The Courier

Vampire Owl: Did you collect your parcel from the Vampire Courier Service?

Vampire Bat: No, I didn’t. What did it have?

Vampire Owl: How can I know? I was just notified that you had a courier.

Vampire Bat: Okay, so they don’t deliver at the vampire castle.

Vampire Owl: No, not after the Corona Virus crisis.

Vampire Bat: So, they think that the vampire castle is infected beyond redemption.

Vampire Owl: Yes, they think so because of the large number of human visitors who were at the castle last month.

Vampire Bat: Well, nobody trusts the humans these days.

Vampire Owl: I don’t remember the last time any of our people trusted them.

Vampire Bat: When we keep them away, things will get better, and the couriers will be delivering at home.

[Gets a chicken puffs and three cups of mixed tea].

What is the movie about? :: A young woman is tied to a chair at the middle of a parking lot and from the blood on her body, it seems that she was brutally tortured. As she struggles to breathe, she is about to be run down by an accelerating car when it goes to a flashback. Gary Oldman (Ezekiel Mannings) is one of the most powerful crime lords who has his business running in the United States of America and Europe, someone whom nobody dares to question or testify against, until Nick Murch (Amit Shah) makes the decision to go to the police, after witnessing a murder committed by him. For the interpol and the FBI, this is the first time that someone came forward to testify against the much feared crime lord, as usually only the dead bodies remain whenever someone tries to do something like that. The crime lord’s seductive, psychotic and manipulative daughter Alys Mannings (Calli Taylor) would not tolerate the fact that her father was arrested from a church, and was put on house arrest while he awaited trial.

So, what happens with the events here? :: The interpol officers lead by Agent Simmonds (Alicia Agneson) takes Nick to a safe house where they are supposed to stay and contact the court using the live stream video, but when a courier (Olga Kurylenko) rings a bell to deliver a package, things begin to go differently. The courier is the same lady who was tortured in the beginning of the movie, and it turns out that the parcel which she brought with her was something which would mean death. Simmonds shoots her, and turns rogue, trying to kill Nick, and blame it on the courier, who manages to attack her back, and almost kill the agent. Nick escapes from the floor with the help of the courier who seems to have some skill in fighting, but they are caught in the underground parking lot, surrounded by men who wants to kill them. They keep on running through different levels of the parking lot, as more and more men who seems to be mercenaries keep coming. Can Nick somehow manage to testify at the court with the help of the stranger?

The defence of The Courier :: A fine package of action can be seen in the form of The Courier which has all its fights set in just one place where the two protagonists as well as those who are trying to kill them are set – the movie keeps the three classical unities of place, time and action, with everything happening at the same place, and ending, with only one mission to save the witness. Olga Kurylenko is the one person who keeps the action at top level, and even after these many years, she remains a level apart from the other actresses, except for Rebecca Ferguson who is the perfect action impossible girl who also was the psychic vampire in Doctor Sleep. The action sequences are all made in a believable style, as we see her fighting – landing the punches, kicks, gunshots and bike stunts in a parking lot so well in this ride full of thrills. The stunts are all stylish and believable here, with no exaggeration at all.

The claws of flaw :: The Courier is a movie which always had a lot of scope, and could have had a better background tale for it too. There could have been more use of the motor-bike, and also something more about her past and her new life as a courier, which can be linked to The Transporter considering what she does, and to Die Hard considering the fact that they are locked in a building, and has to survive – Olga Kurylenko is Jason Statham, Bruce Willis and even Tom Cruise at some points, but it is good to see the lady action star coming up with more in a realistic way, as you are not supposed to look for something exaggerated around here, for that is not the kind of action which we have here. The dialogues could have been better, and with one of them, they could have explained the Kevlar jacket and a little more. Maybe it could have also had its antagonist to do more, and as it was quite a big building, possibilities were endless.

