be fair – with the same, it eclipses the other two movies which released on the same day. Still, the movie has a few moments in the first half which will hold it down, but it is just by a little bit. There shouldn’t be the expectations about seeing a big heist movie with this one too, as that can ruin things. On the first day of its release, this one seemed to be rather not hyped, and made way for the rest of the releases, but we see this one getting stronger now.

Performers of the soul :: The movie begins with Shine Tom Chacko’s character, and he gets a fine role here following Tiyaan, which he has done without stumbling anywhere. Kunchacko Boban has brought his character to a fine level, and it is very unlike what he has been doing in the recent past. Suraj Venjaramoodu has another interesting role, which immediately catches our attention right from the beginning – he arrives late and he conquers. There is one final speech that he gets to make further difference nicely and effectively. Chemban Vinod Jose is at his usual best, as he has played the thief in so many other movies, having no trouble with this one. Manikandan R Achari extends the fun which is present like he did with Alamara and Basheerinte Premalekhanam, and has his own moments with the flick. Gayathri Suresh makes one nice cameo at the end, which you will remember. Rachana Narayanankutty is a fine addition too, as you would see here.

How it finishes :: Varnyathil Aashanka battles against Sarvopari Palakkaran and Chunkzz for this weeekend, while the others including Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum are also there from the previous weeks. Its comparisons are going to be to Sapthamashree Thaskaraha and Kohinoor, both having quite a big group of thieves looking forward to the big heist. In comparison, one can place this movie in between the other two movies, as it is better than Sapthamashree Thaskaraha, but not as better as Kohinoor. Certainly a lot better than the other movie of thieves like Bicycle Thieves and Urumbukal Urangaarilla, Varnyathil Aashanka has something that the rest of the flicks of the same kind never had – its ability to use some satire to reflect and make fun of the happenings in the state, and the movie can consider the same as its special quality which makes its stand apart.

Release date: 4th August 2017
Running time: 137 minutes
Directed by: Sidharth Bharathan
Starring: Kunchacko Boban, Chemban Vinod Jose, Shine Tom Chacko, Rachana Narayanankutty, Manikandan R Achari, Suraj Venjaramoodu, Jayaraj Warrier, Sunil Sukhada, Tini Tom, Dinesh Prabhakar, Gayathri Suresh (cameo), KPAC Lalitha (cameo)

<— Click here for the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Georgettan’s Pooram

Vampire Owl: Why is it that all these people have characters that have something or the other to highlight as a title?

Vampire Bat: You mean, like that first Malayalam movie to release this year – Jomonte Suvisheshangal.

Vampire Owl: And surely Jacobinte Swargarajyam.

Vampire Bat: Along with Darwinte Parinamam.

Vampire Owl: As well as Maheshinte Prathikaram.

Vampire Bat: This is the fifth with this kind of a title, there is no real difference in possessiveness.

Vampire Owl: I think that these people, George, Jomon, Darwin, Jacob and Mahesh are related.

Vampire Bat: There is a great chance that Jacob and Jomon are – they even tell the same story, you know.

Vampire Owl: Maybe they are from different generations, and it is just history repeating itself in a distant family.

Vampire Bat: Georgettan’s Pooram might be more distant with the use of slang in it, though.

[Gets the tickets with some caramel popcorn and vegetable puffs].

What is the movie about? :: A team of four mischievous boys have grown up to be George Vadakkan (Dileep), and his best friends who are known only by their nicknames, Vava (Vinay Forrt), Pallan (Sharfudheen) and Chullan (Thiru Actlab). Living in and around the city of Trichur, the four friends spend most of their time doing nothing, having drinks or simply sleeping, in Mathai Parambu, a piece of land donated to the public by a former Kabbadi player who was part of great achievements from the Indian Kabbadi team – they also have for company and old kabbadi player, Joseph (T.G. Ravi). But George’s father, the parish priest of the local church of the Mar Thoma denomination, Mathew Vadakkan (Renji Panicker), wishes for something or anything better for his son – nobody believes in the same though, even his own friends and relatives.

So, what happens next? :: As the four goes through the path which leads nowhere, George comes across Merlin (Rajisha Vijayan) during a funeral, and immediately falls in love with her. Even though she tells him that he wishes to become a nun and despite the fact that she belongs to another denomination, he shamelessly decides to run after her for love. Without having to do anything else in life, such things have been very easy for him. There is also the entry of Peter Mathai (Chemban Vinod Jose), who claims to be the son of E.V. Mathai and claims the ownership of Mathai Parambu. He seems to be determined to take control of land by one way or the other. But the team of four are not willing to give up their place, and in an effort to save their land as well as to make Merlin fall in love with George, they go on doing some strange things, none of which works well enough.

What follows these events? :: The team of four are clueless as usual, as they are used to do nothing good, and seems to come up with nothing constructive. Even their inspiration, Joseph dies by falling from the top of a tower there. One day, Peter seems to be ready to give up the claim to the land, but for the same, George and his friends will have to play kabbadi, and also start winning. The people of the locality also backs them in this to keep the land in the hands of the public. But is it possible for them to win against top level players with some quick training? How far can the public support and prayers boost them? Is Peter really the son of E.V. Mathai, and does he mean what he says? Can George manage to win the love of Merlin and the appreciation of his parents and siblings? Not really the easier things to do for George, but he decides not to give up.

The defence of Georgettan’s Pooram :: Despite not using the state award winning actress, the star of Anuraga Karikkin Vellam, Rajisha Vijayan to her best of potential, the movie does manage to use Dileep well enough – we get to be confident that he will be back for more with another light-hearted movie, not just producing one like he did for Kattappanayile Rithwick Roshan. Vinay Forrt and Sharafudheen also remains interesting, and there is entertainment guaranteed from their side. The level of comedy is fluctuating throughout the movie, but there are some nice ones in this flick. The second half has things getting rather intense, and the plot gets an upgrade there. Chemban Vinod Jose once again impresses the audience with the way that he carries on as the man with a mission, and he remains our hope for future in a lot of different kinds of roles. Renji Panicker continues what he has been doing the best, as the father figure, and this time at more than one level.

The claws of flaw :: The movie is just too long, and it could have easily been made shorter without some bad jokes in the first half and those slow motion sequences of heroism in the second – Karinkunnam 6s had managed to bring volleyball to the centre of everything and managed to be an interesting flick; but this one gets kabbadi too late in the second half only, and things get serious slowly only. Sudheer Karamana gets to play kabbadi here as he had done for volleyball in last year’s Manju Warrier starrer. A certain amount of absence in logic is also there, and the movie also gets confused in working with the Christian denominations. If the priest shown as protagonist’s father is actually a priest of Mar Thoma denomination, as a protestant church, the church building or the house wouldn’t be having saints or statues of anyone. If the person was intended to be a Catholic priest, he wouldn’t have been married – it is a strange world right there. One also wonders why the protagonist has to go after the girl shamelessly after she says no – shouldn’t the “no” always mean a “no”? And still he is a hero?

