Mohan Kumar Fans

What is the movie about? :: Mohan Kumar (Siddique) used to be a huge superstar until he lost the race to the younger stars. He does believe that it was the result of black magic done by his rival actors. After a long gap, he does get a role to play in a critically acclaimed movie, for which everyone feels that he will get an award. His daughter Sreeranjini Mohankumar (Anarkali Nazar), is an interior designer who wishes to be a singer, for which she tries her luck in different reality shows. Krishnan Unni (Kunchacko Boban), is a youngster who is also trying to make it big as a playback singer. They meet at a reality show, and he is also sent to work for Mohan Kumar as the driver by Prakash (Mukesh), his old friend and a struggling producer who is trying to make a film with Kripesh aka Aghosh Menon (Vinay Forrt), a young superstar who is extremely arrogant, and thinks that he is above everyone. Krishnan Unni and Sreeranjini start competing in the reality show, mostly as a team, and Mohan Kumar also becomes fond of the young man who is there to help him.

So, what happens with the events to follow? :: Kripesh continues to try to make a name in the industry, as his fame rises, and tells everyone that his living together partner Brighty Menon (Deepa Thomas) is a sisterly figure, and fakes different events in which he is shown as a man with love and respect, raising his popularity even higher with PR work. When Arun Rajeev (Adil Ibrahim) and Prakash approaches him with a new film script, his demands only get higher. Meanwhile it is just another downwards journey for the former star, as the critical acclaimed film is taken out of the theatres much to the dismay of Mohan Kumar, who felt that he was going back to that stardom with all the appreciation he received, even more than Kripesh who was originally supposed to be the hero, but was sidelined in front of his fantastic performance. After a fight with Hamsa Randathani (Nisthar Sait), his name is nicely taken out of the Kerala state awards final list, but there is still hope for National Awards – yet, it is to be seen if they can find a way to take it to Delhi with time running out, and a lot more to be done.

The defence of Mohan Kumar Fans :: The movie’s messages are strong, for it is against the vanity and arrogance which has been going on in the film industry. The lack of quality in the visual media is also shown, and it also displays YouTube, Instagram and other social media as what it is, showing how celebrities use fake videos or good for nothing videos just to gain popularity, while skilled performers and quality actors don’t get the recognition they need. Well, if one actress stand outside her home and take a video, it gains so many viewers and appreciation, and it more or less shows the same. Well, you know that literacy means the ability to read and write, and with so many videos being preferred over written content, one has to wonder if it is because of the lack of literacy among people. Our YouTube-Instagram loving celebrities in the film might be suffering from that illiteracy too. It is shown with very nicely prepared humour with fine satire, and the feel-good factor is also high around here. The songs are just okay, and it is not short of some touching moments.

The claws of flaw :: As this movie makes fun of a certain group of people and says the truth about them, such people won’t like it – especially the blind superstar fans, creators of nonsense in YouTube and Instagram as well as those so called celebrities who try to become popular by fake means. For others, they will surely like the film, but they won’t be able to dismiss the fact that this should have had more depth with its content. Mohan Kumar Fans is that kind of a film which could have taken each of its strong elements into another level, but it is certainly not able to do that because it has chosen to travel through a safe path – the feel-good side can always get you over the line, but if you stick on to that, and play safe, it is like aiming for run-a-ball in an IPL match when there is good chance for stroke-play. Maybe, they did so because there was not much of a competition in the theatres with less number of big Malayalam films being released and less number of people watching in the theatres – but that would just be an excuse if we think so.

The performers of the soul :: This one comes after the director’s films which have maintained the feel-good factor at some point, starting with Bicycle Thieves, my least favourite film in a long time, the definite improvement in Sunday Holiday, the bigger improvement in Vijay Superum Pournamiyum and now this film, which also has Asif Ali in a cameo, making all these films Asif starrers. Well, you know that who else was there in all these movies, and it is Siddique, with his biggest role in this movie, as he is the real protagonist here, with everything centered around him, and all things being about him only. It ultimately becomes all about the positive message that is spread through his life, and in that, this movie races ahead of all among the director Jis Joy’s movies, except Vijay Superum Pournamiyum, which was much more ahead in the race. Siddique, the veteran actor, nicely stays at the core of the film, and manages everything in his usual style. If this much was done in a feel-good film, you can guess how much more could have been done if this was a serious tragedy.

Further performers of the soul :: Kunchacko Boban outside the thriller mode of Nizhal and Nayattu, does have his moments, as he is indeed the hero here, trying to keep the main character happy and ready to take the risks just for the sake of the man. Anarkali Nazar is a lovely addition here, as we see her for the first time, and despite the introduction not being that great, we see that the emotions work really well for her. Among the rest, it is Vinay Forrt who stays with us the most, with one of the best satires on the superstars who can’t really act, but tries to get mileage through videos posted in YouTube, Instagram or any social media. As video medium attracts the illiterate and those who find it difficult to read English, these celebrities get more attention that they need, and being as fake as the character he displays here, their first option will always be YouTube to fake their life in front of the blind fans, who will share the same in social media, displaying their foolishness as much as they can. After Saroj Kumar, his Aagosh Menon strikes gold with the satire.

How it finishes :: Mohan Kumar Fans does take an approach which the movies like Driving Licence didn’t have the courage to take. Instead of taking the side of the common man, it had stood with the superstar and his fans. This movie is courageous in that case, taking the side of the common people, and it focuses on the gracious actor instead of the dumb superstar, the dumbness of the latter nicely shown throughout the film, and it also shows everything fake that has been running through YouTube. We keep seeing those celebrities doing YouTube videos, and we know that they are all fake, but there will always be those people who watch such nonsense posted by such people who are only looking for fame. Well, if a celebrity post any nonsense on YouTube, everyone wants to watch that, and if something sensible is posted on YouTube by the common man, you know how it is left unnoticed – it is such an age, when quality is not rewarded, a common problem with the visual media in comparison to the written one. This is the same reason why people who are looking for easy paths to success without hard work won’t like this flick. For others, this works in varying levels of interest, mostly on the higher levels.

Release date: 19th March 2021 (Theatre), 21st May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Jis Joy
Starring: Kunchacko Boban, Anarkali Nazar, Siddique, Mukesh, Sreenivasan, Saiju Kurup, Vinay Forrt, Ramesh Pisharody, TG Ravi, Alencier Ley Lopez, Major Ravi, Joy Mathew, Krishna Shankar, Adil Ibrahim, Sudheer Karamana, KPAC Lalitha, Deepa Thomas, Srikant Murali, Anjali Nair, Prasanth Alexander, Sreelakshmi, Sethu Lakshmi, Nisthar Sait

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<— Click here to go to the previous Amazon Prime film review.

@ Cemetery Watch
✠ The Vampire Bat.

Rock Dog

Vampire Owl: Do you think that this dog is as emotional as a rock?

