3BHK

Posted on June 30, 2026 by Dr. Tennyson

Vampire Owl: This is the first movie we are watching on a flight.

Vampire Bat: I do like the choices of movies which they have in Emirates.

Vampire Owl: Do you remember the last time we travelled on an Emirates flight?

Vampire Bat: Yes, the Airbus A380, the largest of them all.

Vampire Owl: This time, they were running a Boeing on the route instead.

Vampire Bat: Well, some vampires can fly. So, it is not really a problem.

Vampire Owl: They cannot watch movies when flying, can they?

Vampire Bat: If you can hold your mobile phone and fly, yes.

Vampire Owl: That would most probably cause an accident too.

Vampire Bat: You know that there is enough magic in our world to have a glided flight, right? As long as we do not cross over to the science-guided human world which has been drained of its magic with too many destructive weapons and wars.

[Gets some French fries and three cups of Yorkshire tea].

What is the movie about? :: Vasudevan (R Sarathkumar), his wife Shanthi (Devayani), their son Prabhu Vasudevan (Siddharth) and daughter Aarthi (Meetha Raghunathan) had moved into a rented house near St. Thomas Mount of Chennai, and from here, their dreams could begin to develop into a stage of determination focusing on buying a house as rent kept rising even for their small house as the city continued to develop and spread. The largest city in Tamil Nadu had become so huge that it was a long way ahead of the second largest city of Coimbatore and showed no signs of developing among the top five cities of India. People were continuing to flow into the city, and if the family had to move out of the rented home they were done, which led to a need for a home to change from dream to reality soon. The situation was the same for most of the big cities of India, but as the most significant town city on the east coast of India, and with people also from neighbouring states working in Chennai, the rise was only going to be quicker as time progressed.

So, what happens with the events here as we just keep looking? :: The family begins to plan for the same, and they understand they have to save quite a big amount of money per month, along with selling Shanthi’s jewelry to reach their goal, as they prefer to have a home inside the city itself rather than on the outskirts which would still require them to spend a lot of time and money to travel inside for a better future with a sustainable job. Vasudevan begins to work overtime to meet the demands which feel a little bit out of the equation while Shanthi sells snacks to make sure that the savings are maintained at the required level. Prabhu struggles in his studies, and Vasudevan is forced to spend a certain amount of money for his tuition per month which reduces the savings. With the help of this tuition and also with the support of his crush, Aishwarya (Chaithra J Achar), his scores somewhat improve increasing the hopes of the parents in him contributing to the final savings after joining an engineering college and getting a job as soon as he passes out. But unexpected expenses come on the way and Prabhu scores low, while the cost of the house increases. Can the family somehow buy the house they wish to have in the end?

The defence of 3BHK :: It can be seen that the movie realistically portrays the struggles of common middle-class family trying to buy their dream house by respectfully and honestly raise money, making it easy for many viewers to connect with the characters. It feels like more or less that problem faced by the common man who struggle to live in a city. There is not much of those unnecessary commercial elements and the melodrama is also kept at minimum with the focus clearly on family emotions and everyday problems which make one feel that a responsible generation will connection this more than those dumb movies which have its young protagonists under the influence of drugs and alcohol, taking risks despite warning by authorities or living irresponsibly in schools and colleges while beating up their own friends in campus – but we know that those movies will score more at the box-office, and the best examples are among the top grossing movies in Malayalam movie industry whose audience used to have better standards. The movie here feels genuine and believable from the beginning to the end and for honest and reliable people, will bring tears to the eyes. The visuals and music remain interesting too.

Positives and negatives :: The emotional side might be the strongest for the movie as sacrifices are given importance – not like those movies about fake friendships powered by drugs and alcohol, for this one is about family and how it remains important in a life of chaos and hopelessness in a busy city. Those among the new generation or those just past that; those who have not had any hardships in life would not prefer this kind of movies, but it would be strange if someone never had any struggle, if not financially, then with academics or when trying to do the best for the family. The movie can also be considering slow moving and sometimes a little too emotional, but this is that kind of a movie which tries to stay on in the memories and with realistic situations and never letting go of faith belief and hope, it works well. Still, we see that there are too many hardships which the family has to face out of nowhere, and some of them seems to be in order to make the situation more and more difficult as time progresses, as hope is the thing with feathers and it waits for none, while flying away with those beautifully feathered wings. The length might still be a problem for some and so would be the repetition of problems, and romance could have been expanded.

