Acceleration

Vampire Owl: How far can you accelerate here?

Vampire Bat: Well, the movie has a world of crime in it, and so, we can be sure that the acceleration will be related to action.

Vampire Owl: Do you think that such an acceleration will affect the plot negatively.

Vampire Bat: I am pretty sure that there will be just the usual plot.

Vampire Owl: They are not really into create a story to run beneath the action, or do they value it too?

Vampire Bat: I have read what the movie is about. It is nothing that you have heard about – we have only that tale without surprises.

Vampire Owl: So, this movie is to be watched only for the action sequences.

Vampire Bat: There could also be some thrilling moments in store.

Vampire Owl: Well, if it works with what it needs to, I have no real objection.

Vampire Bat: Let us see how it manages to work out.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Vladik Zorich (Dolph Lundgren) is one of the much feared and respected crime lords of Los Angeles. As he is double-crossed by his most trusted operative on crime, Rhona Zyocki (Natalie Burn), the man who runs many businesses including weapons, gambling, drugs and skin trafficking, decides to make her dance according to his songs. With no more risks possible in his current business, he kidnaps her only son, and with the little kid by his side, he gets the power to make her obey everything that he asks him to do, like a slave under command, the chain being attached to the child. As her son’s life is in his hands, Rhona struggles to obey Vladik’s orders, as she has to face some of the most twisted men and women in the business. But with her son’s life on the line, she will go through punches, kicks, gunshots and torture, with one goal in mind. Can Natalie do all the necessary things needed to keep her son alive, as Vladik has more plans for her? Will she and her son survive?

The defence of Acceleration :: The movie does have some nice action sequences, more related to shooting, and thanks to Natalie Burn being perfect in doing all that, Acceleration does manage to accelerate through its short run-time which is actually shorter due to the longer credit scenes, making it lasting about one hour and twenty minutes, losing another five minutes in the process. With such a low budget, they did manage to make this much, and has also managed to have some good performances from the main cast. The visuals are good too, as we look at the city which is coloured nicely in the night and with the darkness to set the mood for some action with much at stake. As the movie progresses you want to see more of Natalie on the screen, as sooner or later, this becomes all about her, the character on whom everything around here focuses on. You will have to watch it without thinking too much, and things will come together with progress.

The claws of flaw :: There are times when we feel that the writers were in a hurry to finish this movie. This is already a very short movie lasting less than one and half hours, and they don’t find it enough, as it seems from how this movie has been jumping from one scene to the other. There could have been better editing in place for sure. In the end, there is a rush, and at times, the protagonist has it easy – she beats up people easily, and escapes from bondage by herself, not really looking as if she ever had even a little trouble. You shouldn’t make things too easy in a movie like this, as the way she escapes here is just too silly, as the man who caught her and tied her up is a human trafficker and had intended to punish her hard in a way which she would remember throughout her like until she dies, but she just frees herself and simply stabs him after walking through his evil lair which is supposed to be so difficult to escape from. The movie’s twists are not interesting either – there were opportunities to add to it, but the movie doesn’t do so.

Performers of the soul :: The movie has Natalie Burn written all over it as far as performances are concerned, as she becomes the perfect action star with looks and style as much as the action sequences. With her looks, she is separated from the usual leading actress – she possesses that intensity that cannot be unmatched, and that is more or less due to her appearance, as she becomes someone we expect to beat people up, and maybe even shoot them nicely. But action surely is not her only skill, as Natalia Guslistaya, the Ukrainian model can do much more, without doubt. She was also seen in Mechanic: Resurrection, Expendables 3 and Criminal, all of them action thrillers, even though not in those main roles, and so there is a good chance that you might have missed her in those films. Dolph Lundgren was last seen in Aquaman in a significant role, and you can try finding him there, and the clue is that it is linked to Mera, the superhero’s lover underwater in the Kingdom of Atlantis. He is the one other actor worth mentioning, and the others just manage to play along at most of time.