How it finishes :: Georgettan’s Pooram could have done a lot better not only with its comedy, but also with its sporting side. But as it is now, it is surely a watchable flick, and the best entertainer with Dileep as the main character after Two Countries which had him at what he has been doing the best. The protagonist shouldn’t have turned a super kabbadi player all of a sudden though, battling against the big players. Maybe some restraint could have been brought with the heroism. Maybe, a better flow could have been maintained. But for some time-pass, nobody can deny that this movie has something here and there for most of the people. Surely bigger in fun compared to Dileep’s recent movies, and surely better than any movie in that long list of continuous movies from Kammath and Kammath to Ivan Maryadaraman, Georgettan’s Pooram can ask for some of your time as long as you enough to spare!

Release date: 1st April 2017
Running time: 155 minutes
Directed by: K. Biju
Starring: Dileep, Rajisha Vijayan, Chemban Vinod Jose, Vinay Forrt, Sharafudheen, Thiru Actlab, Renji Panicker, T. G. Ravi, Sudheer Karamana, Kalaranjini, Assim Jamal, Jayaraj Warrier, Sunil Sukhada, Sathi Premji, Kulappulli Leela

@ Cemetery Watch
✠ The Vampire Bat.

Oppam

oppamm

What is it about? :: Jayaraman (Mohanlal) is a blind man who works as a lift operator and attender at an eleven-storeyed apartment right in the middle of the city. He hails from a huge family, but is in debt right now as he has to pay twenty five lakhs for his friend Bappootty (Siddique) who was supposed to provide the amount to the money lender and is currently in the Middle East. He is struggling to make enough money for the wedding ceremony of his sister, which is to happen soon. Even though he is blind, he possesses a better sense of smell, hearing and touch which he uses to his advantage whenever there is the need. His good friends are Veeran (Harish K.R) and Kunju Mohammed (Mammookoya) as well as Devayani (Vimala Raman) who also work there. Whenever there is a need, Jayaraman is there, and he is that readily available helping hand for everyone.

So what happens next? :: A retired chief justice, Krishnamoorthy (Nedumudi Venu), also lives in the same apartment, and Jayaraman is his best friend and aid, as there are secrets concerning his past, and there are problems haunting him. Devayarani is in trouble with her former husband, a police officer named Madhu (Kalabhavan Shajohn) with whom Jayaraman also locks horns. One day, when Krishnamoorthy is killed, things go out of control. Jayaraman becomes the prime suspect, and the police officers in charge, Padmakumar (Renji Panicker) and Anandhan (Chemban Vinod Jose) refuses to believe in his claims of innocence, and Madhu makes things only worse. Only Ganga (Anusree), the police officer who knew him earlier, believes him. With the murderer right behind him like a shadow, will Jayaraman be able to prove his innocence? Can he face the man who seems to be a psychopath, all alone?

The defence of Oppam :: There are many moments of interest, and a lot of thrills in store with this movie which won against its competitor Oozham which released on the same day. The final moments, despite strangely set, are well executed, and the movie finishes with a certain amount cuteness and feel-good factor in store. The beginning was also well done without the unnecessary introductions, and we are taken into the whole thing in a simple and effective manner. The visuals are very good throughout the run, and Mohanlal and Samuthirakani when they are together, make a nice combination against each other. Mamukkoya has some of the nicer moments of fun in this movie which has a certain amount of comic side which is just there for some relief. Chemban Vinod Jose also has some moments of fun, and the emotional side of this movie can also be termed as strong.

The claws of flaw :: One has to say that the movie is too long, and that feeling is due to the present of too many unnecessary songs, and none of them really makes an impact either – the Punjabi wedding song might be the one that works the least. There are also too many missing points here and there in this story, and the opportunity to come up with a better movie goes missing here. There are too many things here that comes as repetitive elements; the twist concerning the child and the killer is too predictable, and the police is also made rather useless – or rather so stubborn that one is made to wonder that these people are the most remorseless and brainless officers ever to be in a Malayalam movie. The final moments are also strange, as they try to be safe where it was never meant to be safe, and with the same, risk more lives. There were surely better ways to handle the whole thing!

Performers of the soul :: As expected, and without doubt, Mohanlal is the one who lifts this movie to the next level, and hides its problems with ease, as he plays the role with no trouble at all. There are those moments involving him and Samuthirakani that stands apart. Along with him being the blind character, it is our villain that also brings things in order. Last seen in Karinkunnam 6s in this part of the world, Samuthirakani brings all the strength that is needed in a villain like this. He is only let down on a number of occasions due to the predictability that creeps in and threatens to make this villain another ordinary creature of random hate, as the opportunity to become one terrifying psycho killer is lost at too many occasions. But he rises above the problems related to his character in this tale, and brings the menace to the big screen, making things more interesting.

Further performers of the soul :: Anusree is very good at this police role. Vimala Raman is kind of misfit as the maid here, even though we are glad that we are seeing her here again after a long time and looking good. Nedumudi Venu’s role is the kind which we see often from him, and he does that with ease. Baby Meenakshi is really good here, and surely better than how it was with Amar Akbar Anthony. Renji Panicker in the police role is surprisingly not that much used here, and Kalabhavan Shajohn just gets another opportunity to beat another character played by Mohanlal after Drishyam. Mamukkoya creates some funny moments with Harish K.R and Chemban Vinod Jose has a few of them too. Aju Varghese has kind of a smaller role of the viewers’ liking though, and Innocent is also there for only a few shots. In the end, we do wish that this movie was just not like too many other movies of the same kind – there are too many characters with less to do, and a little too much of predictability at times too.

How it finishes :: It has been a long time since we saw the best of Priyadarshan, and also the combination of him and Mohanlal, even though I didn’t think that Geethanjali was that bad a movie as it was projected by the critics and the audience. Well, one can safely say that he is back in form with this one. With Pulimurugan already there and running with full strength in the theatres, Mohanlal makes a magnificent push forward, the biggest since the critically acclaimed and heavily remake-spawning flick which was Drishyam. With two of his flicks staying heavy in multiplexes and attracting the audience in the local theatres too, one can be sure that there won’t be many movies coming up with challenge, except for Aanandam, which seems to be the one other movie which is making it big. Even in the Pulimurugan rush, Oppam is another movie that needs your attention; so if you have missed it, get to where it is still playing!

