The Priest

What is the movie about? :: Fr Carmen Benedict (Mammootty) is a priest who is known to have helped the police in multiple cases. Diya Alex Alatt (Saniya Iyappan) approaches him with a certain amount of concern regarding a series of deaths which had occured earlier in the rich and influential family, and were dismissed as suicides. Diya feels that the present controller of the assets of the family, Elizabeth Alatt (Meera Nair) might know something about it. He calls DYSP Shekhar (Sivadas Kannur), who begins to share some of his doubts. When a little girl named Ameya Gabriel (Baby Monica) is also found in the house, and the connected incidents related to her lead to the discovery of more clues related to the murder, Fr Carmen also understands that there is more to her than what meets the eye. Ameya is an orphan, and nobody has any idea what she is upto, because she often goes missing from her orphanage, and comes back by herself. Her actions are also nothing less than what others consider to be strange.

So, what happens with the events to follow? :: Jessy Cherian (Nikhila Vimal), a new teacher takes charge in the school where Ameya is studying. Even though Ameya has been hostile to each and every person in the school including teachers and students, she immediately becomes friendly to Jessy who is also happy about the same. As the school is closed for summer vacation, Ameya begs for her to be taken with Jessy. With the permission of the orphanage authorities, she manages to take the child to her home in the highlands, which had been abandoned for a long time. But it turns out that this child is not really the kid which she had expected. When anyone else comes in between Jessy and Ameya, the latter reacts violently, especially when Jessy’s fiance Siddharth (Venkitesh VP) comes to meet her, and proposes her. Soon, things take a further violent turn, and Fr Carmen makes his way to the place, as he understands the seriousness of the situation. But this might not be the kind of spirit which Carmen thought it is. He takes the help of Dr Mathews (TG Ravi), but he understands the need to learn about the spirit.

The defence of The Priest :: The movie scores heavily with its visuals, as we do have a perfect setting for horror, and along with the environment, there are the usual scares effectively used with the help of sound effects. The music is also very interesting. The scares are added here and there, and at times they work depending on the audience. There are some twists to be added here, but we do expect a few among with ease, seemingly because of trying to stick to the Hollywood style. The performance are also of a higher level, even though we do feel that the first investigation was even more interesting than what came later. It does have the most interesting part in the beginning, like Mammootty’s Abrahaminte Santhathikal had that crime at the start, and even with the presence of clowns, doesn’t make them nonsensical like it was done in the strange Mammootty movie The Great Father. Instead, most of the time, The Priest plays to its strength, and makes sure that there is no risk taken, even though it was there to be taken.

The claws of flaw :: The Priest has many elements which we would feel borrowed, and the reminder of Hollywood movies is sure to come back here. The climax doesn’t deliver the needed punch either, as it goes through the safe way, and adds one scene after the finish, seemingly as a justification. Looking at films like The Conjuring, The Nun, Insidious, Sinister and Annabelle, we have had an overdose of horror movies with spirits, and as there was enough for reference, this could have certainly done better – we all remember what Ezra did with the Jewish demon. Well, when the demon really doesn’t want to be terrifying, and with the first motive being close to a Mathematics teachers, the scary side weakens – when the motive and actions of the supernatural doesn’t scare us enough, the genre itself struggles. After all, a spirit should do what it always does the best, and it should go further when listing itself as a horror film at all places. There can be more to an act of exorcism and the process of haunting. We also see something missing with the sequence of events, but can’t talk about that without revealing the suspense and twists.

The performers of the soul :: The movie was marketed as the first movie in which Mammootty and Manju Warrier acted together – the last word does have some complications though, because the latter’s character was dead some time ago, and so the characters won’t be living together in the film, and we would have to wait to see them in the leading roles. Manju Warrier’s role is also quite short here, and it can be considered only as long as the work of Saniya Iyappan who also has some work to do related to the first adventure of the protagonist. Mammootty’s avatar here is a lot better than what we have seen in most of his action and thriller films, and this is a character that he does with ease. We can now remember him like Father Brown, the Roman Catholic priest and detective who was the main character in the fifty three short stories written by British novelist GK Chesterton in the years after Victorian era. There we were not into horror though.