The performers of the soul :: The movie has Siddharth in a role which connects to most of us who go through a struggle in one way or the other; forget the financial struggle, the job itself is a crisis as getting one would require a lot of the same, with these the freshers not given job for quite a long time, but when we get a little bit older, people keep searching for the stylish new-generation youth who can go viral so that the company itself will get some boost – note that many colleges are now preferring such girls who can do well online rather than teach, and those with PhD and NET are left behind. Well, Siddharth shows the struggle to get a job, stay in one without being too exploited and keeping himself there so that the home can be bought – then there is the romance which he has to choose or avoid as his family might need him to go through his personal way in a specific way too. R Sarathkumar as the fatherly figure reminds us of many elders who have sacrificed for their children and family and it is a really touching performance from him too. Devayani plays the motherly figure with affection as much as a loving wife while Meetha Raghunath feels like such a talent. Chaithra remains lovely, and with a performance to remember for her too.

How it finishes :: 3BHK is that kind of a movie which every common man who remains close to the family can relate to, with love and compassion. It is also that kind of a film which anyone from that generation of job seekers who had to struggle as a fresher when they passed out and now stare at the void when the viral freshers are preferred over them in a world where looks matter more than degrees, knowledge and wisdom. It is a sincere and emotionally driven family drama that captures the aspirations, sacrifices and anxieties of the huge Indian middle class, and it is done with effectiveness without relying on those commercial ingredients. These financial struggles, family conflicts, disappointments and the little moments of happiness which becomes the bliss of solitude for the common viewer feel genuine, and we connect with the characters, live with them and never misses out on the empathy. Having heart at the right place and all the honesty matters, but the new generation might still not like it, and those who do not want deep family dramas told in realistic manner can grow dislikes especially as the movie often slows down and repeats a few things in the long process lasting near two and half hours.

Release date: 4th July 2025
Running time: 141 minutes
Directed by: Sri Ganesh
Starring: Siddharth, R Sarathkumar, Devayani, Meetha Raghunath, Chaithra J. Achar, Yogi Babu, Subbu Panchu, Vivek Prasanna, Thalaivasal Vijay, Aarti Desai

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Lockdown

Posted on June 28, 2026 by Dr. Tennyson

Vampire Owl: Are we going to watch another movie about corona virus lockdown?

Vampire Bat: I do not think that this would have the lockdown at the core.

Vampire Owl: I thought so because it is too late for anything related to that.

Vampire Bat: Well, such movies have lesser chances of working with the audience now.

Vampire Owl: Yes, there are so many things to deal with other than the past.

Vampire Bat: The opportunities spread towards infinity itself.

Vampire Owl: I remember that Dr. Frankenstein had written an essay about.

Vampire Bat: Mr. Frankenstein is not educated to write that good an essay.

Vampire Owl: Frankenstein is a man of his word and the only one of his kind.

Vampire Bat: Even Uncle Dracula would not agree to that.

[Gets a butterscotch cake and three cups of badam tea].

What is the movie about? :: Anitha (Anupama Parameswaran) has been looking for a job since passing out from an engineering college. Despite being a bright student with good scores at college and in spite of her expertise, she was rejected at so many interviews that it affected her confidence beyond repair. Her father Suresh (Charle) has been working hard to make sure that his family have enough, and hopes that his two daughters do well in life, as he is always worried about his friend’s daughter who had eloped with a local goon and married him despite everyone begging her to stay. Anitha is determined to make her parents proud and will not stop until she gets a job. For the same, she has to stay close enough to home and also opt out of night jobs as her family does not approve of the same. At the same time, there are many local young men who are trying to win her love, but she is only focused on getting a job and earn enough to support her family which also includes her grandmother along with the younger sister and parents.

So, what happens with the events here as we just keep looking? :: Sudha (Nirosha), Anitha’s mother, decides to take special care of their children due to the news about the children of people they know not being happy ones. Anitha’s best friend is Swapna (Priya Venkat) who live in the same city. But as she goes to a party with another one of her friends where she meets a Human Resources Manager of a famous IT company, she ends up being drunk and passes out. She comes to her complete sense only after two days, and continues to search for jobs despite the assurance of an offer letter in a month. Two months later, she gets a call from the company asking her to join. But by then, some time had passed since the first corona virus case was reported in India. As she begins to join, more restrictions are applied, and soon, she begins to feel very unwell. She goes for tests at the hospital, but by that time, the lockdown related to pandemic was being applied, and she could no longer go out. Her health was getting worse, and she was slowly realizing what was happening to her. But with the lockdown enforced, it was too late for her to do anything. Can she survive this?