Release date: 8th September 2016
Running time: 157 minutes
Directed by: Priyadarshan
Starring: Mohanlal, Samuthirakani, Anusree, Vimala Raman, Nedumudi Venu, Baby Meenakshi, Renji Panicker, Chemban Vinod Jose, Mamukkoya, Harish K.R, Kalabhavan Shajohn, Kunchan, Idavela Babu, Aju Varghese, Manikuttan, Arjun Nandhakumar, Innocent, Kalasala Babu, Pradeep Chandran, Anjali Aneesh, Bineesh Kodiyeri, Devshi Khanduri, Sona Heiden, Arun Benny, Balaji Sharma, Poojappura Radhakrishnan, Sreelatha Namboothiri, Kaviyoor Ponnamma, Bindu Murali, Suchitra Pillai-Malik, Siddique (cameo), Antony Perumbavoor (cameo)

oppam

@ Cemetery Watch
✠ The Vampire Bat.

Darwinte Parinamam

darwinteparinamam.

Vampire Owl :: Strange name for a movie, this one.

Vampire Bat :: Well, I have heard stranger names of flicks other than something that translates as The Evolution of Darwin.

Vampire Owl :: It is actually surprising that the humans haven’t stopped evolving yet. I don’t even remember the last time our kind evolved.

Vampire Bat :: We don’t evolve. We are dead; the undead can’t evolve!

Vampire Owl :: Oh! I was misguided by Imhotep once saying that death is only the beginning.

Vampire Bat :: I am cent percent sure that he surely never meant to talk about evolution in that case.

Vampire Owl :: When I look at the werewolves, I see what the evolution is really about.

Vampire Bat :: That is actually a case of transformation.

Vampire Owl :: A shameless one, if you ask me.

Vampire Bat :: Which is why you should skip wandering around the werewolf territory.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Darwin a.k.a. Gorilla Darwin (Chemban Vinod Jose) is one of the most feared names in the city. He happens to be the one gangster king who makes things happen in the city, and has police as well as the the goons under his control. Except when concerning a young lady whom he is attracted to, Ancy (Hannah Reji Koshy), he knows how to be strong and merciless. One day, Anil Anto (Prithviraj Sukumaran) and his wife Amala Anil (Chandini Sreedharan) moves from Kottarakkara to the city after having some family problems. Both of them find jobs in the city and are expecting a child. But a series of incidents gets ready to happen, as the paths of Darwin and Anil will meet at a certain point, and it will change their lives soon. The process of evolution will follow for both these men as the struggle for being the better person shall begin. What does future bring for the two?

The defence of Darwinte Parinamam :: There is the fine feel-good effect and some interesting messages in this movie. They are the ones which you can take home without thinking a lot – as the same happens to be right there to be seen. The first half of the movie could make the audience interested in providing a good feeling and make them prepared for a fine flow. There are also some nice comedy sequences which are handled by different actors together – you have to look out for the story-telling and the kidnapping scenes more than the rest. The emotional moments also work, even though they are not used completely for the movie’s advantage. You will be able to connect a certain amount of unpredictability to the proceedings too. The songs are interesting even though not that memorable, and there are some nice emotional moments to go strong with the same. There is also a little big of magic realism in the movie.

Claws of flaw :: There seems to be a certain amount of confusion in experimentation with the path that Darwinte Parinamam follows. There is the hero who tries to get back to the villain, even though the assertion is made that the hero is the villain and vice versa – but that is really a pointless thing. With some slow-motion action sequences added in the second half, one is reminded of Prithviraj’s Puthiya Mukham too. There seems to be the easy way taken for the finish, and throughout the second half, there is rather too much of staying away from the strengths of the movie, as it often depends on sequences without logic. The movie should have stayed close to the path followed in the first half, and the evolution should have been the focus on a personal level rather than anything else. It should have been something which happened over a long time, and not just arriving in the end!

Performers of the soul :: Prithviraj Sukumaran and Chemban Vinod Jose, the hero and the villain go on to bring some big performances in this movie. The former’s nice run continues after Ennu Ninte Moideen, Amar Akbar Anthony, Anarkali and Paavada – even though this one won’t be for every kind of audience with its limitations in catering to the demands of our viewers as a whole. He will be there for James and Alice with Vedhika and also for Jeethu Joseph’s Uzham; so we can safely guess that the successful journey will continue. The latter has an awesome introduction, and here we once again realize how big an asset to the Malayalam movie industry this man has become – whether it was in smaller roles like in Charlie and North 24 Kaatham or lasting the full movie like in Lord Livingstone 7000 Kandi, Kohinoor, Iyobinte Pusthakam and Sapthamashree Thaskaraha, he has made that impact; in this case, he is just as big as the hero.

Further performers of the soul :: Chandini Sreedharan also brings something memorable in her second Malayalam movie, as she excels in those emotional moments, and does a fine job in the happy ones too; that smile is rather contagious too. I have felt that she is really suitable for this particular character here. Hannah Reji Koshy plays the gangster’s love interest, and she does a very neat job here – it is her first movie, and she manages really well in this smaller role. I would love to see a lot more of these two actresses in the Malayalam movie industry. You will also find Soubin Shahir bringing the fun as if there is no end to the entertainment which he provides – we just had him at his best in Maheshinte Prathikaram just some weeks ago; Balu Varghese could have had a longer stay in the movie though. Shammi Thilakan’s kidnap sequence will also bring a lot of laughter for sure. A few others like Mamukkoya and Jaffer Idukki have too small roles in this one.

How it finishes :: The movie doesn’t really go on the lines of what was expected with the trailer. As a lot of people had guessed, this is not really a full-entertainer, and depends too much on experimentation using the cliche elements. A lot of expectation will do this movie not much good, but it can still win this weekend considering the fact that it has the feel-good factor and the messages along with the star power of Prithviraj. It is up-to your likes and dislikes to come to a decision about how much you like this movie, but Darwinte Parinamam is surely that flick which could have been a lot better if it had treated its material in a more realistic manner throughout its run rather than becoming a seemingly confused movie on more than one occasions. It could have been a big comedy thriller too, but you won’t see that working here as the movie tries many things!

Release date: 18th March 2016
Running time: 149 minutes
Directed by: Jijo Antony
Starring: Prithviraj Sukumaran, Chandini Sreedharan, Chemban Vinod Jose, Balu Varghese, Soubin Shahir, Nandhu, Shammi Thilakan, Mamukkoya, Dharmajan Bolgatty, Jaffer Idukki, Sajid Yahya, Hannah Reji Koshy

darwinteparinamam

@ Cemetery Watch
✠ The Vampire Bat.

