The Courier

Vampire Owl: Did you collect your parcel from the Vampire Courier Service?

Vampire Bat: No, I didn’t. What did it have?

Vampire Owl: How can I know? I was just notified that you had a courier.

Vampire Bat: Okay, so they don’t deliver at the vampire castle.

Vampire Owl: No, not after the Corona Virus crisis.

Vampire Bat: So, they think that the vampire castle is infected beyond redemption.

Vampire Owl: Yes, they think so because of the large number of human visitors who were at the castle last month.

Vampire Bat: Well, nobody trusts the humans these days.

Vampire Owl: I don’t remember the last time any of our people trusted them.

Vampire Bat: When we keep them away, things will get better, and the couriers will be delivering at home.

[Gets a chicken puffs and three cups of mixed tea].

What is the movie about? :: A young woman is tied to a chair at the middle of a parking lot and from the blood on her body, it seems that she was brutally tortured. As she struggles to breathe, she is about to be run down by an accelerating car when it goes to a flashback. Gary Oldman (Ezekiel Mannings) is one of the most powerful crime lords who has his business running in the United States of America and Europe, someone whom nobody dares to question or testify against, until Nick Murch (Amit Shah) makes the decision to go to the police, after witnessing a murder committed by him. For the interpol and the FBI, this is the first time that someone came forward to testify against the much feared crime lord, as usually only the dead bodies remain whenever someone tries to do something like that. The crime lord’s seductive, psychotic and manipulative daughter Alys Mannings (Calli Taylor) would not tolerate the fact that her father was arrested from a church, and was put on house arrest while he awaited trial.

So, what happens with the events here? :: The interpol officers lead by Agent Simmonds (Alicia Agneson) takes Nick to a safe house where they are supposed to stay and contact the court using the live stream video, but when a courier (Olga Kurylenko) rings a bell to deliver a package, things begin to go differently. The courier is the same lady who was tortured in the beginning of the movie, and it turns out that the parcel which she brought with her was something which would mean death. Simmonds shoots her, and turns rogue, trying to kill Nick, and blame it on the courier, who manages to attack her back, and almost kill the agent. Nick escapes from the floor with the help of the courier who seems to have some skill in fighting, but they are caught in the underground parking lot, surrounded by men who wants to kill them. They keep on running through different levels of the parking lot, as more and more men who seems to be mercenaries keep coming. Can Nick somehow manage to testify at the court with the help of the stranger?

The defence of The Courier :: A fine package of action can be seen in the form of The Courier which has all its fights set in just one place where the two protagonists as well as those who are trying to kill them are set – the movie keeps the three classical unities of place, time and action, with everything happening at the same place, and ending, with only one mission to save the witness. Olga Kurylenko is the one person who keeps the action at top level, and even after these many years, she remains a level apart from the other actresses, except for Rebecca Ferguson who is the perfect action impossible girl who also was the psychic vampire in Doctor Sleep. The action sequences are all made in a believable style, as we see her fighting – landing the punches, kicks, gunshots and bike stunts in a parking lot so well in this ride full of thrills. The stunts are all stylish and believable here, with no exaggeration at all.

The claws of flaw :: The Courier is a movie which always had a lot of scope, and could have had a better background tale for it too. There could have been more use of the motor-bike, and also something more about her past and her new life as a courier, which can be linked to The Transporter considering what she does, and to Die Hard considering the fact that they are locked in a building, and has to survive – Olga Kurylenko is Jason Statham, Bruce Willis and even Tom Cruise at some points, but it is good to see the lady action star coming up with more in a realistic way, as you are not supposed to look for something exaggerated around here, for that is not the kind of action which we have here. The dialogues could have been better, and with one of them, they could have explained the Kevlar jacket and a little more. Maybe it could have also had its antagonist to do more, and as it was quite a big building, possibilities were endless.

Performers of the soul :: Olga Kurylenko is a name not unknown to us, as we have seen her in a lot of movies, and she has handled the action genre really well throughout the years – she is someone who means business as far as fighting is concerned. The last one of them was on the funny side with Johnny English Strikes Again, but she had movies like Hitman, Max Payne, Oblivion, November Man, Centurion and the James Bond movie, Quantum of Solace. Age is showing on the Bond girl, and she is not that lean figure anymore, but her skills with action sequences have only gotten better here. Alicia Agneson looks fine as the special agent when she is there, but her stay is limited, leaving us with hope to see more of her another day. Meanwhile, Calli Taylor has some nice moments, and you cannot doubt her about not being a crime lord’s daughter here. Gary Oldman makes a solid crime lord, and we feel that he is capable of lots of evil, and can always find opportunities for evil with him around. Amit Shah also does a fine job, and adds some humour too, and nobody should be confused about the name.

How it finishes :: Happening at a place within a limited time with one motive, this movie which would make Aristotle happy with its unities, manages to be higher than the level of many other action movies of the same kind. The reviews about this movie hasn’t been that good, but after you watch this movie, you will understand that there is not much that this movie could have done to make them feel better, as this is one wonderful action fest full of thrills, and Olga Kurylenko is the one lady action star who could pull this off so easily. You can always trust Olga to do that, and for the same reason, you can go for this one without second thoughts like I did. I am sure that the audience from this part of the world would like it even more. Just forget those reviews, some of which are not even explaining why they didn’t like this flick, and enjoy The Courier like you would have enjoyed most of those action movies with a male lead.

