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What is the movie about? :: Oliver Twist (Indrans) is leading a normal life with his two sons, Antony Oliver Twist (Sreenath Bhasi) and Charles Oliver Twist (Nalsen K Gafoor), his wife Kuttiyamma (Manju Pillai) and father (Kainakary Thankaraj) who has memory problems. Oliver and Kuttiyamma are also feeling the problems of their old age. Antony is trying to be successful in the film field, but he is too busy with social media that he doesn’t complete the climax of the script, much to the dismay of the producer, Baby (Maniyanpilla Raju) who keeps asking if something can be done about it. His time is running out, as it has been two years after he started writing – he had directed his first film to a grand success, and this time, nobody is sure that he will finish it in time. At the same time, Charles’ interest in social media only, and nothing else is on his list of interesting things. He keeps putting Instagram stories at all times, and during the rest of the time, he is mostly sleeping.

So, what happens with the events here? :: Finally, Antony decides to return home to finish his script, and for the same, he returns home with a seven day deadline to complete his script. There he finds out that Charles is vlogging at all times, and doing nothing else. His life is highly digitalized, and he is happy to keep himself online instead of talking to anyone in the family. Antony is no different, even though his parents remember that he used to be a different person before leaving them for the city. Antony is in love with Priya (Deepa Thomas), a relationship which has lasted very long, but now he is too bust to return her calls. Her father, Joseph Lopez (Srikanth Murali) is a very rich and influential man, popular at all places. Oliver hopes to be friendly with his sons, but they don’t have that much of an interest in talking to the elders. Often, they even ignore Oliver as if he is not a part of their life. Oliver hopes that things will change, and he goes on with his life, with that wish, but Antony has very low opinion about him, and is often hostile towards him too.

The defence of Home :: There are many things which are reflections of real life incidents in the film, and one often wonders if they have come across such incidents before. Social media addiction has been an effective theme, and these days, anyone is a vlogger on Youtube, and with many followers, they think that this is life. People have been bothered more about what happens online rather than offline, and in the same the real world is forgotten, a reflection of the same is reflected here. The message about mobile phones stealing our valuable time is also provided nicely. It adds a few things about loss of relationships and health due to the use of smartphones and social media among the youth. The film, even though set most in a home and its surroundings, is visually too good, not just inside the house, but also during the outside moments. There is a lot of beauty on the screen that surrounds everything, and occasional humour adds on well. Then, there is the ending that conquers all, emotionally as strong as it could be.

The claws of flaw :: There is a lot of repetition which happens in the film, and it is surely a slow work, as we look at it. Some of the emotions are added here and there as if it was just there for the sake of it, and some incidents just become random part of the same. This comes from the man behind Philips and the Monkeypen and Jo and the Boy, and we can see similar elements being repeated here. It still doesn’t have the charm or quality of the former, which was one of the best movies released in the year, seemingly bringing a certain amount of magic to the screen. It also has its length extended a little too much, and with too many songs being added here and there, it does feel a few minutes too long. There are moments in between when we feel that this was going nowhere nowhere, and it was going to go on with the same kind of thing again and again. There are so many things coming up, and often it does seem to miss the main point, but there is the ending that brings things together.

Performers of the soul :: Indrans was earlier seen in two very serious roles this year with two films, Malik and Yuvam, playing the roles of a police officer and an advocate respectively. This one is a light-hearted, but yet emotional role for him, and having come out of fully comic roles, he has been doing this really well. This is indeed a very heartfelt performance from him, and with him at the centre of a family movie, this will be remembered as he celebrate forty years in Malayalam cinema industry, in his 341st movie in the long career. We are finally able to see him throughout a mainstream film in the lead role, and also with the most emotional touch, as he basically lives through here. Sreenath Bhasi had some very serious roles in Virus and Kumbalangi Nights not too long ago, and he now has a rather lighter version here – he had come out of that earlier “freakan” image a long time ago, and this one has him in a controlled role. Nalsen K Gafoor who was last seen in Kuruthi with all the seriousness, and earlier in Thanneermathan Dinangal with all the humour, can be seen in a realistic role of a youngster in this film, and he once again scores big. The simple comic side that he adds here brings more life to the movie.

Further performers of the soul :: It is also nice to Manju Pillai having a good role to play in a film, as we have been seeing more in the television series and comedy shows of Mazhavil Manorama. She has blended into this role really well, and one would wonder why she was not that much in similar roles before. We have always loved to watch her in Thatteem Mutteem for a long time. There are also some nice dialogues that reflects the mood of the film. Deepa Thomas has her first leading role, and she has comes up with a memorable performance too. She has indeed provided a natural performance, and we look forward to seeing her in more roles, and with more screen space in comparison to what is seen here. Srikant Murali also has a role to remember here. Anoop Menon’s act is also a good one, while Maniyanpilla Raju also drops in here and there. Vijay Babu’s role might seem very small, but is still one role that also makes a difference, with a lovely touch of humour. Johny Antony, as usual adds more humour here, while KPAC Lalitha who comes in the final stages of the movie has something special to add. Priyanka Nair also has a fine role in the flashback.

How it finishes :: Home is a movie for the present families, which are not short of this kind of a situation at different homes, due a new generation of kids who are addicted to gadgets and moving away from parents both physically and mentally. It will be remembered for some moments for the heart. The feel-good elements from the director’s earlier films can be seen reflected here, and the same kind of reflections can be seen visually too. Vijay Babu has provided us with so many of similar movies, and we have always stayed close to most of them. During COVID-19 times, having a feel-good film to watch with family was always going to be good. The messages that the film provides are effective, and leads to that one final message which raises the level of the film. Do look out for the final scenes with credits too, and it is where the movie brings a little more for the soul. So, we have our Onam movie on Amazon Prime Video, and as you watch the same, I wish you a Very Happy Onam in advance!

Release date: 19th August 2021 (Amazon Prime Video)
Running time: 138 minutes
Directed by: Rojin Thomas
Starring: Indrans, Sreenath Bhasi, Kainakary Thankaraj, Naslen K Gafoor, Manju Pillai, Deepa Thomas, Vijay Babu, Srikant Murali, Johny Antony, Anoop Menon, Maniyanpilla Raju, Aju Varghese

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Manoharam

What is the movie about? :: Manoharan (Vineeth Sreenivasan) finds himself outdated in a world which has traveled a little too quick for his taste, making him feel unable to keep up with the pace. He is known as an artist and a painter, and as he had failed miserably in tasting any kind of success in life, not passing even plus two, he lacks any kind of confidence, suffering from a certain inferiority complex. Even as he is engaged to be married, the girl leaves him for someone who is better educated and earns more. His best friend is Prabhu (Basil Joseph) who has always been with him since childhood, and continues to support him despite all the failures which come back to him. One problem that they continue to have from those days is Rahul (Deepak Parambol) who has created trouble for them for a very long time. He is rich, and wastes no time in making fun of Manoharan.

So, what happens with the events to follow? :: Manoharan finally decides that enough is enough, and with the support of Prabhu and Varghese (Indrans), has a flex printing store set in the town, the first of its kind around there. For the same, he decides to learn Adobe Photoshop which would help him to move from the early artistic skills to modern computerized drawing and painting. He joins an Akshaya Centre for coaching, and Sreeja (Aparna Das) is his new teacher, but even though she is good in programming languages and other computer courses, doesn’t know Photoshop. They try to learn Photoshop together, and there is more than one person’s future on the line as Rahul is also trying to begin a flex printing shop in the town, and he also has a lot of money to invest in the same. Who will succeed and who will lag in this journey of hope?