Paavada

paavada (2)

What is it about? :: Joy a.k.a. Paambu Joy (Prithviraj Sukumaran) spends his day with alcohol, and that leads to his wife Cinimol (Miya George) leaving him to do service in a charitable institution. He spends most of his time with alcohol as if there is no tomorrow. With nobody left to control him, the local priest tries to make him stop drinking, but it is of no use, and the priest finally admits Joy in a de-addiction centre. Babu a.k.a. Paavada Babu (Anoop Menon) used to be a college lecturer teaching English, but now spends his time lost in alcohol as if it is the only thing that he does throughout the day. Except for the dialogues which he takes out of the Shakesperean Drama including Hamlet, Macbeth and Julius Caesar, there is nothing much good that comes out of his mouth. His well-wishers forcibly take him to a de-addiction centre.

So, what happens next in the movie? :: The well-wishers think that they can only return after changing themselves, but that turns out to be a wrong idea, as the two manage to escape from the place which is heavily guarded. This brings a special bond between the two which is forged in alcohol, even though the caretaker of Babu doesn’t really like the fact that Joy has started living in their house. But they get along as time progresses, and as they are united in alcohol, something else comes up which changes their times of happiness into something depressing. There will be a flashback which works against their happy days, and certain news will add fire to the same. So, with the help of their well-wishers, will they be able to overcome this problem which affects them both?

The defence of Paavada :: The movie begins with the notice that this happened before the bars had closed in Kerala. You will feel that Paavada is a clear entertainer right from the beginning to the end. There are no dull moments here, and this is certainly a quality which the audience will appreciate. The comedy sequences power the first half while the emotional side takes over the second, even though there is some fun in parts concerning the latter part of the movie too; it ends with very much of a happy angle. The story remains strong here, especially with how things take the twists, and this side takes over when the rest goes a little down. There will be dialogues for you to remember, and even as it has too much of alcohol, there is message and something for the family audience along with the youth. There is clearly enjoyment in store here. You can also find a message against alcoholism by the end.

Claws of flaw :: Some jokes won’t work that well, and a number of them seems to be more forced to be added with alcohol rather than being better. There are also certain deviations from the trailer, and the story won’t follow that path which you might have predicted earlier. There is also that too much of a focus on alcohol in the first half at a time when other factors could have also been there. Alcohol gets too much of screen space here than one would have wanted. The songs are all forgettable, and if they were avoided, the movie could have gotten rid of a few extra minutes which were there. The movie also has a huge amount of melodrama which comes in during the second half. The final light moments after the climax were also not that effective. Paavada really did have scope to be an even better movie.

Performers of the soul :: Prithviraj has been making the right choices with his movies, and this one is no different, as he has become the one actor whose movies can be trusted more than any other. Even earlier, I liked his movies like Ivide and London Bridge which had certain viewers in doubt. In this movie, he handles both the funny as well as the emotional side with no problems at all. We had seen how well he could handle a character suffering from addiction in Memories, and here he comes up very well with two sides of the same coin. Some people might have had doubts from the trailer, but they will be cleared with this movie. Miya plays the role of his wife, and has the usual stuff to do, which she manages fine; they were together in their last movie Anarkali too, even though not paired with each other.

Further performers of the soul :: Anoop Menon continues his good work from the less appreciated, but interesting Maalgudi Days. I have felt that he was nothing less than a perfect choice to play the alcoholic English professor with a philosophical side and love for drama; also having a troubled past. Except for the alcoholism, he carries over the rest from his previous movie, and there are some very nice moments which he shares with Prithviraj. Kalabhavan Shajon once again plays a character with evil shades, reminding one of Drishyam. Siddique has a strong performance by the end of the movie while Chemban Vinod Jose and Sudheer Karamana manage their contrasting priest roles really well. Sharafudeen of Premam fame has some nice moments in the first half. Maniyan Pilla Raju and Nedumudi Venu provides fine support and Asha Sarath is another positive.

How it finishes :: Prithviraj had only finished a hat-trick of blockbusters with Ennu Ninte Moideen, Amar Akbar Anthony and Anarkali, and this would surely add to that list of great success. I watched this movie at a multiplex screen, and even though it was in the morning, the place was almost houseful with seats vacant only here and there. I am expecting this to be the first blockbuster of 2016 as far as Malayalam movies are concerned. So, this year has a very fine beginning for Prithviraj, and his upcoming movies this year which should begin with Darvinte Parinamam, are also the titles which will catch our attention. I am pretty sure that Paavada is the movie which will work for all kinds of audience, and so it should be your movie of the weekend as it seems now; plus you see that the goodness side wins in the end whatever be the circumstances.

Release date: 15th January 2016
Running time: 148 minutes
Directed by: G. Marthandan
Starring: Prithviraj Sukumaran, Miya George, Anoop Menon, Kalabhavan Shajon, Chemban Vinod Jose, Maniyan Pilla Raju, Nedumudi Venu, Sudheer Karamana, Siddique, Sharafudeen, Renji Panicher, Kunjan, Asha Sarath, Dinesh Prabhakar, Murali Gopy, Manikuttan, Sai Kumar, Sunil Sukhada, Manju Warrier

paavada

@ Cemetery Watch
✠ The Vampire Bat.

Charlie

charlie()

What is the movie about? :: The titular person, Charlie (Dulquer Salmaan) is a character who is compared to many things, a djinn and the wind being just a few of them. Some people call him a mad man and someone who is completely out of his mind. He comes to the lives of people and disappears only to make a grand appearance on another day when he is least expected. He is a man known for being himself, and he is someone whom not many people forget once they meet him. He is the force of nature that unleashes himself, and there are not many things normal about him. But he is a skilled artist, and spends a lot of time helping others; but that doesn’t stop him from being a free bird. He likes no chains being attached to him, and he makes his decisions in his own way.

So what is the story about? :: The story goes through the life of Tessa (Parvathy) who is the one who do the revealing job, and it is through her that we come across Charlie. She is someone with a habit of running away from home, and when it seems that her marriage is to be fixed, she goes on a rather longer run. She stays in a room at Fort Cochin, and finds the place strange as it has things which were left behind by the earlier occupant. She notices the artistic work there and also a graphic novel which has been left incomplete. She becomes more and more interested in finding what happens next in that work, and at the same time, she is infatuated with the person who lived there before her; the man often referred to as djinn, Charlie – the person who put himself on the obituary column of the newspaper just because he could and he wanted to.

The defence of Charlie :: There is a grand amount of high quality feel-good provided in this movie, and you will sense it as the movie gets near the first half break. The way in which this story unfolds is the biggest plus point here, as the narrative style successfully brings the curiosity of the audience to the next stage. There are not many things predictable about this movie and its characters, except for the final moments; those actually contribute to making this one delightful. The beautiful visuals just support the same really well – they are not limited as they extend from the seas to the hills. The lovable characters also work their skills to make us feel the attachment to this flick. Jo and the Boy had the tagline “See Happiness”, and Charlie seems to absorb it into itself! The background music really brings the true feeling of the movie to us, and we know that this is there to stay both intellectually and spiritually – look out for the song “Oru Karimukilinu” for the true divergent magical reflection of movie’s dreamy side. Did you want change? Well, you got it right here!

