Cinderella

Vampire Owl: How many Cinderella movies have we watched?

Vampire Bat: I have lost count this time.

Vampire Owl: And how many more Cinderella movies will we watch?

Vampire Bat: It is also not something we can guess.

Vampire Owl: If Cinderella was a vampire, this would have been so perfect.

Vampire Bat: We don’t really have fairy-tales in the vampire world.

Vampire Owl: One doesn’t really need them, right?

Vampire Bat: Well, fairy-tales are lies, we all know that.

Vampire Owl: I am sure that humans are not really short of lies.

Vampire Bat: And they even want us to believe the same.

[Gets a beetroot cake and three cups of black tea].

What is the movie about? :: Vivian (Idina Menzel) leads her life in a village of hardworking people with her daughters (Maddie Baillio and Charlotte Spencer), as well as her stepdaughter Ella, then known as Cinderella (Camila Cabello) who is different from her stubborn sisters. She does almost everything in the house, but is not considered to be someone of importance. Nobody in the house likes her, and wastes no time in scolding or making fun of her, despite her best efforts to make things better. Everyone at home considers her to be an orphan, even though she is daughter to the mother’s earlier husband. It is then that Prince Robert (Nicholas Galitzine) is in requirement of a wife, but he is not really that much into it – King Rowan (Pierce Brosnan) and Queen Beatrice (Minnie Driver) are not really happy about it though, as they would have preferred him to marry someone whom they admired and win many colonies as wedding gift in the process.

So, what happens with the events here? :: As Robert goes on living his life, not intending to be the grand kind that everyone wanted to be, Princess Gwen (Tallulah Greive) hopes to be rule the realm as a queen, an idea which nobody is interested in, but she does manage to provide some ideas in between, which mostly wouldn’t suit the world she lived in. Robert would meet Cinderella in the market though, as she was trying the dress which she had designed. For them to meet again, they have to come together in a ball, and she also wants to find buyers for her clothes, and Fairy Godmother (Billy Porter) prepares her for the same, supported by the mice (James Acaster, James Corden and Romesh Ranganathan) who are transformed into men and are supposed to take her to the palace on a magical chariot. Now the question remains if she can fall in love and sell her clothes at the same time, or whether she will fail as her stepmother and stepsisters would have always thought she would. The possibilities are endless.

The defence of Cinderella :: The first song by Ella is the best one with the music, and there are a few nice songs, even though none of them rise much above that particular level, while there are some which are not interesting at all. The visuals are really good, and the magic of the original fair-tale story is maintained, even though it seems to be so more by compulsion rather than anything else – maybe this film could have been named something else and played into another tale instead of calling Cinderella for help. There are some nice ideas in the background, that is for sure, but in the implementation, it often falls on the nose, and still we find something here and there. It does have the support of some fine performances in moments, and it also thrives on the moments. After all, we can’t just avoid a Cinderella movie when it comes, even when it deviates too much from the original ideas, and even if it is not the Cinderella that we knew or wanted to watch.

The claws of flaw :: For a Cinderella movie, this one is really strange. Its deviations often feel dumb, and often it feels useless. We have watched so many Cinderella films that we know what the story should really be about despite adding something not suiting at all. Some of the music does get irritating, just like a few of the characters fo manage to do. It is the same reason why it also feels foolish at times. The director here does have some weird and silly ideas about making a Cinderella film, and one has to understand that there are a few things which really make a Cinderella, just like without a few things, some classics and fairytales are not complete – Hamlet needs vengeance, Macbeth needs the witch-like creatures, Rapunzel needs the long hair etc. This is where Cinderella making the unnecessary deviation without creativity falls behind, and in the process, it is also too long a film, considering what kind of content it has.

Performers of the soul :: A lot of characters in the movie do look strange, even though many of them seems to excel in this. Camila Cabello is really good, without doubt, and the same can be said about Idina Menzel and Pierce Brosnan. Camila Cabello has some fine moments which rise a long way up, while it is always good to see Pierce Brosnan in any role. Idina Menzel has her stepmother role smaller than what one would have expected. Maddie Baillio and Charlotte Spencer plays the usual stepdaughters of the good old fairytale. Nicholas Galitzine and Minnie Driver are okay, but seem to overdo things at some moments, and some of their dialogues are ridiculously silly – but that is more or less inheriting the silly mood of the film itself. Tallulah Greive plays basically a useless role, and she doesn’t have enough screen-space either. A number of smaller characters in this film seems to be strangely written, and we would have actually done better without them as some of them also manage to look much ridiculous. Billy Porter as the fairy godmother is nonsense.

How it finishes :: Cinderella with this version is enjoyable only because of parts. Otherwise, it is irritating in other parts. It needed better music and try not to use nonsense to sell its ideas. These won’t suit in a Cinderella film either, but as it does look good, and because we have always loved Cinderella, we go on with it. As it has released on Amazon Prime Video, there is always the option to fast forward those unnecessary elements. When people try to divert a classic fairytale without not much thinking, I can assure you that there are many areas where you wish to fast forward. If you accept people’s right to be silly if they have a high budget, and enjoy the rest, you can enjoy the magic with the visual extravaganza. Well, we have accepted many stupid films which looked good or a few others with dumb fun, it is very much possible to be entertained by this.

Release date: 3rd September 2021
Running time: 113 minutes
Directed by: Kay Cannon
Starring: Camila Cabello, Idina Menzel, Minnie Driver, Nicholas Galitzine, Billy Porter, Pierce Brosnan, Maddie Baillio, Charlotte Spencer, Tallulah Greive

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@ Cemetery Watch
✠ The Vampire Bat.