Performers of the soul :: Olga Kurylenko is a name not unknown to us, as we have seen her in a lot of movies, and she has handled the action genre really well throughout the years – she is someone who means business as far as fighting is concerned. The last one of them was on the funny side with Johnny English Strikes Again, but she had movies like Hitman, Max Payne, Oblivion, November Man, Centurion and the James Bond movie, Quantum of Solace. Age is showing on the Bond girl, and she is not that lean figure anymore, but her skills with action sequences have only gotten better here. Alicia Agneson looks fine as the special agent when she is there, but her stay is limited, leaving us with hope to see more of her another day. Meanwhile, Calli Taylor has some nice moments, and you cannot doubt her about not being a crime lord’s daughter here. Gary Oldman makes a solid crime lord, and we feel that he is capable of lots of evil, and can always find opportunities for evil with him around. Amit Shah also does a fine job, and adds some humour too, and nobody should be confused about the name.

How it finishes :: Happening at a place within a limited time with one motive, this movie which would make Aristotle happy with its unities, manages to be higher than the level of many other action movies of the same kind. The reviews about this movie hasn’t been that good, but after you watch this movie, you will understand that there is not much that this movie could have done to make them feel better, as this is one wonderful action fest full of thrills, and Olga Kurylenko is the one lady action star who could pull this off so easily. You can always trust Olga to do that, and for the same reason, you can go for this one without second thoughts like I did. I am sure that the audience from this part of the world would like it even more. Just forget those reviews, some of which are not even explaining why they didn’t like this flick, and enjoy The Courier like you would have enjoyed most of those action movies with a male lead.

Release date: 22nd November 2019
Running time: 97 minutes
Directed by: Zackary Adler
Starring: Olga Kurylenko, Alicia Agneson, Gary Oldman, Amit Shah, Greg Orvis, Craig Conway, William Moseley, Dermot Mulroney

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@ Cemetery Watch
✠ The Vampire Bat.

Criminal

criminal-2

Vampire Owl: I am suffering from a thriller overdose.

Vampire Bat: And also the science fiction overdose. This movie is both, just like many other flicks which we have been watching in the recent days.

Vampire Owl: Why is it that there are not enough of such movies made here, and we have to keep depending on the Hollywood all the time?

Vampire Bat: We are specialised in drama, aren’t we?

Vampire Owl: And the romance. You see the latest one, the sequel to Humpty Sharma Ki Dulhania.

Vampire Bat: You mean Badrinath Ki Dulhania. Who makes sequels to a dumb movie?

Vampire Owl: A sequel to a super-hit dumb movie.

Vampire Bat: Which is the dumb movie which is not a super-hit in Bollywood?

Vampire Owl: I can only remember Besharam and Tamasha.

Vampire Bat: I am not letting them doing a science fiction thriller. It would mean the beginning of the end.

[Gets three cups of masala tea with biriyani rice and gravy].

What is the movie about? :: Xavier Heimdahl (Jordi Molla) is a newly turned anarchist, a former businessman looking forward to bringing the downfall of all world government and initiate a reign of chaos. For the same, a hacker known by the code name “the Dutchman”, Jan Strook (Michael Pitt) is forced to create a computer program that would be able to bypass all security features, and get to the nuclear defense codes of as many nations as possible. But fearing for what will happen afterwards, Jan panics and contacts Bill Pope (Ryan Reynolds) who is a CIA agent based in London. Even though Bill manages to get the money and also make the deal with Jan, he is unable to get the money to him, and also safely transport the hacker from the safehouse, as he is captured by the group of terrorists and murdered while trying to extract information.

