Red Jacket

Posted on July 7, 2017 by Tennyson

Vampire Owl: Revenge has been my motivation to live for centuries.

Vampire Bat: But we don’t really live – as we were already dead and transformed into vampires long ago.

Vampire Owl: I was referring to life on this world after death.

Vampire Bat: Even that way, I am sure that all of your human enemies should have dead by now. It has been centuries!

Vampire Owl: Yes, but revenge is still sweet, and I have a Hamlet type problem, but I need to have it.

Vampire Bat: Well, in that case, the only option is to ask Doctor Frankenstein to bring them alive. But I am not sure how far he will be able to go.

Vampire Owl: No, because in case of a failure, I will be forced to take my revenge on the doctor too.

Vampire Bat: Don’t you realize that revenge never really bring anything in the end?

Vampire Owl: I am not sure, but revenge has been quite a popular thing in vampire history too.

Vampire Bat: Let me tell you that it is of no good. You waste your life trying to do it, and it is a terrible loss.

[Gets three cups of Kumily tea with a piece of marble cake].

What is the movie about? :: There is a man in red jacket who is killed by another man working under him, who wishes to take his place, not by slowly working his way up, but by simply getting rid of his boss. The killer establishes himself as the new boss and take the dead man’s red jacket for himself. He gets to live the dead man’s life and establishes himself a big shot in the city, and years later, as someone even having the chance of becoming an MLA or a minister at some point – he keeps growing with the city. It is after these many years that we see Vetri (Kowshik) who is looking for revenge against a man called Gaja (Gani) who had killed his father twenty years ago, pointing back to the incident which was shown in the beginning of the movie. He has already failed many times to have his revenge, even hiring contract killers to do the work but for no use, and this time, he feels that he will do it directly.

So, what is to follow in this tale of revenge? :: With the help of his friend Reddy (Peekay), he decides that he will make one move against the killer of his father, who has gone on to become bigger than his father had ever been, with newspapers and magazines talking about the man all the time. It has been the only thing that kept him moving forward in his life, and there is nothing that he wouldn’t do to restore his father’s place. But is he strong enough to do that, and is someone as powerful and experienced as Gaja going to fall for the trap set by the young man? Reddy had already warned him against the possible consequences and did set up someone from Gaja’s group of men to help him when there – but will all these be for nothing in front of an enemy who seems rather invincible? Is the need for revenge bigger than everything else in human life? What happens when it become bigger than life itself for the youth?

On Red Jacket and beyond :: The tale of revenge has been nicely packed, and we have some nice moments and dialogues to go with it. There are also some interesting twists to come, and it keeps us guessing about what is to happen next, with the revenge as well as what could follow after that. The same is well-supported by a fine cast which goes so nicely with the tale. With so many short-films around, there is some fine work by the team here to make this an interesting and entertaining twenty minute run. In the end, we will only wonder about what it means to have revenge – isn’t there another reaction to our action, which will once again keep the chain of events going? It is a series of events that never ends, and it won’t matter what we think about revenge, or about how it can end, as it goes on, like the certainty of the tides. Well, an act of revenge can be nothing less than opening a door to another beginning, which will leave scope for another attempt at retribution, and it can get nastier, and costlier as it repeats itself.

Soul exploration 1: The need for revenge :: The central theme of Red Jacket remains about revenge, which runs directly through its centre. The movie is powered by the need for vengeance, and it drives its protagonist through troubled waters, as he never thinks about another way out – he is far beyond redemption as this need takes over him from all possible directions. Revenge has been something for which people have striven for, rather so much – but, we see that the protagonist’s friend himself ask is it isn’t better to make things better by beating their enemy through business, but our young protagonist immediately says no, as the idea of revenge has been more about one thing in our culture, and it certainly involves self-destruction along with destroying one’s enemy. It is the same thought that drives our hero here, and there are no thoughts about the consequence of the action – a reflection of the arrogant youth of all times.

