Basheerinte Premalekhanam

What is the movie about? :: Somewhere around the city of Calicut, at some point during the 1980s, there is a village which uses its only radio, that is owned by Hussain Haji (Joy Mathew) who is also the Panchayath President, for entertainment. Everyone from the village , without any discrimination according to their social status, religion or caste, usually goes to his house to listen to the drama performance which is a usual thing in the radio during the later evening. They all sit on the verandah with the radio in the centre, listening to the performances. One day, Usman (Manikandan Achari), Hamid’s sister’s son who is in Dubai, sends them a black and white television. He is also supposed to marry Suhra (Sana Althaf), Hamid’s only daughter who is studying in the second year of BA English Language and Literature at the nearby college. The arrival for the television changes things at their home as well as the whole village which has its first television.

So, what happens with the events to follow? :: Now, everyone is at Hussain’s house again, but this time to watch television. But nobody knows how to make it work, and for the same, they call for Basheer (Farhaan Faasil) to connect and begin the show for the whole village. There are still people who oppose the same, as it makes everyone sit in front of it for such a long time – but there is a change in the situation of the village, something which nobody can deny. Hussain is proud of being only house in the village to have a radio and a television. Meanwhile, Basheer falls in love with Suhra, but it is clear that Hussain will only marry her off to Usman when he returns from Dubai. Basheer who is from a simple family, seems to have no scope in getting the girl. With only her grandmother (Sheela) in support of the relationship, Suhra will have trouble in making her relationship with Basheer go on. Who will support them and who will support the most influential man in the village? What effect will Basheer’s love letter to Suhra bring?

The defence of Basheerinte Premalekhanam :: There is something about the romantic movies set in the eighties and before – it has a lot of nostalgia with simple humour related to the life style of the people of the time; kids up to those till the nineties would relate the best to it. There would also be those emotional moments concerning people who are more of common men than anything else. It is on the emotions and the humour that this movie seems to rely on, and it keeps working nicely, here and there. There is the simple romance of those times getting the strength here, unlike movies like Ennu Ninte Moideen which made things complicated, Anarkali which made it the visual stunner and Annayum Rasoolum which made it a terrible drag that never ended. The simple people and everything simple about them, remains the strength of this movie. There are also some nice songs to go with it, and the romantic saga is established between the two youngsters – thus, the love letter is ready with some good visuals of the village, but has nothing new.

The claws of flaw :: The strength of the romance depicted in this movie is something which is disputed, because the scope for more is missed out. The secondary tale of romance is actually more striking, and that is a surprise because it is there only in the end for a few minutes only. For a romantic movie which tries to use the name of Vaikom Mohammed Basheer’s Premalekhanam not just in the title but also inside the movie could have done more during this age. It is the title itself which leads to the higher expectations, which would clearly work against this movie in more than one way – not enough for the older generation inside the movie, and not much for the younger audience even in the title itself, except for the Malayalam literature lovers who are a group which are decreasing in number. The theatre didn’t seem to have called that many people either. A better tale of romance, with more depth in the story would have helped this one for sure. Some characters are also less developed.

Performers of the soul :: Farhan Faasil and Sana Althaf are two people who haven’t really got enough with the Malayalam movie industry – they never really had enough of those movies to show their calibre. Rajeev Ravi’s Njan Steve Lopez, the debut movie and the only other movie of him had the former as a famous name, and this happens to be only his second film – here he is in a look that resembles Kunchako Boban; got confused myself when I saw him in the first song which was released long ago, he does okay here, and the role is still not that interesting as his earlier movie. Sana Althaf’s Mariyam Mukku was quite the disaster that nobody would want with the first leading role, and she was seen only in a small role in Rani Padmini after that. She is the cute presence here, and manages to do her role with the necessary elements for the character, not more or not less. She is someone capable of repeating the cute Nazriya act of Om Shanthi Oshana and Bangalore Days in her absence. They look good together, no doubt about that.