So, what happens next? :: Now, the situation is that nobody knows where Jan is, and very much desperate to get to the hacker, the senior CIA agen Quaker Wells (Gary Oldman) contacts Dr. Micah Franks (Tommy Lee Jones) who has been running a number of experiments related to implanting memories on human brain. Micah agrees that theoretically speaking, he could transplant the memories of a dead man into the brain of a living person who volunteers for the experiment, but it has never been tested before, and nobody can figure out how it turns out to be for the receiver of these memories. A criminal Jerico Stewart (Kevin Costner) seems like the best option for the same for Micah, even though Quaker wants an agent to do the same. But an early childhood brain trauma makes Jerico the best choice according to Micah, and so they go forward with the same.

And what follows the transfer :: They bring a reluctant Jerico to the laboratory and conduct the experiment. In the beginning, it seems unsuccessful, and Jerico doesn’t respond to the questions asked related to Bill. But Jerico escapes the captivity, and memories of Bill begins to flash through his mind. As the memories keep coming to his mind, he keeps experiencing different emotions as well. Meanwhile, Jan decides to sell his program to the Russians believing that CIA is not ready to pay him, and has decided to back out of the deal. At the same time, Xavier and his henchwoman Elsa Mueller (Antje Traue) are looking forward to capture Jerico and find out where Jan is hiding, but it is the CIA who gets to him first. But the question remains if Jerico can remember the significant things, and even if he does, will he tell the CIA or the terrorists the truth?

The defence of Criminal :: There is a wonderful premise in store with Criminal, and it also finishes off well with a nice twist, and a fine ending which is going to appeal to most of the people. The pace is good, and we get into all the action very early, which makes sure that we are interested in what is to happen at the next moment, as things keep going out of control for the protagonists and the world almost ready to descend into chaos. Kevin Costner comes in a role which we are sure to remember more than any other in the recent past, as this one seems to suit him so well at all points. Gal Gadot has a nice emotional role to perform as we see her after all the action in Batman v Superman: Dawn of Justice, and Antje Traue whom we had seen in Man of Steel and Pandorum gets another tough role to perform, and she might be the strongest of them all. There is also the strength of having Gary Oldman and Tommy Lee Jones in two major roles.

The claws of flaw :: With its tale, Criminal could have surely achieved much more – it is something that we can all be sure about without doubt. The story could have been further developed into something bigger, dealing with brain and memories as Hollywood find it fit. This is an idea which has survived enough to be capable of bringing more, and that could have been something under focus. This is the kind of idea which could even be rather scary when we look at it. To add to the same, most characters are not dealt with well enough either, and there the focus goes limited. It was also strange to see Ryan Reynolds who has been two Marvel superheroes, Deadpool and the Green Lantern being being used so less, with his character dying so early. Alice Eve whom we last saw in a big movie in Star Trek Into Darkness, also gets much less here.

How it finishes :: For some reason, Criminal is a lesser known science fiction thriller around here, but it could have given many other movies a fight at the box-office if it had gained some hype here. Yes, Criminal is a lot better than some of those movies which gained too many positive reviews than they should have. Most of these faults which seem to have been found are not really that much of a problem if you take a deeper look at it and feel what you are really looking for from this movie within its genre. At the same time, Criminal also asks some very interesting questions about what makes a person – is it his memories, his emotions, or what he or others think that he is? Well, maybe all of them along with the situations – but there is a chance that none of them well. Go and see how it is made with the main character in this movie.

Release date: 15th April 2016
Running time: 113 minutes
Directed by: Ariel Vromen
Starring: Kevin Costner, Gal Gadot, Gary Oldman, Tommy Lee Jones, Alice Eve, Michael Pitt, Jordi Molla, Antje Traue, Scott Adkins, Amaury Nolasco, Ryan Reynolds, Colin Salmon, Tommy Hatto, Robert Davi, Richard Reid, Natalie Burn, Lara Decaro

criminal

@ Cemetery Watch
✠ The Vampire Bat.

Dawn of the Apes

Dawn of the Planet of the Apes (1)

Vampire Owl :: You mean to say we are going for an ape movie.

Vampire Bat :: Or Humpty Sharma Ki Dulhania.