How it finishes :: Acceleration is more or less the time-pass action movie which you can watch without spending much time thinking about. There is not much otherwise as far as this movie is concerned. There is enough in this movie to keep you interested as a crime action thriller. But escapism does get the advantage over the other things, and thus this movie is left with not much for the brain. It goes on the lines of many other action thrillers, but doesn’t use those elements of the genre to the best of advantage – but that might not have been needed considering the fact that this movie doesn’t try too hard. It lets everything go accordingly, because with Natalie Burn and Dolph Lundgren in the lead, an action thriller can go on as expected, without attempted to come with something grand. Acceleration accelerates just enough for you, and the escapist entertainment runs on that initial acceleration which is a little boosted at times.

[Gets some friench fries along with another cup of tea].

Vampire Owl: This movie could have been so much more.

Vampire Bat: Yes, they could have used the leading lady to more potential.

Vampire Owl: This is a movie which was not watched by many people, and so, not many people know about it.

Vampire Bat: She surely is perfect for an action movie, don’t you think?

Vampire Owl: Yes, but more as the lady villain rather than as the heroine.

Vampire Bat: There is no question about the fact that she looks quite lethal with the action sequences and more.

Vampire Owl: I never knew that Hollywood has such actresses custom made for such roles.

Vampire Bat: We didn’t know that there would be Corona Virus either.

Vampire Owl: There are so many things that we don’t know.

Vampire Bat: Well, knowledge doesn’t come with immortality. You have to read a lot to come up with that.

[Vanishes into the shadows behind the oak tree].

Release date: 8th November 2019
Running time: 85 minutes
Directed by: Michael Merino, Daniel Zirilli
Starring: Natalie Burn, Dolph Lundgren, Chuck Liddell, Sean Patrick Flanery, Danny Trejo, Dobromir Mashukov

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@ Cemetery Watch
✠ The Vampire Bat.

The Son

Vampire Owl: And we have another Spanish movie, but this seems different.

Vampire Bat: Yes, this one is from Argentina, and so it is not like the other movies we watched earlier, from Spain.

Vampire Owl: Okay, so just like the one Porutuguese movie on this site is from Brazil and not from Portugal.

Vampire Bat: Yes, people tend to have such confusions when someone is mentioning the language used.

Vampire Owl: So, we are seeing a rise in French, Spanish, Korean and Chinese movies in comparison to the other foreign languages.

Vampire Bat: Yes, and I don’t think that you would be surprised about the Korean ones.

Vampire Owl: It is not surprise, because Korean films have been here for a long time.

Vampire Bat: We haven’t focused on the rest, even though we should have.

Vampire Owl: Well, times have changed, and things can be different.

Vampire Bat: Yes, we can further work on watching more such movies.

[Gets an orange cake and three glasses of blackcurrant shake].

What is the movie about? :: Lorenzo (Joaquin Furriel) is a fifty year old Argentinian painter who has been trying to rebuild his life, as he hasn’t been that successful with his career or the personal side, even though there has been no doubt about his talents. Julietta (Martina Gusman), his former student and love interest is now living with his friend Renato (Luciano Caceres), while Lorenzo marries a much younger Sigrid (Heidi Toini), a Norweginian biologist doing research in Argentina, who approaches him for an experiment, and later decide to move in with him. But there is a certain amount of anxiety related to the child going on there, and Lorenzo and Sigrid seem to be going apart. Sigrid who is a biologist, wants to have the baby at home, citing the possible infections in a hosptial, and for the same, she brings a Norwegian mid-wife who assisted in her mother’s delivery a long time ago. The baby is born, but the relationship between its father and mother is strained, and there is something strange going on with both of them.

So, what happens with the events here? :: It turns out that Sigrid doesn’t go out of her room or shows the baby to anyone else. She stay inside with the baby, and she is the pediatrician with the support of the mid-wife, much to the dismay of Lorenzo who doesn’t get to spend any time with the child, even after six months. She doesn’t allow him to take the boy to the hospital which makes him further depressed. When he finally takes the child to the hospital, she files a case of domestic violence, and makes sure that he can’t come near her or the baby. After that, she asks for divorce, and tries to keep him away using anything within the law that gives her the advantage as a woman. Now, the question remains if Lorenzo can finally meet him, because he feels that the boy who is with Sigrid is not their son, but somebody else. Is it the truth or just a feeling that he has? Is there a big mystery surrounding these incidents, or is he just hallucinating, as he is a person with a long history of being an alcoholic?

