Malayankunju

Vampire Owl: Do you remember the floods and landslides of the last few years?

Vampire Bat: Yes, 2018 floods was too terrifying for vampires too.

Vampire Owl: I am sure that this movie will be a Fahadh Faasil show.

Vampire Bat: You mean, more focused on him than the big works like Joji and Malik.

Vampire Owl: I don’t see why it should be any different.

Vampire Bat: There can always be balanced acts.

Vampire Owl: The focus always shifts to Fahadh Faasil at some point of time.

Vampire Bat: We remember the much earlier Fahadh Faasil movie which was focused on high ranges too.

Vampire Owl: Maheshinte Prathikaaram was one of its kind.

Vampire Bat: Well, so was Kumbalangi Nights which deserved better accolades than what it had received then. Still my favourite movies of him would still be the earlier ones in the form of Amen and Diamond Necklace.

[Gets a blueberry cake and three scoops of blackcurrant ice cream].

What is the movie about? :: Anil Kumar aka Anikuttan (Fahadh Faasil) is an expert electrician who serves the locals of the high ranges of Kerala. He is the one whom almost everyone depends on, whether it is about laptops and mobiles or related to general household items like televisions, refrigerators and washing machines, with any possible doubts being cleared using Youtube. Sumesh (Deepak Parambol) is his best friend, and helps him with obtaining the electrical equipments required for repair, as they live closer to the forest area. His father Radhakrishnan (Jaffar Idukki) had committed suicide a long time ago, and he had been unhappy about it for a long time, leading him to becoming frequently angry towards others and even resulted in him acting strangely for most of time. His mother Shanthamma (Jaya S Kurup) is particularly unhappy about how he has been living his life – as the child next door cries all the time, he feels disturbed and not able to concentrate on his work, leading to more fights with neighbours.

So, what happens with the events here as we just keep looking? :: All of these points to his sister Sandhya (Rajisha Vijayan) eloping with Deepu (Arjun Ashokan) on the night before her marriage, the event thus becoming the major reason for the suicide of Anil’s father. Even though his uncle Surendran (Indrans), neighbour Poulose (Irshad) and a few others are still in support of him, he doesn’t gain any fans among the people around. As his sister comes back to the area with her child, he is not ready to go and see her. He also gets into fights with the locals, and lands in the police station. But he somewhat gets along with these people, but it has been raining heavily for a long time, and an alert was already issued. Most of the people nearby had already moved from the area, and Anil’s neighbours plan to get out there the very next morning. Anil is adamant that he won’t leave his house, despite the warnings of his mother. But the landslide occurs during that night, and everyone seems to have perished. Anil tries to get out of the area underneath the land and try to save others who might have also been caught in there, but can he?

The defence of Malayankunju :: The struggle that the main character has to face, feels as real as possible. The skills with cinematography seems to have worked in favour of the movie, not just underneath the ground, but also outside with the shots, even though there are no shots of this particular world like in one of the best quality films in high ranges for sometime, John Luther. There are no exaggerations in this tale which is close to reality from the beginning to the end – the protagonist is no hero, and struggles with the problems of the mind reminding us of North 24 Kaatham which had a different crisis from inside. The movie is very much well shot in parts, and with some fine use of lighting and sound effects, creates the desired effects to take us to that world. The nature with all the greenery works close to the tale, even though environment is pushed to the background for quite a long time. This seems to be a movie custom made for Fahadh Faasil, and he assures the audience about the same. He continues with his excellence, and when he is there, you know that the movie will rise further, even if caught in the ordinary at times.

The claws of flaw :: With the premise, one would have expected this to be a disaster movie with the visuals of the terror also coming into the picture. The time spent underneath the ground could have also looked better, with some more smaller events of interest – the situation outside could have also been shown from outside, about what had actually happened, and how the news channels report the incidents – these could be easily achieved without making things complicated or exaggerated. The idea of having the father appear in the dream-like sequence doesn’t work, considering the mood which the film has been maintaining. Some of the characters are there to do very less, and it is disappointing considering their skills. The sudden interest in humanity which is displayed by the protagonist seems to be forced, as he looks like the one who is interested in his fellow humans all of a sudden. The movie had already stretched a little bit too much with the events in the early stages. After all, as people watch survival thrillers in different languages, they are no strangers to the idea. The songs are also not that interesting.

The performers of the soul :: Fahadh Faasil has never stopped amazing us with his works, and it is to be noted that even with the ordinary stories like Ayal Njanalla and Role Models, he has elevated the movie to a classic level, and there is no question about those works which have managed to be close to perfection with his presence. We have been seeing him as the actor who has been part of movies from different languages and having more and more fans from different parts of the world and even outside the nation. Here, he is excellent in displaying the protagonist’s desire to survive against all odds, as he is caught in the debris which remained after the landslide. Rajisha Vijayan plays another role in which she does a fine job, even though one would have wanted to see her more, as we had only recently seen how well she managed to work as the sole star in Keedam, a quality which was also seen in Kho Kho, Finals and June, all of them having her rising above all expectations. The usual veterans are surely strong in here, in the form of Indrans, Irshad and Jaffar Idukki. Nilja K Baby also gets a good role which is performed well, and we would expect RJ Nilja as part of more similar movies – more of future for the film industry.

How it finishes :: The movie seems to have had its inspiration from the landslides which occurred in Kerala, especially from the year of Kerala’s biggest floods of the century till the year of the corona virus – the devastation of the times seems to serve as inspiration for creativity as much as for caution. The horror related to natural disasters has never been too far away from us. This one works as an eye opener for all people, as everyone needs to come together during the disaster which unites humanity, and let them get out of the boundaries of religion, caste, race and language. The disaster has been used to remind people of what they have been missing, and some fantastic performances make sure that it gets to the viewers. It also works as the triumph of humanity when it discovers what it had lost in the last few years – hope and love for the other. Malayankunju successfully urges the audience to reclaim the same, even though a world of chaos and destruction awaits to be unleashed on unsuspecting people.

Release date: 11th August 2022 (Amazon Prime Video); 22 July 2022 (Theatre)
Running time: 114 minutes
Directed by: Sajimon Prabhakar
Starring: Fahadh Faasil, Rajisha Vijayan, Indrans, Nilja K Baby, Johny Antony, Jose MV, Deepu Navaikulam, Jaffar Idukki, Jaya S Kurup, Deepak Parambol, Arjun Ashokan, Meera Krishnan, Binu Manambur, Irshad, Chali Pala, Meera Krishnan, Remya Suresh, Kiran Peethambaram

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@ Cemetery Watch
✠ The Vampire Bat.

Innale Vare

Vampire Owl: Is this movie about yesterdays?

Vampire Bat: From the title, it seems that yesterdays are important.

Vampire Owl: Our yesterdays are pretty much far away.

Vampire Bat: The vampire yesterdays have always been centuries away.

Vampire Owl: Not all centuries are the same.

Vampire Bat: Yes, but they are all short for us.

Vampire Owl: Not just for us, but for all immortals.

Vampire Bat: Depends on how we will take the immortality.

Vampire Owl: Does this movie fit into our immortal calendar?

Vampire Bat: It is something which is yet to be seen.

[Gets a green apple cake and three cups of chocolate tea].

What is the movie about? :: Adhi (Asif Ali) is a superstar who is now going through a struggling phase as an actor. His movies haven’t been getting the success that they used to have, and he no longer remains the crowd-puller despite having so many fans and fan clubs. Due to his lavish lifestyle, he also has a lot of debts to be paid. Due to the same reason, he is forced to act in many advertisements, most of them which he doesn’t like at all. He is in love with Aishu (Reba Monica John), whose family doesn’t approve of such a relationship, as Adhi does have other affairs too – he is almost living together with a married actress named Karthika (Athulya Chandra), and he successfully keeps that a secret. Jomi (Rony David) handles things for him as the efficient manager, but the debts seem to get worse, as money lenders even reach his home and take away his cars. Both Aishu and Karthika are infatuated with him, and is not ready to leave him at any cost. Karthika knows that she is not the only one for him, but finds comfort with him in the absence of her husband who never bothers to call her or come home.

So, what happens with the events here as we just keep looking? :: At the same time, a stranger who identifies himself as Sharath (Antony Varghese) is following him. He seems to collect information about him through cameras and hidden voice recorders. Aadhi who one day comes to know that Karthika is carrying his child, tries to get there as soon as possible, and finds a lady who calls herself Shaani (Nimisha Sajayan), and she offers him a lift. She asks him to come to her home and see her husband once, and adds that she is ready to give him the car so that he can go wherever he wants to. Finding this to be a comfortable option, he gets to her apartment, only to find himself locked inside one of the rooms. It is later revealed that Sharath and Shaani has other plans for him. It seems to be motivated by money in the beginning, but there seems to be something different about these two. Yet, the need to save a house from being taken away by the bank seems to be a priority. But they don’t seem to know that Adhi has no money. How can any of them get what they want at this stage?

The defence of Innale Vare :: The movie doesn’t exaggerate things, and seems to go on without adding the unnecessary things including those highly emotional and romantic songs which would have been there for the taking. The tension and anxiety are maintained most of the time, and there are enough twists to keep things going around here. There is a certain amount of mystery about a lot of things around here, and the same is solved in the end, as different sides seem to come together. The idea about how technology can be used to make a person disappear by impersonating him or her will also keep us interested – Cold Case had also dealt with some part of the same, and this one takes it to another level. The messages from this type of movies might to be more careful about what we choose to do, no matter which side we are on, for even the most social ones can suffer – it is also easy to misunderstand someone. Yet, the movie’s main message seems to be that if we try to know people, everyone is good, as it seemed to be in most of the movies of the same director that came much earlier.

The claws of flaw :: The movie surely had a lot to do with its premise, and it doesn’t manage to come up with enough on most occasions. It seems to have struggled hard to make it a feel-good movie, wandering a long way away from where it seemed to be heading in the earlier stages. For an effective thriller, this one needed to keep a certain amount of its darkness as an interesting element which contributes throughout its run. There is almost no intensity with this thriller, and the characters seem to be not motivated enough to do most of the things – they seem to let things go on without trying hard. It is also too long with its content which is not strong enough to withstand time. The final twist and ending could have used some polishing, even if the purpose was to leave with a happy finish. There are too many repetitions around here too, and predictability also has a role to play. Some of the moments are shown just for the sake of being there, and in the process, it elongates the movie to a length that would have been stronger for more content.

The performers of the soul :: Asif Ali who finally has his first direct OTT release, does a good job, as things happen around his character. It is not that much of a big or challenging role though. It is good to see Antony Varghese in a role with a difference, which he seems to find okay. Nimisha Sajayan disappoints for most part of the movie though, in a work which seems to be unnatural. Even for the audience, she seems to be overacting in front of the police in scenes, but the cops within the film don’t seem to find it so – there is also that certain expression she seems to maintain, which doesn’t suit here, as much as in her earlier movies. Rony David is really good in another supporting role, and Irshad does the police job well again. Reba Monica John’s role is unfortunately a little bit too small, but she proves to be suitable in that one. Athulya Chandra does job well, as she seems to reflect the character in concern really well. Nandu is there in a small role, and so are a number of performers who make the smaller contributions.