Vampire Owl :: I would rather watch monkeys all day than watch a new Bollywood Romance.

Vampire Bat :: I already watched that Humpty Dumb though.

Vampire Owl :: This is why your choices are always bad.

Vampire Bat :: It was because the local theatres were showing it for a change.

Vampire Owl :: Still, you decided to commit suicide.

Vampire Bat :: Unless you are suicidal, it is impossible to watch a Bollywood movie these days. Movies like Madras Cafe and The Lunchbox comes once in a blue moon.

Vampire Owl :: I hope our current venture is not like that.

Vampire Bat :: Humpty Sharma Ki Dulhania makes you strong enough to watch anything! It was that bad!

[Enters the movie hall].

What is it about? :: The human testing on the apes had resulted in them getting smarter and escaping from the human world creating another civilization of their own, based on some newly discovered values. Meanwhile, the virus which was developed by the humans has caused their own downfall and they are on the brink of extinction with cities destroyed and with the lack of resources, fighting one another as they have done for centuries. A group of genetically immune humans who have survived the virus are living in a guarded tower not too far away from the abode of the apes. As their power source seems to disappear, they hope to find enough power from the dam which is located in the lands of the apes, hoping to make the hydro-electric power plant work again. Even as they convince the apes and everything seems to work so well with the city ready to get enough power, we come to know that there are people on both sides who want a war due to the heavy distrust that exists of the other species, and it is only a matter of time till a war breaks out. The extinction of one race might soon begin.

The defence of Dawn of the Planet of the Apes :: The movie’s biggest point is its relationships, between apes and creatures of the same kind, humans and their own kind, apes and humans between each other and their attitude as a whole. The emotions are dealt with nicely in a believable manner as we would expect them to be. The movie also shows the evil of war and how it makes both sides dumb and thirsty for blood forgetting all the good things which can happen if there is peace. The story is a little bit more inclined to the ape side this time though. The visuals are impressive, especially that of the post-apocalyptic world and concerning the detail of the different types of apes. There are also some good action sequences related to the ape life. It successfully tests the loyalties of the the audience as it goes through the lives of apes and humans just come into it. The movie also talks about the fear of the unknown or the other, the rising hatred for the outsider just because he or she is just different.

Claws of flaw :: The incredibly long named Dawn of the Planet of the Apes is rather too slow a movie. It is never really in a hurry to progress through anything, whether it is the original story-line or the sub-plots. It takes its time and makes sure that the audience gets the feel of everything ape and post-apocalyptic human before getting things complicated and it is not a bad thing for the people who are watching a movie of the franchise for the first time, but not so much for the rest of the people. It does go along predictable lines at times, and the story of one ape trying to kill the leader of the pack to become the new chief was much expected, and a war was always on the cards, nothing out of the box with these species. The humans were always coming in for some reason, and there was always going to be the hatred for the other species. Other than the main characters, the human side is also weak and its civilization also on the losing side. James Franco and Freida Pinto are being missed here too in this continued world.

Performers of the soul :: Jason Clarke has a wonderful presence here, not something which matches James Franco, but rightly suitable for the situation of this movie. Keri Russell is also there, and it is surprising how good she looks after this many years, and she has done a wonderful job as the lady lead – liked her a lot since Bedtime Stories. Gary Oldman plays the typical human with the fear and hatred for the other and branding them as just animals who can be killed for the good of the humans. But nothing matches the strength of the ape characters as the focus is on them. Andy Serkis’ Caesar has more strength and emotions than any human or ape around as this character gets a lot better as a worthy leader of the gang. Toby Kebbell as Koba has the physical strength powered by his experiences, and Nick Thurston as Blue Eyes has a powerful emotional side like nobody else. Karin Konoval as Maurice, the orangutan is once again in the centre of things. This nice characterization of the apes make sure that there is something big coming up in the next sequel, like the 2001 version of Planet of the Apes which was huge in its ideas.