Further performers of the soul :: Even though often known as the first Mammootty-Manju Warrier movie, the latter gets only limited presence, and in the first half we don’t even have a clue that she exists. But when she is there, she works through this very well. Nikhila Vimal is once again seen as a talented actress, extending her good work from Njan Prakashan and Aravindante Athithikal. Saniya Iyappan has the early shorter presence, and as we had seen her effectiveness in horror with Krishnankutty Pani Thudangi where she was the only saving grace, we were expected more of her presence there. Ramesh Pisharody and Jagadish are also given some early moments in here. Venkitesh VP whom we have known from the television show Nayika Nayakan also has done some good work. Baby Monica also contributes nicely once the horror side begins. She excels in displaying that scary side which is brought to light in the second half of the movie.

How it finishes :: The Priest was among the much awaited movies with Mammootty in the lead, and it has come late due to COVID-19 pandemic – according to the reports, it has still managed to be a profit-making venture, even with the theatre occupancy being controlled. The Priest is the one Malayalam movie which brought the viewers to the theatres and made sure that the business was running smoothly. As it has released on the OTT platform of Amazon Prime, one can now watch the film without those fears which we had earlier. The Priest is not only on a path towards being a stylish horror movie, as it is also an innovation in having a release on an OTT platform a month after its theatre release – it is a path which many more movies can follow, as there are other films which need to be released, and we are still facing the worst case of that one grand pandemic. With the clouds bringing darkness early in the afternoon, The Priest makes an interesting thriller for the time, even though it could have been bigger and smarter.

I also wish everyone a Very Happy Vishu! Stay safe and enjoy the day 🙂

Release date: 11th March 2021 (Theatre), 14th April 2021 (Amazon Prime)
Running time: 147 minutes
Directed by: Jofin T Chacko
Starring: Mammootty, Manju Warrier, Nikhila Vimal, Baby Monica, Venkitesh VP, Saniya Iyappan, Sivadas Kannur, Jagadish, Lishoy, Shivaji Guruvayoor, Ramesh Pisharody, Kochu Preman, Ameya Mathew, TG Ravi, Dinesh Panicker, Kalabhavan Haneef, Naseer Sankranthi, Sminu Sijo, Jeeva Joseph, Shiny T Rajan, VK Prakash, Meera Nair, Thomas Kuriakose, Jayadevan, Manoj Chennai, Sohan Seenulal, Madhupal

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@ Cemetery Watch
✠ The Vampire Bat.

Manoharam

What is the movie about? :: Manoharan (Vineeth Sreenivasan) finds himself outdated in a world which has traveled a little too quick for his taste, making him feel unable to keep up with the pace. He is known as an artist and a painter, and as he had failed miserably in tasting any kind of success in life, not passing even plus two, he lacks any kind of confidence, suffering from a certain inferiority complex. Even as he is engaged to be married, the girl leaves him for someone who is better educated and earns more. His best friend is Prabhu (Basil Joseph) who has always been with him since childhood, and continues to support him despite all the failures which come back to him. One problem that they continue to have from those days is Rahul (Deepak Parambol) who has created trouble for them for a very long time. He is rich, and wastes no time in making fun of Manoharan.

So, what happens with the events to follow? :: Manoharan finally decides that enough is enough, and with the support of Prabhu and Varghese (Indrans), has a flex printing store set in the town, the first of its kind around there. For the same, he decides to learn Adobe Photoshop which would help him to move from the early artistic skills to modern computerized drawing and painting. He joins an Akshaya Centre for coaching, and Sreeja (Aparna Das) is his new teacher, but even though she is good in programming languages and other computer courses, doesn’t know Photoshop. They try to learn Photoshop together, and there is more than one person’s future on the line as Rahul is also trying to begin a flex printing shop in the town, and he also has a lot of money to invest in the same. Who will succeed and who will lag in this journey of hope?

The defence of Manoharam :: There is the journey of the commoner, an artist trying to survive in a world which is dominated by the newer things, rising above the old world, and even leading to the clear submergence of what is now considered outdated. But this gets interesting as he refuses to be submerged like some slave language in the plantations or an ancient religion facing modernity – he decides to fight, and it is this battle that we see in the movie. The same is something that inspires, without doubt, even though it takes a long time – the final moments are nicely done to rise above any problems which were there in the earlier stages. The songs are just okay, and there is nothing much to stay in our minds for long. The movie is only a two hour journey, which means that there is not much of a drag which awaits us – the journey is rather direct and clear. There is no leap into melodrama, as this one takes none of it.

