Midnight

Vampire Owl: There are not many mediums that vampires can use at midnight.

Vampire Bat: I am sure that we can use an Ouija board at midnight instead.

Vampire Owl: That board is a fake medium invented by humans.

Vampire Bat: So, you think that there is no hope with the board.

Vampire Owl: Yes, we need to look forward to finding an undead conductor.

Vampire Bat: You cannot have any of the undead allow something from the other side to pass through it.

Vampire Owl: The undead is greater than any spirit.

Vampire Bat: Getting possessed by a spirit is not a great experience.

Vampire Owl: So, you think that there can be possessions.

Vampire Bat: Well, you know the thing about demonic possessions.

[Gets a green apple cake and three cups of Munnar tea].

What is the movie about? :: Kim Kyung-mi (Jin Ki-joo), is a mute and deaf woman who works as a sign language customer service executive at a sign language call center. Her mother Kyung-mi’s mother (Gil Hae-yeon) is also dumb and deaf. As some of the employees have to go for a dinner with the clients, she chooses to go with her employers and return late at midnight. Jung-eun’s (Kim Hye-yoon) goes out on a date at night, and her brother Jong-tak (Park Hoon) who works as a security guard after serving in the army, is worried because she would arrive late, almost at midnight, especially as a man and woman were found dead during an earlier night. Coming back home late after dinner and visiting her mother, Kim witnesses the sister bleeding after being stabbed by an unknown man and becomes the new target for this particular serial killer Do-sik (Wi Ha-joon) who had been hunting women, and sometimes unsuspecting men some time around midnight. She runs further away from the area when her mother is standing and tries to hide, but the killer is someone who knows the area really well.

So, what happens with the events here as we just keep looking? :: The killer needs to find the young woman to make sure that there are no trails that lead to her. At the same time, Jong-tak is in the streets, searching for his sister who has not returned home yet. As Kim reaches her car and enters it, she is shocked to find him inside the vehicle, and after being forced to drive at knifepoint, she jumps out the car, once again chased by the killer, only to connect to the cops, but as she cannot sleep, it does not work at all. When the police finally arrive, it seems that the killer had already manipulated all the evidence, and there are no suitable clues in the CCTV cameras either. The killer had also joined them in making things more confusing for the mother and daughter duo. As the brother also arrives in the police station with the photo of his sister, Kim identifies her as the woman who was abducted, stabbed and kept in the vehicle by the stranger. But the killer is someone who knows when to manipulate and when to kill with all the brutality – does this mean that the killer will go on with the murders and the sister and the witness would also have to die?

The defence of Midnight :: In the beginning, this movie might seem to be just another serial killer movie with its antagonists targeting random people on the streets, but it becomes much more than that, as it uses almost everything at its disposal to the best effect. The night itself has been used to its best advantage, and this is also not the kind of movie when there is a long investigation going on, and the police has to go for clues which they acquire over days, and the result is that there would be more victims. Instead, this movie has so many thrilling moments set in a night, which has the serial killer’s smartness displayed in an interesting manner, but we are not bothered with the flashbacks or the motive that would have been there in other movies – this becomes more of a survival movie where there is the need to make sure that a missing woman survives, and at the same time, the leading lady further struggles to survive. As things unfold with a night that progresses, there is the idea that two of the main characters cannot speak and hear, which drives this movie to bringing things to light in a different manner. There is no shortage of thrills around here, and silence is nicely used with sound effects in a visual treat of terror.

Positives and negatives :: There are moments when one would feel that the movie could have elevated the status a little bit. But the final moments are just too good, as finally the serial killer understands that more than one person can play his game. The movie is a survival thriller for the main protagonist, and Jin Ki-joo, with her performance, has us backing her to survive against all odds. The characters do no get to be that smart as they should be though, as they create opportunities for the killer to come back and get them, multiple times. There are many co-incidences in here too, and those are used a little more than needed. But there is no shortage of the feeling of danger around here, as night seems to be used as a medium for the serial killer terror to spread – it always seems that he is in control, even when he gets beaten up. We did not know about this movie when it released, but we know it now, and we have that serial killer whom we have been waiting. The movie is also a reminder that in a busy world, nobody has time to check on others, and a serial killer could always be hiding among us, undetected until captured.

The performers of the soul :: Jin Ki-joo is leading lady and the protagonist of this movie, and she comes up with a performance to remember as the woman who cannot speak or hear, but has to rise above her limitations as she faces one of smartest and most brutal serial killer who is good at hiding his motives. She has presented the character so well that the audience keep believing that she has no hope, but continues to see that slight ray of hope that she could stay alive despite the odds being very much against her. She seems to be better known for the South Korean television series and the drama, but the way in which she displays the hopelessness and fear to replace it with courage, is something that will catch our eyes – the ending with her character gaining the advantage is too good. Wi Ha-joon makes a fantastic serial killer, and I won’t be surprised if someone would try to copy this character, as the killer works so well. Park Hoon also join in very well. Then there is Gil Hae-yeon who comes up with the mother figure really well. At the same time, Kim Hye-yoon is lovely addition, and becomes the reason for the events of the movie to start moving forward.

How it finishes :: Midnight is a reminder that Korean films still possess the top quality with horror thrillers featuring serial killers. It will be a good idea to watch the movie on Amazon Prime Video before someone from Bollywood copies the film and shows it as a much lesser version with the brother of the victim and the girl who witnesses the crime dancing to songs at a party while the serial killer kills the abducted girl, and we would also have to listen to some very sad songs with the brother grieving for the sister. The quality of this movie will always be higher as it does have all the emotions, but never does it overdo them, or come up with irrelevant subplots or exaggerating the villain. We directly enter this world which is all about that particular night, and the audience is also as much part of the events that happen during midnight, and everyone goes on this journey with the main characters. You are also reminded that you need to go back to these kind of movies, and even though we do have our own serial killers with films like Forensic, Anjaam Pathiraa, Memories and Antakshari, but none so classically determined in the form of a stranger as this one.

Release date: 30th June 2021
Running time: 103 minutes
Directed by: Kwon Oh-seung
Starring: Jin Ki-joo, Wi Ha-joon, Kim Hye-yoon, Gil Hae-yeon, Park Hoon, Kang In-seo, Noh Su-min, Na Eun-saem, Lee Jae-seok, Park Ji-hoon, Song Yoo-hyun, Bae Eun-woo, Kwon Young-min, Jung Wo Chang

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@ Cemetery Watch
✠ The Vampire Bat.

