Pradhama Drishtya

Posted on October 15, 2026 by Dr. Tennyson

Vampire Owl: I had some hope about this movie even before watching it.

Vampire Bat: Yes, the actors chosen here point to the same.

Vampire Owl: We were very close to watching this in theatre and not OTT.

Vampire Bat: Yes, but then we got vampiric sadness and decided not to go out.

Vampire Owl: I would say that sadness is a basic trait of vampire nature.

Vampire Bat: What can centuries-old vampires do other than being sad?

Vampire Owl: Watching humans do all the nonsense makes anyone sad.

Vampire Bat: They still having their civilization makes me wonder.

Vampire Owl: They would only have a few years left till extinction; I am sure.

Vampire Bat: I am checking on the time left for human extinction already.

[Gets a paneer uthappam and three cups of Sikkim tea].

What is the movie about? :: Aleena (Parvathy Thiruvothu) who had lost her husband Abraham (Asif Ali) during an operation which was executed without enough backup, opts for the same job despite a safe, desk job offered to her by the Kerala Police. As she decides to follow the path of her husband, she faces difficulties, but passes the training camp overcoming all struggles. She gets her first appointment at a police station which seems to have lesser number of troubles than one would expect, and her fellow officers CPO Sreenath (Mathew Thomas), ASI Dasan (Sidharth Bharathan) and CPO Divya (Unnimaya Prasad), with whom she becomes good friends. But their superior officer SI Xavier (Azeez Nedumangad) is more of an angry and frustrated man who is facing divorce from his wife due to his behaviour and alleged relation outside marriage. Meanwhile, the station is led by a more respectful and dignified, but often confused Circle Inspector Prathap (Vinay Forrt) who is fasting as he is getting ready to visit Sabarimala.

So, what happens with the events here as we just keep looking? :: The four officers also struggle with their own problems, as Sreenath has his relationship in trouble due to caste and status differences, Dasan wishes to marry a teacher whom he met while on duty and Divya is hoping to finally have a child after years of marriage. A textile showroom manager Jayaprakash (Sirajudheen Nazar) who seems to be leading a normal life with his wife Shilpa (Jayashree Sivadas) is secretly targeting and robbing homes at night with the help of his partner Meera (Catherine Maria) who works at the same showroom. On a night when both Prathap and Xavier are not at the station, Dasan, Sreenath and Aleena who are on night patrol, Jayaprakash in a car tries to evade the officers, only to end up being caught and taken to a police station where Divya is almost ready to leave duty. He tells them that he was only trying to avoid getting caught for drunk driving, making them uncuff him, but when they try to check the boot space, there is a fight during which Jayaprakash gets hold of Divya’s gun and is fatally shot. This leads a situation of custody death, from which they wonder how to escape.

The defence of Pradhama Drishtiya Kuttakkar :: The central conceit works like a dream here, as the group of cops trying to cover up evidence from their own department creates even higher stakes than Drishyam, which can be considered as having a less risky journey in comparison to this one. The fear and tension are so much there, never restricted to the background. The visuals are too good and we see the same elevate the tension during key procedural moments as well as the cover-up sequences. The moments are nicely arranged and the narrative strikes gold with ease. The movie’s best moments come out of nowhere when we least expect the same. While many sequels forget to keep the same level as original, this one brought some classic thrills which never goes down in level. The fights, when present, are also shown in a realistic manner, and we see the incidents unfolding in a believable manner. The assurance of a realistic journey can be seen at all times, and the success in achieving this much of twists and thrills with the same needs to be appreciated.

Positives and negatives :: The movie can feel like a little lengthier than needed, but as soon as the inciting incident happens, the same can be forgiven. There might be the feeling that too many liberties are taken, and the reliance on luck seems to be guiding the characters so much. There are moments when one feel that Drishyam-mode is activated, as even with finding of the corpse, there are more twists to follow, as the protagonist is as much well-planned as that particular family hero who has so much in mind. It is not easy to bring twist based on a twist, but that has been achieved. The emotional side also stays strong with the movie, and we stay in support of the main characters, even though the whole thing revolves more or less around one specific female character. Despite all of these, the movie has its own dose of humour. We also see dual-faced characters here who are not uncommon in any part of the world, and they remain the reflection of the society which keeps taking in pretenders as their champions.

