Lucifer

What is the movie about? :: Kerala is ruled by IUF, and its leader and Chief Minister PK Ramdas (Sachin Khedekar) is a respected figure with a great fan following, not just among the people of his party, but also outside. It is his death which changes things in Kerala’s politics, all of a sudden. Mahesh Varma (Saikumar) who is next in charge finds this to be a golden opportunity to become the leader of the party as well as the Chief Minister of the state. Ramdas’ eldest daughter Priyadarshini (Manju Warrier) along with her daughter Jhanvi (Saniya Iyappan) is the first to come to the scene. Her second and current husband Bimal Nair a.k.a. Bobby (Vivek Oberoi) keeps close watch of the situation at the same time. Even though Priyadarshini and Jhanvi are not after political power, Bobby looks forward to it so that he can use it to spread his narcotics business to Kerala and earn a great amount of money.

So, what happens with the events to follow? :: Meanwhile, the only son of Ramdas, Jathin (Tovino Thomas) is living abroad. Bobby figures out that he is the one big chance that they have here, and by making him the new leader, could go through the drug business without anyone coming to know. He already has the support of Mahesh Varma and Priyadarshini regarding the same. He uses Jhanvi as a means to go through the family smoother. Govardhan (Indrajith Sukumaran) is one of those people who knows all these, as he had been searching for truth for a very long time – but he finds himself locked inside a mental asylum, thanks to Bobby. But before he is locked up, he finds the one other person who might be part of this power struggle – Stephen Nedumpally (Mohanlal), an orphan who was raised by Ramdas, a people’s favourite leader from the highrange constituency of Central Kerala.

And what else is to follow? :: Stephen Nedumpally is the kind of person none of the power seekers here want to have in the game, and the family also wants no part of him out there. The politicians on both sides, Mahesh Varma on one side and Medayil Rajan (Shivaji Guruvayoor) on the other wants him gone. Bobby is also hoping to make no mistakes, as he is playing a dangerous game involving Abdul (Suresh Chandra Menon) and Fyodor (Frank Free) who are masters of the game in Mumbai. He would have Stephen’s opposition out of the way as the party would be sponsored by the drug mafia. The people in the middle part of all these including Aloshy Joseph (Kalabhavan Shajohn) and Murugan (Baiju Santhosh) will have interesting roles to play as Kerala prepares for the big change. But the question remains about who would gain and loss the most in the battle between evil and evil.

The defence of Lucifer :: Unlike what was expected, Lucifer doesn’t jump into the shoes of a mass movie all of a sudden, and that is the clear advantage that this one has over Pulimurugan. Clearly a better movie having content of quality and rich in ideas, this one rises over the expected mass masala, and becomes more, but at the same time, it never hesitates to provide what the fans want. There is working on two levels, something which Odiyan could have focused on, to become a favourite. There are elements from politics nicely used too, and we get to go through a certain dirty side that attempts to take over politics every time, and may be even succeeds up to an extent. The action scenes are nicely done, and except for a very few, keeps itself in control to make us believe. The control that is maintained in the final scene with the song nicely contributing to it, is also worth mentioning. There is a higher level of making here, and the thrills are of great strength.

The claws of flaw :: The slow motion sequences, even though less in number, could have been avoided. There could have been more of Tovino Thomas on the screen too. Vivek Oberoi’s character could have been bigger terror, something that could pose a challenge that goes a long way ahead. The presence of predictable elements in between, should have been avoided. The references and allusions made in the movie also seems nice, but could have been better connected. There are quotes shown in the end including the one from Lucifer as the tragic figure of John Milton’s Paradise Lost who famously declares “Better to reign in Hell than serve in Heaven”; we also have “Hell Is Empty and All the Devils Are Here” from William Shakespeare’s The Tempest being shown on the screen in the end – is there something left for a sequel? One is left to wonder. The use of media could also been better shown. The movie is also too long.