Soul exploration 2: The need for power :: The movie’s title is the next thing that becomes the focus, as red jacket is the one worn by the men in power. It stands out in almost every shot, and it gets special attention in those moments when everything else is shot in black and white. When it is there, you see it as the symbol of power, and the one thing that everyone wishes to wear, but those who wear it are all murdered – as with great power comes those who wish to take it away from you. When you are that much visible, it makes you a target. Yet, people wants to hold on to those positions of power, which provides them power over others – people feels the need to have more of fame, and there is no clue of what they are facing. What do people attempt to achieve with social media? That should be exactly the same thing, and as much as power and fame feels good, it also has the other side which has the power to end everything which is not permanent.

How it finishes :: Red Jacket is the first short-film from the team behind it, and has been made in both the Tamil version which I watched, and a Kannada version – but after watching this one, we are sure that there are more to come following the tale. The same will make it to the list of my favourite Indian short-films among those I have come across in the last few years. It deals with the idea of revenge in a way that makes it a highly intriguing run throughout those twenty minutes. The subtitle option is also available, and by the end, the message is loud and clear about revenge, that those who take up the sword and live by it, will die by the same; for violence never really solves anything, but makes way for more of blood to flow. The release date of the short-film is pending, and will be updated when it is announced. When it is up for everyone to watch, do make sure that you don’t miss the twenty minute long saga of revenge. UPDATE: Movie released, and can be watched from the below link.

Release date: To be announced
Running time: 20 minutes
Directed by: KV Raja Saravanan
Starring: Kowshik, Gani, Prashanth, Peekay, Arun, Chethan, Rafeek, Chida, Santosh

@ Cemetery Watch
✠ The Vampire Bat.

Iru Mugan

Posted on May 3, 2017 by Tennyson

Vampire Owl: I have heard that two-faced humans are really dangerous.

Vampire Bat: But this movie just has Vikram playing two different characters, and it is about the two faces of the actor as two different people.

Vampire Owl: That wouldn’t justify the title from within the movie.

Vampire Bat: Well, movies have become more about actors these days rather than being about itself.

Vampire Owl: It only gets worse when a movie is so bad and a superstar is acting in it.

Vampire Bat: And in some cases, movies just get the hype and rise above everything else – over-hyped movies are no lesser evil.

Vampire Owl: Yes, I have heard that the fans of such over-hyped movies have been abusing people for not liking the movie, and even for not watching the flick.

Vampire Bat: You see why we can’t take over the human world – they are just too evil; they do this with just some overrated movie. It is so hard to believe as movies are just for entertainment for the viewers and for the makers to make money.

Vampire Owl: According them, one particular flick is the greatest movie of all-time, and there will be another “greatest” later.

Vampire Bat: Yes, and the idiots don’t even know that there is a thing called opinion, and their greatest movie could be just third rate nonsense in someone else’s eyes.

[Gets three cups of cardamom tea with Hide and Seek biscuits].

What is the movie about? :: In a strange turn of events, an unknown old man goes out of control and kills many officers unleashing an attack at the Indian embassy at Kuala Lumpur, Malaysia. A criminal scientist codenamed Love is figured out to be behind the attack, and this psychotic lover of science is known to have created a terrible mess before he was declared dead years ago. Now, as the unpredictable science terrorist threatens to unleash himself out of the dead, it is Akhilan Vinod (Vikram), a former RAW agent who was responsible for messing up the terror plans and killing Love who is entrusted with the task to bring the dead man to justice. But he has been living a life outside the grid after his wife, RAW’s senior computer analysist Meera George (Nayantara) was killed by Love at the time of that operation. The RAW chief Malik (Nassar) has a feeling that something bigger is coming up, and they need this expert officer’s service.