Release date: 22nd November 2019
Running time: 97 minutes
Directed by: Zackary Adler
Starring: Olga Kurylenko, Alicia Agneson, Gary Oldman, Amit Shah, Greg Orvis, Craig Conway, William Moseley, Dermot Mulroney

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@ Cemetery Watch
✠ The Vampire Bat.

Adios

Vampire Owl: So, there is a goodbye related to this title.

Vampire Bat: Yes, the movie is about the death of a child and the following vengeance.

Vampire Owl: Well, there is nothing that catches the audience better than a revenge tale.

Vampire Bat: I agree to that. They are repeated so many times, and still they are so popular.

Vampire Owl: What is surprising is that some good movies become random tales of revenge as it progresses to the end.

Vampire Bat: Yes, Anjaam Pathiraa showed such a tendency, but Forensic was beyond it, with a psycho killer with no motive other than the murder itself.

Vampire Owl: I have always felt that such tales should be a sub-genre with further divisions following it.

Vampire Bat: I feel that that this setting in Sevilla in Spain is perfect too.

Vampire Owl: Well, I did love that setting in Italy too.

Vampire Bat: Yes, the setting of Piranhas. That would be a suitable setting too.

[Gets a blueberry cake and three glasses of pineapple shake].

What is the movie about? :: In a neighbourhood of Sevilla in Spain, there is an area where police, law and order ends up having no power at all. In a newly re-established underworld of drugs and organized crime, Juan Santos (Mario Casas) is a con man gets out of the prison to celebrate the First Communion of Estrella Santos (Paulina Fenoy), their only daughter, with his wife Triana (Natalia de Molina). His uncle Andres Santos (Vicente Romero) and nephew Chico Santos (Mauricio Morales) do come to him on he day of function with a gift, and calls him back to the world of crime, but he is not ready to do that, thinking about his wife and daughter. But on the same day, there is an accident after the party, and after being hit by another car, they are injured, but their daughter dies. The police officers Manuel Santacana (Carlos Bardem) and Eli (Ruth Diaz) who arrives nearby at a murder scene to investigate the killing of four Romanians who were drug traffickers, realizes that the murder is connected to this accident.

So, what happens with the events here? :: Discovering that the car that caused the accident which killed Estrella is the same as that of the killers of those Romanians, Juan meets his mother Maria Santos (Mona Marinez), former Santos’ family mob boss who expelled from the locality by two rival families Fortuna and Taboa. She also seeks vengeance for her grand-daughter, as Andre and Chico also offers their help. A drug addict named Maravilla (Pilar Gomez), tells the cops that it was done by Fortuna family, and even though a strong police force is deployed, the boss Gordo Fortuna (Moreno Borja) escapes from the area. Juan tries running after him, but it is of no use. But there is more than what meets the eye, and the Santos family will not have many chances to regain their lost glory – finding those who were responsible for the death of Estrella Santos, the youngest member of the family, would be a nice start. But, as things go further complicated, there is no hope for them without making friends out of enemies, and vice versa – can Juan be successful in finding the person who caused the death of his only daughter?

The defence of Adios :: There is the early feeling of what is to come, from the beginning itself – the feeling never goes away. The feeling of sadness that runs through this movie is strong, and we feel that not just from the parents of the child meeting accident, but also from the lady police officer who is in charge of the case. The visuals of the city are beautiful, and there are some moments of intensity related to some action and there is suspense with twists to come in the later stages. With the movie not being the usual revenge thriller where the protagonist goes on fighting random people and beating them, this one stays close to a certain amount of realism here. The background music also adds to the charm really well, and there is something about all the music which is played in this movie. With the visuals combining with the same, we have the feeling of being taken to this world, many kilometres away from us, that historical city from where Ferdinand Magellan departed for the first circumnavigation of the Earth – one of the cities of Western Europe which I would visit before most of the others if given a chance.

The claws of flaw :: Adios could have done better with its side of crime, and one wouldn’t doubt that. There is a lot more to explored for sure, as such families of crime are involved. Ruth’s character could have also had an interesting background story, as the need was ascertained during the time when she was talking about kids to the protagonist’s wife, and something was left to be said, as one could observe from that shower scene. The use of another title for the English version was also not needed, as people are well aware of this particular title. It could have simply gone for more action sequences, as the vengeance element was always going to feel the need for more strength. Guns could have been there at all times to bring the power up further. Some parts of the film could have also used some polishing, especially related to the police and the prison, as well as the other gangs which could have unleashed themselves on the streets, which never really get to have the big action out there.

Performers of the soul :: She might not be playing the protagonist in this movie, but Ruth Diaz is the one actress who scores above everyone else, as far as performances are concerned. There is a certain amount of sadness, and melancholic determination in her, which we find early enough – she feels like a beautifully crafted, complicated character with a long past of suffering whenever we look at her. Her expressions nicely support the same, and it seems that her looks also support the same. Natalia de Molina’s suffering is rather easily visible to the outward eye, and it is the kind that we know about, and she goes through that with the character really well. She plays the wife and mother in a believable manner too. Mario Casas plays the main character well, and we know that he is fit for this from the first moments than anything else. He displays the anger mixed with sadness quite well. Mona Martinez who plays the mother figure for the mob family is as solid as one can get. Vicente Romero and Mauricio Morales who play the other family members also support well here.