How it finishes :: The fact that the director switches from feel-good movies like Sunday Holiday, Vijay Superum Pournamiyum and Mohan Kumar Fans, the effect seems to be lesser than what the genre deserved. His first movie and the only thriller, Bicycle Thieves was one of the worst thrillers which graced Malayalam movie industry with a twist which was as dumb as it could get. This one is surely much better than that, but one has to wonder about the purpose of making feel-good thrillers – most of the time, such combinations form a strange paradox which is not acceptable. When actors play actors, there seems to be something lacking too, and the same was seen in movies like Driving Licence too. But the makers do manage to bring things together as the movie nears the end, and this seems to be the kind of thriller which would also make the family audience happy, as such light thrillers are not easy to find. Well, if this kind of thrills happen in real life, there would be terror guaranteed, but not that much in this case.

Release date: 8th June 2022 (Sony LIV)
Running time: 136 minutes
Directed by: Jis Joy
Starring: Antony Varghese, Asif Ali, Nimisha Sajayan, Reba Monica John, Rony David, Nandu, Irshad, Athulya Chandra, Anand Bal, Siddique Ismail

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@ Cemetery Watch
✠ The Vampire Bat.

Salute

Vampire Owl: This movie surely had our attention early enough.

Vampire Bat: Yes, we noticed something about this one quite long ago.

Vampire Owl: We have all been fond of such thrillers.

Vampire Bat: This seems to be something on the lines of Meppadiyan.

Vampire Owl: Yes, a thriller which seems to reflect the usual happenings.

Vampire Bat: A thriller that makes us more conscious then!

Vampire Owl: We should be better aware of the human world for sure.

Vampire Bat: We can never be aware enough about human evil.

Vampire Owl: Yes, but it is always better to be prepared.

Vampire Bat: Well, you will know that you can never be enough prepared for anything what the humans can offer.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: SI Aravind Karunakaran (Dulquer Salmaan) was one of the investigating officers on a murder case which was investigated by him and his brother who is also in the police force, DySP Ajith Karunakaran (Manoj K Jayan) along with a few others. They find the only person who holds a definite grudge against the murder victim and had also spoken against him – the same person had so many motives to commit the murder. The police feels cent percent sure that he was the one who committed the murder, and plants evidence against him, leading to his arrest. It is at the same time that another person seems to be linked to the murder, but the same police officers decide not to investigate on the case any more as it is closed, leaving everything to the court. Aravind is not happy about it though, and wishes to make a difference. But his brother and other senior police officers make sure that he won’t have any access to any clues, and keeps him busy with other work.

So, what happens with the events here as we just keep looking? :: Aravind is fed up with the situation and decides to take five years leave without salary. He pursues a course in the North, and in the process meets Dia (Diana Penty) with whom he falls in love. She is the daughter of a military officer, and they start a live-in relationship. Things seem to go on in a usual manner, and then his niece Malavika Ajith (Saniya Iyappan) invites him to her wedding which is to happen soon. Ajith also asks him to come home early and be part of the preparations. He decides to return home, even though he had decided to leave his past behind. When he gets back to his hometown, he takes Dia with him, and the family members except Malavika are not pleased about the same. There, he gets the news that the man who was framed in the murder is now convicted in the case. He decides to cancel his leave and ho after it once again. But can he solve the case better this time, after so many years?

The defence of Salute :: It can be seen that Salute keeps the whole thing procedural, and there is no masala which is often added with the usual police movies which are more categorized to action rather than anything else. Some of the Bollywood movies have brought us shame in the recent years with their depiction of police officers, and I am sure that most of the sensible people wished for a change – mass masala is indeed not a genre, and is the lack of creative imagination and skills. Even for those films without much of action added, this remains very realistic in comparison. The emotional side also remains strong throughout the movie, as not all battles here are meant to hurt the others, and yet requires to serve justice. The way in which the story is told, as it moves from one point to the other, is to be applauded. It also have very less predictability in its working. There is the reflection of the intelligence of the writers and director displayed at regular intervals though the progression of the tale.

Positives and negatives :: The movie talks about impersonation, which happens rather too often than one would think about. It is something which can easily happen in our world, as people tend to believe others rather too easily. Some people have the skills to talk very well, and in the end, the common man will only end up believing the person and as a result, is cheated. The movie is still slow, and it has a little too much of a length than what was needed – maybe it could have been shortened by removing a few moments with the romantic side or family drama. This is also not the movie for everyone, as some people will be looking for a much different thing. You don’t get an invincible hero here, but you do get the faceless villain, and there is a certain amount of beauty related to it. Along with the same, there are many red herrings, and as we move from one clue to the other, we feel that we are so close to finding the person responsible for all of these, but the slip is so nicely orchestrated around here.

The performers of the soul :: This indeed among Dulquer Salmaan’s best movies in some time, and he has given the right controlled performance required for this particular role. There is no beating up the villains or taking the extreme measure to catch one of them – he is a flawed character like the one Prithviraj Sukumaran played in Memories or Joju George played in Joseph, even though much younger and more energetic. Dulquer plays the police officer who is held between the requirements of duty and family really well, and in between all of these, romance was indeed unnecessary. I am not fond of people who remember Dulquer for movies like Bangalore Days – he needs to come the mind for works like this one! On the other side, there is Manoj K Jayan, and the tension between the two brothers are shown very nicely, as the veteran actor also comes in strong as the elder brother and superior police officer. Diana Penty’s Malayalam debut is good to watch, but nothing much is added by the character. Saniya Iyappan plays the happy and cheerful niece well. There are a good number of people who play the police officers well here too.

How it finishes :: Salute is not your conventional police investigation thriller, as it follows a path which is much better, even though not for the taste of the typical fan boys. This is also a good reason for the movie to release on the OTT platform rather than the theatre. Movies like this one will not have that much of an appreciation from the usual crowd of the theatres, but with the release on SonyLIV, it has reached a bigger audience all around India – it is the kind of crowd that would be happy with divergent movies like this. With a fine narrative style, and having no police officer who throws people around, we are into the realistic mode – the cop here is not perfect, and neither is the world around him. We see the reflection of our own universe, for the usual police movies with throwing people around seem to belong to another multiverse, a parallel universe where the protagonists are superheroes with special powers which will bring the DC and Marvel metahumans to shame. We are real, and so is this movie – there is no wrong turn.

Release date: 17th March 2022 (SonyLIV)
Running time: 143 minutes
Directed by: Rosshan Andrrews
Starring: Dulquer Salmaan, Diana Penty, Saniya Iyappan, Manoj K Jayan, Lakshmi Gopalaswamy, Saikumar, Binu Pappu, Alencier Ley Lopez, Sudheer Karamana, Deepak Parambol, Irshad, Rajesh Sharma, Boban Alummoodan, Ganapathi S Poduval, Indrans, Vijilesh Karayad, Maala Parvathi, Nitin Thomas

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@ Cemetery Watch
✠ The Vampire Bat.

Malik

What is the movie about? :: Sulaiman Malik (Fahadh Faasil) is a leader of a coastal community consisting mostly of fishermen. He is taking a break from the usual activities, and is going for Hajj, when he is arrested by the police. In his coastal village of Ramadappilly, people begin an agitation. A strike is organized to demand his release, and a curfew is imposed on the area. Soon, there are riots in the streets, and the local people take on the police. It seems that there is a political game going on in the background, with corporates having a say in the same, as PA Aboobacker (Dileesh Pothan), the minister from the area also pretends that he knows nothing, and doesn’t support the request to provide some extra security to him in prison. At the same time, there are plans being made to finish Saulaiman in the prison itself, as the police hopes that this would end their troubles, and can finally bring peace to the seaside community.

So, what happens with the events here? :: Sulaiman has had a troublesome past, as he often got into trouble in school itself, and soon lands in the juvenile home, a place where he would have to go again. After dropping out from school with his best friend David Christudas (Vinay Forrt) and Peter Esthappan (Dinesh Prabhakar) he gets into smuggling with Aboobacker and Chandran (Nisthar Sait), who controls most of the happenings in the coast. But there is a rift between the groups, and they split. Sulaiman and David lead the young group which makes inroads into the business, and makes great profit at the expense of Chandran. Sulaiman falls in love with Roselin (Nimisha Sajayan), David’s sister who is the only one from the area who has studied in a college, but not many people know about this interest. At the same time, the new collector, Anwar Ali (Joju George) provides them help to start a new school. But all of a sudden, things take another twist, and Sulaiman develops into another kind of a leader, and it would change the whole equation, leading to the present events.

The defence of Malik :: Malik maintains a certain strength throughout its run, and even with its seemingly lighter moments, the same is maintained. The film goes through the strong message of political games running wild in the background, as everything seems to be planned by people in control, the government and the corporates which use religion for their own purposes, and it is more about the religious identity rather than God as long as it stays with them – of course, this is about the corporates who pay the politicians, especially those who are rather too rich. WH Auden had said about the same in his poem, Refugee Blues, on the plight of humans in comparison to animals and birds due to politicians. There are many threads of revenge and hatred which runs right through here, and some of them also takes some fine, memorable twists. The connections made here are also nice. Here, it has the struggles of the characters, and questions about who is right and who is wrong. It also takes on what happens in between everything, as something more than what meets the eye. The visuals are also really good here, as there are some fine shots of the sea and the surroundings.

Positives and negatives :: There is something that Malik seems to miss in between, some periods of time which could have been better shown here. The ending could have also been better, as the movie finishes without leaving the mark which was set earlier. In the end, there is the understanding that there is no hope, and this is where the movie seems to try and bring the beginning of a repetition. For a film which had this much of a grandeur in store, this kind of a finish doesn’t serve enough of the purpose. Maybe, the lack of triumph on the side of the common man is more or less a reflection of what actually happens in this world where the powerful will continue to reign, and it doesn’t matter who is at the helm. It does show how terrifying it will continue to be, as long as religion is in the hands of politicians, who are more of atheists rather than believers, from the way they use religion for their own advantages. Malik can surely use a more positive sequel too, even if far from reality.

Performers of the soul :: Fahadh Faasil has another film added to the long list of films that have made an impact. He was last seen on OTT, then too on Amazon Prime, with a wonderful performance in Joji, and this one also follows the same suite, but in a different way, as the characters go divergent in both cases. Here, he plays another strong character, and it has been one which the audience has been waiting for, since months ago – the movie has been getting delayed all the time for releasing in the theatres, and it has come to OTT, which is a perfect move, for Fahadh has his admirers everywhere. This performance from him will be listed among the big ones too. He has moments in different points of the main characters’ life, and all these time periods have something special from his side, for the audience to remember. Nimisha Sajayan who was last seen in Nayattu, also has a fine job to do here, which she manages to do without any struggle. She also has a strong role here, and the support that she provides is of high quality.