The defence of The Son :: The movie surely keeps one guessing, and there is a certain amount of skill being displayed here on not letting us know exactly what is happening. We are not sure whose side we should be on, because strangest of things do happen. But there is something about her which is not usual, because it is clear that she is playing the victim card as a woman to blame her husband for fake domestic abuse and everything else. As a biologist, something strange is going on with her, and we are still left in the dark about what is going on – with that, the movie is successful. The film also deals with the possibilities that someone could make use of, as far as laws helping a particular gender, religion, race or any such category is concerned – especially in the name of helping a group which seems to be brought into submission. It also talks about how judgmental people happen to be, as far as some cases are concerned, taking only one side with the help of law. At the same time, we have the suspense and twists in there.

The claws of flaw :: The film does have a certain amount of slow pace associated with it, but it is mostly solved by the short length of the movie. The feeling of danger is also absent in this movie, as we only suspect people being possessive, or having some minute problems, and nothing more. The ending also feels rather incomplete – it leaves too much for the audience to think about, and we feel like we left that movie without watching it completely. The movie could have been closer to horror rather than the other genres, but it doesn’t try to use the horror at all. Even those movies which don’t have any such inclination will try to do that, and this one leaves the idea behind completely. We feel that there is so much more that this movie could have done, as the stage was all set, and there was something in the background trying to take over at all times. There was enough around here to bring a special ingredient into the picture, which is not really there.

Performers of the soul :: Joaquin Furriel’s performance is the one thing that elevates the movie to another level. He looks solid as the painter and the one who is in some kind of problem almost all the time. We can relate to him as he seems to face situations which make no sense for him at all, even though he does leave enough for us to doubt him too – we lie there in between. Heidi Toini is very good as she goes on looking more or less like a psychotic person of science, someone who seems to be in control of everything biological, looking at even doctors as if they are not necessary. Martina Gusman also comes up with some quality performance as she tries to help the main character – the same can be said about Luciano Caceres in a lesser way, as he is not there for that much time in comparison. Then we only have Regina Lamm who speaks only in Norwegian, and we know nothing much about that – maybe someone who knows the language will bring some light into that if required.

How it finishes :: The Son might not be the first Spanish movie on this website, but is certainly the first Argentinian film around here. Despite a certain amount of weirdness associated with this movie, The Son does have enough to keep us guessing, as we wonder what is going on here, at all times. It also reminds us that things are not usually what they seem to be, and when one takes the side of a person who is also supported also by the law in the name of gender, race, religion or anything else, you have to look deep into it because things are not always what they seem to be. As of now, all the Spanish movies which I have watched did leave me with the same feeling. It should have more to do with my choice of movies, but it has been there. After all, the Spanish Football Team is also my favourite international team, and it is also a nation which I have always wanted to visit; you can add that feeling to both Spain and Argentina – maybe, one day, very long after the Corona restrictions, I will.

Release date: 2nd May 2019
Running time: 92 minutes
Directed by: Sebastian Schindel
Starring: Joaquin Furriel, Heidi Toini, Martina Gusman, Luciano Caceres, Regina Lamm

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@ Cemetery Watch
✠ The Vampire Bat.

The Prodigy

What is the movie about? :: In the countryside of Ohio, a serial killer with roots in Hungary, Edward Scarka (Paul Fauteux) has been murdering young girls after cutting off their hands which he kept as souvenir. Hands have always been his weakness, looking at them before selecting the victims. He has a wonderful time, as the number of victims increase every day, leaving no clue for the police to follow. But things take a turn when due to one small mistake, one of the girls, Margaret James (Brittany Allen) escapes from captivity after he takes away her right hand, and alerts the cops. The police conducts a raid at his farmhouse, and he gets shot to death. At the exact same time, a couple in Pennsylvania, Sarah Blume (Taylor Schilling) and John Blume (Peter Mooney) have their first child. Sarah is excited to finally have her first child, as the couple have been waiting for this moment for a long time after getting rid of their family problems.