The claws of flaw :: It is to be noted that the movie has nothing new, and it goes on a journey which has been traveled before, in different ways, through different paths, reaching the same destination. The struggling heroes like these have been more common than any other, and the situations like these have been created for them to struggle hard and go past all these obstacles; even from ancient myth, people have been doing the same. This fight of the simple and ordinary man to survive in a world which has jobs and opportunities taken over by machines and those who are able to know the machines is still not shown in the best possible way. A lot of incidents in the movie could have been shown in some other way, and more humour could have been added related to the same. When it focuses too much on the flex, it losses the human interest, and makes one confused about the objective correlative. This one had a lot more opportunities for emotional depth.

The performers of the soul :: This is another movie which depends upon Vineeth Sreenivasan to make that simple man effect, like he already did in Aravindante Adhithikal some time earlier. He has no trouble in doing that, and this character only has that certain amount of inferiority complex to go with it. He fits into the role of the commoner with ease, and goes through his struggles in a believable manner. The character is not presented with that much of an intensity or by providing us with that much of a lovable nature for the audience to stay close to him, but the same can boast of bring unique in that way. At the same time, the director of Kunjiramayanam and Godha, Basil Joseph gets a full-length comedy role here, and he makes an impact, adding some nice, funny moments – the humour is handled by him without getting overdone at any moment, and we have one more person to be of support to heroes in a realistic as well as funny manner.

Further performers of the soul :: Indrans also has one fine role here, and we see him to be in support for the main character at all times, even more than the main supporting cast. Indrans doing serious roles have a special kind of an effect for us, similar to what Suraj Venjaramoodu has been doing. This role is not that emotional, but it is close to the heart. Aparna Das makes her debut as the heroine after having a very small role in Njan Prakashan, and she begins well, even though the character is never really taken that seriously. Deepak Parambol and Ahamed Siddique plays the characters who are against the protagonists, even though never really becoming the villains, and they only make limited impact. Delhi Ganesh and VK Prakash also do come in some notable roles. Hareesh Peradi also has a character who makes an impression in the short period of time on the big screen. Jude Anthany Joseph is once again there in a small role to come and go quickly.

How it finishes :: Anwar Sadik has his second directorial venture after Ormayundo Ee Mukham which also had the same lead actor in the form of Vineeth Sreenivasan – this one also goes a similar path with the feel-good factor. The tale of a skilled common man, an artist who has a lot to prove, never gets old, and rarely gets outdated as long as there is inequality and partiality in this world – something which is as old as humanity itself, and will go on to the edge of doom. It is the same reason why even without getting near perfection, Manoharam will have a place in the heart and soul of the soul, and can stay there for a longer period of time than those entertainers which have a different kind of path to take after creating the quick impact. Just like Porinju Mariyam Jose and Thannermathan Days have stayed for long, this one should too.

Release date: 28th September 2019
Running time: 122 minutes
Directed by: Anwar Sadik
Starring: Vineeth Sreenivasan, Basil Joseph, Aparna Das, Indrans, Deepak Parambol, Delhi Ganesh, VK Prakash, Nandini Sree, Jude Anthany Joseph, Sree Lakshmy, Hareesh Peradi, Neena Kurup, Ahamed Siddique, Nandhu

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@ Cemetery Watch
✠ The Vampire Bat.

Rockstar

rockstar (1)

Vampire Owl :: I have absolutely no relationship with music. I have doubts related to the effectiveness of this movie on me.

Vampire Bat :: Your are talking as if I have such a relationship.

Vampire Owl :: Well, the elder vampires say that you did sing a song when you first joined the vampire team.

Vampire Bat :: Yes, the result of that action was eight vampire elders having heart attack, thus losing their immortality. It was the first vampire death due to a heart problem, and the first case of missing immortality by natural reasons.

Vampire Owl :: It should be a record then. I have never witnessed such a thing after I joined the vampire team.

Vampire Bat :: Well, it is because I don’t sing anymore. I am the one responsible for bringing the current elder vampires to power as the great vampire elders as the reigning elders of that time had that heart attack. So, these people appreciate me, but they have begged me not to sing again.

Vampire Owl :: Well, I do come close to having heart attack while listening to some of the new generation music. It should be a natural thing, unless you are the Lich Queen. She has no heart and replaces parts of her brain in five or six days.