Claws of flaw :: The one thing which could have been better is the story, and its reflection of life; Charlie is more like the fairy-tale, but it is not that throughout its run. Charlie has quite an unrealistic side to it, but it is completely not that. It is a mixture which won’t work for everyone in the same way. The beginning of the movie is also not that interesting; but it picks up and is at its best in the second half. People can also find the same problems related to liquor once again being branded cool and part of a “supposed to be awesome” life which also has nothing for the family. The humour could have also been better used considering the overall mood of this movie. What surprised me a lot is how the flaws were disappearing in the second half of this movie; it was as if there was something other-worldly working around, with the problems of this movie fading and the viewers feeling really good. But I did want a more believable titular character – being real is difficult here.

Performers of the soul :: Charlie has the best performance from Dulquer Salmaan and his best movie since Ustad Hotel and Second Show as far as Malayalam movies are concerned. He is the central character and you are sure to like this performance, but the focus is still on Parvathy’s Tessa as it is into her journey that we are introduced, and it is with her that we go on that adventure. When you look at her, you will surely feel that she has come a long way from Ennu Ninte Moideen, but then you remember that it also released just a few months ago. You will love her more in this movie than any other, because her character remains the seeker who won’t yield, and yet she remains the simple person throughout this flick. I believe that we are not finished with seeing her many visages of the lady who surely will only go higher during the years to come.

Further performers of the soul :: While the leading pair does steal many hearts around there, Aparna Gopinath is also here as the second leading lady, and it is a deep and serene performance here. I didn’t like her in American Born Confused Desi (ABCD), but I am really pleased to see her in this avatar, and she was also special. She makes the appearance on screen much later, but her sequences are also those which stay with us. The funnier moments belong to Soubin Shahir here. The other interesting characters are played by Nedumudi Venu, Chemban Vinod Jose and Neeraj Madhav, while Tovino Thomas, Kalpana, K.P.A.C. Lalitha and Ramesh Pisharody plays even smaller, but memorable characters. They are there to be admired, especially Tovino and Kalpana. There is a fine list of actors here, and most of the characters played by them will stay in our hearts.

How it finishes :: Charlie was one of those most hyped movies of this year along with Ennu Ninte Moideen which should top that list. The social media was full of random information and talks about how great these two movies will be, just before the release. Coming from Martin Prakkat, the director of the hit movies like Best Actor and American Born Confused Desi (ABCD), Charlie was supposed to make the big impact; if you ask me, I can clearly define this one was the best movie from the director so far. The previous two movies were just random comedy while Charlie gets to the next level and touches the soul; it surely has a certain amount of magic. I am really happy that he dared to go through a different route. Charlie becomes another lovely experiment which will be remembered for quite a long time, and should win this Christmas season after a tough battle with the rest of the flicks – the strength here is not in the existence, but in the essence; that explains the special experience. Check out this song from the movie which I had earlier mentioned!

Release date: 24th December 2015
Running time: 129 minutes
Directed by: Martin Prakkat
Starring: Dulquer Salmaan, Parvathy Kottuvata, Chemban Vinod Jose, Ramesh Pisharody, Aparna Gopinath, Nedumudi Venu, Soubin Shahir, Neeraj Madhav, Tovino Thomas, P. Balachandran, Kalpana, K.P.A.C. Lalitha, Seetha, Jayaraj Warrier, Surjith, Renji Panicker, Joy Mathew, Nassar

charlie

@ Cemetery Watch
✠ The Vampire Bat.

Lord Livingstone

lordlivingstone (1)

What is it about? :: A few letters from a survivalist and nature lover Philipose John Varkey (Kunchako Boban) brings a number of people to a forest. The people include Madhumita Krishnan (Reenu Mathews) an expert in guns who is feeling lonely in her life; Beeran (Sunny Wayne), a street magician who is trying to escape his troubled past; CK Menon (Nedumudi Venu), a retired central defence employee who has run away from an old age home; Shanumgan Ilangovan (Bharath), an adventurer who is losing his health and confidence, Professor Neelakandan (Chemban Vinod Jose), a college lecturer who wishes to do something different with his life and Ananthakrishnan Iyer (Jacob Gregory), a science expert who wishes to break away from the chains put on him by his wife.

What is the plan here? :: Most of us know what we are to expect in this movie from the trailer, and it doesn’t try to deviate much from that central idea. These people are those who decided to start the trip and has reached the forest after Philipose had sent one hundred letters to people whom he thought might be interested in joining him or could prove to be of worth. The total head count is six, and with Philipose and his local friend Malavedan (Sudheer Karamana) added makes it eight. There is a mission in front of them though, and it is to save a village in the forest, known only by the name 7000 Kandi. It has this group of people trying to keep the corporate evil away from this village and its people, as modernity threatens to destroy the forest. The battle to save nature begins here.

The defence of Lord Livingstone 7000 Kandi :: As the viewers had expected from the trailer, there is a very nice visual experience guaranteed with this movie. The display of such beauty on screen actually begins from the credits itself The message to save forests and to stop deforestation is right there, in a crystal clear manner. The shots are done in such a way that we are sure to fall in love with nature and it will also inspire the audience to go for an awesome journey. It is like we transported to that world and there is the feeling of being there provided for the audience. There are moments which will make us appreciate the effort taken to bring them to the big screen. The cast is very much suitable for this story, even though one more female character would have made things better. Forget everything else, and we will feel that the intention behind this movie is nothing other than goodness.

Claws of flaw :: With the fight for nature and its people, we are provided the memory of Avatar which doesn’t do much good to this movie – our movie here is different, and it is from another man’s vision as he visualizes something to show his love of nature. But the common audience won’t understand it that well. There is also a struggle in characterization, with none of the characters given what they really deserve. The first half is actually superior to the second, and the finish seems rushed – a problem faced my many movies of these times. The comic side is not that well used with so much of scope, and the same can be said about the story. It is not full on seriousness either. The exploration of the life of the people in the village comes as another negative. The final scenes could have been a lot better planned and a few situations could have been avoided. I am of a strong belief that Lord Livingstone 7000 Kandi could have achieved something a lot bigger with its premise.