Soul exploration :: Dawn of the Planet of the Apes comes with a strict anti-war message which runs through its veins like blood. It is to be noted that it is the apes who don’t go to war like the humans even as they are less civilized. They value peace, but the twist is that it is them who starts the war which humans wanted. If we look into our world itself, we can see that it is not just side which is hungry for war, and if there is retaliation, it should mean that the colour of blood is not the same on all sides. As it is evident with almost all the people who talk about a war, the colour of blood changes according to which person they are supporting according to their religion, caste or race, and this is the same thing which is shown in this movie. Apes don’t kill apes as they would say, and humans want to kill apes because they are outsiders and a threat. Unfortunately this prejudice of “our people” exists among humans, and thanks to their influence, the same thing begins to exist in apes. A war is a war, and it causes the shedding of blood of the same colour on both sides, and if the deaths are less on one side, it wouldn’t mean that those who lost more men or buildings are better. There will always be someone who begins the war and innocents who suffer.

How it finishes :: I have always felt something special about the 2001 Planet of the Apes and it would remain my favourite movie of the series. I haven’t written on it yet, but it is still special for me. I would love to see a connection between that movie and this one, may be with General Thade traveling back in time to meet the apes of this franchise giving them the much needed advice which would indeed change the planet into something really of the apes – this could lead to the final situation in the end of that movie which can justify the ape planet. It would bring Mark Wahlberg back which would be pretty awesome. It was one movie which deserved a sequel with its potential. But other than that, our movie has nicely continued the story of the first movie, not failing like most of the sequels that we face. Compared to Rise of the Planet of the Apes which serve as an origin story, this works as a wonderful story of survival and that too not just for one kind of species. The movie is surely going to do well considering the opinion that it has generated and the lack of any big opponent challenging it. This is indeed the time of the apes.

Release date: 11th July 2014
Running time: 131 minutes
Directed by: Matt Reeves
Starring: Andy Serkis, Jason Clarke, Keri Russell, Gary Oldman, Toby Kebbell, Kodi Smit-McPhee, Judy Greer, Jocko Sims, Kirk Acevedo, Enrique Murciano as Kempt, Kevin Rankin, Keir O’Donnell, Terry Notary, Karin Konoval, Nick Thurston, Doc Shaw

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@ Cemetery Watch
✠ The Vampire Bat.

RoboCop

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A hybrid in black :: A long time after the release of the 1987 version, here is a reboot which was much talked about. There are times when remakes and reboots do work, like in the case of Dredd, Batman Begins, The Amazing Spider-Man and Man of Steel, but there are times when they don’t. RoboCop might have also wondered about the same, and no wonder they wanted to make this hero black too, and remains so through most of the movie. It has released here two days after the original release in the United States and seems to have attracted less audience even as the title character is rather famous among the masses and the posters are pretty much impressive. The original movie re-telecasted on television might have brought better audience, even as this one might have just managed to keep itself together, but not throughout the whole movie, that is for sure. As the original movie was rather ahead of its times, one would wonder where this one will stand as bigger robots have come and gone in the form of Transformers and Pacific Rim.

What is it about? :: The world has gone on to 2028. OmniCorp is the organization that supplies mechanized soldiers to the United States Army which are used abroad. They wish to use the same inside the United States, but the same doesn’t happen due to Dreyfus Act which prevents it. The CEO of the organization asks a leading scientist to create a soldier who is a combination of man and machine, so that the public will like him and support more machines. As they look for a human who can be merged with the machine, one of the cops Alex Murphy (Joel Kinnaman) is critically injured by a bomb blast. As his wife, Clara (Abbie Cornish) approves the same to see him live, he is chosen as the RoboCop. The control of the human side is kept to the minimum so that his decisions are more accurate and without being shadowed by human emotions which could weaken his reliability. The question remains if the man or the machine wins in the end, and whether he can have revenge on the people who tried to kill him as well as those who wishes to control him.