The defence of Manoharam :: There is the journey of the commoner, an artist trying to survive in a world which is dominated by the newer things, rising above the old world, and even leading to the clear submergence of what is now considered outdated. But this gets interesting as he refuses to be submerged like some slave language in the plantations or an ancient religion facing modernity – he decides to fight, and it is this battle that we see in the movie. The same is something that inspires, without doubt, even though it takes a long time – the final moments are nicely done to rise above any problems which were there in the earlier stages. The songs are just okay, and there is nothing much to stay in our minds for long. The movie is only a two hour journey, which means that there is not much of a drag which awaits us – the journey is rather direct and clear. There is no leap into melodrama, as this one takes none of it.

The claws of flaw :: It is to be noted that the movie has nothing new, and it goes on a journey which has been traveled before, in different ways, through different paths, reaching the same destination. The struggling heroes like these have been more common than any other, and the situations like these have been created for them to struggle hard and go past all these obstacles; even from ancient myth, people have been doing the same. This fight of the simple and ordinary man to survive in a world which has jobs and opportunities taken over by machines and those who are able to know the machines is still not shown in the best possible way. A lot of incidents in the movie could have been shown in some other way, and more humour could have been added related to the same. When it focuses too much on the flex, it losses the human interest, and makes one confused about the objective correlative. This one had a lot more opportunities for emotional depth.

The performers of the soul :: This is another movie which depends upon Vineeth Sreenivasan to make that simple man effect, like he already did in Aravindante Adhithikal some time earlier. He has no trouble in doing that, and this character only has that certain amount of inferiority complex to go with it. He fits into the role of the commoner with ease, and goes through his struggles in a believable manner. The character is not presented with that much of an intensity or by providing us with that much of a lovable nature for the audience to stay close to him, but the same can boast of bring unique in that way. At the same time, the director of Kunjiramayanam and Godha, Basil Joseph gets a full-length comedy role here, and he makes an impact, adding some nice, funny moments – the humour is handled by him without getting overdone at any moment, and we have one more person to be of support to heroes in a realistic as well as funny manner.

Further performers of the soul :: Indrans also has one fine role here, and we see him to be in support for the main character at all times, even more than the main supporting cast. Indrans doing serious roles have a special kind of an effect for us, similar to what Suraj Venjaramoodu has been doing. This role is not that emotional, but it is close to the heart. Aparna Das makes her debut as the heroine after having a very small role in Njan Prakashan, and she begins well, even though the character is never really taken that seriously. Deepak Parambol and Ahamed Siddique plays the characters who are against the protagonists, even though never really becoming the villains, and they only make limited impact. Delhi Ganesh and VK Prakash also do come in some notable roles. Hareesh Peradi also has a character who makes an impression in the short period of time on the big screen. Jude Anthany Joseph is once again there in a small role to come and go quickly.

How it finishes :: Anwar Sadik has his second directorial venture after Ormayundo Ee Mukham which also had the same lead actor in the form of Vineeth Sreenivasan – this one also goes a similar path with the feel-good factor. The tale of a skilled common man, an artist who has a lot to prove, never gets old, and rarely gets outdated as long as there is inequality and partiality in this world – something which is as old as humanity itself, and will go on to the edge of doom. It is the same reason why even without getting near perfection, Manoharam will have a place in the heart and soul of the soul, and can stay there for a longer period of time than those entertainers which have a different kind of path to take after creating the quick impact. Just like Porinju Mariyam Jose and Thannermathan Days have stayed for long, this one should too.

Release date: 28th September 2019
Running time: 122 minutes
Directed by: Anwar Sadik
Starring: Vineeth Sreenivasan, Basil Joseph, Aparna Das, Indrans, Deepak Parambol, Delhi Ganesh, VK Prakash, Nandini Sree, Jude Anthany Joseph, Sree Lakshmy, Hareesh Peradi, Neena Kurup, Ahamed Siddique, Nandhu

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Finals

What is the movie about? :: Alice Varghese (Rajisha Vijayan) is a cyclist from Kattappana who has evolved to become the national champion under the guidance of his father KP Varghese (Suraaj Venjaramoodu) who has worked as a sports coach in more than one school, and also at his own academy. Varghese is someone who hasn’t achieved much from his career as a trainer, and has all his hopes set on his daughter who is supposed to represent India at the 2020 Summer Olympic at Tokyo from 24 July to 9th August 2020. Before appearing at the event, she is also selected by the National Olympic Committee to have her training in Russia. At the first city in Asia to host the Olympic Games twice, she is supposed to be a clear favourite to gain a medal, finishing far ahead of others in all competitions. Before she leaves for Russia, she hopes to visit her friends and relatives at hometown for the last time, and she returns to Kattappana for the same reason.

So, what happens with the events to follow? :: There she meets her childhood friend Manuel Thomas (Niranj Maniyanpilla Raju) one more time. Manuel has been in love with her since school days, and wanted a reply from her for a long time, but she has been evading that question with ease. She visits the school where she studied, after a very long time, and motivates the students there, along with traveling through those places which provides her with a nostalgic feeling. Varghese who has supported the Olympic dream with everything that he had in his life, never really had anything more than that small house, because the dream was the only thing that he lived for. As she makes her return, there is one last race which she will be participating in, before leaving for the Russian training – but there are twists of events that await her, and her loved ones. Fate had a backup plan to bring the twist – well, fate always finds a way, as it would follow here.

The defence of Finals :: The best thing about Finals is that it decides to change its pattern from the usual stuff which has been followed in almost every known sports movie – there would be a sportsperson or a sports team which is facing some kind of trouble, and someone would help the person or the team to rise up to the occasion and win the competition, or at least come close to doing that so that we feel that there would be a victory next year. We have the sportsperson at the top in the beginning itself in this case, and we see what happens later. But the movie is not limited to her, and the neither is it limited to her family or the people around – the world goes further, as there are many issues being discussed despite the budget and the number of big names being so less. There is the corruption and nepotism which are part of sports, which lead to the athletes from the lower strata of the society suffering – except for cricket in which everyone gets something.

Positives and negatives :: Well, it is only when the interval hits you so hard that you realize that there is a big change coming up, making this a very different sports drama – we love both sides of the interval, as each shows something of beauty, and also feeds our emotional so well, along with providing motivation. We can feel those emotions even after we are finished with the movie, a short one lasting only a little more than two hours. The beautiful visuals of the high-ranges also contribute to the same, with some nice songs to go with them. The struggle that the movie shows feels so real, as we know how the athletes other than cricketers are sidelined with ease. The absence of necessities for the other sports-persons, is something that needed attention a long time ago, especially with those games which more than nine or ten nations of the world are interested in playing. One might still feel that this is not the kind of movie they expected from the trailer, but that indeed is the beauty of it.

The performers of the soul :: Rajisha Vijayan is fantastic in a movie which brings more than one face of her, and its a step forward from the State Award winning Anuraga Karikkin Vellam, the two lesser known Georgettan’s Pooram and Oru Cinemakkaran as well as the most recent charming bildungsroman adventure, June. There is deep feeling in her performance, whether in happiness or in grief, whether in determination or in the absence of the same – the emotions can be seen going very deep here, and we are happy to see that she is always one step ahead of the character, with her preparations as well as the final work. The character here is so natural and close to life, further ahead of anything she has played in the past. If Rajisha could’nt pull this off, nobody else could have, and we see that she never struggles in doing the same – she is that good as of now. This could be another award winning performance, and we wouldn’t doubt that.