Raccoon City

Vampire Owl: We have all been the fans of Resident Evil franchise, right?

Vampire Bat: Yes, the franchise about zombies coming over.

Vampire Owl: Well, these are surely not the zombies that we know well.

Vampire Bat: The zombies of science, not the kind of our realm.

Vampire Owl: I am sure that the zombies of science might be even stronger.

Vampire Bat: Yes, they have the technology to make zombies that strong.

Vampire Owl: Yet, they are will never be as strong as vampires.

Vampire Bat: But, you have never really battled a pure undead zombie.

Vampire Owl: The pure bloods have been dead and buried for centuries.

Vampire Bat: You don’t see them that often. They are like the vampire elders.

[Gets a vegetable pizza and three glasses of oreo shake].

What is the movie about? :: Claire Redfield (Kaya Scodelario) returns to Raccoon City in 1998, where she and her older brother Chris Redfield (Robbie Amell) lived in an orphanage there which was run by the Umbrella Corporation. William Birkin (Neal McDonough) who ran the institute was using the children for his experimental research at the Umbrella Corporation, and Claire had noted a disfigured little girl in particular. Claire has returned to the city to find her brother, but Raccoon City which used to be the home of the Umbrella Corporation, the world’s largest pharmaceutical company had turned into a ghost town with the company moving to a new location. Only a small crew of the last few employees remained there. As Claire returns by hitchhiking in a truck, which accidently hits a woman in the middle of the road. But as the two argue over what is to be done with the body, the woman stands up and disappears without a trace. The woman seems to be walking strange, as if affected by some strange disease, and the trucker’s dog does drink some of the blood on the road and begins to act strange and bites him later.

So, what happens with the events here as we just keep looking? :: Leon S Kennedy (Avan Jogia), a Raccoon City Police Department rookie officer who just got there visits a diner and finds the waiter having blood coming out of her eyes. The waiter dismisses is as nothing of significance, and is also not ready to see a doctor. She finds her brother Chris Redfield (Robbie Amell), who is a member of the STARS Alpha Team along with Jill Valentine (Hannah John-Kamen) and Albert Wesker (Tom Hopper). Claire feels that there is something wrong with the city, and asks Chris to get out of there, but he feels that he owes to the Umbrella Corporation which looked after him after she had run away. Claire tries to convince him that there are many theories about what is going to happen to the city which has been abandoned by the corporation on purpose, but there is nothing that can make him change his mind, as he is also not happy about her leaving her as a child. Chris leaves for the police station after an alarm is activated by the Umbrella Corporation.

And what more is to happen in this world of some strange chaos? :: Claire is attacked by a strange woman who keeps saying “Itchy Tasty”. She manages to keep her away and escape on Chris’ motorcycle. At the police station, it is said that an earlier team had gone missing while investigating the Spencer Mansion which was owned by the head of the Umbrella Corporation – it is investigated by the team led by Chris. At the same time, the truck driver who was bitten by his dog is transformed into a zombie, and crashes his truck in front of the police station, soon dying. As the police chief tries to escape, Leon remains the only person in charge of the police station – he would also be forced to return to the police station as there seems to be no way out of the city now, with Umbrella Corporation guards trying to keep the people inside and contain what seems to be an outbreak. There is the zombie dog of the trucker and many zombie-like people outside the police station, and there seems to be no way out of there of the police station now. With the mansion also overrun by zombies, the team also struggles to find a way out.

The defence of Resident Evil: Welcome to Raccoon City :: I have always been happy about video games made into movies. As I was a gamer since my childhood, I would always feel some nostalgia when my favourite games of the past become movies of the present – it makes me go through the journey again. It is the same reason why I was only happy to hear about a reboot of this big franchise of adaptation. The movie does start well, and it does focus on Claire and Jill in the beginning itself – they are two of my favourite characters. There are some interesting shots of zombie attacks here, and a lot of shooting follows. There are some good-looking camera shots with the help of darkness, and some of the music also manages to come up with effectiveness, even though you know that there was the chance to do things better as we remember the original. The scope for a sequel is pretty much there too, but one might feel the need to add some more of interesting characters and have a better horde of zombies, as the audience has already seen so much. The performances are not that much, but fine.

The claws of flaw :: Resident Evil: Welcome to Raccoon City is not that heavy in action in comparison to the original movie franchise or the games. It is also not that scary as the movie which started the movie adaptations with a similar setting. The waking up of Alice in the bath tub and the lift scene are only a few of them. That movie had a lot of stylish and iconic moments which we continue to remember. There were also some memorable dialogues to add to it. Even the costumes of the main characters lets the fans down up to an extent. Releasing so many years after the first movie, this one could have had better special effects. Some more innovation to the tale and its presentation could have suited the present scenario better. There is not enough strength in the attempts made around here. There are movies in the earlier series which are worse than this one, but for a reboot which had all the chances to start again in style, this one lags – remember that the games were the kind which kept us so much immersed in them. One really seems to lose the way so much while trying to make adaptations of video games.

How it finishes :: We have already watched so many movies of Resident Evil, and have played so many games in the franchise. The games have been integral part of our childhood, and still brings us the nostalgia about those which CDs which we received with the computer magazines – those were the demo versions of interest. If we go back to the first movie of a very long franchise, it was also something of a lot of interest – things started to change only with the third movie, as the second one had also continued the proceedings of the world really well. The earlier Resident Evil franchise starring Milla Jovovich was indeed something of interest, even though losing its way with the story at times – yet, we are happy to have a reboot which can also come up with some interesting titles as it progress. Well, we know that we are all standing close to a biohazard created by human manufactured viruses, and corona virus might only have been the tip of the huge iceberg. As we heard in that original movie long ago, everyone is going to die down here.

Release date: 24th November 2021
Running time: 107 minutes
Directed by: Johannes Roberts
Starring: Kaya Scodelario, Hannah John-Kamen, Robbie Amell, Tom Hopper, Avan Jogia, Donal Logue, Neal McDonough

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@ Cemetery Watch
✠ The Vampire Bat.

The Forever Purge

Vampire Owl: I have always been support of the purge.

Vampire Bat: This is not about the purge unleashed on the werewolves.

Vampire Owl: Well, there is no purge without enough blood.

Vampire Bat: Blood is just a motive, nothing more.

Vampire Owl: You have to spill the blood. Otherwise, there is no purge.