How it finishes :: Adios finishes well, and in the end, we are glad to have watched another version of a tale of vengeance. This would add to the entertaining during the time of Corona virus lock-down with ease. There is a certain amount of realism in the way this movie progresses, and as it doesn’t unleash a father-figure in unrealistic ways like we had seen in the Malayalam movie, The Great Father and many others from films in different languages, this one surely is a welcome flick. I would hope for more of similar movies which keep the momentum going without losing the realistic side. I would also love to keep such lovely music going on in the background. Let us hope that sooner or later, with the COVID-19 coming down at a later stage, we can have things to be better for the people related to the cinema industry who are suffering at this stage, and also the people who are running the theatres or working there. Let us hope for the best in the month of July.

Release date: 22nd November 2019
Running time: 111 minutes
Directed by: Paco Cabezas
Starring: Mario Casas, Natalia de Molina, Ruth Diaz, Mona Martínez, Carlos Bardem, Vicente Romero, Paulina Fenoy, Mauricio Morales, Sebastian Haro, Pilar Gomez, Mariola Fuentes, Consuelo Trujillo, Pablo Gomez-Pando, Carlos Cabra, Juan Carlos Villanueva, Moreno Borja

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@ Cemetery Watch
✠ The Vampire Bat.

Furie

Vampire Owl: This surely sounds like fury with the original spelling.

Vampire Bat: There is another movie with this title in English itself.

Vampire Owl: So, you are beginning to explore other language.

Vampire Bat: Yes, this one is Vietnamese, and other languages will follow.

Vampire Owl: Does this remind you of any of your previous journeys to East Asia.

Vampire Bat: No, the journeys were to Thailand, Indonesia, Singapore and Malaysia. None of them are the same.

Vampire Owl: So, this doesn’t bring much of those memories back?

Vampire Bat: Well, those memories are not going to return. The trips have all ended with the Corona Virus.

Vampire Owl: Well, a Vietnam, Cambodia and Laos trip should happen at some point.

Vampire Bat: It might come a long time later, and that would mean many years later.

[Gets a marble cake and three cups of iced tea].

What is the movie about? :: Hai Phuong (Veronica Ngo) is a former gangster who used to belong to a powerful family in the city, but is now living in the city with her daughter Mai (Cat Vy), working as a debt collector, while she used her skills in vovinam, a Vietnamese martial arts from. With the kid’s father having died a long time ago, she is having a hard time, as both the mother and the child are harassed due to the kid being born out of wedlock, and also because the mother is a debt collector who is seen as a continuous trouble maker. Mai wishes to stop going to school and start a fish farm with her mother, so that they won’t be bullied again, not at the school and not at the market or the streets. But one day, after having a verbal fight with her daughter, Hai finds Mai being kidnapped by some men, and she follows them through road, but can only see them taking her away on a boat, and then into a transport to Ho Chi Minh City also known as Saigon.

So, what happens with the events here? :: Hai is returning to the the most populous city in Vietnam, and the capital of the former state South Vietnam after a long time, this time, not as a gangster, but as a mother looking for her daughter who was kidnapped. With no clue about where to search, she asks her former gang members to help, but they refuse help because things did undergo some change around there, and the power balance has shifted – not helping them would be the best for the safety. As he approaches the police, she finds them not good enough, but she does manage to steal the reports of some criminals who could be related to the case of missing children. Detective Luong (Phan Thanh Nhien) is in charge of the cases related to the missing children, but she just misses him. There seems to be a big international gang working behind this, and it could also have a link to her notorious past. Now, can she survive and manage to find her daughter in time?

The defence of Furie :: There is a high dose of action here, provided from the beginning to the end, without any break. All the action sequences are too good, and at the same time believable, taking the best out of the Vietnamese martial arts. We only have the realistic moves here though, with no bodies flying around like in some third-rate superstar movie that we know. We are amazed by the leading lady’s skills in performing action as well as depicting the feelings so well. There is the final action scene on a train, which has been taken in the best possible way. The emotions are also running high, and there is the raw beauty of rural Vietnam as well as the charming style of Ho Chi Minh City. We have those shots from a distance and from the heights, as we get caught in those visuals. We do manage to have a fine chase or two in between here. Furie is a thrilling ride, and we are with a mother in this one, like we were with a father in Taken and its sequels – she is also John Wick of another kind. This is a fine movie to begin your love with Vietnam.

Positives and negatives :: Furie is more or less a full martial arts movie which depends on the same to keep things interesting, taking out John Wick‘s shootout side completely. It is also a tale of redemption, but you need to like the action elements to fall in love with the movie. This is also an amazingly stylish movie, not just with the action, but also with the visuals. You can see the difference between the city and village life, enjoying the beauty of both. With a movie like this, action had to click, and it does, amazingly well, as you are kept on the edge of the seat. If you have watched the Malayalam movie Thira, you will know that it had to be thrilling, but that one never had the need for action sequences, but Furie needed it, and with a desperate mother in the main role, nails it. The chase scenes and the brutal fights will keep this one going strong. The fights are not only on the ground, but also on trains, boats and motor-bikes, as the environment also contributes to making this feel better. The flashbacks give a better idea of the story, but at times, they are redundant.