Further performers of the soul :: Suraaj Venjaramoodu in serious roles has been a revelation in the past, whether it was about a small role in Action Hero Biju or a full role in Thondimuthalum Drikshakshiyum. This is another character which carries a certain amount of melancholy, from which there is no escape – we are also part of those emotions which go deep, as the struggling coach tries to successful at at least some point. There are those emotional undercurrents which we can feel in such a way that they return to us when we are sitting idle and thinking about those moments. Meanwhile, Niranj doesn’t just shine, but glitters in this world, coming with a performance close to life, as a commoner from the hilly side of Central Kerala. We have him touching both heart and soul here with the feelings running heavy. There are those dialogues and his combination scenes with both Rajisha and Suraaj that tests our emotional strength. Tini Tom and Sona Nair provide fine support as his parents too.

How it finishes :: Even though it is announced earlier that the movie is a fictional story, the credits in the end dedicate the movie to the cyclist Shiny Siles who died in a road accident while participating in the State Road Cycle race at Manjeri in the year 2002. With or without it, this movie happens to be one of the best sports drama flicks ever produced in the country, and not watching it will be a crime, if not a cardinal sin. You feel the frustration, hopelessness, anger, fear, determination, hope, and everything else just like the characters do, and as we live a life with these characters, our second and the most realistic part of life, Finals easily becomes the best movie among the Onam releases, rising above the fighting thriller Brother’s Day and the not-so-serious comedy flicks following the same pattern – Love Action Drama and Ittymaani. The number of viewers as of now is surely low for the movie, but if we don’t support a movie like this at the theatre, we would be the barbarians, unless we are cacodemons. Here, I leave you with a song from the movie. Why you would stop yourself from falling in love with this movie and feel deep with it, is beyond me, as Finals come up with that kind of a lovely feeling in multiple ways.

Release date: 6th September 2019
Running time: 122 minutes
Directed by: PR Arun
Starring: Rajisha Vijayan, Suraaj Venjaramoodu, Niranj Maniyanpilla Raju, Tini Tom, Sona Nair, Muthumani, Kunchan, Nisthar Sait, Dhruvan

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Vimaanam

What is the movie about? :: Venkateswaran a.k.a. Venkidi (Prithviraj Sukumaran), a man with hearing problems, is the latest recipient of Padma Bhushan for his grand achievements in the field of Aeronautics. But it turns out that he has a past which is deeply set in emotions. As he travels back to his hometown in Kerala from Delhi despite the warnings of his good friend Elias (Major Ravi), his flashback is revealed. It goes back to that time when he was going through his school days. From then, there was only one thing which interested him, and it was all about flying. His desire to fly got him to a bigger need, to build an airplane, inspired by Roger’s (Alencier Ley Lopez) tales about how the first flying airplane was invented. He grew up dreaming about the same, and not being interested in studies much, despite being an excellent student. There is someone who had supported him all the time, and continued to do so; that would be Janaki (Durga Krishna), his childhood friend who plans to join MBBS – they have been in love for longer than they can remember.

So, what happens with the events to follow? :: As Venkidi is half-Christian and half-Hindu, the possibility of their love story becoming something that would be approved at Janaki’s home, is very less, despite him following the same Hindu traditions. But their love continues to grow, and causing trouble for the romance is Anand (Saiju Kurup) to whom Janaki’s father hopes to marry her off, as his family is rich and settled in Singapore. Meanwhile, with the help of Janaki, Roger and his favourite uncle (Sudheer Karamana), Venkidi keeps trying to fly his new machines, none of which manage to rise from the floor. The whole village makes fun of his attempts, but he is not the kind of person who would back down. During difficult times, Venkidi and Roger, with the help of Janaki, steals an engine, which does help them to fly, but flying won’t be enough to get the lovers together in a society which looks for more than just that.

The defence of Vimaanam :: The movie tries to be another inspirational movie in Malayalam, and adds to that long list of similar movies which have tried to do the same, a few being Mili, Su Su Sudhi Vathmeekam, Rani Padmini, Udaharanam Sujatha, My God and Aby. Yes, the inspiration to achieve the dreams which have been there for long, is right there. It achieves the same, and makes one feel the power of dreams, not just with the dream of the protagonist, but with that of a shared dream, which gets its significance by the end – as some people would say, that one’s dream is not his or her alone, as it is shared by all those who are beloved. The love story scores more due to the songs, as this flick undoubtedly has some delightful songs, as do its romantic competitor, Mayaanadhi. Well, this one uses subtitles whether it is English or Hindi, and it is something which people related to Mayaanadhi couldn’t do for Tamil. The visuals are also good, and the setting of this movie is something which is capable of achieving a lot more than what we can see on the big screen.

The claws of flaw :: We can see that a simple tale based on real-life people has been exaggerated a lot rather than keeping the simplicity in place. Vineeth Sreenivasan starrer Aby, which released in February this year also dealt with the same thing, about its protagonist trying to make an airplane and fly, fighting against all odds. A number of people might have felt that this is more of a repetition, with bigger budget, and more familiar cast. But the fact remains that Aby was a much simpler story, and it had some light moments of fun to go with it; this one lacks the same. You remember the Jomonte Suvisheshangal becoming the repetition of Jacobinte Swargarajyam, and the same is the case here, causing Vimaanam not to go that high as it could have. The romantic side of this movie, and the incidents surrounding the same, are also the same old wine in that bottle which was available in the market from February itself. There is absolutely no attempt to make this one special, even there were so many chances in there, and the result is a certain predictability with drag in between.

The performers of the soul :: Prithviraj Sukumaran comes up with more here, as we see him in another avatar, unlike his recent adventures of the year, Ezra, Tiyaan and Adam Joan. Among the young stars, he has been the one with the most variety in his roles, and with Vimaanam, there is nothing there to compared with his previous roles of 2017. Vimaanam‘s role is rather easy for him, compared to the other three characters which he had played in the year, which included a troubled man tackling a Jewish creature of pure darkness, a former gangster turning into a mystic and a father hoping to find his kidnapped daughter who might be in the hands of Satan worshipers – even the movie before that, Oozham had him seeking vengeance; in comparison, this one brings no challenge to him. As he has played character from real life with charm, significant examples being Celluloid and Ennu Ninte Moideen, you know what to expect when he is out there.

Further performers of the soul :: When we look at Aby and this movie, we keep looking for something new, and that new element is Durga Krishna, the debutante actress who brings cuteness and energy to the flick, in a performance which is certain to bring her more roles in the future. The character might feel single-dimensional, and cent percent predictable in a world itself having no surprises, but her work makes the same work for the audience. Alencier Ley Lopez is certainly the man to look out for in the movie, as this character seems to be so well suited for him. Sudheer Karamana is not far behind in that case either, for he was against flight in Aby, but is with all support for his favourite boy’s flight in this one. Eric Zachariah who plays Prithviraj’s childhood has one delightful performance for us, which would prepare us for what is to follow, a wonderful child actor there. Anarkali Marikar has a smaller role, but it is nice to have her there after Aanandam. Lena and Saiju Kurup are good as usual.

How it finishes :: Vimaanam is a movie which was much talked about for a long time. Even as Aby had overtaken the movie with its own protagonist trying to make an airplane and fly like Jacobinte Swargarajyam did before Jomonte Suvisheshangal, this one was something which kept the audience’s interest alive due to the presence of Prithviraj Sukumaran in a different look. But you will find that even with its cliched characters and melodrama, Vimaanam has managed to fly, and battle Aadu Oru Bheegara Jeevi Aanu 2 which has been the youth favourite even before it had released, and even with Mayaanadhi, Masterpiece and Aana Alaralodalaral there with Tiger Zinda Hai, this flight is also catching our attention. It is more or less a reflection of the noble intentions of a movie which is hoping to inspire more and more dreams in a world of chaos. Vimaanam might be the one right family movie for Christmas, catering to the needs of the full family outing, unlike the rest of the movies which are focusing on selections.