Vampire Bat :: This one is a romantic musical comedy. So, you have to be aware that we are going to listen to a lot of music.

Vampire Owl :: I am prepared for it. I just hope that movie will work for me due to my non-musical owlish background.

Vampire Bat :: Lets find that out then.

[Gets the tickets].

What is it about? :: Anand Abraham (Siddharth Menon) is a musician who is part of a popular band and is a very famous personality in Bangalore. The youth, especially girls have some special love for him. Hailing from the Keralite town of Palai and always into music, he spends his life with alcohol and having relationships with many girls with no seriousness or commitment. During a wedding function, he meets Athira Menon (Eva Pavithran), and that changes the situation quite a lot. Athira is against the idea of marriage itself as her parents have been living separately for many years. She is a beauty stylist who wishes to adopt a child without getting into matrimony. So, when their not-so-serious relationship brings pregnancy, both ends up being confused about what to do next. Both have different opinions about what to do next, even though marriage is not the first choice.

So, where does the grand solution come from? :: The problem with Anand is that he wishes to give his son his surname, and still he can’t go into any kind of commitment. His desire is to continue to be the rockstar that he has been. Meanwhile, Eva detests marriage, and wants to take care of the baby herself. She keeps repeating that she doesn’t want to marry him, but Anand wants his son to be known as his own. With a lot of advice coming from their friends and acquaintances, they finally decide to come up with the grand solution, to get married and get divorced later after the baby is born. With this new variety idea, they goes to the registrar’s office and submit the application. What happens after this with their lives as well as what their parents have to say about this is all that movie talks about.

The defence of Rockstar :: There are only a few movies which keeps getting better and better as the movie progresses, and Rockstar is one of them – may be if the movie was longer, this one could have been a better flick? One has to wonder, because the earlier quicker pace of the flick was actually working against the movie considering the genre that it belongs to; a romantic musical should allow the audience to get that feel, and it only arrives later with its strength used to the advantage. The movie is not short of ideas, about freedom and people living their lives their own way, along with understanding the meaning of love and affection. There are some nice, enjoyable moments; with the scenes at the registrar’s office, the grandmother-grandson bonding moments, the final emotional sequences and a few more can be mentioned. Some of the humour will be remembered, and the movie is emotionally touching.

Claws of flaw :: The beginning of the movie is a catastrophe and it will keep telling you that you need to leave the theatre right now. It is more like an inspiration to get yourself out of the theatre – the first thirty minutes are the worst that you might have ever seen for some time, and from there, it slowly begins to get better and with fourty five minutes passed, it begins to get better as you will notice. Rockstar seems to be a movie which could have achieved a lot bigger if focus was there, and with the first few minutes cut. The ideas which the movie talks about don’t really show themselves with the strength that is was supposed to have, and some of them are easily lost. There is also a certain amount of immaturity in the way the movie as a whole comes to the screen. Maybe a better narrated and better edited movie was needed here to bring the ideas to the audience in a better way. The songs are not that good and humour could have been used more. It could have have done without some scenes and predictability.

Performers of the soul :: Siddharth Menon does pretty good as the protagonist on his debut, as he does suit his character very well. There is nothing special for him to do here though. One would have expected a lot more musical stuff from his character though. But the movie often deviates from its musical self, making one wonder if that should have been done with a singer becoming the leading actor here. The character here is focused in the wrong way, if you ask me. By the end, it matters less if he is a rockstar or a businessman, and it still works for the usual audience in another way because he is more of a common man and not a star at that time. The daughter of the director VK Pavithran, Eva Pavithran is really good in her second coming debut here. She seemed amazingly suitable for this role, and she is sure to get bigger roles from now. There will be a few moments from her which you will appreciate very much and keep in your memory.

How it finishes :: It was nice to see Praseetha Menon of Badai Bunglaw fame doing an interesting role. Poornima makes a nice return to Malayalam cinema after a very long time. M Jayachandran had the role of a totally unnecessary character, as there is nothing good in it. Anumol has a notable character and Sona Nair has some good moments along with Mukundan Menon even as they are short. Mallika Sukumaran is seen in Malayalam cinema after a long time and she has some nice moments too. The funniest moments of the movie still belong to Saiju Kurup in his short stay. Most of the remaining support is rather wasted. Rockstar might not be the movie which you expected to watch after having a look at the trailer and hearing a lot about it – this is the advantage as well as the disadvantage of the movie, and it is a watchable flick; just don’t expect something huge.

