Khalifa

Posted on October 14, 2026 by Dr. Tennyson

Vampire Owl: So, this was the first release for this Onam vacation.

Vampire Bat: Yes, this might also be the most hyped movie of the time.

Vampire Owl: Well, big hype leads to some grand falls.

Vampire Bat: There have been some big falls during Onam holidays.

Vampire Owl: I remember that every superstar had their own falls.

Vampire Bat: Yes, Dulquer Salmaan and even Nivin Pauly suffered well in the past.

Vampire Owl: But this Onam belonged to Nivin Pauly.

Vampire Bat: But he has been walking a path of redemption for some time.

Vampire Owl: Well, redemptions are never complete for mortals.

Vampire Bat: Mortality is the gift for their sins, and there can be no redemption from the ultimate fall to the grave and inferno that awaits.

[Gets a ghee podi dosa and three cups of Nuwara Eliya tea].

What is the movie about? :: Samad (Sanju Sivram) returns to Kerala from Dubai, setting his feet in India after a long time, with the intention of attending the wedding of his sister. But he is taken into custody by the customs and police who seems to have launched a special operation against smuggling from the Middle East. He sees that the Senior Member of the ruling party and Party Secretary Raghavan (Shammi Thilakan) waits for him at the police station with an offer that he would find difficult to refuse. He is asked to testify against his best friend Aamir (Prithviraj Sukumaran) who has been on the wanted list of the police for sometime for not just smuggling gold, but also for murder. Raghavan’s son was among the people dead due to Aamir’s actions and he seeks retribution, but tells Samad that he will leave him out of it and everything will only be linked to Aamir. As Samad realizes that it was Aamir who gave his name to the customs, he decides to tell the story of Aamir and what he has been doing in the past.

So, what happens with the events here as we just keep looking? :: It is revealed that Aamir is in London and as there is no treaty between India and the United Kingdom for extradition of criminals, he would remain safe abroad, away from Indian law. As Samad talks about their past, he talks about Aamir’s father Younus (Renji Panicker) who was running a moderately successful textile shop in Kozhikode as a family business along with being a full-time contractor who builds government infrastructure. They belong to a rich and influential family which had run a gold smuggling business in the past. Younus’ wife Noorjahan (Mohini) is proud of her husband who has managed to run an honest business out of nowhere after their family was accused of smuggling. With the help of his best friend Samad, Aamir marries Fiza (Malvika Sharma), a woman from a middle-class family whom his parents accept despite their own high status as they were waiting for their son to agree to a wedding for a very long time.

And what more is to happen as something awaits to unleash itself with full power? :: It is then that a wealthy businessman named Basheer (Neil Nitin Mukesh) comes into the picture with the support of the highly influential politician and party secretary Raghavan. He comes up with a deal for Younis which he rejects as the gold smuggling past is no longer with his family. They decide to get back on Younus, and has smuggled gold planted in one of his containers, which is caught by the customs officers on the information given by them. With knowledge of the gold smuggling past of the family which is known to most people of the locality, customs bring a version which works the best with the media. Now, Aamir has to get his father out, for which he needs to find that kind of a money which can be achieved only by selling most of his assets. But he decides to choose another path, the more difficult one with the help of retired smuggler Hamsa (Indrans) and almost retired smuggling kingpin Seitraj (Suresh Oberoi). They also get the support of airhostess Vyshnavi (Kyraa Vasudevan), cutoms officer Veeraswami (Pasupathi Raj) and union minister Selvam (John Vijay). But the international smugglers would not take this lightly, and bodies will fall. Who will die and who will survive?

