Chathur Mukham

What is the movie about? :: Clement (Alencier Ley Lopez) used to be a professor in the Kerala Agricultural University, and even though he has retired from service, has a certain amount of interest in science which can be matched by nobody else. Due to his skills in science, he is approached by Antony (Sunny Wayne) who wishes to talk to him about a certain kind of energy which can be associated with ghosts, but this time, he is trying to connect the same with science in one way or the other. Clement is a strong believer in science, but not in ghosts, and he is not ready to believe in Antony’s tale about energy in the form of ghosts. Then, Antony comes up with the full story about the woman who was haunted by ghosts, Thejaswini (Manju Warrier). She is someone who spends most of her time in the social media, and has everything related to her life posted on Instagram. She belongs to a new generation which believes that technology is an important part of life, and also that women needs to have education and financial independence before getting married.

So, what happens with the events here? :: Hailing from Kollam, she works with her old friend, Antony who has been running a CCTV business at Thiruvananthapuram as a new venture. Things seem to work out well for her until a strange incident occurs during a ritual at temple and she losses her phone in the temple pond. This leads to her deciding to go for another phone, and she hopes she can find the cheapest one with multimedia features. It is then that she comes across a special offer in a website which seems to have started only a few days ago. This is a type of phone belonging to a brand that nobody had heard about, and they guess that it is some kind of new Chinese device. She orders the same, and gets it only to find out that there is something strange about it. She finds out that there are messages going out of it without her consent, and she even gets electrocuted from the charger, but the mobile phone seems to have full charge even after a long time period of usage. Initially, she feels that only the selfie camera of the phone is the weaker link.

And what is to follow with the terrifying series of events? :: But there is much more to the mobile phone than what meets the eye. The sequence of events unfold in such a way that she becomes afraid of her own mobile phone. She tries to get rid of the phone multiple times, but it ends up being with her, or forces her to take it back in one way or the other. Even dropping the phone in the middle of the road or the temple pond doesn’t help. As the phone continues to come towards her and cause problems, she becomes confident that there is a ghost haunting the phone. She approaches a local magician, but the spirit scares him away too, and she is forced to live with the phone which seems to slowly taking her to death. Clement is still not convinced, and decides to see the woman anyway. But this leads them to a strange past that the mobile phone seems to have a strange and mysterious past, and it is not the only phone that belongs to the same category.

The defence of Chathur Mukham :: The film provides a good deviation from the usual horror films, with technology bringing the horror again, as it was surely tried before, but not with this much focus on science. The cinematography is one thing that increases the effectiveness of this film, as we can see them. These are not the usual horror settings, but the different ones which can provide the environment in a similar manner with variety. With the mobile phone at the centre, this doesn’t even need to have that much of the usual jump scares in action to bring the horror to the social media and the usual dose of technology. There is also the chance of a sequel which is left behind at the end. The special effects are used well enough, and there are some fine explanations to the horror which is added here too. Having Manju Warrier as the main character is also a good addition. With technology being an integral part of our lives, the ghost from technology is more relevant here in comparison to those spirits which wandered through cemeteries and old haunted houses.

The claws of flaw :: There are the usual kind of things which have been done before, and these repetitions bring us back to different films which we have seen before, like The Ring and The Final Destination series. The dramatic side is also not that effective in comparison, and some characters are just not used well enough. With the concept having the deviation, the film could have made it even more innovative, but by the end, film is moving more towards a safer side rather than anything else. It could have also focused on the background, or added more scares, which are not considered either. The ending could have also been better, because there was the chance for creating something grand. It could have also had some science fiction elements taking over in between, but that doesn’t happen, and the film could have also had more deaths, and more spreading of terror. When you have spirits in store within a mobile phone and when it has effect on technology and electricity, you know there are no limits that need to established – it could have run free.