Further performers of the soul :: The one person who leaves the biggest effect on us, is Manikandan Achari, known for the power-packed performance in Kammattipaadam and the strong comic side displayed in Alamaara. Here, he once again shows how good he is, with the emotional sequences as well as the funny side – when the protagonists’ love story gets less from the emotional side, his tale of love gets all, and elevates this movie. Sheela also comes up with a performance which will remind us of her Kochu Tresia in Manasinakkare, but it is not that much when you look at both movies. Madhu’s presence good, but could have been in some other way as real part of the tale – same is the case of Indrans. Joy Mathew scores big time in the movie too as the father. Hareesh Perumanna and Noby Marcose gets some nice humoruous lines, along with the others including Shivaji Guruvayoor and Sreejith Ravi who make it a combined effort. The other two actresses, Renjini Jose and Asha Aravind also make their presence felt. Aju Varghese also makes a cameo which feels rather unnecessary.

How it finishes :: Basheerinte Premalekhanam is a movie which had a lot more possible with its content, but is a fair thing as it is. It is to be noted that the three other Malayalam movies, Tiyaan, Sunday Holiday and Thondimuthalum Driksakshiyum haven’t really stopped the hunt, and are still in the game. There are also the other new releases, including Minnaminungu – The Firefly which won Surabhi Lakshmi the National Award for Best Actress, Team 5 starring Sreesanth who gets into another area other than cricket and music, Pulimurugan getting its much awaited 3D release, Theeram which already has its name among the superhit songs and a lesser known horror movie known as Mythily Veendum Varunnu. The point to be noted is that none of these movies got any superstar from the Malayalam movie industry – maybe with the recent incidents related to actors’ real life, they are all waiting. Until then, this one brings the feel-good factor.

Release date: 21st July 2017
Running time: 130 minutes
Directed by: Aneesh Anwar
Starring: Farhaan Faasil, Sana Althaf, Renjini Jose, Sheela, Madhu, Manikandan Achari, Noby Marcose, Joy Mathew, Sooraj Harris, Shanavas, Sunil Sugatha, Sasi Kalinga, Hareesh Perumanna, Sreejith Ravi, Sivaji Guruvayoor, Indrans, Asha Aravind, Ponnamma Babu, Aju Varghese (cameo)

PS: You might also want to check out a cute Chinese romantic short-film, The Story of 90 Coins.

@ Cemetery Watch
✠ The Vampire Bat.

Jacobinte Swargarajyam

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Vampire Owl :: Quite a lot of things happened this year, you know; with the Malayalam movies.

Vampire Bat :: Only a few months have passed, and so you can’t really say a lot!

Vampire Owl :: Well, Darwin completed his evolution and Mahesh had his vengeance. Now, Jacob wants his kingdom of heaven.

Vampire Bat :: Yes, Darwinte Parinamam and Maheshinte Prathikaram; now Jacobinte Swargarajyam – note the “NTE” sound in the middle of the title of every movie.

Vampire Owl :: I am sure that this one has worked so well too. I couldn’t get tickets for the movie at the multiplexes.

Vampire Bat :: Well, it is Vishu. Theatres were supposed to be full.

Vampire Owl :: Is that the same reason why we are here so early?

Vampire Bat :: Yes, you see the large number of people in the queue behind us.

Vampire Owl :: And I am glad that we parked our car early.

Vampire Bat :: This one should work for us too.

[Gets the tickets with cheese popcorn].

What is it about? :: Jacob (Renji Panicker) is a successful businessman who made Dubai his home after striving hard to reach his current position. With his wife Sherly (Lakshmy Ramakrishnan) and four children, Jerry (Nivin Pauly), Abin (Sreenath Bhasi), Ammu (Aima Sebastian) and Chris (Stacen), they go through some of the happiest times of their life. Jerry is in love with Chippy (Reba Monica John), a medical student, and Ammu leaves to study the same course. Abin spends his time with music. But as Jacob is cheated by one of his trusted people, he is left in a lot of trouble and also in dire need of money, disturbing the momentum of the family. With consistent threats from Murali Menon (Ashwin Kumar) and others who had invested in his venture, he decides to travel to Liberia to find bring a deal and come up with a solution to his present problem.

What is it actually about? :: The absence of his father required the rise of Jerry to the vacant position, and it is what the movie is really about. It is about Jerry trying to bring things back together with the help of his family of his brothers and his mother. With his father stuck in Liberia, he will find new ideas and will bring new plans to minimize and later get rid of the damage completely. With the help of the old friends of his father, Unni (T.G. Ravi) and Philip (Sai Kumar), and also the newly found people in his life, Yousuf (Vineeth Sreenivasan), he will rise to the occasion, and with the help of the situation and fate, shall go on to become the person whom he never thought he would be. But the question remains about the timing – with time running out so fast, will he really be able to do that when needed? Can he be the saviour for his family when it matters the most?

