Lucifer

What is the movie about? :: Kerala is ruled by IUF, and its leader and Chief Minister PK Ramdas (Sachin Khedekar) is a respected figure with a great fan following, not just among the people of his party, but also outside. It is his death which changes things in Kerala’s politics, all of a sudden. Mahesh Varma (Saikumar) who is next in charge finds this to be a golden opportunity to become the leader of the party as well as the Chief Minister of the state. Ramdas’ eldest daughter Priyadarshini (Manju Warrier) along with her daughter Jhanvi (Saniya Iyappan) is the first to come to the scene. Her second and current husband Bimal Nair a.k.a. Bobby (Vivek Oberoi) keeps close watch of the situation at the same time. Even though Priyadarshini and Jhanvi are not after political power, Bobby looks forward to it so that he can use it to spread his narcotics business to Kerala and earn a great amount of money.

So, what happens with the events to follow? :: Meanwhile, the only son of Ramdas, Jathin (Tovino Thomas) is living abroad. Bobby figures out that he is the one big chance that they have here, and by making him the new leader, could go through the drug business without anyone coming to know. He already has the support of Mahesh Varma and Priyadarshini regarding the same. He uses Jhanvi as a means to go through the family smoother. Govardhan (Indrajith Sukumaran) is one of those people who knows all these, as he had been searching for truth for a very long time – but he finds himself locked inside a mental asylum, thanks to Bobby. But before he is locked up, he finds the one other person who might be part of this power struggle – Stephen Nedumpally (Mohanlal), an orphan who was raised by Ramdas, a people’s favourite leader from the highrange constituency of Central Kerala.

And what else is to follow? :: Stephen Nedumpally is the kind of person none of the power seekers here want to have in the game, and the family also wants no part of him out there. The politicians on both sides, Mahesh Varma on one side and Medayil Rajan (Shivaji Guruvayoor) on the other wants him gone. Bobby is also hoping to make no mistakes, as he is playing a dangerous game involving Abdul (Suresh Chandra Menon) and Fyodor (Frank Free) who are masters of the game in Mumbai. He would have Stephen’s opposition out of the way as the party would be sponsored by the drug mafia. The people in the middle part of all these including Aloshy Joseph (Kalabhavan Shajohn) and Murugan (Baiju Santhosh) will have interesting roles to play as Kerala prepares for the big change. But the question remains about who would gain and loss the most in the battle between evil and evil.

The defence of Lucifer :: Unlike what was expected, Lucifer doesn’t jump into the shoes of a mass movie all of a sudden, and that is the clear advantage that this one has over Pulimurugan. Clearly a better movie having content of quality and rich in ideas, this one rises over the expected mass masala, and becomes more, but at the same time, it never hesitates to provide what the fans want. There is working on two levels, something which Odiyan could have focused on, to become a favourite. There are elements from politics nicely used too, and we get to go through a certain dirty side that attempts to take over politics every time, and may be even succeeds up to an extent. The action scenes are nicely done, and except for a very few, keeps itself in control to make us believe. The control that is maintained in the final scene with the song nicely contributing to it, is also worth mentioning. There is a higher level of making here, and the thrills are of great strength.

The claws of flaw :: The slow motion sequences, even though less in number, could have been avoided. There could have been more of Tovino Thomas on the screen too. Vivek Oberoi’s character could have been bigger terror, something that could pose a challenge that goes a long way ahead. The presence of predictable elements in between, should have been avoided. The references and allusions made in the movie also seems nice, but could have been better connected. There are quotes shown in the end including the one from Lucifer as the tragic figure of John Milton’s Paradise Lost who famously declares “Better to reign in Hell than serve in Heaven”; we also have “Hell Is Empty and All the Devils Are Here” from William Shakespeare’s The Tempest being shown on the screen in the end – is there something left for a sequel? One is left to wonder. The use of media could also been better shown. The movie is also too long.

The performers of the soul :: It is late to review a movie which has reached the 100 crore collection mark already, Pulimurugan, Drishyam, Oppam and this one leading the glory with the rest – almost everyone knows what Mohanlal has brought to this movie as the titular character, and needs no more talk about the same, as Stephen Nedumpally is grand. Meanwhile, the one person who steals the show with less amount of screen time is Tovino Thomas whose moments are nothing less than glorious. Manju Warrier has her fine emotional moments in here following Odiyan. Vivek Oberoi’s villain doesn’t maintain that terror that he seemed to possess in the beginning, but he is a fine choice for the role as we can see. Kalabhavan Shajohn, Saikumar, Baiju Santhosh, Shivaji Guruvayoor, Nandhu – all the characters play the roles of politicians with ease. Meanwhile, we see Shaun Romy of Kammatipaadam making an appearance after a long time. There is a long line of extended support here too.