Performers of the soul :: It is Veronica Ngo who steals the show throughout this movie, with her martial arts moves. There is something that you don’t usually see with the fight scenes as long as she is around. She was there in one of the Star Wars movies, but not noticed much because it was a smaller role. The other main characters are also female, except for a police officer and some others who seem to come into picture for shorter intervals of time. Most of them are there only to get beaten up by her, as the lesser troopers of the evil side. Tran Thanh Hoa plays the antagonist, and she also has her smart moves with some nice action sequences to go with it. Phan Thanh Nhien has a few of them, and is there in a supporting role, after he comes to the picture rather late. Pham Anh Khoa has a smaller, but noticable role to play, and so does the one who plays the nurse at the hospital. The main characters in the village markets are all female too. Cat Vy who plays the daughter is also a fine child actor as proven here.

How it finishes :: Furie is a high quality movie from Vietnam, and it is the first, as well as the only Vietnamese movie which I have watched. This is the kind of movie which has you a lot interested in the movie from the beginning to the end, never wishing to take your eyes off, as you will end up missing the action. The movie was the Vietnamese entry for the Best International Feature Film at the 92nd Academy Awards. Among the foreign movies that we watch from here, this movie should have a higher status, and something above the rest of the movies from East Asia. Vietnam surely scores with that, and there is the need to focus on some more of the movies from this nation which makes some very interesting movies along with being a tourism destination that everyone should be visiting. I also had a plan to visit the place, but that didn’t work out – with the Corona Virus problem going on and on, I will have to be satisfied with what can be seen in this wonderful movie.

Release date: 22nd February 2019
Running time: 98 minutes
Directed by: Le Van Kiet
Starring: Veronica Ngo, Cat Vy, Phan Thanh Nhien, Pham Anh Khoa, Tran Thanh Hoa

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@ Cemetery Watch
✠ The Vampire Bat.

Ranam

What is the movie about? :: Aadhi (Prithviraj Sukumaran) is part of the drug trade in Detroit, Michigan even though he doesn’t want any part of it. Being part of what he calls a dying city has him caught between his need for money and existence as well as the desire to get out of this dangerous game which will lead to his end. He is very much attached to his only one relative in the United States who cares for him, Bhaskaran (Nandhu) and his family which includes Aju (Mathew Arun), who is striving to be like Aadhi, a strong figure who deals with cars and secret activiies. Aju is madly in love with his classmate Deepika (Celine Joseph) who doesn’t care for him, and spends her time with parties, drugs and alcohol, not caring for what can be the result of her actions. There are no strings attached to her as she keeps flying further away beyond hope.

So, what happens with the events to follow? :: Meanwhile, Seema (Isha Talwar), Deepika’s mother has been trying to raise her daughter well, and has been failing miserably in the same – her daughter doesn’t care for her, and her husband Rajan (Shivajith Padmanabhan) who wanted her to abort their child doesn’t care about her or Deepika as he goes on with his business empire and having relationships with other women. Rajan considers Seema to be someone who is there for his money and influence. Along with Aadhi who has a terrible past with his father murdering his mother, Damodar (Rahman) is another man who has lost his Tamil Sri Lankan identity back at his home country, during the Sri Lankan civil war and is hoping for a greater identity in Detroit’s underworld. Rajan and Prabhakaran has been on Damodar’s side for long.

And what else is to come up in this tale? :: Meanwhile, Detective Ahmed Siddique (Giju John) is appointed to take care of the problem of the underworld concerning Damodar and his right-hand man Selvan (Ashwin Kumar) their own gang, a Polish gang that goes against them, and their mediator Chandran (Shyamaprasad). His special skill is that he is good in both Malayalam and Tamil, a quality that is not commong with many police officers of the city. There is case of a new party drug called Redex and both gangs are trying to become the gang to control its collection and sale. Aadhi and Bhaskaran who are trying to move away from the gang will not find that too easy, as Damodar needs them both with him to become the crime lord of the city, the undisputed king to whom Detroit should bow down. But is that as easy as he thinks? Can he find a way to bring Aadhi back to his gang and evade Ahmed? Will Aadhi find peace and is there hope for Seema?

The defence of Ranam :: Just like the less appreciated Prithviraj thriller Ivide, this one also has the elements of an emotional thriller even though the whole thing seems to be a crime drama from outside. The visuals are really great, and there is also a history of the city as well as the same from the characters’ past. The idea of the missed American Dream is always there, as the characters see their dreams vanish, and we feel the ghosts of their lost dreams in the air itself. The music is really good here, and the theme song is one of the best that you can ever have – watching and listening to the same in the theatre is something glorious. There is no pretension in showing the dark world with the diasporas and collisions happening between ideologies, gangs as well as with the misguided innocence of youth battling against the depression that comes from terrible experiences.