Further performers of the soul :: The next person who has our attention is Vinay Forrt, who gets into this role with ease. He adds a natural performance to the whole thing. Dileesh Pothan comes in, and plays a typical politician with his own sinister motives, and it is done naturally too. Indrans’ role of the police officer also becomes very much notable. Joju George also has some nice contribution to provide here, and he is supposed to be doing a role which was initially meant for Biju Menon. Dinesh Prabhakar is also here, adding to the totality. Appani Sarath and Sudhi Koppa have some contributions to provide here, and they do it well, only to have only a short stay there, when we were expecting something grand to be there. Salim Kumar also has a comparatively smaller role to do around here. There is the lesser known among the cast who have also done some nice job around here, and it includes Sanal Aman who played the character of Freddy, Parvathy Krishna who played the doctor, along with some police officers and people of the village.

How it finishes :: Malik was supposed to be one grand film to be released in theatre with all the grandeur that it deserved, and even its OTT release, the film maintains some of it. The wait has been worth it, when we look at the movie as a whole. The question would be still be about if it could have been more, as the expectations were that high, and there is the certainty of deviations from what was actually expected after watching the trailer. But the film is indeed strong, and with Fahadh Faasil and Nimisha Sajayan in the lead, you would expect that. Well, it is nice to see that it has finally released, because the same wouldn’t have happened in the theatres soon enough, and releasing something like Marakkar on the big screen will be a big risk even in the month of August, as we see where the COVID-19 numbers are going – it is certainly much above what was expected, and we don’t really see things getting safer with another possible wave on the way. Until then, we can also watch Cold Case, Mohan Kumar Fans, Kho Kho, Aarkkariyam etc among others on Prime again!

Release date: 15th July 2021 (Amazon Prime)
Running time: 160 minutes
Directed by: Mahesh Narayanan
Starring: Fahadh Faasil, Nimisha Sajayan, Joju George, Vinay Forrt, Dileesh Pothan, Anjusha CA, Divya Prabha, Amal Rajdev, Indrans, Jalaja, Salim Kumar, Appani Sarath, Sudhi Koppa, Devan, Dinesh Prabhakar, Rajesh Babu, Meenakshi Raveendran, Rajesh Sharma, Irshad, Abhijith Krishna, Nisthar Sait, Dev Mohan, Sanal Aman, Parvathy Krishna, Devaki Rajendran, Asif Yogi

<— Click here to go to the previous review.

<— Click here to go to the previous Amazon Prime Video review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Operation Java

What is the movie about? :: Anthony George (Balu Varghese) and Vinaya Dasan (Lukman) are two unemployed youth who have finished Engineering. Things are not easy for them, as finding a job had become more difficult than ever, and they have been trying for a job for such a long time, with neighbours and relatives ridiculing their situation. They manage to change things around as they provide a new perspective to a film piracy case cyber cell office providing a new perspective to a famous film piracy case related to the film, Premam. The police decides to reopen the case and conduct further investigation with their help. This leads them to Jerry (Mathew Thomas) and Anjali (Anju Mary Thomas) who are studying in the same school, and finally they get to the person behind all the trouble. Still, the credit of solving the case goes to the crime branch. Anthony’s former classmate and lover, Alphonsa (Mamitha Baiju) who is a nurse, also leaves him because she gets an offer from Ireland, with a grand salary package.

So, what happens with the events to follow? :: When there is the chance for an internship in a cyber cell, the police officers call the two to join as the officers Prathap Chandran (Irshad) and Joy Pulimoottil (Binu Pappu) recommend them due to their previous service. The two come across different cases, most of which are the result of carelessness. There are the usual cases of cheating through Facebook, OTP etc among others which are of even more serious nature. The only media favourite case was that of Ramanathan (Vinayakan) and Janaki (Dhanya Ananya) who are trying to prove that the latter is not a part of a video. But soon, they come across a case filed by Anthony’s former lover Alphonsa who had lost more than two lakhs of rupees which she had given for a job in Ireland. The newcomers are asked to find the details of the case. But this case won’t be the only thing that they will have to worry about. This journey with the cyber cell would decide their future.

The defence of Operation Java :: There are many things that Operation Java shows without pretensions, as this is indeed a realistic work on the lines of Action Hero Biju, but without the superstar power. Almost everything here feels real, and with the usual cybercrime cases being mentioned, this stays close to what usually happens with people, and is shown in news channels. During these times when cybercrimes continue to be on the rise, the film also serves as a reminder to what all can happen, and the title Java seems to point to the computer language of the same name more than anything else. There is also the situation of the new graduates who don’t have a job shown here through the lives of the two main characters, and that can also be seen in some of the crimes being investigated here. Loss of cash from account through online means, creating fake videos and making them viral, online job scams have made part of news on many occasions.

Positives and negatives :: Operation Java might not be the movie for everyone, as there will also be people looking for the superhero mode when there is a police investigation, even though Anjaam Pathira and Forensic did make certain move against the same, minimizing action, and maximizing the focus on the procedure of finding the culprit. But you will know that this is as much enjoyable as anything else. The final case in the movie is indeed the most interesting of them all, even though there are lots of interesting things related the cyber cell happening in between. The fights which happen in between are also as realistic as it can get. When the film released, people might have been confused about what kind of a movie this was, but that problem is solved for now, and the OTT platforms deserve your presence now. The film has that kind of a cast, the type which seems to be so perfectly done, and we can expect wonders from them too.

The performers of the soul :: Balu Varghese in a serious role here instead of the usual stuff has proven to be a welcome change. He along with Lukman who was part of Unda earlier, makes a fine combination. They go through those realistic moments really well. There is also a certain amount of humour, and they go through the emotional side nicely too. The two are more or less like the usual type of people whom we see around. Shine Tom Chacko makes a nice entry in the final moments of the film, and as usual, he is great to watch – he enters realistic mode with ease. Irshad and Binu Pappu plays two likable police officers of the cyber cell, while Prasanth Alexander plays the role of the not too likable one around, as all these supporting characters leave some good moments for us to remember, with everyone being the common people and not superhuman officers who keep hunting criminals with their special skills.

Further performers of the soul :: The female characters are not given much of importance in this film, even though there is one lady police officer in the cyber cell. Even though Vinitha Koshy of Aanandam and Luca fame is here as the biggest female name on the list, she is seen for only a few minutes as a murder victim as the film nears the end. Dhanya Ananya surely has some of the most emotional moments, even when she is not speaking, but she along with Vinayakan who plays her husband doesn’t get screen time at all. Vinayakan was in most of the posters, maybe to bring more viewers into interest here. Other female cast includes Anju Mary Thomas and Rithu Manthra who don’t have screen space either. Mamitha Baiju is the only one who has something enough to do here, and she does her job quite well. P Balachandran and Johny Antony are also on the screen for very few minutes, while Mathew Thomas of Kumbalangi Nights and Thanneermathan Dinangal fame is there for that much short time period too.

How it finishes :: Operation Java is one of the movies which released directly in the theatre when the COVID-19 lockdown on theatres was lifted. It had received many positive reviews then, and is now available on ZEE 5 along with having the television premiere on ZEE Keralam. The message about the unemployed youth and awareness on cybercrimes adds to the movie’s advantages. At a time when the police investigation films continue to slide towards becoming mass entertainers, Operation Java stands apart, and can inspire some of the other industries with superstars to think beyond. As the film is now in OTT platform, one can choose to watch it from anywhere in the world, and we can expect it to come back to ZEE Keralam on multiple occasions too. Do watch the film, as these are type of movies which can keep our world realistic rather than inside escapism. There was Nayattu which released earlier, and this adds to that realistic world.

Release date: 12th February 2021 (Theatre), 15th May 2021 (ZEE 5 & ZEE Keralam)
Running time: 146 minutes
Directed by: Tharun Moorthy
Starring: Balu Varghese, Lukman, Shine Tom Chacko, Vinayakan, Prasanth Alexander, Binu Pappu, Irshad, Vinitha Koshy, Dhanya Ananya, Dinesh Prabhakar, Mamitha Baiju, Mathew Thomas, Johny Antony, P Balachandran, Anju Mary Thomas, Sanjay K Nair, Rithu Manthra, Deepak Vijayan, Eldho Raju, Ramesh Chandran, Sreeja Ajith, Sunil Meleppuram, Shiny Zara, Anil Kumar, Dilshana Dilshad, Althaf Salim

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Thanneermathan Dinangal

What is the movie about? :: Jason (Mathew Thomas) is a student in plus one humanities, who manages to get to science stream as one of the students in the class wished to escape from the baffling science, thus exchanging their places. He joins the science batch, but doesn’t really manage to pick up the pace, even though he is able to get into the school cricket team as a medium pace bowler and play frequently in tournaments. Despite being branded as the studious boy in the early stages as he came from a reputed central syllabus school, he soon proved to be below average or sometimes even worse in his studies. He finds some new friends who are like him, and also falls in love with Keerthy (Anaswara Rajan), a girl from the same class, a relationship which stays one-sided, much to his dismay, as he hopes to make some progress in it. There is another girl named Steffy (Gopika Ramesh), but he feels that Keerthy is his true love.

So, what happens with the events to follow? :: But this is the least of his problems as he has problems with another student from the nearby class room. Still, the biggest of his problems is something else, the new Malayalam teacher who comes in the place of the teacher on leave – Ravi Padmanabhan (Vineeth Sreenivasan) is the new teacher whom everyone loves. He keeps teaching in an interesting manner, with stories and even stops other teachers from punishing students. He gets a heroic image in the eyes of the students, and is appreciated by the Principal who considers Ravi to be of the same wavelength as he is. Jason feels that he is a fraud as Ravi doesn’t teach much in the class, and everything that he does is more or less attention-seeking. Keerthy as well as his best friends admires Ravi too, and he has a cold war against the new teacher who seems to have a prejudice against him too. How will his school life progress now?

The defence of Thannermathan Dinangal :: It can be seen that Thannermathan Dinangal doesn’t deviate from its focus at any moment, and this focus is the main things that leads to its success. The movie feels realistic and funny throughout its run, and it also does come up with some nostalgia. We remember how June did the same effectively some time back, and here we are there again. It feels close to life with ease, and the kids of the school are all too good – we notice most of them and we remember them with ease, as they keep coming up with something to memorize. The music is really good, and the song “Ee Jaathikka Thottam, Ee Jaathi Ninte Nottam” stands out with ease, not just with the lyrics and music, but with what we see on the screen with the two youngsters doing a fantastic job. It is one song which can go on to become the song of the year along with a few others.