How it finishes :: When someone like Prithviraj Sukumaran comes up with his directorial debut, you know that there is something special coming up. His previous movies as the leading actor had the Hollywood touch, whether it was the never before science fiction apocalyptic thriller called 9 or the diasporic crime drama set in a deteriorating, decaying city called Ranam – this one has the elements beyond the usual Malayalam movie, and as a flick written by Murali Gopy, we know that there is more. Lucifer is the kind of movie which combines its elements very well, and thus becomes a rare piece of a flick. It can be liked for more than one reason, and there is much to cherish for almost every kind of viewer. Well, this is Vishu and Easter is also on its way, and we have much to watch. For now, I wish all of you a Very Happy Vishu, and hope you enjoy the holidays well – but at the same time, be careful about the heat which is rising.

Release date: 28th March 2019
Running time: 174 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Tovino Thomas, Manju Warrier, Prithviraj Sukumaran, Indrajith Sukumaran, Saniya Iyappan, Kalabhavan Shajohn, Giju John, Saikumar, Baiju Santhosh, Fazil, Sachin Khedekar, Suresh Chandra Menon, Shivaji Guruvayoor, Nandhu, John Vijay, Aneesh G Menon, Kainakary Thankaraj, Bala, Adil Ibrahim, Shaun Romy, Adarsh, Helen, Frank Freem, Waluscha De Sousa, Sijoy Varghese, Thara Kalyan, Parvathi T, Binu Pappu, Parvathy Menon, Sreeya Remesh, Sshivada, Antony Perumbavoor, Shakti Kapoor

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✠ The Vampire Bat.

CIA

What is the movie about? :: Aji Mathews (Dulquer Salmaan) spends most of his time working for the leftist party and keeping his communist ideology active to that extent that he keeps seeing his all-time favourite historical figures, Lenin, Karl Marx, Stalin and Che Guevara whenever there is some crisis or when something special needs to be done. He does visit his old college whenever there is time, even though he had passed the degree exams some time ago – he remains a respected figure among the students there. It is there that he meets Sarah Mary Kurian (Karthika Muralidharan), the daughter of a rich businessman settled in the United States, and is living with her maternal uncle Baby’s (Maniyan Pillai Raju) family. She has a completely different ideology, and wishes to return to the United States as soon as her studies are over, but falls in love with Aji who is a popular figure in the local wing of the leftist party and its activities.

So, what happens next? :: But things won’t go that smoothly as planned for the two lovers, as Sarah is called back to the United States as her mother is not well, and it turns out that they are making her marry someone against her will by the end of the month. Now without even having a passport for which there never seemed to be a need, Aji has to get himself to the United States with less than a month left. All travel agencies tell him that it is impossible, and his best friends Hari (Dileesh Pothan) and Jomon (Soubin Shahir) also asks him to drop the idea. It is then that Aji’s cousin brother, Cyril (Jinu Joseph) tells him about an idea which he shouldn’t try – it turns out to be the one that he was going to try, with hopes of being at her lover’s place before her wedding ceremony. His family bids him adieu hoping that he will find a job in the United States and settle there with the help of his cousin brother, but Aji’s plan is rather divergent.

And what is there to follow? :: Aji has the whole plan thought about clearly. The first item on the list is to travel to Nicaragua, after getting the passport on time. With it being the closest nation to the United States which doesn’t require a visa for a holder of Indian passport, that seemed to be the one right option at that time. It is something which he does with ease, and also makes it to the office of the Communist Party there. The next part of the journey remains the more complicated side, with the need to travel to Mexico on road through Honduras and Guatemala, and then crossing over the border to the United States, with his cousin brother waiting for him on the other side. During his journey, he will meet a Sri Lankan Tamil cab driver who has been eternally trying to get to the United States, a Mexican family of four that needs to cross the border for survival, a Pakistani man attempting to get to his wife and daughter who have left him, a Chinese man looking forward to the freedom in the United States and also a Malayali girl, Pallavi (Chandini Sreedharan).