The performers of the soul :: It is late to review a movie which has reached the 100 crore collection mark already, Pulimurugan, Drishyam, Oppam and this one leading the glory with the rest – almost everyone knows what Mohanlal has brought to this movie as the titular character, and needs no more talk about the same, as Stephen Nedumpally is grand. Meanwhile, the one person who steals the show with less amount of screen time is Tovino Thomas whose moments are nothing less than glorious. Manju Warrier has her fine emotional moments in here following Odiyan. Vivek Oberoi’s villain doesn’t maintain that terror that he seemed to possess in the beginning, but he is a fine choice for the role as we can see. Kalabhavan Shajohn, Saikumar, Baiju Santhosh, Shivaji Guruvayoor, Nandhu – all the characters play the roles of politicians with ease. Meanwhile, we see Shaun Romy of Kammatipaadam making an appearance after a long time. There is a long line of extended support here too.

How it finishes :: When someone like Prithviraj Sukumaran comes up with his directorial debut, you know that there is something special coming up. His previous movies as the leading actor had the Hollywood touch, whether it was the never before science fiction apocalyptic thriller called 9 or the diasporic crime drama set in a deteriorating, decaying city called Ranam – this one has the elements beyond the usual Malayalam movie, and as a flick written by Murali Gopy, we know that there is more. Lucifer is the kind of movie which combines its elements very well, and thus becomes a rare piece of a flick. It can be liked for more than one reason, and there is much to cherish for almost every kind of viewer. Well, this is Vishu and Easter is also on its way, and we have much to watch. For now, I wish all of you a Very Happy Vishu, and hope you enjoy the holidays well – but at the same time, be careful about the heat which is rising.

Release date: 28th March 2019
Running time: 174 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Tovino Thomas, Manju Warrier, Prithviraj Sukumaran, Indrajith Sukumaran, Saniya Iyappan, Kalabhavan Shajohn, Giju John, Saikumar, Baiju Santhosh, Fazil, Sachin Khedekar, Suresh Chandra Menon, Shivaji Guruvayoor, Nandhu, John Vijay, Aneesh G Menon, Kainakary Thankaraj, Bala, Adil Ibrahim, Shaun Romy, Adarsh, Helen, Frank Freem, Waluscha De Sousa, Sijoy Varghese, Thara Kalyan, Parvathi T, Binu Pappu, Parvathy Menon, Sreeya Remesh, Sshivada, Antony Perumbavoor, Shakti Kapoor

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Aanakkallan

What is the movie about? :: The central character of the movie is Pavithran (Biju Menon) who is a man spending his time in prison for committing robbery in a palace and museum. But his life gets better when a skeleton is found in the palace while the place was undergoing renovation. It is found out that the skeleton is almost as old as the time when the person was committing the robbery at the place. The police figures out that he could be either the suspect or the witness, and Pavithran agrees to the fact that he witnessed the murder taking place, and the killer getting rid of the body. As he assures them that he can recognize the killer, the police officers in charge KV Esthappan (Siddique) and Rajendra Babu (Suresh Krishna) decides to get him a parol. With a special permission from their superior officer Alex T Kuruvilla (Shivaji Guruvayoor), they make a master plan.

So, what happens with the events to follow? :: This master plan involves taking Pavithran to Esthappan’s wife house, from where he eloped with his wife Nancy Palakkal (Sarayu) a long time ago. By returning there, they would get a chance to stay close to Anandapuram Palace where the body was found. Pavithran would be forced to stay in the house as Esthappan’s friend who is a rich businessman from Palai. Despite their doubts, the parents of Nancy, Thomachan Palakkal (Sai Kumar) and Kochu Tresia (Bindu Panicker) welcomes them home. From there, a series of confusing events occur related to their lives. There are secrets to be revealed and mysteries to be solved, about Pavithran’s past, and that particular night on which the murder is supposed to have taken place. But as someone who is in prison for robbery and cheating, can Pavithran be trusted to help the police well enough?

The defence of Aanakkallan :: Being a movie which has a certain amount of confusion in itself, Aanakkallan can use some defence in its favour. There is no doubt about the fact that the movie begins well, and even before Biju Menon makes his entry, the beginning is set. The idea is good here, with an attempt made to solve a mystery regarding a skeleton found in a palace – to solve the case, a thief is needed too, and that man has a strange past. Well, this could have surely developed into something bigger as there is no shortage of content, and the fun is always there to be added. We remember how well Biju Menon added to the same in Rakshadhikari Baiju Oppu. The funny side gets some regular contributions even when there are those problems of repetitions as well as the confusions.

