Villain

What is the movie about? :: Mathew K Manjooran (Mohanlal) is the ADGP in the city who has been out of action for about six months following a road accident which lead to the death of his wife and only child. He is looking forward to take voluntary retirement from service on the day on which the murder of three big names in the city occur in an abandoned mansion. Therefore, it becomes the final case that he has to take care of, even though he is forced to carry it over through for a few days after his retirement, as requested by his colleagues in the department. In this twisted case which includes a police officer Vinod Abraham (Kottayam Nazeer) as one of the dead, he is provided assistance by H Sreenivasan (Renji Panicker) who was first given the investigation charge, along with two subordinate officers Harshitha Chopra (Raashi Khanna) and Iqbal Mohammed (Chemban Vinod Jose) who are now part of the city task force which he had started long ago.

And what is to follow in this particular adventure? :: The one who used to be one of the strongest arms of law, has undergone quite a change in the recent past, as Mathew seems to be more of a tired and philosophical man these days. The one thing that he does hold on to is his love for Shakespeare, with a reflection of the same in his life, as he remembers Lady Macbeth’s words about all the perfumes of Arabia, has his own hesitation related to vengeance like Hamlet, fights a possibility of being drowned in madness like King Lear, and has his own Brutus in the police force, as does Julius Ceasar – he is also the Prospero of his own Tempest. He figures out that there is someone trying to get their attention, and at the same time, another murder of three people takes place. Meanwhile, the clues seem to lead to Shaktivel Palanisamy (Vishal) and Shreya Venkatesh (Hansika Motwani). But they wonder about how the six dead people are related.

The defence of Villain :: There are thrills in store with Villain, and there is some suspense over how things are going to come down. The first half has us guessing about more than one thing not just about the murderers, but also about the protagonist. We feel that there is a link coming up between everything, and things are set very well by the end of the first half. The thrills are there, and the twists are provided a little too early unlike The Great Father. The mass elements also take the backseat for most of the time, which is a great thing here. There is also the case against vengeance here, as we hear about it eating up the one who seeks it as much as those who end up on the receiving end of an act of revenge. You will notice that the emotional side is very strong with this one, as we feel the grief as much as the protagonist does on the big screen. Villain is also a very good-looking movie on the screen, as there is so much of visual beauty, and the locations seem to be nicely chosen. The songs are also sweet.

The claws of flaw :: If the identity as well as the motive of the murderers was left for a big twist in the end, that would have served this movie a lot better. This is the kind of premise that can support more twists in between, and the movie doesn’t use its resources to the best effect. The movie also needed a flashback from Vishal’s character’s angle, to really explore his perspective instead of taking a few things for granted – it is the same with Hansika’s flashback which relates to him. Also, the movie is a little too long, when you look at it. The scissors could have been put on some of the flashback sequences, and they could have been restricted to the songs and a few dialogues – we see have seen that done very well with the movie Memories. The idea about killing out of love and killing out of hate is very good, but not done in the way it could have brought the best effect. The talk about “the grey” side between black and white is also not used to its best advantage in the final scenes.

Performers of the soul :: The tranquility among the waves inside his mind, which is wonderfully depicted by Mohanlal with this character is the best thing about this movie. The serenity that is reflected on his face which has the feeling of pain visibly hidden, is nothing less than beauty to watch. He has two looks in this one, a side of the confident police officer determined to fight crime, having the look with the mustache, and also the side of the tired former police officer trying to solve one final case with just hope, having the look with the white beard. The latter one goes deep, and the pain that this particular avatar seems to possess, got the ability to break your heart with an abiding sadness if you get too close to the character with a case of empathy. Coming right out of a good run with Udaharanam Sujatha and C/O Saira Banu, Manju Warrier plays the wife of Mohanlal’s character, and she has handled it without trouble, even though the same is not a long one. The girl who plays their daughter was also very good, strong and energetic all the time.