Vampire Bat: Well, I have enjoyed all the movies of this franchise with or without it.

Vampire Owl: It is natural, as the evil human nature is shown there.

Vampire Bat: The never ending love for hatred and violence.

Vampire Owl: My disappointment is that they are still not extinct.

Vampire Bat: The hate helps them to survive at the expense of others of their kind.

[Gets a blueberry cake and three cups of iced tea].

What is the movie about? :: The year is 2048, and after the incidents of the previous movie, the New Founding Fathers of America regained control of the United States government – as some had predicted, the first thing which happened was that they brought back the annual purge. The annual event during which all crime is legal and emergency services remain suspended gets its say again. According to them, this would keep the United States mostly crime-free with less unemployment as well as hatred, and despite the many protests against it, the purge goes strong. With only a few days left for the purge, people are worried that the rising racial feeling would make this purge worse than it has ever been – some feel that it just won’t be over by the end of the day. There are people buying a lot of weapons, and there are special offers on gun stores as the event gets closer. Most of the immigrants are not that worried about the purge as they don’t really know what it is really about. Juan (Tenoch Huerta) and Adela (Ana de la Reguera) are such a couple who have come all the way from Mexico, and have found work in Texas.

So, what happens with the events here as we just keep looking? :: Juan and Adela join a group of migrants who have taken refuge within a walled area with security guards. It seems to be pretty much a safe place, but is not perfect. As all crimes including murder becomes legal and the siren is set off, the migrants are somewhat upset, but on another side, there are lots of people who are rather too happy. Soon enough, a nationalist group calling themselves the real patriots of America – the Purge Purification Group passes through the area with intentions to kill people whom they feel as non-American. Adela finds out that there are people being tortured inside the vehicles, and wishes to save them, but is stopped by the mercenaries who know that it would lead these people to attack them instead. Much to the surprise of most of the Americans, the purge seems to get over without many incidents of terror reported. It seems to be one of the most peaceful purges ever despite happening after such a long time.

And what more can a purge bring for us? :: Next day, Adela who returns to her work, doesn’t find anyone there, and it seems rather strange. As she opens a cage, she finds her locked in a precarious position with her neck and arms brutally squeezed within steel bars. As she struggles to break free, purgers attack her, and plays with her helplessness, threatening to kill her. At the same time, the family which had employed Juan at their farmhouse is captured by some of their employees who tells them that the purge will never be over, and that this is a “forever purge”. The helpless family is tied up and gagged, while they declare themselves the owners of the place. They also threaten to murder the pregnant Cassie Tucker (Cassidy Freeman) when Juan decides to interfere. But even if both Juan and Adela escape with this particular family, how far can they go? Two neighbouring countries, Canada and Mexico have temporarily opened the borders for the unarmed civilians of the United States looking for refuge, but with the martial law already declared, can they reach one of those areas at the edge and find a path out of death?

The defence of The Forever Purge :: This is a very well made movie about purge, and they have managed to create something more efficient with its tale and full of more action in comparison to its predecessor. The movie has some fine moments of Mad Max: Fury Road action in the final moments too, but the action here is surely kept more realistic than in any other action movie in such a setting. The movie’s best part is the initial trap scene – it came at a time when everything seemed very normal; that was one fine innovation with the previous movies didn’t have. We might end up asking for more traps after that one. There are other scenes of surprise too, and this struggle for survival keeps us interested at all times. The extension of the brutality here seems to assert that violence is forever, and until extinction, humans will continue to be hostile to their kind, directly or indirectly. The message of unity reminds us that the same might not be possible at all, and despite the movie’s focus country this is spread all over the world in a more terrible manner. Evil is displayed as the reality that exists in the form of humans – the realistic world will approve of the same and give a salute.

Positives and negatives :: The movie possesses a fine cast for an action movie. Ana de la Reguera who played a similar role in Army of the Dead, seems to be owning the roles with action and thrills with great skills, and along with Ana de Armas of Deep Water who shares the first name with her, only seems to be getting younger as we watch more and more of their movies. The two from Mexico and Cuba are among the favourites now. Tenoch Huerta and Josh Lucas make a good action team too. There were many more twisted moments which could have been added here though, as purging is not really the thing which can have any positive elements – people around here do try the same with those harthals and bandhs though, even though the strikes are given some reasons for sure. There could have been the presence of more purgers though, and some fine methods of torture and execution being used by them – after all, they are shown as some of the most brutal people around who enjoy punishing and murdering the others whom they think do not belong with them, and that calls for further violence.

How it finishes :: Among the movies about purge, I would consider this to be the third best, after The Purge and The Purge Anarchy. The First Purge was a forced film. This is also the most action-filled and has a wider level of application with its basic idea. It also leaves scope for a sequel, which can serve as something like a post-apocalyptic movie. One another day, there could have been a post-apocalyptic science fiction dystopia with a similar world. This is the kind of movie which wouldn’t fit into horror directly, but surely generates enough fear about the reality about human mind. The franchise continues to make us realize again and again that the humans are not to be trusted, and in the absence of law and order, they would do worse than the children of Lord of the Flies – it was one thing which William Golding got perfectly correct about humanity and their evil children. Well, you wait for that day when all chaos will break out, and then purge will be a natural thing like the bandh and harthal where people rejoice in attacking others and public property. You think about it, and you realize that the purge is already here.

Release date: 2nd July 2021
Running time: 103 minutes
Directed by: Everardo Valerio Gout
Starring: Ana de la Reguera, Cassidy Freeman, Tenoch Huerta, Josh Lucas, Leven Rambin, Will Patton, Alejandro Edda, Will Patton, Will Brittain, Sammi Rotibi, Zahn McClarnon, Veronica Falcon

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@ Cemetery Watch
✠ The Vampire Bat.

Army of the Dead

Vampire Owl: We are the Army of the Dead. This movie should be about us.

Vampire Bat: We are not the Army of the Dead. We are the Army of the Undead.

Vampire Owl: You mean to say that they are different from each other.

Vampire Bat: Yes, there is also an Army of Darkness, you know.

Vampire Owl: Okay, still it is the dead that becomes the undead.

Vampire Bat: Well, death is a beginning, and for the undead, it has already begun.

Vampire Owl: I think that you are pointing to the zombies as the dead.

Vampire Bat: Yes, without full brain acitivity, they are to considered dead rather than undead, as we look closer at them.

Vampire Owl: Well, not all of the dead are undead, we can be sure about that.