Release date: 22nd December 2017
Running time: 147 minutes
Directed by: Pradeep M Nair
Starring: Prithviraj Sukumaran, Durga Krishna, Alencier Ley Lopez, Lena, Sudheer Karamana, Saiju Kurup, P. Balachandran, Anarkali Marikar, Major Ravi, Nandhu, Master Eric Zachariah, Ashokan, Tesni Khan, Liya Anu Varghese, Baby Durga Premjith

@ Cemetery Watch
✠ The Vampire Bat.

Sunday Holiday

What is the movie about? :: Unni Mukundan (Sreenivasan) is a lecturer teaching in the commerce department of a reputed college in Aluva, who is more interested in giving lessons about life to his students on Sundays, and also to convert his script into a movie. He has been wandering around with his movie dreams for quite a long time, but nobody has accepted, or even considered reading his script. Nobody even believes that he has a good enough story, and most of the popular directors refuse to see him, consider him as just one of those people bothering them with something which will waste their time. It is during those times that Unni comes to know that a popular and highly successful director, David Paul (Lal Jose) has been admitted in the nearby hospital. He decides to make use of that opportunity, and visit him to tell the story. Even though David is initially reluctant, he decides that it will not hurt anyone to just listen during free time.

So, what happens in the story within the story? :: It is the tale of Amal (Asif Ali), a youngster who has been in love with Sithara (Shruti Ramachandran) ever since they had known each other during childhood. It is a relationship which their families which are related to each other, approves of, but only until Sithara gets a proposal from a doctor, something which neither her parents or the opportunist lady herself wishes to let go. As she immediately chooses the newly found love who earns in big numbers, the jobless young man leaves his town of Thalassery to the city of Cochin, as there is a small job set for him at the place. He reaches there and finds himself selling CDs and DVDs of devotional songs, and at the same time, meets a girl named Anu (Aparna Balamurali) who is also doing some selling door to door. The incidents which are to follow affects his life, and the heart-broken one gets something to cheer him up for the rest of his life.

The defence of Sunday Holiday :: You are sure to find happiness in the little things of joy that the movie brings, and even though its humour is not leviathan or anything, it is on those little things that the same also concentrates. We have some nice visuals of the places, and the city from high up, is always a joy to watch. The combination of Asif Ali and Aparna Balamurali also proves to be a very nice one. There are also messages to take home in this movie, as it tells the audience to forgive and move on, and to be concerned and kind to others. A moment featuring Sudheer Karamana and Siddique explains that the best. The movie also asserts goodness in those people who act more angry and frustrated than loving. The final twist is good, but the fact that this had to be a movie within a movie is more tiring than helping the cause. Well, feel-good surely feels better to have rather than mixing meaningless twists to a tale which can’t take it, and therefore Sunday Holiday will stand tall over the director’s earlier flick.

The claws of flaw :: It is certain that you will find not much which will give you the feeling of freshness here – there is the kind of story with feel-good factor that has been flourishing for years, and it is the thing that Malayalam movie industry has found easy to follow. It is up-to us to wonder why there is no experimentation with the kind of genre which has worked so well even without that much of a budget. Is it because the same is considered the safe bet, and therefore doesn’t require any more attention? The movie also has sequences which contribute so less to the movie, and there are also those characters without whom movie could have gone foward, along with those tales of some which don’t get to be close to where we had wanted them to. The songs also seem to be added more than needed, as with a certain drag in the middle, we feel this movie to be longer than it really is.

Performers of the soul :: We were waiting for Thrissivaperoor Kliptham starring both Asif Ali and Aparna Balamurali, and here we have this one starring both of them. The former is coming out of two underrated movies, Adventures of Omanakkuttan and Avarude Raavukal, both being divergent in their own terms, and had potential for even more – both were not short of fun if you look at them.The latter is coming right out feel-good success stories, Maheshinte Prathaikaram and Oru Muthassi Gadha, playing three roles in two flicks, and awaiting the next, Sarvopari Palakkaran. She played a girl from Idukki, from Cochin (Ernakulam), Kannur (Iritty) in this one and is now set to play characters from Kottayam (Palai), and Thrissur – well, all seems to work so well as far as Aparna is concerned. With shades of her character in the realistic Dileesh Pothan movie, she is the pick here. Asif Ali’s character though, is closer to his work in Avarude Raavukal, and he is natural in doing the same.

Further performers of the soul :: As Asif Ali plays the young man in need for confidence and change, Aparna is the muse that he was in need to write the rest of his tale on the book of life. Shruti Ramachandran of the Pretham fame is also here doing not much, restricted to the beginning and the end of the flick – see does give that ghostly look in the end for sure. Sreenivasan, Lal Jose and Asha Sharath’s characters work outside the tale, which means that they have much less to do except for the beginning, before the interval, and just after the tale finishes. The two actors whom we are sure to notice, and will ask for them to be present more are Sudheer Karamana and Siddique – no surprises there when you remember how it has been working with the previous movies. Bhagath Manuel also gets to do a good role, even though it doesn’t become the sidekick role as much as expected. Dharmajan is in hold of the comic side, and the rest only has to follow.

How it finishes :: Sunday Holiday is surely an improvement for the director who had earlier directed the movie Bicycle Thieves which is more or less a shame for the Italian classic with the same name, something to which almost everyone at the theatres agreed, watching that movie with so much high expectations after positive reviews. With no other Malayalam release, this is a weekend which only has Tiyaan and Thondimuthalum Driksakshiyum from last two weeks giving it some challenge, and therefore, its place should be safe, even without trying that hard. Along with the other two movies having Asif Ali which released last, this becomes another feel-good flick than anything else – I wouldn’t rate this one above those two though, with its problems in the middle part. Still, we all need feel-good movies which leave something for life all the time, and so Sunday Holiday becomes a good movie to watch this weekend, whether it is really Sunday or not.

Release date: 14th July 2017
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Aparna Balamurali, Shruti Ramachandran, Lal Jose, Bhagath Manuel, Sudheer Karamana, KPAC Lalitha, Asha Sharath, Sreenivasan, Siddique, Sunish Kumar, Dharmajan Bolgatty, Vinaya Prasad, Nirmal Palazhi, Sethulakshmi

@ Cemetery Watch
✠ The Vampire Bat.

Avarude Raavukal

What is the movie about? :: Ashik (Asif Ali) is the popular stage performer in a village on the Kerala-Tamil Nadu border who comes to Cochin hoping to work in a movie, after the villagers collect money from their own people to make sure that he gets a chance. Siddharth (Unni Mukundan) is an engineering graduate who is spending his time doing nothing other than to stay at home up-to that extent that his father has to throw him out of the house. Vijay (Vinay Forrt) is an angry young man who was suspended for getting into a fight with another employee in the same company he was working for. Scobo Johnson (Nedumudi Venu) is an old man who is staying alone, and looking for company. Bored and with no plans for future, he comes up with an advertisement calling for bachelors to stay at his place, free of cost – it gets to the three young men who are ready to come right away.

So, what happens next? :: Ashik finds Cochin and the movie world a lot different than what he had thought, and finds problems in even doing the simplest works. He goes to various auditions, but none of them work – he does find a new friend though, in the form of Vinod (Aju Varghese) who is also looking forward to acting in movies, one way or the other. They decide to attend the acting workshop held by Manoj Kuruvila (Mukesh), who is a famous movie director. But even that doesn’t seem to help the two who are more clueless than anything else. Siddharth who does nothing other than staring at girls, even consults Doctor Jayamurugan (Kochu Preman), but his life goes on in the same way until his brother recommends him for a job under Shivani (Honey Rose), which he gets despite performing terribly during the interview. What follows is a terrible mess at the office.