Further performers of the soul :: Vishal and Hansika Motwani make fine debut in the Malayalam movie industry, even though a number of their sequences do give way for style over the rest. The former seems to have perfect hold of his character, while the latter, along with looking good, comes up with good support, despite given not much of a character development. We feel that Vishal could have been here earlier. Srikanth has much less to do than expected, and has a little too stylish a villain as his character. Aju Varghese has a rather small appearance as in Loham, while Renji Panicker and Siddique have no problems in doing their job here. Also, one can’t help not loving Chemban Vinod Jose as a police officer once again. He is at his best when he is playing a thief or a police officer, and he scores high here too. Whether it is about playing the good guy or the bad guy, whether it is about doing a funny role, or a serial villain, he has been so good these days. Coming out of a thief role in Varnyathil Aashanka, here he is doing protagonist’s support with ease. Also, another person to note is Raashi Khanna who began with Madras Cafe getting to play a smart cop here, and that works, a long way ahead of the other supporting female cops in our movies.

How it finishes :: The one movie to which this flick seems to have the most similarity, might be B. Unnikrishnan’s own movie, Grandmaster. But the reflection of sadness in this movie, and the situation of the protagonist is more comparable to that of Sam Alex in Jeethu Joseph’s Prithviraj starrer thriller, Memories. But you can easily notice the difference in treatment here, as things go more philosophical in nature, and the same replaces the powerful suspense and twist that Memories had, and the identity of the killers and the motives are revealed rather too early. But Villain is never short of being entertaining. It is surely better than the two huge Mohanlal blockbusters of last year Oppam and Pulimurugan, but is nowhere near Drishyam with the same. Villain is the kind of movie that would work with almost every kind of audience, and it is one more reason for you and your family to not miss this engaging thriller.

Release date: 27th October 2017
Running time: 143 minutes
Directed by: B. Unnikrishnan
Starring: Mohanlal, Manju Warrier, Raashi Khanna, Vishal, Hansika Motwani, Aju Varghese, Chemban Vinod Jose, Srikanth, Siddique, Renji Panicker, Anand, Idavela Babu, Kottayam Nazeer, Balaji Sarma, Antony Perumbavoor, Sai Kumar, Irshad, Sanju Shivram, Vishnu Govindan

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Iyobinte Pusthakam

Iyobinte Pustakam ()

What is it about? :: The movie tells the story of Iyob (Lal) and his three sons, Dimitri (Chemban Vinod Jose), Ivan (Jinu Joseph) and Aloshy (Fahadh Faasil). Iyob was a young local boy who became the right-hand of Harrison (Sal Yusuf), one of the British people who established homes in Munnar, but he managed to rise after his death and had become the most powerful and the influential man in the area. Due to the commanding nature of his father and the atrocities of his brothers which are covered up with money, Aloshy leaves home and joins the Royal Navy from where he is dismissed as a result of a mutiny, which leads him back home. There, his troubles with his brothers begin, and Iyob is infuriated by his lack of obedience and also lack of display of admiration for his father, for which he disinherits him, and his brothers attack him and leaves him for dead. But Iyob doesn’t really know his other sons yet, and an enemy called Angoor Rawther (Jayasurya) shall soon come up.

The defence of Iyobinte Pusthakam :: Iyobinte Pusthakam is brilliant, and amazing beyond words in its visual splendour – it is something that we might have never seen before in Indian cinema, and one can get a peek at the same by just looking at the trailer – the complete stuff is a lot bigger and highly extravagant in its visuals. What you see in the posters are made a lot better in this movie, and not the other way around. The movie’s use of history and the variety in settings are also something to cheer about. We rarely have such good period thrillers in Malayalam, and even in Bollywood. The only things related to history that we have these days are related to killing white people – are we so much out of ideas that we have to talk about one thing again and again? No, not all, says Amal Neerad who has come up with his magnum opus here, which tells the story of the people of the land during the British rule and after, combining history and fiction. You can appreciate this one as long as you have the ability for the same.

Positives and negatives :: The movie might still be slow for a few, but I will say that there is absolutely no drag, and it is achieved by the beauty of the visuals – it is no bloody useless drag like Annayum Rasoolum, I can assure you that; this is more of a Left Right Left of this year. As you enter the world of unparalleled visual beauty, what you want might not be the story. The plot might look ordinary, but it is never about the story. Do watch and get taken into this amazing world, and the first movie from Amal Neerad that I liked – and this is one big like for him! Yes, I have never liked Big B, Sagar Alias Jacky, Anwar and Bachelor’s Party, and you fan-boys and girls can dislike me for the same. Interstellar was just a story that could never happen, but this one is a story of humanity in real, and it is up-to you to choose the one that you wish for this weekend, as both are for entirely different set of minds! Our Malayalam critics will never rate a movie from Kerala high, so just the “very good” rating for this movie would mean “out of this world”.