The defence of Comrade in America :: Just like Amal Neerad’s previous effort sometime ago, Iyobinte Pustakam, this one also remains visually excellent, focusing in Kerala through Palai and Ramapuram, going towards the Latin American nations. It is the beauty and the style on the screen that brings the best here, even though we keep asking ourselves at times if this could have been a better experience. The funny side has strength in the first half. There is also a thrilling journey in the second half, even though it isn’t taken control of, completely. Love, politics and journey – these were the factors in focus for Neelakasham Pachakadal Chuvanna Bhoomi, and maybe it is from this particular flick that we have Comrade in America, which is certainly a better movie if you look at it without prejudice. There are also emotional moments here and there which work, but the same is not the case for all of them. To add to it, the background music is perfectly suited for this movie, and will have you asking for more situations with it.

The claws of flaw :: The focus on the story seems to be rather so much less, with the movie going on predictable lines in the first half, and there is not much of an effort put in the second half too. Its comrade side is clearly half-baked, and the romance between the lead pair just doesn’t seem to be there – one often feels that there was no love, but the protagonist was just trying to keep his promise. The movie has style and mass more when it is rather not that much required – a protagonist seems to be someone who can even load and use a gun – when it is asked about why he doesn’t need a final anointment, he misses a trick, and doesn’t focus on his need to be with his love; even by the end, there is a struggle with the character which seems to be feeling a need to become “mass” for his fans, and for the same justifies hooliganism. There is no battle between the ideologies of capitalism and communism as the title seemed to suggest.

Performers of the soul :: It is Dulquer Salmaan’s star value and the effort that he seems to have put into this role that will catch your attention right from his stylish introduction to the credit scenes. The first half seems to be not of that much challenge, but the second half is surely something that brings the effort out of him, and he delivers here as expected from him. Still, it has to be noted that this is the nth movie that has him leaving his home, and he does the same thing that he did in Neelakasham Pachakadal Chuvanna Bhoomi in a better way, and unlike Charlie, there is nobody searching for his character instead. The next one to catch our attention is not any of the heroines though, as it is Dileesh Pothan, the director of Maheshinte Prathikaaram in his role of the leader of the local party committee and combines with Soubin Shahir to bring the funniest moments of the movie; you remember the same in Rani Padmini. Then there is Siddique, once again flawless with his comic side.

How it finishes :: The movie, despite having two heroines, doesn’t use them much though, and among the two, it is Chandini Sreedharan who lights up the screen when she is there – as she returns after Darwinte Parinamam. Karthika Muralidharan gets less and does less, as far as this flick is concerned. Well, the focus had to be on Dulquer Salmaan; his fans are certain to find this a very nice treat for these holidays. Red has been a dominant colour and the movies have been going left with the likes of Oru Mexican Aparatha and Sakhavu, starring Tovino Thomas and Nivin Pauly respectively – Comrade in America comes with the addition of some romance and a journey abroad to add to the same, at the cost showing less of the leftist ideas. Instead, the focus is more on the protagonist’s attempt to get to his destination, with the support of some wonderful visuals – with all the crowd support, this movie is certain to give any other superstar’s flick a competition for sure.

Release date: 5th May 2017
Running time: 135 minutes
Directed by: Amal Neerad
Starring: Dulquer Salmaan, Chandini Sreedharan, Dileesh Pothan, Surabhi Lakshmi, Jinu Joseph, John Vijay, Siddique, Karthika Muralidharan, Priyanka P Nair, Soubin Shahir, Vishnu Gopal Nair, Nandamuri Balakrishna, Sujith Sankar, Maniyan Pillai Raju, Alencier Ley Lopez, Len Prasad, Julio Antonio Alonzo, Murillo Alves, Nathan Amir

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Adi Kapyare Kootamani

adikapyarekoottamani (1)

What is the movie about? :: The movie tells the story of four friends who study in the same college and stay at the very same hostel. Bhanuprasad (Dhyan Sreenivasan), Bruno (Aju Varghese), Remo (Neeraj Madhav) and Koshy (Vineeth Mohan) are those friends who enjoy their lives to the full with drinks and other activities. The warden of the boys’ hostel is Father Alfred Kattuvilayil (Mukesh) who is a very strict person, but the students manage to go on with their activities making sure that he doesn’t notice. Shaanthappan (Bijukuttan) desperately tries to let the priest know that his students are not what he thinks they are, but they youngsters manage to escape each and every time. But they will soon be part of something from which they can’t escape that easily.