So, what happens next in the movie? :: Malik finds Akhilan and by telling him about the return of his old nemesis and convinces him that he has to be of service again. He is to work with a junior RAW agent Aayushi (Nithya Menen), who is in charge of the case, and the two of them leave for Kuala Lumpur to go further with the strange case at the Indian embassy. There they are helped by a Malaysian police inspector of Tamil origin, Muthaiah (Thambi Ramaiah) who remains rather scared of what is to happen next. More of investigations lead them to Peter (Karunakaran), a scientist who is working under the instructions of the evil mastermind, but decides to help the police. He tells them that the man who was thought to be dead is very much alive, and is responsible for the embassy attack, which was only the beginning. They are actually manufacturing a drug, which has the ability to create chaos and destruction by hiding them inside asthma inhalers.

The defence of Iru Mugan :: Iru Mugan can be listed among those movies which have tried to be different, and has tried something which can’t be done with ease – you see everything including the settings, they are all so good. If some other movies which are termed as the greatest could be that, just because they have brought something which hasn’t been seen before, this movie here has done the same too, without that much of ridiculous hype; well, it is the lack of confidence on a movie that brings the need for this extra hype, and if one particular movie was that great, it would have come and fought the battle without boasting and abusing. This is where Iru Mugan becomes everyone’s movie as the silent assassin, being a more righteous choice than those which claim to be among the greatest. There is so much of a stylish making here, and we see a lot of beauty of the place right on the screen. This quality is something which we can cherish for long. It even reminded me of the game Half-life, and its levels visually.

Claws of flaw :: There is the lack of attention right here, in how the movie has gone forward as a science fiction tale, with more seemingly spent on style and action than anything else. There was so much else that this movie could have done within one specific genre. There was a grand award to be taken here, as one of the best scienc fiction movies in Indian cinema, but that is not taken at all. There might be the feeling of knowing similar stories otherwise, but these days people just find a movie to claim that it is the greatest movie in the history of Indian cinema; so Iru Mugan, without such overdose of claims and third rate hype, is certainly there as a fine one. Then there is that “mass” effect, which should have been reduced to minimum, even though there is certain control in this movie. Also the name of the movie does little justice to the main character unlike what was expected, as there are just two characters.

Performers of the soul :: Here is another Vikram movie which depends on him more than anything or anybody else to do what he does the best on the big screen, as he once again comes up with the grand performance, and it is once more in more than one role. We had him in three different looks for one character in I, and here we have him in two different looks for two different characters, and once again, he is at the top of the game, and you remember Anniyan too which had him playing the character with three different personalities. It is his movies that I have always trusted to watched without second thoughts, and so despite missing this at the theatres due to the month of September last year being extremely busy, I managed to watch this on Mazhavil Manorama – that was more like a twist, and it is the one that I am glad about. He is there to bring both roles to the maximum effect. Nayanthara shines in her stylish avatar and Nithya Menen’s shortened stay was okay.

How it finishes :: There are only a few movies which you watch with the whole family, and everyone ends up liking it – Iru Mugan is that kind of a movie that has come up at such a safe position; this also reminds me to watch another missed science fiction thriller the Suriya movie, 24. We have a situation when it is impossible not to cheer for Vikram at each and every moment; and there is not just one, but there is two. There is also the great chemistry that work out between Vikram and Nayanthara, whether it is with the action sequences or with those song scenes. This surely wasn’t a movie with that much critical appreciation or hype as expected though. But with the bigger hyped movies, why would the one who know that the movie is so good keep talking about it all around the social media, mostly with fake profiles and abuse everyone? Thankfully, Iru Murugan never seemed to have such pathetic fans, which is why I decided to go for it despite having other things to do. I agree that we need all kinds of movies; but we need movies which doesn’t boast all the time, and those which don’t have their base and pillars built on hype, abuse and hatred – we need those which support free opinion, and unite us in difference rather than divide us. The fans of a movie are also a reflection of what a movie is, as superstar fans also symbolise their heroes. So, definitely choose to watch Iru Murugan, an amazingly stylish thriller with beautiful songs, even though its science fiction side needed some revival and the “mass” needed to go a bit down.