The defence of RoboCop :: So RoboCop rides on the fame of a movie which was more popular than even those movies which had big stars in 1987. Being Alexander James Murphy and newest model from OCP Crime Prevention Unit of Detroit Police Department, this guy has been a popular hero for quite a long time. The idea of a cyborg, half-man and half-machine was a crowd favourite. This movie works on that solid grounds, and therefore this movie does starts with certain good score. There are lots of action sequences in store for such a character, and this movie also has the same, but mostly about shooting people. Along with the cyborg, the other robots are also nicely done. The robot versus drones training fight remains the best shooting sequence in the movie. The movie tries again and again to bring more and more thoughts into the process, including humanity, machines and souls, and it makes more and more efforts to keep the emotional side powerful.

The claws of flaw :: The movie can’t really use this emotional side to its advantage, as it is so much caught between it’s confusion about the major character being a man or robot, and in the process, often forgets that the viewers are human, or mostly belonging to that particular species which is supposed to be intellectually superior. RoboCop tries to live on the hype of the original, and in the process, ends up being too less of an entity which can be something which belongs to this age. To add to it, some fight sequences are horribly uninteresting. Then Iran seems to be occupied by the United States and RoboCop is made in China. There is also a television programme which is rather boring for the common viewer. Whenever there is too much deviation from the core of a movie like this, which should have been action, there was to be struggle, and RoboCop is caught in that problem which it has brought upon itself with repetition of the “emotion” stuff, as it gets overdone.

How it works :: Joel Kinnaman does well as the protagonist of the movie. One has to appreciate his presence as the cyborg right from that moment he wakes up inside that suit which is himself. Abbie Cornish is also nice; and I have seen her only in Sucker Punch before. There are lots of good moments provided by the cast, and the movie certainly has its own style. RoboCop seems to be doing better than the 2012 remake of Dredd for now, but I would say that the latter is one of the best reboots ever, even as RoboCop will surely collect more money than the same. Both works on almost the same platform, in a futuristic world full of crime, but RoboCop has the advantage of its hybrid character, and it is what sells, no matter how better Dredd really is. Unlike the original movie, this one isn’t really clear, as it seems to wonder what it is going to convey to the audience. It could have used a lot of updates which any robot should have with that advancement in technology.

Soul exploration :: As RoboCop is the latest victim to Hollywood’s desire to remake movies, there is surely a lot more than what meets the eye. There is a certain amount of satire in it, about the millionaire corporate greed and the prejudice of media, even as they rarely strike hard enough. There is lot of weakness in the idea. The audience expectation of an action movie is fulfilled only on occasions, as the robot police doesn’t get into the field until the second half. There is a lot of slowness related to the first half due to this, but one can spend that time thinking about what is to come and which part of this new breed of police will take over. The movie repeats what one would have always thought about the original law enforcer cyborg, and somewhat adds to the questions which were already there. But the answers are rather not clear in this case. May be it is because the movie wonders about its genre, but it fails to make its point clear as it has another television show in the end which continues what it had been saying.

How it finishes :: RoboCop doesn’t finish that strong as expected from the trailer. There was almost no scene which evoked any good response from the audience in the theatre. It was as if everyone in there was dead; there is always something to cheer for in almost every Hollywood action movie, but not in this one. When it tries too much in order to touch the foreign policy of the United States, capitalism, imperialism, media lies, human tendency towards corruption, terrorism, violence, modern tenchnology with side-effects and all things possible, with no particular care for one, there is rather too much of mess in an action movie which people are expecting. May be it had stuck to one or two things and used more interesting action sequences, with a better link between the audience and the human side of the robot, this would have been better. For now, it is just another okay movie which manages to hold on.