The defence of Jacobinte Swargarajyam :: Clean, and staying close to the realities of life, this movie makes a good use of its cast which has come up with some natural performances. The scenes which depict the relationship between the members of the family gives that special and yet beautiful feeling – it provides anyone who values family with that special reflection to life. The funny scenes are simple and from everyday life, but working very well. The emotional scenes are very much touching, but still kept in control. There is so much positivity in this movie even when facing lots of trouble, and the feel-good factor here is rather tremendous. There are also some very nice visuals; the songs are interesting, and “Ee Shishirakaalam” is the pick of them all. The messages left here are also beautiful, of working hard without any shortcuts, supporting one’s family and being there for the ones you love the most.

Claws of flaw :: Yes, undoubtedly, this movie could have been better; the scope was there, and such a wonderful cast was present. This emotional family story goes through a little bit too much of a predictable path too. We can guess a lot of things around here easily. A story at the Middle East and the tale of a family facing financial crisis – these are two things that can appeal to the Malayali audience so well, which is why a better story with a rather slower transformation of the protagonist would have done better for the movie. The film is also a little bit too much focused on money, and it is the capital, the profit and the money that drives too many things in this movie – well, it is still not the primary focus, but the fingers are often pointed towards that, even though not many people might see that. Well, capitalism was always supposed to be there, considering the setting.

Performers of the soul :: Nivin Pauly requirest a lot of appreciation here – for he surely knows how to become the hero, and otherwise stay there waiting for the opportunity; it has been the case with his character here. Renji Panicker takes the glory in the beginning stages, and Lakshmy Ramakrishnan dominates at times, and Nivin is there exactly as his character demands, and I consider that a wonderful thing here. After Action Hero Biju, he once again has a realistic portrayal of his character here, and it only gets better. Meanwhile, Aima Sebastian has a small but amazingly cute presence in this movie, and Reba Monica John leaves a mark even with her shorter presence – that could have been explored further. Renji Panicker does his job with ease, and Lakshmy Ramakrishnan has her character becoming one of the best strong mother/wife characters that we have seen for a long time. The other most notable person here is Sreenath Bhasi who is a lot likable.

How it finishes :: Do note that Vineeth Sreenivasan and Aju Varghese make notable cameos here, the former making a bigger impact in the story. The child artist Stacen also does a good job. This movie could have been stronger with its story, but the feeling that it provides is really good. It is something that is perfect for a family watch for the weekend, as it is a movie with faith, hope and values. It is a movie that reminds the viewers of their family and how much the blood keeps us together, binding us. The significance of the family is something that has been part of our movie industry for a long time, and this one becomes a welcome addition to the same. Vineeth Sreenivasan does four in a row, after Malarvadi Arts Club, Thattathin Marayathu and Thira. The Thira sequel won’t be here soon though, I guess.

Here is a song from the movie; you should love it 🙂

Release date: 8th April 2016
Running time: 145 minutes
Directed by: Vineeth Sreenivasan
Starring: Nivin Pauly, Reba Monica John, Renji Panicker, Aima Sebastian, Lakshmy Ramakrishnan, Sreenath Bhasi, Stacen, Sai Kumar, Ashwin Kumar, T. G. Ravi, Dinesh Prabhakar, Vineeth Sreenivasan (cameo), Aju Varghese (cameo)

jacobinteswargarajyam

@ Cemetery Watch
✠ The Vampire Bat.

Airlift

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What is the movie actually about? :: The movie is based on the world’s largest civil evacuation of all-time, the act which was about rescuing a huge number of Indians stranded in Kuwait during the Iraq-Kuwait War when Iraq forcibly occupied Kuwait and made it the nineteenth province of Iraq. Due to this evacuation process, Air India is in the Guinness Book of World Records for the most number of people evacuated by any of the civil airlines. The movie begins by saying that the characters are fictional and are inspired from a real incident. There are two real-life heroes who played a big role in helping the Indians in Kuwait to get them to evacuation though, as it is mentioned in the end of the movie – Mr. Mathews and Mr. Vedi who are shown during the final credits as the messiahs in reality.