Release date: 8th September 2016
Running time: 154 minutes
Directed by: Anand Shankar
Starring: Vikram, Nayanthara, Nithya Menen, Nassar, Thambi Ramaiah, Karunakaran, Riythvika, Jasper, Karthik Nagarajan, Balaji Venugopal

@ Cemetery Watch
✠ The Vampire Bat.

I

Posted on January 16, 2015 by Tennyson

*** I is not just another movie as some critics have judged in the form of the random revenge thing coming to the viewers again. We all know that it has received mixed responses from the audience and critics alike, but let’s not fall into that trap to think twice about watching the movie. I might not be as good as some other movies from Shankar, but it is different, and deserves to be seen and treated with respect that it deserves. It is nothing like we see in Indian Cinema, and the way in this one entertains is different and effective. I wouldn’t be surprised if this goes on to become the highest grossing Tamil movie in Kerala, considering the number of theatres where it has released and the number of shows present in each of the multiplexes.

✠ I has got its plus points:
The awesomeness of Vikram: You are introduced into a pure Vikram show here, and personally I feel that I might never see another actor like him in Indian cinema during my age. Even as this is an entertainer with those masala elements, one can’t stop admiring how great a performer he is, in all roles – he keeps making us feel for his character even when the hero is more than a normal man, beating up too many people. Like the most common words which are used in this movie, one has to wonder what stands above everything; a long way above this movie – and it is Vikram. It is this one actor who raises the level of the movie along with himself, and imagining someone else in this role is nothing less than a crime and a sin of the highest level.

The beauty that is Amy Jackson: This lady makes an impression in her way, and there are times when the Magic Mirror chooses a less expected person as the fairest of them all (Tamannaah Bhatia is the one who comes to my mind whenever I hear that) – here it is Amy Jackson who is stunningly beautiful and even cute at times, redefining most of those occasions when the same words were used in the case of a few other actors. She gives aesthetics a new meaning. This is indeed a big role for her, and amazingly suitable; something that we realize very early. There is nothing special for her to do though, and that is understandable considering the nature of the movie and how much it is dependent on Vikram. Lets give some applause to Suresh Gopi too, who also has his moments.

The stunning visuals: The visuals of China’s outskirts are mesmerizing here, and almost everything happens in relation with the natural beauty during those shoots, and it is a big boost to the movie. This is even better with the visuals of songs. It is like another special world for the viewers brought with big splendour. The graphics are also advanced, and the make-up and costumes can be considered as an even bigger boost – they are so good that you will raise your expectation a lot for any other movie. The definition of an entertainer changes here, and you are are surely going to ask for more after this, instead of deciding to watch some random action and romance. These visuals on the screen increases the need to watch this on the big screen even more. The background score nicely supports the visuals.

Fairy tale and its narrative: The way of narrative is something that I enjoyed a lot. I have always enjoyed these non-linear narratives, and it rightly suits the movie here, even as I doubt how the usual audience would take it. The fairy tale elements also has the charm, and there is the song which seems to a clear tribute to The Beauty and the Beast, even as in totality, our hero is no beast, but someone deformed. That is one awesome song on the screen, just like the one in China. There is the certainty of love thriving against all adversities, and that bad guys getting their due as part of that poetic justice. I is that kind of a revenge-seeking fairy tale with its dark side, as you might be familiar with if you have watched Maleficent. It also has its hunchback of Victor Hugo who deserved to be treated better and in another way, its Frankenstein monster – another deformed person who looks for love.