The defence of Khalifa: The Ruler :: There is no questioning the quality of the movie with the action sequences and visuals remain top class, whether it is in India or in different locations abroad. There is a certain amount of style in the action, and the film stays stylish throughout its run. Prithviraj Sukumaran leads the stylish world of action and thrills, as the character works well for him. Neil Nitin Mukesh’s appearance in Malayalam works very well as a strong villain, and Shammi Thilakan remains that antagonist whom we will remember a lot. Malvika Sharma’s entry into Malayalam cinema is memorable, even though restricted at times due to the nature of cinema. Sanju Sivram provides some fine support as the usual friends of the hero, while Suresh Oberoi also leaves an impact. Renji Panicker’s father figure also stays strong, while Mohini back in Malayalam cinema has a role to add to her list of memorable ones. Shivajith’s villain also makes an impact while Indrans’ serious role brings out more moments that elevate the movie. Kyraa Vasudevan becomes the next important female character, and brings more charm and style in beauty.

The claws of flaw :: The movie’s three cameos by Mohanlal, Tovino Thomas and Soubin Shahir feels totally unnecessary, even though Tovino’s moments at least serve some purpose in the storyline – even if a sequel is being planned, the ending with cameos felt rather strange; with the lack of a box-office success, people are surely going to wonder further about the purpose here. The tale surely could have been better, as this seems like a movie taken out of the older movies, seemingly having something on the surface, but that feels like everything movie can do – we never get any deeper with this seemingly usual, repetitive thing. This kind of a journey would feel narrative during these times when we keep getting so much more. Going old-style during these days surely needed a stronger dramatic side and better thrills. Even with such long run-time, the characters are not developed that much. The interest in movie keeps going up and down. The vengeance in the movie also keeps losing steam.

How it finishes :: This one depends directly on the strengths of its director who is best known for Pulimurugan and leading star Prithviraj Sukumaran who commands the screen with his effortless charisma and intense action hero power. He is in control of the proceedings from the first appearance itself. With the striking visual aesthetics, a fine pan-Indian ensemble, and full-action m ode, the film delivers on its promise of being a spectacle with strong theatrical energy, even though it stays with the too old a narrative. The idea of going through familiar genre tropes and a somewhat predictable narrative arc seems to keep pulling the movie back. Still, it could have been a bigger hit if not released during the Onam season with bigger competition from the Nivin Pauly and Dulquer Salmaan movies. The makers seem to forget a major idea about Onam releases, as the timing never really suits this kind of movies – the best for the Onam season is the one that works well with the family audiences; RDX is often seen as an exception, but it was more of family action thriller with family at the core, and it was also battling against two other movies with action. Maybe another time, this movie could have been a hit, and can do well in Amazon Prime Video where it has released now too.

Release date: 20 August 2026
Running time: 159 minutes
Directed by: Vysakh
Starring: Prithviraj Sukumaran, Neil Nitin Mukesh, Malvika Sharma, Shammi Thilakan, Indrans, Sanju Sivram, Kyraa Vasudevan, Anand Manmadhan, Suresh Oberoi, Renji Panicker, Sudheer Karamana, Sijoy Varghese, Joy Mathew, Mohan Sharma, Shivajith, Pasupathi Raj, Sadiq, John Vijay, Shine Varghese, Tinu Thomas Kannur, Don Michael, Master Nafash, Mohanlal (cameo), Tovino Thomas (Cameo), Soubin Shahir (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Aabhyanthara Kuttavaali

Posted on October 22, 2025 by Dr. Tennyson

Vampire Owl: I think that you forgot to wish me Happy Diwali.

Vampire Bat: I did send you a WhatsApp message.

Vampire Owl: We vampires wish each other in person only.

Vampire Bat: We have changed according to modernity.

Vampire Owl: There is no modernity that can change the tradition.

Vampire Bat: Our traditions are older than any civilization.

Vampire Owl: These are not true civilizations, just human mental disorders.

Vampire Bat: You are not accepting the existence of human civilization?

Vampire Owl: I would deny the true human existence altogether.

Vampire Bat: I have also wondered that humans ever had humanity.

[Gets a paneer masala dosa and three cups of Ceylon tea].