Vampire Bat: If it was so, the same wouldn’t have been part of an animated movie.

Vampire Owl: Okay, so the dog is as strong as a rock.

Vampire Bat: This is not really a supernatural movie. So leave that out of your mind.

Vampire Owl: Maybe, he is fan of The Rock?

Vampire Bat: Almost everyone is a fan of Dwayne Johnson. But not the animated cat.

Vampire Owl: At least tell me that he is a Rocky fan.

Vampire Bat: Dude, they are referring to the music.

Vampire Owl: Oh! My relationship with music is as bad as my friendship with the Vampire Crocodile.

Vampire Bat: I am sure that this movie would help a little.

[Gets three cups of ginger tea with a piece of ghee cake].

What is the movie about? :: In a village known only by the name Snow Mountain, a dog named Bodi (Luke Wilson) is supposed to be the next guard, guarding the sheep there from the wolves who wish to eat each and every one of them. His father Khampa (J. K. Simmons) hopes that some day, he will take over the place to become the tough guard whom every wolf will be afraid of. But Bodi doesn’t even come close to looking like a tough guard dog, and keeping the wolves out is rather something which seems impossible. But Khampa is sure that the bad wolves led by Linnux (Lewis Black) will return one day or the other, and orders everyone to be vigiliant if they are to stay alive. To avoid making any noise, he has banned music there, locking up every musical instrument, and also keeps some of the sheep disguised as dogs so that the wolves will think that there are many of them, and they are all alert.

So, what happens next? :: Bodi keeps failing the training, and even fails to work with his father’s special movie known as the Iron Paw that was to be the one thing which would give the dogs advantage over the wolves who are wild are huge in number. To add to it, Bodi also becomes interested in rock music, after listening to the rock legend Angus Scattergood (Eddie Izzard) through a radio which falls down from an airplane. As he steals something from all those musical instruments which were locked up by his father and starts playng, there is the realization among everyone that he is not going to listen, and he would never be the guard dog who is to save the village from the wolves. Even after trying many methods to change his son, he finds none of them working. The village elder Fleetwood Yak (Sam Elliott) asks Khampa to let Bodi become whatever he wants, and do whichever thing he finds comfortable in his life. Khampa lets him go on one condition that he will return for guard duty if he fails in becoming a popular musician.

And what is to follow with this adventure? :: Bodi leaves Snow Mountain, but is followed by a few wolves who wish to take him hostage so that they can use him as the key to attack Snow Mountain. But Bodi survives by luck and reaches the centre of city – There he finds a band which consists of a fox Darma (Mae Whitman), a goat named Germur (Jorge Garcia), and a snow leopard named Trey (Matt Dillon). He is humiliated by Trey, who defeats him in a guitar contest, and tells him to go and learn from him favourite rockstar who has a certain god effect among the music lovers. Bodi sets off to the rockstar’s house at the exact moment, but little does he realize that the man is not what he thought he was. Mr. Scatterhood is a Persian cat who lives a lonely life, having no companion other than a robot. He has a high security setup which is meant to keep everyone away. Can Bodi, chased by wolves, make the fan-hating rockstar at least look at him? And who will save the Snow Mountain?

The defence of Rock Dog :: There are not many other animated movies which have managed to pull something out with what seems to be so less in hand. We have our protagonist who tries to go beyond what he is supposed to be, chasing his dreams, as many other animated movie characters have done in the past. There is also one rockstar who reminds us of so many celebrities in our world. With the funny side as well as the inner messages, this one scores over many other animated movies which have got the appreciation of the critics, including the overrated Brave, happiness magnet Trolls and the last year’s nomination Kubo and the Two Strings. We see the main characters, the rock dog, the rock cat, the sheep and the wolves, and we enjoy watching what each of them do, and how everything turns out for all. It surely turns better than what the critics had told you, and you get to go searching for what you really need in your life – and most probably go against what society tells you.

The claws of flaw :: Just as expected, this one also doesn’t move that much away from its predictability, and it also takes too much time to get into the action – considering its extra short run-time which doesn’t even reach one and half hours, it makes the movie even shorter after that. It is based on the Chinese graphic novel named Tibetan Rock Dog by Zheng Jun, and one has to wonder if this lives up to that, and whether it could have done better with the material already in hand. The animation also seems a little strange considering how much it has developed – here, it seems to be animated in a rather lesser way when we look at some parts; it is more because of the quality which has been brought in animation with flicks like FrozenMoana, Zootopia, Despicable Me, How to Train Your Dragon, Inside Out, Kung Fu Panda and many others. Rock Dog is not really rocking when we consider that department deeper. Also, for most of us, rock works less.

How it finishes :: We keep seeing the animal world taking over, with them reigning all over with the animation – there is Sing, Zootopia, and others which has them all over as Cars have the vehicles power going on. Sing even has the music as do Rock Dog, and there is the presence of a few things common which you can search and find or ignore as you wish. The critics may not have been that lenient with Rock Dog as they have been with certain other movies, which rather surprises a lot of us, but everyone can surely watch this movie with the same feeling as they approach most of the other animated movies, as I can surely say that Rock Dog is not that far behind as you think, and when thinking about it from another angle, there is more than enough to keep this as interesting adventure with moments which are to be remembered – rocking at times, as a few people I know would describe it.

Release date: 24th February 2017
Running time: 80 minutes
Directed by: Ash Brannon
Starring: Luke Wilson, Eddie Izzard, J. K. Simmons, Lewis Black, Kenan Thompson, Mae Whitman, Jorge Garcia, Matt Dillon, Sam Elliott, Liza Richardson, Ash Brannon, Will Finn, Julie Craig, Deng Feng, Kellen Goff, Jennifer Hale, Matthew W. Taylor

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thrissivaperoor Kliptham

What is the movie about? :: David Pauly (Chemban Vinod Jose) and Joy Chembadan (Baburaj) have been enemies since childhood. There was a certain incident over a girl in their school which had turned the two against each other on an eventful rainy day. The two have fought each other for so long that the city of Thrissur knows their rivalry very well, and knows what would happen if the two were to come face to face. With Joy being accused of messing up David’s betrothal ceremony, the latter decides that it is time to settle the scores by dealing the final blow which will be fatal for his opponent from school days. For the same, he calls up his friends, but ends up being in a fight with Joy’s hired goons. It is during that time that Girija Vallabhan (Asif Ali) enters the situation. He is a young man who lives in the outskirts of Thrissur city, and is in a struggle with his uncle Chandu Menon (Sunil Sukhada) who doesn’t allow him to take the profit from their family property, or sell it.