Release date: 14th February 2014 (India); 12th February 2014 (USA)
Running time: 118 minutes
Directed by: José Padilha
Starring: Joel Kinnaman, Gary Oldman, Michael Keaton, Samuel L. Jackson, Abbie Cornish, Jackie Earle Haley, Michael K. Williams, Jennifer Ehle, Jay Baruchel

robocop copy

@ Cemetery Watch
✠The Vampire Bat.

The Dark Knight Rises

thedarkknightrises (4)

The one thing I am certain about this movie is that it is the one I have waited eagerly in 2012, and what I might differ in opinion with a few is that this is not among the best movies of the year. There is another element in which I would agree on, and it is that this is not the best of the series, and where I disagree is at the level of quality of each movie of the Christopher Nolan’s Batman series, with my favourites going in the same path as the timeline, as Batman Begins is my favourite, followed by The Dark Knight and this one, both separated by not much. But I wouldn’t do that without reasons. Ra’s al Ghul v/s Joker v/s Bane is a battle which has a clear winner for many, but The first one is a villain with something special, a big idea. But Batman Begins succeeds in its story, and the Scarecrow is a better villain than Two Face for sure. Both the Two Face and Bane were not used to their potential, and this is where the first movie of the series scores, as it built this triology out of nowhere, with nothing to support it at a time when Spider-Man and X-Men had the status of being the better loved heroes around here.

Without Batman Begins, there is no dark knight, a term which became incredibly popular and was even used with Novak Djokovic, not that much of an expected winner caught between the rivalry between Rafael Nadal who had clay in his pocket at that time, and Roger Federer who ruled the rest of the clay-less world. Therefore, it is just natural to pay the due respect to that movie which started them all. The Dark Knight had all its fame and glory only due to what the beginning had given its viewers, and I have to admit that I didn’t realize that the first time. But as long as the long list of origin stories are concerned, from X-Men Origins to the recently released Man of Steel, Batman Begins has a high place. The Dark Knight Rises continues that legacy which was handed over to it by the more critically acclaimed and more hyped second movie, and has completed the trilogy in style. The problem which this movie has to face is the long trail of near-perfection in the superhero genre that its predecessors had left for this one, and the same thing is both the good thing and the bad thing for this movie; for this one could improve on box-office, as it went on to overtake its predecessors and become the eighth highest grossing movie of all time grossing over a billion United States dollars. But it is to be noted that unlike its predecessors, the film was not nominated for any Academy Awards.

Eight years have passed after Harvey Dent’s death and the covering of the existence of the Two Face. The organized crime has almost been wiped out completely. Feeling guilty for covering up Dent’s crimes and framing Batman for the same, Gotham City’s Police Commissioner James Gordon writes a resignation speech which revealed the truth concerning the two, but decides not to use it at the last moment. Batman has disappeared and Bruce Wayne has kept himself away from all the action. It is at this moment that a burglar Selina Kyle appears, known to most of the fans as the Cat Woman. Bane’s appearance is the other major thing which changes the scenario, as he intends to fulfill Ra’s al Ghul’s mission to destroy Gotham City and thus fulfill the aim of the League of Shadows. He punishes Batman and breaks his back, and then puts him in a prison from where escape is almost impossible. The fellow prisoners tell him the story of Ra’s al Ghul’s child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so – Batman assumes the child to be Bane, and his actions the revenge for what Batman did to his father.

Meanwhile, Bane traps Gotham police underground and destroys all the exits. He converts Bruce’s own reactor core into a nuclear bomb and uses the bomb to hold the city hostage and isolate Gotham from the rest of the world. Using Gordon’s speech which he had stolen, Bane reveals the cover-up of Dent’s crimes telling the people that the whole police action and passed laws based on Dent’s act was a lie and releases the prisoners from different jails. There is a kind of revolution and the wealthy and powerful have their money and property taken away, are dragged from their homes, and forced to trials presided over by Dr. Jonathan Crane a.k.a the Scarecrow, where any sentence means death on most occasions and otherwise exile. After months of recovery and training both the body and the mind to face Bane, Batman manages to escape the prison and reach Gotham City, and enlist the help of Cat Woman and the others. But with a pseudo-revolution on the run, and all the criminals on the streets with no police force to stop them, Batman has more than what he would wish for this time. It is up-to him to stop the man who broke his back with relative ease, and to prevent whatever Ra’s al Ghul had intended to do.