Performers of the soul :: Manju Warrier leads the way in a horror film, and even though this genre is not unfamiliar to her, when we consider The Priest, this is time she faces the ghost, her own fears and death as a strong character. Sunny Wayne, just like he did in Sara’s and June, has the supporting role in another heroine-centered film, which he does in his usual way, being the second most important character around here. He doesn’t really have his moments this time though, but manages to hold on. Niranjana Anoop is unfortunately wasted in a small role here, and the character doesn’t even get killed by the ghost – a few others at least had moments in that way in comparison. The other actors who deserved more attention, including Rony David, Srikant Murali, Babu Annur etc also have their roles limited. Alencier Ley Lopez is the only other actor who comes into the spotlight, and this happens to be a nice change for him from the usual roles. Meanwhile, Shyamaprasad is notable in his small role, while mobile phone is definitely a character all by itself with its ghostly presence.

How it finishes :: Identified as techno horror, the film does have its moments. We have already had ghosts haunting electronic devices, especially mobile phones – the Bollywood film 3G was related to the same, and this one is certainly a better creation in comparison, even though it released eight years later. Pretham and Pretham 2 were also wanderings through the spiritual presence in technology. There are many things that make Chathur Mukham different though, and Manju Warrier is surely one of those elements. This one also works as a warning against the presence of technology in our lives. This is the kind of film which could have released on the OTT platforms much earlier – this delay has made the interest in the movie much lesser, and the fact that it didn’t release in Amazon Prime Video also contributes to that. Cold Case with its ghost in the refrigerator had already made the supernatural working online, and now we have this ghost to haunt the OTT, which it surely does pretty well.

Release date: 8th April 2021 (India), 8th July 2021 (ZEE 5)
Running time: 138 minutes
Directed by: Ranjeet Kamala Sankar, Salil V
Starring: Manju Warrier, Sunny Wayne, Alencier Ley Lopez, Rony David, Shyamaprasad, Niranjana Anoop, Babu Annur, Srikant Murali, Shaju Sreedhar, Kalabhavan Prajod, Balaji Sarma, Navas Vallikkunnu, Saranjith

@ Cemetery Watch
✠ The Vampire Bat.

Villain

What is the movie about? :: Mathew K Manjooran (Mohanlal) is the ADGP in the city who has been out of action for about six months following a road accident which lead to the death of his wife and only child. He is looking forward to take voluntary retirement from service on the day on which the murder of three big names in the city occur in an abandoned mansion. Therefore, it becomes the final case that he has to take care of, even though he is forced to carry it over through for a few days after his retirement, as requested by his colleagues in the department. In this twisted case which includes a police officer Vinod Abraham (Kottayam Nazeer) as one of the dead, he is provided assistance by H Sreenivasan (Renji Panicker) who was first given the investigation charge, along with two subordinate officers Harshitha Chopra (Raashi Khanna) and Iqbal Mohammed (Chemban Vinod Jose) who are now part of the city task force which he had started long ago.

And what is to follow in this particular adventure? :: The one who used to be one of the strongest arms of law, has undergone quite a change in the recent past, as Mathew seems to be more of a tired and philosophical man these days. The one thing that he does hold on to is his love for Shakespeare, with a reflection of the same in his life, as he remembers Lady Macbeth’s words about all the perfumes of Arabia, has his own hesitation related to vengeance like Hamlet, fights a possibility of being drowned in madness like King Lear, and has his own Brutus in the police force, as does Julius Ceasar – he is also the Prospero of his own Tempest. He figures out that there is someone trying to get their attention, and at the same time, another murder of three people takes place. Meanwhile, the clues seem to lead to Shaktivel Palanisamy (Vishal) and Shreya Venkatesh (Hansika Motwani). But they wonder about how the six dead people are related.

The defence of Villain :: There are thrills in store with Villain, and there is some suspense over how things are going to come down. The first half has us guessing about more than one thing not just about the murderers, but also about the protagonist. We feel that there is a link coming up between everything, and things are set very well by the end of the first half. The thrills are there, and the twists are provided a little too early unlike The Great Father. The mass elements also take the backseat for most of the time, which is a great thing here. There is also the case against vengeance here, as we hear about it eating up the one who seeks it as much as those who end up on the receiving end of an act of revenge. You will notice that the emotional side is very strong with this one, as we feel the grief as much as the protagonist does on the big screen. Villain is also a very good-looking movie on the screen, as there is so much of visual beauty, and the locations seem to be nicely chosen. The songs are also sweet.