So, what happens with the events to follow? :: Bhageerathy (Aparna Balamurali), a bold and angry young lady and auto rickshaw driver also become part of their lives, as she is seen almost everywhere in the city. Vallabhan who visits the city, also ends up meeting her, as well as David, as part of some not so pleasant events. He decides to join the gang of David, and after being hit by a flying stick during a fight between David and Joy’s team, gets the chance, and he has never been happier. But it is short-lived, as they are caught by OK Sehladhan (Sreejith Ravi), who is a friend of Joy, and had studied in the same school. After getting out of the police station, the gang decides to have revenge on Joy by messing up his jewellery shop inauguration, for which he has invited a famous movie star from North India, Nilina Mehndi (Shilpi Sharma). With no chance to match up with Joy who deals with gold, David’s team tries to use both brain and brawn to mess up the enemy. But are they good enough for that?

The defence of Thrissivaperoor Kliptham :: There is some nice humour in between here, which brought the theatre alive on a number of occasions. We see a lot of interesting moments in the early rivalry between the characters, and the first few minutes are among the best, and this one surely knows how to begin nicely, and catch the interest of the audience early enough. You will find even a few messages in this one, which come at the end. There is the need to forgive, and the realization that what you are luckier than you think you are, in life, and those who are deprived of what you have, are so many – a few things which we wanted were just trivial; the movie asserts. The first half is superior to the second by a long way, and the expectations are high at the interval. An effort at feel-good elements is also there by the end, when you look closer. The visuals of the city are really good, as the essence is nicely captured here. The songs are just okay, and there is not that much to gain there.

The claws of flaw :: There is the curse of the second half which troubles this movie, and the problems begin right when the latter half starts. It seems to be everywhere, not certain about which direction it is heading to. Even in the climax, except for coming up with that message for not just the audience, but also for the characters in the movie which undergo change, there is not that much to talk about. There is also the presence of some irritating sequences, and also those which could have been just avoided – that way, the movie could have gone with a run-time less than two hours, making this a little, funny movie with a message in the end. One also has to wonder where this movie would have reached if it had maintained that funny side it had displayed in the first few minutes – but Thrissivaperoor Kliptham had chosen to be cursed in the second half, and it had to come down; which sorcerer or witch had cursed a movie which had so much potential? Well, it might be a wizard that we don’t know.

Performers of the soul :: Aparna Balamurali is surely having a nice run, with fine performances in Sarvopari Palakkaran and Sunday Holiday already in the theatres with a fine feel-good run, extending from her work in Oru Muthassi Gada and Maheshinte Prathikaaram. Here, once again, she is good, playing a strong character, and she successfully rises above the flaws in making of the character – she also has rather less presence here with the focus being on the gangs. Asif Ali’s adventure goes back to Adventures of Omanakuttan and that smaller role in Take Off, and Avarude Raavukal. Both Asif and Aparna had their combination working in Sunday Holiday. The point to be noted here is that despite him being claimed as the hero, he is not really one, and as the hero who is not really the hero, he has nicely managed his work in the movie. Shilpi Sharma has less presence here, with a few scenes and one song, and looks very good throughout, in her first Malayalam movie.

Further performers of the soul :: Chemban Vinod Jose continues his journey through Thrissur which was going great in the satirical fun movie Varnyathil Aashanka. One can say that he is the one hero that this movie has, more heroic in character than anyone else. It is him who deserves the best applause in this particular flick, whether it is about the serious scenes or those funny moments – these days, whatever be the character, we love to have his presence. Unlike a few years ago, we see very less of Baburaj in movies these days, and it is very good to see him back, and for some reason, he is also given lesser of the funny side. You will also find Vineeth Mohan of Adi Kapyare Kootamani fame here in a good, smaller role. Rony David and Irshad provides some good company to the protagonist, while Vijayakumar and a few others nicely work on the other team. Rachana Narayanankutty and Zarina Wahab are in one scene each, and if you miss those scenes, you miss them.

How it finishes :: Movies based on Thrissur has been many more this year, with Georgettan’s Pooram and Varnyathil Aashanka there with this particular movie, and even Sarvopari Palakkaran was set mostly in Thrissur despite beginning from the Kottayam side; Jomonte Suvisheshangal was also based there. Among all these movies, this is surely the movie which has captured Thrissur in the best way. After drawing some good audience even further away from the city in which it is based, there is something about this movie that has attracted the audience to watch it. Thrissivaperoor Kliptham is surely a movie which could have improved itself in the second half on its journey towards the climax, but beginning so well, and with help of humour, this one manages to keep itself as a movie which provides some entertainment, and the performances from the cast support the whole thing very well.

Release date: 11th August 2017
Running time: 139 minutes
Directed by: Ratheish Kumar
Starring: Asif Ali, Aparna Balamurali, Chemban Vinod Jose, Shilpi Sharma, Vineeth Mohan, Baburaj, Vijayakumar, Rachana Narayanankutty, Rony David, Zarina Wahab, Sunil Sukhada, Jayaraj Warrier, Sreejith Ravi, Sudheesh, Meghanadhan, Nandhu, Irshad, Neeraja Rajendran, TG Ravi, Sneha Sreekumar, Manju Sunichen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Expendables III

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Vampire Owl :: I am outsourcing this. Counting sucks.

Vampire Bat :: It is impossible to count the superstars in this movie, especially because we predate Mathematics. Uncle Dracula survived for so long without it.

Vampire Owl :: I am hiring an owlification assistant.

Vampire Bat :: Leave it and just remember Sylvester Stallone.

Vampire Owl :: I just hope the screen is enough for all of them.

Vampire Bat :: I told you it was better to watch Scarlett Johansson.

Vampire Owl :: I have graveyard shift. How can I wake up for its early show?

Vampire Bat :: There is something called alarm. Try it at least once. I know you can’t stand that sound.

Vampire Owl :: Still better than being under an ice bucket.

Vampire Bat :: I am not wasting water on that.

[Goes to the ticket counter].

What is it about? :: Barney Ross (Sylvester Stallone) and his team of Expendables is once again in a conflict, but this time, they come face to face against the co-founder of the same team long ago, Conrad Stonebanks (Mel Gibson), who has transformed himself into a ruthless man. Barney’s team lose the battle there and are almost killed, with Hale Caesar (Terry Crews) seriously injured. He leaves his old team behind for their own safety and gets a new one including John Smilee (Kellan Lutz), Luna (Ronda Rousey), Thorn (Glen Powell) and Mars (Victor Ortiz) and goes after the new enemy, much to the dismay of the older members, especially Lee Christmas (Jason Statham), Gunnar Jensen (Dolph Lundgren) and Toll Road (Randy Couture). But would that be enough to take down the big man who has always been one step ahead of the current Expendables leader? Will the strength and agility of the new members prove better than the experience and smartness of the older members? Can the team even stand together in a battle for which they are not actually enough trained and prepared? Will they live up-to their name, or can they actually live beyond their name?