✠ Where it misses:
It misses out in the second part of the first half, and once our hero and heroine reaches China and finishes their first song, it drags and goes on and on with the usual stuff. Yes, the plot itself is a revenge story, but the latter part of the first half can’t even present things in an interesting manner. Couldn’t some elements be less predictable? The movie is too long too, and they should have cut the romance a bit. There are also too many advertisements shown in the movie – yes, there was the need for a few, but here we see too many; still enjoyable ones there. The beast is also limited to the song, but then the question remains where it could come in when the movie plot is considered. But I had expected a lot more from the beast. The action scenes should have been lesser in number along with the songs. But this movie is beyond all these limitations, as the positives that I mentioned runs through with extraordinary power.

*** The movie becomes a very good lesson on how an entertainer can be made without being dumb and ridiculous. Bollywood can use this for ideas, and learn how not to make a Krrish 4 and Dhoom 4. Anniyan actually managed to be better, years ago, and therefore, I wouldn’t consider this movie as something which changes anything. But I is a movie that could be watched for great entertainment, as well as the great performance that Vikram has put into the movie here. The humour also works and there is a powerful emotional connection that is maintained, which strives to focus on the power of true love that is beyond appearance and money. Don’t go with the reviews, but go with Vikram on this one. Here is a big salute to the actor on how well he has tried and made his transformation, and how much strength he has brought to an ordinary revenge plot. I have given the movie a rating, but I cannot be judged by ratings, and the right method is to watch it in the theatres.

Release date: 14th January 2015.
Running time: 189 minutes
Directed by: Shankar
Starring: Vikram, Amy Jackson, Suresh Gopi, Upen Patel, Santhanam, Ramkumar Ganesan, Mohan Kapoor

@ Cemetery Watch
✠ The Vampire Bat.

Veeram

Posted on January 17, 2014 by Tennyson

Ask the magic mirror :: “Mirror Mirror on the Wall, Who Is the Fairest of Them All?” – now here is the answer which naturally comes to any mirror which has been taken into a theatre to watch Veeram; and it is Tamannah Bhatia. Unless that mirror prefers Kristen Stewart more than Charlize Theron, and as long as the question is not about being the “palest”, it is indeed a magic mirror which can be trusted. The first thing one notices in the movie is not our leading lady, that is for sure, but as far as being fair is considered, there is only person on the screen who takes that to another level. Whenever she is around, everyone else looks darker – no that is no measure of beauty even as Tamannah is indeed the more beautiful and the cute one around, and thanks to those beautiful locations during the songs, there is the snow to give that much needed competition; being the ice princess or the snow queen has never been this easy with anybody else.

What is it about? :: This is the story of Vinayakam (Ajith Kumar), the one-man army with a possible extension to five with his four brothers, and even to an army of six if their lawyer is included in the gang. The man has become more of a landlord who takes care of his people and is extremely caring about his brothers. He is a stern businessman and a reputed man of his area. He has weakness for the name Kopperundevi (Tamannaah Bhatia) and as a lady comes up with the same name, thanks to the work of his brothers and the adopted brother lawyer, he falls in love with her, and with the good guy impression created by the brothers, she also falls for him and takes the decision to take him to meet her family. But later she comes to know that he is the rough and tough guy who beats up people whenever he sees something wrong. As she wants a more peace loving person so that he can be approved by her father, he decides to become one. But the need for fight doesn’t leave him, or does it?

The defence of Veeram :: Translated into English as “Valour”, the movie is a action masala movie, and that basically forgives most of the troubles of the movie. Another thing is that this is the movie of Ajith, or rather by Ajith, about which there is lot more to talk about. Meanwhile, the movie has immense style, and it is reflected not only in the display of the same, but also in the narrative. The use of rain, thunder and lightning along with the clouds adds such a strength to the movie that this use is nothing less than deserving applause. The locations are beautiful and those of the songs are breathtaking. The mixing of action, sentiments and humour is intelligent, and it makes up for what is lost in the old plot. Even with so much lacking in innovation as far as the story is concerned, there is a lot working out well in the other departments. There are many mass scenes and even as the action gets repetitive, the sequences are powerful.