Performers of the soul :: In this movie from Anil Radhakrishnan Menon which can be ranked his third after North 24 Kaatham and Sapthamasree Thaskaraha, the names in the cast are strong. Kunchako Boban arrives late in this movie, and he is the pick of the actors here. Nedumudi Venu who has been in all movies from the director, has once again done his job with ease. Chemban Vinod Jose and Jacob Gregory handles the comic side, but the truth remains that they are very much underutilized, and it is a shame. Reenu Mathews seems like the right choice here, and Sunny Wayne is comfortable. Bharath is good even in a character which doesn’t get enough considering the fact that it was the most adventurous one. There were a number of actors and actresses who played the villagers including Rokiya Adam and Priya Lal, and even though not recognizable due to the high level make-up, come up with some nice work.

Soul exploration :: We know that Earth is not the private property of man, but the greed for money has always kept the mankind ready to exploit nature. No, it is not the poor men and women who struggle in the forests who are to be blamed, but the corporate evil. Well, the laws will always favour the man with lots of money, and so nature will only suffer more and more. We will never have the righteous government unless politicians become less political, but if it was to be so, they might never really win. It is surprising that people who vote in the name of religion, community and caste never really vote for saving nature. But even with the promise to save nature, is it not the poor man who is thrown away from home instead of stopping the rich from taking over large amount of land? May be Lord Livingstone 7000 Kandi will go on to become that movie which can add an extra message.

How it finishes :: Lord Livingstone 7000 Kandi is not a movie for everyone, and it is something which needs to be told again and again. But another fact that comes with this realization is that it is a movie which needs to be watched. No, these two sentences don’t contradict each other because you don’t know to which group you belong until you have watched this movie. Still, there is one thing about which you can be sure, and it is that this is not an entertainer. But when we think about the same, Pathemari and Ennu Ninte Moideen were not entertainers either. Still, there is something that I would ask you to bring while going to watch this movie, and it is the love for nature – it is something that you always need, but these days, it is something that you need to be reminded of. Let us hope that even though not close to being the big movie, Lord Livingstone 7000 Kandi manages to do that up-to an extent for the attitude of the people. If you support good message and interesting innovation, there is something here!

Release date: 16th October 2015
Running time: 135 minutes
Directed by: Anil Radhakrishnan Menon
Starring: Kunchako Boban, Reenu Mathews, Chemban Vinod Jose, Jacob Gregory, Nedumudi Venu, Sudheer Karamana, Bharath, Sunny Wayne, Rokiya Adam, Priya Lal

lordlivingstone

@ Cemetery Watch
✠ The Vampire Bat.

Kohinoor

kohinoor.

What is it about? :: The story is set in the late 1980s, as Louis (Asif Ali) is a small-time thief who is looking forward to making it big. With the support of his best friend, Aandikkunju (Aju Varghese), he is hoping to make one huge heist which will mean that he won’t have to be a thief any more. Meanwhile, Haider has arrived in the town from Mumbai and is looking to commit a big robbery, and for the same, he seeks the help of two other thieves Nicholas (Chemban Vinod Jose) and Freddy (Vinay Forrt). As they hope to find a master thief who can pick almost any lock, Aandikkunju comes into the picture, and Louis comes up with a plan to create a twist and big gain for the two best friends. At the same time, Louis falls in love with Daisy (Aparna Vinod) who works at the place where they are to commit the heist. But Haider has more just a heist in his mind.

The defence of Kohinoor :: In an attempt to make an interesting heist movie which never bores, Kohinoor remains a success. There are enough funny moments and good songs to keep things moving forward well. The movie as a whole is a mixture, with comedy always being there and as a heist movie, there are enough twists and turns around. The final moments actually has the best of them, and the best thing about this movie is that it finishes off really well, and manages the entertainment well throughout its run. “Hemanthamen” is the pick of the songs. The use of nostalgia from the early age also works very nicely, with the looks of the times re-created and having references to the hit crime thrillers of the time, Irupatham Noottandu and Athirathram. The movie also nicely maintains a light-hearted feeling throughout it, and nostalgia works very well in favour of this. This is also a big improvement from the director after Kili Poyi.

Claws of flaw :: There has been certain love for thieves with Sapthamashree Thaskaraha releasing last year and the recently released Urumbukal Urangarilla – the audience might think that there is a little too much of the same, but Kohinoor is surely ahead of the recent flicks with the same theme. The movie could have also done without a few scenes which are meant for the masses, because this could have remained simple fun with just realistic twists. The romantic angle doesn’t really work either, as it only seems to stretch the movie and gives the opportunity for the hero to have a heroine, along with one extra song. One can also think that this could have gone full comedy, and also that there could have been more twisted heists added. Yes, there was even more scope. Some actors who were there only for a short time could have stayed there for a longer period of time.

Performers of the soul :: I would consider this as the best performance of Asif Ali in a movie having him as the leading actor. Some people will praise Nirnaayakam, but it was just a movie which had no direction, and that had affected Asif in return. But Kohinoor knows what it is and towards which direction it is moving, and it is its strength and also of the actors associated with the movie. Being self-aware is one the things that can make a movie better and its actors do better, and this movie clearly has that awareness. Asif is in full control, and Aju Varghese makes sure that the movie is a lot of fun with new looks and his impeccable comic timing. Chemban Vinod Jose and Vinay Forrt joins in taking the fun get to the next level. These three actors have been the difference makers for quite some time, and they have done the same here too.

Further Performers of the soul :: While Asif Ali has made this work in his own style beginning from that nice entry, Indrajith Sukumaran brings a top level performance. He has some very nice dialogues in the movie, and the way in which he handles things during trouble at the heist scene is the pick here. There will be moments to remember from him, that is for sure. There is rarely a movie in which Indrajith doesn’t bring the big impact, and we all know that. Aparna Vinod has just so less to do with the smiles, looking cute and remaining so till the end – instead the one who makes the impact is one of the twist-bringers, the lady who brings more to the heist out of nowhere; the name of the actress is not mentioned anywhere, but she is the beauty who manages to do a very nice job in this movie. If you find the name, let me know so that I can add her to the cast.

Soul exploration :: Most of the characters in this movie remains on the grey side, with only the shades of light and dark grey being available. Unlike Sapthamashree Thaskaraha which has more of the thieves made by situations, this one has people skilled in the profession in one way or the other. But almost all of them are still likable, no matter which side they are on. The world in this movie has a certain shortage of people on the good side, but there are still some nice moments of goodness in this movie. If there is a mixed genre called feel-good comedy heist, this one can fit right in there. When everything comes together, things only get better, in more than one way. Just as the name of the movie, there is something “Kohinoor”istic in this movie, majestic and like the mountain of light, and it is something which is rare if we consider only those heist movies.