The defence of The Expendables 3 :: Here comes the nostalgia of The Terminator, Rambo and a few others on the screen, and it is something that can’t be matched. It is something like a 20-20 cricket match in which there are so many superstars with two all-star teams playing, with legends running all around. It is that kind of an opportunity which comes only with this franchise lead by Sylvester Stallone and his team(s). It is where the movie scores easy points, an advantage which no other movie or franchise got, and something like this might not be easy to come either. The action sequences are also there are expected, but they are really less here, and they come late. There are lots of stylish and powerful sequences there, and it is not just good to see them together – it is more than that to the fans. There were lots of claps in the theatre, especially for three people, Sylvester Stallone, Jason Statham, and Arnold Schwarzenegger, the last one even without doing much. That much is the power of these people, and the movie can run nicely with that.

The claws of flaw :: The movie has a population problem in there, with the density of population being too much for a flick which lasts just over two hours – there is not enough for everyone, and the plot also suffers due to the same; it seemed to want to do something for all the stars, but fails miserably in doing it. The result is a certain amount of drag which comes in between, and for showing all these people on the screen for enough time with something given to them all, the movie misses out on being engaging. The action sequences are missing for quite a lot of time, and the first half thus goes into a slower mode. It struggles so hard to be not the shadow of itself in a world which itself is losing in strength. The dialogues also lack punch, as if the stars are losing their powers to entertain along with becoming older. There is no innovation added to the movie in this sequel, as it depends on its own superstars who have been crowd favourites for such a long time. It is repetitive, and is surely going to do the same again.

Performers of the soul :: I had expected this to be the movie of Sylvester Stallone and Jason Statham, but that was not the case to be. The movie has scenes and sequences for almost everyone there, and it tries to give something to all. Arnold Schwarzenegger and Jet Li are wasted in their roles, as they are left with nothing much to do other than being there only to get some action just as the end nears – the latter actually seems lesser known to audience here these days while the former at least gets some claps when his face is shown on the big screen – thanks to those awesome flicks of his wonderful times; same is the case of Stallone and Statham. This population explosion on the screen has actually made their characters suffer a lot. The worst hit might be Antonio Banderas who is caught in a role which never really seemed to suit him, and yet he has tried so well. The question would remain what was the need for him to take a character which was better suited for someone like Jet Li – meanwhile, Mel Gibson and Ronda Rousey steals the show – there is no second opinion about it.

Soul exploration :: The Expendables III is undoubtedly the worst movie of the franchise so far even as it is not bad otherwise. Its inability to live up-to the expectations is actually depressing and not anything else. As it has those superstars whom we loved for such a long time, and even defined our childhood, it needed something for us to remember and recollect. But this one just comes and goes, leaving nothing behind. It surely shows us our favourite stars, but does nothing to support them. With all this talent brought together, is this all they could do? The 34% critics rating at Rotten Tomatoes is not a surprise, and you will know it from the first half itself, and the second half also struggles to provide anything good to these stars other than what they are getting paid. This won’t be a movie in which they will be remembered. It is a sad situation for our memories, but at the same time, it does awaken that nostalgia – so we can’t keep blaming them for giving us something to cheer about, right?

How it finishes :: The Expendables III is not of the power that its franchise used to have, as it is struggles to keep itself going. It is unable to find any special ingrediant for the movie as it goes on with its usual style which is less interesting at this stage when they are coming up with a third movie on the same path as its predecessors. But still its major competitor this weekend from Hollywood is just Lucy, as Teenage Mutant Ninja Turtles is yet to arrive here, and Guardians of the Galaxy, Hercules and Into the Storm remains in the theatres. The Hindi movie of the weekend is Mardaani and the Malayalam one is Munnariyippu. There is not much challenge in store for a movie which has so many superstar in a world which is governed by celebrity worship. Still, the power is undoubtedly reduced this time, as this is the third movie of a franchise which has no innovation – but it is always good to see these superstars who were there during our childhood, right?

Release date: 22nd August 2014 (India); 15th August 2014 (US)
Running time: 126 minutes
Directed by: Patrick Hughes
Starring: Sylvester Stallone, Jason Statham, Antonio Banderas, Arnold Schwarzenegger, Jet Li, Wesley Snipes, Dolph Lundgren, Kelsey Grammer, Randy Couture, Terry Crews, Kellan Lutz, Ronda Rousey, Glen Powell, Victor Ortiz, Robert Davi, Mel Gibson, Harrison Ford

expendables3

@ Cemetery Watch
✠ The Vampire Bat.

Bangalore Days

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Vampire Owl :: So we won’t watch Bangalore Days, right?

Vampire Bat :: We will watch it. There will be force from Nivin Pauly fans, Dulquer Salmaan fans, Nazriya fans and Fahad Faasil fans and even Anjali Menon fans who will force us to go for the movie no matter what is shown in the movie.

Vampire Owl :: You mean there is no escape. Won’t the monsoon calm them down?

Vampire Bat :: No, they constitute ninety five percent of the Keralite young population. Unless we hide ourselves in a bunker, there is no escape from the fan bombs.

Vampire Owl :: Let’s not listen to them who rate the movie high just because of the people involved, and hiding that fact, just say that movie is awesome.

Vampire Bat :: Let’s watch this soon enough but not falling to those extremely high fan ratings.

Vampire Owl :: So, can we order an extra plate of fried rice with more gravy?

Vampire Bat :: I guess I will need two cups of tea too.

Vampire Owl :: Why two? One for Count Dracula?

Vampire Bat :: One before finishing the food and the other after the grand finish.

[The food happens again].

What is it about? :: There are three cousins, Krishnan (Nivin Pauly), Arjun (Dulquer Salmaan) and Divya (Nazriya Nazim) who have been great friends since childhood and shared almost everything with each other. Divya is married to the busy executive Das (Fahadh Faasil) and that lands her in Bangalore. Krishnan who gets a new job in the IT sector also gets posted in Bangalore, and that comes as no surprise. Arjun, who has the habit of leaving his home and keeping his relatives worried, also comes to the same city and does a little mechanic job bringing the three cousins together again. Arjun falls in love with a physically disabled Radio Jokey, Sarah (Parvathy). Krishnan meets an airhostess who is half-Malayali, Meenakshi (Isha Talwar) and is instantly attracted to her even as the lady of his dreams is simple and having a Malayali character. Meanwhile, the relationship between Divya and Das becomes strained due to multiple reasons, and Krishnan’s mother comes to Bangalore after his father goes on a spiritual trip. Sarah has to go to Australia while her mother despises Arjun for his background and lifestyle, and Meenakshi is not serious in the relationship with Krishnan, making things further complicated.

The defence of Bangalore Days :: This one is a joy to watch in the beginning stages. There are three cousins, with lot of love for each other and enjoying life. There are many funny moments in the movie, mostly including Nivin Pauly, as he falls for the one true love he meets who is surely not a lady of his dreams. The jokes work throughout the movie, even as the second half takes them down. There is a lot of intelligence in bringing fun in the first half, and they have smartly used the Thattathin Marayathu stuff in this one which is a nice addition. The cast is as close to perfection as it can be, especially with three male leads, Nivin Pauly, Fahadh Faasil, and Dulquer Salmaan. Among the female leads, Parvathi shines the most, and this is a different avatar for her considering the roles we usually see her in. There might still be no better happiness than seeing all these stars together, seven in total, three male and four female, and all of them young and bringing their energy all the way to the screen. This leaves a lot of the young generation fans, and the fanboys as well as fangirls will love this stuff. This is the movie that they can celebrate by bunking classes and wasting time.