The claws of flaw :: The movie is all about Ajith’s character, and the rest are kept in the shadows most of the times, and their existence is more to make our hero better rather than for themselves, as our leading lady exists so that he could fall in love and dance with her, and a villain to be afraid of him and another to be beaten up and killed by him. The purpose of brothers is more to show that he is superior, but that is understandable as this is more of a movie for the fans; and our hero is that awesome indeed, thanks to a powerful portrayal. The romantic side is weak, mostly due to the fact that it is forced and not rightly fit in the movie. The action scenes repeat as if put in a loop, and it could have been better if some shots of beating up villains were cut. The sentiments also go in a strange way, and the lack of logic is right there in the centre. The story should also be older than most of the actors in the movie, and its similarities to many other Tamil and Malayalam movies can be noted down.

Performers of the soul :: Ajith’s movie as one would expect, as he outperforms everyone with such an ease that what exists there is mostly a one-man show. From his entry, he keeps scoring, and his looks are perfect for this role. It does remind one about Mammootty in the 2000 Malayalam movie Valyettan, but to a small extent; with the romantic side of the brothers slightly resembling the 1991 Malayalam film Godfather. Tamannaah is dazzling, and you can often take that literally. This is the first time I am watching a movie starring her, and I am glad I finally did that; had to leave the Kajal Aggarwal starrer behind even as it was running in the same theatre at the same time, but no beauty lost in the end. Its good to see Bala too, as its been a long time since I watched one of his movies, and he plays a character with the same name which made him famous in the 2007 Malayalam movie Big B, which might once again be a luck factor. Santhanam comes up with lots of funny moments to make sure that the comic side doesn’t go weak. Nassar and Atul Kulkarni also comes up with strong performances.

Soul exploration :: The most shocking thing to the soul was the name of the heroine, especially when her nickname was revealed to be Kopu. But what’s interesting to the soul is its assertion of family values and putting one’s people over everything else. It starts off with the brothers and later extends to the family of his lover, our hero becomes a model brother and son in no time. He sacrifices his happiness to see the family happy, and keeps them away from all the problems as well as their knowledge of their troubles. We have known Jeffrey Nero Hardy as the charismatic enigma, but our hero here is nothing less throughout the movie. Another thing is the significance of “tea” as a symbol in the movie; it not only becomes a symbol of his simplicity, but also his hard-work as well as love for his brothers and family. How often do you see a movie poster with the hero happily drinking tea in it? Now that is a plus for the soul and the Vampire Bat loves it.

How it finishes :: There was always going to be a doubt about which movie to watch, with Jilla running on the other screen, and choosing this was a risk, but nothing regrettable happened in the end. It was nothing strange to see that the viewers for both movies were almost equal, and with only a few vehicles in the yard, with not even one mediocre Malayalam movie release in the same week, and both the Hollywood and Bollywood side being weak in comparison as far as normal people are concerned – shortage of big movies (Drishyam and Oru Indian Pranaya Katha are still there along with many English movies from much earlier, still in the multiplexes). The movie is reckless and violent in its action, and the use of sharp weapons cloud the movie like nothing else – if that is a positive or a negative is for the audience to decide, as it doesn’t go beyond a level. The opinion is divided about the movie, but I would say that this one deserves a check as it keeps the interest high even as it might be too long for one’s liking.

Release date: 10th January 2014
Running time: 155 minutes
Directed by: Siva
Starring: Ajith Kumar, Tamannaah Bhatia, Vidharth, Bala, Santhanam, Ramesh Khanna, Atul Kulkarni, Nassar, Abhinaya, Pradeep Rawat, Munish, Manochitra

@ Cemetery Watch
✠ The Vampire Bat.