The claws of flaw :: There is much that one would expect from a movie like Aanakkallan with Biju Menon in the lead, as people will have their own idea about how it would turn out to be. But the movie struggles to do the same, to meet the expectations. There are moments when the movie keeps making us feel the drag, as it goes above two and half hours, without that much of a content to boast about. The songs are all bad, and unnecessary – all of them seem to drag this piece of work towards that eternity, and most of the viewers won’t appreciate the same. There is so much of repetition here, not just with the old jokes, but also with the same kind of jokes used within the movie. The first and the second parts seem to be confused in where the movie is heading, and the long flashback in the second half is the worst part. The predictability factor is also very high.

The performers of the soul :: Biju Menon was supposed to be the one person who could hold the parts together, and one surely can’t doubt his ability in doing that – the movie surely depends on him a lot. He seems to find things easy here, as no surprises are added here in any department. Hareesh Perumanna and Dharmajan nicely contributes to the comedy at the same time, and Sudheer Karamana also joins in. But it is to be noted that none of these performers are used in a way that evokes that kind of fun to be remembered for long – there were opportunities present. Dharmajan’s Baahubali moment stands out, and Hareesh with his counters keep the movie on a better path. Suraaj Venjarammoodu once again has a rather serious role to perform here, and he has no problems in getting into this character of a thief.

Further performers of the soul :: The main female characters in this movie, Shamna Kasim, Sarayu and Anusree fail to have much to do. While Shamna Kasim’s role is more or less about being the fairest of them all, the other two are given even lesser work to do. It strange that we can’t have more. Siddique plays the police officer with ease, as he has the second most important character related to this one. Suresh Krishna does leave an impact with his funny police role here, being divergent from the serious one he played in Abrahaminte Santhathikal. Indrans is also here with an interesting character, even though limited in scope. Bala and Kailash are also there, contributing nicely to the story. But the focus, as we all know is on one person, and it is no surprise at all.

How it finishes :: The movie doesn’t go on to become a Vellimoonga, and it doesn’t even go on to become a Swarna Kaduva. This one is rather closer to Sherlock Toms which was a half-baked movie unable to stay within any genre, or do justice to at least one of them well enough. The director’s previous movie was Ivan Maryadaraman, and in comparison to that, this flick is surely an improvement. But the question would remain if that much is enough. The fact that there is still the use of the same kind of strange stereotypes and cliches after so many years and movies of attempts, doesn’t leave a true movie lover a happy one. But Aanakkallan does serve to waste some time for a lazy weekend, and this particular weekend is indeed one. There is just Kayamkulam Kochunni to make you think otherwise.

Release date: 18th October 2018
Running time: 155 minutes
Directed by: Suresh Divakar
Starring: Biju Menon, Siddique, Suraaj Venjarammoodu , Shamna Kasim , Anusree, Dharmajan Bolgatty, Sudheer Karamana, Suresh Krishna, Hareesh Perumanna, Bindu Panicker, Saikumar, Sarayu, Bala, Shivaji Guruvayoor, Indrans, Kailash

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Pulimurugan

pulimurugan-1

Vampire Owl :: Do you know that the Vampire Crocodile and the Vampire Penguin failed to get tickets for this movie?

Vampire Bat :: It was never part of their skills. You have seen their CVs.

Vampire Owl :: But we had assigned them to cinema ticket duty.

Vampire Bat :: It is absurd. Nobody on Earth gets tickets for Pulimurugan in the first attempt.

Vampire Owl :: But this is our first attempt and we are getting them.

Vampire Bat :: We have been trying this indirectly in many forms though.

Vampire Owl :: Like transforming into mist and other strange things?

Vampire Bat :: Yes, among those large number of tricks which Count Dracula had taught us during those special classes.

Vampire Owl :: Very risky ones though.

Vampire Bat :: You need them to get a chance to watch movies like this one.