How it finishes :: Kohinoor goes battling against Life of Josutty and Ennu Ninte Moideen this weekend which is a tough job, even though it has more creativity and smartness behind it compared to these two movies. It replaces Urumbukal Urangarilla, and has enough in it for a long run. The best thing about this movie is that it is not overrated like Ennu Ninte Moideen; I watched the Kohinoor with less expectations and ended up with a certain happy feeling. This is one advantage of not overrating movies and not putting stuff about the movie everywhere on Facebook while copying from others. There is a certain nice feeling when someone reads different opinions from different people about a particular movie and come up with an opinion by oneself – it is how things are to be done, and not by keeping on telling others about one movie and forcing others to watch it.

Release date: 24th September 2015
Running time: 143 minutes
Directed by: Vinay Govind
Starring: Asif Ali, Indrajith Sukumaran, Aju Varghese, Chemban Vinod Jose, Aparna Vinod, Vinay Forrt, Pradeep Kottayam, Sudheer Karamana, Riza Bava, Mamukkoya, Saiju Kurup, Kundara Johny, Bijukuttan, Bhavana (cameo), Harikrishnan (cameo)

kohinoor

@ Cemetery Watch
✠ The Vampire Bat.

Urumbukal Urangarilla

urumbukalurangarilla.

Vampire Owl :: I see the title about ants not sleeping. I have to say that just like them, neither do we sleep at night.

Vampire Bat :: But I do sleep most of the night.

Vampire Owl :: What? Why do you sleep that much? We, vampires are not supposed to sleep that much at night.

Vampire Bat :: You should actually think about it. Lady Death and her evil twin sister have stopped walking around at night after someone said that it is against our great tradition. After we made a pact with them related to the blood and souls of the dead people, it is useless for us to walk around at night because anything we do could be a violation of that agreement.

Vampire Owl :: Oh! That is very sad. I don’t really read newspapers and listen to news because they are so depressing. I was hoping to go on a blood dinner with Lady Death some time.

Vampire Bat :: You can go for a dinner with her in the morning. Choose to follow the time zone of some other country which has night at that time, and call it a dinner.

Vampire Owl :: This is so complicated! I hope that there are exemptions at the graveyards!

Vampire Bat :: Zombies there got no brains. We should contact a yakshi so that more information can be obtained.

Vampire Owl :: But what bothers me a lot is if the ants really sleep?

Vampire Bat :: We shall send a message to their world to confirm.

[Gets the tickets for the movie].

What is it about? :: A man called Manoj (Vinay Forrt) meets a retired thief and master of the art, Kelu (Sudheer Karamana) who decides to help him in becoming the awesome thief that he could be. As Kelu has retired from the profession, he asks his former disciple and another experienced player in the field, Benny (Chemban Vinod Jose) to guide the new thief on his way to becoming the pride among the thieves. Benny is a man who keeps certain principles related to stealing. On his way to finding the new tricks, Manoj will know more than what he needs to, but it will prove necessary, as there more than one thing to accomplish for him. They will meet other thieves like Rajappan (Sreejith Ravi) specializing in robberies during the rainy season and Karlose (Kalabhavan Shajon) who will do anything for the riches. Sheela (Ananya) will also have an interesting role to play in these situations.

The defence of Urumbukal Urangarilla :: The interest of the audience in this movie should begin with the name of this movie itself, and there is a certain skill in how ants are made related to the main protagonists; I can’t dare to say that the process is complete, but there is a good finish to the “ant world” in the end. The story nicely begins and ends with most of the things that come in between justified. The climax sequence is the strongest point of the movie, and the flick also successfully leaves the audience with some interesting messages about being good as well as how evil gets punished in the end; the cast nicely supports the same with their dialogues. There are moments which give the audience more hope, for sure. The thrills, even though not there through most of its run-time, makes a fine return by the end.

Claws of flaw :: With such a talented cast around, one has to surprised that a lot of comic moments and opportunities to create such situations go missing. The movie is also too long and comes up with many uninteresting sequences which can’t be enjoyed by people who regularly watches movies. There are so many half-baked moments in this movie, which makes it struggle, and even drag. This movie which lasts just a little less than two hours and twenty minutes should have been limited to about one and half hours after removing some of the unnecessary sequences. The songs are not at all interesting, and just elongates this movie further. It is certain that this movie wanted to be Sapthamashree Thaskaraha, but couldn’t be there because of the clueless feeling here and there. The situations to create fun just disappear too quickly!

Performers of the soul :: Even with not that many opportunities to make the audience laugh as in Sapthamashree Thaskaraha, Chemban Vinod Jose manages to do so all by himself; he makes the wonderful thief yet again – still one ends up wishing that the character was used a lot better to evoke laughter as the chance was there. Vinay Forrt comes up in a different role here, and manages things with ease. Aju Varghese has a smaller role even though bigger than what he had in Jamna Pyari, and he does that well. Ananya remains strong even though her presence is limited to the beginning and the end. Innocent has a smaller presence and so does Sreejith Ravi. Kalabhavan Shajon makes a late entry into the movie, but leaves a very nice mark. Sudheer Karamana’s character evokes mixed response. Janaki Krishnan has a small role which she manages with a certain amount of inherent cuteness.

Soul exploration :: Even though the revenge factor does have the biggest role to play in the end, what comes here as the message is that poetic justice will be served in the end. There has to be honour in whatever we do, even if it is not the most appreciated job. The crimes of war seems to say the same thing. The truth is that some people who do lesser jobs and earning less usually has more honour than the rest; at least they are not slaves to the vanity which comes with money and fame. We all listen to those vain men and women as well as their parents who provide us classes on how good they are and how pathetic we are. They should also suffer for their sins, may be a little more because they are surely worse than the people who do something wrong because there is no other choice. We hear about corruption in crores, and the question this movie asks is about who the real thieves are.

How it finishes :: Those who steal our lives are the worst criminals, aren’t they? Those who don’t allow us to do anything with our lives and lock us in a cage of meaninglessness – they are a lot like those involved in corruptions; it is just that they corrupt our lives instead. So, it is not really hard to love the characters in this movie. They required a little more polishing and won’t be like those in Sapthamashree Thaskaraha or Meesa Madhavan, but they can have some appreciation for trying things differently. One thing I am very happy about is that this doesn’t go the way of the Malayalam movie of 2013, called Bicycle Thieves. It was one of the most terrible movies as almost all of my friends have confirmed, and Urumbukal Urangarilla rises to the occasion as it decides to win with the climax and make up for its other troubles. There is Kunjiramayanam still running in full power and the new release Ennu Ninte Moideen to bring the tough competition.

Release date: 19th September 2015
Running time: 139 minutes
Directed by: Jiju Asokan
Starring: Chemban Vinod Jose, Kalabhavan Shajon, Vinay Forrt, Aju Varghese, Innocent, Janaki Krishnan, Ananya, Sudheer Karamana, Sreejith Ravi, Vettukili Prakash, Santhosh Keezhattoor, Vanitha Krishnachandran, Thesni Khan

urumbukalurangarilla

@ Cemetery Watch
✠ The Vampire Bat.

