lost love – Movies of the Soul

Vampire Owl: This is the first movie we are watching on a flight.

Vampire Bat: I do like the choices of movies which they have in Emirates.

Vampire Owl: Do you remember the last time we travelled on an Emirates flight?

Vampire Bat: Yes, the Airbus A380, the largest of them all.

Vampire Owl: This time, they were running a Boeing on the route instead.

Vampire Bat: Well, some vampires can fly. So, it is not really a problem.

Vampire Owl: They cannot watch movies when flying, can they?

Vampire Bat: If you can hold your mobile phone and fly, yes.

Vampire Owl: That would most probably cause an accident too.

Vampire Bat: You know that there is enough magic in our world to have a glided flight, right? As long as we do not cross over to the science-guided human world which has been drained of its magic with too many destructive weapons and wars.

[Gets some French fries and three cups of Yorkshire tea].

What is the movie about? :: Vasudevan (R Sarathkumar), his wife Shanthi (Devayani), their son Prabhu Vasudevan (Siddharth) and daughter Aarthi (Meetha Raghunathan) had moved into a rented house near St. Thomas Mount of Chennai, and from here, their dreams could begin to develop into a stage of determination focusing on buying a house as rent kept rising even for their small house as the city continued to develop and spread. The largest city in Tamil Nadu had become so huge that it was a long way ahead of the second largest city of Coimbatore and showed no signs of developing among the top five cities of India. People were continuing to flow into the city, and if the family had to move out of the rented home they were done, which led to a need for a home to change from dream to reality soon. The situation was the same for most of the big cities of India, but as the most significant town city on the east coast of India, and with people also from neighbouring states working in Chennai, the rise was only going to be quicker as time progressed.

So, what happens with the events here as we just keep looking? :: The family begins to plan for the same, and they understand they have to save quite a big amount of money per month, along with selling Shanthi’s jewelry to reach their goal, as they prefer to have a home inside the city itself rather than on the outskirts which would still require them to spend a lot of time and money to travel inside for a better future with a sustainable job. Vasudevan begins to work overtime to meet the demands which feel a little bit out of the equation while Shanthi sells snacks to make sure that the savings are maintained at the required level. Prabhu struggles in his studies, and Vasudevan is forced to spend a certain amount of money for his tuition per month which reduces the savings. With the help of this tuition and also with the support of his crush, Aishwarya (Chaithra J Achar), his scores somewhat improve increasing the hopes of the parents in him contributing to the final savings after joining an engineering college and getting a job as soon as he passes out. But unexpected expenses come on the way and Prabhu scores low, while the cost of the house increases. Can the family somehow buy the house they wish to have in the end?

The defence of 3BHK :: It can be seen that the movie realistically portrays the struggles of common middle-class family trying to buy their dream house by respectfully and honestly raise money, making it easy for many viewers to connect with the characters. It feels like more or less that problem faced by the common man who struggle to live in a city. There is not much of those unnecessary commercial elements and the melodrama is also kept at minimum with the focus clearly on family emotions and everyday problems which make one feel that a responsible generation will connection this more than those dumb movies which have its young protagonists under the influence of drugs and alcohol, taking risks despite warning by authorities or living irresponsibly in schools and colleges while beating up their own friends in campus – but we know that those movies will score more at the box-office, and the best examples are among the top grossing movies in Malayalam movie industry whose audience used to have better standards. The movie here feels genuine and believable from the beginning to the end and for honest and reliable people, will bring tears to the eyes. The visuals and music remain interesting too.

Positives and negatives :: The emotional side might be the strongest for the movie as sacrifices are given importance – not like those movies about fake friendships powered by drugs and alcohol, for this one is about family and how it remains important in a life of chaos and hopelessness in a busy city. Those among the new generation or those just past that; those who have not had any hardships in life would not prefer this kind of movies, but it would be strange if someone never had any struggle, if not financially, then with academics or when trying to do the best for the family. The movie can also be considering slow moving and sometimes a little too emotional, but this is that kind of a movie which tries to stay on in the memories and with realistic situations and never letting go of faith belief and hope, it works well. Still, we see that there are too many hardships which the family has to face out of nowhere, and some of them seems to be in order to make the situation more and more difficult as time progresses, as hope is the thing with feathers and it waits for none, while flying away with those beautifully feathered wings. The length might still be a problem for some and so would be the repetition of problems, and romance could have been expanded.