A Monster Calls

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Vampire Owl: Do you know that a monster did call me before?

Vampire Bat: Yes, the potato chips monster.

Vampire Owl: No, a real monster.

Vampire Bat: What did he say?

Vampire Owl: He said that he would eat me for dinner.

Vampire Bat: Oh! A monster that eats the undead for dinner. This should have been in the news.

Vampire Owl: Yes, but it was April Fool, coming right from Uncle Dracula.

Vampire Bat: According to the humans, we are surely monsters. So, from another perspective, it is true.

Vampire Owl: But we are vegetarian.

Vampire Bat: Yes, that is indeed our specialty which is to remain the same.

[Gets three cups of masala tea with potato chips].

What is the movie about? :: A young boy named Conor O’Malley (Lewis MacDougall) is in a state of worry due to his mother Elizabeth Clayton’s (Felicity Jones) cancer. She keeps telling him that she is getting better, but the truth is that she is not. It is only getting worse, and she is slowly and steadily moving towards her end. It is difficult for him to accept the same, and with his father Mr. O’Malley (Toby Kebbell) being separated from him and living far away from them, he has not many people to look forward to. He is also targeted by Harry (James Melville), a bully at the school, and he is asked by his grandmother Mrs. Clayton (Sigourney Weaver) with whom he doesn’t have a great relationship, to move to her home with her. But Conor is more frustrated by the idea of moving to his grandmother’s home than about being bullied by his classmate and his friends.

So, what happens next? :: One night at exactly 12:07 a.m., Conor comes across a strange tree-like monster (Liam Neeson), that tells him it is going to come up with three stories, after which Conor has to tell the monster his own story, which is the truth behind the nightmare that he keeps seeing. The first story is that of an old king who has lost all his sons battling giants, dragons and great wizards who led men and creatures of darkness. The only heir he had was his grandson who was loved by all people of the kingdom. But at his old age, he gets married to a beautiful woman, after which he falls ill and dies. With the prince not old enough to claim the kingdom, the queen becomes the ruler, and the prince runs away with his love, a farmer’s daughter who seems to be murdered. This queen who is claimed to be a witch, is supposed to be behind the death of both the king and the lover, is saved by the monster, as he claims – Conor wonders why.

So, how do things go from here? :: The second story is that of an ill-tempered, greedy apothecary who follows the old ways of medicine, and pesters a local parson to let him cut the yew tree in the churchyard. The parson who is a man of strong faith is against the apothecary who grows in hatred towards everyone around. But when the parson’s two children gets ill, he asks the apothecary for help, and even offers the yew tree and a change in his own belief. But the apothecary refuses to help him, and the children die. The tree then takes his monstrous form and begins destroying the house of the parson, much to the dismay of Conor who doesn’t understand why the creature is not destroying the house of the apothecary instead. As the third tale nears, Conor’s relationships with his father and grandmother worsens further, and his mother’s disease also gets worse – now, the question remains if the creature can actually heal his mother.

The defence of A Monster Calls :: There is sadness in A Monster Calls, and you can feel it all the way from the beginning to the end. The monster has the message to move on with one’s life, and survive through the unexpected pains – on what it takes to live through the certainty of losing a loved one. It uses all the available themes to its advantage, and tells the message with ease. All the characters used here points to that one message. It has all which are needed to strike you emotionally, and at the same time, despite being a fantasy movie, has more of real life in it with all the fiction that seem to be part of the world. It becomes more of a fairy-tale for the adults rather than children, as each point that its main characters make is worth pondering about. It makes one turn into one’s own mind and ask the same questions about humanity again and again, and at the same time, we get to see the nice creature detail to go with it.

The claws of flaw :: You can keep feeling a certain amount of drag throughout this flick, and those who are looking for the usual kind of fantasy movies are going to feel strange. If you can’t take some preaching, this one is going to be not the movie for you. There also seems to be an attempt to get more and more emotional with things, but that was really not needed, as there was a lot of the same, which came naturally. This is also based on a novel of the same name, written by Patrick Ness, and so it is up-to the author who wrote the screenplay for the movie as well as the fans to decide on how it did justice to the work. There is also the chance to miss out on the symbolism that one comes across in the movie, and so maybe the flick could have hinted on what it was planning to do – a lot of people should have felt that the monster is the usual one, but this one is not just a monster, but much more than that, and one needs to take that.

How it finishes :: The fangs of the message here is quite strong, and it is the performances which support the same more than anything else. You will see how well Lewis MacDougall takes the protagonist to the viewers so well. There is no doubt anywhere about how Sigourney Weaver gets us closer to things, and Felicity Jones makes us feel the pain. As the movie deals with a situation which most people will face in one way or the other, one can be certain that there is the need for A Monster Calls at some point, and we will have to take these messages from the movie right back home. Well, above them all, there is Liam Neeson as the monster, and there is nobody else who could be a monster who provides us with the best messages – proven here without doubt. What would you do when your own monster calls? Well, it is something to keep thinking about.

Release date: 23rd December 2016
Running time: 127 minutes
Directed by: J.A. Bayona
Starring: Sigourney Weaver, Felicity Jones, Toby Kebbell, Lewis MacDougall, Liam Neeson, James Melville, Geraldine Chaplin, Max Golds

amonstercalls

@ Cemetery Watch
✠ The Vampire Bat.

Before I Wake

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Vampire Owl: Do I get to make a sentence with this title?