The claws of flaw :: The movie has no interesting story to tell the viewers. It has just three people who are the centre of attraction, seemingly made even before the plot ever existed, and into their lives, the whole story is packed and sent. The twist that they bring for Fahadh’s character was possibly the worst thing they could do to the story as an ineffective turn-around. The bike racing stuff was quite unnecessary, as Dulquer was cool without it. But here, he will jump bike just because they can make him. He was nicely turning into a likable character from one of the worst young man in this story. May be because even non-racing fans liked Rush and Jo Jeeta Wohi Sikhander had such an awesome climax, they should have thought this was the way to go. The scene after the final marriage is equally worse, and Nivin Pauly character’s “happily ever after” is ended in such a poor manner. There is a lot of drag in this movie which was supposed to be a lot of fun. The major point of this flick was to be entertainment, but this movie forgets that in the second half, making this more of a soap opera, and tries hard to make audience cry, but without substance. The ending leaves us needing more and emptiness in this movie is mostly filled by unnecessary songs. Well, this is a fire-breathing dragon which decided to breath cliches for a change, and each character seems to contribute to it when they go through the story.

Performers of the soul :: Nivin Pauly and Nazriya Nazim has been the hit pair, but here the latter is paired with her real life future husband, Fahadh Faasil, and Nivin repeats the hit pair of his first big lead movie Thattathin Marayathu with Isha Talwar. Nazriya is fine, but still not that awesome as we saw in Om Shanti Oshaana. Meanwhile, Fahadh Faasil is brilliant in a role which makes him only the fourth significant person in the movie, but an admired one for sure. He remains strong, and it is something we expect from him no matter what happens around him. Nivin Pauly is awesome, and is the best of them all, especially in the funny scenes. He should have had a little more presence in the whole thing rather than being restricted. Dulquer Salmaan hasn’t impressed me since Ustadh Hostel, and everything that came after that had me uninterested, and felt that he was choosing the wrong movies for whatever reason. But he certainly scores in this one, even as his character deserves a lot of hatred for the first half – he comes up with a memorable performance especially in the second half. Nithya Menon and Parvathi haven’t been around for some time, and it was good to see them. While Nithya has only a small role, Parvathi is very nice as the love interest of Dulquer’s character.

Soul exploration :: Everyone loves the city of Bangalore, and it is one of the cities of the South which I visited at an early age, and also that city which has most of my relatives and friends. I might just go there and find at least one person I know every day just by walking around, almost all of them engineers. Well, none of my friends who are staying there or have worked there has rated this movie high, and that is a negative for this one. I have actually found that most of the people whose opinions I care about have given this movie around average rating. But does this movie has more of a soul? Yes, it has the cousin friendship love stuff mixed and boiled in a bowl full of water, but how good is it? They are all there, but not presented in such a way that we can feel or connect. Even the most touching moments are rather dull because not enough care has been put in how the story progresses. It might be meant to make the viewers feel good, but that should require staying with the audience, but this one moves on and on, and in the presence degrading itself from being an awesome movie. Sooner or later, the question will be more about us deserving better than just expecting better.

How it finishes :: Bangalore Days has been one of the most anticipated movies by the fans of different actors. There are Nazriya Nazim fans who know that their favourite actress is going to get married and coming back to acting is not a sure thing. There are Nivin Pauly fans who have been standing tall since his two huge hits in the form of Om Shanti Oshaana, and those Dulquer Salmaan fans who are hoping for at least one good movie from him for a very long time. Then there the more intellectual ones, the fans of Fahadh Faasil who will be a calm force here. People also want to watch Nithya Menon and Isha Talwar so much, and Parvathy is also a bonus. Then there are people who keep praising Anjali Menon – all these people are going to force so many Keralites into the theatre that more records are going to be broken – there have been quite a few already. The movie is showing what the advantage of having young and good-looking actors, actresses and director is. There are too many fans who just look for that, and the days are bright for Bangalore Days, no matter how much the monsoon stays strong with the hope for thunderstorms with Koothara.

Release date: 30th May 2014
Running time: 172 minutes
Directed by: Anjali Menon
Starring: Nivin Pauly, Nazriya Nazim, Parvathy Kottuvata, Isha Talwar, Fahadh Faasil, Nithya Menon, Dulquer Salmaan, Prathap Pothen, Vijayaraghavan, Maniyanpilla Raju, Kalpana, Praveena, Vinaya Prasad, Rekha

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@ Cemetery Watch
✠ The Vampire Bat.

Silence

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Questions of the day :: The first question of the day is less relevant, and it is about the day of release. Why would this movie be released on a Saturday? That gives the impression that the movie is less confident about fighting face to face with movies that release on the Friday as usual, and this was more of a “weak week” except for The Hunger Games: Catching Fire striking the multiplexes; that won’t help – it gives more of a feeling that by releasing on a Saturday or a Sunday, more family audiences can be lured to the theatres without reading a review. That is rather pure lack of confidence, something which we audience have more on all those who are behind this movie than they might have had on us. The next question is about the lack of publicity – this might be the least publicized movie of Mammootty as well as V.K. Prakash in a long time. Nobody really knew that this movie was going to release last Saturday. It was updated on multiplex lists much later, and there was no talks about it. Seriously, why release a superstar movie in secret? There are some posters, but in a week such as this, the movie could have done incredibly well with better marketing.

What is Silence? :: From the director who gave us Beautiful (my favourite movie from him), comes this flick which is more of a thriller. No it is not just Silence if you look closer into the poster, as it is The Power of Silence, with Silence written in big letters. I didn’t like his last few movies, but I was sure that there will be something good coming up from him soon. Only if they had marketed this well as they did for the inferior movies like Natholi Oru Cheriya Meenalla and Poppins. This has to be the least popularized Mammootty movie too, breaking the record of Kunjananthante Kada which also came sneaking into the theatres. But Silence is still moving silently, and there needs to be voices if it has to take it to the next level. Just because the name of a movie is The Power of Silence, would that mean its better to sneak into the theatres and run for a week with not many people knowing that it has released? Except for jobless people like me, of course. The fans will know, but for a neutral, this one had to be told about. What is the motive behind making this movie if nobody knows it has released? Who knows? Well, lets move on to what might point to our movie concerning corpus delicti!