The claws of flaw :: There are many characters in the movie that could have been dealt with in a better way. We have a few who could have done more with better screen presence. The common audience of Kerala will also have problems with following a movie is only Malayalam by about fifty percent – the rest of the dialogues are in English and Tamil. We have the clear lack of subtitles here, and I have missed out on some of the Tamil dialogues myself. There are moments when the movie seems to be confused about where it needs to be going. It is when the movie seems to have a certain drag in between. With everything so well set with all the history and background being dealt with, one just can’t be blamed for expecting more, with the wonderful theme music in the background. It could have matched the strong feeling given by the music with its content further. Prithviraj’s London Bridge set in the United Kingdom could do it better

The performers of the soul :: Prithviraj Sukumaran once again shows the emotions of someone without roots in the best possible way, following what he did so well in Ivide, which was one less appreciated movie. In Koode, we saw how well he handled the depressing side of emotions, as he kept raising the bar higher to get closer to our soul. The curious case of “still the Thattathin Marayathu” fame Isha Talwar keeps us wondering – she seems to be miscast in most parts of the movie, but after a big loss to her character, she brings us some moments to remember. Giju John as the detective is a strong presence in this movie. Celine Joseph’s Deepika nicely becomes a representation of a new age and a new generation. Her reflection of the character has us impressed. At the same time, Rahman brings a fiery side to the new probable leader of Detroit underworld.

How it finishes :: You can see that Ranam follows the path of Ivide with its setting and how things progress with its characters. But Ranam can’t be considered to be as good as Ivide, because that one had emotions going so strong with all its characters; Ranam‘s focus is rather limited with its characters and their flashbacks. But there is a better focus on the Hollywood style of movie-making, and with style and class being present there to be seen, and that too without holding back at any moment. There is quality in what is presented on the screen, and when we look deeper, there is even more than what is shown on the movie, as the emotions go further and with better strength. Ranam becomes something more than what meets the eye on more than one occasion, and it takes a better pair of eyes to witness the same. Watch the title song from the movie below:

Release date: 6th September 2018
Running time: 136 minutes
Directed by: Nirmal Sahadev
Starring: Prithviraj Sukumaran, Rahman, Isha Talwar, Celine Joseph, Giju John, Mathew Arun, Ashwin Kumar, Shyamaprasad, Shivajith Padmanabhan, Justin David, Sajini Sacharaiah, Santhosh Keezhattoor, David Alessi, Christian Brunetti, Christopher Brophy

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@ Cemetery Watch
✠ The Vampire Bat.

Mrithyumjayam

Vampire Owl: I am sure that they are talking about us.

Vampire Bat: Why would you think that when going through a non-vampire movie?

Vampire Owl: Because it seems to be about someone who defeated death.

Vampire Bat: We haven’t defeated death; at least not yet.

Vampire Owl: Dude, we have come back from the dead. Anyone would coming back from the grave as a miracle and a victory.

Vampire Bat: It might be a case of victory for us, the same is not the defeat of death.

Vampire Owl: Why wouldn’t death be defeated by our victory?

Vampire Bat: We haven’t left the world of the dead. We are still connected to it. We never came back to the living, and we are just undead.

Vampire Owl: Does that really make a difference?

Vampire Bat: Yes, it surely makes a lot of difference. Death is only a passage, and we went through one of it to another stage – it is different from coming back.

[Gets three cups of special tea with Tiger biscuits].

What is the movie about? :: The idea of becoming a respected gangster is to kill the most feared gangster of all-time. But the question remains about what would happen if that man of terror is considered rather immortal? The doctors had told him that he would die in a few months, and he has gone one to live for so many years, and that too at the top of the food chain, doing his business with ease. He was stabbed multiple times, and has so many scars on his body. He was also shot so many times, and people say that he even took bullets on his head and still managed to be what he is now. There is also a tale which goes about twenty years back, about him being surrounded by fifty people armed with weapons, and he murdered them all without even a stick in his hands. He is also known to possess special weapons which are so sharp and poisoned that he can deliver the fatal blow in a second or two.

So, what happens next? :: The movie tells the story of a young man named Appu (Jitin Puthanchery) who has always wanted to be a gangster. He was born into a mafia family, and had grown up listening to their big tales of crime. These tales were talked about a lot of the common people who feared them, and there were even books and movies in their name. All these has made the young man want to be more and more like them. For the same, he takes on the mission, and it is to murder the man, Mrithyumjayam (Selvaraj Raghavan) known more to everyone as the the gangster who can’t die. It is his uncle (Sudhish Gopinath) himself who gives him with this objective even though he and his people have the doubt if he is really ready. But he decides to take it on – but the question remains if he can kill the man who can’t die? Can he accomplish what so many people and diseases couldn’t, and thus rise above the legend of the immortal gangster?

Soul exploration 1: Desire to follow the wrong path to fame :: Well, what people want is more about fame and money, and for the same, young people tend to take the wrong path, as they just seem easier – there is no need to study, and there is absolutely no need to follow the rules. This quick need for money and fame are driving forces behind them taking the terrible path. Once they take this path, there is no changing, and there is no coming back. We can see the protagonist in this short-film too, taking the same road, inspired by his own people and also by movies. Well, considering the state of our own movie industry, there seems to be too much criminal activities there too. It is a sad thing, as common people tend to lose their interest in movies too – you can see that the theatres are not that full as they used to be, and there are shows getting cancelled, or movies getting completely removed from a theatre. In the end, the wrong path can never be justified, and it all comes together to haunt you.