And what follows the events? :: Ashik and Siddharth are not just the ones reaching a higher level of their problems, as Vijay has a bigger issue at hand. His anger issue is more or less the result of something which happened in the past, and his girlfriend Meghna (Milana Pournami) tries to get him out of the same, but with no positive result. Scobo Johnson is the silent witness to all these, and tells them that there are two ways out of it, one the difficult path, and the other, the shortcut. Are the three good enough to get out of the mess that they are in, or is at least Johnson skilled enough to take them through their journeys? Can things finally take a positive twist of events in their lives which haven’t really had much to talk about otherwise? Will their upcoming experiences leave them as better people than who they already are? Only time will tell.

The defence of Avarude Raavukal :: Vinay Forrt successfully leads the group of young men here towards their objectives, as motivation runs right through this one with inspirational dialogues, and featuring the rise of unexpected tales of success; emotional side is strong here. The movie asks its viewers to keep trying, as the fish does; it provides this message without missing its plot, and the direction that it shows is the right one for the new generation. The presence of movies like Mili, Aby, My God and Su Su Sudhi Vathmeekam has proved the same, but Avarude Raavukal is more the common person’s story than the rest. There is also the presence of some nice humour in between. There is also some beautiful music in this flick, beginning from “Ethetho Swapnamo” and through “Vaadaathe Veezhathe”, both bringing different but nice feeling. The feel-good effect stays, and despite the certain delay in the movie’s arrival and the morning shows canceled, we are glad to have this movie working and going well enough to provide enough motivation.

The claws of flaw :: The movie doesn’t go that close to perfection as the director’s earlier combined venture, Philips and the Monkey Pen, and what we expected was surely more. There are certain ups and downs in between for sure, even as everything seems to have kept at a certain level as much as possible. There are some occasions when we wonder if these things, which do look more and more possible, can ever be solved by the protagonists. The inspirational story is also not something new, and the old man is also a rather strange character, whose twist in the end is even stranger; this one could have just gone simpler and close to life towards the end. Even in the beginning, the movie had taken some time to get going. The cameo roles in the end by Shine Tom Chacko, Sunny Wayne and Sanju Sivram were rather unnecessary too, and the same can be said about a cricket match when it could have been just the engineering classes. You will find the weird and missing sides of the plot, but you can avoid them as they are not that significant.

Performers of the soul :: Asif Ali who is coming out of the late, but sure success of Adventures of Omanakkuttan has done a fine job with a character which had quite something to perform out there. Unni Mukundan comes out of the dismal movie which was Achayans, and makes good use of what was a rather easy job for him. Vinay Forrt had a little less to work with in Georgettan’s Pooram brings the best of them all – his story remains the most interesting one in the whole movie, and he is the backbone of the flick. Aju Varghese should be powered by the grand success of Godha, and does a pretty good job when he is there. Honey Rose who was last seen in My God which was an under-appreciated movie, makes a comeback after two years – not much to do, but good to see her back. Milana works through limited expressions in this one. Nedumudi Venu has some nice dialogues which prove inspirational, and forms the pillars of the movie’s progress.

How it finishes :: It has been a long time since a Malayalam movie with an interesting and long list of star cast released, and being the first movie to release for the Eid holidays, Avarude Raavukal surely has an early advantage among the others which are to follow. Shanil Mohammed, who had earlier directed Philips and the Monkey Pen with Rojin Thomas has his first solo outing here. The flick had won Kerala State Film Award for Best Children’s Movie and Kerala State Film Award for Best Child Artist for Sanoop Santhosh. This one might not create that much of an impact, and has a lot of heavyweights to follow. Getting itself to the list of feel-good movies with messages, Avarude Raavukal will leave with a positive effect more than anything else. There are not many other things that we need for this special season.

Release date: 23rd June 2017
Running time: 131 minutes
Directed by: Shanil Muhammed
Starring: Asif Ali, Unni Mukundan, Honey Rose, Vinay Forrt, Aju Varghese, Mukesh, Milana Pournami, Nedumudi Venu, Sudhi Koppa, Lena, Ambika Mohan, Kiran Aravindakshan, Nisha Sarangh, Aishwarya chandran, Kochu Preman, Shine Tom Chacko (cameo), Sunny Wayne (cameo), Sanju Sivram (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Aby

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What is it about? :: Aby Baby (Vineeth Sreenivasan) has always been interested in flying more than anything else. Right from childhood, he has been fascinated with the airplanes, and he has worked hard to make something that could help him fly. Even though he is an expert in the subject of Physics, nobody considers him as good because he is not just an introvert, but also someone not interested in anything else, with his passion even ending his chances of continuing his studies. Anumol Xavier (Mareena Michael Kurisingal) is his childhood friend who has always supported him, and in return, he has been helping her with her science projects. Aby’s father Baby (Sudheer Karamana) considers him as a fool, and doesn’t favour anything that he does, with the feeling that he is the main reason behind all the misfortunes in their life, chasing after an impossible thing and doing nothing good. But Aby is determined, and leaves his home.

The defence of Aby :: There is no shortage of inspiration in this movie, as our protagonist is the kind of person who is least expected to be successful in life, especially with what he loves the most, and his focus only on that – nobody around him thinks that it is the best thing to focus on. With the visuals of a beautiful village area, the movie provides the message to go after one’s dream, something which the present society doesn’t allow, with parents forcing their children to take the courses which they don’t like – the world has had that obsession with engineering and otherwise also related to getting any job with a high salary. The whole thing is kept simple, even with that tendency to complicate things always there. There are also some good songs, and a fine climax which is sure to make the audience leave with smile on their faces.

The claws of flaw :: One can be sure that a lot of people will find this movie as predictable with its tale of chasing a dream. But the thing about inspirational movies is that you will know how things are to go, and it is something that you need to be prepared for. There is also some trouble here and there with the journey of the protagonist, as it could have surely been shown in a better way. Among all the similarities with inspirational movies, this one is the closest to Kochavva Paulo Ayyappa Coelho, with that “achieving dream”, element which will make one feel a certain repetition – you remember that the protagonist there also wished to fly, but by traveling in an airplane rather than trying to make one and fly. The part where the protagonist is in the city, and his relation with a new character called GK is also quite strange – it is the part that could have been better thought out.

Performers of the soul :: The last time we saw Vineeth Sreenivasan on the big screen was in Oru Muthassi Gada, in which he played a rather small role. The same was the case of Jacobinte Swargarajyam, which he himself directed. Kunjiramayanam was the flick in which we last saw him throughout the run, and also as the protagonist. Here, he is back as Aby, and bringing life to the dreams of the character. It is the certain amount of innocence that stays on his face, that makes things work even better in this movie. Aju Varghese is there, providing the needed support as always; he has been the best support with an evergreen funny side throughout so many Malayalam movies, and we see him doing the same, even though he is not there as much as he should have – there is not much a direct influence that his character creates in this movie’s progress, and still we remember his work here.

Further performers of the soul :: It is Sudheer Karamana who gets the best of attention among those who come up with the supporting roles. He is there right from the beginning itself, and has moments until the end. Suraj Venjaramoodu provides some comedy here and there. Meanwhile, Mareena proves herself as an interesting presence in the industry for future, as this role works really well for her – throughout the flick, she has kept it simple, and yet so effective. Most people will know her for playing Sophia in Happy Wedding, and Angel in Amar Akbar Antony, even though the movie which had her the leading heroine was Mumbai Taxi. It was a movie which had some nice moments with twists, and could have done better if it hadn’t tried to be the overreacher it ended up to become. But Mareena has the role for which she is going to be remembered from now on, and we hope that she will get an even better, a huge movie soon.