So, what happens with the events here? :: Miles Blume (Jackson Robert Scott) grows up to be more intelligent than the usual kids of his age, making people feel that he is a certain kind of child prodigy. He has no trouble in solving mathematics problems and mastering language after learning to speak much earlier. He is someone who could start pre-school early, and even skip those earlier batches considering how good he was proving himself to be. Even those all these things point to one positive side, there are changes in the boy’s behaviour as he grows up. He almost kills his bab-sitter Zoe (Elisa Moolecherry) while playing hide-and-seek by setting sharp piece of glass on the steps to the basement, and also beats up other kids at the school because he didn’t get the space which he wanted using whatever he could manage to find from a hand tools kit.

And what else follows with the happenings? :: Miles seems to be a threat to everyone around, as violence follows him to places. Sarah brings Miles to a psychiatrist Dr Elaine Strasser (Paula Boudreau) who refers them to Arthur Jacobson (Colm Feore), an expert on rebirth and reincarnation. He tells Sarah about the possibility of rebirth in Miles’ case because the language which he was speaking in sleep, and was recorded and given to him by her, is a very rare dialect of Hungarian. There are not many people who know this language, and Sarah and her husband knew only one foreign language which they had mostly forgotten – Spanish. With Miles not being exposed to any other language, Arthur tells her that it could be another soul trying to be born again, replacing the soul of the boy, thus getting hold of the body to do something it had left unfinished in earlier birth. But this soul would need something more which Sarah won’t guess.

The defence of The Prodigy :: The movie maintains a good amount of creepy feeling, which only gets better with the serial killer soul taking further control, often making one think of Chucky of Child’s Play which nicely changes into the brutal murderer. There are some nice scary moments, most of them being creepier if you consider them with clarity. The creepy undercurrents drive this movie forward, as there are so many things that an evil genius can plot, even though not all of them are done. We are kept in the perpetual fear of some terrifying evil coming up, and the feeling of hope is rather bleak in this one. The movie has so much of nice foreshadowing which we can appreciate, as we do get some feeling regarding what is to come. There are not many things spookier than having an evil kid that acts like a vessel of pure evil. As we have heard on many occasions, evil comes in many forms, and always finds a way.

The claws of flaw :: Some years ago, in 2009, Orphan had a poster saying there is something wrong with Esther – Isabelle Fuhrman who later bagged a role in the dystopian thriller The Hunger Games made that movie one which everyone loved. Ten years later, in 2019, this movie comes with the tagline, what is wrong with Miles? Well, there is no difficulty in understanding where this is pointing to. There was the plan to make something like Orphan, and this time, they added rebirth to the plan. This could be even considered similar to a sequel, even though it is not. In comparison to Esther, The Prodigy struggles at times, and the effect of the twist is also not that much to be seen. The fear element is also not that real as Orphan which also had even better performances, and a past which was so mysterious and a twist which was heavy. The Prodigy could have had the evil manifestation doing more to people too, and the serial killer’s past could have been better shown too.

Performers of the soul :: As this is not the usual horror movie like The Conjuring, Annabelle, The Nun and Insidious, performance was always going to matter much. Taylor Schilling makes a perfect, confused mother here, as someone who thinks that one or the other action can save her child, but ends up being foolish in her motherly love. Peter Mooney who plays the father figure almost does the same, even though not that much. Jackson Robert Scott who plays the child comes with a fine performance – it won’t be that creepy as what we had seen in Orphan, but it is still something that we will remember in acceptance of another evil kid on screen. Colm Feore is solid as the man who tries to help, but knows that he has to be careful when standing on thin ice. Paul Fauteux who plays the serial killer needed to have more space, and his actions with the kidnapped girls are never really shown, except for those hands being hung there.