Arrambam

Posted on November 3, 2013 by Tennyson

✠ Before I go on with this one, I have to tell you that October was the month with the most visits for this blog, for which I wish to thank each one of you. My other two blogs also had a fantastic beginning to the month of November, even as I can’t say the same about this one. I also wish all of my readers a very Happy Deepavali (Diwali) and a belated Kerala Piravi Day and a very belated Happy Halloween. I should have wished with the earlier post, but it was written a lot earlier and I didn’t want to mess up with it. I hope you had three wonderful days, October 31st, November 1st, and yesterday the 2nd. Coming back to this week’s choices of movies, this really is a dull week, with no Hollywood releases coming this way and no Malayalam movie releases at all. With that sadness concerning the beginning of a month which didn’t have a good start as Ender’s Game didn’t come this way as expected, I have to take you back to the legendary vampire after my journey to the local theatre to watch another movie, this time a Tamil action thriller flick.

Count Dracula: So you are back. I had checked and found no good English movies this weekend. Did you watch that guy who flies like Superman and acts like Man of Steel and fights an army of mutants including a Professor X – Magneto hybrid, Mystique, Miss Wolverine, Juggernaut, Toad etc? Did you enjoy that movie which should rather be titled as Superman vs X-Men?

Vampire Bat: No, why would you think so? I had seen the trailer and observed its inability right there. I am not a Hritik Roshan fan, a little kid or someone with no other option. Neither do I get free tickets for any movie. It showed that it had no potential from its poor trailer with some graphics which is inferior to Arrambam, a movie which doesn’t need CGI support at all.

Count Dracula: I heard that Koi Mil Gaya is a shameless copy of E.T. and Krrish is just a pathetic excuse to cash in the power of a man who has given us so many better roles. At a time when actors like Arshad Warsi and John Abraham are choosing the right movies, it is a shame that one of the best looking actors had to go with this one.

Vampire Bat: Yes, after watching Besharam, I had decided that I shall not be part of such shamelessness For the same reason, I didn’t watch Boss which was the remake of one of the most pathetic movies in Malayalam. Some bad movies do teach us lessons. Arrambam is the good result of that lesson which was provided with the pain which was Besharam, and I guess I am looking forward to a few more Tamil movies soon.

Count Dracula: So what has it got? You rarely watch a Tamil movie. Anniyan was your favourite, and you watched ony two this year; David and Maryan – see my memory? I never get to use it these days and its nice you keep it working by coming here and talking about these movies of the soul.

Vampire Bat: Let the brain of blood work, as the story revolves around Ashok Kumar (Ajith), a former member of anti-terrorist squad, who is on a mission to avenge the death of his friend due to faulty bullet proof jackets which are provided to security forces – but he was imprisoned and left for dead along with his friends and family. He is supported by his lover Maya (Nayanthara) and a smart, but reluctant computer hacker Arjun (Arya). When the latter feels that he is doing something very bad, and is left with no choice as they keep his lover Anitha (Taapsee Pannu) at gunpoint, he lets the police know and Ashok is arrested after a bomb blast and a car chase. The remaining story deals with him taking revenge on the corrupt Home Minister (Mahesh Manjrekar) and his supporter and the senior police officer (Atul Kulkarni) who were involved in the scam.

Count Dracula: That should remind you of Kamal Haasan’s best Malayalam movie, Chanakyan. Wasn’t that the day you said Urmila Matondkar is the best looking actress of the time after watching that in a VCR? It dealt with one man taking revenge on the politician who destroyed his family, using electronic gadgets and a reluctant helper.

Vampire Bat: Yes, but this is different in a number of ways. The first thing is that there is that relevant social message at the time of scams and corruption, but not something that would inspire you to the horizon. Then we have Ajith Kumar at his best. This is the first time I watch his movie in the theatre, and I can say the same about Arya. Chanakyan was undoubtedly the intellectually superior movie and it was an extraordinary performance from our legendary actor. This one is more of the entertainer type.

Count Dracula: Well, I love that actor – see how he never seems to get too old; the only other person who doesn’t seem to get old at all is Vijay. How does he manage to stay as a young man wonders me. That reminds me that I have to watch Thuppakki, as some gypsies had told me that it is awesome. Get me a DVD some day.