Vampire Bat: I am sure that this one has some fine zombies though.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: A convoy coming from Area 51, the highly classified United States Air Force facility located within the Nevada Test and Training Range collides with the car of a newly married couple on a highway near Las Vegas. The high level of secrecy surrounding the base had already brought enough conspiracy theories to the scene including UFOs and aliens which are regular part of such talks. This time, the package which was part of the convoy is revealed to be a zombie, a very strong muscular creature which escapes, and during the process kills all the soldiers, among which some of them are infected and transformed into similar creatures, seeking to attack more humans. The zombies do head to the city, and infect most of its population. The United States military faces suffer heavy casualities, and is forced to retreat while facing the ever increasing hordes of zombies which are not that easy to kill as they only get stronger. The government decides to do what they considers to be the last resort, to deploy a tactical nuclear strike on the city to end the zombie threat forever, even though there are protests against the same.

So, what happens with the events here as we just keep looking? :: Later, the very rich and influencial Japanese casino owner Bly Tanaka (Hiroyuki Sanada) and his associate Martin (Garret Dillahunt) asks a former resident of Las Vegas and earlier mercenary, Scott Ward (Dave Bautista) who is currently working at a burger joint to take over a job to recover two hundred million dollars from his casino vault in the quarantined Las Vegas. The time is running out, with the nuclear strike coming up. Ward agrees and recruits his former teammates Maria Cruz (Ana de la Reguera) and Vanderohe (Omari Hardwick) as the maim mercenaries, along with a helicopter pilot Marianne Peters (Tig Notaro), a safecracker Ludwig Dieter (Matthias Schweighofer), and a sharpshooter Mikey Guzman (Raul Castillo), who also brings his associate Chambers (Samantha Win). Martin also joins them to make sure that there is access. They have a thirty two hour window to do what they have done the best in history, and even though they cannot fly in due to flight restrictions, they can fly out in one of the rescue helicopter located at the top of the casino.

And what is with the humans and the zombies which we have around here? :: As they are not able to find a way inside, Scott searches and finds his daughter Kate Ward (Ella Purnell), and offers her his share of the millions, asking her to help him get into the city. Kate directs them to Lilly (Nora Arnezeder) or coyote, a smuggler who knows the city. Burt Cummings (Theo Rossi), an abusive security guard who knows exactly what happens inside with the zombies. When Kate understands that Geeta (Huma Qureshi) also went into Las Vegas with two others, she feels that she should also be inside. Being the badly raised dumb kid that she happens to be, she stops at nothing to get what she wants, and the returned father figure can only agree. When inside, the common zombies are not the only ones that they have to face, for there are zombie animals too, including a zombie tiger. There are also a different kind of zombies, which are not the usual mindless ones. They are smarter, faster and better organized, with a mark on their territories. It won’t be that easy to dupe these zombies. Can they get what they want and make it out?

The defence of Army of the Dead :: It is clear that we haven’t had a full fun zombie movie like this one for a long time, and there is a lot of entertainment with the action, thrills and even a certain amount of horror that has been going on with the undead creatures. It also has some humour in between, and a fine detail of the post-apocalyptic world as well as the zombie attacks with descriptions to support them. Among the performers, Dave Bautista and Ana de la Reguera are at the top, with Nora Arnezeder and Matthias Schweighofer following closely. The man who is known as Batista in WWE is another one of those ring performers who has done so well in cinema, after Dwayne Johnson’s classic performance, and also John Cena up-to an extent. Ana de la Reguera and Nora Arnezeder are perfect lady soldiers who know exactly what they are doing. The movie, with its ending, also leaves something for a possible film in the future. Even though it is pretty much a long movie, you don’t really feel the length, as there is so much of action going on at all times, and we are indeed taken to this world of post-apocalyptic chaos.

Positives and negatives :: There are moments which this movie could have avoided to cut down the length, and it also kills one of its interesting characters too early – Samantha Win played quite a strong soldier who is lost before the big battles begin. Ella Purnell, even if meant to be irritating, plays the character that causes the death of most of the character – one of the most foolish characters ever in an action movie, for only horror films have dumber characters suiting them. Huma Qureshi is also here, but she is also wasted in a character which provides nothing good to the movie – without her, the film could have been shorter as there was no need to spare some time for the unnecessary. At least half of the characters are not made to be memorable either. This is also a movie about which not many people knows, and that is a disappointment – it could have had some advertisements in this part of the world, as it is something which will appeal to our audience too. Zombies will catch our attention as much as any undead creature rising from the dead.

How it finishes :: With the title, one wouldn’t really know if this is about vampires, zombies or ghosts, but the zombie idea also does work that effectively as any other monster, proven already in Warm Bodies, World War Z and so many Resident Evil films which kept coming back again, one after the other. This one makes a fine progress with the story, even with some predictability in store, and as it does have a lot of action to go with it. The movie is indeed an all-rounder, and you can feel that quite early itself. Even though the corona virus pandemic didn’t create the zombie apocalypse as a gamer or zombie-movie lover would have anticipated, it is only safe to say that there is always hope for something like it in the future. When that zombie pandemic happens, we will have watched some quality undead hunting movies like this one, and we will be ready. After all, Zombieland already has us partially prepared for the big event. For the rest of the procedure, the next sequel of this particular movie will keep us prepared.

Release date: 14th May 2021 (Netflix)
Running time: 148 minutes
Directed by: Zack Snyder
Starring: Dave Bautista, Ana de la Reguera, Ella Purnell, Nora Arnezeder, Omari Hardwick, Theo Rossi, Matthias Schweighofer, Hiroyuki Sanada, Tig Notaro, Raul Castillo, Huma Qureshi, Garret Dillahunt

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@ Cemetery Watch
✠ The Vampire Bat.

The Devil Below

Vampire Owl: There is no devil below us. I am sure about it.

Vampire Bat: You know that there was quite a long talk about such a creature’s existence.

Vampire Owl: Well, I would consider it as absurd. There are only the dead below.

Vampire Bat: The dead becomes one with the devil, they say.

Vampire Owl: The devil do not wish for vampires, I am sure about that.

Vampire Bat: I have known about one of his minions meeting Uncle Dracula.

Vampire Owl: It could be Mephistopheles. He is not from under the castle.

Vampire Bat: Well, you can never be sure about the pure evil ones.

Vampire Owl: I am sure that they are teamed up with the witches of the north.

Vampire Bat: Well, those witches belong to another level, don’t they?