[Gets the tickets with tea and cheese popcorn].

What is it about? :: The tale is set in the fictional village of Puliyoor, named as the lands of the tiger, as it is consistently haunted by predators which come out of the forest. When these creatures attack them, they turn to Murugan (Mohanlal), a.k.a. Pulimurugan to become their saviour. Murugan lives with his wife, Myna (Kamalinee Mukherjee), their one daughter and his younger brother Manikkuttan (Vinu Mohan). His best friend and help is Balaraman (Lal) who helps him in being the hunter that he is. One day, he comes across Benny (Nobi) and Shiva (Bala) who are Manikkuttan’s friends, and are looking for his help. By providing them help, he will get closer to a man called Daddy Girija (Jagapati Babu) who is not the person whom Murugan thinks he is. He also locks horns with Krishnakumar (Kishore), and his number of enemies only increase as the movie comes to an end.

The defence of Pulimurugan :: From a long time ago, nothing has changed – Pulimurugan has been the talk of the town months before its release, and that remains the same even now, as shows run full with fans, youth, families and the lone watchers. Mohanlal makes sure that this one stays afloat all the time. Here is something that has tried the best to keep the overall quality high, as Pulimurugan undoubtedly looks really nice on the big screen. There is no shortage of visually stunning moments here, and almost everything has been well-captured. It is indeed great to see the action sequences which are without doubt of high quality, especially in the final moments. When they say that this is not something which hasn’t been seen before, they are not really joking about the same. It might be what you can choose to agree with, sans second thoughts.

Claws of flaw :: The expectations are indeed running high, and with this one hundred crore tag added, people are sure to feel the need for something huge. The tag of the “mass movie” is an abomination, because that specific classification itself is a lie which is used to cater to brainless people – no, Pulimurugan is not brainless, for its smartness is evident. Still, Pulimurugan has some of the most ridiculous sequences, especially the ones involving Namitha, and one involving Mohanlal lifting Vinu Mohan – along with these, there are some terrible comedy scenes which become a curse on this movie. There are also a little bit too much of unnecessary additions in the fine action sequences in the end. The songs are not that interesting, and the theme music is terrible, not original, and also not suiting the movie as a whole. The movie is the best when in the forest, and it should have stuck to that and its creatures – beyond that, with human villains of cities and towns, its not that much there.

Performers of the soul :: It is a Mohanlal show all the way, as we see him stretching beyond the limits to breathe more and more life to this character. He has brought this character close to us, and he has done the same with no problems at all – you see hard work here too, and there is a lot of it. Pulimurugan‘s female stars disappoint though, whether it is Kamalini Mukherjee whose character is more irrititating than anything else, or Namitha who is wasted from the very first moment of her existence, we see nothing positive from the female cast, and that is depressing without doubt. The truth is that even if they were not here, there was not going to be any change happening to the tale – Pulimurugan could have existed as the same man, especially with his own people of the village to care about. But the ladies are there, and they contribute nothing much positive.

Further performers of the soul :: It is absurd that there is nothing much with movie’s female department. Lal plays Mohanlal’s second-in-command, and he does his role with no trouble at all. After Mohanlal, he is the next person we are happy to see in this movie. Jagapati Babu is okay here as the antagonist, as the tiger becomes the one true enemy. Vinu Mohan does not much, and Bala has a rather predictable character here. Nobi has some fun moments, and Suraj Venjaramoodu has more, but none of them working this time here. There are a few others who came in smaller roles, but caught our attention – they are Siddique, Sudheer Karamana and Kishore. Hareesh Peradi is added to play another unnecessary character – there are too many of them here, that is for sure. We could have had less such characters and the existing ones having better things to do.

How it finishes :: This is the time when Pulimurugan has gone on to become the first Malayalam movie to get the collections over a hundred crore, and at the same time, the other Mohanlal movie in the theatre, Oppam gets to overtake Premam and become the third highest grossing Malayalam movie of all-time, after our movie here, and Drishyam. It is certainly the best of times, and Malayalam movies have been climbing up the ladder by a very long way. It feels great to have another golden age for the industry back here at this time. Lets hope that Pulimurugan scores even more, and also that there are other movies to follow, and get to the special one hundred crore club which should be expanded soon enough! May the strength be with these movies, and those special ones which are to follow in the next few months. Still, Drishyam is better by some way, no doubt about it.