Iyobinte Pusthakam

Iyobinte Pustakam ()

What is it about? :: The movie tells the story of Iyob (Lal) and his three sons, Dimitri (Chemban Vinod Jose), Ivan (Jinu Joseph) and Aloshy (Fahadh Faasil). Iyob was a young local boy who became the right-hand of Harrison (Sal Yusuf), one of the British people who established homes in Munnar, but he managed to rise after his death and had become the most powerful and the influential man in the area. Due to the commanding nature of his father and the atrocities of his brothers which are covered up with money, Aloshy leaves home and joins the Royal Navy from where he is dismissed as a result of a mutiny, which leads him back home. There, his troubles with his brothers begin, and Iyob is infuriated by his lack of obedience and also lack of display of admiration for his father, for which he disinherits him, and his brothers attack him and leaves him for dead. But Iyob doesn’t really know his other sons yet, and an enemy called Angoor Rawther (Jayasurya) shall soon come up.

The defence of Iyobinte Pusthakam :: Iyobinte Pusthakam is brilliant, and amazing beyond words in its visual splendour – it is something that we might have never seen before in Indian cinema, and one can get a peek at the same by just looking at the trailer – the complete stuff is a lot bigger and highly extravagant in its visuals. What you see in the posters are made a lot better in this movie, and not the other way around. The movie’s use of history and the variety in settings are also something to cheer about. We rarely have such good period thrillers in Malayalam, and even in Bollywood. The only things related to history that we have these days are related to killing white people – are we so much out of ideas that we have to talk about one thing again and again? No, not all, says Amal Neerad who has come up with his magnum opus here, which tells the story of the people of the land during the British rule and after, combining history and fiction. You can appreciate this one as long as you have the ability for the same.

Positives and negatives :: The movie might still be slow for a few, but I will say that there is absolutely no drag, and it is achieved by the beauty of the visuals – it is no bloody useless drag like Annayum Rasoolum, I can assure you that; this is more of a Left Right Left of this year. As you enter the world of unparalleled visual beauty, what you want might not be the story. The plot might look ordinary, but it is never about the story. Do watch and get taken into this amazing world, and the first movie from Amal Neerad that I liked – and this is one big like for him! Yes, I have never liked Big B, Sagar Alias Jacky, Anwar and Bachelor’s Party, and you fan-boys and girls can dislike me for the same. Interstellar was just a story that could never happen, but this one is a story of humanity in real, and it is up-to you to choose the one that you wish for this weekend, as both are for entirely different set of minds! Our Malayalam critics will never rate a movie from Kerala high, so just the “very good” rating for this movie would mean “out of this world”.

Performances of the soul :: Fahadh Faasil is nothing less than brilliant here, as he has another feather in the cap here. It is amazing how he has managed to thrive under almost every circumstance that has been put before him. How good can he be? We can never know the limits of his abilities as it seems. Lal is also nothing less than the powerful and later the helpless figure that he is supposed to be – there is nobody other who can be this character. Chemban Vinod Jose and Jinu Joseph are also good and the former is extremely efficient at times Isha Sharvani is extremely beautiful and suited for the role with her looks alone, otherwise she has much less to do; but that has still worked well for the character. Jayasurya is one impressive villain too, as he becomes the smiling assassin here. Padmapriya as Rahel also scores, coming out nowhere. Vinayakn is also nice. The characterization is so powerful and they nicely blend into the strength of visual beauty and that nice background score. I shall leave with some more thoughts below.

Soul exploration 1 :: Iyobinte Pusthakam as King Lear :: Iyobinte Pusthakam is a lot like King Lear or a loose adaptation from the same – it is as much of Shakespeare as Haider is Hamlet, and it has nicely used the setting to support the same. Iyob is King Lear who divides his kingdom among two sons, disinheriting the third, and in the end, it turns out that he was always the righteous and the loving one who comes out to help the father. Goneril, Regan and Cordelia are all here, and there is the Earl of Kent who is joins with the villains this time as Lazar. Rahel does the job of Edmund here, standing between the two sons and making one kill the other. Meanwhile, going outside the play, Martha becomes the lady love that every movie needs, and Angoor Rawther is just the villain that every story should have. There are also those moments when Iyob seems to be descending into madness, and Oswald is also there, as the man who tries to kill our hero and gets himself killed. Also check for the The Brothers Karamazov kind of characters with the same names.

Soul exploration 2 :: Iyobinte Pusthakam as the Parable of the Prodigal Son :: Iyob himself mentions Aloshy as prodigal son when he returns from the navy, and the church priest mentions that he is to be given a warm welcome if it is so, just like in the Holy Bible. But here, Aloshy is not the prodigal son, but rather the lost son, who returns after gaining wisdom rather than losing money, and this illusion of the gone son being the prodigal son is directly reversed in this movie without any complication. But considering a few other cases, he is indeed unemployed and without money compared to what he has at his own home which was left behind. The money that he extravagantly spent are the years of his life, and the time which he should have spent with his family. The father does accept his son, but once again, the elder brothers don’t. The movie’s use of the dialogues about the parable gives us this idea.

Soul exploration 3 :: Iyobinte Pusthakam as the Biblical story of Job :: The main character of the movie is Iyob or Job even as the hero is Aloshy. Even as our character here doesn’t have the qualities of a righteous man, he is also someone who losses almost everything that he holds dear, and it includes his own children, his property, and up-to an extent, his health. But the answer to his problems is achieved sooner here, in the form of his earlier lost son Aloshy. During his last moments, he holds onto the cross and gives it to his son, something which he already had, but rarely mentions as his baptism was nothing that he or his people wanted. It is his faith in God that is replenished in his final moments, and even as there is no redemption like that of the Biblical Job here, he does manage to die a good person rather than the evil feudal lord that he had been.

*This is the finest movie of the year from India, among all those which I have watched. Don’t miss this one! It is out of the usual league. It also leaves us with thoughts about the oppressed becoming the oppressor when opportunity arises, and also with a message on equality among the masses.

Release date: 7th November 2014
Running time: 160 minutes
Directed by: Amal Neerad
Starring: Fahadh Faasil, Isha Sharvani, Lal, Jayasurya, Padmapriya, Chemban Vinod Jose, Reenu Mathews, Jinu Joseph, Vinayakan, Lena Abhilash, T. G. Ravi, Sreejith Ravi, Shebin Benson, Saritha Kuku, Nebish Benson, Sal Yusuf, Aashiq Abu (cameo), Amala Paul (cameo)

iyobintepustakam

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