[Gets an onion vada and three cups of mixed tea].

What is the movie about? :: In a mining station, Schuttmann (Will Patton) has a meeting with a strange, terrifying creature in a mine, where his son is taken by it, after stabbing him on the shoulder, leaving him paralyzed. There has been something about the place, which forced a team of scientists to come there, a few years later. The group including Darren (Adan Canto), Shawn (Chinaza Uche), Terry (Jonathan Sadowski), and Jaime (Zach Avery) are led in the right direction by an adventurer named Arianne (Alicia Sanz). They don’t get any signal on the mobile phone which makes their journey a very difficult for everyone. They are looking for the same mine known as Shookum Hills Coal Mine which seems to have been taken out of the maps since the 1970s. The meet a very few people in the town which doesn’t seem to have too many people living there. The people whom they meet out there asks them to go back, and they are also chased by a car on the way, which she also manages to leave behind, avoiding a possible encounter while driving smartly.

So, what happens with the events here as we just keep looking? :: This seems to be a place nobody wants to talk about, or even think about visiting, but Arianne has agreed to take these, and she will do exactly that, whatever be the circumstances. They do find the entrance in the middle of nowhere, but there is an electric fence being put on their way – they manage to use a rope to get past it, and it seems that the new location doesn’t have any human presence as of now. There are many conspiracy theories among the scientists related to sinkholes, superdeep unidentified creatures, unexpected fire and others, but they finally decide that instead of making speculations, they would just need to find out this thing by themselves. When they do find the actual mine, things don’t go well though, as Terry is dragged into a tunnel. They are not able to find him despite looking into the tunnel, and he won’t be the only person to go missing at that time. There is something extremely dangerous hidden in there, and the locals might be right about asking them not to go to the mines. Is it late to have another warning?

The defence of The Devil Below :: You are introduced into the possible horror awaiting us underground with the initial scene of The Devil Below itself, even though it takes more than an hour to get the scares from deep beneath returning. The elements of horror are provided through the dialogues, and there are some chasing scenes in the dark to add to the things. This is the kind of world where a computer game would work perfectly, especially a first person shooter with one of these characters to choose from. The blinking lights can nicely add to the gameplay, and there can be multitudes of monsters to hunt in different levels. The world of this movie is one without hope for survival, and it adds to the scares really well. The atmosphere contributes to the same with a lot of quality, as the world underneath has been created with skill, and the space above is no happy place either. The scares do work differently with this one, as we hope that a sequel can some day elevate this. It is also effective as a survival movie in parts.

The claws of flaw :: After the first incident involving the creature, the movie does take some time to get a monster for it once again. There is also not enough of the monsters, as we rarely get to see much of them – the darkness and the camera shots don’t really help that much in finding them with all the required terror. The movie could have also had better explanations of the happenings around there, and a Doom model situation could have suited the flick better, with action and fear combining the forces in a balanced way. All these creatures could have had better detail, and the difference between them within the species could have been celebrated. One has to wonder why it doesn’t manage to be clear in what it shows around. There are so many things happening in what seems to be a blurred state around here. All these creatures required more focus on their designs and more screen space in a better, clearer form. The movie can have a sequel with the main character as the big action star, but from the opinions this one received, one has doubts about it.

The performers of the soul :: The Spanish actress, Alicia Sanz plays the lead here, and as the protagonist, she is more or less a figure like Lara Croft in Tomb Raider – she plays an explorer who was recently in Africa, and has traveled all around the world, leading expeditions. She could have more action sequences here, and moments which Lara Croft would be proud of, but she manages to do well with what she gets. She could a promise for a future action or horror movie too, as the signs seem to be pretty much clear. Imagine what she could have done with a few ledges to climb, some ruins to explore, along with a lost city or sunken ship underwater to check out. She has the determination and expressions of a Tomb Raider type explorer too. Will Patton as Schuttmann makes a strong fighter from the looks itself. He also has some fine dialogue to go with it, as he is related to everything that happens around there, one way or the other, and has the mission to protect his world. Adan Canto as Darren is the man with not-so-direct intentions, a job done okay.

How it finishes :: We have seen a similar idea expressed in a better with the Russian movie, Superdeep. Well, Russian movies seem to be able to stay ahead of some good number of Hollywood movies when dealing with horror, war and science fiction, dealing better with ghosts and aliens, creating the better atmosphere. This English version of superdeep monsters does its job for sure, but not that much at the level one would expect it to be. The environment is well set, and with some horror, it makes an interesting flick to watch in a human world which is full of the demonic people, but never has enough horror on the screen. With one Corona virus scaring people enough, it might not be that easy to find horror from some random monsters in a mine which you don’t know about, but we can use all the scares in the world to move away from the real evil creatures of our world, humans. Let us try to add this one to our list of interesting horror which has managed to have the courage to take it underneath the surface.

Release date: 5th March 2021
Running time: 88 minutes
Directed by: Bradley Parker
Starring: Alicia Sanz, Adan Canto, Zach Avery, Chinaza Uche, Jonathan Sadowski, Jesse LaTourette, Will Patton, William Mark McCullough, Alpha Trivette, Tom Proctor, Nathan Phillips

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@ Cemetery Watch
✠ The Vampire Bat.

Major Grom

Vampire Owl: It is a shame that vampires don’t have the ranks of major.

Vampire Bat: We do have titles like vampire-at-arms and master vampire.

Vampire Owl: They seem to be a little too much limited in scope.

Vampire Bat: Scope is what Uncle Dracula talks about it.

Vampire Owl: Uncle Dracula is no longer interested in matters of war.

Vampire Bat: He is not against the peace which prevails among vampires, werewolves and zombies of all realms.

Vampire Owl: He is too old for another war, just like the vampire elders.

Vampire Bat: The wars are led by vampires-at-arms and master vampires.

Vampire Owl: But there is always one Uncle Dracula banner in the front side.

Vampire Bat: The limitations of not having a new banner designer. Nothing more.

[Gets a masala dosa and three cups of iced tea].

What is the movie about? :: Major Igor Grom (Tikhon Zhiznevsky) is chasing three bank robbers dressed like clowns, supposed to look like hockey players from a popular Soviet cartoon. He manages to catch them, but at the same time, causes a lot of damage to public property. Colonel General Fedor Prokopenko (Aleksei Maklakov), Igor Grom’s boss and head of the Saint Petersburg Police doesn’t like what has happened in the streets, causing ten million of currency to be lost, putting the blame on the police department. He doesn’t like the fact that Grom is not wearing police uniform and not having any police equipment. He asks Grom to quit, but tears apart the resignation himself, as he feels the need for his presence in the police department. It is then that the trial of Kirill Grechkin (Yuri Nasonov), the son of a billionaire, takes place, and he is accused of a hit-and-run incident under the influence of alcohol. Kirill, despite being apprehended with proof by Grom himself, feels that he won’t be convicted.

