Vaashi

Vampire Owl: I did like the trailer enough to go for this particular movie.

Vampire Bat: Yes, but we are less interested in watching movies in general.

Vampire Owl: We can’t leave the movies just like that.

Vampire Bat: We are not leaving them. We just don’t watch that many of them.

Vampire Owl: It is a deviation from our earlier policy.

Vampire Bat: There are no permanent policies in a world of chaos.

Vampire Owl: You mean to say that chaos hasn’t left our world again.

Vampire Bat: I will not hesitate to say that it is forever.

Vampire Owl: Why is it that humans can’t keep the chaos to themselves?

Vampire Bat: Maybe they are too busy with evil that chaos is no longer deemed necessary.

[Gets a vancho cake and three cups of elaichi tea].

What is the movie about? :: Advocate Ebin Mathew (Tovino Thomas) and Advocate Madhavi Mohan (Keerthy Suresh) are collegues who have only started some progress in their field of expertise. While Ebin struggles to find the cases, Madhavi feels that she is wasting her time under a senior lawyer who doesn’t value her at all. Even though Madhavi is not even able to submit documents to the court properly, she blames other for it, and continuously plays the victim card. Advocate Satheesh Mulloor (Baiju Santhosh) tells them that there is a room available for setting up a lawyer’s office. They start working together, also falling in love in the process, and soon, Ebin gets appointed as the public prosecutor, as his influential brother-in-law manages to get his name ahead of the other lawyers trying for the post. Soon, as both of them are forced by their parents to get married, the two finally decide to get together with one another, even though Madhavi feels that she is not ready, as she is not settled yet. She is insecure because she always feels that she is targeted because she is a woman, but in reality, she remains an irritating person who doesn’t know how to talk to people with mutual respect. Ebin gets his first duty in the form of Anusha Shivakumar (Anagha Narayanan) who has filed a case against Gautam Ganesh (Anu Mohan), which goes forward as breach of promise to marry after intercourse.

So, what happens with the events here as we just keep looking? :: Anusha had also tried to commit suicide after he had refused to marry her. But it turns out that Ganesh is a relative of Madhavi, and she is forced to take the case, much to the shock and dismay of Ebin, as he sees her in the court in defence of the accused. The two decide to keep the matters of court away from their personal lives in the beginning stages. Even though the two families find their marriage idea with the case going on in the background complicated, they agree to the alliance despite the community differences. But their battle against each other in the court soon begins to cause problems in their personal life, and most of the time, they try not to let anyone else know about the crisis. Ganesh assures Keerthy that he made no promise to marry Anusha at any point of time, and that they didn’t come close to a proposal either. Ebin and Madhavi continues to fight over the case, and the relationship gets to a new low. But the question remains about how far they can go on like this, and also about who will win the case in the end? Who will be the one desiring for a win the most? Where will pride and prejudice lead them?

The defence of Vaashi :: The film is pretty much effective as a courtroom drama, and has its moments to lift the level. It doesn’t make a mess of things even when there were so many chances – it sticks to the points instead of looking for mass masala dialogues like Jana Gana Mana, and there is not that much of a stress on romance and other usual nuisance which comes to ruin a film which deals with the relevant things. The movie has control over the world, and doesn’t go on to add the dialogues to get the claps. There are messages about right and wrong, while also talking about the complicated situation of law, as subjectivity and objectivity might come up with different results every time. It reminds us that people can’t be understood by just feeling that we have known them for very long, and also that balancing work and family is important. The songs are mostly good, even though not that much effective to remember for long. It is the combination of the leading performers that makes this one better – they do make us feel that they are stronger together, and the supporting cast contributes nicely. This is the kind of the movie which makes you feel the need to watch it from the trailer itself.

The claws of flaw :: The emotional side is not that effective unlike how it seems to have been intended. The movie rushes through some of the moments which should have taken more time, while it slows down for no particular reason at times. It doesn’t try to make the point strong enough, and in the end, even though there seems to be valid ideas, there are rather too many of them, and we feel that they bring conflict with each other, as ending struggles. The final talk about no right and wrong being present feels rather foolish, as one just can’t put everything in the grey zone, for good and evil makes the grey, sometimes a lighter version or at other times the darker one. Having one’s own principles matter in life, and trying to be righteous is not a bad thing. You just can’t avoid the opportunity to find the right thing to do, and it is where the spectrum of feel-good films lie, and we appreciate them for the amount of goodness it displays against the chaotic world – the female lead’s ideas also go vague from the beginning itself. In the end, it feels that the movie is trying to lose the meaning rather than to find it by the end.

The performers of the soul :: Tovino Thomas has another interesting movie for him, and manages to come up with a fine performance yet again. Minnal Murali star has had the different varieties of movies – Kaanekkaane of the emotional side, Forensic of the thriller side and Kilometers and Kilometers of the funny side. He gets to shine here, more than anyone else, as his character feels that it is the naïve young woman that needs justice as there was manipulation. Keerthy Suresh is back to Malayalam movie industry, and we only hope that she is here to stay. Even though her character does seem irritating in the beginning stages, she gets her moments in the later stages, and finishes off really well – the dialogue from Maayanadhi is nicely used in her speech, providing a reminder that women often get away easily due to the favourable laws and men are punished. Baiju Santhosh has another solid role which is done very well. Anagha Narayanan gets her moments to perform, and she contributes well – she could be the talent that Malayalam cinema industry could use more in future. Anu Mohan also gets a good role to work with after Twenty One Grams, and there is no trouble there either. Rony David also has a notable role which will be remembered. Kottayam Ramesh as magistrate is very much a fine act too. At the same time, Nandu plays the father figure in a convincing manner.

How it finishes :: The movie manages to be an engaging courtroom drama for most of its run-time. There are moments when the struggles appear, but with some other sequences, the movie gets over them. Here, we have something at almost all times to make up for what goes missing, and it is a film of ups and downs, but it talks about two sides of a problem effectively. The idea becomes even more relevant in the contemporary world, as similar cases have been in the news for some time, and one can only wonder if there will be answers to some questions which are raised by such situations. The world is a strange place, and it often struggles to provide truth in a world of lies. The movie also seems to have focused on taking a safe side, as there is no clear conclusion derived around here. It seems to try and make sure that it makes some point, but as it is reluctant to take any risk, the questions remain. Well, this is one movie which was of interest due to the cast and the premise, and considering the same, it has delivered well enough.

Release date: 17th July 2022 (Netflix); 17th June 2022 (Theatre)
Running time: 128 minutes
Directed by: Vishnu G Raghav
Starring: Tovino Thomas, Keerthy Suresh, Anagha Narayanan, Anu Mohan, Baiju Sathosh, Rony David, Kottayam Ramesh, G Suresh Kumar, Maya Menon, Sreelakshmi, Nandu, Maya Viswanath, Arya, Vanitha Krishnachandran, RJ Raghu, Meera Nair PS, Amal Rajdev, Vijaya Kumari

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@ Cemetery Watch
✠ The Vampire Bat.

2 thoughts on “Vaashi

  1. Pingback: Yercaud: Vagamon’s Twin | The Tea Cerebrations

  2. Pingback: Prakashan Parakkatte – Movies of the Soul

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