Performances of the soul :: Fahadh Faasil is nothing less than brilliant here, as he has another feather in the cap here. It is amazing how he has managed to thrive under almost every circumstance that has been put before him. How good can he be? We can never know the limits of his abilities as it seems. Lal is also nothing less than the powerful and later the helpless figure that he is supposed to be – there is nobody other who can be this character. Chemban Vinod Jose and Jinu Joseph are also good and the former is extremely efficient at times Isha Sharvani is extremely beautiful and suited for the role with her looks alone, otherwise she has much less to do; but that has still worked well for the character. Jayasurya is one impressive villain too, as he becomes the smiling assassin here. Padmapriya as Rahel also scores, coming out nowhere. Vinayakn is also nice. The characterization is so powerful and they nicely blend into the strength of visual beauty and that nice background score. I shall leave with some more thoughts below.

Soul exploration 1 :: Iyobinte Pusthakam as King Lear :: Iyobinte Pusthakam is a lot like King Lear or a loose adaptation from the same – it is as much of Shakespeare as Haider is Hamlet, and it has nicely used the setting to support the same. Iyob is King Lear who divides his kingdom among two sons, disinheriting the third, and in the end, it turns out that he was always the righteous and the loving one who comes out to help the father. Goneril, Regan and Cordelia are all here, and there is the Earl of Kent who is joins with the villains this time as Lazar. Rahel does the job of Edmund here, standing between the two sons and making one kill the other. Meanwhile, going outside the play, Martha becomes the lady love that every movie needs, and Angoor Rawther is just the villain that every story should have. There are also those moments when Iyob seems to be descending into madness, and Oswald is also there, as the man who tries to kill our hero and gets himself killed. Also check for the The Brothers Karamazov kind of characters with the same names.

Soul exploration 2 :: Iyobinte Pusthakam as the Parable of the Prodigal Son :: Iyob himself mentions Aloshy as prodigal son when he returns from the navy, and the church priest mentions that he is to be given a warm welcome if it is so, just like in the Holy Bible. But here, Aloshy is not the prodigal son, but rather the lost son, who returns after gaining wisdom rather than losing money, and this illusion of the gone son being the prodigal son is directly reversed in this movie without any complication. But considering a few other cases, he is indeed unemployed and without money compared to what he has at his own home which was left behind. The money that he extravagantly spent are the years of his life, and the time which he should have spent with his family. The father does accept his son, but once again, the elder brothers don’t. The movie’s use of the dialogues about the parable gives us this idea.

Soul exploration 3 :: Iyobinte Pusthakam as the Biblical story of Job :: The main character of the movie is Iyob or Job even as the hero is Aloshy. Even as our character here doesn’t have the qualities of a righteous man, he is also someone who losses almost everything that he holds dear, and it includes his own children, his property, and up-to an extent, his health. But the answer to his problems is achieved sooner here, in the form of his earlier lost son Aloshy. During his last moments, he holds onto the cross and gives it to his son, something which he already had, but rarely mentions as his baptism was nothing that he or his people wanted. It is his faith in God that is replenished in his final moments, and even as there is no redemption like that of the Biblical Job here, he does manage to die a good person rather than the evil feudal lord that he had been.

*This is the finest movie of the year from India, among all those which I have watched. Don’t miss this one! It is out of the usual league. It also leaves us with thoughts about the oppressed becoming the oppressor when opportunity arises, and also with a message on equality among the masses.