Release date: 3rd December 2015
Running time: 123 minutes
Directed by: VK Prakash
Starring: Siddharth Menon, Eva Pavithran, Sona Nair, Anumol, Praseetha Menon, Saiju Kurup, Poornima Bhagyaraj, Mallika Sukumaran, Prakash Bare, Mukundan Menon, M Jayachandran, Dinesh Prabhakar

rockstar

@ Cemetery Watch
✠ The Vampire Bat.

Nirnaayakam

nirnayakam (1)

Vampire Owl :: Do you know that I am still officially missing?

Vampire Bat :: Yes, it is actually the only thing that everyone clearly knows about you right now. Some people still say that you are dead. But I haven’t really believed it yet.

Vampire Owl :: Forget it; people are just crazy, especially the Vampire Crocodile and his long lost Ramesh-Suresh 5 Star brother, the Vampire Alligator. I have connected to you through telepathy to let you know that I can’t be here for this movie.

Vampire Bat :: Yes, everybody knows that already. When was the last time you were there for a Malayalam movie for first day first show? Seriously, you will only go for Bollywood and Hollywood these days?

Vampire Owl :: But I was planning to be there for this movie called Nirnaayakam which is supposed to be something special with a certain amount of social relevance.

Vampire Bat :: I thought you were looking forward to watch Premam instead.

Vampire Owl :: What did you just say? I don’t like such words. I declare them banned. No love stories for me in this life until further notification.

Vampire Bat :: Well, I thought so. And we can’ t watch Lukka Chuppi because it has too much of drinks, as it seems in the trailer. No romance, no drinks, no smoke – it is being recommended to be the next vampire policy against watching these sybaritic movies from humans.

Vampire Owl :: Humans will still watch them, but let’s go for those movies with social relevance then. You should go and watch this and movie and let me know more about it when I establish the next telepathic connection.

Vampire Bat :: Or may be you can use a mobile phone.

[Cuts the connection].

What is it about? :: Ajay (Asif Ali) is a young man who always wanted to be a soldier, even though he was never a person known for his courage. In the end, when he is going through the training at National Defence Academy, he decides to quit as he feels that it is not his purpose and can’t do it. As he returns to his home at Mysore, his father who had left the family long ago, calls and asks him to visit him as his health is pretty much bad. So he returns to Kerala for meeting his father, as he also feels that the change will only do him good. There he understands that his father is suffering from cancer and needs a bone marrow transplant from him. Another thing that he understands is that his father who is a lawyer has been working on a case which would do big changes to the life of the common man.

The defence of Nirnaayakam :: There was a definite opportunity to make this one a megalith among the stones even though it is not really taken. The social drama and the commentary do the work of the paladins of this collection of elements. They are the conquistadors of the heart and mind of the audience in the battle meant for vanquishing the rest of the material in the journey. The moments in the court remains the highlight of the movie, and there was the need for more of the same. When we realize where we are heading to, things get more interesting. The climax is nice, and the arguments are well done. May be the focus could have shifted to the social side rather than keeping it personal for too long – the movie’s genre should have been social drama or social thriller, and it was to be the cornerstone all the time instead of its late arrival here.

The claws of flaw :: Nirnaayakam‘s social message comes very late; we keep waiting and waiting, and by the time it arrives, a quarter of the second half of the movie had finished. The family drama is some real pain, and completely fails to connect with the audience. The romance is lost in the eternal abyss of hopelessness. A complete dose of social commentary which can keep running through full movie could have done the flick a lot of good. The socially relevant content should have been right there at the front rather than taking the backseat throughout a first half which fails to impress. It is a tiresome journey, and the end results might not be enough for some people. These are the reasons why the audience can question this movie, but they surely cannot doubt its intentions.

Performers of the soul :: Asif Ali remains strong throughout the movie, and he does make one feel those emotional moments closer and with depth. His direct influence on the strong point of the movie, the court-room drama is rather less though, and that denies him any gargantuan moment in the core of the movie, which is rather unfair. But the paramount skills of the veteran actor Nedumudi Venu comes to rescue there as he steals the climax, and Sudheer Karamana gets his chance with some nicely written lines. I would also like to add that Malavika Mohanan has improved from her disaster which was Pattam Pole; even in a smaller role, she leaves a mark as the heroine even though romance is dead in this movie – the Vampire Bat acknowledges that she is very pretty. Prem Prakash gets a fine role which he manages with efficiency. Rizabawa, Saiju Kurup, Ashokan, Sanusha Santhosh, Lena Abhilash, Hemanth Menon, Shanker Ramakrishnan and a lot of others can be seen in smaller roles.