What is the movie about? :: Sahadevan (Asif Ali) gets married to Nayana (Thulasi) in a grand function which is attended by most of the people of both native villages. But Nayana keeps a certain distance from him, and often avoids him, and one day leaves for her home when he opposes her idea to travel to Netherlands and study a course with her best friend, much to the dismay of his parents who are surprised by her sudden change of behaviour. It is revealed that she never showed any interest in him and at night, she only wanted to play antakshari games with him, while they rarely see each other during day time. Sahadevan has been working in a temporary job position, but comes from a reputed family, which is shocked, when it is known that Nayana has filed a case of domestic violence, and is looking for divorce. As this becomes known to more people, he losses his job, and becomes laughing stock in front of his own people. He becomes more notorious as a drunkard and a wife-beater throughout the village.

So, what happens with the events here as we just keep looking? :: As Nayana’s family gets an advocate with a near-perfect record to appear for her, Sahadevan gets another famous advocate Rex (Vijayakumar) to plead his case. As Rex’s junior advocate Anila (Shreya Rukmini) is forced to appear for Sahadevan, things do not go in his favour, but he manages to hold on and get another date. While wandering around in the court premises, he comes across Peter (Sidharth Bharathan) who has been hoping to see his daughter with a court order at least for a few minutes after his separated wife took the kid away from him. He also comes across Makkar (Harisree Ashokan), a man who lost his son in an accident and is fighting a case to stay in his own house which has been now claimed by his daughter-in-law. Sahadevan is disheartened, but with the help of a condiment Rex and the supportive Anila, intends to survive this divorce scare and come up saving his side against the laws which seem to be against him.

The defence of Aabhyanthara Kuttavaali :: There seems to be a fine flow about this movie, and it also manages to bring its world to a pretty good ending. This is not really an easy topic to deal with, but they have made this one conclude well. The movie still maintains a lighter shade, without going that deep into a dark situation of a man in peril. The emotional side stays strong, thanks to the extra stories that come in as subplots. All stories get linked well within the court premises. As many other issues are addressed, this is also something that needs attention, as one side is not the only thing that needs an audience, for there are the strong among the weak and evil right within goodness – all sides need to checked for. Even if there is one case that go in a different way, there is the need for attention and focus around there, and that has been provided. It shows the need to work against prejudice in front of law, if not in the usual manner, in another way. The movie is successful in making the situation of helplessness felt when facing the cleverest of vixen.

The claws of flaw :: The movie is more cursed by the biased reviewers who are looking for some good certificates from a certain group of people who claim to be oppressed intellectuals who actually get to do what they want more than those who are not really oppressed. There could have been some better arguments used by the movie too. The feeling that some moments were not necessary is there to be taken. Some of the moments seem forced and artificial, even though they are covered by better situations later and connected without much of a difficulty. Some characters also feel like added to be there, as not much is served with them around. The character depth is often felt, even though not throughout its run. The movie also gets into too much preaching, even though not as much as direct preacher movies like Mathai Kuzhappakkaranalla. Maybe, the movie could have been better if it was shorter, as this length has pulled it backwards. It had also taken some time with its flashback.

The performers of the soul :: Asif Ali carries this one on his shoulders with such ease that it reminds us of his work in Kettiyolaanu Ente Maalakha – the performances seem to be close to each other, as we look at both of them. Just like he did in Rekhachitram, he keeps reminding us how much he has evolved as an actor. Shreya Rukmini as the advocate plays a very convincing role here, and even though she is not paired opposite the character, has one of the more realistic characters, reminding us of what was seen in Oru Kuprasidha Payyan played by Nimisha Sajayan. Shreya plays the character’s multiple shades really well. Thulasi manages her wife role well in between. Vijayakumar and Jagadish play the two advocates well, even though that much of dialogues are not provided to them to be used in the court room. Harisree Ashokan adds a more emotional side to the flick, while Azees Nedumangad handles most of the comedy. Sidharth Bharathan also adds more of the emotional side here.