The claws of flaw :: If the identity as well as the motive of the murderers was left for a big twist in the end, that would have served this movie a lot better. This is the kind of premise that can support more twists in between, and the movie doesn’t use its resources to the best effect. The movie also needed a flashback from Vishal’s character’s angle, to really explore his perspective instead of taking a few things for granted – it is the same with Hansika’s flashback which relates to him. Also, the movie is a little too long, when you look at it. The scissors could have been put on some of the flashback sequences, and they could have been restricted to the songs and a few dialogues – we see have seen that done very well with the movie Memories. The idea about killing out of love and killing out of hate is very good, but not done in the way it could have brought the best effect. The talk about “the grey” side between black and white is also not used to its best advantage in the final scenes.

Performers of the soul :: The tranquility among the waves inside his mind, which is wonderfully depicted by Mohanlal with this character is the best thing about this movie. The serenity that is reflected on his face which has the feeling of pain visibly hidden, is nothing less than beauty to watch. He has two looks in this one, a side of the confident police officer determined to fight crime, having the look with the mustache, and also the side of the tired former police officer trying to solve one final case with just hope, having the look with the white beard. The latter one goes deep, and the pain that this particular avatar seems to possess, got the ability to break your heart with an abiding sadness if you get too close to the character with a case of empathy. Coming right out of a good run with Udaharanam Sujatha and C/O Saira Banu, Manju Warrier plays the wife of Mohanlal’s character, and she has handled it without trouble, even though the same is not a long one. The girl who plays their daughter was also very good, strong and energetic all the time.

Further performers of the soul :: Vishal and Hansika Motwani make fine debut in the Malayalam movie industry, even though a number of their sequences do give way for style over the rest. The former seems to have perfect hold of his character, while the latter, along with looking good, comes up with good support, despite given not much of a character development. We feel that Vishal could have been here earlier. Srikanth has much less to do than expected, and has a little too stylish a villain as his character. Aju Varghese has a rather small appearance as in Loham, while Renji Panicker and Siddique have no problems in doing their job here. Also, one can’t help not loving Chemban Vinod Jose as a police officer once again. He is at his best when he is playing a thief or a police officer, and he scores high here too. Whether it is about playing the good guy or the bad guy, whether it is about doing a funny role, or a serial villain, he has been so good these days. Coming out of a thief role in Varnyathil Aashanka, here he is doing protagonist’s support with ease. Also, another person to note is Raashi Khanna who began with Madras Cafe getting to play a smart cop here, and that works, a long way ahead of the other supporting female cops in our movies.

How it finishes :: The one movie to which this flick seems to have the most similarity, might be B. Unnikrishnan’s own movie, Grandmaster. But the reflection of sadness in this movie, and the situation of the protagonist is more comparable to that of Sam Alex in Jeethu Joseph’s Prithviraj starrer thriller, Memories. But you can easily notice the difference in treatment here, as things go more philosophical in nature, and the same replaces the powerful suspense and twist that Memories had, and the identity of the killers and the motives are revealed rather too early. But Villain is never short of being entertaining. It is surely better than the two huge Mohanlal blockbusters of last year Oppam and Pulimurugan, but is nowhere near Drishyam with the same. Villain is the kind of movie that would work with almost every kind of audience, and it is one more reason for you and your family to not miss this engaging thriller.

Release date: 27th October 2017
Running time: 143 minutes
Directed by: B. Unnikrishnan
Starring: Mohanlal, Manju Warrier, Raashi Khanna, Vishal, Hansika Motwani, Aju Varghese, Chemban Vinod Jose, Srikanth, Siddique, Renji Panicker, Anand, Idavela Babu, Kottayam Nazeer, Balaji Sarma, Antony Perumbavoor, Sai Kumar, Irshad, Sanju Shivram, Vishnu Govindan

<– Click here to go to the previous movie review.

@ Cemetery Watch
✠ The Vampire Bat.