Release date: 7th November 2014
Running time: 160 minutes
Directed by: Amal Neerad
Starring: Fahadh Faasil, Isha Sharvani, Lal, Jayasurya, Padmapriya, Chemban Vinod Jose, Reenu Mathews, Jinu Joseph, Vinayakan, Lena Abhilash, T. G. Ravi, Sreejith Ravi, Shebin Benson, Saritha Kuku, Nebish Benson, Sal Yusuf, Aashiq Abu (cameo), Amala Paul (cameo)

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The Lego Movie

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The Lego animation :: We all know Lego bricks, don’t we? Those interlocking plastic brick-like things were part of our childhood, and most of us did build a lot of things with them – one of our first teachers of creativity and imagination. Even as they came in many colours, the one I remember the most is blue, and I wonder how that comes to mind often; may be I broke most of the pieces of other colour, who knows? I had them strong until Hasbro came into my life with G.I. Joe. Storm Shadow, Snake Eyes and Daestro took over at that time. But where did my Lego go? I have to admit that I no longer knew anything about it, and I guess it passed on to my younger cousin brothers and sisters, and I had completely forgotten about the same until I came across the trailer of this movie; yes the Lego people were back, stronger than ever, and they had Batman and Wonder Woman for support. The toys had win hearts, and this was the time of the movies – lets see how they fare.

What is it about? :: Vitruvius (Morgan Freeman) is a wizard and one of the master-builders of the Lego universe, but he fails to stop Lord Business (Will Ferrell) from taking over a superweapon Kragle. He still tells the villain about the prophecy about a special person who will stop his villainy. Years later, an ordinary construction worker Emmet (Chris Pratt) accidently finds “Piece of Resistance” which can stop Lord Business. As Bad Cop (Liam Neeson) captures him, he is rescued by Wyldstyle (Elizabeth Banks) who takes him to another world where Vitruvius lives. As the wizard tries to make him imagine and create something like a master-builder, they find out that his creativity is zero, and he needs an instruction manual to create anything. The other master-builders, Batman, Superman, Wonder Woman, Dumbledore, Shakespeare, Gandalf, Dracula, Green Lantern, Pirate Metal Beard and rest of the team are very much unimpressed by him as he makes a hopeless speech and shows his lack of creativity. But as time is less, they have to work together to find a way to stop the Lord before using the weapon. Can they do it?

The defence of The Lego Movie :: This is one of the funniest animated movies of the decade. even as one might wonder if Lego qualifies as animation. Their use of superhero characters is hilarious, and how they managed to bring them into the story is very nice, especially Batman. There is Batman saying “I only work in black. And sometimes, very, very dark gray” and Superman saying “I super hate you” to the Green Lantern. The Wonder Woman is not left behind in fun either, and Metal Beard jumps in like Blackbeard might have did. Uni-Kitty’s attempts to be happy and positive is another thing to watch out for. Even Abraham Lincoln and Michelangelo joins. There are dialogues like “Come with me if you want to not die” parodying The Terminator. I would still prefer Frozen any day, that is for sure. It is nice how a few other worlds are added to the original city of Lord Business, involving Wild West as well as Castles and Dragons settings.

The claws of flaw :: The 3D was totally unnecessary, not only is it ineffective, but it doesn’t suit this kind of toyline animation. It worked well with movies like Frozen and a good number of such titles, but when used with this, it is not effective, in my opinion. There could have also been an even better use of these characters, with our vampire guy and the Shakespeare guy given a better due. I didn’t like the way in which its central theme was exaggerated again and again, even as it was nice in the beginning. This is also too much of a common story, about a normal guy trying to save the world, even as the superheroes fails to do the same – for the same, the movie preaches a lot, and keeps saying that everyone is so special and shouldn’t go according to the rules. Looking at a whole world made of Lego looks fresh in the beginning, but keeps losing its charm. Its connection with the real world is interesting, but is still too weird or rather a little too unnecessary, but that worked, no doubt about it.

How it works :: There might be the usual misconception that a movie which shows so much of a toy-line can’t be that good. Now, that might still be valid even after the success of this movie. A major question might be about what they can come up with such a toyline which is all about construction; what can one bring out of Simcity? But here is the idea that changed that thought. Here is something that rivals the over-hyped animated movies like Brave. The voices are nice, and other than the two main characters, there is some really interesting stuff from Liam Neeson as Bad Cop/Good Cop with that split personality, and Alison Brie as Uni-Kitty. Will Ferrell as Lord Business is another nice villain performance, just like he did with the voice in Megamind. Channing Tatum has a very short time as Superman, but that’s pretty nice too. Morgan Freeman as Vitruvius even comes back as a ghost, and that was a nice surprise. All the voice actors seem to become the character they were embodying.