So, what happens with the events here as we just keep looking? :: Aleksei Lyosha Makarov (Oleg Chugunov), a boy from the same orphanage where the girl who was hit by Kirill lived, feels that the court is corrupt, and is against the common man. He is extremely disappointed, and is also supposed to have disappeared somewhere after the verdict acquits the rich boy. IT millionaire Sergei Razumovsky (Sergei Goroshko), who is the founder of a new social network Vmeste, and his friend Oleg Volkov (Dmitry Chebotaryov), who grew up in the same orphanage as the murdered girl, are not happy with the court’s decision. A masked man attacks and burns Kirill Grechkin, whose car is also destroyed completely. With flame throwers, armour and great skills in combat in possession of the killer, Grom is not able to catch him. Lyosha is taken by the police for the murder, but Grom tells everyone about the incidents of last night, which the police dismisses. He investigates on the case, but it seems that almost everyone wanted the boy to be dead, as he was such a nuisance.

And what more is added to the tale as something strange is coming up? :: Yulia Pchyolkina (Lyubov Aksyonova), a blogger and journalist also wanted a role in the investigation. Later, Oleg comes to Razumovsky and confesses the truth that he is the man on the streets with the flamethrower. Razumovsky is upset by this, but doesn’t want to turn his friend in to the authorities. It is then that videos of a strange man known as Plague Doctor appear on the internet. He wears a mask and a combat suit, and has bombs and flamethrowers – he promises to clean the city and take it out of all the criminal mess. Olga Isaeva (Anna Nevskaya), head of RosGarantBank is the next victim of the Plague Doctor, as she is accused of taking away the money of the poor. There seems to be a war on the rich and influential, called on by the Plague Doctor, while Lyosha is released. The newly formed vigilante is now considered as a hero by many people, who don’t want him to be caught. What does this change do to the law and order situation in the city?

The defence of Major Grom :: The movie does have a hero played well by Tikhon Zhiznevsky, and Sergei Goroshko makes a fine antagonist. Lyubov Aksyonova plays the lead well too. The film can also boast about its stunning visuals, which is interesting in more than one way. There is the feeling of quality here, which is maintained at all times. The beautiful world of Saint Petersburg is a boost, and we do get some fine action sequences around here, with the strong antagonist who seems to be better than the most. The protagonist here is not a Batman, Thor, Superman, Aquaman, Wonder Woman, Captain America, Iron Man, Ant-Man, Spider-Man – kind of hero, as he has no specific superpowers or a lot of money, except for the fact that he is strong and surely has an expertise in fighting. The film focuses on his strengths and moves forward well. Even for a seemingly superhero movie, it does stay close to reality, and keeps the hero somewhat flawed too. There is also the presence of some humour which works, and keeps the pace quick at all times.

Positives and negatives :: The movie basically follows the usual plot, and that too, without trying too hard. It is not really different from the usual superhero movies, with a villain having a grand motive, and also having those psychological problems, but talks about being ideologically superior. The choice of the villain’s costume is interesting as well symbolic, as he intends to take away the plague in the form of a few people, from the city, striking as the Plague Doctor providing treatment. It is no surprise that movie makers outside Hollywood are making some fine superhero films these days, for the cultural difference is contributing very nicely to making these flicks more interesting than seeing something which we have seen for a very long time. Yet, there is always more that these kind of movies can do, with creative imagination that can go beyond some comics, suiting the age. A superhero can be built differently, and transformed as much as a creative thinker can – something which would make the admirers of the genre proud. After all, you are never really far away from finding the perfect superhero.

How it finishes :: Here is another interesting heroic adventure of our times, based on another comics. For a change, we do have the superhero policeman, and not the common man who takes the law into one’s hands, mostly due to circumstances. Well, we require our superheroes in all forms, even without the superpowers – defeating what seems to be a supervillain is surely what matters the most. It does remind us of those other superhero movies, but with its setting, as well as with the choice of cast, it does stand apart. There are not many superheroes who can get a strong villain like this one, and therefore, just like Minnal Murali, this one powers up well enough. In a world populated by humans who have been degrading further into their evil ways, the requirement of a superhero seems to be understood better these days, along with the understanding that one can never have such a hero in reality. With the same, the movie does provide some good escapism, even though it is still close to reality than most superhero works.

Release date: 5th May 2021 (Netflix)
Running time: 137 minutes
Directed by: Oleg Trofim
Starring: Tikhon Zhiznevsky, Lyubov Aksyonova, Aleksei Maklakov, Aleksandr Seteykin, Sergei Goroshko, Dmitry Chebotaryov, Mikhail Evlanov, Oleg Chugunov

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@ Cemetery Watch
✠ The Vampire Bat.

Blood Red Sky

Vampire Owl: Now, this is the type of title that I would prefer for a movie.

Vampire Bat: You are planning to make a movie too?

Vampire Owl: Yes, Doctor Frankenstein will be directing it.

Vampire Bat: Well, not the best director for our kind of a movie.

Vampire Owl: He has assured us that this movie will be the highest grossing vampire movie in the history of our realm.

Vampire Bat: I assume that it would be science fiction then?

Vampire Owl: You know that Doctor Frankenstein doesn’t talk science outside the laboratory anymore.

Vampire Bat: His type of science is the best when not talked about.

Vampire Owl: You are talking ill about an award winning scientist.

Vampire Bat: I am sure that he paid a million for that particular award.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: An airplane which was supposed to have been hijacked, lands at an RAF base in Scotland. As the soldiers try to get the people out, Elias (Carl Anton Koch), a little boy is the first person to come out, and he is taken into a room, where he recollects the happenings during the flight, seemingly in terror. Back to the past, Nadja (Peri Baumeister), a widow from Germany, is taking a flight to the United States, where she could be treated for blood cancer better, and Elias, her son, joins her at the airport. They come up against Farid al Adwa (Kais Setti), a physicist, who helps them with their luggage. Nadja continues to look really ill, and taking her medicines doesn’t seem to help at all. As the passengers begin to sleep, a group of men supported by the co-pilot Bastian Buchner (Kai Ivo Baulitz), find and attack the three air marshalls in the flight, murdering them. Soon, the gang take over the flight, after getting rid of the pilot.