Soul exploration 2: A new generation lost in desire for more :: The new generation seems to find these things rather cool – there is the glorification of violence in the movies like Django Unchained, Kill Bill and many others which seems to show the same as the only solution to problems. This has made the youth choose the same to get what they want to have. The inherent evil in man just makes things easier – it is only that special push that most of them need to go against law, and you will feel such things happening with ease when you read the newspapers these days. The need for becoming the gangster which the protagonist in this movie has, does seem rather foolish and due to dumb reasons; he doesn’t even seem to be ready, but we see that he is ready to kill when there is the need. The most terrible acts of violence seems to be ready to come out when there is a chance – the question remains if it is how our new generation is turning into!

How it finishes :: Mrithyumjayam is taken in such a stylish way that you will have the feeling of this being more global in character – the black and white on the screen works nicely for the movie, and throughout the movie, it provides that kind of a feeling which keeps us immersed right inside. The only colour used otherwise is red, and that is nice to see – the only exceptions are the colours shown on a television screen and on the protagonist’s shades. The first thing that the movie reminds us of, is Sin City. It is actually nice to see that our own people are capable of making short-films like this – it is actually worthy enough to make a full length movie, with this particular gangster’s legend going on, leading the rise of a new one, and showing how things change, but the core remains the same while history repeats itself without any kind of remorse as it sheds so much of blood.

[Walks into the balcony with another cup of tea].

Vampire Owl: Throughout my life, I have never wanted to be a gangster.

Vampire Bat: It is a good thing because Werewolf Anger would have killed you otherwise. He hates gangsters.

Vampire Owl: Do they make him angry too? Like vampires, zombies, wood elves, dark elves, high elves, satyrs, orcs, goblins, halflings, witches and centaurs do?

Vampire Bat: He is always angry. He just hates the gangsters.

Vampire Owl: You mean to say that he hate them so much that no gangster will ever see the light of the day in his territory?

Vampire Bat: Yes, something like that, but only until the Lich Queen re-animates their remains. She raises the undead from such people.

Vampire Owl: You mean to say that the gangsters never really die either?

Vampire Bat: As long as the Lich Queen gets her hands on them.

Vampire Owl: So, there is really the defeat of death.

Vampire Bat: As I said earlier, this is not the defeat of death either, but the opening of another passage while traveling to the other world.

[Walks into the silence of darkness].

Release date: 30th January 2016
Running time: 15 minutes
Directed by: Dominic Arun
Starring: Rafeeq Aman, Dominic Arun, Ananthu Balachander, Sudhish Gopinath, Anil Narayanan, Jitin Puthanchery, Selvaraj Raghavan, Shabin, Nandhan Unni, Balu Varghese

Watch the movie Mrithyumjayam here:

PS: Check out the reviews of the latest movies in the theatres, Kadam Katha, Sunday Holiday and Basheerinte Premalekhanam.

<— Go back to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Red Jacket

Vampire Owl: Revenge has been my motivation to live for centuries.

Vampire Bat: But we don’t really live – as we were already dead and transformed into vampires long ago.

Vampire Owl: I was referring to life on this world after death.

Vampire Bat: Even that way, I am sure that all of your human enemies should have dead by now. It has been centuries!

Vampire Owl: Yes, but revenge is still sweet, and I have a Hamlet type problem, but I need to have it.

Vampire Bat: Well, in that case, the only option is to ask Doctor Frankenstein to bring them alive. But I am not sure how far he will be able to go.

Vampire Owl: No, because in case of a failure, I will be forced to take my revenge on the doctor too.

Vampire Bat: Don’t you realize that revenge never really bring anything in the end?

Vampire Owl: I am not sure, but revenge has been quite a popular thing in vampire history too.

Vampire Bat: Let me tell you that it is of no good. You waste your life trying to do it, and it is a terrible loss.

[Gets three cups of Kumily tea with a piece of marble cake].

What is the movie about? :: There is a man in red jacket who is killed by another man working under him, who wishes to take his place, not by slowly working his way up, but by simply getting rid of his boss. The killer establishes himself as the new boss and take the dead man’s red jacket for himself. He gets to live the dead man’s life and establishes himself a big shot in the city, and years later, as someone even having the chance of becoming an MLA or a minister at some point – he keeps growing with the city. It is after these many years that we see Vetri (Kowshik) who is looking for revenge against a man called Gaja (Gani) who had killed his father twenty years ago, pointing back to the incident which was shown in the beginning of the movie. He has already failed many times to have his revenge, even hiring contract killers to do the work but for no use, and this time, he feels that he will do it directly.

So, what is to follow in this tale of revenge? :: With the help of his friend Reddy (Peekay), he decides that he will make one move against the killer of his father, who has gone on to become bigger than his father had ever been, with newspapers and magazines talking about the man all the time. It has been the only thing that kept him moving forward in his life, and there is nothing that he wouldn’t do to restore his father’s place. But is he strong enough to do that, and is someone as powerful and experienced as Gaja going to fall for the trap set by the young man? Reddy had already warned him against the possible consequences and did set up someone from Gaja’s group of men to help him when there – but will all these be for nothing in front of an enemy who seems rather invincible? Is the need for revenge bigger than everything else in human life? What happens when it become bigger than life itself for the youth?

