Vampire Owl: I remember having met an elf with a similar name.
Vampire Bat: Well, this is certainly not a fantasy movie.
Vampire Owl: Elves are as real as we are. None of us are fantasy.
Vampire Bat: Well, for humans, we are all fantasy elements.
Vampire Owl: The girl on the poster does look very much real.
Vampire Bat: You surely cannot say the same about her surroundings.
Vampire Owl: The poster here doesn’t seems to mean anything.
Vampire Bat: It could be a reflection of the useless lives that the humans lead.
Vampire Owl: Well, with the terrible mindset that they have, what else can they do?
Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.
[Gets a vancho cake and three cups of iced tea].
What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.
So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.
The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.
The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.
Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.
How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.
Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen
@ Cemetery Watch
✠ The Vampire Bat.