So, what happens with the events here as we just keep looking? :: The team tells the passengers that their requirement is monetary, and if nobody tries to do anything nasty, it will remain safe for everyone. They also re-programme the black box, after which they deviate the flight towards another path. As Elias tries to run away to a hiding place in the plane, one of the attackers shoots Nadja, and leaves her behind, considering her as dead. But it seems that Nadja has secrets of her own. Nadja, even though weakened, manages to access the cargo hold, and removes the contact lenses and dentures that conceal her mutated eyes and fangs before managing to kill and feed on a dog. It is revealed that she was bitten by a vampire which also killed her husband on a winter night when their car broke down. She regains her strength, and attacks one of the hijackers who come that way, killing him. She realizes that her vampirism is coming back to her, as she also feeds from the hijacker. Now, the hijackers have an adversary that they don’t want. But is she good enough?

The defence of Blood Red Sky :: The idea is good, as there is a vampire on the airplane, and we don’t usually get that – there is a certain amount of creativity in bringing a different vampire world unlike what we usually have. It brings a dangerous situation, and then makes it even more dangerous from multiple sides. Each minute, there is no real relief, as the situation only gets worse for the living characters. The movie has no real heroes, and it doesn’t claim to have some supernatural being saving the day, for the bloodbath won’t leave many people behind if it was a real thing. There are some moments which stand out, including different transformations, and quick as well as gory attacks. The mother-son bonding is also good, especially in the beginning stages. There might not be many other movies which connect motherhood and vampirism, and here, the vampire has its own divergence, even though not by that much of a distance. You are never short of blood and gore with vampirism around.

The claws of flaw :: This premise could have developed into something bigger, and there could have been some fine action sequences as well as moments of horror which would bring the shock and stay for long, but that chance is not taken here. You have a vampire on a flight, and also a few hijackers – things really need to get bigger. While holding on to many elements, it sometimes losses grip on its most valuable asset, the vampire mother who has just unleashed the creature in her. Sometimes, the action doesn’t get the attention that it deserves, and during some moments, horror just takes the backseat, leading to the movie losing the advantage. The hijackers here could have also had better motives, and some of them could have actually had specific characteristics as well as a background tale – here, only one of them seems to have the same. Turning more people into vampires is not always the best option to make a movie better – this film seems to like the idea of having a vampire full-house airplane though.

Performers of the soul :: Peri Baumeister leads the way in this movie here, and she does that in a way that catches our attention a lot in more than one mode. She is strong as the motherly figure, and as a vampire, she takes the creature’s features with ease. It is a performance that many others playing vampire characters can note. She goes through the motherly love and vampire thirst for blood at the same time, or interchangeably. Among the villains, it is Alexander Scheer who gets the most of the villainy, even though the vampire-thing doesn’t work well for him. Dominic Purcell who plays the leader doesn’t get his due at all, as death comes early for him. Roland Moller also has his own different moments, and he could have made one smart villain – leaves a mark as he does now though. Carl Anton Koch who plays the son has his moments, but there are a few which doesn’t suit. Kais Setti is there from the beginning to the end, and he also has some fine job to do. Another one to be noted is Kai Ivo Baulitz.

How it finishes :: Like Train to Busan, this one is Flight to New York, and with vampirism spreading quicker than ever, one could actually replace the vampire here with a zombie, and still have the film working – with a little concern about the slower pace of zombies. Placing vampires on the airplane is an idea that can hold on strong, better than placing them in ships or trains. This film seems to have finished the idea though, without scope for a sequel, but we know that sequels can come out of nowhere. We are never really short of vampires, for we have placed them with werewolves in Underworld series, as mother-daughter duo wandering around the world in Byzantium and at many other places. Anne Rice, the author of The Vampire Chronicles who recently died, had brought some fine works which could be made into movies, taking some fine form in the form of Interview with the Vampire starring Tom Cruise, Brad Pitt and Antonio Banderas. We have had so many vampire novels, films, series and others in quick succession – this one also adds on. Netflix surely has the better vampire flick, as what Amazon Prime could get was Black as Night.

Release date: 23rd July 2021 (Netflix)
Running time: 121 minutes
Directed by: Peter Thorwarth
Starring: Roland Moller, Peri Baumeister, Chidi Ajufo, Alexander Scheer, Dominic Purcell, Rebecca Dyson-Smith, Graham McTavish, Kai Ivo Baulitz, David Hurten, Kais Setti, Nader Ben-Abdallah, Jan Loukota, Florian Schmidtke, Jacqueline Macaulay, Holger Hage

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@ Cemetery Watch
✠ The Vampire Bat.

Nobody Sleeps II

*Full title: Nobody Sleeps in the Woods Tonight Part Two

Vampire Owl: I don’t sleep much these days at night.

Vampire Bat: Vampires don’t really need to sleep at night.

Vampire Owl: We have the right to sleep whenever we want to.

Vampire Bat: What about sleeping in the coffins during daytime?

Vampire Owl: We have evolved much beyond that, right?

Vampire Bat: Yes, but it is more than that. It is a custom.

Vampire Owl: Well, we are not people of customs and traditions anymore.

Vampire Bat: Yes, but at least during the blood moon, we don’t sleep.

Vampire Owl: I would partially agree to that.

Vampire Bat: Let us see how Uncle Dracula thinks about it. He is now holding on to traditions more than ever.

[Gets a chocolate cake and three glasses of oreo shake].

What is the movie about? :: Adam Adamiec (Mateusz Wieclawek) is a rookie police who has just reached the police station after completing his usual job of buying the groceries, after the terrifying events of Nobody Sleeps in the Woods Tonight. There he finds Zosia Wolska (Julia Wieniawa-Narkiewicz) and the two monster-like big men locked up in separate cells. The men look like they don’t care about anything, and sits there peacefully, while Zosia is clearly disturbed. He comes to know that the girl came to the police station last night, bloody and dirty, with a strange look in his eyes, and she was also saying that the guys in the cell were murdered by her in self-defence, while also talking about the strength of a meteor or comet. She had also accused the guys of murdering her friends, and cops had found bodies out there. Special Forces were coming from Warsaw to investigate the matter. With one police officer dead, the cops really need the answers, and they take her to the crime scene to get some idea about what happened last night.