Vampire Bat: What are you talking about?

Vampire Owl: I really wanted to make a sentence with these words as those school children do.

Vampire Bat: Why do you want to imitate school children when we are self-taught and vampire-learnt?

Vampire Owl: I just want to try it once like they do.

Vampire Bat: Okay, come up with the sentence.

Vampire Owl: Before I wake, I remember that I need to brush my teeth.

Vampire Bat: This is the most ridiculous sentence that I have heard – you never brush your teeth. And you should remember that before going to sleep, not after falling asleep.

Vampire Owl: I do brush my teeth, but I do that only in secret.

Vampire Bat: Secret? It is not like you are planning to bring the end of the world.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: The married couple of Jessie (Kate Bosworth) and Mark (Thomas Jane) Hobson makes the decision to adopt a child after their young child dies all of a sudden, and as they realize that they can’t be parents biologically anymore. They haven’t really recovered from the loss of their only child, but they decide to go on with the adoption anyway hoping that it will make them forget and provide a child with a better life. The one whom they adopt is the eight year old boy Cody Morgan (Jacob Tremblay), who was adopted many times, but had to return to the foster home for a variety of reasons. After not much of a thought, they decide that this is the child for them. Even though Jessie is a lot more concerned with parenting after the unexpected death of her son, she decides to bring all the love to Cody, and so does Mark.

So, what happens next? :: There are just happy moments with the three around, and they get along really well. Cody seems like a good child, and the the couple leaves nothing behind in loving him. One night, the couple are surprised to see beautiful butterflies of different colours fly across the living room. But when Cody wakes up, things get back to how it used to be, and the butterflies suddenly disappear without leaving any trace. Another night, after talking to Cody about their dead son, they find the child standing in front of them at the main hall, and see him disappear when Cody wakes up. Jessie is fascinated by this, and shows him many videos of his son so that there is a better chance that Cody dreams about him when asleep – she also tries to keep him asleep so that he can dream. But there is more to his dreams that they know – and it will be revealed soon.

What all awaits in the dreams and nightmares? :: Cody talks a lot about The Canker Man (Topher Bousquet) who is always with him. As this person is supposed to arrive when he is asleep, he mostly stays awake reading about butterflies and other nice things. He often talks about this creature having eaten his mother, and keeps making sure that this shadowy creature is not present around him just before going to sleep. With all these powers that Cody’s dreams have, there is only more that the powerful nightmares can do, especially during a bad day at school or at home. It is certain that nobody believes him when he talks about it, and not many people who have seen it remains alive, with the rest of them in the mental asylum. With such dark power waiting to be unleashed, does the couple realize what they are going to face?

The defence of Before I Wake :: Well, this is not the horror-fest that we need, but the beautiful horror that could do even better. There are enough scary moments, and along with the same, the main idea is superb – to have a mind that could create things, but good and bad, through the dreams which become reality; you sleep, but what you have in your dreams and nightmares become the reality for the people who are awake. When you are not in control of these, you don’t wish to sleep at all – nobody can blame you for the same. There is a nicely designed creature here, and the same can be said about the environment as well as the world that is created inside the dreams and nightmares. Mike Flanagan has provided us some of the most interesting horror movies including Ouija: Origin of Evil and Oculus, and Absentia and Hush are two highly rated ones from him too, with Gerald’s Game coming up based on the Stephen King’s novel of same name. You can always expect something special when he is around.

The claws of flaw :: This one could have surely added more frightening moments, and also should have picked up the pace faster in the beginning stages. We do have an idea early enough, but things just move rather slowly during those times. The Canker Man, the monster, should have been in the movie for longer too – so could have been the use of his powers, with sleeping and dreaming being part of the action on screen when least expected. With the scope for imagination to run wild as this is about dreams and nightmares, one is sure to say that this movie could have easily made it into the list of favourites on many lists with more attention. There could have been something similar to the magic which Guillermo del Toro had created with his creatures in more than one movie, but this one’s focus keeps shifting from what was its biggest strength among them all – the nightmare creature, or the Canker Man.

How it finishes :: There is one thing that we can be sure about – it is that Before I Wake is more than just a horror movie; it dares to be different in its treatment of its monster and how things change to reach that end which leaves a smile on our faces. It ends with more of a beautiful feeling than anything else – it is something that horror movies don’t usually have. As Kate Bosworth provides with a performance that makes us feel the dreams and nightmares, happiness and sadness, life and death – all at one place, we are made sure that this is the horror movie which is not just about being terrifying, but also about something more than that. It is the success of this kind of a movie that we see here, which is part a fairy-tale and also a horror movie, being the kind of movie that we wish to watch before we go for sleep and have our daily dose of dreams and nightmares. Here we have those which make Crimson Peak and Mama proud.

Release date: 31st July 2016
Running time: 97 minutes
Directed by: Mike Flanagan
Starring: Kate Bosworth, Thomas Jane, Jacob Tremblay, Annabeth Gish, Dash Mihok, Topher Bousquet, Scottie Thompson, Justin Gordon, Kyla Deaver

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@ Cemetery Watch
✠ The Vampire Bat.

The Huntsman

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What is it about? :: The movie begins a long time before the incidents which were depicted in Snow White and the Huntsman, as Queen Ravenna (Charlize Theron), the dark sorceress finds out that her younger sister Freya (Emily Blunt) has an affair with Andrew (Colin Morgan), and is carrying her child. But the marriage doesn’t happen as Andrew is engaged to someone else, and after giving birth to a baby girl, Freya on a dark night, sees that he has murdered their child. This unleashes an uncontrolled fury in her which brings out the hidden powers of ice and snow from inside her, killing her lover and transforming her love into hate. She abandons her sister’s kingdom and comes up with a new kingdom in the north which is covered in ice and snow under her power.