Soul exploration :: There is always something special about dreaming against all odds in a world which doesn’t believe in you, which seems to have very less in store for you. Yes, some people do have it easy, especially those who have too much money and so much time without having to do anything about it – the rest are to struggle for their dreams, sometimes for an eternity, and at other times, until that destination is reached. There is always something inspirational about going for what one wants, and achieving the same. We keep reading those inspirational stories all the time, of which most of them are only partially true, and some of them just make us rather depressed instead of being motivated. Aby tries to make it to such a world of inspiration, and manages to be another interesting motivational flick here.

How it finishes :: This year has been very good for the Malayalam movie industry and its fans. We had Munthirivallikal Thalirkkumbol becoming the best family movie in recent times, and Ezra bringing something new to the horror genre here; there was also Jomonte Suvisheshangal doing well, and Fukri bringing some fun element. With Veeram also releasing, Aby brings extra feel-good to the scene, and there was the space for an inspirational flick, which has now been filled. Malayalam movies have had so many of them, and with some variety in treatment, this one is also there, following the movies like Mili, Su Su Sudhi Vathmeekam, My God, Oru Muthassi Gadha, AnnMariya Kalippilanu, Kochavva Paulo Ayyappa Coelho and others. It is once again time to take the inspiration home, and Aby is for everyone, indeed.

Release date: 23rd February 2017
Running time: 133 minutes
Directed by: Srikant Murali
Starring: Vineeth Sreenivasan, Aju Varghese, Mareena Michael Kurisingal, Suraj Venjaramoodu, Sudheer Karamana, Hareesh Peradi, Vinitha Koshy, Manish Choudhary, Dileesh Pothan

abyy

@ Cemetery Watch
✠ The Vampire Bat.

Dear Zindagi

dearzindagi-1

Vampire Owl: This is not acceptable to the vampire community.

Vampire Bat: I see no problem in some vampire censoring here.

Vampire Owl: There is too much about life here. If they get too much caught up with life, how can we recruit our minions?

Vampire Bat: Consider this life after death.

Vampire Owl: That would be beautiful, even though these people don’t look like zombies.

Vampire Bat: Well, beauty of life after death is more than just about zombies.

Vampire Owl: To that, I can drink tea.

Vampire Bat: We are drinking tea to that.

Vampire Owl: And we are watching this movie only for that.

Vampire Bat: In the end, I am sure that most of us will end up watching this for different reasons.

[Gets the tickets with cheese popcorn and vegetable puffs].

What is the movie about? :: Kaira (Alia Bhatt) is a rising cinematographer who wishes to shoot a full movie instead of the smaller projects that she usually does. Raghuvendra (Kunal Kapoor) is the person who becomes her chance to get to the big scene at New York, and it is with him that she is cheating on her boyfriend, Sid (Angad Bedi). But things don’t go on as planned, and she ends up in Goa, where her parents are – as many other people in her life, she can’t get along with them too. She is unable to sleep and except for her very few friends, she is angry at most of the people. But one day, she comes across Dr. Jehangir Khan (Shah Rukh Khan) whom she figures out as the right choice to solve her problems. She decides to be open to her therapist, and he has a few sessions with her, and life will never be the same for her again.

The defence of Dear Zindagi :: Here you get another inspirational movie. There is no shortage of messages, no matter how they are presented – it is more about claiming back one’s life while getting rid of the ghosts of the past, and the rest of the messages can be discovered by oneself. There is some humour here and there, but nothing that remains memorable enough. The visuals work nicely, and the songs are okay, with “Love you zindagi” being a clear winner. There are also some dialogues which you can use as a quotation on another day. The fact that this movie made this much without much of a plot is actually interesting. Then there is the cast which is another big advantage for this movie. It is also an interesting thing to notice that Bollywood is thinking differently these days – we had many movies with difference this year, and that is a welcome change; but the fact that this was so close to being a lot better movie should be rather disappointing.

Claws of flaw :: Well, we get so many of inspirational movies here; if you take a look back, there are enough of them to keep some extra inspiration for later use – there are separate movies for children like Philips and the Monkey Pen, for women like Rani Padmini and also for many different categories of people. It is near impossible to relate to the character played by Alia Bhatt too, as we get too much of a world which is less ours. This could have been more fun if it felt more real with its happens. We see that something unreal comes up here and there even in an inspirational movie – a bad habit without doubt. This certainly goes exaggerated, and thus that bad quality of Bollywood is also retained. There are slow parts and you know the unconvincing side – not easy to feel for the characters; our protagonist herself has too easy a life and no pain. The drag makes one feel that this an even longer movie, with an already big run-time – too many dialogues there too.

Performers of the soul :: Alia Bhatt’s character does spend a lot of time buying things from e-bay and cleaning the roads with her clothes as she move around in them, but you see that she plays this interesting, but irritating character very well. Her long speech about her childhood might be the boring side of the same though, followed by her anger at her parents. But the energy that she brings to this character is a lot. Still, it is only when Shah Rukh Khan’s character enters the scene after an hour, that things get interesting. After that, things get going, until that climax which is nothing more than ordinary. Even as Alia Bhatt remains the soul of this movie, it is Shah Rukh Khan that holds the parts together, and whemever he is there, we are cent percent glued to the screen. Among the supporting cast, it is Yashaswini Dayama who plays Jackie that scores the most.

Soul exploration :: The protagonist’s problems are also more Bollywood kind, as she keeps falling in love – one has to wonder if she actually does anything else in her life; too much falling in love and leaving them behind. Then she also gets to be rude to her parents living in the past. There are moments when one feel that these kind of people don’t deserve a movie at all, unless provided with a warning in the beginning. But Bollywood’s aversion to common man goes on as it looks only for special people. As usual, for a Bollywood movie, there is also too much melodrama in this one, and the real solution of this problem was there so early – as the problem in this movie for Alia Bhatt’s character is she herself. Some people have to be taught how to be good to others, even when their life is actually going very smooth, and that indeed is the problem of this world, isn’t it?

How it finishes :: There is one thing that we keep wondering about – why is the Bollywood movies too much about the aspirations and disappointments of people of another level? At the same time, the Malayalam movie Kattappanayile Rithwik Roshan is running in the theatres, and this one is closer to the common people despite it focusing more on the comic side without feeding advice with brains. You saw the same with Zindagi Na Milegi Dobara, as the heroes just had to travel all around the world – maybe Bollywood wishes to tell less about the common man and make its stars people with a lot of money or special skills? Meanwhile, movies like North 24 Kaatham and Mili could easily tell such stories of finding oneself, that too with the common people as protagonists. If you have watched Mummy & Me with Archana Kavi being advised by Suresh Gopi on how to get her life better, you will know how such movies can be done with realistic protagonists with whom we can relate to. This one will work, but the theory to “overdo things for attention with less focus on the story” is here with Bollywood.

Release date: 25th November 2016
Running time: 150 minutes
Directed by: Gauri Shinde
Starring: Alia Bhatt, Shah Rukh Khan, Ira Dubey, Yashaswini Dayama, Rohit Saraf, Kunal Kapoor, Angad Bedi, Ali Zafar, Aditya Roy Kapur

dearzindagii

@ Cemetery Watch
✠ The Vampire Bat.

