The case of love :: The stories of love has been exaggerated for centuries, and we are not strangers to how William Shakespeare described a lot of things in his Sonnets. The better qualities which are needed for this world including brotherly and sisterly love or the love for the down-trodden or the subaltern would always have to make way for a kind of love which is based on the outside beauty and powerfully fixed on infatuation and lust. Then they can ask “Shall I compare thee to a summer’s day?” but does all the immortalizing of such love make any sense? How someone can fall in love for another just by looking at his or her is one of the weirdest things in the world. That is undoubtedly a case of infatuation and lust, however one tries to support the theory of love at first sight. But it is such a story that we are going to talk about, and it is the same thing that this movie is about, and as this turned out to be a good movie even without the “truth of love” in it, this case of love is to be left to the audience who made this one a hit, and as a film, it deserved it.
Love in the South :: Malayalam movies have had that incredible strength to come up with successful love stories which stay on our minds for long. One of the earliest movies of that kind after the early age of the legendary Chemmeen should be Nakhashathangal, but the trend came back stronger than ever with two movies Aniyathipraavu and Niram, both starring Kunchako Boban and Shalini who established themselves as the perfect star pair for love stories. The specialty of these two movies was that there was so much goodness in them, and on both occasions, the pair chooses not to disobey their parents, and such sacrifice should be at the base of love, and not carnal desire. But about the pathetic nonsense which came as pseudo-love stories, like Annayum Rasoolum, one shouldn’t bother – it was a pathetic case of looking at each other in an extended version of love at first sight moments, and that movie will do more bad than good for the romantic movies which are to follow including Oru Indian Pranayakadha. Meanwhile, Dr. Love was a superior story of love with sacrifice involved in it, just like Dhosth.
What is it about? :: This movie written and directed by Vineeth Sreenivasan as his second venture as the captain of the ship, has the story of a ordinary Hindu Nair boy falling in love with a rich Muslim girl. Vinod Nair (Nivin Pauly) has fallen for Aisha Rahman (Isha Talwar) with an incredible moment of falling in love as he hits her while running and she falls down the stairs to land in a hospital. Supported Abdu (Aju Varghese), Hamsa (Bhagath Manuel) and Mustafa (Ahmed Siddhique), he goes on a mission to win her love despite the problems caused due to religion and social status, and that fact that he belongs to the party which is fighting against her family’s business. After doing some strange and stupid things, he finally gets a chance to talk to the girl, and soon he tells her about his love to get a positive response. His supporters grow, as S.I. Prem Kumar (Manoj K. Jayan) helps further in his cause as he leaves his house. So, will this love story succeed, or does it have to become another Romeo and Juliet? Almost everyone in Kerala knows the answer.
The defence of Thattathin Marayathu :: The movie has everything which is needed for a perfect love story of exaggerated character. It is also the best love story in Malayalam since Niram, with all the possible additions of the age, including the witty dialogues, “when she replied, I felt like Sreesanth who got the wicket of Andrew Symonds” or “why should boys of Kerala need six-pack?”, and another one “you can think before making decision about my love and tell me that you do love me”. Despite the popular thoughts about this being a powerful love story, I would say that this movie is never serious – it is incredibly light and always on the humorous side; even when it tries to get serious, there is that feeling of “all’s well that ends well”, and as there is no real dark shade to the movie, this is a perfect love story which is nothing less than a fairy tale, and if we think that way, the movie is the perfection of exaggerated love, rightly presented on screen, and therefore flawless in its core.
Claws of flaw :: Despite having the best songs of the year and the great cinematography and direction, the movie is nowhere near perfection in a natural world. It clearly lacks logic and fails to make sense on multiple occasions, a flaw which can be forgiven just because of the reason for its existence. It follows the old style tradition of a boy from one religion marrying a girl of another faith, and to add to it, here one is poor and the other is rich, another stereotype explored. The boy feels the usual love at first sight for the girl and starts dreaming about her as if his life depended on her. He forgets his duties and even his parents and becomes the stupid guy, while the girl remains just the opposite, not breaking traditions or disrespecting her parents or relatives. The exchange letters through a messenger, sings songs in dreamy sequences, and hopes for being together. In that case, the movie has nothing new or innovative in its base. it is not intense, and it has no real villain except for one man who just objects to the marriage.
Thattathin Marayathu and love :: The world of the movie is strange, as the hero sells helmets after making police catch people for not wearing a helmet, and with the cash he earns, he begins a pardah shop – and that is an act of love. This movie’s definition of love is being infatuated by a random girl at a random place just because she is good-looking. Is this love or some strange feeling which has been created a girl in veil, and without that what would be she to him? Well, who cares about what should have got all the attention, as she might have been a horrible creature in soul, but the only thing that matters in this love is that she is beautiful and has a fair complexion. Thattathin Marayathu is never a story of true love, and most of the people might agree, but it is unrealistic love of exaggerated love, presented in a beautiful manner. Well, the real life can never be this simple as a whole, and it is also not this complicated in many other things that they show. Well, as long as the new bottle where you put the old wine is pretty good, how can one complain? The leaks are there, but there are provisions to make sure that the wine don’t get lost on the ground.
How it finishes :: In this visually awesome movie, another thing that catches our attention is the performance of Aju Varghese as he has done a perfect comic supporting stand there. Manoj K. Jayan and Bhagath Manuel are also nice support. Nivin Pauly comes up with a side which wasn’t there to be expected from him, and establishes himself as the romantic hero of this age. But as far as Isha Talwar is concerned, her character is a real disappointment, not talking much or doing much even as she has the most righteous character in the whole movie. The result is that he has created more of a statue image, which affected her in the movie I Love Me. She will always be remembered as a beautiful sculpture rather than a character, and the fact that she was perfect for the role doesn’t come as a positive. The movie has successfully presented its world with the support of most of its cast, and as the image it shows is of innocence and goodness even as it is covered is stupid love of exaggerated nature. It is a magnet, and it will attract viewers even after being shown on television multiple times unlike dark creatures of pathetic romance like Annayum Rasoolum.
Release date: 6th July 2012
Running time: 127 minutes
Directed by: Vineeth Sreenivasan
Starring: Nivin Pauly, Isha Talwar, Aju Varghese, Bhagath Manuel, Aparna Nair, Manoj K. Jayan, Sreenivasan, Sunny Wayne, Niveda Thomas, Ahmed Sidhique, Manikuttan, Sreeram Ramachandran
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