The defence of Lockdown :: The movie addresses significant issues of the present such as consent, bodily autonomy, unplanned pregnancy and societal judgment. These days, the messages are often not considered with the seriousness that it deserves, but not this time. This is dealt nicely with an emotional side that works so well, mainly due to the leading actress never staying behind with her performance, standing tall, and rising to every moment of relevance in the flick. She particularly excels in the final moments as she fights against all odds when hope seems to fly away from her. The character’s journey feels so real to us due to her memorable performance. The emotions only get deeper as the movie progresses, and the helplessness of the protagonist makes the stakes much higher. The significance of family in a person’s life is also asserted, as we are reminded that the worst can be handled in the family with their support. The music as well as the technical departments nicely work efficiently with the film’s emotional tone and dramatic moments, making sure that the feeling is never lost.

The claws of flaw :: The movie still remains slow, and sometimes provides the feeling that it is going through the same thing again and again. It seems to bring the same kind of solutions again and again that we feel that the protagonist just has that option which does not happen and therefore need to keep trying one option multiple times. A final answer to what really happened and the right solution is not really provided by the movie as a few things are just left unanswered. There is no real investigation into the same and there is no idea of justice, as the focus only seems to be getting rid of the trouble and move on like nothing happened. The unresolved mystery means that the suspense never gets the strength and a thrilling side never gets stronger than the emotional drama that never stops running underneath story, as it was already established with an elopement and marriage. Then there are also those scenes and dialogues which can feel overly message-driven and meant to preach about a few societal elements. Some of the subplots are also lost in the way as the movie keeps its focus only on the protagonist.

The performers of the soul :: This is a movie of Anupama Parameswaran who delivers an emotionally convincing performance and effectively carries the film. This one is surely all about her as we keep seeing her on the screen almost every minute, and the movie itself seemingly runs for her, based on her predicament from where she keeps trying to escape one way or the other, despite the corona virus and its lockdown affecting her attempts. One keep feeling that Malayalam cinema is yet to have the best of Anupama, as movies like the debut work Premam, then Jomonte Suvisheshangal and The Pet Detective are never enough for someone with her calibre, as she keeps reminding us how good she can perform. Priya Venkat who plays her friend supports really well, and has her moments, as she goes through as one of the best comrades that one could have, standing by her friend’s side against all odds. Charle who plays the father and Nirosha who plays the mother also come up with the emotional performances that we note down. The fatherly affection will be something that we particularly remember. George Maryan, Livingston and all contribute well to support too.

How it finishes :: If you think that this a movie about that nation-wide lockdown with happenings related to that, you are surely going to be disappointed, as it plays only a part, and affects the proceedings from a side, bringing difficulties to the protagonist – otherwise it is not the main thing or the central idea that runs right through the movie. This is still that kind of a work which deals with the main idea well with some messages to take home. It sometimes provides the feeling that it is going the preachy way, but returns to the main thing soon enough. This could have actually gone on to be a conventional thriller, but instead focuses on the emotional and social consequences faced by the protagonist and makes itself more of a drama – in doing so, some of the answers are not provided and the focus is in staying within the tradition and not to deviate too much from it. Considering the present situation of a new generation, it is not really a bad thing, but the level of deviation or divergence will always remain in question as generations pass.

Release date: 30th January 2026
Running time: 119 minutes
Directed by: A R Jeeva
Starring: Anupama Parameswaran, Charle, Livingston, Nirosha, Priya Venkat, George Maryan, Indhumathi, Rajkumar, Shamji, Redin Kingsley, Abhirami, Revathi

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Mr. X

Posted on June 26, 2026 by Dr. Tennyson

Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Dheeran

Posted on March 25, 2026 by Dr. Tennyson

Vampire Owl: Here is a movie title which translates to being brave.

Vampire Bat: Well, vampires are born brave.

Vampire Owl: You mean that we are reborn as the brave ones.

Vampire Bat: I have not yet seen a vampire who is not brave.

Vampire Owl: I have doubt about the Vampire Mouse.

Vampire Bat: All mouses that bite would not be a Vampire Mouse.

Vampire Owl: Still, he had given an application.

Vampire Bat: And it was rejected in just half an hour.

Vampire Owl: We would need more brave vampires in case there is a war.