Jo and the Boy

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What is the movie about? :: Joan Mary John (Manju Warrier) used to be a kid who loved Mickey Mouse a lot and later took it as her ambition to create a cartoon character like that. When asked at school about whom she wanted to be, she had the answer as Walt Disney. Later, she grows up to be an animator who hopes to make a big series or movie with a character created by her, and for the same, she makes different approaches, but with not much of a result. As she goes above the age of thirty with no job and no interest in marriage, her parents Johnny (Lalu Alex) and Mary (Kalaranjini) become more and more worried. But she continues in her own small world trying to make that big difference to it with one right moment. Then the life changing moment appears, and the story has another direction to proceed.

So what is this sudden change of direction in life about? :: Joan needed something special with her life. Things take a turn with the arrival of a boy called Chris (Sanoop Santhosh) who was adopted by Catherine (Rekha), one of Joan’s relatives. The visit happens at a time when Joan is struggling to make a mark as things continue to work against her. After the initial dislike due to the boy’s attitude, Joan becomes good friends with him, and they become good friends. Later, he becomes the inspiration for the cartoon character whom Joan is planning to create, and she ends up designing her creation just like him. Calling the character Criz, she keeps making the attempt to impress the firm, with the man at its head not interested in her ideas. With the help of her friends and the boy, Joan will try again, as it is her only dream in life.

The defence of Jo and the Boy :: There is a very nice beginning to this movie, with the child and Mickey Mouse; it keeps that level or somewhere around there until the cartoon character gets its own problems. There was the possiblity of this one becoming the right movie embedded in the spirit of Christmas in the beginning stages. The ending is also pretty good, even though the climax has a little bit too much melodrama. This is inspirational and feel-good, that is for sure – there is no shortage of such stuff here and there even though not in totality with the story. The Philips and the Monkey Pen feeling exists right through this one, even though that much strength is not there to be a worthy successor to that amazing movie – don’t keep the expectations that high about this one. There is also the strength of some amazing visuals in this flick. You are going to fall in love with locations used here, and there is no question about that. The performances will be another plus point.

Claws of flaw :: The movie will have problems in connecting to a good number of viewers who might not have expected this from the trailers. The humour here is rather too less. The songs are not that good either, and visuals are the ones which give the feel to the music. There are problems in the middle part and the first part of the second half does have some lagging portions along with cliches. A lot of scenes which were shown in the trailer in a nice way have almost no significance in the movie in its totality. The Philips and the Monkey Pen magic is not really recreated here, with some magical moments here and there, but that connectivity, clarity and emotional strength isn’t that much present here. It should be also why this movie try to be the great overreacher with its story, when it could have stayed on the ground with the common man; instead it does try to fly too high, and becomes the Icarus with burnt wings – unlike the son of Daedalus, this one survives though. A better or even simpler story would have made this a fairy-tale beauty.

Performers of the soul :: As you might have already expected, Manju Warrier is the big performer here, as she once again manages an inspiration role to take it to a fine level, after How Old Are You? and Rani Padmini. All those “different” characteristics of this role comes to life with her, even though common man question the action here – that is explained with the “difference” factor; “divergence” isn’t really a crime, right? Sanoop Santhosh also does an interesting job here as the boy who brings the diversion in life. Even though the character is not that likable as in Philips and the Monkey Pen, he does his character well. It is nice to see Lalu Alex doing the “cool father act” once again. Sudheer Karamana is too underused here as his character disappears after making a nice impact. Sunil Sukhada also has a short appearance in the beginning stages of the movie. Pearle Maaney provides some good support. A point to be noted is that there is no pair for the heroine here, and as you expected, the romance is null.

Soul exploration :: Jo and the Boy is another movie which talks about dreams. The whole story is about the lady protagonist who has a dream in her childhood and keeps going towards it even as she reaches the age of thirty – unmarried and without a job. It is the story of many good men and women who couldn’t achieve a particular thing just because they don’t have enough contacts or blood-relationships with people at good positions – we know how it works in this world, as people with reservations and powerful relatives will get things done easily and earlier while others have to work hard to achieve it. But our protagonist keeps trying, and despite the worries, her parents also supports her. In a world in which sons and daughters of actors/directors/producers become actors without any skill, and children of ministers become leaders and then ministers, Joan is a symbol of everyone who keeps trying without accepting defeat and changing the path.

How it finishes :: As you might know already, there is no shortage of inspirational movies in Malayalam Cinema; even this year, it is a process which started with Mili, and continued to go on through Rani Padmini, Su Su Sudhi Vathmeekam and My God. Among these five big inspirational movies including this one, three of them are heroine-oriented, one has a person who rises above his disability, and another movie has a kid at the centre of everything. Malayalam movie industry does know how to inspire its audience, that is for sure. With Jo and the Boy, I am glad that there has been a lot of inspiration gained from movies this year, and there are also those feel-good entertainers which have provided us with some more happiness, and some movies are both! I am extremely glad to have watched more Malayalam movies than the flicks in any other language this year, in the theatres.

Release date: 24th December 2015
Running time: 156 minutes
Directed by: Rojin Thomas
Starring: Manju Warrier, Sanoop Santhosh, Pearle Maaney, Kiran, Lalu Alex, Kalaranjini, Rekha, Sudheer Karamana, Sunil Sukhada

joandtheboy

@ Cemetery Watch
✠ The Vampire Bat.

My God

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What is it about? :: Sam Thottumkal (Master Adarsh) is a kid with many problems in his life. When we are introduced to him in detail after a song, we understand that he is taken by the police into the juvenile home for murdering his own father Thomas Thottumkal (Joy Mathew). The parish priest Father Vadakkan (Sreenivasan) desperately tries to get him out of trouble, but his own family members don’t want him as they feel that he stabbed his own father. Meanwhile, Aarathy (Honey Rose), a social worker who spends time with children decides to take the boy’s case seriously. When her husband, a successful businessman from the United States, Aadhi (Suresh Gopi) arrives in Kerala after a long time, it turns out that he knows the boy very well. The husband and wife team decides to influence the boy’s life in a good way.

What is it actually about? :: The flashback is about Sam’s troubled childhood. He is a late arrival as the third child of his parents who wanted to have no more than two children, and he grows up listening to the stories that his own mother (Rekha) wanted to murder him before he was born. His father has absolutely no opinion about him as he scores less in examinations and does well in the other activities like painting, elocution, writing and some more creative work. His mother doesn’t really care about him as he is the unwanted child. His brother and sister are engineers working in reputed IT companies outside Kerala and are earning high salary; the former thinks that he is a good for nothing idiot who deserves no love and the latter is only sympathetic to him because he is of no good. His only hope is an aunty Alphonsa (Lena Abhilash) and Father Vadakkan.

The defence of My God :: Here is another movie to make you think, and you can keep the thoughts and the received messages for long. The emotional side of the movie is strong and it will undoubtedly touch your heart. There are dialogues which you can take home from here, and even if you leave them behind, at some point of life they will surely return to you. The movie is going to be effective for all kinds of audience too, not just the family, and not just the children, youth or parents – it has a much wider scope. It is a story of people and their dreams right from their childhood – no, not ambition, but dreams as something with wings and not that random thing which students answer when teachers ask about it. The movie inspires you to be better, for some people to be better humans with respect for the dreams of others and the rest to be better dreamers.

Claws of flaw :: The beginning of the movie seems to be a struggle, as a start like Philips and the Monkey Pen is not achieved here. In comparison, this one might be mostly behind, but with the emotional strength, My God is powerful. Too many brands shown in the movie rather than incorporating it to it, will make the audience feel strange. There are also some weak moments here and there, and the songs also don’t provide the desired effect; the film does overreach and often forgets its limitations and the area of strength – but what you gain in the end is a lot bigger, and the ending with Suresh Gopi and Sreenivasan is something that elevates this movie to a higher level. In the end, the movie’s strength is not its story and it is not the totality of things, but in the idea and how emotionally powerful the core happens to be, and how it is brought to the viewers. It also depends upon how you are able to take the inspirational movies and the flicks with messages because it is what this movie is about.