Soul exploration :: The movie tells that everyone is special and there is the need to nurture the imaginations and show creativity rather than just follow the instructions. It comes up with he idea that almost anyone can make a difference, no matter how much immature or inexperienced that person is. Now, that sounds nice, but when it is completely against that order which works against chaos, there is a little bit loss of trust. It fails to set a limit to that imagination, and it is only in a perfect world under the best circumstances that such things can happen in the right way. Otherwise, instructions can always be helpful, no matter how much they are hated or opposed to prevent people from following them. The movie also doesn’t really come up on top when thinking about being special or adding more imagination, as it could have definitely used more as it neared the end. The end doesn’t justify the nice beginning, as there is the ordinary stuff that fills the finish.

How it finishes :: As we can see from the reviews all around, The Lego Movie finishes strong in the theatre. We should wait very long to meet someone who didn’t like this movie. As an animated movie, it is difficult to find errors from this movie, and almost everyone who have ever played with a Lego toy will like this one a lot, and this one also mostly applies to the rest. From what the year has to offer, this might be the best animated movie of the year. It surely has a colder reception here though, as there are not many screens showing the movie, and the maximum of about three shows or something among so many theatres and multiplexes, with not many viewers either. But it is indeed going on to become a global success, and it can surely stay in the top grossing movies of the year for some time. I can only be glad that this didn’t become one of those movies which didn’t release here, as there are so many movies of other languages which have occupied the screen at this time.

Release date: 7th February 2014
Running time: 100 minutes
Directed by: Phil Lord, Chris Miller
Starring (voice): Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Nick Offerman, Alison Brie, Charlie Day, Liam Neeson, Morgan Freeman

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@ Cemetery Watch
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Thattathin Marayathu

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The case of love :: The stories of love has been exaggerated for centuries, and we are not strangers to how William Shakespeare described a lot of things in his Sonnets. The better qualities which are needed for this world including brotherly and sisterly love or the love for the down-trodden or the subaltern would always have to make way for a kind of love which is based on the outside beauty and powerfully fixed on infatuation and lust. Then they can ask “Shall I compare thee to a summer’s day?” but does all the immortalizing of such love make any sense? How someone can fall in love for another just by looking at his or her is one of the weirdest things in the world. That is undoubtedly a case of infatuation and lust, however one tries to support the theory of love at first sight. But it is such a story that we are going to talk about, and it is the same thing that this movie is about, and as this turned out to be a good movie even without the “truth of love” in it, this case of love is to be left to the audience who made this one a hit, and as a film, it deserved it.

Love in the South :: Malayalam movies have had that incredible strength to come up with successful love stories which stay on our minds for long. One of the earliest movies of that kind after the early age of the legendary Chemmeen should be Nakhashathangal, but the trend came back stronger than ever with two movies Aniyathipraavu and Niram, both starring Kunchako Boban and Shalini who established themselves as the perfect star pair for love stories. The specialty of these two movies was that there was so much goodness in them, and on both occasions, the pair chooses not to disobey their parents, and such sacrifice should be at the base of love, and not carnal desire. But about the pathetic nonsense which came as pseudo-love stories, like Annayum Rasoolum, one shouldn’t bother – it was a pathetic case of looking at each other in an extended version of love at first sight moments, and that movie will do more bad than good for the romantic movies which are to follow including Oru Indian Pranayakadha. Meanwhile, Dr. Love was a superior story of love with sacrifice involved in it, just like Dhosth.

What is it about? :: This movie written and directed by Vineeth Sreenivasan as his second venture as the captain of the ship, has the story of a ordinary Hindu Nair boy falling in love with a rich Muslim girl. Vinod Nair (Nivin Pauly) has fallen for Aisha Rahman (Isha Talwar) with an incredible moment of falling in love as he hits her while running and she falls down the stairs to land in a hospital. Supported Abdu (Aju Varghese), Hamsa (Bhagath Manuel) and Mustafa (Ahmed Siddhique), he goes on a mission to win her love despite the problems caused due to religion and social status, and that fact that he belongs to the party which is fighting against her family’s business. After doing some strange and stupid things, he finally gets a chance to talk to the girl, and soon he tells her about his love to get a positive response. His supporters grow, as S.I. Prem Kumar (Manoj K. Jayan) helps further in his cause as he leaves his house. So, will this love story succeed, or does it have to become another Romeo and Juliet? Almost everyone in Kerala knows the answer.