So, what happens in the story-line of the movie? :: Ranjit Katiyal (Akshay Kumar) is a very successful businessman in Kuwait, and has good relations with the rich Kuwaiti people and its government. Despite his roots in India, he never really identifies himself as an Indian being one of the richest men in the city. He is living a happy life with his wife Amrita Katyal (Nimrat Kaur) and their child. Everything has been going in his favour until Saddam Hussein orders the Iraqi invasion of Kuwait. The soldiers consisting of even young boys with hatred for the nation which they have just conquered, wanders around causing chaos and destruction as all evil becomes legal as long as it is committed on the people who are now living under their guns no matter the ethnicity. Facing such a situation, Ranjit has to make more than one decision not just to save his own family, but also that of many other Indians.

The defence of Airlift :: The movie’s highest point is the climax and the ending – I am telling this before talking about anything else because it was so well executed and it could bring that wind of patriotism flowing in the right direction. The truth is that we feel such a patriotic feeling which is not forced, but it just gets into us and makes us feel amazingly good and proud to be Indian. A movie like Airlift was in need because Bollywood needed to have something as real as this, keeping the heroism, despite restricted to one person being kept as close to reality as possible. The protagonist’s return journey to his roots is something that we will all cheer about too – there is always something about your nation, your people and your your culture; it never really leaves you. I do have my doubts about the new generation, but somewhere, you are still part of your roots. The camera shots surely add to the total effect too.

Claws of flaw :: There is no chance to find this movie as a perfect one, even though it could have been that with some more attention. Some of the characters could have been used better, as you look at them not really contributing that much as you would have wanted them to be, as a situation like this could never be about one or two people being the heroes all the time. I would have loved to see an effort which was a lot more combined. The characters could have been better developed, and some of them are just there to be present or to go through all these. There are also some problems in the middle, and pace often gets to a lower level. A little more focus on the war could have also done better for this movie. I believe that a movie like this can also do without the songs. There was also a little bit of hurry to finish the movie by the end. Also remember that this is no entertainer for the usual fans.

Performers of the soul :: Akshay Kumar provides us with another realistic movie with a touch of patriotism an year after Baby released. Two of my favourite Bollywood movies of last year had him, with Brothers being the other flick. As of now, it seems that 2016 will be no different. We can confidently say that this movie will be among the best of the year, and I am not surprised that Akshay Kumar is once again the person to deliver the same. Well, this is movie does rest on his shoulders all the time because it is so much centered on his character. He makes thing work amazingly well here. Nimrat Kaur provides him the support. Lena has kind of a noticeable role here too! The other performer is actually the situation itself. The rest of the cast actually don’t need to do that much as one would expect for a situation of life and death; maybe it could have used them better, but it works as of now.

Soul exploration :: We have watched a good number of movies with patriotic elements in them. But when we look at this particular movie in comparison to that, this is one of the realistic and the most righteous display of the same. Patriotism in its purest form is one of those qualities which one can be really delightful about, and without any doubt, Airlift has that without preaching. This certain quality is what makes Airlift an interesting watch for all Indians both in the nation and living abroad. This is where the movie keeps scoring. If Airlift doesn’t touch your soul and make you think as an Indian no matter where you are, I don’t see any other movie doing the same. It is rightfully the movie for the soul, and you will feel the same during its run-time.

How it finishes :: Bollywood’s fine run this year continues, as Airlift follows Wazir and provides Bollywood with that boost for the beginning of the year which works nicely with the intellectual side as the industry takes another break from those huge silly entertainers. The advantage of having the popular actors performing in movies like these is that these better flicks get releases at most of the theatres. It is quite a necessity considering how many mindless movies Bollywood has been coming up with. The movies like Airlift are a lot in need, and it is a must watch without doubt. If there are movies which cent percent deserve to be in the one hundred crore list, Airlift can also be considered one of them. I don’t know how the usual audience will consider this movie, but if you don’t support this movie, it is your loss as well as that of Bollywood.

Release date: 22nd January 2016
Running time: 124 minutes
Directed by: Raja Krishna Menon
Starring: Akshay Kumar, Nimrat Kaur, Feryna Wazheir, Lena Abhilash, Inaamulhaq, Purab Kohli, Kumud Mishra, Prakash Belawadi

airlift

@ Cemetery Watch
✠ The Vampire Bat.