Release date: 7th October 2016
Running time: 161 minutes
Directed by: Vysakh
Starring: Mohanlal, Kamalini Mukherjee, Lal, Jagapati Babu, Vinu Mohan, Nobi, Bala, Siddique, Kishore, Suraj Venjaramoodu, Namitha, Nandhu, Sudheer Karamana, Makarand Deshpande, Hareesh Peradi, Sasi Kalinga, Sethulakshmi, M. R. Gopakumar, Baby Durga Premjith, Master Ajas, Santhosh Keezhattoor (cameo), Antony Perumbavoor (cameo), Anjali Aneesh Upasana (cameo)

pulimurugann

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Ennu Ninte Moideen

ennunintemoideen! (3)

What is it about? :: In the 1960s at Mukkam in the Malabar region of Kerala, Kanchanamala (Parvathy Kottuvata), one of the many children of a landlord, studies medicine. Meanwhile, Moideen (Prithviraj Sukumaran), a socialist political worker from a renowned family of the region spends his time with the common people. Their parents are good friends and the families know each other. They fall in love, but are restricted by the society as Kanchanamala is Hindu and Moideen is Muslim. Moideen is thrown out of the house by his father for declaring his love for the lady, and Kanchanamala is locked inside her room in the house. The options available here were to run away or to forget each other, but they decide to wait. A lot of things happen in the world around them, but they just wait for things to change, and this wait goes on as fate keeps intervening in their lives.

The defence of Ennu Ninte Moideen :: The best argument in favour of this movie is that it is unbelievably clean. The humour is good and love is strong. There is nothing other than pure love that takes the centre stage – there is almost no romance, and there is no talking nonsense; there is just the decision to get married and live together. It is something worth all the applause at a time when true love is dead and buried under the fake emotions. This movie becomes a lesson to the people who can’t wait or adjust, as the world are full of the “partially loving” ones who leave their lovers to follow their ambitions. The visuals are really good, and there some very nice dialogues which the audience can remember for long. The fact that this is a true love story also makes this movie better than what it actually is – there should be thousands of great love stories which go forgotten, and it is nice that this one didn’t. Also, the first half is superior to the second.

Claws of flaw :: One problem with the movie is its length. Even though it is not at all empty like Annayum Rasoolum, there are moments which drag, and this happens mostly in the second half after a well-made first half. There are certain moments of stretching in the latter part which could have been avoided. The signs about that powerful socialist-capitalist clash which the trailer gave goes completely missing as the same only appears here and there only to disappear without leaving any trace. It is unfortunate that there is nothing about righteous politics as expected. The songs don’t have much here. Cliches are also abundant. The overrating of this movie by the fans reflects as a flaw for the flick – you exceed expectations and give a movie some “greatness” title, and it becomes a flaw for those who watch the movie with expectations of unlimited greatness. Flaws will rise easily in a movie which you declare flawless, my dear fans; keep that in mind.

Performers of the soul :: Prithviraj brings Moideen to the screen with great sincerity and wonderful skills. If you ask me, I will prefer his performances in Ivide and Picket 43 more as they were a lot more intense; but this one is serene, staying within the limits of his character – the three are his best of the year. We await his much expected movie Amar Akbar Anthony as we watch this! Parvathy impresses most of the time, and is just fine on some other occasions, and she reminds me of Sangeetha of Chinthavishtayaya Shyamala fame. Bala also does a very strong job in this one. But the one who steals the show with two shots is Tovino Thomas who strikes an arrow into our heart and soul twice with one moment at the heroine’s house and another at the hero’s club. Sai Kumar and Lena Abhilash also leaves strong impact on our minds with their characters.