The claws of flaw :: Some parts of the movie does go a little too much, especially with Vineeth’s teacher character. There is the feeling that this kind of teacher is rather unrealistic, and we are immediately reaching for our dose of willing suspension of disbelief, but in a realistic movie, it is not that easy to use and work on our imagination. The movie could have also shortened the time spent outside the school, and some of the outside characters make less or no impact at all. There are also those extra moments which could have been added, as we look back to our school days. But considered the movies like Oru Adaar Love dealing with plus two life, we understand how difficult it is to come up with a movie like Thannermathan Dinangal – it is even more difficult to have these work for all kinds of audience, and as it seems to be achieved, there is no more searching through the flaws.

The performers of the soul :: Mathew Thomas of the Kumbalangi Nights fame plays the main character in this movie, and he excels as the protagonist. His expressions and dialogues are all too good, and he keeps on impressing us throughout he movie with realistic performance. There is no moment when you feel that he is not living through that school kid. There is the certainty of a lot more coming up as far as this youngster is concerned. We remember him having played a perfect role in his previous movie, and we are always ready to wait for his next movie. Anaswara Rajan of Udaharanam Sujatha fame plays the female lead, and after the recently released Evidey, she has another role in uniform, this time in plus two. She is also natural with her performance here, and the emotional moments are also handled with a certain amount of maturity.

Further performers of the soul :: Then you see Vineeth Sreenivasan doing the teacher character in style – the character might look a little bit strange, but he gives life and energy to that one in an admirable way. We don’t see him in movies that often these days, and we always need a little bit of him at regular intervals – this movie has him back. We had Aravindante Athidhikal last year with the feel-good, and here he has the humour in his hands. Irshad plays the principal of the school nicely. Nisha Sarangh of Uppum Mulakum fame is left to do nothing much here. All the kids here also come up with impressive performances, especially the one who played the main characters’ best friend and the one who has a problem with our protagonist. The watermelon juice from the shop outside the gates of the school and the nutmeg garden contributes as characters in a special way – we see them, and we remember them later, like William Wordsworth would, with the daffodils.

How it finishes :: This kind of a feeling was earlier achieved only with something like Philips and the Monkey Pen, but that was with smaller kids – June had gone beyond the school days as it progressed. Thannermathan Dinangal comes up with the journey that everyone can enjoy, which is the reason why it is still running with housefull shows, something which bigger superstar movies struggle to achieve. It has been a difficult job to find tickets for this movie during this weekend too, and we can be certain that the movie is here to stay. If after watching this movie, you feel the need to go back to your school again, there is no real surprise about it. Thannermathan Dinangal is not a movie of one generation, but of more than one, and you avoid the use of mobile phones, and change the drinks – you get back to the eighties or nineties with ease – well, after all, the 1990s kids nostalgia which have been circulating on the internet has been clearly applicable to the 1980s kids! This one is universal too! I leave you with this beautiful song from the movie.

Release date: 26th July 2019
Running time: 136 minutes
Directed by: Girish AD
Starring: Mathew Thomas, Anaswara Rajan, Vineeth Sreenivasan, Sajin Cherukayil, Irshad, Nisha Sarangh, Kichu Tellus, Shabareesh Varma, Gopika Ramesh

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Uyare

What is the movie about? :: Pallavi Raveendran (Parvathy) has had one particular dream since childhood, from the first time she traveled in a plane – to become a pilot. It is the same reason why she decides to stop pursuing her degree at Union Christian College as soon as she gets selected for the course. It doesn’t bring any joy to her lover Govind Balakrishnan (Asif Ali) who is very possessive about her, as she has to go and join the training academy at Mumbai. Her father Raveendran (Siddique) provides full support to her, as she begins her journey towards achieving her greatest wish and the one ambition that never left her. At the academy, she meets Sariya D Costa (Anarkali Marikar) who would go on to become her best friend – she would warn Pallavi about the possessive nature of her relationship with Govind, but nothing comes out of it.

So, what happens with the events to follow? :: As her course is almost complete, the new graduates go on a party at night and Pallavi joins them, but not before lying to Govind that she is going to sleep. Govind who had reached Mumbai as part of job hunting finds this out, causing a rift between the two. As Pallavi tries to break up with him, the possessive Govind throws acid on her face. With a weakened eye sight, she gets rejected as pilot, and goes back home. It is during one of her journeys from and towards home that she meets an acquaintance, Vishal Rajashekharan (Tovino Thomas), and it would bring a certain change. With the support of Vishal and Sariya, there would be an opportunity for her that she might not have even come close to guessing. But is that chance something that can be taken, and will that be an effective one in her case?

The defence of Uyare :: The struggle in the movie goes deep and there is no exaggeration regarding the same. It feels real with the actors and actresses nicely getting into their characters providing quality work. The characters and their transformation can also be seen, and how the movie begins in the control centre nicely unfolds the narrative. The issues faced by acid attack survivors and those in over-possessive relationships are nicely shown. The last moments of the movie are among the best, with some thrills added to the emotions which go strong throughout the flick. We are able to feel the pain of the protagonist even before the life-changing incident occurs, and after that, the emotions strengthen. At a time when violence against women has failed to come down, this is cent percent relevant. Even though the news about acid attacks have been from the North, we have had strange and terrible actions from scorned lovers here too.

Positives and negatives :: Compared to those facing the same problem from other backgrounds, the comeback might not seem this easy, with some situations seemingly custom made and out of the otherwise realistic spirit here, like the case of the flight. But one inspiring incident can change things, as we look at it. But the same is not really the focus, as we see how the protagonist accepts her as she is, and takes another bold step forward – never does she look for compassion, and she is not the one who is looking for favours, as she moves on through another path. It is when the movie becomes not about the acid attack and the scars, but the later rise, like a phoenix from the ashes. As a phoenix has the rebirth by rising from the ashes of its predecessor, the main character also will have the same transformation, from the ashes of her dreams of flight, to the same flight which had rejected her. As Maya Angelou said, like moons and suns, with the certainty of tides, like hopes springing high – the character rises and it is joy to watch.

The performers of the soul :: Parvathy leads the way here as she did in Take Off – Asif Ali is another common factor here, once again playing a character not bringing her anything for the future despite being in a relationship earlier. This might be her Take Off this year, and even though she was a crowd favourite with Ennu Ninte Moideen and Charlie while Qarib Qarib Singlle had her going further North, this performance surely stretches far ahead. The change in her character, and the courage that she displays against adversity can be clearly seen as a reflection of the positive changes that have come across an already brilliant actress. The moments after the acid attack shows her calibre, and also later with the determination when many lives are at stake. The girl who plays Parvathy as a school student, Evelin also seems similar both in looks as well as the enthusiasm – nobody would say that she is not the same character in childhood.

Further performers of the soul :: Asif Ali plays a possessive lover who has been with the main character since childhood, and there is some villainy written over him from the beginning itself, even though the signs become further clear later. He does the same calmly. His character, for some reason, doesn’t create that much of a scene that we would notice, and keeps away for most of the time. He had started the year with the feel-good of Vijay Superum Pournamiyum, and we would have hoped for more of his character here. Well, it is Tovino’s character that we remember though, as the one who tries to help the main character get back to life. Nivin Pauly had done a similar role in Mili, but this one is closer to life. Take a look back to his previous Malayalam movies, and we see Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona – we wonder if he can go wrong these days. Anarkali Marikar of Aanandam fame does a fantastic supporting job and Siddique as usual does great.

How it finishes :: The performances are indeed the strength of the movie, and with Parvathy leading the way, the movie has all the ingredients to fly high – it is still doing the same as it goes on in the theatres even after a month of its release, as Athiran did, rising with the opinions of critics as well as the common man. As a tribute to the acid attack survivors, one need to watch this one, but one would notice that it is not all. We see the strength of ambitions, powered by courage and determination, as this becomes an inspirational movie, not just for women, but also for each and everyone who is forced to struggle due to the cruelty of fate, or others around them. Lack of freedom, especially in a relationship, is not something to boast about, for control and manipulation are not love – it comes as a strong message with Uyare too. It is still not late to watch this one, and remember that dreams, as it is with hope, are meant to rise, like the sun, not to be buried in the catacombs for the interest of the possessive sentinel.

Release date: 26th April 2019
Running time: 125 minutes
Directed by: Manu Ashokan
Starring: Parvathy, Tovino Thomas, Asif Ali, Siddique, Anarkali Marikar, Pratap K Pothen, Prem Prakash, Rajani Murali, Bhagath Manuel, Preetha Pradeep, Sreeram Ramachandran, Mathew Arun, Evelin, VK Baiju, Kay Kay Menon, Ajay Mathew, Irshad, Anil Murali, Latheef, Blessy Kurian, Samyuktha Menon (cameo)

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Thattumpurath Achuthan

What is the movie about? :: Achuthan (Kunchacko Boban) is a favourite of the villagers, and as a Krishna devotee, is close to the village temple and its committee. He has only good opinions about him in the village, and is considered to be someone who is more than just helpful to others. But one day, while trying to help his friend, he lands in trouble, and is branded a thief. The Sub Inspector of Police Justin John (Kalabhavan Shajohn) does let him go, but as he is branded in one way, things don’t go that much positive with him – his wedding ceremony is cancelled, and he also losses his job. With his best friend, he tries to have his revenge, but that also becomes another problem for him. His honesty remains under the shadow of doubt, but while reading a letter intended for Lord Krishna, everything changes for him, and becomes the first big twist in favour of him.

So, what happens with the events to follow? :: The letter is about a girl known by the name Jayalakshmi (Sravana), written by her mother Girija (Bindu Panicker). It is a request to Lord Krishna about saving her daughter from her former lover who keeps threatening her about a few photos and videos which they took together when they were in love. A few twists lead Achuthan to their house, and while hiding on the top of the house, decides to help them. But it is not that easy, as the person who is tormenting them is not the usual lover seeking her to be back with him – there is more to that person than what is known. With Jayalakshmi seeking to end her life, Achuthan has not more than a few days to work something out, or things will go beyond his control. Can the simple village man be good enough to outsmart this engineering graduate from a reputed college outside Kerala and bring hope to this family which has been hoping for a miracle for a long time?

The defence of Thattumpurath Achuthan :: There is strong feel-good factor in this movie, and there is also some magic realism to give it a little bit more as a special ingredient even though not at the best possible dose. Kunchacko Boban seems to be nicely suited to this role in more than one way, on many occasions. He has things working out in his favour all the time, and has the grand support that he need. It has a certain amount of magic realism in store too, as we see the presence of magic in the otherwise usual world. The movie has divinity in parts, and the dreams coming true forms the major part of it – the same also adds to the visuals in a beautiful way. There is also the reflection of certain foolish love which can be seen with the immaturity of the female lead’s character, coming right out of the college days. The movie also has a very nice ending to come, after a little struggle by the latter part.