The performers of the soul :: The movie has Siddharth in a role which connects to most of us who go through a struggle in one way or the other; forget the financial struggle, the job itself is a crisis as getting one would require a lot of the same, with these the freshers not given job for quite a long time, but when we get a little bit older, people keep searching for the stylish new-generation youth who can go viral so that the company itself will get some boost – note that many colleges are now preferring such girls who can do well online rather than teach, and those with PhD and NET are left behind. Well, Siddharth shows the struggle to get a job, stay in one without being too exploited and keeping himself there so that the home can be bought – then there is the romance which he has to choose or avoid as his family might need him to go through his personal way in a specific way too. R Sarathkumar as the fatherly figure reminds us of many elders who have sacrificed for their children and family and it is a really touching performance from him too. Devayani plays the motherly figure with affection as much as a loving wife while Meetha Raghunath feels like such a talent. Chaithra remains lovely, and with a performance to remember for her too.

How it finishes :: 3BHK is that kind of a movie which every common man who remains close to the family can relate to, with love and compassion. It is also that kind of a film which anyone from that generation of job seekers who had to struggle as a fresher when they passed out and now stare at the void when the viral freshers are preferred over them in a world where looks matter more than degrees, knowledge and wisdom. It is a sincere and emotionally driven family drama that captures the aspirations, sacrifices and anxieties of the huge Indian middle class, and it is done with effectiveness without relying on those commercial ingredients. These financial struggles, family conflicts, disappointments and the little moments of happiness which becomes the bliss of solitude for the common viewer feel genuine, and we connect with the characters, live with them and never misses out on the empathy. Having heart at the right place and all the honesty matters, but the new generation might still not like it, and those who do not want deep family dramas told in realistic manner can grow dislikes especially as the movie often slows down and repeats a few things in the long process lasting near two and half hours.

Release date: 4th July 2025
Running time: 141 minutes
Directed by: Sri Ganesh
Starring: Siddharth, R Sarathkumar, Devayani, Meetha Raghunath, Chaithra J. Achar, Yogi Babu, Subbu Panchu, Vivek Prasanna, Thalaivasal Vijay, Aarti Desai

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@ Cemetery Watch
✠ The Vampire Bat.

What is the movie about? :: Somewhere around the city of Calicut, at some point during the 1980s, there is a village which uses its only radio, that is owned by Hussain Haji (Joy Mathew) who is also the Panchayath President, for entertainment. Everyone from the village , without any discrimination according to their social status, religion or caste, usually goes to his house to listen to the drama performance which is a usual thing in the radio during the later evening. They all sit on the verandah with the radio in the centre, listening to the performances. One day, Usman (Manikandan Achari), Hamid’s sister’s son who is in Dubai, sends them a black and white television. He is also supposed to marry Suhra (Sana Althaf), Hamid’s only daughter who is studying in the second year of BA English Language and Literature at the nearby college. The arrival for the television changes things at their home as well as the whole village which has its first television.

So, what happens with the events to follow? :: Now, everyone is at Hussain’s house again, but this time to watch television. But nobody knows how to make it work, and for the same, they call for Basheer (Farhaan Faasil) to connect and begin the show for the whole village. There are still people who oppose the same, as it makes everyone sit in front of it for such a long time – but there is a change in the situation of the village, something which nobody can deny. Hussain is proud of being only house in the village to have a radio and a television. Meanwhile, Basheer falls in love with Suhra, but it is clear that Hussain will only marry her off to Usman when he returns from Dubai. Basheer who is from a simple family, seems to have no scope in getting the girl. With only her grandmother (Sheela) in support of the relationship, Suhra will have trouble in making her relationship with Basheer go on. Who will support them and who will support the most influential man in the village? What effect will Basheer’s love letter to Suhra bring?

