Vampire Owl: The name of this movie is interesting.
Vampire Bat: I also support people to use similar names for their movies.
Vampire Owl: We should also grow some vampire pests at home.
Vampire Bat: Uncle Dracula managed to get rid of the pests after a long struggle.
Vampire Owl: We should use the pests to our advantage.
Vampire Bat: You can’t control these pests at all. Only the witches can do it.
Vampire Owl: Do you think that they might use the pests against us?
Vampire Bat: They are good with such small creatures.
Vampire Owl: Well, I would expect an attack at any moment.
Vampire Bat: You should have faith in at least some witches. We are not so different from each other.
[Gets a masala dosa and three cups of cardamom tea].
What is the movie about? :: Radhika Balan (Rajisha Vijayan) lives with her father, Retired Advocate Balan (Sreenivasan) while working as a cyber-security expert at her own start-up company with her partner Vijay (Rahul Riji Nair). She is good friends with CI Charles (Vijay Babu), whom she helps as part of an investigation. Radhika is adamant that one’s privacy should always be respected and that their firm should only help people who have compromised their privacy due to hacking or carlessness. It is then that she accidentally calls a wrong number and Kili Biju (Mahesh Nair) who is on the other side continues to bother her on phone. He gets her name through True Caller App and finds more information about her by searching her name on Facebook. She is frustrated and decides to complain to the police, and things go out of control at the police station. Biju’s friend Thurumbu Aji (Renjit Shekar Nair) is a man who has been on the criminal records for a long time, and was also involved in a murder case – he decides to lead his friends (Anand Manmadhan and Arjun Ranjan) in an attempt to make Radhika’s life a living hell, and doesn’t leave her father out of it either.
So, what happens with the events here as we just keep looking? :: They follow her at her home and office, and also goes on to destroy the reputation of her father – it feels like wherever she goes, they are present at the location. When they decide that they are finally done with Radhika and her father, she decides that this is not the end. She decides to get into their privacy by hacking their mobile phones, so that they won’t think about doing this to anybody else again. Vijay is worried about her actions, and the same is the case of her father, but she is not ready to go back on it. She manages to get into the phone of Biju, and even though it is only revenge that was looking for, she comes across the information that could mean more than that. It turns out that even though they live as scrap-dealers, there is more to them than what meets the eye. They are involved in gold smuggling and other illegal activities, and they work as carriers for different people in different areas. Radhika might be dealing with a little bit too much, and it will be of the best interest for everyone if she backs down, but will she? What will Aji and his group do when they find out that she is spying on their crimes?
The defence of Keedam :: We can see that Keedam chooses a realistic character who doesn’t create any magic within a thriller unlike what is often expected. The female protagonist here does what she has always done the best, and she does the same in style. The messages about cyber security is more or less of a reminder of the world that we are living in, and leaves the idea that we need to be more careful when we are using any electronic device. There are some defining moments here which makes things more interesting. The final moments are indeed thrilling, even though the much needed final closure was not there to be taken. The divergence that the movie possesses is to be appreciated, and unlike some other industries, Malayalam seems to have all those movies, with the makers moving from one category to the other with relative ease, and even coming up classic stuff in between. The father-daughter relationship is shown well, reminding one of the same in Helen and Uyare with Lal-Anna and Siddique-Parvathy, even though the father figure here is more worried and weakened, and still doesn’t trouble her with his lectures much.
The claws of flaw :: Keedam doesn’t use its resources to the best advantage – the premise was so good, and there were so many paths which it could have travelled; there is no limitation in the cyber world. Cyber security is no longer the topic of a selected few, and the rise of Jio and the spread of COVID-19 did change the situation for internet and its unlimited resources which came upon unsuspecting people all of a sudden – most of them were easy prey to cyber problems as they were not ready, and the youth just fell into the mobile gaming trap. The film could have dealt with such problems more effectively like Operation Java. Often, there is the feeling that something is missing in between. As it follows this particular pattern, there is the unconvincing feeling coming up at times. The ending could have also been better, and it didn’t need the forced extra scene there. The movie had also started with Hindi lines with the beginning credits, and that provides the feeling that someone speaking Hindi was involved in crimes or that this happens outside Kerala and Tamil Nadu, a rather strange to do, whatever be the reason.
The performers of the soul :: Rajisha Vijayan who could be a part of the much acclaimed Jai Bhim after the sports drama Kho Kho, once again does an excellent job in another role of interest. There are not many roles which she can’t do in the industry, as she rises above the other actresses with movies having her as main protagonist. She gets into this character which is very much different from her much appreciated roles in June and Finals, and always looks comfortable with the same. Rahul Riji Nair who directs another film with the same lady lead has things in control as the actor too. Sreenivasan is present in the father role, and has done the character of a concerned father well. Vijay Babu plays a sensible police officer with all the qualities which are needed with it. Manikandan Pattambi of Marimayam fame manages the negative character well, and it is his dialogue which seems to give the title to this movie. The rest of the antagonists of the group have managed their roles well, and in a realistic manner, led by Renjit Shekar Nair. For this movie, the choice of antagonists did work in its favour, even though in the end, there should have been more in store for them.
How it finishes :: Keedam is a movie which could have achieved so much more – there was so much potential considering the topic which it was dealing with. But with its idea and the protagonist to be noted, there is another step in the right direction, and it remains very much interesting at the same time too. It is another reminder of Malayalam movie industry’s courage to venture into unfamiliar territories, as it had already done with the superhero stuff in Minnal Murali stuff, while also having one of the most human films in the form of Madhuram releasing in different OTT platforms within the gap of a few days. Rajisha Vijayan might be the best actress we have in Malayalam film industry now, and we know that people don’t get Kerala State Film Award for Best Actress on debut movies just like that as she did in Anuraga Karikkin Vellam. She has dealt with sadness, depression, anger, fear, love and friendship with so much effectiveness in her movies. The movie could have had more for her, but as it seems now, is an entertaining thriller which also has a realistic side in parts.
Release date: 1st July 2022 (ZEE5); 20th May 2022 (Theatre)
Running time: 104 minutes
Directed by: Rahul Riji Nair
Starring: Rajisha Vijayan, Vijay Babu, Sreenivasan, Manikandan Pattambi, Renjit Shekar Nair, Anand Manmadhan, Mahesh Nair, Rahul Riji Nair, Arjun Ranjan
<<< Click here to go to the previous review.
<<< Click here to go to the previous Malayalam film review.
<<< Click here to go to the review of the most anticipated film of the year.
@ Cemetery Watch
✠ The Vampire Bat.
Pingback: Vaashi – Movies of the Soul
Pingback: Malayankunju – Movies of the Soul