The performers of the soul :: Parvathy Thiruvothu as Aleena Abraham serves as the one emotional and intellectual anchor to the proceedings, and we would remember her for a full-lead performance after a very long time here. Playing a junior police officer thrown into highly complicated situation, she goes from panic to stabilizer of the situation in no time. She blends into the situation like no other, and this might be the character we would remember her the most from now on, as works in movies like Ennu Ninte Moideen and Uyare pales in comparison. Vijayaraghavan stands tall on the other side, and instead of going through an aggressive mode following the usual cliches, he moves forward as a weary investigator whose patience is far more intimidating than anger. The slow, methodical dialogue delivery and classic observation rises above the rest with ease. Vinay Forrt plays the witness to all of these very well, while Sidharth Bharathan remains a fine likable character. Mathew Thomas plays his character in a convincing manner while Unnimaya Prasad could have had more to do in proceedings. Azees Nedumangad shines again in a police role different from that remarkable Kannur Squad.

How it finishes :: Pradhama Drishtya Kuttakkar is that kind of a thriller which has a crime coverup thriller very well done. While its overstretched total run-time and reliance on convenience keep us wondering if more could have been done, the film remains consistently watchable with strength in performances. Focusing on Parvathy Thiruvothu’s restrained intensity and Vijayaraghavan’s quiet menace, it deals with institutional guilt as much as survival panic, bringing twists and thrills as it keeps moving forward. Coming out of nowhere to get to that fifty-crore mark, this one can be counted as the silent assassin on low-budget rising above those higher budget thrillers which seemingly have tried more. One thing about the later Malayalam crime thrillers is that they have remained realistic, with or without a serial killer, and there are some of those investigations which surely deserve sequels. One cannot be sure about this particular movie which seems to have come to a fine end though.

Release date: 11 September 2026
Running time: 158 minutes
Directed by: Shahad Nilambur
Starring: Parvathy Thiruvothu, Mathew Thomas, Sidharth Bharathan, Vijayaraghavan, Vinay Forrt, Unnimaya Prasad, Azees Nedumangad, Balaji Sharma, Catherine Maria, Sirajudheen Nazar, Jayashree Sivadas, Midhun Venugopal, Suparna S, Jaya Shankar, Vrindha Menon, Bibin Joseph Vettukattil, Rini K Rajan, Jayarajan Kozhikode, Anusha Aravindakshan, Kalabhavan Niyas, Nandini Gopalakrishnan, Salman Kuttikode, Dinesh Prabhakar, Lal Jose, Praveen Selvam, Shifa Badusha, R Parthiban, Asif Ali (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Prakashan Parakkatte

Posted on August 1, 2022 by Dr. Tennyson

Vampire Owl: I think that they are trying to make the light spread.

Vampire Bat: You are misunderstanding the title.

Vampire Owl: So, humans are no longer spreading the light.

Vampire Bat: They had stopped living in the light a long time ago.

Vampire Owl: You mean living in goodness.

Vampire Bat: Goodness has not graced humans for such a long time.

Vampire Owl: Well, I have always known that humans fall easily.

Vampire Bat: When they fall, they end up very deep.

Vampire Owl: I would say they would go as deep as hellfire.

Vampire Bat: There is no fire that could burn a fried evil human.

[Gets a Little Hearts biscuit and three cups of ginger tea].

What is the movie about? :: Das (Mathew Thomas) is a plus two student who is not interested in studies, and spends time in other activities, leading to him missing classes regularly. He lives with his parents Prakashan (Dileesh Pothan) and Latha (Nisha Sarang) as well as his younger brother Akhil (Ritunjay Sreejith). Das’ best friend is Anwar (Govid Pai) who joins him in bunking class, a process which is repeated on almost all days. They often go to the local town of Mukkom and the city of Calicut without anyone noticing. Nobody believes that any of the two friends will pass the plus two exam, and even the headmaster is not bothered about them leaving the class too early, and encourages them to leave without bothering other students. Das also falls in love with another plus two student, Neethu (Malavika Manoj), but the problem seems that she belongs to a rich family which owns the bus which travels in the same route. She also studies in a private girls’ school, which bothers him. To get close to her, he also joins the tuition centre of Suni (Dhyan Sreenivasan) where Neethu also studies.