The defence of Basheerinte Premalekhanam :: There is something about the romantic movies set in the eighties and before – it has a lot of nostalgia with simple humour related to the life style of the people of the time; kids up to those till the nineties would relate the best to it. There would also be those emotional moments concerning people who are more of common men than anything else. It is on the emotions and the humour that this movie seems to rely on, and it keeps working nicely, here and there. There is the simple romance of those times getting the strength here, unlike movies like Ennu Ninte Moideen which made things complicated, Anarkali which made it the visual stunner and Annayum Rasoolum which made it a terrible drag that never ended. The simple people and everything simple about them, remains the strength of this movie. There are also some nice songs to go with it, and the romantic saga is established between the two youngsters – thus, the love letter is ready with some good visuals of the village, but has nothing new.

The claws of flaw :: The strength of the romance depicted in this movie is something which is disputed, because the scope for more is missed out. The secondary tale of romance is actually more striking, and that is a surprise because it is there only in the end for a few minutes only. For a romantic movie which tries to use the name of Vaikom Mohammed Basheer’s Premalekhanam not just in the title but also inside the movie could have done more during this age. It is the title itself which leads to the higher expectations, which would clearly work against this movie in more than one way – not enough for the older generation inside the movie, and not much for the younger audience even in the title itself, except for the Malayalam literature lovers who are a group which are decreasing in number. The theatre didn’t seem to have called that many people either. A better tale of romance, with more depth in the story would have helped this one for sure. Some characters are also less developed.

Performers of the soul :: Farhan Faasil and Sana Althaf are two people who haven’t really got enough with the Malayalam movie industry – they never really had enough of those movies to show their calibre. Rajeev Ravi’s Njan Steve Lopez, the debut movie and the only other movie of him had the former as a famous name, and this happens to be only his second film – here he is in a look that resembles Kunchako Boban; got confused myself when I saw him in the first song which was released long ago, he does okay here, and the role is still not that interesting as his earlier movie. Sana Althaf’s Mariyam Mukku was quite the disaster that nobody would want with the first leading role, and she was seen only in a small role in Rani Padmini after that. She is the cute presence here, and manages to do her role with the necessary elements for the character, not more or not less. She is someone capable of repeating the cute Nazriya act of Om Shanthi Oshana and Bangalore Days in her absence. They look good together, no doubt about that.

Further performers of the soul :: The one person who leaves the biggest effect on us, is Manikandan Achari, known for the power-packed performance in Kammattipaadam and the strong comic side displayed in Alamaara. Here, he once again shows how good he is, with the emotional sequences as well as the funny side – when the protagonists’ love story gets less from the emotional side, his tale of love gets all, and elevates this movie. Sheela also comes up with a performance which will remind us of her Kochu Tresia in Manasinakkare, but it is not that much when you look at both movies. Madhu’s presence good, but could have been in some other way as real part of the tale – same is the case of Indrans. Joy Mathew scores big time in the movie too as the father. Hareesh Perumanna and Noby Marcose gets some nice humoruous lines, along with the others including Shivaji Guruvayoor and Sreejith Ravi who make it a combined effort. The other two actresses, Renjini Jose and Asha Aravind also make their presence felt. Aju Varghese also makes a cameo which feels rather unnecessary.

How it finishes :: Basheerinte Premalekhanam is a movie which had a lot more possible with its content, but is a fair thing as it is. It is to be noted that the three other Malayalam movies, Tiyaan, Sunday Holiday and Thondimuthalum Driksakshiyum haven’t really stopped the hunt, and are still in the game. There are also the other new releases, including Minnaminungu – The Firefly which won Surabhi Lakshmi the National Award for Best Actress, Team 5 starring Sreesanth who gets into another area other than cricket and music, Pulimurugan getting its much awaited 3D release, Theeram which already has its name among the superhit songs and a lesser known horror movie known as Mythily Veendum Varunnu. The point to be noted is that none of these movies got any superstar from the Malayalam movie industry – maybe with the recent incidents related to actors’ real life, they are all waiting. Until then, this one brings the feel-good factor.

Release date: 21st July 2017
Running time: 130 minutes
Directed by: Aneesh Anwar
Starring: Farhaan Faasil, Sana Althaf, Renjini Jose, Sheela, Madhu, Manikandan Achari, Noby Marcose, Joy Mathew, Sooraj Harris, Shanavas, Sunil Sugatha, Sasi Kalinga, Hareesh Perumanna, Sreejith Ravi, Sivaji Guruvayoor, Indrans, Asha Aravind, Ponnamma Babu, Aju Varghese (cameo)