Christian Bale as Bruce Wayne a.k.a Batman continues his conquests, and here his performance is lowered only due to the absence of a villain who was as good as those in the first two movies, and there is no intellectually superior mastermind who decides who lives and who dies, and there is no wretched of the soul who is half Loki and half Lucifer, made with everything evil and everything psychotic. Instead he has a militant who is more of a physical threat than mental. Unfortunately, his thoughts and decisions are not his alone and himself outsmarting Batman was not something for which he could take credit, and at that point, he loses his significance and still not his presence and power. Still, Tom Hardy’s Bane is excellent in what he does. Anne Hathaway as Selina Kyle a.k.a Cat Woman becomes a revelation in the movie, and it is evident that she has trained extremely tried and tried her best to fit into that costume which so much physically demanding. Marion Cotillard outshines herself in the second half, and Joseph Gordon-Levitt as John Blake comes up with a pleasant performance. Michael Caine and Gary Oldman plays the two normal characters in the movie who makes any impact.

Christopher Nolan did make Inception just a few years before this with that touch of brilliance, it was what stood between the two sequels; it was something which further accelerated the expectations. Here, we get some of it, and considering the fact that Batman has undergone evolution and there is no real base for the same, and there is no end to this superhero, we have to respect this title despite of the hype. It has done all that it could do, but it did nothing spectacular, and yet, this is very well done. It was a good decision to continue the Ra’s al Ghul legacy, and it was hundred percent a good decision not to make this in the 3D – full marks to that. There are movies that are to be enjoyed for fun, and even with all the entertaining elements in this movie, it scores slightly higher at the intellectual level rather than how it is supposed to happen in a regular superhero movie. The movie also leaves open slots, not just for a sequel, but also for a Cat Woman and a Robin spin-off as well as Justice League of America movie, in the model of The Avengers. It is certain that we haven’t seen even a little bit of what the DC’s cinematic universe has to offer its viewers. There is a lot coming, that is for sure with this one being the third highest grossing film of 2012 and also the third highest grossing superhero film of all time.

There is no doubt that the caped crusader has grown enough to lead the Mount Olympus of superheroes as the Zeus of this generation, with his biggest arch-rival Superman failing to live up-to the hype, and his next best rival Spider-Man slowly fading from the scene – both of them coming up with below-the-bat reboots which fails to challenge the Man-Bat. These three are challenged not by those superheroes of childhood, The Phantom and He-Man, but by the man they call Iron Man and his gang of Avengers, as well as X-Men, but they all follow a different path. The world’s greatest detective with the Bat logo has nothing to worry about his position right now, but in case of a reboot, it is all upto him to lose, as the rest have only gotten better. The concept of billionaire playboy, industrialist, and philanthropist itself already has been challenged by Iron Man, and with Man of Steel all the dark elements; The Amazing Spiderman has conquered the heroic elements, and whenever the abilities are glorified, there was X-Men First Class, with Wolverine to follow this year. Therefore, this domination of the dark knight is in a precarious position, and as this end to the trilogy was not as perfect as expected, there is surely a storm coming, and it would consist of more than one superhero. The only fear that I have is that can the Batman remain Batman for long, or will he be completely transformed into the dark knight, and Superman into the man of steel? It is that question which will be answered in a decade.

Release date: 20th July 2012
Running time: 165 minutes
Directed by: Christopher Nolan
Starring: Christian Bale, Anne Hathaway, Michael Caine, Gary Oldman, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman, Juno Temple

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@ Cemetery Watch
✠ The Vampire Bat.