So what is this suddden change of direction in life about? :: Bhanuprasad meets a girl named Adhishtalekshmi (Namitha Pramod) who offers him twenty thousand rupees just to get her inside the hostel and get her out in a few minutes. As he is desperately in need of money, he agrees to that, and gets her in when the other students are out for a movie. She has a special motive which she accomplishes, but it turns out that it is not that easy to get her out. The students return early and the next morning has a strike in the college which ruins their plans to escape. Their secret passage through the window is also blocked as Shaanthappan gets it repaired after informing the priest. Now, it is up-to Bhanuprasad and his three best friends to find a way to get her out before her father and his goons get to the place.

The defence of Adi Kapyare Kootamani :: This movie goes on the lines of Kunjiramayanam and Vellimoonga with the fun and its simplicity, with everything appealing really well for the family audience just like the youth. From the beginning itself, the movie’s direction is clear, and it is towards a really enjoyable comic side which can only get better as we gets deeper into the story. Even though the director is a debutante, there is not much of a problem there with how well this one has turned out to be. It needs skill to bring something special out of ordinary situations, and a lot of appreciation should be provided for the same. Cheers to Friday Film House in finding another new director and gifting him to the Keralite audience. The traits of Manichithrathazhu, Kaththi and In Ghost House Inn are smartly used too, and there is a strong funny side to the way of dealing with the same.

Claws of flaw :: There is nothing much about the story which is happening here, as it just goes on creating the funny situations. A good number of people might find this one too simple, but that is also an advantage of this movie. The rush in the end and a little bit of too much confusion can belittle the final moments. But as a sequel has already been announced, we can be sure that some of them will be solved. In the movie, the whole thing is mostly located at one place, and you are not going to see much variety there except for the comedy which has the special strength. The songs are not really memorable either. We can also note that the smaller number of scenes which happen outside the hostel doesn’t really work that well. Maybe the sequel can work harder to solve the problems left in its predecessor – we can wait for that!

Performers of the soul :: The group of Aju Varghese, Dhyan Sreenivasan, Neeraj Madhav and Bijukuttan are here in this movie too, bringing the same fun to us yet again. Vineeth Mohan nicely joins them in this adventure. Dhyan does a pretty good job here, and Vineeth Mohan supports, but it is Aju Varghese with Neeraj Madhav brings the best fun here with their coming timing; look out for the former fainting and providing signal along with the latter tearing his shirt apart and also looking for the Kaththi blue-print. The ideas to get the lady out of there are rather too funny. Namitha is really good, and it is nice to see her back after that “nothing” role in Amar Akbar Anthony, as she once again gets the chance to be the integral part of a movie rather than walk around. Bijukuttan scores, and he does the best in the Manichithrathazhu scene which is a big bonus; he even has a special Christmas song.

Further performers of the soul :: Mukesh is rock solid fun as the priest who believes that his students are angels and also that everything is under is control all the time; he scores the best with the moments of advice for the students and the situations of fear. The one thing which you can be sure about here is that this one is a real team effort. Most of the characters get similar chances to perform here, and the power of the youth in the Malayalam movie industry is more than just evident here. As everything is simple and possible to be connected for the audience, everything depended on the cast and how well they managed the comic side, and the movie gets all the success there. On one side, there will be movies releasing with huge hype, and on the other side, there are the small movies like this one which brings us so much of fun. Well, we will be looking forward to this director’s next movies, and it is not any easier to wait for the sequel to this movie.

How it finishes :: Coming from Sandra Thomas and Vijay Babu under who produced Philips and the Monkey Pen, Zachariayude Garbhinikal and Aadu Oru Bheegara Jeevi Aanu under Friday Film House, the expectations were to be pretty good on this one. The movie also has three of the big stars of the big comedy entertainer of the year, Kunjiramayanam. With positive opinions already going on, this one will provide the competition to the other competitors like Two Countries, Charlie and Jo and the Boy with the next competitor Style changing the release date. Christmas will surely be interesting season with all these movies which have got pretty good opinions battling each other, and there is also one Star Wars movie which is wandering around the corner along with two Bollywood flicks which can also be found at places!

Release date: 25th December 2015
Running time: 133 minutes
Directed by: John Varghese
Starring: Dhyan Sreenivasan, Namitha Pramod, Aju Varghese, Neeraj Madhav, Vineeth Mohan, Mukesh, Bijukuttan, John Vijay, Devi Ajith, Bhagath Manuel, Pradeep Kottayam, Vijay Babu, Sabu

adikapyarekooottamani

@ Cemetery Watch
✠ The Vampire Bat.