Soul exploration :: It is the early reluctance in treatment of this subject of relevance that makes the soul go weaker in this movie. Even when this movie gets lost in the meaningless family drama, there is the hope for that social drama which is expected to come at any moment. We are given a chance to look at what happen with our lives due to the politicians getting the special treatment, and the police as well as the administrative service allowing the same. When the rich and those in power gets special treatment, the common man has less value. The story of the movie focuses on the incdient when a girl dies because she couldn’t get medical care when needed, as a political leader’s procession block the city and causes a heavy traffic congestion. The core of the movie which comes around in the second half deals with how the common people get the verdict in their favour.

How it finishes :: Nirnaayakam‘s trailer was interesting, and it gave the feeling of a thriller coming up with something of high social relevance and leaving behind a message, but in a number of sites, it is mentioned as a family drama or even romance which twists its case. There is a lot of court-room drama promised in the trailer, but the action there is also limited, and the romantic side is like now you see it, and then you won’t. Caught between its confusion of the genres, Nirnaayakam does fail to focus on what was its strength of Brobdingnagian proportions, the social commentary – the perfect opportunity to gain the support of the normal audience who were to give this movie all the needed support on the very first day is not really used. But still, if you are judging a movie by its intentions, this one has the heart and soul at the right place.

Release date: 5th June 2015
Running time: 112 minutes
Directed by: VK Prakash
Starring: Asif Ali, Malavika Mohanan, Tisca Chopra, Nedumudi Venu, Adil Ibrahim, Prem Prakash, Sanusha Santhosh, Lena Abhilash, Sudheer Karamana, Hemanth Menon, Saiju Kurup, Ashokan, Anoop Chandran, Krishna Prabha, Shankar Ramakrishnan, Rizabawa

nirnaayakam

@ Cemetery Watch
✠ The Vampire Bat.

Silence

silence (1)

Questions of the day :: The first question of the day is less relevant, and it is about the day of release. Why would this movie be released on a Saturday? That gives the impression that the movie is less confident about fighting face to face with movies that release on the Friday as usual, and this was more of a “weak week” except for The Hunger Games: Catching Fire striking the multiplexes; that won’t help – it gives more of a feeling that by releasing on a Saturday or a Sunday, more family audiences can be lured to the theatres without reading a review. That is rather pure lack of confidence, something which we audience have more on all those who are behind this movie than they might have had on us. The next question is about the lack of publicity – this might be the least publicized movie of Mammootty as well as V.K. Prakash in a long time. Nobody really knew that this movie was going to release last Saturday. It was updated on multiplex lists much later, and there was no talks about it. Seriously, why release a superstar movie in secret? There are some posters, but in a week such as this, the movie could have done incredibly well with better marketing.

What is Silence? :: From the director who gave us Beautiful (my favourite movie from him), comes this flick which is more of a thriller. No it is not just Silence if you look closer into the poster, as it is The Power of Silence, with Silence written in big letters. I didn’t like his last few movies, but I was sure that there will be something good coming up from him soon. Only if they had marketed this well as they did for the inferior movies like Natholi Oru Cheriya Meenalla and Poppins. This has to be the least popularized Mammootty movie too, breaking the record of Kunjananthante Kada which also came sneaking into the theatres. But Silence is still moving silently, and there needs to be voices if it has to take it to the next level. Just because the name of a movie is The Power of Silence, would that mean its better to sneak into the theatres and run for a week with not many people knowing that it has released? Except for jobless people like me, of course. The fans will know, but for a neutral, this one had to be told about. What is the motive behind making this movie if nobody knows it has released? Who knows? Well, lets move on to what might point to our movie concerning corpus delicti!