Soul exploration :: The origins of the love story of the lovers of this movie are not much explored, as they go straight towards the point. There is not much shown about what made them so much interested in each other, and the focus is on the fact is that they decides to wait rather than run away with each other or forget each other. They wait for the society to accept them, and take that risk with two reputed families belonging to two different religions. There is more than one dramatic interference from fate along with some additional melodrama as if this love was not supposed to happen, but the story remains true to love. The thing to be admired more than anything else is that they get older and older by waiting for approval, but the society remains the same and doesn’t accept their relationship. It is a strange world, isn’t it?

Further soul exploration :: The situation which is seen in the movie still exists in this world, even without talking about love and marriages. There is a certain amount of rise in the number of people who talk about religion and make decisions or judge people based on the same. It is a surprise that it happens in this modern age; the divisions were not this strong when I was a child – yes, the number of inter-religious marriages have increased, but it is not the case with the rest of the talks about religion as you can see less love for one’s religion and more hatred for other religions. We are getting divided further and further with more and more ridiculous reasons added. The non-believers only join in to make fun of everyone creating further trouble in between, instead of working to find a solution for any possible problem. Hating people is never a solution.

How it finishes :: There is a big problem with this movie, and it is with the fans. There is too much promotion going on related to this movie, and I have always found this overrating of movies rather irritating. I have seen the same with Premam, and now I am witnessing the same with this movie. It is time people stop overdoing the promotion and stick to talking about what they liked and didn’t like in a movie. When the word “best” is used without any limitations, it can make your favourite movie suffer, and fans should keep that in mind. I have had very high expectations about this movie due to some of those random comments, and this high number of comments have led to me liking this movie less. My advice to the fans is not to overrate a movie so much that it becomes irritating; Premam had early gains from it, but understand that luck changes and so do the games of fate.

Release date: 19th September 2015
Running time: 167 minutes
Directed by: R. S. Vimal
Starring: Prithviraj Sukumaran, Parvathy Kottuvata, Tovino Thomas, Bala, Saikumar, Shashi Kumar, Lena Abhilash, Sivaji Guruvayoor, Sudheer Karamana, Sija Rose, Sudheesh, Kalaranjini, Surabhi, Indrans, Devi Ajith, Emine Salman, George Tharakan

ennunintemoideen

@ Cemetery Watch
✠ The Vampire Bat.

Veeram

veeram (2)

Ask the magic mirror :: “Mirror Mirror on the Wall, Who Is the Fairest of Them All?” – now here is the answer which naturally comes to any mirror which has been taken into a theatre to watch Veeram; and it is Tamannah Bhatia. Unless that mirror prefers Kristen Stewart more than Charlize Theron, and as long as the question is not about being the “palest”, it is indeed a magic mirror which can be trusted. The first thing one notices in the movie is not our leading lady, that is for sure, but as far as being fair is considered, there is only person on the screen who takes that to another level. Whenever she is around, everyone else looks darker – no that is no measure of beauty even as Tamannah is indeed the more beautiful and the cute one around, and thanks to those beautiful locations during the songs, there is the snow to give that much needed competition; being the ice princess or the snow queen has never been this easy with anybody else.

What is it about? :: This is the story of Vinayakam (Ajith Kumar), the one-man army with a possible extension to five with his four brothers, and even to an army of six if their lawyer is included in the gang. The man has become more of a landlord who takes care of his people and is extremely caring about his brothers. He is a stern businessman and a reputed man of his area. He has weakness for the name Kopperundevi (Tamannaah Bhatia) and as a lady comes up with the same name, thanks to the work of his brothers and the adopted brother lawyer, he falls in love with her, and with the good guy impression created by the brothers, she also falls for him and takes the decision to take him to meet her family. But later she comes to know that he is the rough and tough guy who beats up people whenever he sees something wrong. As she wants a more peace loving person so that he can be approved by her father, he decides to become one. But the need for fight doesn’t leave him, or does it?