The claws of flaw :: The music in the movie is a big let down, and it is irritating to see that it keeps coming again and again, even when we don’t need it at all – it is as if there is an attempt to prove something, or as if it is nice to have more songs in a flick like this. But having songs for the sake of having them, and not having them as good enough, won’t do a movie any good as you can see here too. Magic realism could have also been better used in this movie, and we know what the same can do, like we saw in the magical movie, Amen a long time ago. Even the Nandanam fun mode couldn’t be repeated in this movie, and neither could it have the Pranchiyettan and the Saint mode. There is the presence of exaggeration too, and a few things are rather too convenient. A lot more is often expected when there is a Lal Jose movie, and the Kunchacko Boban combination leaves more desired.

The performers of the soul :: Kunchacko Boban leads the way here, as he has a role similar to that of his previous flick, Johny Johny Yes Appa. He has a family to save in this movie too, and goes under the name of a thief once again. He did the same role in Shikkari Shambhu, his best flick of the year. So, this role comes as no challenge to him, and the romantic side is here to serve him once again. A good-hearted man from village was perfectly shown by him in the movies like Kochavva Paulo Ayyappa Coelho and Jamna Pyari, and when we have him in such a role, there is the assurance that things will keep a minimum level. After Pullipulikalum Aattinkuttiyum, Lal Jose – Kunchacko Boban combination is being brought back, and everyone was sure that it couldn’t be that bad. It is the trust in that combination that has been tested here, and has managed to work pretty well.

Further performers of the soul :: Sravana, a new face plays the role of heroine, but has very less to do here – she has less number of dialogues, but seems to be a talent for the future, as Lal Jose does find a new heroine each and every time. There is a long list of actors and actresses who are from the reality show Naayika Naayakan, among which I could identify Venkitesh, Meenakshi and Malavika. It is surprising that none of the so called websites specializing in Malayalam cinema or professional reviewers have given clear details about the cast, and it is something which we common movie viewers cannot find out without outside help. Johny Antony brings some fun while Nedumudi Venu is underused. Kalabhavan Shajohn also has his moments in this one, especially related to the comic side. Adish Praveen does a nice and cute job as the child with his dreams becoming reality.

How it finishes :: For the Christmas season, it seems that a certain amount of divinity is becoming part of the movies of the times, with no barriers among religions. As the Onam season never really had any celebration or release of new flicks, this is the season that could bring the best for Malayalam movie industry – note that the Pooja season also had to have an early harthal. So, even though the last movie of Lal Jose, Velipadinte Pusthakam couldn’t blend into the mood of 2017 Onam, this one, even though not during Onam has a part of Christmas in it. As a nicely suited movie for the family audience, Thattumpurath Achuthan has enough fuel to stay in the race until the end of the holidays this year and right into the next year. It only needs the family audience to have the power and keep it running. No matter how it turns out to be, I wish you a Merry Christmas.

Release date: 22nd December 2018
Running time: 142 minutes
Directed by: Lal Jose
Starring: Kunchacko Boban, Sravana, Kalabhavan Shajohn, Hareesh Perumanna, Vijayaraghavan, Johny Antony, Nedumudi Venu, Seema G Nair, Meenakshi, Malavika Krishnadas, Veena Nair, Sethu Lakshmi, Irshad, Adish Praveen, Bindu Panicker, Biju Sopanam, Santhosh Keezhathoor, Thara Kalyan, Amina, R Vishva, Thejus Jyothi, Venkitesh VP, Roshan Ullas, Siddhi Vinayak, Kochupreman, Anil Murali

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Joseph

What is the movie about? :: Joseph George (Joju George) is a retired police officer spending his time with alcohol and cigarettes. He doesn’t have much time for the outside world except for some of his friends from police department, and lives alone in his house. He is a brilliant police officer who never really managed to use his skills to the best effect. He has suffered losses in his family life too, with his daughter Dayana Joseph (Malavika Menon) being lost to an accident a few years ago. He is separated from his wife Stella (Aathmiya) who is now married to Peter (Dileesh Pothan). When Stella meets an accident and dies, it sends him into further depression, as he had always loved her, despite not being able to express his feeling well enough. As an expert investigator who still helps the police department with finding clues to twisted cases, he feels something strange when standing near the place where Stella had the accident.

So, what happens with the events to follow? :: Joseph finds a few things to be out of place there. He tries to read all the reports together, but is able to feel that this is more or less a planned incident rather than an accident. He calls his friends in the police department who are also retired, and Sudhi (Sudhi Koppa) who was a senior of his daughter in the engineering college, and is now working in the cyber wing. The result is that Joseph finds something shocking behind all these. There is one link between everything, and the roots go deep, and long. To solve this mystery and bring those behind the crime to justice, he would have to travel through those paths less traveled, and take that kind of a risk which someone else wouldn’t even think about. So the question remains if he is ready to do that, and can his friends support him in the same?

The defence of Joseph :: There are many other movies, and then there is Joseph. The movie thrives on the strength of its emotions, and with its investigation, there is even more. There are some twists to follow, and the music nicely supports the mood as well as the elements of mystery that goes right through. The songs are pretty good, and we are sure to enjoy listening to them. There is also one thing that we can value the most, and it is staying close to reality. Joseph has no exaggeration, something which similar thrillers with superstars would have. As there are no superstars who want to beat up their villains, we have a story here which is very much believable. There is no action here, and the police officer here does nothing physical – he is just the smart one, and yet not the perfect one in any way. He is with his flaws, and he is an everyman police officer in whom we can find someone whom we know.

Positives and negatives :: Considering the mood of this movie, it is Memories that we remember before any other movie, with one protagonist, a police officer who has lost his wife and child looking forward to solve a murder mystery or two. The next movie that it reminds us of, is Angels, a movie which had its own twisted ending – something we were not expecting at all. The idea in that movie as well as that of Apothecary can find the reflections here. There might be certain doubts about the genre, as the movie goes on between more than one of them. People can feel that the flashbacks were somewhat longer, but they are all beautiful – almost every moment of this movie has beauty in one way or the other. The visuals are nice, and the feeling of terror that is shown is real, that too without showing anything disturbing with blood and gore.

The performers of the soul :: Joju George is indeed the biggest asset of this movie, as he comes up with a terrific performance as the protagonist, the man with the scar who has lost almost everything he held close to his heart. There is abiding sadness on his face which strikes the hearts of the audience very hard. There is a beautiful scar that he leaves in our souls, and it is due to a performance that stays with us for long. With his career best performance, he has our admiration, and the choice for the protagonist here is perfect, with no seeking perfection to become a hero – Joju’s police officer is the common man, and someone whom we can relate to, because he is not in the sky, but on Earth. From the beginning to the end, we are into his journey, from those simple moments in life to the complex times. Along with the same, we also carry the weight of his emotions, as the character gets so close to the depth of our souls. We, with our waxen winged hearts, like Icarus, burn in the fire of those emotions, and we are delighted about the same.

Further performers of the soul :: Dileesh Pothan, the master of Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum is one the other side, showing the enduring sadness from another side, and he contributes with the same as does the rest of the supporting cast. Irshad and team bring nothing less than some wonderful support. Aathmiya also has a memorable performance in there as the wife, and it is also an emotionally touching role from her side. Malavika Menon has a rather small, but notable role here. Johny Antony is once again good in the role of a priest after doing the same in Shikkari Shambhu. You also notice how solid Sudhi Koppa is once again – we had seen the range of his performance in Paippin Chuvattile Pranayam, and here he plays a solid police officer in the cyber wing. His character can actually have a spin-off – I might be asking for a lot, but that is certainly a nice possibility.

How it finishes :: Joseph is that kind of an emotional investigative thriller which will stay with you for so long, and the melancholy that it provides will stay strong. The sadness that this movie possesses has the power to take over you too, as the feelings of the protagonist here are the same as any other common person would have. There is a certain amount of skill in the way in which the whole thing is presented, and we have the kind of protagonist who stays close to life rather than go for the exaggerated heroism. The way in which the whole story is built, will have you interested in each moment, and as the final scenes point to something that needs our attention, everything comes together and we have the best Malayalam movie of the year so far – Joju George can be proud of this one.
Release date: 18th November 2018

Running time: 138 minutes
Directed by: M Padmakumar
Starring: Joju George, Dileesh Pothan, Madhuri Braganz, James Elia, Sudhi Koppa, Johny Antony, Idavela Babu, Irshad, Aathmiya, Malavika Menon, Jaffer Idukki

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Aadu 2

What is the movie about? :: The team of Shaji Pappan (Jayasurya) go on with the journey after the events of the first film. Their world hasn’t really gotten any better, as they keep struggling to find the money to keep their club, and once again their option is to participate in the tug of war competition. With the Pinky episode closed both with the girl and the goat, Pappan just continues to have his back pain, but leads his team to victory in the competition, only to have his golden trophy stolen by the rival team lead by Anali Sabu (Anson Paul). Meanwhile, S.I. Sarbath Shameer (Vijay Babu) manages to get back to service after begging the new Home Minister of Kerala, P.P. Sasi Aashan (Indrans) to have his uniform again. He decides to keep his eyes on Shaji Pappan who had thrown the former S.I. of the station into the dam reservoir, and prove to everyone that he is an even better police officer than he used to be.

So, what happens with the events to follow? :: At the same time, Damodaran Unnimakan Delmen Edakochi a.k.a. Dude (Vinayakan) is having an even more terrible time, working at a restaurant, and with his friends and the new comrade Dragon Paili (Nelson) is planning something huge, without being depressed of his failure – he is ridiculed by the owner of the restaurant, but he is waiting for his opportunity to get back to what he does the best. Satan Xavier (Sunny Wayne) surely has better times with the help of Kanjavu Soman (Sudhi Koppa) and Battery Simon (Bijukuttan) who work for him at small wages. But their world along with that of a criminal mastermind, a villain known as Shetty (John Kaippallil) are to come together soon, with that day on which five hundred and one thousand rupee notes ceased being legal tender. It would begin a series of blunders and confusion that would lead to a twist of fate for some.

The defence of Aadu 2 :: After Aadu Oru Bheekara Jeevi Aanu disappeared from the theatres, people have been slowly trying to like it, and there has been a lot of talk about the same – for them, this would prove to be a nice treat, as they have all wanted it a lot. There are some funny moments in here for sure, and they come and go. The beginning with the introduction of the protagonist, and the return of the police officer to duty are all good, making sure that the sequel starts well. The music and visuals are all pretty good, and there seems to be more and more of an effort to make the youth appreciate it rather than an individual or the family. From a reviewer’s perspective, this movie would come only under Midhun Manuel Thomas’s each and every other work – Annmariya Kalippilaanu, Alamara and Aadu Oru Bheekara Jeevi Aanu are better than this. But you know that it is not the thing which always counts, but on the other side, we know that more people liking or pretending to like a movie to go with the crowd doesn’t make it a better one.