Performers of the soul :: Master Adarsh who plays the central character, the kid in trouble, does a good job, and the other children also support very well – it is a very nice thing to witness. The movie’s strength undoubtedly improves with the entry of Suresh Gopi, especially after the interval. The first half has only a smaller screen presence for him, but in the second half, he becomes the big man who brings the change. There are some striking dialogues from him which will stay in our minds for a very long time. There is no doubt that he raises the level of this movie after he arrives and makes sure that the second half outshines the first, and also finishes well. I can recommend nobody better for this type of a role, as Suresh Gopi has our attention and captures our emotions with this performance.

Further performers of the soul :: Sreenivasan in the priest role adds some extra feel-good factor to this movie, as he reflects a guardian angel here. We don’t usually see Sreenivasan in this kind of a role, but this one has suited him very well. He isn’t a person who comes to our mind when we think about the priest roles, but from now on, he might be. Joy Mathew is really good as the father character who doesn’t like his son’s choices; he leaves a very tough impression. Honey Rose does her job well. Lena Abhilash plays the one symbol of hope in this movie really well. The roles of the rest of the actors are limited, and only a few leaves any impact on the audience, as the focus is so much on three, Suresh Gopi, Sreenivasan and Master Adarsh, who manages their side really well.

Soul exploration :: There has been a good number of inspirational movies this year with Mili and Rani Padmini gaining positive reviews with the female-centric stories while the story of a man who rises above his disability, Su Su Sudhi Vathmeekam is still running successfully in the theatres. We have always accepted movies with messages and Philips and the Monkey Pen with a child as the central character had gone on to become a big success in the year 2013. My God follows the path of these movies and tries to bring a message and a lesson along with being inspirational in nature. The best thing about this type of movies is that they will make an impact one way or the other, and will bring some change in the minds of some people now or later when the viewers watch it again. So, are you going to watch this movie on the weekend? Do you accept the dreams of your child, and allow them to follow the same?

Release date: 4th December 2015
Running time: 129 minutes
Directed by: M Mohanan
Starring: Suresh Gopi, Honey Rose, Joy Mathew, Sreenivasan, Master Adarsh, Lena Abhilash, Rekha, Sreejith Ravi, Indrans, Devan, Praveen Prem

mygod

@ Cemetery Watch
✠ The Vampire Bat.

Su Su Sudhi Vathmeekam

SuSuSudhiVathmeekam (4)

What is it about? :: Sudhi (Jayasurya) works as the manager at one of the branches of Karur Vysya Bank at Bangalore. One day, after helping a group of cinema artists to shoot inside his branch, he gets a ride to his hometown with Mukesh (Mukesh), thanks to his old friend Greygon Das (Aju Varghese) who is in the film field. Sudhi talks to him about his life and the interesting incidents related to it. He is a person who has always had a terrible stammering problem. It had alienated him and affected his confidence ever since he was a child. Even when he reaches his youth, he remains a troubled man due to the same. The same disability leads to his engagement being called off, and the people of the village make fun of him even more. But as time progresses, he will manage to rise above his problems and understand that he is better than his troubles.

The defence of Su Su Sudhi Vathmeekam :: If you loved Punyalan Agarbathis, you will surely love this one too; I would consider this one above that flick because our movie here finishes very nicely in a much better way. The feel-good factor is much stronger here because this is more of the common man’s movie. There will be moments when you will feel that this is the story of you or someone you know in a different way. The message is also very clear here, and it will connect with the common man. The fact that the movie is short helps the cause; there is no drag here either. The second half is also better than the first, the movie only improving as it progresses. The emotional side is working all the time and gets stronger in the latter parts. The humour is good when it is present. The songs are okay. It is simple, cute and the right choice for the families.

Claws of flaw :: There is no special ingredient in Su Su Sudhi Vathmeekam. Well, Kung Fu Panda knew that there was no secret ingredient, and this movie also works without the same. There is nothing special with the story as the flick thrives on simplicity and reflecting the common man’s life. More humour could have also been added here too, and more material in the first half. People can also complain about the troubles of the man and his setting to be better shown in another way, asking for more fun or more emotions, but this one takes the middle path. The Punyalan Agarbathis feeling is also there even as this one overtakes that movie in content and presentation. Like what a few people who said about Mili, if you consider the goodness and inspirational stuff as cliche, this won’t be the movie for you; but I believe that they can be infinitely disparate each and every time.

Performers of the soul :: Jayasurya brings a stunning performance here proving his versatility once again. This movie is all about his character and he makes it all about him. The success of this movie will undoubtedly be his success as he thrives, and lives as the protagonist. Whichever be the movie, he has always been there with some exceptional performance – you can do a rewind into his previous movies and clarify the same. With three stages of the protagonist’s life being shown on screen, the man comes in three appearances, clean shaved, with a moustache and with the beard. Like in Premam, this also shows the man in different appearances as the character’s attitude towards others as well as life as a whole changes. This will be his second movie to run with positive opinions at the same time, along with Amar Akbar Anthony.

Further performers of the soul :: You can note that the director Ranjith Sankar has a cameo role in this one. The two heroines in this movie are not that familiar for the Malayalam audience even though only one is the new face. Swathi plays the protagonist’s fiancee whom he was supposed to marry, and the one person to whom he feels really close. If you watch Comedy Super Nite on Flowers channel, you might have noticed her as she was there in one of the episodes. She makes a nice debut as she entered the industry, and there is a certain amount of cuteness right there. The other heroine, Shivada has more to do, and she also has the more inspirational stuff as the speech therapist. She also comes up with a fine performance as the difference maker. Aju Varghese contributes well to the comic side, and Mukesh brings more laughs. Mukesh as Mukesh was actually a very nice move!

Soul exploration :: Su Su Sudhi Vathmeekam inspires you, but it doesn’t ask you to become someone else. The soul of this movie asks you to listen to your own heart and soul rather than the others and society who bring a label for you. The protagonist himself says that everyone is not supposed to become Sachin Tendulkar or Aamir Khan. It is all about us being ourselves, not doing comparisons with others. The movie tells us to be just us, but always to be the best of us, as not to have tried is a terrible thing. If we are not ready to be us, with all the characteristics that belong to us, then what is our significance as individuals? As separate individuals facing different situations, having varying abilities, it is all about making the best use of the talents. This movie is also supposed to be inspired on the real life story of a person. You were inspired by Rani Padmini a few days earlier, and now here is more.

How it finishes :: Don’t expect something huge with a big dose of tings, but as the simple and powerful movie of the weekend, Su Su Sudhi Vathmeekam will provide you with the motivation that is not restricted in any way. It is a path for you to travel in discovering your individuality, and at the same time, realize that everyone is awesome, no matter what disability or trouble is present. Coming from the director who started with Passenger and gave us some really inspiring movies, this one also leaves a mark, and Ranjith Sankar has left the audience with some happiness while touching the emotional side. If you leave the theatre with some positive energy inside, it is the success of the team which brought you Punyalan Agarbathis once again. Once again, you are reminded of what you can do, and why you are also someone who can achieve. You look for goodness and inspiration; you find Su Su Sudhi Vathmeekam.

Release date: 20th November 2015
Running time: 131 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Swathi Narayanan, Shivada Nair, Aju Varghese, Mukesh, Sunil Sukhada, TG Ravi, KPAC Lalitha, Ranjith Sankar, Muthumani, Sarath Das, Irshad

SuSuSudhiVathmeekam

@ Cemetery Watch
✠ The Vampire Bat.