How it finishes :: If you have liked movies like Orphan, you are also going to like The Prodigy. The idea of a kid that acts strange and goes on a killing spree isn’t something new for us, but it will continue to catch our interest for a long time to come. After all, the idea of inherent evil being being present in children is something we haven’t been able to deny, and the works like William Golding’s Lord of the Flies had further strengthened the same. It had been working further in the movie world since The Omen. The idea of rebirth and reincarnation are used here instead of the usual haunting when the kids are shown to be evil. The idea here works in a more terrifying way because of what lies underneath, and by establishing that this is pure evil, and there is a master evil brain at work here, which is almost impossible to defeat.

Release date: 8th February 2019
Running time: 92 minutes
Directed by: Nicholas McCarthy
Starring: Taylor Schilling, Jackson Robert Scott, Colm Feore, Brittany Allen, Olunike Adeliyi, Elisa Moolecherry, Peter Mooney, Paula Boudreau, Olunike Adeliyi, Martin Roach, Ashley Back, Tristan Vasquez

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@ Cemetery Watch
✠ The Vampire Bat.

Aanakkallan

What is the movie about? :: The central character of the movie is Pavithran (Biju Menon) who is a man spending his time in prison for committing robbery in a palace and museum. But his life gets better when a skeleton is found in the palace while the place was undergoing renovation. It is found out that the skeleton is almost as old as the time when the person was committing the robbery at the place. The police figures out that he could be either the suspect or the witness, and Pavithran agrees to the fact that he witnessed the murder taking place, and the killer getting rid of the body. As he assures them that he can recognize the killer, the police officers in charge KV Esthappan (Siddique) and Rajendra Babu (Suresh Krishna) decides to get him a parol. With a special permission from their superior officer Alex T Kuruvilla (Shivaji Guruvayoor), they make a master plan.

So, what happens with the events to follow? :: This master plan involves taking Pavithran to Esthappan’s wife house, from where he eloped with his wife Nancy Palakkal (Sarayu) a long time ago. By returning there, they would get a chance to stay close to Anandapuram Palace where the body was found. Pavithran would be forced to stay in the house as Esthappan’s friend who is a rich businessman from Palai. Despite their doubts, the parents of Nancy, Thomachan Palakkal (Sai Kumar) and Kochu Tresia (Bindu Panicker) welcomes them home. From there, a series of confusing events occur related to their lives. There are secrets to be revealed and mysteries to be solved, about Pavithran’s past, and that particular night on which the murder is supposed to have taken place. But as someone who is in prison for robbery and cheating, can Pavithran be trusted to help the police well enough?

The defence of Aanakkallan :: Being a movie which has a certain amount of confusion in itself, Aanakkallan can use some defence in its favour. There is no doubt about the fact that the movie begins well, and even before Biju Menon makes his entry, the beginning is set. The idea is good here, with an attempt made to solve a mystery regarding a skeleton found in a palace – to solve the case, a thief is needed too, and that man has a strange past. Well, this could have surely developed into something bigger as there is no shortage of content, and the fun is always there to be added. We remember how well Biju Menon added to the same in Rakshadhikari Baiju Oppu. The funny side gets some regular contributions even when there are those problems of repetitions as well as the confusions.

The claws of flaw :: There is much that one would expect from a movie like Aanakkallan with Biju Menon in the lead, as people will have their own idea about how it would turn out to be. But the movie struggles to do the same, to meet the expectations. There are moments when the movie keeps making us feel the drag, as it goes above two and half hours, without that much of a content to boast about. The songs are all bad, and unnecessary – all of them seem to drag this piece of work towards that eternity, and most of the viewers won’t appreciate the same. There is so much of repetition here, not just with the old jokes, but also with the same kind of jokes used within the movie. The first and the second parts seem to be confused in where the movie is heading, and the long flashback in the second half is the worst part. The predictability factor is also very high.