What is it about? :: Aravind Chandrasekhar (Mammootty) is the newly appointed Chief Judge of the Karnataka High Court after a great run as a lawyer with absolutely no blemish. He is praised as the youngest person to achieve that honour and everything goes smoothly as he goes to his ancestral home with his wife Sangeetha (Pallavi Purohit) and two children. He is harassed by a phone call from an unknown person who seems to know almost everything about him, and tells him that he is not fit to be a judge. There are cars chasing him, people around his house, his daughter is given gifts by strangers and his son is found missing only to be found later. With the help of Neil George (Anoop Menon), an IPS officer and a good friend, he attempts to solve the mystery behind the people who are shadowing him. He finds that there is something about his past there, and goes back to look at the cases which he dealt with, and with the advice of his former rival Markose (Joy Matthew) and his juniors, he would find out the same just after the first half and gets to make things right.

The defence of Silence :: The movie does have the power of silence as it moves on silently, but with some hidden fire throughout the first half. It is a good attempt by the crew to make a thriller after the same director and scriptwriter did join earlier to make comedy movies. The movie is serious and is successful in making people think that there is something big coming up and there are surprises in store. The questions have been brought to light and the train of answers have been set up in such a way as to make sure that there will be no derailing except for some shaking in the second half. There is that feeling which has been missing in the thriller movies in Malayalam, which audience might have been waiting for. There is that point where the interval is set and it is where the movie is at its peak, and at the top it sends people to buy popcorn, kappa varuthathu, kadala and tea, waiting to pounce on them again after the interval, and people are left with high hopes.

Claws of flaw :: The second half takes an unnecessary leap and takes away the hopes. The beginning of the second half is okay, but as it progresses and reaches the second part of the second half, the curse takes over and by the climax, it is almost completely gone with the ship barely holding on at the top of the sea level with only the mast remaining on the top. The way they end this movie is rather despicable, and there is an underwater fight scene as they attack each other as if they were born to live underwater, but that place looks rather like an aquarium. Why all the stupidity and dialogues of nonsense in the end is a question which can spring up. The loopholes catches on, and the background music which comes out of nowhere and becomes disturbing for the ears with noise pollution is another despicable thing. The movie becomes rather amateurish as a thriller as it reaches the finishing line. The points that the movie scores is for the first half, and the for the second, it gets some points just because it doesn’t fall into the bottom of the abyss.

Performers of the soul :: Mammootty is the one who saves the movie again and again as the flick keeps losing steam on regular occasions. He makes sure that he does all that he can to keep this ship from sinking from the holes created by itself during a moonwalk with a glacier, and there is a lot of them which can make a regular Titanic sink. Anoop Menon has given him great support right from the beginning and his performance is as good as it can get, while Pallavi’s debut in Malayalam is just decent with nothing special added to the menu, and one often wonders if that character is there just because our protagonist needed a family and someone was to be kidnapped and left for dead by the villain. Aparna Nair has nothing but a presence, like the dead twin sister in Geethanjali. Joy Mathew has a very small role, but when he is there, he makes that impact that he always makes, and his character could have been further explored rather than left behind with a few dialogues. He would have been a better villain than anyone else in the movie. The child artists are also good.

How it finishes :: Silence is a silent scene for most of the viewers as the movie which doesn’t have even a wikipedia page (even small budget movies without superstars often manage one). Its power as a thriller might be disputed and its strength as a superstar movie might be questioned. V.K. Prakash and Y.V. Rajesh surely make a great combination (yes, I liked Gulumal: The Escape and Three Kings, no matter what). Not among the more interesting thrillers in any manner, and don’t compare this to Memories though, as it remains the best Malayalam thriller movie not only of this year, but also of a long time. Silence doesn’t rise even as a mediocre contender to that. But this one does have its moments of thrills which doesn’t go beyond a certain point. The thrillers with psychological as well as the investigative sides always make it interesting to watch, as proved by Memories, Nadia Kollappetta Rathri and Sahasram. Silence has a certain doubt if it should go with these three or last year’s Grandmaster, and there it confuses itself as well as the viewers, and gets drained of energy, yet holds its ground. There is information that it is inspired from multiple Hollywood flicks, but none I have watched. We need more thrillers in Malayalam, and so I suggest we should make this one a success!

Release date: 7th December 2013
Running time: 120 minutes (estimate)
Directed by: V.K. Prakash
Starring: Mammootty, Anoop Menon, Joy Mathew, Pallavi Purohit, Aparna Nair, Kavitha Nair, Ravi Vallathole, Basil, Prakash Bare

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@ Cemetery Watch
✠The Vampire Bat.

The Amazing Spider-Man

✠ I would be surprised if the loyalties of the fans have not shifted from my favourite superhero of the childhood to what could be termed as the Iron Man mania or the Batman addiction. They have taken over, and my other childhood superhero He-Man is nowhere to be found. The Revival of the interest in Spider-Man can go back to the Tobey Maguire – Kirsten Dunst starring adaptation of the same and its sequels. Still, the favourite actor of the series happened to be James Franco, thanks to Spider-Man 3. As everyone was waiting to watch The Dark Knight Rises, there was a little lack of interest in the same, but I am glad that the movie has managed to survive. Spider-Man was my favourite comic-strip in the Sunday newspaper, and I remember waiting eagerly for it, even as for the cartoons section, the winner was Ducktales. I had a good collection of Spidey’s graphic novels, and I can remember buying despised chewing gums just for getting the Spidey stickers free, giving the gums to my friends. Spider-Man defined my childhood, even as I never tried to climb the walls. I would add that Spider-Man is also the first “typical superhero” video game I played.

Count Dracula: Spider-Man? Seriously? I mean you are the Vampire Bat, always wearing that black costume and pretending that you can fly, and you still like Spider-Man? You should like Batman, he is your kind sharing the “bat” added to your names – he comes in black, while this spider person comes in red and blue. Even Robocop comes in black pretending that he is Judge Dredd, and it is the new trend. Think about it – Spidey boy is too thin for you; it might feel okay for you now, but from the way you are gaining weight, you might become Vampire Bane and not Vampire Bat.

Vampire Bat: I have no special interest in the character, nor am I interested any spider. I have a fair share of spiders and their webs in my room though. I used to raise a little spider on my motor-bike, but it wasn’t radio active, and went missing on a rainy day. I didn’t have photo of it, which is why I couldn’t ask people if they have seen the little one. Do come here, and count the spiders. I wake up every day, and see a lizard or cockroach, thats how I usually start my day. If you need a centipede though, there are some beautiful pictures right here at Harsha’s place (http://allresourceupdates.wordpress.com/2013/11/23/centipede-they-are-quite-fastarent-they/)

Count Dracula: No, thanks. There was a time when a centipede got into my coffin. I won’t blame it as I am obviously the dead Count walking. It seemed to love the time in my ear, and I had to use drown myself in blood to get it out. I had to run after the local village people with an axe three times a day to reduce the fat that I had gained by taking in too much dark elf blood. Thank God for Goblin Markets, otherwise it would have fed on my brain and the childish zombies would have mocked me. Let me tell you this though, no centipede or a spider will ever become a vampire.

