What is the movie about? :: Prasad (Suraj Venjaramoodu) and Sreeja (Nimisha Sajayan) are in love after a certain misunderstanding between them. Living near Vaikom at a village where the caste feeling is high, both are at trouble due to Sreeja’s father and relatives being fully against the marriage and threatens them. The result is that both of them runs away from the place after their wedding, and goes to a remote place in Kasargod where they have bought some land and a place to stay, hoping to get into agriculture. But it turns out that there is no water available there, and things once again takes a twist. They decide to get a loan against her gold ornaments, but her necklace ends up being stolen when in the bus, messing up with their plans. This theft was committed by a man known by the same name, Prasad (Fahadh Faasil) whom Sreeja had seen devouring it to escape being caught with it.
So, what happens next? :: So, the KSRTC bus driver, conductor and the travelers join to take the man to the nearby police station. It is more of a remote area, which doesn’t have leaves too many options for the police than to wait, as Sreeja is certain that the man had stolen her necklace and the thief tells the police that he has stolen nothing, and is working at a road-side eatery making porottas. But when the police asks for an id, he has none, and so they decide to keep him at the police station and wait. With no other option left, the couple also has to wait to find a way to find the necklace from him, as nothing could be proven otherwise. The police officer in charge of the case, A.S.I. Chandran (Alencier Ley Lopez) assures them that the thief is a smart one, but he solves such cases all the time, and will get them their necklace. So, who is the smartest of them all – is it the thief, the couple or the police officer?
The defence of Thondimuthalum Driksakshiyum :: The question of Dileesh Potham brilliance rises again, and we can see that there is something about it everywhere that fuels this movie. It is a fine narration that takes the story to another level, as we have the perfect example on how to make simplicity so interesting. Thondimuthalum Driksakshiyum is once again an everyman movie like Maheshinte Prathikaram, and those elite classes will not get their due here – there is almost no person in this movie who can be put into that “rich” category, which brings us the real movie for the people, which has never been the self-proclaimed “local” movies. The humour is also working, and they are also based on simple things of life – still there are twists. Once again, we see that the visuals are nice, as you know who in charge of them with the camera. The music is good, with “Kannile Poika” nicely visualized. There is the message hope and forgiveness, even though they are not readily visible.
The claws of flaw :: The movie might feel a little bit slow and a little bit dull at moments of the first half, as we expect it to be fun-filled entertainer like Maheshinte Prathikaram which had absolutely no moment which will make us doubtful. The emptiness that you feel in between, and the repetition that might seem to occur are also certain to be seen. You do feel at times, that this has a little too much of a remider of Action Hero Biju – so, if you don’t like that movie, there is a chance that Thondimuthalum Driksakshiyum will not be that interesting to you too. The story also doesn’t have that much in it to talk about, as things are rather simple, and the whole thing is focused to particular places. If you are looking for the usual kind of a movie, this will not claim to be one, which might be a good thing for a few, and not an interesting thing for some others. There could have been a bigger punch by the end, which is not there.
Performers of the soul :: Fahadh Faasil has his second movie running in the theatres at the same time, as Role Models is already there, having released for Eid with Avarude Raavukal and Oru Cinemakkaran – his earlier movies were Take Off and Maheshinte Prathikaaram, and it has been a fine run which continues into this movie too. Fahadh’s work, no matter how good or bad a movie is always something to look forward too – after all, this one is really good. There is a certain balance in his work, and even the simplest emotions from him brings the claps from the audience – the thief’s smiles score big. Suraj Venjaramoodu brings a performance which brings him back to the “fortress of seriousness”, with a full role rather than what he had in Action Hero Biju – he even has the romantic side to explore nicely. The National Award Winner for Best Actor in 2013 is the hero in this one, even though the term has less potential in a realistic story having no heroism.
Further performers of the soul :: Nimisha Sajayan makes a good debut with this movie too, as her work is simple as well as memorable. We see her taking it further with some realistic emotional scenes. It will be nice to see her in a different performance in one of the upcoming movies, and I remember having read that she has signed for another movie already. The next memorable character in the movie is played by Alencier Ley Lopez, who plays the police officer again after Njan Steve Lopez, and combines forces with Fahadh Faasil and Dileesh Pothan once again after Maheshinte Prathikaaram. You remember Vinay Forrt becoming the officer in control of things in Kismath where almost everything happens in the police stations – Alencier gets to do the same, but he has another mode on with Thondimuthalum Driksakshiyum. There is also the presence of some lesser known faces, who all do a fine job – it seems that the right ones are chosen for sure.
How it finishes :: We have all known what Dileesh Pothan is capable of, with his Maheshinte Prathikaaram, the National Award for Best Feature Film in Malayalam and also for Best Screenplay. The same combination of him with Fahadh Faasil returned here, and as expected there is something for us to be impressed, as we were waiting with expectations being a lot high. The movie with a realistic side will always have more for us than what any of those big superstar movies possess. It is the same realization that makes a lot of people to arrive at the theatres on a rainy day, defying all odds to get a ticket for this rather simple a movie – even the advance bookings have been even more. When the first movie was a success, the second movie has become a bigger challenge, as he has to match the glory, and here, with his brilliance continuing, Dileesh Pothan has kept Thondimuthalum Driksakshiyum working, even though not as much as Maheshinte Prathikaaram.
Release date: 30th June 2017
Running time: 135 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Suraj Venjaramoodu, Alencier Ley Lopez, Nimisha Sajayan, Soubin Shahir, Shince Mathew, Jithin KC, Vettukili Prakash, Sreekanth Murali
@ Cemetery Watch
✠ The Vampire Bat.
Loved reading the review- Hope to see the movie too.
LikeLiked by 1 person
🙂 Thanks; enjoy the movie when you can 🙂
Pingback: Return to the Nature Village | The Tea Cerebrations
Pingback: Udta Punjab | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: The Monkey King II | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Tiyaan | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Sunday Holiday | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Basheerinte Premalekhanam | Movies of the Soul [MOTS] :: Latest Reviews
Great post keep up the good work.
LikeLiked by 1 person
Pingback: Kadam Katha | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Varnyathil Aashanka | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Clint | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Viral | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Akam Puram | Movies of the Soul [MOTS] :: Latest Reviews
Pingback: Parava | Movies of the Soul: Best of Cinema
Pingback: Mayaanadhi | Movies of the Soul: Best of Cinema
Pingback: Street Lights | Movies of the Soul: Best of Cinema
Pingback: Theevandi | Movies of the Soul: Best of Cinema
Pingback: Oru Kuprasidha Payyan | Movies of the Soul: Best of Cinema
Pingback: Joseph | Movies of the Soul: Best of Cinema
Pingback: Njan Prakashan | Movies of the Soul: Best of Cinema
Pingback: Kumbalangi Nights | Movies of the Soul: Best of Cinema
Pingback: Finals | Movies of the Soul: Best of Cinema
Pingback: 2019 and its Movies | The Tea Cerebrations
Pingback: Joji – Movies of the Soul
Pingback: Pada – Movies of the Soul