The claws of flaw :: There is not that much of fun in Aadu 2 as it was there in its prequel. It falls short there, and also the story itself is not that interesting. The limited number of working jokes is rather a sad thing. The excuse in favour of this movie might be that it is meant to be nonsense – but even making quality nonsense requires better thinking, and when we look at this movie, that part has come down a level from the first movie too. There are so many ways of making a funny thing work, and whether it is funny in a smart way or if it is nonsense, the thing has to work. Here, Aadu 2 has the nonsense which struggles to be funny even as nonsense, and that is a crime, which is repeated a number of times. Also, even a dumb story can be smart in how it is made to seem ridiculous. This one falls short of its predecessor in doing the same too.

The performers of the soul :: Jayasurya leads the way as expected after another sequel, Punyalan Private Limited, playing the character that nobody has refused to like. There is no surprise about the fact everyone wishes to see Shaji Pappan again – even I remember that entry that he had in the first part; there is not that much of an entrance here that we will keep remembering, but we love him anyway, as the one character who seems to be part of us in one way or the other. Vinayakan’s Dude could have used even more screen-time, as among them all, the man makes us laugh the most – almost everything from him works, unlike some of the other characters that got to struggle to keep up with the standards set in the first movie. Vijay Babu is in full form with this character which he seems to hold close, and with the support of Noby Marcose, he gets to score with nice moments. Indrans has his presence limited, maybe due to the absence of the sidekick character – and that is disappointing too.

Further performers of the soul :: One can’t help noticing the absence of two of the characters that made the best impact in the first part, played by Chemban Vinod Jose and Sandra Thomas. The former’s moments which are widely used in memes for trolls and latter being a reflection of a certain group of people who prefer animals to men, are clearly missed in this flick, and Chemban not being found here is a bigger surprise. Sunny Wayne’s character, despite being a big name again, never really gets to get bigger. The big team of the protagonist including Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan and others won’t make that big impact this time, as they also struggle to live up to what they did in the first movie, with some jokes here and there. Sometimes, irritating moments do come in as if they are jokes, and the characters just manage to play with the same. Well, fans will just find awesomeness in everything and abuse, but we can’t, can we descend that low?

How it finishes :: The first movie, Aadu Oru Bheekara Jeevi Aanu, was kind of late to gather all the positive opinions, as it had failed at the box-office, and didn’t make much an impact with the critics of that time. This one has picked up due to the fans going in favour of it, and youth taking it as their duty to support it. But in the end, you will find that it is not that funny, and there is a lesser effect here than what was created in the first movie. It is enjoyable in parts, but as a whole, the first movie was surely better, and it also had a better effect on us, as it was something that felt new. But here, we see a movie which seems to try to repeat the same thing without trying anything better or new. It is the curse of the sequels that has caught this movie, and we know that sequels are rarely better than the originals – well, this one is no exception. Well, if you are not going to think about any of these, and desperately wishes to watch the second part, just go for it. After all, it is Christmas, and the festival season and holidays can use some meaningless fun. It is surely why it is more difficult to get tickets for this one than its competitors Vimaanam, Mayaanadhi, Aana Alaralodalaral and Masterpiece.

Release date: 22nd December 2017
Running time: 160 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayasurya, Sunny Wayne, Vijay Babu, Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan, Harikrishnan, Noby Marcose, Aju Varghese, Vinayakan, Indrans, Sudhi Koppa, Anson Paul, Srinda Arhaan, Nelson, Bijukuttan, Gopesh, Mamukoya, Baiju, Irshad

@ Cemetery Watch
✠ The Vampire Bat.

Villain

What is the movie about? :: Mathew K Manjooran (Mohanlal) is the ADGP in the city who has been out of action for about six months following a road accident which lead to the death of his wife and only child. He is looking forward to take voluntary retirement from service on the day on which the murder of three big names in the city occur in an abandoned mansion. Therefore, it becomes the final case that he has to take care of, even though he is forced to carry it over through for a few days after his retirement, as requested by his colleagues in the department. In this twisted case which includes a police officer Vinod Abraham (Kottayam Nazeer) as one of the dead, he is provided assistance by H Sreenivasan (Renji Panicker) who was first given the investigation charge, along with two subordinate officers Harshitha Chopra (Raashi Khanna) and Iqbal Mohammed (Chemban Vinod Jose) who are now part of the city task force which he had started long ago.

And what is to follow in this particular adventure? :: The one who used to be one of the strongest arms of law, has undergone quite a change in the recent past, as Mathew seems to be more of a tired and philosophical man these days. The one thing that he does hold on to is his love for Shakespeare, with a reflection of the same in his life, as he remembers Lady Macbeth’s words about all the perfumes of Arabia, has his own hesitation related to vengeance like Hamlet, fights a possibility of being drowned in madness like King Lear, and has his own Brutus in the police force, as does Julius Ceasar – he is also the Prospero of his own Tempest. He figures out that there is someone trying to get their attention, and at the same time, another murder of three people takes place. Meanwhile, the clues seem to lead to Shaktivel Palanisamy (Vishal) and Shreya Venkatesh (Hansika Motwani). But they wonder about how the six dead people are related.

The defence of Villain :: There are thrills in store with Villain, and there is some suspense over how things are going to come down. The first half has us guessing about more than one thing not just about the murderers, but also about the protagonist. We feel that there is a link coming up between everything, and things are set very well by the end of the first half. The thrills are there, and the twists are provided a little too early unlike The Great Father. The mass elements also take the backseat for most of the time, which is a great thing here. There is also the case against vengeance here, as we hear about it eating up the one who seeks it as much as those who end up on the receiving end of an act of revenge. You will notice that the emotional side is very strong with this one, as we feel the grief as much as the protagonist does on the big screen. Villain is also a very good-looking movie on the screen, as there is so much of visual beauty, and the locations seem to be nicely chosen. The songs are also sweet.

The claws of flaw :: If the identity as well as the motive of the murderers was left for a big twist in the end, that would have served this movie a lot better. This is the kind of premise that can support more twists in between, and the movie doesn’t use its resources to the best effect. The movie also needed a flashback from Vishal’s character’s angle, to really explore his perspective instead of taking a few things for granted – it is the same with Hansika’s flashback which relates to him. Also, the movie is a little too long, when you look at it. The scissors could have been put on some of the flashback sequences, and they could have been restricted to the songs and a few dialogues – we see have seen that done very well with the movie Memories. The idea about killing out of love and killing out of hate is very good, but not done in the way it could have brought the best effect. The talk about “the grey” side between black and white is also not used to its best advantage in the final scenes.

Performers of the soul :: The tranquility among the waves inside his mind, which is wonderfully depicted by Mohanlal with this character is the best thing about this movie. The serenity that is reflected on his face which has the feeling of pain visibly hidden, is nothing less than beauty to watch. He has two looks in this one, a side of the confident police officer determined to fight crime, having the look with the mustache, and also the side of the tired former police officer trying to solve one final case with just hope, having the look with the white beard. The latter one goes deep, and the pain that this particular avatar seems to possess, got the ability to break your heart with an abiding sadness if you get too close to the character with a case of empathy. Coming right out of a good run with Udaharanam Sujatha and C/O Saira Banu, Manju Warrier plays the wife of Mohanlal’s character, and she has handled it without trouble, even though the same is not a long one. The girl who plays their daughter was also very good, strong and energetic all the time.

Further performers of the soul :: Vishal and Hansika Motwani make fine debut in the Malayalam movie industry, even though a number of their sequences do give way for style over the rest. The former seems to have perfect hold of his character, while the latter, along with looking good, comes up with good support, despite given not much of a character development. We feel that Vishal could have been here earlier. Srikanth has much less to do than expected, and has a little too stylish a villain as his character. Aju Varghese has a rather small appearance as in Loham, while Renji Panicker and Siddique have no problems in doing their job here. Also, one can’t help not loving Chemban Vinod Jose as a police officer once again. He is at his best when he is playing a thief or a police officer, and he scores high here too. Whether it is about playing the good guy or the bad guy, whether it is about doing a funny role, or a serial villain, he has been so good these days. Coming out of a thief role in Varnyathil Aashanka, here he is doing protagonist’s support with ease. Also, another person to note is Raashi Khanna who began with Madras Cafe getting to play a smart cop here, and that works, a long way ahead of the other supporting female cops in our movies.

How it finishes :: The one movie to which this flick seems to have the most similarity, might be B. Unnikrishnan’s own movie, Grandmaster. But the reflection of sadness in this movie, and the situation of the protagonist is more comparable to that of Sam Alex in Jeethu Joseph’s Prithviraj starrer thriller, Memories. But you can easily notice the difference in treatment here, as things go more philosophical in nature, and the same replaces the powerful suspense and twist that Memories had, and the identity of the killers and the motives are revealed rather too early. But Villain is never short of being entertaining. It is surely better than the two huge Mohanlal blockbusters of last year Oppam and Pulimurugan, but is nowhere near Drishyam with the same. Villain is the kind of movie that would work with almost every kind of audience, and it is one more reason for you and your family to not miss this engaging thriller.

Release date: 27th October 2017
Running time: 143 minutes
Directed by: B. Unnikrishnan
Starring: Mohanlal, Manju Warrier, Raashi Khanna, Vishal, Hansika Motwani, Aju Varghese, Chemban Vinod Jose, Srikanth, Siddique, Renji Panicker, Anand, Idavela Babu, Kottayam Nazeer, Balaji Sarma, Antony Perumbavoor, Sai Kumar, Irshad, Sanju Shivram, Vishnu Govindan

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@ Cemetery Watch
✠ The Vampire Bat.

Thrissivaperoor Kliptham

What is the movie about? :: David Pauly (Chemban Vinod Jose) and Joy Chembadan (Baburaj) have been enemies since childhood. There was a certain incident over a girl in their school which had turned the two against each other on an eventful rainy day. The two have fought each other for so long that the city of Thrissur knows their rivalry very well, and knows what would happen if the two were to come face to face. With Joy being accused of messing up David’s betrothal ceremony, the latter decides that it is time to settle the scores by dealing the final blow which will be fatal for his opponent from school days. For the same, he calls up his friends, but ends up being in a fight with Joy’s hired goons. It is during that time that Girija Vallabhan (Asif Ali) enters the situation. He is a young man who lives in the outskirts of Thrissur city, and is in a struggle with his uncle Chandu Menon (Sunil Sukhada) who doesn’t allow him to take the profit from their family property, or sell it.