Vampire Bat: But Peter Parker is bitten by the spider, that too a genetically modified one. As you know, the abilities were transferred like vampirism. Peter Parker becomes Spider-Man, along with most of which you already know – of Spider-Man Origins as the man becomes Spider-Man after his uncle’s death. That would leave the question about what are the two different things – they are Gwen Stacy and Dr. Curt Connors a.k.a The Lizard. I would say that they both score better than our heroine and villains of the earlier Spider-Man trilogy. I wouldn’t just judge our hero in comparison yet though.

Count Dracula: Only one villain? That is depressing. I heard that The Amazing Spider-Man 2 will have two of them, The Rhino and Electro. It is usually the number two movie that comes up with the best villain. Now that is going to be a cliche for sure.

Vampire Bat: I doubt that. I know who you are referring to, but I loved Batman Begins, and Liam Neeson’s Ra’s al Ghul is my first preference for a Batman villain in the new trilogy. The Scarecrow could have been so much better too. But we just can’t deny our Lizard his due. We don’t have an evil man there; he is no Joker, as he falls to his tragic flaw rather than anything that motivates a normal villain. He is the victim of science. He succumbs to that feeling that he can use technology to his advantage in doing the right thing, but ends up doing the exact opposite.

Count Dracula: Someone I know said this “Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain”. It was someone I despise a lot. But the situation here demands that to be true.

Vampire Bat: Yes, I remember Van Helsing. But it doesn’t begin or end there. The Lizard’s only possible true comparison is with Doctor Octopus of Spider-Man 2, another experiment gone wrong and another bad man created. The emotional turmoil, the consequences of his actions and the way their minds deviate – lots of things might be similar. Lizard’s clear advantage is the more advanced CGI and the movie being the origins story. Spider-Man 2 was the last good story in a series and this one is the first. I would still think that the Spidey villains need to get better, as Ra’s al Ghul, Joker, Bane, General Zod – they are all scoring for DC. Marvel’s only hope lies in Loki along with Magneto and his side-kicks as long as they are not taken away by Krrish.

Count Dracula: Talk about Andrew Garfield. He is surely Spider-Man, as the one that you might have read in those Sunday comic strips. He looks young and surely looks like the youngest superhero that is popular with us. He is not burdened by experience as Batman, nor is he troubled by his alien existence like Superman; he has not the need to be He-Man and protect a universe of magic either. He is more or less closer to being the comparatively normal superhero than he is. At least he is closer to being what he claims than you are; you still can’t fly.

Vampire Bat: Why should I fly? Even Batman doesn’t fly. I have a logo like him and I even have dark costumes which can scare people at night. Why don’t you concentrate on Wichita instead? I mean Emma Stone. I can’t get over that name at all – thank you Zombieland. She looked so good in it with the black hair, but this character needed this colour change. This movie has a better romance than the former trilogy, thank God. No overdose of crying romance to follow, we hope. But we can only hope that the Venom episode would be handled much better.

Count Dracula: It took them only five years after the trilogy ended to release the first movie of the reboot franchise. I don’t think that this one can offer too much difference from the previous adaptation. Batman and Superman got rid of the style of wearing underwear on the outside, but as Spider-Man never had that practice, that gesture is not possible. The dark style might not suit him either. May be he can dress like me and hold a spider in his hands. The symbol of ‘bat’ worked for Batman, and the alien nature worked for Superman. Neither the spider symbol or the nerdy character can do something like that for Spider-Man.

Vampire Bat: There are a few things that the trio of superheroes, Superman, Batman and Spider-Man can offer, and one of them is great delight in the form of box-office success. There are many others for sure, but along with Wolverine and Iron Man, these three carry immense potential to break records. The only character from the west who might be more well-known than these should be you. You are our synonym for vampire, and if there is something that they relate with sucking good amount of blood that is you, even as I know a few mosquitoes who might disagree.

Count Dracula: That is not right. I have maintained the disguise of a simple farmer here. I just cultivate corpses, and keep the environment undead. Don’t you have your own vampires out there, the vampires of wealth in the form of celebrities and politicians, vampires of food in the form of restaurants, vampires of truth in the form of media and so on? Do not bother me with that – try your superheroes instead. They shall entertain you and make sure that your childhood concepts remain almost the same.

Vampire Bat: The dignity of superheroes was stolen away by Krrish. It has been partially saved by Thor, but only with the next sequel to The Amazing Spider-Man that it can be claimed back completely. It is up-to Andrew Garfield and Emma Stone to keep the work going. The villains will help, and so will the CGI.

Count Dracula: I am not the kind of person who would believe in superhero stuff. But let me tell you a few things I am sure about. The first thing is that Spider-Man will never be my favourite superhero. The second thing is that I still believe in Spider-Man movies. The simple light shade that the Spidey manages gains my respect.

Vampire Bat: Yes, the movie is excellent in many ways. There are not many flaws to be associated with it. We loved the performances and the way in which they have shaped the story. It is still too early for a reboot and there is nothing spectacular tried this time, and no attempt to deviate into another path like what happened with Batman. Get that DVD, my friend.

Count Dracula: Yes, I think I will. Good bye, brother in fangs.

Vampire Bat (to himself): How can we ignore our friendly neighbourhood Spider-Man just because there have been an overflow of superheroes? There is no chance for such a cruelty towards the first Hollywood superhero movie to release in the theatre near my place. There will be no such avoidance. This movie will be more recommended than any other Spider-Man movie. As the origins story has been setup already, the sequel is only going to be better, and I am very confident about it.

The Amazing Spider-Man is another superhero movie which you have to watch. Even without any particular innovation of supreme significance, the movie is a treat to all the fans of the genre as well as the Spidey lovers. The web is stronger than ever this time, even as it will not win any awards in an arachnid competition. Watch this one as the origins story, and there is a lot more to come. You may or may not like spiders, and in most cases loathe them, but lets make sure that this is one creature of the web who gains our attention. Even Count Dracula does that wall crawling stuff very well, and he would indeed love to see something really amazing from the two-legged partial arachnid who just cannot stop itself appearing again and again. Along with the two villains that we have in the upcoming sequel, lets hope for the other interesting villains like Mysterio and Chameleon, as its going to be a long race for the Spidey.

Release date: 3rd July 2012
Running time: 136 minutes
Directed by: Marc Webb
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen, Sally Field

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@ Cemetery Watch
✠The Vampire Bat.