So what happens next? :: It is a new world of depression and sadness that she creates far north to the kingdom of her sister who unleashes her own evil. She gets children kidnapped so that they could be trained to become remorseless huntsmen, who were to become part of her army. She raises the group to become her soldiers who know no love and has no regret. All of them trains to become the elite group of huntsmen who are feared and fight her battles. Soon she finds the best of them in Eric (Chris Hemsworth) and Sara (Jessica Chastain), but they only fall in love many years later, something that she can never agree to. She successfully separates them, and the former lives in the grief of having watched the latter die.

And then to the present :: Then the scene shifts to many years later, after the incidents of the first movie, as Eric is wandering through the forest only to find that Snow White (Kristen Stewart) is ill and the magic mirror has gone missing. Freya is having an eye on these lands, and the dark magic in the mirror threatens the kingdom. Now it is up-to Eric the Huntsman to save the day and he is joined by Nion (Nick Frost) and his half-brother Gryff (Rob Brydon). Two other dwarves Bromwyn (Sheridan Smith) and Doreena (Alexandra Roach) also join their team. There will be magic and there shall be goblins on their way. Freya has sent her own team of huntsmen, but another big surprise awaits them. What about true love? Does it go beyond death and devastation?

The defence of The Huntsman: Winter’s War :: There is one thing that a person can be sure about here, and it is that The Huntsman: Winter’s War is cent percent a better movie than its predecessor Snow White and the Huntsman which was so empty a movie with empty expressions from its heroine. We also have some of the most amazing visuals here, with all the magic around. The snow and ice on the screen never ceases to be interesting. With magical creatures added, there is the further scope for visual beauty an that is explored very well here. The final scene of battle is also a very good one, which means that the movie manages to finish off really well. It is mostly all that a fairy-tale should be, and is a clear improvement from the predecessor; the lower box-office collection should go to the credit of the terrible predecessor which had already ruined the opinion about what was to follow.

The claws of flaw :: There are those predictable lines going through this movie too. A number of things can be guessed, and there is no real attempt to try differently either. The journey from a prequel to sequel goes rather strange too – it could have been just the sequel with a very small flashback and that could have worked out perfectly. There is also the chance to make use of its potential, which is not fully taken. Charlize Theron is underused, and we needed more battles of magic like the final one. In a movie in which there are two evil sorceresses, we see a little too less use of powerful magic. There is also the case of the mirror which should have been better utilized. There are those times when the direction of the movie is a little doubtful and some of the jokes also go on without making the desired effect.

Performers of the soul :: Even though Charlize Theron is there only for a few minutes, she has that kind of a presence that is strong enough to steal the show. We are sure to ask for more of her. Meanwhile, Emily Blunt shines in her ice and snow avatar while Jessica Chastain remains just okay in her role as the huntswoman. Maybe these two could have switched their roles to bring a better effect as we all know what the former is capable of in such a role with her Rita Vrataski in Edge of Tomorrow. Chris Hemsworth continues the same thing as he did with the earlier movie, and that manages to be okay. The actors and actresses who played the dwarves bring some good fun. It is nice to have gotten rid of Kristen Stewart’s Snow White though, as that certainly made things a lot better.

How it finishes :: As many other fairy-tales, this one also focuses on that one special thing, which is true love. The main idea here itself is about the two main protagonists and the lost love even though the villains do steal the show in between. It is the usual battle between love and hate that goes on here, and the much awaited defeat of evil waiting to happen by the finish. As a whole, The Huntsman: Winter’s War is an entertaining movie which takes those usual elements of fairy-tales and deals them well enough with some interesting messages. It was just too much underrated by the audience and the critics judging it as a part of its predecessor. There are things that fairy-tales could do, and this one thankfully knows that well enough.

Release date: 22nd April 2016
Running time: 114 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Chris Hemsworth, Emily Blunt, Charlize Theron, Jessica Chastain, Nick Frost, Sam Claflin, Rob Brydon, Alexandra Roach, Sheridan Smith, Sope Dirisu, Colin Morgan, Fred Tatasciore, Sam Hazeldine, Sophie Cookson, Madeleine Worrall, Kristen Stewart

thehuntsman

@ Cemetery Watch
✠ The Vampire Bat.

The Visit

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Vampire Owl :: That reminds me that we haven’t visited Uncle Dracula for a long time.

Vampire Bat :: We are not supposed to do that before submitting a report about The Conjuring 2.

Vampire Owl :: Well, at least we can add new movies to the list of flicks we have watched.

Vampire Bat :: I believe that watching one more horror movie will only do us a lot of good.

Vampire Owl :: Yes, it is a kind of regeneration, I agree.

Vampire Bat :: And this one is from Manoj Night Shyamalan.

Vampire Owl :: Which was the last movie from him that we watched?

Vampire Bat :: That should be After Earth.

Vampire Owl :: Lets forget about the past then.

Vampire Bat :: Yes, I surely have a better feeling about this one.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Two kids, Becca (Olivia DeJonge) and her younger brother Tyler (Ed Oxenbould) decides to go on a five day visit to their grandparents whom they haven’t met before, as their mother Loretta Jamison (Kathryn Hahn) had left the house to live with the man of her dreams, and never talked to them after that. She goes on a cruise with her new boyfriend, as the children leaves to enjoy their holidays with their grandparents. The two kids meet their grandparents (Peter McRobbie and Deanna Dunagan) and they are extremely delighted of this family re-union, calling the two elders, Pop-pop and Nana, and the elders also look very happy to see the children. They even shoot a documentary about their visit to their “reclaimed” grandparents.