The performers of the soul :: Biju Menon was supposed to be the one person who could hold the parts together, and one surely can’t doubt his ability in doing that – the movie surely depends on him a lot. He seems to find things easy here, as no surprises are added here in any department. Hareesh Perumanna and Dharmajan nicely contributes to the comedy at the same time, and Sudheer Karamana also joins in. But it is to be noted that none of these performers are used in a way that evokes that kind of fun to be remembered for long – there were opportunities present. Dharmajan’s Baahubali moment stands out, and Hareesh with his counters keep the movie on a better path. Suraaj Venjarammoodu once again has a rather serious role to perform here, and he has no problems in getting into this character of a thief.

Further performers of the soul :: The main female characters in this movie, Shamna Kasim, Sarayu and Anusree fail to have much to do. While Shamna Kasim’s role is more or less about being the fairest of them all, the other two are given even lesser work to do. It strange that we can’t have more. Siddique plays the police officer with ease, as he has the second most important character related to this one. Suresh Krishna does leave an impact with his funny police role here, being divergent from the serious one he played in Abrahaminte Santhathikal. Indrans is also here with an interesting character, even though limited in scope. Bala and Kailash are also there, contributing nicely to the story. But the focus, as we all know is on one person, and it is no surprise at all.

How it finishes :: The movie doesn’t go on to become a Vellimoonga, and it doesn’t even go on to become a Swarna Kaduva. This one is rather closer to Sherlock Toms which was a half-baked movie unable to stay within any genre, or do justice to at least one of them well enough. The director’s previous movie was Ivan Maryadaraman, and in comparison to that, this flick is surely an improvement. But the question would remain if that much is enough. The fact that there is still the use of the same kind of strange stereotypes and cliches after so many years and movies of attempts, doesn’t leave a true movie lover a happy one. But Aanakkallan does serve to waste some time for a lazy weekend, and this particular weekend is indeed one. There is just Kayamkulam Kochunni to make you think otherwise.

Release date: 18th October 2018
Running time: 155 minutes
Directed by: Suresh Divakar
Starring: Biju Menon, Siddique, Suraaj Venjarammoodu , Shamna Kasim , Anusree, Dharmajan Bolgatty, Sudheer Karamana, Suresh Krishna, Hareesh Perumanna, Bindu Panicker, Saikumar, Sarayu, Bala, Shivaji Guruvayoor, Indrans, Kailash

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@ Cemetery Watch
✠ The Vampire Bat.

Men in Black III

mib3 (5)

What is MiB3? :: It is the third movie in the Men in Black series which comes as quite a surprise as the first movie released in 1997 and the second in 2002; now with fifteen years gone after the first movie and ten years passed after the second, one would easily think that the series based on Lowell Cunningham’s The Men in Black comic book series might have been done and can return only as a reboot or a perfect remake. But what happened in 2012 was indeed surprising as the alien-dealing protectors of the Earth has returned once again – five years between the first two movies, and ten between the second and the third, and Mathematics doesn’t favour a fourth, but I am not the one who would believe in numbers. One thing about which we can be sure as long as this series is considered, and it is that the movie was a hit even before it was released – I would have been surprised otherwise, and the men dressed in black has scope for even more sequels.

The Setting :: Men in Black (M.I.B) is a top-secret non-government agency that deals with extraterrestrial alien invasions, connections and refugees. It keeps the details of all the aliens who come to Earth and helps those who wishes to make a living on the planet, and at the same time fights any possible alien invasions or other kind of threats to the planet (May be they know about Superman’s presence too). The agency operates from an underground base of operations about which not even any of the world governments or spies are aware of. MIB agents use certain kind of devices called neuralyzers to wipe out the memories of the witnesses who have seen or felt any kind of alien presence, and thus keep their secret alive and away from being noticed. Agent K (Tommy Lee Jones) and Agent J (Will Smith) are the top operatives for this organization and our protagonists once again, with another adventure which comes from outside Earth.