Phata Poster Nikla Hero

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Even as the comedy movies are not having a good time these days and I have been mostly against them with the exception of Go Goa Gone, this one comes from the same person who had earlier directed Andaz Apna Apna, and so it was to be watched also because it had positive reviews from a good number of people whom I trusted. No, I don’t like Ajab Prem Ki Ghazab Kahani, and so lets leave it out of this. Watching the Malayalam movie Sringaravelan worked completely against that idea though, and delayed the procedure even further with the reminder of the horror that a comedy movie can be. But the need to watch a movie featuring Ileana D’Cruz came up, and as most of the people did in last year, I didn’t watch Barfi nor did I watch Nanban, which made this movie closer to a must-watch. To add to it, the trailer was pretty good too, considering the standards which one expect from a mindless comedy movie. No, the movie doesn’t live up-to the trailer as it is not a fun riot throughout as it mixes things. Well, its mixed reviews are justified for sure, as the film raises its bar as a comedy movie which is not for one age group or just a generation of viewers, even as it never reaches that high level of something which is to be remembered for a long time.

If this movie was to raise the bar high enough, this review was to feature an interview with Count Dracula himself, but as it didn’t do that well enough, Dracula has to stay with just one interview provided (moviesofthesoul.wordpress.com/2013/06/12/hotel-transylvania/‎) and this won’t be the time for the second. The movie starts very well if we look at it, but it loses most of its strength in the second half, and the use of sentiments and there is that little more action which is more than needed, that doesn’t really help the cause. The movie is a breeze throughout the first half, and a disoriented wind in the second half. The movie required more comedy too, even as most of the existing funny lines surely work. With this movie with a title that is literally translated as Poster Rips Open And Out Comes Hero, there was a lot more possible. This could have been the best comedy movie of the year in any language from India if it had taken over from the base which was set in the first half, but unfortunately it trails to its own early half. Still, it doesn’t lose its path completely, as it holds on and on to the mindlessness and provides us with something which looks more like a parody at times, but is still funny enough.

The movie has a simple story if not the simplest of the age. There is nothing complicated in a young man from a village, Vishwas Rao (Shahid Kapoor) who hopes to become a big superstar by gaining a leading role in a movie. He is raised by his mother (Padmini Kolhapure) by driving an auto-rickshaw, hoping that her son will grow up to be a Police Inspector and beat up the evil guys, restoring order to a world lacking in righteousness and truth. She hopes that through her son, there will be justice which was destroyed by her own husband who was a corrupt police officer until the moment of his death. As Vishwas tries to make it to the big screen, his mother tries even more to make him a police officer, but he retaliates by depicting himself as unfit in front of those who conduct the tests. As he is called to Mumbai as the last chance for a police job, he goes there happily and tries his luck in the movies instead. But as a he comes up against a social-worker Kajal (Ileana D’Cruz) who confuses him as a police officer and he is pitted against the gangs of the city. He accidently catches another thief, and he hesitates to tell the truth as he falls for her slowly, but steadily.

The arrival of his mother who thinks that he is a police officer, also complicates the situation. He gets his aspiring actor friends to help him in the life-time acting of the police officer and even convinces the police commisioner to act so that he can help his mother. He is forced to save those who were vacated by goons due to his mother forcing him, and then again Kajal makes him raid a dance bar, an act which saves a number of women and exposes a lot of black money. The result is that the underworld don Gundappa (Saurabh Shukla) and the corrupt inspector Ghorpade (Zakir Hussain) on his payroll comes to consider him as a serious threat to their business and begins a big search for him. There are talks about an international criminal nicknamed Napolean and a dangerous terrorist mission known as the White Elephant, but at the same time, the police commissioner comes to stay near the place where our hero and his mother are staying, which adds to his woes, as he tries hard to keep his mask of the non-corrupt police officer on his face. Now, the hero has to become the real-life star rather than the big-screen star.

This is Shahid Kapoor’s favourite performance as I am concerned. I haven’t been his fan, but I liked his performances in 36 China Town and Fida. This is the first time that I have seen his performance which is fully comic in character, and there is no doubt that he has done the best among the actors. The best scenes include those when he meets Salman Khan when with his future love, and the dialogues with the police commissioner. He gets some good funny lines as expected. Yes, Salman Khan does make a cameo in this movie as himself, and Nargis Fakhri is there for an item dance which is more of a stage performance. Ileana D’Cruz looks lovely and dazzling throughout the movie, even as her character seems to make regular attempts to look cute and stupid, and turns incredibly gorgeous in the songs. Talking about the songs, it has to be said that they spring out of nowhere, like the demons of The Conjuring, but we get to see Shahid Kapoor at his stylish best and Ileana D’Cruz with serene beauty. The songs are undoubtedly forced on the movie, just like the climax. Ileana has her best lines in the beginning and the end, and in between, she has not much to outside the songs, alone.

As I had mentioned earlier, Ileana D’Cruz is the main reason why I stumbled upon this movie, and I have to say that she is part of my list of favourite actresses in Bollywood, even though I should have been familiar with her movies from the movie industry of the South, which I am not, just in her case. One fact about her character is that it is both a stupid as well as a lovable one – all the characters of the movie are pretty much stupid for sure, except for Padmini Kolhapure’s mother character. Ileana’s character has used that stupidity to perfection though, as she plays the lady who is nicknamed Complaint Kajal for the large number of complaints which she files in the police station for various reasons. It is a character who is supposed to be so, and Ileana’s portrayal of the same makes her instantly likable. Her portrayal of the character is second only to the hero’s performance. The name Ileana, having its own Greek origins, meaning “of Troy”, derived from the Greek name Helen, and here too, the origins are quite justified, as she remains the most beautiful side of the movie, even as no wars were fought on her name.

Padmini Kolhapure plays a good, righteous mother perfectly, as its been a long time since I saw her on the big screen, as I missed the Hamlet inspired Malayalam movie Karmayogi in which she is supposed to have been a part of. The other actors have also did their part well enough to entertain us. The best thing about this movie is that there is no humour of bad taste or bad words which keep the families away, and there is nothing of adult jokes which some of the movies of this age uses when the makers run out of ideas. There is also assertion of truth and righteousness and in the end it is asserted that being a hero in real life is better than being a fake hero in the big screen, an idea which lightens up what seems to be an otherwise inferior end to what seemed to be coming in the first half. This weaker second half could have been boosted to make this movie a better treat, but for now, lets adjust with what we have here. This is a movie which you can watch without thinking much, and you can give your brain a rest. I could watch this one for just rupees fifty and this is more than just worth it. Watch this one for the Helen of Troy that is Ileana D’Cruz, the charming stylish Greek hero that is Shahid Kapoor, and all the fun which has a hidden goodness element – forget the plot and leave your brains behind though.

Release date: 20th September 2013
Running time: 146 minutes
Directed by: Rajkumar Santoshi
Starring: Shahid Kapoor, Ileana D’Cruz, Padmini Kolhapure, Darshan Jariwala, Saurabh Shukla, Sanjay Mishra, Zakir Hussain, Mukesh Tiwari, Rana Jung Bahadur, Deepika Kamaiah, Tinnu Anand, Nargis Fakhri (cameo), Salman Khan (cameo)

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@ Cemetery Watch
✠The Vampire Bat.