So what happens next? :: But things don’t go that smoothly as expected, as there is something really strange about the grandparents. The bed-time is set at half past nine, and whenever they try to go out or even look outside their room, there is something really weird going on with the grandparents, especially their grandmother. Her behaviour only seems to get even more strange as days pass, and their grandfather beats up a random stranger on the streets for no real reason. There is a girl named Stacey (Celia Keenan-Bolger) who had come to visit the couple, but they don’t find her leaving. By hiding a camera, they discover even darker secrets, and they realize that there is something wrong about their grandparents even though their mother doesn’t believe them. They decide to find out what it is.

The defence of The Visit :: The movie has an interesting run throughout, and we are left guessing about what is wrong about these people, and then the twist comes by the end – it works very well. There are some really creepy moments in between, and they actually come out of nowhere, mostly when we are least expecting them. There are also some funny moments in there, and The Visit should qualify as an entertainer in most of the lists due to the same reason. Running for just a little bit more than one and half hours, The Visit makes sure that it keeps us there, very much interested in it. There is not much of blood and gore here, and without using that much of the jump scares, the movie manages to be an interesting horror flick, which means that there is some nice skill going on there.

The claws of flaw :: The movie takes a certain amount of time to get to its thrilling side, and until then, the possibility of terror is not that much ascertained. The found-footage elements were not necessary here either, and we could have actually done without them. It is the kind of thing that I have hated in almost all horror movies, yes even those highly popular ones. The premise could have been better used, as this kind of a story can always bring a high amount of creepiness into play. There are also some silly moments around in this one, and the scary side could have been introduced a lot earlier. One can often compare it to a very strange and gloomy fairy-tale, but it never really gets there in totality – that would have been another interesting thing.

Performers of the soul :: The kids Olivia DeJonge and Ed Oxenbould have done fine job here, even though there is not that much to perform in this horror movie which focuses on the two elders. But the funny side works very well for them. Deanna Dunagan and Peter McRobbie brings the best of a strange couple here, and the former has the best moments in the movie. She has her hide and seek moment, the oven scene, the scene when she is scratching on the walls and those final moments of horror from under the bed which all leave some impact on the viewers varying only in the degree. Above them all, there is one thing that we can be more certain about, and it is that Manoj Night Shyamalan has returned to form, and it will be interesting to see what his next movie is about – 2017 will have the thriller Split with James McAvoy and Anya Taylor-Joy who was earlier seen in The Witch.

How it finishes :: Compared to the rest of the movies of its genre released in the last few years, The Visit surely has managed to come up with a separate identity, even though it doesn’t completely use its premise to the best advantage. The last two movies from Manoj Night Shyamalan including The Last Airbender and After Earth never really got close to keeping me interested. But this one surely brings him back, with certain amount of skill in creating those moments of horror, rather than sticking to the usual formula. My favourites from him will always be The Sixth Sense and Unbreakable, but this one also makes it to the interesting movies list with his name on it. When talking about the movies with story from him, I would go for Devil as my favourite.

Release date: 11th September 2015
Running time: 94 minutes
Directed by: M. Night Shyamalan
Starring: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Benjamin Kanes, Celia Keenan-Bolger, Jon Douglas Rainey, Brian Gildea, Shawn Gonzalez, Richard Barlow, Erica Lynne Marszalek, Shawn Gonzalez, Michael Mariano

thevisit

@ Cemetery Watch
✠ The Vampire Bat.

Cinderella

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Vampire Owl :: You know that I can’t watch Cinderella.

Vampire Bat :: What? From where did you find a reason this time?

Vampire Owl :: It is one of those Happily Ever After stories. I don’t believe in that. And vampire owls don’t read fairy tales.

Vampire Bat :: But it has enough changes making the movie different.

Vampire Owl :: I have known changes, like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters.

Vampire Bat :: No, not like them. There is no darker interpretation for this one, and there are no monsters or black magic.

Vampire Owl :: I think you should have watched Focus instead of this one. Without the dark side, this is like children’s movie.

Vampire Bat :: No, the story has evolved; it is made better without losing the core.

Vampire Owl :: I have absolutely no idea what you meant by that.

Vampire Bat :: I say that you read my review and see if you still want to skip this movie.

[Leaves for the tea shop].

What is it about? :: The great fairy-tale gets another treatment as things change for Ella (Lily James) with the death of her mother and everything gets a lot worse with her father’s second marriage which is followed by his death. The new step-mother Lady Tremaine (Cate Blanchett), who comes to reside with them along with the two daughters of her own, Drizella (Sophie McShera) and Anastasia (Holliday Grainger) turns out to be very unlike someone they were expecting as a mother figure. The two sisters were not any better either, as they detested her and the new house; even their new cat Lucifer proves to be an enemy for Ella’s rat friends. As the attitude of the new mother gets worse everyday, Ella who is now called Cinderella due to her life close to the cinders, our protagonist only has the faith in magic, as well as her belief in courage and kindness to bring her the twist to her tale.