How it finishes :: Aabhyanthara Kuttavaali does not feel that powerful as it should have been, considering a number of elements that it deals with. There is a certain amount of emotional strength that it seems to carry, as we look from a distance, but that fades away at times, and ends up with a usual and safe finish which does not create that huge impact that we had been expecting for some time. The scope was surely there, but all of that is not taken, maybe to keep this one low profile and thus safe from the attack of those people who are against opinions, and it is something we had seen in many reviews – well, supporting one group does not mean that one is against other groups, and one has to be sure about that much. The movie does not close its eyes to the other side, as some of the blind reviewers have said though, and it surely does not give good conduct certificates to any group or maintains that some group of people are bad – it is mainly because some reviewers wish to show that they are so supportive to that smaller group which claims themselves to be oppressed intellectuals. I hope at least reviewers of movies get out of their demonic hold.

Release date: 6th June 2025
Running time: 121 minutes
Directed by: Sethunath Padmakumar
Starring: Asif Ali, Thulasi, Jagadish, Harisree Ashokan, Shreya Rukmini, Vijayakumar, Harisree Ashokan, Azees Nedumangad, Anand Manmadhan, Prem Kumar, Sidharth Bharathan, Kannan Sagar, Gopu Kesav, Usha Chandrababu Balachandran Chullikkad, Neeraja Rajendran

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

<<< Click here to go to the biggest movie of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Keedam

Posted on July 7, 2022 by Dr. Tennyson

Vampire Owl: The name of this movie is interesting.

Vampire Bat: I also support people to use similar names for their movies.

Vampire Owl: We should also grow some vampire pests at home.

Vampire Bat: Uncle Dracula managed to get rid of the pests after a long struggle.

Vampire Owl: We should use the pests to our advantage.

Vampire Bat: You can’t control these pests at all. Only the witches can do it.

Vampire Owl: Do you think that they might use the pests against us?

Vampire Bat: They are good with such small creatures.

Vampire Owl: Well, I would expect an attack at any moment.

Vampire Bat: You should have faith in at least some witches. We are not so different from each other.

[Gets a masala dosa and three cups of cardamom tea].

What is the movie about? :: Radhika Balan (Rajisha Vijayan) lives with her father, Retired Advocate Balan (Sreenivasan) while working as a cyber-security expert at her own start-up company with her partner Vijay (Rahul Riji Nair). She is good friends with CI Charles (Vijay Babu), whom she helps as part of an investigation. Radhika is adamant that one’s privacy should always be respected and that their firm should only help people who have compromised their privacy due to hacking or carlessness. It is then that she accidentally calls a wrong number and Kili Biju (Mahesh Nair) who is on the other side continues to bother her on phone. He gets her name through True Caller App and finds more information about her by searching her name on Facebook. She is frustrated and decides to complain to the police, and things go out of control at the police station. Biju’s friend Thurumbu Aji (Renjit Shekar Nair) is a man who has been on the criminal records for a long time, and was also involved in a murder case – he decides to lead his friends (Anand Manmadhan and Arjun Ranjan) in an attempt to make Radhika’s life a living hell, and doesn’t leave her father out of it either.

So, what happens with the events here as we just keep looking? :: They follow her at her home and office, and also goes on to destroy the reputation of her father – it feels like wherever she goes, they are present at the location. When they decide that they are finally done with Radhika and her father, she decides that this is not the end. She decides to get into their privacy by hacking their mobile phones, so that they won’t think about doing this to anybody else again. Vijay is worried about her actions, and the same is the case of her father, but she is not ready to go back on it. She manages to get into the phone of Biju, and even though it is only revenge that was looking for, she comes across the information that could mean more than that. It turns out that even though they live as scrap-dealers, there is more to them than what meets the eye. They are involved in gold smuggling and other illegal activities, and they work as carriers for different people in different areas. Radhika might be dealing with a little bit too much, and it will be of the best interest for everyone if she backs down, but will she? What will Aji and his group do when they find out that she is spying on their crimes?