So, what happens with the events here as we just keep looking? :: Prakashan owns a grocery shop in the village which is not that much of a profitable enterprise, but as there are not many similar shops nearby, things don’t get that bad for them. His brother-in-law Kuttan (Saiju Kurup) spends his time wasting all the money which is earned from the shop. He is also a youtuber who has a group of people who calls themselves vloggers, but are nuisance to the locals. It is then that things get more difficult, as according to the local leader Raghavan (Sreejith Ravi) warned him earlier, Musthafa (Aju Varghese) starts Madheena supermarket near the grocery shop. Kuttan also supports Musthafa, who is his childhood friend, and the supermarket becomes a grand success. It is then that Akhil meets with an accident, and Das is blamed for the same for his reckless behaviour, especially by Latha who had always preferred her younger son over the elder one. As Akhil requires a surgery and further care, Latha is further angry at Das. Prakshan is forced to take loans from different people as there is the emergency. This turns their lives upside down, with an uncertain future.

The defence of Prakashan Parakkatte :: The movie is set up nicely to bring a tale of the common people who have their own struggles within the family. It never ceases to make one feel like it is a realistic world of simple things. The setting is really good, and there are the usual kind of people which we see around. The movie’s emotional side remains relatable and the struggles feel very much real. The truth about the youtubers who do no constructive things in life is also brought to life here in opposition to people who work hard and still can’t have enough to keep their family going. People who are looking for easy money and their spreading the curse through videos can be seen here. The visuals of this particular world nicely contributes to the overall movie, as the highlands have never really ceased being beautiful in Malayalam movies which explores the common man’s lives and struggles. The songs are good, and the one depicting plus two romance stands stronger. The cast is a really good one, and we can only love these performers going through the realistic mode.

The claws of flaw :: There is nothing new that the movie tries to bring around here. The formula has already been tested and approved, and there is no special ingredient to elevate the level of the film. Sometimes, the movie just seems to move forward without an idea about where it is heading – the direction should have been better planned here. Some of the emotional sides also feel overdone, and predictability is rather high. The ending doesn’t end the movie, but brings a continuation which seems to reflect the usual world. It could have chosen many different paths to reach the final destination, but here we see the safe path being taken instead. Taking risk doesn’t seem to be this movie’s cup of tea. The trailer and the choice of actors and actresses seemed to point to something bigger, but that much is not achieved here. There was the chance for bringing more humour here too, but without enough focus, it is not achieved. Sometimes, one does wonder what exactly the plan is. It could have added more feel-good elements, which had many opportunities to come to the scene – after all plus two life in school also becomes reflection of more opportunities.

The performers of the soul :: Mathew Thomas who had some fantastic performances in Kumbalangi Nights, Thanneer Mathan Dinangal and Jo and Jo has another work to remember here. He has always stood one step ahead of the other actors of his age. Govind V Pai of Parava fame is the one who supports him this time instead of Naslen K Gafoor who has aged a little too much to get back to his plus two avatar, and should be looking for the college roles or the elder brother roles to Mathew and Govind. Dhyan Sreenivasan plays the kind of role which Vineeth Sreenivasan had played with Mathew years ago, and this time, it is a cameo. Dileesh Pothan shines in the father role here, and the director turned actor is indeed the best choice for a role like this. Nisha Sarang of Uppum Mulakum fame joins and suits the role really well. Malavika Manoj is good addition to the role here, and she surely has a fine future ahead – she can join the new group of actresses like Mamitha Baiju and Anaswara Rajan who have had some strong presence early enough. Saiju Kurup nicely plays the typical new generation youtuber who tries the easy path without any hard work.

How it finishes :: Prakashan Parakkatte works just like those nice little feel-good movies following the trend which started with new life in Maheshinte Prathikaaram. The movie also serves as a coming-of-age story, the bildungsroman which works with the first half of life if we consider Premam as the one typical story in Malayalam film industry. The final message about money not being that important in life comes a little bit too late, and it is the kind of revelation which won’t work with people of this age where how much one earns and has in the bank account is considered to be the most significant thing, without which there is no life. One would wonder if the message of being a good person considered more important than money will work in this particular age when society depends on what lies in the bank account. But the movie attempts to provide that message and hope that thing will come together well. In the process, this becomes the usual movie with the common family problems, while being in control of the emotional side.

Release date: 29th July 2022 (ZEE 5); 17th June 2022 (Theatre)
Running time: 124 minutes
Directed by: Shahad Nilambur
Starring: Mathew Thomas, Dileesh Pothan, Malavika Manoj, Nisha Sarang, Govid Pai, Saiju Kurup, Aju Varghese, Dhyan Sreenivasan, Sreejith Ravi, Ritunjay Sreejith, Nithin Sabu, Stevin Bijum