The defence of Cinderella :: Among the fairy-tales, Cinderella is surely not the easy one to adapt and come up successful because the idea of a Prince Charming and the thoughts about the evil step-mother won’t sell that easily these days for the adults, and it is too simple a story and not something that can have too many additions without affecting the essence. This is a season when the new age evil want to shoot down Prince Charming because he is a good person; some people really can’t stand extra goodness because it is not in them. During such a season, this movie manages to rise and fly high, for which a lot of applause is deserved. With an amazing world already made with splendour, what you should keep in mind is that this is still a fairy-tale, and the soul goes directly to the original story. You have to keep that in mind, and keep a part of your mind for believing in magic.

Positives and Negatives :: Unless you have had a highly uninteresting and ridiculous childhood, you are going to love this movie. Yes, Cinderella is also nostalgia, and you have to repsect your own past without which you are nothing – remember and admire those tales which shaped your early lives. It is a fairy tale and if you want Cinderella to be too much like a modern age character, go and stick to your limited list of movies – but let me tell you; this is the best portrayal of Cinderella ever. Yes, the fairy godmother needed more screen-time and polishing, and there could have been a little more of interactions between Cinderella, sisters and the step-mother added. But then you see the costumes, especially that of Cinderella going for her moment with the prince – it is stunning, and how good Lilly James looks in the same makes one wonder if Cinderella is indeed real.

Performers of the soul :: Lily James is stunning as Cinderella, and it is like she beautifully carves herself into the character. There is the scene when she is magically dressed in that stunningly beautiful blue dress, and you need to think of nobody else as the titular character. Then there is her again in another blue dress, this time a normal one by the end – here she is the happy young girl and she looks amazing there. She completely takes over all those emotional moments, whether it is of sadness, joy, hopelessness, love or sympathy, and it is a blessing for the audience to see her as Cinderella on the big screen. Then there is Cate Blanchett with a believable step-mother role which she does to perfection, and the two sisters are also very good here. Richard Madden is a fine Prince Charming and Helena Bonham Carter needed to be there for more, but is fine when she is there, and the narration is interesting.

Soul exploration :: Selflessness, sympathy, forgiveness and simplicity which Cinderella displays in this movie are something rarely seen in this world. The tale once again tells the story of the protagonist who is mistreated, rising above the limitations. No, this is not a story of one girl, but of a large number of men and women who are mistreated because of any reason. Prince Charming is just a symbol of glory in attainment; it could have been anybody else, like Princess Beautiful or any other thing which can be personified into something else. But the fact remains that the movie brings that idea to us only by polishing this movie and keeping the soul of this fairy tale alive. It could have gone darker like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters, but chooses to keep the soul the same, and still make that great impact. And yes, do believe in some good magic.

How it finishes :: Along with all those things for which you admire Disney, add this one to that list. There was also a short animation movie called Frozen Fever which worked like a little sequel to Frozen – it was shown before this movie, and there were no usual trailers. As it comes with Cinderella, Anna and Elsa makes things perfect with the birthday pary of the former. “Making Today a Perfect Day” is not “Let it Go”, but it is still so much fun with out favourite characters right there on the screen. Disney never ceases to bring more and more magic to us, right? This was such a nice pleasant surprise for the audience and everyone seemed to love it. You can add Cinderella to your list of best Disney movies without much thinking twice about it. The fact that it still stays at the theatres even after two big Malayalam movies released, points to the truth that it is special. Courage and kindness – take these two things home from Cinderella.

Release date: 20th March 2015 (India); 13th March 2015 (US)
Running time: 113 minutes
Directed by: Kenneth Branagh
Starring: Lily James, Cate Blanchett, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Ben Chaplin, Sophie McShera, Hayley Atwell, Helena Bonham Carter

cinderella

@ Cemetery Watch
✠ The Vampire Bat.

I

i (2)

*** I is not just another movie as some critics have judged in the form of the random revenge thing coming to the viewers again. We all know that it has received mixed responses from the audience and critics alike, but let’s not fall into that trap to think twice about watching the movie. I might not be as good as some other movies from Shankar, but it is different, and deserves to be seen and treated with respect that it deserves. It is nothing like we see in Indian Cinema, and the way in this one entertains is different and effective. I wouldn’t be surprised if this goes on to become the highest grossing Tamil movie in Kerala, considering the number of theatres where it has released and the number of shows present in each of the multiplexes.

✠ I has got its plus points:
The awesomeness of Vikram: You are introduced into a pure Vikram show here, and personally I feel that I might never see another actor like him in Indian cinema during my age. Even as this is an entertainer with those masala elements, one can’t stop admiring how great a performer he is, in all roles – he keeps making us feel for his character even when the hero is more than a normal man, beating up too many people. Like the most common words which are used in this movie, one has to wonder what stands above everything; a long way above this movie – and it is Vikram. It is this one actor who raises the level of the movie along with himself, and imagining someone else in this role is nothing less than a crime and a sin of the highest level.

The beauty that is Amy Jackson: This lady makes an impression in her way, and there are times when the Magic Mirror chooses a less expected person as the fairest of them all (Tamannaah Bhatia is the one who comes to my mind whenever I hear that) – here it is Amy Jackson who is stunningly beautiful and even cute at times, redefining most of those occasions when the same words were used in the case of a few other actors. She gives aesthetics a new meaning. This is indeed a big role for her, and amazingly suitable; something that we realize very early. There is nothing special for her to do though, and that is understandable considering the nature of the movie and how much it is dependent on Vikram. Lets give some applause to Suresh Gopi too, who also has his moments.