The defence of Veeram :: Translated into English as “Valour”, the movie is a action masala movie, and that basically forgives most of the troubles of the movie. Another thing is that this is the movie of Ajith, or rather by Ajith, about which there is lot more to talk about. Meanwhile, the movie has immense style, and it is reflected not only in the display of the same, but also in the narrative. The use of rain, thunder and lightning along with the clouds adds such a strength to the movie that this use is nothing less than deserving applause. The locations are beautiful and those of the songs are breathtaking. The mixing of action, sentiments and humour is intelligent, and it makes up for what is lost in the old plot. Even with so much lacking in innovation as far as the story is concerned, there is a lot working out well in the other departments. There are many mass scenes and even as the action gets repetitive, the sequences are powerful.

The claws of flaw :: The movie is all about Ajith’s character, and the rest are kept in the shadows most of the times, and their existence is more to make our hero better rather than for themselves, as our leading lady exists so that he could fall in love and dance with her, and a villain to be afraid of him and another to be beaten up and killed by him. The purpose of brothers is more to show that he is superior, but that is understandable as this is more of a movie for the fans; and our hero is that awesome indeed, thanks to a powerful portrayal. The romantic side is weak, mostly due to the fact that it is forced and not rightly fit in the movie. The action scenes repeat as if put in a loop, and it could have been better if some shots of beating up villains were cut. The sentiments also go in a strange way, and the lack of logic is right there in the centre. The story should also be older than most of the actors in the movie, and its similarities to many other Tamil and Malayalam movies can be noted down.

Performers of the soul :: Ajith’s movie as one would expect, as he outperforms everyone with such an ease that what exists there is mostly a one-man show. From his entry, he keeps scoring, and his looks are perfect for this role. It does remind one about Mammootty in the 2000 Malayalam movie Valyettan, but to a small extent; with the romantic side of the brothers slightly resembling the 1991 Malayalam film Godfather. Tamannaah is dazzling, and you can often take that literally. This is the first time I am watching a movie starring her, and I am glad I finally did that; had to leave the Kajal Aggarwal starrer behind even as it was running in the same theatre at the same time, but no beauty lost in the end. Its good to see Bala too, as its been a long time since I watched one of his movies, and he plays a character with the same name which made him famous in the 2007 Malayalam movie Big B, which might once again be a luck factor. Santhanam comes up with lots of funny moments to make sure that the comic side doesn’t go weak. Nassar and Atul Kulkarni also comes up with strong performances.

Soul exploration :: The most shocking thing to the soul was the name of the heroine, especially when her nickname was revealed to be Kopu. But what’s interesting to the soul is its assertion of family values and putting one’s people over everything else. It starts off with the brothers and later extends to the family of his lover, our hero becomes a model brother and son in no time. He sacrifices his happiness to see the family happy, and keeps them away from all the problems as well as their knowledge of their troubles. We have known Jeffrey Nero Hardy as the charismatic enigma, but our hero here is nothing less throughout the movie. Another thing is the significance of “tea” as a symbol in the movie; it not only becomes a symbol of his simplicity, but also his hard-work as well as love for his brothers and family. How often do you see a movie poster with the hero happily drinking tea in it? Now that is a plus for the soul and the Vampire Bat loves it.

How it finishes :: There was always going to be a doubt about which movie to watch, with Jilla running on the other screen, and choosing this was a risk, but nothing regrettable happened in the end. It was nothing strange to see that the viewers for both movies were almost equal, and with only a few vehicles in the yard, with not even one mediocre Malayalam movie release in the same week, and both the Hollywood and Bollywood side being weak in comparison as far as normal people are concerned – shortage of big movies (Drishyam and Oru Indian Pranaya Katha are still there along with many English movies from much earlier, still in the multiplexes). The movie is reckless and violent in its action, and the use of sharp weapons cloud the movie like nothing else – if that is a positive or a negative is for the audience to decide, as it doesn’t go beyond a level. The opinion is divided about the movie, but I would say that this one deserves a check as it keeps the interest high even as it might be too long for one’s liking.

Release date: 10th January 2014
Running time: 155 minutes
Directed by: Siva
Starring: Ajith Kumar, Tamannaah Bhatia, Vidharth, Bala, Santhanam, Ramesh Khanna, Atul Kulkarni, Nassar, Abhinaya, Pradeep Rawat, Munish, Manochitra

veeram copy

@ Cemetery Watch
✠ The Vampire Bat.