Vampire Bat: The pact with werewolves stand strong, and the rest, whether witches or demons do not fight direct wars.

[Gets a paneer puffs and three cups of Bandarawela tea].

What is the movie about? :: Eldhose (Rajesh Madhavan) is someone who had received a bravery medal from the President of India when he was a child, for saving the village’s only welder, Aruvi (Manoj K Jayan) who was drowning in the middle of a river. But after developing a pre-marital relationship with Suramya (Aswathy Manoharan) whose wedding he is blamed to have ruined, both of them are caught during their private moments in the bus which he was driving, right in the middle of the night, while most of the village were busy with the local temple festival. As he tries to escape, it had also led to the Panchayat President Abbas (Jagadish) getting injured. Finding himself in trouble, and with people about to forcibly getting him and Suramya married against her will, he runs away from the village and reaching Erode in Tamil Nadu. There, he becomes the assistant of Abubacker (Vineeth), a Malayali gangster who only trusts him and his long-time henchman Suhail (Arun Cherukavil), as he had made too many enemies, and used a perfume store as front to hide.

So, what happens with the events here as we just keep looking? :: Abubacker who keeps being worried about his former friends turning rivals, cannot sleep at night, and sleeps with a gun on his chest. He decides to find some relief by killing Saravanan (Srikrishna Dayal), one of his former henchmen, and assigns Eldhose to do the work, while pretending to be someone looking for work in the fruit factory which served as a front in a land where even the police were frightened to enter. But things do not seem to go well, as there is the news about Eldhose being killed in a fire-related accident in the fruit factory. This leads to a group of people deciding to go to Tamil Nadu to receive his body. Abbas who feels that he would go for the purpose any way, is joined by Aruvi, along with his two uncles Kunjan (Ashokan) and Joppan (Sudheesh) and brother-in-law Dixon (Abhiram Radhakrishnan). Spinesh (Shabareesh Varma), his old friend turned nemesis, also decides to drive the ambulance, leaving their past problems behind. But the question remains about what awaits them after crossing the border.

The defence of Dheeran :: The movie maintains its dark humour and silliness really well, and the situations for humour have been nicely created and maintained. Then there is some classic humour that comes of out of nowhere to create the fun all of a sudden. Then there are the simple and realistic moments that work, as the characters feel close to life as in those feel-good movies. The fine visuals of the villages of Kerala and Tamil Nadu also serve the purpose, as the movie has arranged a suitable cast for the purpose. The background score and music do serve the purpose well. Their use of the devotional song “akkarekk yathra cheyyum” which comes from the speaker nicely fits the situation. The execution of the final moments with a lot of action serves very well in a mixture of action and humour, with the special new year firework effects. The satire is as much present as everything else, and when there is such a veteran cast that can do the job so well, one can be assured of at least a minimum quality.

The claws of flaw :: There is a certain amount of struggle that the movie shows in between, as the narrative keep going back and come right back to the front – the non-linear journey was not really the option for a movie of this genre. The progress of the movie is rather slow, and the silliness often keeps us not interested rather than bring the humour to the front. We also have some dragging of the situation in the middle, and the flashback also feels too long. The overall length is a bit more considering the fact that the content does not have that much to keep the parts strong. The movie also goes on a predictable path with nothing new getting on the screen. The side characters are often lost, without the kind of significance which made other films like Kunjiramayanam and Adi Kapyare Koottamani successful. This one was so close to being a wild adventure ride, but not that much there to be taken. The fact that the movie gets back to Kerala from Tamil Nadu too soon, then everyone travels vice versa, does not help the purpose at all. The female characters also fall short except for some dialogues.

The performers of the soul :: The movie is led by Rajesh Madhavan, whose work has been memorable through Minnal Murali, Nna Thaan Case Kodu and Maranamass which had him making such a fine impact in different ways, but surely adding some fine humour. Jagadish’s work reminds us of what he did in Falimy, a movie which had similar humour running through, and had become a family travel humour sample to look forward to. Ashokan and Sudheesh adds to the humour well, according to the situations. Manoj K Jayan as Aruvi also brings both the funny as well as the emotional side to work. Vineeth as Abubacker also contributes to the fun, and Arun Cherukavil nicely supports him in the world of gangsters with a little too much of fear – the early gangster fun had surely got everyone interested. Shabareesh Varma keeps doing what he has been doing since Premam, really well. Abhiram Radhakrishnan can also be seen as further adding to the humour. Srikrishna Dayal as Saravanan gives the character the right elements of a real gangster, and Sidharth Bharathan remains notable.