The stunning visuals: The visuals of China’s outskirts are mesmerizing here, and almost everything happens in relation with the natural beauty during those shoots, and it is a big boost to the movie. This is even better with the visuals of songs. It is like another special world for the viewers brought with big splendour. The graphics are also advanced, and the make-up and costumes can be considered as an even bigger boost – they are so good that you will raise your expectation a lot for any other movie. The definition of an entertainer changes here, and you are are surely going to ask for more after this, instead of deciding to watch some random action and romance. These visuals on the screen increases the need to watch this on the big screen even more. The background score nicely supports the visuals.

Fairy tale and its narrative: The way of narrative is something that I enjoyed a lot. I have always enjoyed these non-linear narratives, and it rightly suits the movie here, even as I doubt how the usual audience would take it. The fairy tale elements also has the charm, and there is the song which seems to a clear tribute to The Beauty and the Beast, even as in totality, our hero is no beast, but someone deformed. That is one awesome song on the screen, just like the one in China. There is the certainty of love thriving against all adversities, and that bad guys getting their due as part of that poetic justice. I is that kind of a revenge-seeking fairy tale with its dark side, as you might be familiar with if you have watched Maleficent. It also has its hunchback of Victor Hugo who deserved to be treated better and in another way, its Frankenstein monster – another deformed person who looks for love.

✠ Where it misses:
It misses out in the second part of the first half, and once our hero and heroine reaches China and finishes their first song, it drags and goes on and on with the usual stuff. Yes, the plot itself is a revenge story, but the latter part of the first half can’t even present things in an interesting manner. Couldn’t some elements be less predictable? The movie is too long too, and they should have cut the romance a bit. There are also too many advertisements shown in the movie – yes, there was the need for a few, but here we see too many; still enjoyable ones there. The beast is also limited to the song, but then the question remains where it could come in when the movie plot is considered. But I had expected a lot more from the beast. The action scenes should have been lesser in number along with the songs. But this movie is beyond all these limitations, as the positives that I mentioned runs through with extraordinary power.

*** The movie becomes a very good lesson on how an entertainer can be made without being dumb and ridiculous. Bollywood can use this for ideas, and learn how not to make a Krrish 4 and Dhoom 4. Anniyan actually managed to be better, years ago, and therefore, I wouldn’t consider this movie as something which changes anything. But I is a movie that could be watched for great entertainment, as well as the great performance that Vikram has put into the movie here. The humour also works and there is a powerful emotional connection that is maintained, which strives to focus on the power of true love that is beyond appearance and money. Don’t go with the reviews, but go with Vikram on this one. Here is a big salute to the actor on how well he has tried and made his transformation, and how much strength he has brought to an ordinary revenge plot. I have given the movie a rating, but I cannot be judged by ratings, and the right method is to watch it in the theatres.

Release date: 14th January 2015.
Running time: 189 minutes
Directed by: Shankar
Starring: Vikram, Amy Jackson, Suresh Gopi, Upen Patel, Santhanam, Ramkumar Ganesan, Mohan Kapoor

I

@ Cemetery Watch
✠ The Vampire Bat.

Warm Bodies

warmbodies!

Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”.  This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich

warmbodies copy

@ Cemetery Watch
✠ The Vampire Bat.

Epic

epics

Epic is said to be based on William Joyce’s book for children, The Leaf Men and the Brave Good Bugs. It is produced by Blue Sky Studios, the makers of the Ice Age series, Robots, Horton Hears a Who! and Rio. It is directed by Chris Wedge who was the director of Ice Age and Robots. The movie shows the battle in the woods between the forces of good and evil, to know if life or decay, whichever overcomes the other. The most interesting thing is that as their world is saved, ours is saved too. As the will premiere in the United States only on May 24th 2013, we know that this has come here early. It should be because it might collide with Fast & Furious 6 otherwise, but there is also another thing about it. It is not of logic, but of impulse, that is the pollution of the natural environment which is a serious challenge in this part of the world. Remember these lines from The Matrix – they are not to be forgotten as the movie ends; “Every mammal on this planet instinctively develops a natural equilibrium with their surrounding environment, but you humans do not. You move to an area, You move to an area and you multiply, and multiply until every natural resource is consumed. The only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Human beings are a disease, a cancer of this planet. You are a plague, and we are the cure”. The truth in these words are not to be considered unseen before we move into this movie.

When Epic begins, we understand that there is a battle between good and evil, life and decay, green woods and the dark woods, the right and wrong going on in the forest. The two sides are always inter-locked in a never-ending battle for supremacy, one for keeping the balance of nature and the other to extend their borders and make their side weigh more. But they exist invisible to the normal human eye. The forest world is actually preparing for a great moment, the selection of the successor to the queen of the woods, which is looked at with anger and hatred by the forces of evil who wishes or a dark prince instead, who can change the green woods into dark woods, with darkness all around. In the middle of all these, young girl named Mary Katherine (preferring to be called M.K), visits her father Professor Bomba who lives in an old house near some thick woods with his dog, Ozzie and never ending hope of finding a group of little elf-like warriors who live in the woods and protect their world as well as that of humans as the guardians of the good – represented by leaves. He has cameras set everywhere in the woods and also wanders around a lot, hoping to find them some day. It is evident that it has been a long time since he had any contact with the outside world. He is too busy with his job and neglects his daughter just like he had done to his wife years earlier, leading to Mary putting a note for him to see and leaving the place as she feels she will never get her father back to normal life.