So, what happens with the events to follow? :: Bhageerathy (Aparna Balamurali), a bold and angry young lady and auto rickshaw driver also become part of their lives, as she is seen almost everywhere in the city. Vallabhan who visits the city, also ends up meeting her, as well as David, as part of some not so pleasant events. He decides to join the gang of David, and after being hit by a flying stick during a fight between David and Joy’s team, gets the chance, and he has never been happier. But it is short-lived, as they are caught by OK Sehladhan (Sreejith Ravi), who is a friend of Joy, and had studied in the same school. After getting out of the police station, the gang decides to have revenge on Joy by messing up his jewellery shop inauguration, for which he has invited a famous movie star from North India, Nilina Mehndi (Shilpi Sharma). With no chance to match up with Joy who deals with gold, David’s team tries to use both brain and brawn to mess up the enemy. But are they good enough for that?

The defence of Thrissivaperoor Kliptham :: There is some nice humour in between here, which brought the theatre alive on a number of occasions. We see a lot of interesting moments in the early rivalry between the characters, and the first few minutes are among the best, and this one surely knows how to begin nicely, and catch the interest of the audience early enough. You will find even a few messages in this one, which come at the end. There is the need to forgive, and the realization that what you are luckier than you think you are, in life, and those who are deprived of what you have, are so many – a few things which we wanted were just trivial; the movie asserts. The first half is superior to the second by a long way, and the expectations are high at the interval. An effort at feel-good elements is also there by the end, when you look closer. The visuals of the city are really good, as the essence is nicely captured here. The songs are just okay, and there is not that much to gain there.

The claws of flaw :: There is the curse of the second half which troubles this movie, and the problems begin right when the latter half starts. It seems to be everywhere, not certain about which direction it is heading to. Even in the climax, except for coming up with that message for not just the audience, but also for the characters in the movie which undergo change, there is not that much to talk about. There is also the presence of some irritating sequences, and also those which could have been just avoided – that way, the movie could have gone with a run-time less than two hours, making this a little, funny movie with a message in the end. One also has to wonder where this movie would have reached if it had maintained that funny side it had displayed in the first few minutes – but Thrissivaperoor Kliptham had chosen to be cursed in the second half, and it had to come down; which sorcerer or witch had cursed a movie which had so much potential? Well, it might be a wizard that we don’t know.

Performers of the soul :: Aparna Balamurali is surely having a nice run, with fine performances in Sarvopari Palakkaran and Sunday Holiday already in the theatres with a fine feel-good run, extending from her work in Oru Muthassi Gada and Maheshinte Prathikaaram. Here, once again, she is good, playing a strong character, and she successfully rises above the flaws in making of the character – she also has rather less presence here with the focus being on the gangs. Asif Ali’s adventure goes back to Adventures of Omanakuttan and that smaller role in Take Off, and Avarude Raavukal. Both Asif and Aparna had their combination working in Sunday Holiday. The point to be noted here is that despite him being claimed as the hero, he is not really one, and as the hero who is not really the hero, he has nicely managed his work in the movie. Shilpi Sharma has less presence here, with a few scenes and one song, and looks very good throughout, in her first Malayalam movie.

Further performers of the soul :: Chemban Vinod Jose continues his journey through Thrissur which was going great in the satirical fun movie Varnyathil Aashanka. One can say that he is the one hero that this movie has, more heroic in character than anyone else. It is him who deserves the best applause in this particular flick, whether it is about the serious scenes or those funny moments – these days, whatever be the character, we love to have his presence. Unlike a few years ago, we see very less of Baburaj in movies these days, and it is very good to see him back, and for some reason, he is also given lesser of the funny side. You will also find Vineeth Mohan of Adi Kapyare Kootamani fame here in a good, smaller role. Rony David and Irshad provides some good company to the protagonist, while Vijayakumar and a few others nicely work on the other team. Rachana Narayanankutty and Zarina Wahab are in one scene each, and if you miss those scenes, you miss them.

How it finishes :: Movies based on Thrissur has been many more this year, with Georgettan’s Pooram and Varnyathil Aashanka there with this particular movie, and even Sarvopari Palakkaran was set mostly in Thrissur despite beginning from the Kottayam side; Jomonte Suvisheshangal was also based there. Among all these movies, this is surely the movie which has captured Thrissur in the best way. After drawing some good audience even further away from the city in which it is based, there is something about this movie that has attracted the audience to watch it. Thrissivaperoor Kliptham is surely a movie which could have improved itself in the second half on its journey towards the climax, but beginning so well, and with help of humour, this one manages to keep itself as a movie which provides some entertainment, and the performances from the cast support the whole thing very well.

Release date: 11th August 2017
Running time: 139 minutes
Directed by: Ratheish Kumar
Starring: Asif Ali, Aparna Balamurali, Chemban Vinod Jose, Shilpi Sharma, Vineeth Mohan, Baburaj, Vijayakumar, Rachana Narayanankutty, Rony David, Zarina Wahab, Sunil Sukhada, Jayaraj Warrier, Sreejith Ravi, Sudheesh, Meghanadhan, Nandhu, Irshad, Neeraja Rajendran, TG Ravi, Sneha Sreekumar, Manju Sunichen

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@ Cemetery Watch
✠ The Vampire Bat.

Jomonte Suvisheshangal

jomontesuviseshangal

What is the movie about? :: Jomon (Dulquer Salmaan) is the youngest son of a very rich businessman named Vincent (Mukesh) who hails from the city of Thrissur. The big family is Vincent’s other success story along with his huge business empire and assets – it includes Laly (Muthumani), Alphonse (Vinu Mohan) and Jessy (Rasna Pavithran) as well as their spouses who are all successful people in life, along with Jomon who is considered as the son who is born to spoil the name of the family along with all the money that he keeps squandering. He successfully continues the procedure, as he finishes the trouble-making with a sentence that ends with “still I love you” to his father. There is no shortage of people who think that he is good for nothing though, as he even misses his sister Jessy’s wedding function after he meets his old friend Mushtaq (Jacob Gregory) and spends time at a bar with him at Coimbatore, ending up in the police station.

Where are things heading for? :: It is during these times that Jomon falls in love with Catherine (Anupama Parameswaran) which changes the attitude of his family members towards him, as she is from one of the richest families around, and her parents have business established in various parts of the Middle East. They get really close until one day, Vincent miscalculates one of his business deals, and has his biggest failure in life. Everyone blames Vincent for the terrible decision he made, but Jomon doesn’t. He stands with his father, and hopes to reclaim at least most of what was lost. For the same, he relocates with Vincent to Tirupur in Tamil Nadu, and meets Vydehi (Aishwarya Rajesh) who helps him and vice versa. It was easy to go forward in the early stages, and now the question remains about how he can get his father to return to his lost glory, as that world is miles away.

The defence of Jomonte Suvisheshangal :: Without much of a surprise, Dulquer Salmaan leads the way as the protagonist, on whom this movie is based right from the title itself – there are messages about family, and there is some motivation to go through it; even as there is not that much visible. There is also some comedy, and the emotional side remains strong in this one, especially around Dulquer and Mukesh. Even with the smaller roles, Indu Thampi and Rasna Pavithran from Oozham get their moments too, even more than the bigger names in the cast. This will work even better for you if you haven’t watched Jacobinte Swargarajyam which has the same theme. The one bigger positive in this movie’s messages is that this one tells the audience to save more while the movie from last year was asking to earn more – it was more reclaiming the glory that was lost, while this one builds another one, something that is different from what was gone. It is also a long way ahead of the disappointing Kali, but is nowhere near that beautiful divergent dream which was Charlie.

Claws of flaw :: There is absolutely no attempt to bring anything new with Jomonte Suvisheshangal, and there is no trying to make things less predictable throughout its run. They have also wasted Anupama Parameswaran in a role which was rather not needed – well, in another Malayalam movie, she gets less time on the screen after the hero sees her inside a church; Premam and now this. Aishwarya Rajesh, despite suiting the character she played, works less as a pair to Dulquer. Another sad thing is that there isn’t enough of a funny side provided for Jacob Gregory’s character, even when there was so much chance, for he is to Dulquer, what Aju Varghese has been to Nivin Pauly. The songs are not that good, even though “Nokki nokki” is something that will do well without being related to the overall progress of the movie. There is also that level that we expect from Sathyan Anthikad, which is not there – that won’t be considered the right thing.

Soul exploration :: The idea of the prodigal son continues here, as the money laundering son comes back to his father – well, he even saves the day. It is not something that we have missed; this is something that a hero would do in a movie without fail. A rather inexperienced son becoming all responsible to help his father when his business faces a crisis, isn’t really a new thing even for the newer team of movie watchers, as we had witnessed the same in the last year’s Nivin Pauly starrer, Jacobinte Swargagrajyam. With Dulquer Salmaan replacing Nivin Pauly, we have a similar tale here; it is Mukesh who replaces Renji Panicker too. But considering both movies as the same will be doing injustice, and we can only consider them to be similar as we look at how things have been proceeding. This thought is something which is often related to real-life incidents, and so Jomonte Suvisheshangal surely has the right to take it as much as any other flick.

Further soul exploration :: Those who have watched both movies won’t find it easy to stop these comparisons coming into their minds. In a movie in which Dulquer once again leaves his home, but this time with his father, one can safely say that the success of this movie does belong to him, as most of the time, it is him or Mukesh that holds the movie together. This one could have actually worked well with its songs and visuals as Jacobinte Swargarajyam did though. As far as similarities and differences are concerned, we have two businessmen whose sons get responsible all of a sudden, one at Dubai and the other at Thrissur, both families Christian, one Orthodox and the other Catholic, both the families having four children, with a more evenly matched gender count here without a mother, the Mercedes Benz being there in both cases – there is also at least one heroine who has less to do in both movies; well, everything ends well too with the handsome son doing the heroics helped by one stranger who gets impressed, whether it is Vineeth Srinivasan or a European lady.

How it finishes :: Being the first movie to release after the theatre strike, Jomonte Suvisheshangal surely had the advantage, and no wonder there were so many people wishing to watch this one on the big screen. Having one day advantage over Munthirivallikal Thalirkkumbol, this one certainly managed to begin well, and also continues to attract the crowds. With a simple story that will appeal to the family audience, both these movies have managed to make sure that things are going on well for Malayalam cinema, even as there was a break after Pulimurugan created that record of 150 crores – well, that one is still running, as you will notice. With no element of boredom, Jomonte Suvisheshangal is also certain to bring some fine moments for the audience. As Munthirivallikal Thalirkkumbol is also doing well, we can expect the theatres to be full with Ezra, Georgettan’s Pooram and Fukri getting ready for release.

Release date: 19th January 2017
Running time: 158 minutes
Directed by: Sathyan Anthikad
Starring: Dulquer Salmaan, Anupama Parameswaran, Mukesh, Jacob Gregory, Aishwarya Rajesh, Innocent, Irshad, Muthumani, Manobala, Rasna Pavithran, Vinu Mohan, Shivaji Guruvayoor, Vinod Kedamangalam, Indu Thampi

jomontesuvisheshangal

@ Cemetery Watch
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Kochavva Paulo Ayyappa Coelho

kochavvapauloayyappacoelho

Vampire Owl: This is one long list of people. I know some of them, I think.