Vampire Bat: Yes, if I decide to watch that. One has to admire Arya’s performance too, as he provides a lot of fun and lighter moments, even as some of them doesn’t work. But, without him this might not have worked this well. One can’t resist liking Taapsee Pannu, being the cute drama queen of the movie, even as there is the doubt if there was some overdose, and if there was the need to explore that drama in another way. Nayantara is there perfectly suited for the role that she plays. The cast saves the movie, and so does the style.

Count Dracula: So there is style too. I have seen that photo of Ajith riding Ducati, and I have my own reasons to believe that there were cooling glasses, bikes and slow motion. I am pretty good at this stuff, right?

Vampire Bat: Yes, there is a treat for Ajith fans, and none of them should miss this movie. There is the abundance of cooling glass, and there is only one bike, plus the slow motion is comparatively less considering what we see these days. The songs are pretty good too. To add it, Arya doesn’t do his BA Romantics like Ranbir Kapoor did in Besharam for horror, as even in the exaggeration, he keeps his cool, and Taapsee Pannu has a good chemistry with him, that is for sure.

Count Dracula: So tell me what works other than the cast and style. Also tell me what doesn’t work other than the overdose of cooling glass and a little exaggeration.

Vampire Bat: Did I forget Kishore who is strong throughout? Did I forget the good performances of the villains? Add them to the list of positives too. The story starts off well with bomb blasts and a flashback which is romantic to the core, and also funny. The movie has a climax which can give positive or negative feedbacks, but for me, it is slightly on the positive. The first half is undoubtedly better than the second. The flashback story of our main hero is less interesting, and one has to wonder why one has to put a festival into every song – is that because the world is running out of ideas? ninety five percent of the time, it is Holi too.

Count Dracula: I see there is too many things mixed about it. But considering the fact that there has been so many bad superstar masala movies in your own language from Lokpaal, Kammath and Kammath and Sound Thoma to the recently depressing Sringaravelan, I guess this can prove as a lesson about how entertainers can be well made.

Vampire Bat: Yes, but there will still be movies like Besharam, and the shame shall continue in this world of humans, but your universe shall live forever as you don’t have to watch such things. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you.

Vampire Bat (to himself): This is not a perfect movie, but there is no reason why one shouldn’t watch this movie this weekend, even while claiming that it is nothing new or innovative. This is a wonderful Deepavali gift for the fans of Ajith, and I welcome everyone to the theatres to choose this one over Krrish 3. Still, one question remains about Bollywood movies. Why is it that movies like Shahid and The Lunchbox doesn’t release in local theatres, but those like Besharam, Krrish 3 and Chennai Express does? We are so profit-oriented and the common man needs better brains; hope some zombie gives one to them instead of eating – a much needed sacrifice.

✠ In this battle of heavyweights, Arrambam clearly outweighs as well as outsmarts Krrish 3 with its theme, and it is evident from the kind of audience who are going to watch both movies. But in the box-office, both will be winners, as this is Deepavali and there are no Hollywood movies gaining entrance, and Malayalam movies have kept away. This is my third Tamil movie of the year in the theatres, after David and Maryan – I have to say that there has not been much disappointment related to them, they were all good enough to be watched with one kind of mood or the other. I shall wait for Thor: The Dark World for now, and until then, if you face two choices at once, you know which movie to go for. No, this doesn’t come from an Ajith fan, and for fans this should be a movie which is not to be missed at any cost; for others, this is an entertainer fulled by performances and style; learn from it dear self-proclaimed mass entertainers and masala action flicks, for this movie can teach you many things.

Release date: 31st October 2013
Running time: 157 minutes
Directed by: Vishnuvardhan
Starring: Ajith Kumar, Arya, Nayantara, Taapsee Pannu, Kishore, Mahesh Manjrekar, Atul Kulkarni, Suman Ranganathan, Akshara Gowda