The defence of Thattathin Marayathu :: The movie has everything which is needed for a perfect love story of exaggerated character. It is also the best love story in Malayalam since Niram, with all the possible additions of the age, including the witty dialogues, “when she replied, I felt like Sreesanth who got the wicket of Andrew Symonds” or “why should boys of Kerala need six-pack?”, and another one “you can think before making decision about my love and tell me that you do love me”. Despite the popular thoughts about this being a powerful love story, I would say that this movie is never serious – it is incredibly light and always on the humorous side; even when it tries to get serious, there is that feeling of “all’s well that ends well”, and as there is no real dark shade to the movie, this is a perfect love story which is nothing less than a fairy tale, and if we think that way, the movie is the perfection of exaggerated love, rightly presented on screen, and therefore flawless in its core.

Claws of flaw :: Despite having the best songs of the year and the great cinematography and direction, the movie is nowhere near perfection in a natural world. It clearly lacks logic and fails to make sense on multiple occasions, a flaw which can be forgiven just because of the reason for its existence. It follows the old style tradition of a boy from one religion marrying a girl of another faith, and to add to it, here one is poor and the other is rich, another stereotype explored. The boy feels the usual love at first sight for the girl and starts dreaming about her as if his life depended on her. He forgets his duties and even his parents and becomes the stupid guy, while the girl remains just the opposite, not breaking traditions or disrespecting her parents or relatives. The exchange letters through a messenger, sings songs in dreamy sequences, and hopes for being together. In that case, the movie has nothing new or innovative in its base. it is not intense, and it has no real villain except for one man who just objects to the marriage.

Thattathin Marayathu and love :: The world of the movie is strange, as the hero sells helmets after making police catch people for not wearing a helmet, and with the cash he earns, he begins a pardah shop – and that is an act of love. This movie’s definition of love is being infatuated by a random girl at a random place just because she is good-looking. Is this love or some strange feeling which has been created a girl in veil, and without that what would be she to him? Well, who cares about what should have got all the attention, as she might have been a horrible creature in soul, but the only thing that matters in this love is that she is beautiful and has a fair complexion. Thattathin Marayathu is never a story of true love, and most of the people might agree, but it is unrealistic love of exaggerated love, presented in a beautiful manner. Well, the real life can never be this simple as a whole, and it is also not this complicated in many other things that they show. Well, as long as the new bottle where you put the old wine is pretty good, how can one complain? The leaks are there, but there are provisions to make sure that the wine don’t get lost on the ground.

How it finishes :: In this visually awesome movie, another thing that catches our attention is the performance of Aju Varghese as he has done a perfect comic supporting stand there. Manoj K. Jayan and Bhagath Manuel are also nice support. Nivin Pauly comes up with a side which wasn’t there to be expected from him, and establishes himself as the romantic hero of this age. But as far as Isha Talwar is concerned, her character is a real disappointment, not talking much or doing much even as she has the most righteous character in the whole movie. The result is that he has created more of a statue image, which affected her in the movie I Love Me. She will always be remembered as a beautiful sculpture rather than a character, and the fact that she was perfect for the role doesn’t come as a positive. The movie has successfully presented its world with the support of most of its cast, and as the image it shows is of innocence and goodness even as it is covered is stupid love of exaggerated nature. It is a magnet, and it will attract viewers even after being shown on television multiple times unlike dark creatures of pathetic romance like Annayum Rasoolum.

Release date: 6th July 2012
Running time: 127 minutes
Directed by: Vineeth Sreenivasan
Starring: Nivin Pauly, Isha Talwar, Aju Varghese, Bhagath Manuel, Aparna Nair, Manoj K. Jayan, Sreenivasan, Sunny Wayne, Niveda Thomas, Ahmed Sidhique, Manikuttan, Sreeram Ramachandran

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Warm Bodies

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Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”.  This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich

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@ Cemetery Watch
✠ The Vampire Bat.