Vampire Bat: You know Paulo Coelho for sure.

Vampire Owl: Yes, he is a much talked about figure in the New Vampire World.

Vampire Bat: The Alchemist and The Pilgrimage – you know them.

Vampire Owl: I know more than that, and I shall read more of it.

Vampire Bat: I am sure that your reading habit is coming back.

Vampire Owl: So, how is he related to this movie?

Vampire Bat: It is for us to find out by investigating while watching this movie.

Vampire Owl: It is one title of a movie that is sure to catch your attention too.

Vampire Bat: Yes, even we wonder what it is about, and the curiosity catches the audience.

[Gets three cups of tea with banana chips].

What is the movie about? :: Ayyappa Das (Rudraksh Sudheesh) is a kid who has always had the dream to travel in an airplane. He has been growing up thinking about nothing other than this one thing, and almost everybody in the village knows that. There is one toy that he always has with him, and that is a tiny model of an airplane. He and his best friend, his cousin sister Ambily (Abeni Aadhi) spends their time hoping to find him a chance, by praying to different dieties. He had two chances to go in the plane though, the first one spoiled by a disease, and the second one when his father died, having taken visa and paid for the airline tickets in both cases. With his father dead, his chances for traveling in an airplane seems to have reached a new low, but he still believes that there is some chance here or there and is not ready to give up.

So, what happens next in the movie? :: The other significant character in this movie is Kochavva, whose real name is Ajayakumar (Kunchako Boban). He is a very helpful person, and is loved by almost everyone in the village. A man known for his good heart and the intense desire to help people in need, everyone calls him by the name Kochavva, no matter they are older or younger to him. Having given up his love Anju (Anusree) due to the goodness in his heart, he is the man who is now going to help Ayappa Das in getting closer to his dream. One day, while teaching children swimming, Kochavva tells everyone about how significant swimming is, and how it can help one to achieve more, along with doing it as an exercise. Ayappa Das sees it as an opportunity to travel in an airplane by going for competitions outside Kerala.

So how is the dream to be achieved? :: The problem is that Ayappa Das is afraid of water, and it is not just some fear – it goes deeper. When almost every kid in the village was taught swimming by Kochavva, he had always stayed away – he has often felt water as death. The movie goes on to bring to its viewers on how the boy managed to overcome his fear of water, and how Kochavva uses the quote from Paulo Coelho’s The Alchemist – “And, when you want something, all the universe conspires in helping you to achieve it” to make him believe in himself, and also in the rest of the people around him. With his dream of traveling in an airplane on the line, can Ayyappa Das finally become the person that he and Kochavva want him to be? Is it possible for him to finally achieve that one thing which seemed to be not happening as everything in the universe earlier seemed to conspiring against him?

The defence of Kochavva Paulo Ayyappa Coelho :: With the whole tale based on and hoping to thrive on Paulo Coelho’s popular and best known quote from The Alchemist, there was something inspirational coming up for sure, and it could be seen from a long distance – it is the same that is delivered here, with the protagonist’s hope to achieve his biggest dream, but at the same time, there is the assertion on goodness which is in keeping one’s dreams as second priority for the sake of others. The village setting nicely supports the whole thing, and with a certain light-hearted momentum, this one manages to move towards becoming that motivational movie which is expected. “Neelakkannulla Maane” is an amazing song, which might be the best of the year so far. Everyone needs an inspirational movie, and when it is based on dreams, the feel-good effect only gets better, and surely there is more approval for such an idea.

Claws of flaw :: The movie doesn’t have a full flow if we look at it, and it does drag at parts. There is also that ending which could have been something bigger, but it is not. We could have had the effect of many other motivational movies like Mili, Rani Padmini and Su Sudhi Vathmeekam, but that didn’t happen here. There are points when the pace comes down, which shouldn’t have been the case. There is no shortage of inspirational movies in Malayalam, and so this could have done better to keep itself strong, but it has managed to be surely better than the partially inspirational movies from Bollywood like Dear Zindagi which cares only about the new generation richer class minority who moans for no valid reason. The amount of humour is also a little too less considering the scope which was there – with Suraj Venjaramood and Aju Varghese there, one has to wonder why the funny lines were kind of hard to come by. The final cameos were not needed either.

How it finishes :: As Kochavva Paulo Ayyappa Coelho marks the return of Udaya Pictures which was the first ever movie production company in Malayalam cinema, this one is also the seventy fifth movie of Kunchako Boban who has brought his legacy strongly. He is very good here, playing a role in which seems to be very comfortable – it is a simple role, with the protagonist driven by the simple need to help others as Fahadh Faasil’s character was driven by the simple need for revenge in Maheshinte Prathikaram. In the movie, it is the kid, Rudraksh who steals the show though. With some funny moments here and there from Suraj Venjaramood and Aju Varghese not being used to the best effect, this is one movie which thrives on the feel-good factor and positive messages, for which one should feel the need to watch Kochavva Paulo Ayyappa Coelho. This is where you see intelligence in simplicity.

Release date: 9th September 2016
Running time: 147 minutes
Directed by: Sidhartha Siva
Starring: Kunchako Boban, Anusree, Rudraksh Sudheesh, Suraj Venjaramood, Aju Varghese, Nedumudi Venu, K. P. A. C. Lalitha, Abeni Aadhi, Muthumani, Mukesh, Sudheesh, Irshad, Musthafa, Maniyanpilla Raju, Mithun Ramesh, Biju Menon (cameo), Parvathy Ratheesh (cameo)

kochavvapauloayyappacoelhoo

@ Cemetery Watch
✠ The Vampire Bat.

Oozham

oozhamm

What is it about? :: Surya (Prithviraj Sukumaran) is an engineer working in the United States. His family includes his father, the health inspector Krishnamurthy (Balachandra Menon), his mother Subhalakshmi (Seetha) and his sister Aiswarya (Rasna Pavithran). He also has an adopted brother Aju (Neeraj Madhav) who has returned home after resigning from a big job in Microsoft. All seems to go well until one incident changes their lives forever. The world knows it as a mysterious illness killing three members of a family – the father, mother and daughter, but Surya and Aju know that it is not so. Bound by the need for revenge, they team up with Gayathri (Divya Pillai) who has also lost her sibling to an incident on the same day. Soon, they realise that both these incidents are connected.

So what happens next? :: As doubts are raised about who would want to kill the members of this family, all fingers finally point to Wilfred Marcus (Jayaprakash) and his sons Andrew Wilfred Marcus (Tony Luke) and Edwin Wilfred Marcus (Anson Paul). As they set on a path of war against the multi-national company run by these three, there is sure to be a tough job ahead – Surya uses his skills as an expert in creating controlled explosions as part of his job in the United States, while Aju and Gayathri supports the cause. So, this huge firm which supplies medicines after spreading diseases, will have no regret in wiping families out – will they stand these three people going on a war against them? How can a multi-billionaire empire be brought down to its knees by people with no influence? It is to be seen.

The defence of Oozham :: The better side of the movie might be the drama, but that also seems to be on the lines of many other movies; a perfect family with things going worse all of a sudden. With the presence of one cute little sister and a rather modern younger brother goes in lines of Jacobinte Swargarajyam. The idea is good, there is no doubt about it, but had to be presented in a better way, as an original work with more thrills. The cast is all good, and the effectiveness depends on them. The visuals are also nicely done. There is also the message which rather goes lost. The hero-heroine romance never really gets going – that is a relief, as the movie would have drifted further otherwise. This one surely has some interesting moments, and it is for the same that we can go for this movie.

The claws of flaw :: The biggest problem of this movie is that things come too easy. The protagonists all of a sudden seems like people who have been doing the same thing for centuries, may be from the time when the first civilisation was born on the banks of a river – only the immortals could do things this easily against what is claimed to be such a giant organisation. Even the idea itself goes back to the time when the first man was born. Oozham remains outdated in its idea, and even in the way of presentation, it just adds a non-linear narrative which is rather too strange, just like that unnecessary magic realism in Life of Josutty. There are no twists around here, and things finish too comfortably as we wait for the big climax to take our breath away – that is never really there. From the realistic, flawed heroes of Memories, Drishyam and Life of Josutty, we are back to those perfect heroes, sadly.

Performers of the soul :: Prithviraj, as expected remains the central figure, and the biggest selling point of this movie throughout its run. The character, no matter how less developed it is, remains safe in his hands. It is his screen presence that gives something to this protagonist, even when the trouble gets worse with the weak script full of all the cliches you have seen in the movies in so many languages. Neeraj Madhav is provided with another half-baked character who seems to be there in the name of secularism rather than anything else, and he gives some flavour to the one dimensional character that hacks anything because he can – couldn’t this character have a better identity of his own? One has to wonder. These two actors could have brought a huge blockbuster with fine reviews if the script was better.

Further performers of the soul :: Coming right out of Ayal Njanalla, Divya Pillai’s character goes on a struggle here; she has kept it going in a straight line, but there is nothing much for her, and she doesn’t come up with anything out of the box. Rasna Pavithran seems to do a simpler version of the cute act which Aima Rosmy Sebastian did in Jacobinte Swargarajyam and that certainly works. The idea of some cute sister moments has been a family favourite these days, and this movie attempts to use that to its advantage. Actually, one has to say that each member of the cast gets drawn into the set of cliches here, and that has limited the performances to an extent. Pasupathy is strong here, but is rather underused as a character that could have been presented better. Jayaprakash remains a nice villain throughout, but is let down by how the character is not strengthened by the necessary dose of corporate evil. Balachandra Menon and Seetha plays a fine couple with ease.

How it finishes :: There are better things which this movie could have done with its idea which has always been there in movies of other languages. Yes, it is more of a revenge drama than the thriller, but even in that genre, this movie has its limitations. When things come too easily, there is less scope for drama; there was the need to make one feel for the protagonist, but there is nothing there. Still, this movie doesn’t go uninteresting; we can watch it just because we have time – it doesn’t go terrible; Oozham has enough in it to make an average watch as long as you are in a good mood. The worst movie of Jeethu Joseph so far is here, but that is just a statement about his skill as a director, and not a judgment about this movie which can be watched without much expectations and some extra time to spare. This is where you find the cliche collection again; so just don’t look for anything new, even in the dialogues.

Release date: 8th September 2016
Running time: 140 minutes
Directed by: Jeethu Joseph
Starring: Prithviraj Sukumaran, Divya Pillai, Rasna Pavithran, Neeraj Madhav, Balachandra Menon, Kishor Satya, Irshad, Jayaprakash, Pasupathy, Seetha, Tony Luke, Anson Paul

oozham

@ Cemetery Watch
✠ The Vampire Bat.