What is it about? :: Aravind Chandrasekhar (Mammootty) is the newly appointed Chief Judge of the Karnataka High Court after a great run as a lawyer with absolutely no blemish. He is praised as the youngest person to achieve that honour and everything goes smoothly as he goes to his ancestral home with his wife Sangeetha (Pallavi Purohit) and two children. He is harassed by a phone call from an unknown person who seems to know almost everything about him, and tells him that he is not fit to be a judge. There are cars chasing him, people around his house, his daughter is given gifts by strangers and his son is found missing only to be found later. With the help of Neil George (Anoop Menon), an IPS officer and a good friend, he attempts to solve the mystery behind the people who are shadowing him. He finds that there is something about his past there, and goes back to look at the cases which he dealt with, and with the advice of his former rival Markose (Joy Matthew) and his juniors, he would find out the same just after the first half and gets to make things right.

The defence of Silence :: The movie does have the power of silence as it moves on silently, but with some hidden fire throughout the first half. It is a good attempt by the crew to make a thriller after the same director and scriptwriter did join earlier to make comedy movies. The movie is serious and is successful in making people think that there is something big coming up and there are surprises in store. The questions have been brought to light and the train of answers have been set up in such a way as to make sure that there will be no derailing except for some shaking in the second half. There is that feeling which has been missing in the thriller movies in Malayalam, which audience might have been waiting for. There is that point where the interval is set and it is where the movie is at its peak, and at the top it sends people to buy popcorn, kappa varuthathu, kadala and tea, waiting to pounce on them again after the interval, and people are left with high hopes.

Claws of flaw :: The second half takes an unnecessary leap and takes away the hopes. The beginning of the second half is okay, but as it progresses and reaches the second part of the second half, the curse takes over and by the climax, it is almost completely gone with the ship barely holding on at the top of the sea level with only the mast remaining on the top. The way they end this movie is rather despicable, and there is an underwater fight scene as they attack each other as if they were born to live underwater, but that place looks rather like an aquarium. Why all the stupidity and dialogues of nonsense in the end is a question which can spring up. The loopholes catches on, and the background music which comes out of nowhere and becomes disturbing for the ears with noise pollution is another despicable thing. The movie becomes rather amateurish as a thriller as it reaches the finishing line. The points that the movie scores is for the first half, and the for the second, it gets some points just because it doesn’t fall into the bottom of the abyss.

Performers of the soul :: Mammootty is the one who saves the movie again and again as the flick keeps losing steam on regular occasions. He makes sure that he does all that he can to keep this ship from sinking from the holes created by itself during a moonwalk with a glacier, and there is a lot of them which can make a regular Titanic sink. Anoop Menon has given him great support right from the beginning and his performance is as good as it can get, while Pallavi’s debut in Malayalam is just decent with nothing special added to the menu, and one often wonders if that character is there just because our protagonist needed a family and someone was to be kidnapped and left for dead by the villain. Aparna Nair has nothing but a presence, like the dead twin sister in Geethanjali. Joy Mathew has a very small role, but when he is there, he makes that impact that he always makes, and his character could have been further explored rather than left behind with a few dialogues. He would have been a better villain than anyone else in the movie. The child artists are also good.

How it finishes :: Silence is a silent scene for most of the viewers as the movie which doesn’t have even a wikipedia page (even small budget movies without superstars often manage one). Its power as a thriller might be disputed and its strength as a superstar movie might be questioned. V.K. Prakash and Y.V. Rajesh surely make a great combination (yes, I liked Gulumal: The Escape and Three Kings, no matter what). Not among the more interesting thrillers in any manner, and don’t compare this to Memories though, as it remains the best Malayalam thriller movie not only of this year, but also of a long time. Silence doesn’t rise even as a mediocre contender to that. But this one does have its moments of thrills which doesn’t go beyond a certain point. The thrillers with psychological as well as the investigative sides always make it interesting to watch, as proved by Memories, Nadia Kollappetta Rathri and Sahasram. Silence has a certain doubt if it should go with these three or last year’s Grandmaster, and there it confuses itself as well as the viewers, and gets drained of energy, yet holds its ground. There is information that it is inspired from multiple Hollywood flicks, but none I have watched. We need more thrillers in Malayalam, and so I suggest we should make this one a success!

Release date: 7th December 2013
Running time: 120 minutes (estimate)
Directed by: V.K. Prakash
Starring: Mammootty, Anoop Menon, Joy Mathew, Pallavi Purohit, Aparna Nair, Kavitha Nair, Ravi Vallathole, Basil, Prakash Bare

silence copy

@ Cemetery Watch
✠The Vampire Bat.