On Red Jacket and beyond :: The tale of revenge has been nicely packed, and we have some nice moments and dialogues to go with it. There are also some interesting twists to come, and it keeps us guessing about what is to happen next, with the revenge as well as what could follow after that. The same is well-supported by a fine cast which goes so nicely with the tale. With so many short-films around, there is some fine work by the team here to make this an interesting and entertaining twenty minute run. In the end, we will only wonder about what it means to have revenge – isn’t there another reaction to our action, which will once again keep the chain of events going? It is a series of events that never ends, and it won’t matter what we think about revenge, or about how it can end, as it goes on, like the certainty of the tides. Well, an act of revenge can be nothing less than opening a door to another beginning, which will leave scope for another attempt at retribution, and it can get nastier, and costlier as it repeats itself.

Soul exploration 1: The need for revenge :: The central theme of Red Jacket remains about revenge, which runs directly through its centre. The movie is powered by the need for vengeance, and it drives its protagonist through troubled waters, as he never thinks about another way out – he is far beyond redemption as this need takes over him from all possible directions. Revenge has been something for which people have striven for, rather so much – but, we see that the protagonist’s friend himself ask is it isn’t better to make things better by beating their enemy through business, but our young protagonist immediately says no, as the idea of revenge has been more about one thing in our culture, and it certainly involves self-destruction along with destroying one’s enemy. It is the same thought that drives our hero here, and there are no thoughts about the consequence of the action – a reflection of the arrogant youth of all times.

Soul exploration 2: The need for power :: The movie’s title is the next thing that becomes the focus, as red jacket is the one worn by the men in power. It stands out in almost every shot, and it gets special attention in those moments when everything else is shot in black and white. When it is there, you see it as the symbol of power, and the one thing that everyone wishes to wear, but those who wear it are all murdered – as with great power comes those who wish to take it away from you. When you are that much visible, it makes you a target. Yet, people wants to hold on to those positions of power, which provides them power over others – people feels the need to have more of fame, and there is no clue of what they are facing. What do people attempt to achieve with social media? That should be exactly the same thing, and as much as power and fame feels good, it also has the other side which has the power to end everything which is not permanent.

How it finishes :: Red Jacket is the first short-film from the team behind it, and has been made in both the Tamil version which I watched, and a Kannada version – but after watching this one, we are sure that there are more to come following the tale. The same will make it to the list of my favourite Indian short-films among those I have come across in the last few years. It deals with the idea of revenge in a way that makes it a highly intriguing run throughout those twenty minutes. The subtitle option is also available, and by the end, the message is loud and clear about revenge, that those who take up the sword and live by it, will die by the same; for violence never really solves anything, but makes way for more of blood to flow. The release date of the short-film is pending, and will be updated when it is announced. When it is up for everyone to watch, do make sure that you don’t miss the twenty minute long saga of revenge. UPDATE: Movie released, and can be watched from the below link.

Release date: To be announced
Running time: 20 minutes
Directed by: KV Raja Saravanan
Starring: Kowshik, Gani, Prashanth, Peekay, Arun, Chethan, Rafeek, Chida, Santosh


@ Cemetery Watch
✠ The Vampire Bat.

Runner Runner

runnerrunner (6)

✠ This was a week blessed by no releases which came out with a good critical reception, and the after-effects of that movie Besharam was haunting me. It re-iterated the need for a good movie, and I had high expectations about this flick, but those waxen wings were burnt yet again, and therefore it is necessary that Count Dracula take over half of those expectations. This has been a bad beginning to a month which starts with Mahatma Gandhi’s birthday right on the second day, and considering the fact that I had to watch Besharam on that day was sad, and as I add this movie’s score to, the total should be 57/200 which is undoubtedly the worst beginning I ever had to a month this year. With that sadness concerning a month which might not rise in quality much if an average is taken, I have to take you back to the legendary vampire.

Count Dracula: So you are back. You had Jumper, Sinister, Offender, Parker, Looper and now Runner; that too twice. The names of the movies are indeed strange. Among those movies ending with -er I would have preferred those less complicated ones like Hellraiser, Dreamcatcher, Outlander and the inverted version ending with -re, possibly with the word “vampire”.

Vampire Bat: I can see that the absence of Twilight movies are bringing you back into this world. Yes, the title is Runner Runner, and it is good that they had chosen such a title, as the movie drags a lot in between and it is a good thing that people get to know that it is running.

Count Dracula: Do you mean to see that a movie which was so much awaited, a flick which has Ben Affleck, Justin Timberlake and Gemma Arterton is quite bad and doesn’t deserve to be watched?

Vampire Bat: That would be pure nonsense. I am surely recommending this one, even as not that much as most of those other movies of the earlier weeks; and this movie might be the winner of this week which was plagued by Besharam and is not supported by any superstar movies from Malayalam industry. Runner Runner might not win by a big margin considering the number of people who were present in the theatre even during the best time of a semi-holiday, but if there is a movie which needs some appreciation among those released this week, it is this movie. The critics might have panned it a little too much in my opinion, for this is no Ghost Rider 2: Spirit of Vengeance.