As she is leaving, Ozzie finds a chance to go out of the monotonous world which is the house, and runs into the woods. Mary goes into the woods to look out for him, but as she catches one of the glowing leaves which seemed to fall from the sky, she suddenly shrinks in size. Then she discovers the group of warriors her father was looking out for, and find them as the Leafmen. To her surprise, she is soon forced to assist them in a war against the forces of evil known as the Boggans and their powerful leader Mandrake, along with trying to find a way to become big again as well as to return home. The situation is such that the queen of the woods has been murdered and to find the successor who planned by her before death, Mary and her friends, who include a slug, a snail, and two leafmen – one being the leader of the leafmen and the other being the aggressive and arrogant rookie, have to see the keeper of the scrolls, and with his advice, go on to find the new queen from among the flowers and leaves of the woods. But Mandrake is filled with anger and vengeance due to the death of his son by the leaf-men commander Ronin, and would stop at nothing other than a forest without life. He has already transformed a good part of the woods into his world of death and decay. The team has to fight an almost impossible battle in an enchanted world which seems to belong to the dark forces now.

The movie is a journey, just like The Croods, just four minutes longer and surely intellectually superior, still trailing in the 3D effects and the funny side. But emotionally, this one is as strong as the Colossus. Its social message of saving the trees and forest works for sure. This also another Alice in Wonderland, as the girl is thrown into another mysterious world, a land of magic; but this time, it is too connected with the external world. In that case, Arthur and the Minimoys a.k.a Arthur and the Invisibles might come into the picture in pictures of connected worlds, one a miniature place and the other, what we all live in. It is quite surprising that it was a movie which didn’t get that much an attention here. But, we know that little elf-like warriors, magical woods, fairy queens and a young girl or boy changing fate and destiny of two worlds are not exactly new concepts and with the high predictability might be a little let down. A background story on the good and evil might have given a little more support in the matter, but the two sides have already been painted black and white, evil and good; as this is more a fairy tale thing, there will be no questions asked either. But the world we live in has turned into more of the world of the grey, which is slightly more interested in evil, and it could affect the progress of this movie.

The alignment here is too obvious, unlike Age of Wonders, the game in which I first realized the importance of being aligned more or less to one side or being equi-distant from all. Highmen and Archons were pure good out there, Dwarves, Elves, Halflings and Syrons were good, Frostlings, Humans, Azracs, Lizardmen, Draconians, Tigrans and Nomads were the neutral ones, evil had Orcs, Goblins, Dark Elves and Shadow Demons and those of pure evil were called the Undead. Such was the division in that game series, and what we see is more of pure good and pure evil in this movie, and there is no further division. All these fairy tale characters seem to be good enough to make a powerful comeback these days, as the animated movies seems to be working better than the live-action usual thing, even as it is limited to Hollywood. Our movie here is strong enough to pave the way for the next animated ones which are to come, but there are times when some of these supposed to be pure good characters do nothing good; they can’t even preach well enough – at least that might have been expected of them. But the lost fun is recaptured by the main characters who make up for the less important ones. The 3D looks a little unnecessary, and here it was just another reason to take twenty five Rupees extra and increase the total time spent in the theatre.

Well, who doesn’t like a fairy tale though? One has to think that the kids would surely love it, even as the new generation has moved more to the video games and other stuff than books. Still, understanding them as movies is just a bonus for them. Here, the punch is solid and striking deep enough both on the brain and the heart. Its loyality to the genre can never be questioned, but a certain signs of evolution in the fantasy world is not to be ignored at any moment. Despite its loss in the 3D, it still has great visuals and wonderful CGI. The fairy tale of the girl who becomes lost in the forest and shortened by magic, uncovers a mysterious world of little people with its base on the enchanted woods. But other than being another Alice in a different wonderland of inferior quality, considering the way in which the movie progresses, supported by its stunning imagery & the “save environment” message, this becomes much better. It is surely going to appeal not only to kids, but also the adults. This is kind of a vacation season around, and this summer, this might be the right movie to watch as a family. Well, the woods grow over many years, but can be destroyed in a day – a message to the future generation. As the leafman says “We are individuals, but we are all connected”. There is a message for our selfish world; the world of humans who interrupt and cause devastation on nature. FernGully: The Last Rainforest might have already taught a few lessons though, and Dr. Seuss’ The Lorax surely succeeded in inspiring more than one person.

We have the major issues with water pollution, mostly due to untreated and illegal sewage disposal; we have another big issue as air pollution with vehicle emission and traffic congestion, and not to forget the disposal of garbage on land. The disasters should be much more than these, and the deterioration of the environment the destruction of ecosystems and the extinction of wildlife, something which starts basically from deforestation. There is no solution to greed for sure, and Agent Smith was partially right, and we are still trying to prove him completely correct. Well, that dialogue was a point when he had the sure upperhand in a world of reason. Extinction is not a limited thing for sure. Looking into Avatar, there is one particular dialogue “There’s no green there. They killed their Mother, and they’re gonna do the same here”. It doesn’t imply anything other than the destruction of the world of green by using their so called advanced technology. As most of the new discoveries have made life easier for man, they have surely made decay easier for nature. This predicament has another nemesis in Epic, as the movie comes against it strongly; it might be a little ordinary and quite predictable in its plot, but is still an inspiring story with a powerful message against the exploitation of nature and deforestation. There is the need for such movies with strong environmental theme.

Release date: 17th May 2013
Running time: 102 minutes
Directed by: Chris Wedge
Starring (voice): Amanda Seyfried, Colin Farrell, Beyoncé Knowles, Josh Hutcherson, Christoph Waltz, Aziz Ansari, Chris O’Dowd

epic copy


@ Cemetery Watch
✠The Vampire Bat.