The defence of Keedam :: We can see that Keedam chooses a realistic character who doesn’t create any magic within a thriller unlike what is often expected. The female protagonist here does what she has always done the best, and she does the same in style. The messages about cyber security is more or less of a reminder of the world that we are living in, and leaves the idea that we need to be more careful when we are using any electronic device. There are some defining moments here which makes things more interesting. The final moments are indeed thrilling, even though the much needed final closure was not there to be taken. The divergence that the movie possesses is to be appreciated, and unlike some other industries, Malayalam seems to have all those movies, with the makers moving from one category to the other with relative ease, and even coming up classic stuff in between. The father-daughter relationship is shown well, reminding one of the same in Helen and Uyare with Lal-Anna and Siddique-Parvathy, even though the father figure here is more worried and weakened, and still doesn’t trouble her with his lectures much.

The claws of flaw :: Keedam doesn’t use its resources to the best advantage – the premise was so good, and there were so many paths which it could have travelled; there is no limitation in the cyber world. Cyber security is no longer the topic of a selected few, and the rise of Jio and the spread of COVID-19 did change the situation for internet and its unlimited resources which came upon unsuspecting people all of a sudden – most of them were easy prey to cyber problems as they were not ready, and the youth just fell into the mobile gaming trap. The film could have dealt with such problems more effectively like Operation Java. Often, there is the feeling that something is missing in between. As it follows this particular pattern, there is the unconvincing feeling coming up at times. The ending could have also been better, and it didn’t need the forced extra scene there. The movie had also started with Hindi lines with the beginning credits, and that provides the feeling that someone speaking Hindi was involved in crimes or that this happens outside Kerala and Tamil Nadu, a rather strange to do, whatever be the reason.

The performers of the soul :: Rajisha Vijayan who could be a part of the much acclaimed Jai Bhim after the sports drama Kho Kho, once again does an excellent job in another role of interest. There are not many roles which she can’t do in the industry, as she rises above the other actresses with movies having her as main protagonist. She gets into this character which is very much different from her much appreciated roles in June and Finals, and always looks comfortable with the same. Rahul Riji Nair who directs another film with the same lady lead has things in control as the actor too. Sreenivasan is present in the father role, and has done the character of a concerned father well. Vijay Babu plays a sensible police officer with all the qualities which are needed with it. Manikandan Pattambi of Marimayam fame manages the negative character well, and it is his dialogue which seems to give the title to this movie. The rest of the antagonists of the group have managed their roles well, and in a realistic manner, led by Renjit Shekar Nair. For this movie, the choice of antagonists did work in its favour, even though in the end, there should have been more in store for them.
How it finishes :: Keedam is a movie which could have achieved so much more – there was so much potential considering the topic which it was dealing with. But with its idea and the protagonist to be noted, there is another step in the right direction, and it remains very much interesting at the same time too. It is another reminder of Malayalam movie industry’s courage to venture into unfamiliar territories, as it had already done with the superhero stuff in Minnal Murali stuff, while also having one of the most human films in the form of Madhuram releasing in different OTT platforms within the gap of a few days. Rajisha Vijayan might be the best actress we have in Malayalam film industry now, and we know that people don’t get Kerala State Film Award for Best Actress on debut movies just like that as she did in Anuraga Karikkin Vellam. She has dealt with sadness, depression, anger, fear, love and friendship with so much effectiveness in her movies. The movie could have had more for her, but as it seems now, is an entertaining thriller which also has a realistic side in parts.

Release date: 1st July 2022 (ZEE5); 20th May 2022 (Theatre)
Running time: 104 minutes
Directed by: Rahul Riji Nair
Starring: Rajisha Vijayan, Vijay Babu, Sreenivasan, Manikandan Pattambi, Renjit Shekar Nair, Anand Manmadhan, Mahesh Nair, Rahul Riji Nair, Arjun Ranjan