How it finishes :: Not to be confused with other movies with the same or similar titles but deals with different topics and genre, Dheeran is that kind of a movie which goes on the lines of simple and silly fun with some dark humour to support it, and the same comes up with memorable moments. With Malayattoor as the setting, there is the feeling of watching something familiar with this one. The world of villagers and later that of gangsters work effectively here, and the funny side does not disappear from this one even when there is a serious scene or flow of emotions. The action comes strong by the end, with the adventure almost reaching that fine ending which also leaves like a feel-good movie, but with even a scope for sequel that could develop these characters in an even better way. Despite the bumps here and there, the movie is surely worth a try, especially as we keep looking for some lighter moments in a world of chaos. A weekend with this movie running on television would surely be the one with the laughs.

Release date: 4th July 2025
Running time: 137 minutes
Directed by: Devadath Shaji
Starring: Rajesh Madhavan, Jagadish, Ashokan, Manoj K Jayan, Sidharth Bharathan, Vineeth, Sudheesh, Shabareesh Varma, Abhiram Radhakrishnan, Aswathy Manoharan, Srikrishna Dayal, Arun Cherukavil, Indumathy Manikandan, Vijaya Sadhan

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Pechi

Posted on August 29, 2025 by Dr. Tennyson

Vampire Owl: Are we now looking for witches again?

Vampire Bat: We have stopped looking for witches since a long time ago.

Vampire Owl: Well, the war can restart any time now.

Vampire Bat: The next war will not be of this realm.

Vampire Owl: You talk like we have had enough of war, but not all species have been part of them.

Vampire Bat: The war affects the whole realm, whether or not they are part of it.

Vampire Owl: If it affects the advanced the vampire civilization, yes.

Vampire Bat: You should know that the magic used in our wars are nuclear in nature.

Vampire Owl: You are talking about the mythical weapons which are never used.

Vampire Bat: The witches are known to have a magical powerhouse which stores sorcery of the unknown supported by necromancy.

[Gets a chilli chicken puffs and three cups of black tea].

What is the movie about? :: At Aranmanaikaadu in Kollimalai, Ram (Murali Ram) and his wife (Aadhirai Soundarajan) are spending their peaceful time within the forest. After a lot of difficulty and getting a few days off from their busy schedule, they look forward to spend some time of their own in the lap of nature. They venture far deep and sets up a camp there. The temperature drops very soon, and while looking for some firewood, Ram ends up cutting the branch of a tree which reveals a nail, followed by a witchcraft doll. There seems to be something else coming out of the tree, and has him scared, but his wife who is listening to music do not hear a thing. Soon, he is taken away by an unknown force, and the same evil entity also captures his wife. But this evil presence is not identified by anyone. But three weeks later, another group of youngsters come to the area with a desire to venture through this lesser-known area of the forest as part of a trekking adventure. Maari (Bala Saravanan), a forest guard who acts as a part-time guide is asked to escort them all the way into the forest and back, as the paths can be confusing and some animals might also be around.

So, what happens with the events here as we just keep looking? :: The five friends, Charan (Dev Ramnath), Meena (Gayathri Shanker), Sethu (Jana), Charu (Preethi Nedumaran) and Jerry (Mageshwaran) are looking for adventure, and are not interested in listening to their guide who talks to them about restrictions due to wildlife and traditions that have been followed for a long time. Meena is frustrated with the restrictions imposed on her, as she feels that they could go through the walk all by themselves and that a tourist guide is only an extra burden. Meanwhile, an arrogant Charu destroys a blockage to an area considered restricted by tradition to the local villagers, ignoring the warning signs. Sethu who considers him to be courageous one among them supports the same, much to the dismay of Maari who continues to ask them not to disturb the nature of the beliefs of people that runs through the area.

And what more happens in the forest where the villages rarely choose to enter :: There seems to be something strange going on though, as Charu almost falls from a cliff and Jerry feels that something grabbed his legs. As Charu and Sethu makes fun of him, he challenges them to go back to the area where the warning board was kept and tie a scarf. Both are not really worried, and accepts the challenge telling everyone that Maari is just creating random stories and is trying to keep them scared as if they are children. On the way there, Charu and Sethu comes across a house, which they enter and finds witchcraft dolls and elements of black magic. Charu is startled to see an unknown figure appearing out of nowhere. Maari and Charan begin searching for them, only to find Charu lying motionless. But soon, they realize that is was not really Charu, and Maari tells them a story, that of a woman from a long time ago who learned black magic and started ritual sacrifices of children. But how is it relevant now? Can they escape whatever is in the forest?