Count Dracula: Why did you have to remind me of that movie? Wasn’t the reminder about Twilight and Besharam enough for the day. You always ruin my day like those wood elves. I need to eat a hobbit, but that would take some time too.

Vampire Bat: That should be mainly because I am not here to make you listen to what you want to hear. But let me tell you that this movie scores with its cast. Its greatest advantage remains Justin Timberlake. He was good in Bad Teacher, and I loved his performances in Friends With Benefits and In Time. Here also, he is really good, but his character is let down by the story which goes on through the predictable lines and even as they seem to promise for some surprises at times, there is nothing risky in a gambling movie, and when they don’t dare to do that in a movie which is all about taking risk and gambling, that is a real shame.

Count Dracula: It doesn’t make any sense that you have not started talking about Gemma Arterton. What about her? Her presence in Byzantium makes me wish to go back to the civilized world again. I had heard that they didn’t release that movie in your land. They should be really evil, as it is one of the best things which has happened to the vampire world since my last bloodbath.

Vampire Bat: Yes, she has been an unavoidable force for me from the days of Clash of the Titans, Prince of Persia: The Sands of Time and finally Hansel and Gretel: Witch Hunters this year. But I didn’t like her that much in this movie as I expected. She was pretty and did all that she was supposed to do, but one has to wonder what purpose has her character really served in the movie by coming out of nowhere at regular intervals. Yes, she makes me ask for sequels to both Prince of Persia and Hansel and Gretel, but not for this one.

Count Dracula: You don’t need to say that Ben Affleck was good, as I have known that already. I am not predicting what you saw in the theatre, or what was to happen, but I am pretty much confident about that. I am not sceptical about his upcoming role as Batman in the sequel to Man of Steel either, as most of the people are. He has been Daredevil and he can be Batman. Matt Murdock can be Bruce Wayne, and not every Batman needs to be the same.

Vampire Bat: You are very good at taking words out of the mouth of others, and this is no exception. Yes, the three people forms the pillars of the movie, and the two male characters run the show. Gemma’s character could have had a lot more to do, but I guess we can’t have a Gretel or Tamina every time. Still, there is no denying that the scope for such a character in a movie like this is almost limitless.

Count Dracula: I am not a gambler, my friend. Neither am I a gangster. So, my interest in such a movie is limited. I am rather a vampire who often forgets to brush my teeth and visit a dentist. How did the gambling side work out with you? And does it have enough blood?

Vampire Bat: No, it is far behind in action, and therefore also the blood. Its adult certificate is for the sexual content which is censored at this part of the world, and the near absence of clothes is more of fashion, and I didn’t see those people who came to watch the movie with families leaving, and therefore the lingerie stuff should be okay with them. I would wonder if the gambling side worked at most of the theatres in this part of the world though, as most of us are not aware of the thing properly. But did Justin Timberlake’s character narrate between action to make it known better? I don’t think so.

Count Dracula: So tell me how does it end? Don’t throw the spoiler at me, but still let me know about it. I shall buy only the DVD of that movie, and I have to know the whole thing a little better.

Vampire Bat: Well, it is about a student who loses all his money to an online gambling game, and after coming to know that he was cheated, goes to Costa Rica to find the owner of the site and confront him only to taken to his side. He is romantically linked to the former lady love of the man and is bothered by the FBI to assist them in finding proof for taking the lord of gambling into custody. There are enough suspicions and double-crossing stuff to deal with, and the climax is pretty good.

Count Dracula: So, Runner Runner is worth a watch, and I surely have to get that DVD. I shall look for it the next time I go to the goblin market. If I can’t find it there, it shall be upon you to get that to me.

Vampire Bat: I shall still recommend this one if you are going for a movie this weekend. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you.

Vampire Bat (to himself): I am fully in support of this movie in the form of a DVD, as an uncut version, and if you also live in such a part of the world where the options are the same as mine, go for this movie in the theatre. The beauty of Costa Rica and the three leading actors might be enough to make your day as this is a shameless week for us as far as movies are considered.

✠ For a Malayalam movie fan, this flick brings back the memories of Jose Praksh’s “muthala kunjungal”, for our dear antagonist has crocodiles as pets and feeds them very well, and there is a scene involving him almost feeding his opponents to the creatures in water. Well, this movie doesn’t go to crocodiles of Lake Placid, nor does it goes to the dinosaur of Jurassic Park. With a better plot and a better characterization of Gemma’s character, the three could have done wonders here. Do keep the ears ready for some good lines in the movie, and be prepared for half a fun ride which might be enough for some and not at all working for others. The movie is that much of a gamble that you have to take as it happens inside, and there is a big chance that this will come up okay, and a slight chance that this won’t work at all – there is much lesser chance of this impressing you to the core. Next time, I hope that when they make a thriller, there would me more risks taken and big twists explored, rather than going in a straight path as if it is a drama movie. It is a short movie, both in content and in running time, and may be it is for the good.

Release date: 4th October 2013
Running time: 87 minutes
Directed by: Brad Furman
Starring: Justin Timberlake, Ben Affleck, Gemma Arterton, Anthony Mackie, David Costabile, Sam Palladio, Oliver Cooper, Ben Schwartz

runnerrunne copy

@ Cemetery Watch
✠The Vampire Bat.