What is it about? :: Boris the Animal, the last of the alien species called Boglodites which consumed all planets in their path, escapes from a prison in moon. He is seeking vengeance on Agent K, who had shot and separated his left arm and imprisoned him in the year 1969. It is seen that one day, K just vanishes and there is no clue about him – it is as if only J remembers that he existed. He finds out that J died in 1969 and Boris the Animal as well as the whole species of Boglodites remain free and ready attack Earth. As it was K who came up with a shield to safeguard Earth and annihilated the Boglodites, it is found out tht Boris went back in time to murder K and thus make sure that he kept his left arm as well as his freedom, along with his race with all the power. Now J has to travel back in time at a time when time-travel is illegal and thus risky, and stop the current age Boris from uniting with the Boris of 1969 and killing K as well as saving Earth from the invasion.

The defence of MiB3 :: Well, this third movie of the series is almost as good as its predecessors, just trailing by may be a few points. It has a lot of fun, and works right as an action comedy. There are also the good special effects an nice CGI, even as there is nothing spectacular, nor there is the need for much. It is one of the best alien comedies too, and as a movie which doesn’t take itself seriously, it scores correctly. It also has a good number of aliens in store, not that you haven’t seen them already, but for those who might have not, and also for those who might have forgotten these two gentlemen in black, there was that “setting” section. Its combination of science fiction with comedy and the introduction of time travel makes it a fine combination of things. There are also those gadgets which looks interesting even if they belong to 1969 which is more of our 2069 in one way or the other. Like it, because even Batman comes only in black, or as they say in that Lego Trailer, very very dark grey.

The claws of flaw :: There is usually a curse associated with the third movie of the series, as they might not be the best of the franchise – I expect such things to happen in case of another sequel to Taken, and it has already happened with Blade 3, Alien 3, Species 3, Jaws 3 and a lot of other movies which you might recollect with a few seconds of thinking. Don’t think like that, for this one survives. But after waiting this long, does this get any better? The answer would be no. And does this offer anything new other than time-travel added? Once again a big no. Couldn’t they have come up with something other than time-travel for this third movie? I did think about it with no answers. There is no new addition or interesting stuff to suit the age, and there are moments when one wonders which direction this is going. Add Alice Eve’s hairstyle to an alien world – thats shocking indeed. The characters of Boris and Griffin were a little less interesting compared to the potential they had.

Performers of the Soul :: Will Smith has another one in his pocket, and a lot of us remember him as Agent J. He goes through the movie with ease, just like the previous movies of the series. Tommy Lee Jones is fine with the time when he is there, as his younger version is played by Josh Brolin who perfects the character. So, there are obviously three of them this time, and joining them is the present version of Agent O (Emma Thompson) and the lady’s 1969 version played by Alice Eve whose hairstyle shocks us to that extent that we wonder if she is actually an alien. But they are both good at what they have been doing in the movie, especially our older version. Jemaine Clement as Boris the Animal is good, but not that awesome a villain as one was expecting. Michael Stuhlbarg’s Griffin add more funny dimensions, but there was scope for more with that character. There is also that twist in the end in which all the cast do a wonderful job.

How it finishes :: Men in Black 3 tries to extend the range of the series, and is successful in it. But with the lack of innovation and repetitive stuff, one has to wonder how far the franchise can stay alive. There is always the Will Smith factor to save it though. He doesn’t seem to age much, and he has the energy in him to bring more out of Agent J. May be one of the later movies in the series can come up with our favourite moment in an alien movie history, and as Griffin says, “unless this is the one where…” – as long as there is scope for aliens, there is hope. This one had no particular aim or reason for existing in an year in which The Avengers and The Dark Knight Rises were always supposed to rule and become the movies of the year, along with a Hobbit and a Bond dropping in. It does finish tenth in the list of highest grossing movies of the year, but I would rather be surprised that it grossed more than the movies like Prometheus, Dredd and John Carter by a big margin. For now, it is yes for Men in Black 4.

Release date: 25th May 2012
Running time: 106 minutes
Directed by: Barry Sonnenfeld
Starring: Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Nicole Scherzinger, Michael Stuhlbarg, Bill Hader, David Rasche, Emma Thompson, Alice Eve

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@ Cemetery Watch
✠The Vampire Bat.