The defence of Pechi :: The movie thrives on its atmosphere and an ancient tale of folklore than runs right through it. Bala Saravanan comes up with the best among the cast, and he plays the only fully sane person around there who seems to understand the gravity of the situation – we remember him in those funny sequences of Godha. Gayathrie Shankar, the actress of Nna Thaan Case Kodu, has provided a memorable performance here, and excels in the last few moments and the flashbacks. The rest of the cast nicely follows the procedure as a cabin in the woods, or lost in the forest tale would unfold. The antagonist here is strong, and is not just another demonic presence – it is the kind of creature from where escape seems almost impossible. There are the moments which provide us with those quick scares and above that, there are the times when it keeps us scared at all times. The fear factor with an inescapable fate brings the terror here. Along with that, the visuals are too good, whether of horror or of the green and dark woods.

The claws of flaw :: The flashback feels repetitive at times, and comes in at a time when it was not to enter. There are moments in between which feels rather confusing, and the scares could have been more visual – it is the kind of scare that would work the best in these situations. Here it seems that the horror elements are not innovative enough and inspired from others instead. The use of darkness is also not at the best. As a cabin in the woods, or journey to the woods story with the usual horror background, there is always a lot more to be added. It also becomes repetitive, and that grand scares which should have come in the end is never there to be taken. A visual terror in the end could have served the best, and combined with the twists would have brought wonders. The twist in the end, even though effective, does not bring that grandeur on the screen, and the flashback provided, even though clear, could have been more detailed. The present situation of the villagers in relation to the witch could have also been shown.

How it finishes :: The movie manages to be an interesting horror flick that elevates itself with the setting and folk-tale power. In a world where there is a shortage of good horror, this one score well, and becomes a good example of bringing working scares out of folklore and myth, something only Stree could do so effectively. As visuals and performances support the scares, fine horror is born. The movie could have still been better, but it is worth watching for sure considering for fans of folk-horror who can appreciate mood over momentum—but it is not for all. There is still a lot to come in a possible sequel, considering how the movie ended, and with one of these main characters having an even bigger role to play there, we will be only glad to wait for more of fear. Until then, we have this movie, and something to remember when we go on trekking, and a reminder to respect nature, local traditions and those who guide the way and advice for the best.

Release date: 2nd August 2024
Running time: 110 minutes
Directed by: Ramachandran B
Starring: Gayathrie Shankar, Bala Saravanan, Preethi Nedumaran, Dev, Jana, Mageshwaran, Seeniammaal, Murali Ram, Aadhirai Soundararajan, Shanthimani

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Jai Bhim

Posted on November 2, 2021 by Dr. Tennyson

What is Jai Bhim about? :: The movie begins with a group of people who are supposed to be from some lower castes or tribes having some police cases forced on them without any particular reason other than their community of birth. In the end, almost all the cases fall on them, as police closes the pending cases by putting them on these people. Raja Kannu (K Manikandan) catches snakes and rats in the village, and lives in a tribal area of a remote village with her wife Senggeni (Lijomol Jose). The tribe is known for their useful job, which helps the rich people of the area who boasts of their higher caste status, and won’t care about these people. But Raja Kannu is also arrested by police in the name of a robbery which happened in the house of the village head, as there is a lot of force on the cops due to the same. The police says that her husband had escaped with three other tribals on a fateful night. They are helped by as Maithra (Rajisha Vijayan) who has been working as a teacher among the tribals, and was trying to provide them with enough education and some identity to go with it.

So, what happens next in this tale? :: Advocate Chandru (Suriya) leads cases for the downtrodden people, and has managed to help many people before. But in this particular case, police has already prepared everything, and with enough proof being ariticially created, this eems to be very difficult for Chandru. SP Ashok Varadhan (Sibi Thomas) wants the case to be solved at any cost, and the local police officers go further to manipulate everything from the first point. Chandru visits the whole area with Maithra, and tries to find some clues. But will he be enough for this particular case, as many more false witnesses are being added, and it becomes a thing of prestige for the government? Can truth go above the false witnesses in an age of hopelessness and lies? The question still remains if the three are even alive and Chandru wants IG Perumalsamy (Prakash Raj) to investigate the office, and Advocate Ram Mohan (Rao Ramesh), the most prominent and respected lawyer will stand against Chandru for the government and the police.

The defence of Jai Bhim :: It is up to Suriya and Lijomol Jose to keep the film strong at the top, and there is no point where you feel that they are not fully immersed in these characters which they portray. Seeing the latter in such a role was a surprise, and one would wish her back in many more Malayalam movies. The film is a valiant take on ferocious discrimination and injustice which has been forced on people just for their birth in a particular community. In doing that, the film remains strong at all times. In staying with the subaltern against the strong and the influential, it makes some very strong points. The same is portrayed without using the useless mass fight scenes, which would have been there if this film was taken a few years ago, but the movie chooses not to satisfy the brainless mass. There are many emotional moments in the film, and the agony that the weak goes through is portrayed realistically rather than with the unnecessary extras. The intensity that the film carries is a lot too, and the strength only increases as the film progresses.

Positives and negatives :: The film does take some time to go through its beginning stages, and it does have the predictable stuff at work too. From the moment it starts, we are somewhat sure about what would happen even without knowing the history of the real-life tale, and we feel that the film could have been a little shorter. Some dialogues could have been avoided, but a few others could have had more detail, like when talking about the Rajan case which happened long ago in Kerala. Rajisha Vijayan could have also had more to be done, even with some good time being spent on the screen. It is always normal to expect more from this kind of a film, because we know the kind of topic it deals with. There is always something to take home in this kind of movies though, and this one, even though dealing with a topic which people might be aware of, leaves us with the reminder that injustice still exists, and there is the need for someone to raise the voice at the right time for the right people, and not for some celebrities who have their own ways of saving themselves, having their own influence and power.

Performers of the soul :: Suriya has one strong performance added here, and it seems that he has become the character like a fine reflection of a determined, enthusiastic, righteous lawyer. The focus that is required in the character is shown without the extreme heroism that would have taken over in some other movie, but not in this case. There is no violence related to the man either, as there is no beating up the bad guys, and there are no stylish dialogues, which makes the character blend in right into the film’s mood. It does feel that he is really into the character so well, and becomes a mirror of the ideology inside him. This is also the first Suriya film that I have reviewed here, and I am glad that this movie could be chosen for the same. Lijomol Jose, whom we know for the lovely supporting role in Maheshinte Prathikaaram and the lead role in Kattappanayile Rithwik Roshan, has her biggest role here, and she has performed exceptionally, making her the leading actress, the woman who was wronged, and seeking justice. I hope that she would continue in the film industry after marriage too.

Further performers of the soul :: K Manikandan in the husband’s role has death coming to his character after a fine performance. Prakash Raj plays a solid police officer with his own ideology, which we love, and he is the one cop whom you would love to have in your universe of reality. Rajisha Vijayan, who won the Kerala State Film Award for Best Actress for her debut film, Anuraga Karikkin Vellam, also has her moments, being a strong part of this. We know what she has done in Kho Kho, June and Finals, and she could suit at any place with grace. She has a superior status among this generation of actresses in Malayalam film industry, and so when she is there, you wish to check out the movie. The villains are all good too – when you look at them, they are not the same kind of antagonists, for the work at different levels. They are all united by a few things, but you see the divergence that runs through them, with them acting different even when doing the same job. There are lots of supporting cast members who also do some jobs worth appreciation, staying strong in the background throughout the film.

How it finishes :: There have been many courtroom dramas, and Pink might be the most famous among them – this one nicely adds to the list of those films. Unlike most of such movies which have dealt with similar topics including bringing justice to the subaltern, this one has its complete focus on such divisions and atrocities committed in the same name. The film is also supposed to be based on a petition which was filed in 1995, and the characters are also known to be based on real-life people with real-life incidents forming the background of the film. There is always the feel for some need for films on discrimination, and this one makes a welcome addition, as it makes some strong points about the same. It is also available with audio in Hindi, and therefore, it should be accessible to a much bigger audience on Amazon Prime Video. Theatres have opened, but you still have moves like this one on OTT, and you know you have to trust the OTT.

Release date: 2nd November 2021 (Amazon Prime Video)
Running time: 164 minutes
Directed by: TJ Gnanavel
Starring: Suriya, Lijimol Jose, Rajisha Vijayan, Prakash Raj, Rao Ramesh, Guru Somasundaram