So, what happens with the events here as we just keep looking? :: When Sergeant Waldemar Gwizdala (Andrzej Grabowski), the police officer who is with her has a stomach upset, and returns from the restroom, the comet breaks, and it seems that he was brutally murdered. Nobody has any clue of what happened there, as he is not reachable on the mobile phone, and there is no reply of the police radio either. This means that Adam has to go and check there with the police officer at the desk, Wanessa (Zofia Wichlacz). Even though Adam wishes to go back to the police station and wait for the Special Forces to arrive, while Wanessa calls the Territorial Defence Force, and they slowly move to the location. Wanessa’s deduction is that the girl killed the police officer and escaped. But Adam feels that there is something more at work as the senior officer was ripped apart into two pieces. The two understands that more people will be killed now, as there is a killer running around, and the forest makes it easy for the person to hide without being detected. The earlier incidents could be repeated many times. But can they stop the seemingly unstoppable force?

The defence of Nobody Sleeps in the Woods Tonight Part 2 :: The movie nicely uses the one probability of having a sequel, even though it seemed to have ended with the first one. It can also have another sequel as things seem to end here. The slasher elements of the first movie are carried over here, and goes on as a regular slasher with its monsters at work. The movie’s shorter length also comes as an advantage, as it gets into action very soon, and there is no time wasted. This film also seems to go a little bit divergent with its monsters, and even though the idea is good, it never really gets the strength with was required. It also provides some explanation to the transformation of people into evil monsters, and the dark atmosphere is interesting, even when not used to the best advantage. Even though it might look strange with the twists, they are there to make some impart. Nobody Sleeps in the Woods Tonight Part 2 is surely having the idea of building a franchise, and for that more focus on the storyline might be needed, but I would expect that to arrive anyway.

The claws of flaw :: We have already watched Nobody Sleeps in the Woods Tonight, as the first movie had also released on Netflix, and this one doesn’t have that much of slasher strength as it had. The previous movie’s quality as a slasher movie is somewhat taken away by this sequel which focuses on some strange things instead. The elements of fear are replaced by just random gory moments which also pales in comparison to the first movie. The shift of focus brings light into a few other things, but by doing the same, some other elements do suffer from a loss in quality – the basic slasher things needed more. Bringing elements of terror when least expected, required to be in focus too, especially with one monster wandering around through all areas. The killers from the earlier film could have also been used, as it doesn’t seem to work that efficiently by turning new people into monsters. After establishing something, the film seems to take it away, decreasing the strength of the franchise itself. There is also not much of performances here to elevate it otherwise.

Performers of the soul :: The movie misses Julia Wieniawa-Narkiewicz in her original state – she was more or less the perfect scream queen, and her work with action as well as emotions proved to be advantage for that particular film. Then there was also Aniela Turek and Michał Lupa, a group which could perform in a way that was suited for a slasher horror better than any other. Mateusz Wieclawek leads the team, but not as the leader. He manages to work on the character okay in the beginning, struggles later. Zofia Wichlacz plays the police officer with all talk about being brave, but is actually a selfish coward – it is established pretty well by the middle of the movie, and she does the job okay in beginning, but is wasted later. The performances don’t really raise the level that much at any point though, and with a shorter run-time, we don’t really get to know these characters much either. It is more or less like going through the usual slasher horror with gore as fast as possible instead of taking care of the characterization. There is also some trouble with how the transformed characters are dealt with.

How it finishes :: The movie should have kept itself very serious, because the whole thing has been established already. It seems to have the base, but from there, the deviation losses its effectiveness soon enough. There was scope for grandeur, but the same is not taken. One has to remember how Fear Street: 1994 came up with perfect sequels in the form of Fear Street 1978 and Fear Street 1666 – this required such treatment, for one never know when there are thoughts about coming up with sequels. Humour, when not used effectively, can only prove to be negative in a violent horror movie. Well, the fact that it still works is because it has tried well enough with the base set in the first movie. There can always be more to be done with this particular idea, and we can only hope that a sequel can make things better. After all, some sequels which was part of long lasting franchises have been very effective. This Polish film franchise deserves to make a comeback now, or later.

Release date: 27th October 2021 (Netflix)
Running time: 96 minutes
Directed by: Bartosz M Kowalski
Starring: Zofia Wichlacz, Julia Wieniawa-Narkiewicz, Wojciech Mecwaldowski, Mateusz Wieclawek, Sebastian Stankiewicz, Andrzej Grabowski, Izabela Dabrowska, Lech Dyblik, Robert Wabich, Michal Zbroja

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<<< Click here to go to the first Polish film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Come Play

Vampire Owl: Strange people calling us to play at this point of time. Why?

Vampire Bat: Yes, I think that they are the brain-repaired zombies.

Vampire Owl: So, zombies now have their brains repaired?

Vampire Bat: Yes, they manage the repair with the brains that they eat.

Vampire Owl: I am still not sure why they would want us to play with them though.

Vampire Bat: Well, they want our vampire brains for further repair.

Vampire Owl: In that case, I would tell them to find some of those evil humans.

Vampire Bat: Well, evil humans are easy to find. We can refer them directly.

Vampire Owl: Yes, almost every one among them qualifies as evil according to the definition.

Vampire Bat: Let the zombies and humans meet each other soon enough through the next viral apocalypse.

[Gets a vegetable samosa and three glasses of oreo shake].

What is the movie about? :: Oliver (Azhy Robertson) is an autistic boy who cannot talk either, and uses a smartphone so that he can communicate with people. One night, he finds an app on his mobile named “Misunderstood Monsters” which talks about the story of a monster named Larry who is different, and therefore nobody wants to be his friend, even though the only thing that the creature wants is friendship. He does have his own episodes of screaming at night, and his mother Sarah (Gillian Jacobs) has some tough time with it. She also feels that her husband and the child’s father Marty (John Gallagher Jr) is just not doing enough for the troubled child, as he is almost always working. Oliver is troubled by his classmates who don’t like him as he gets special treatment due his disabilities. They also try bullying him, and also takes away his mobile phone, throwing it into the field near the school. At the same time, the relationship between Sarah and Marty only gets worse.

So, what happens with the events here as we just keep looking? :: Sarah is not happy because she feels that Oliver only likes Marty, because he is the earning member of the family, and always brings the child the presents. As the tablet which Marty brought for him as a present identifies someone else with Oliver in the room with its face recognition software, there seems to be something wrong. The tablet actually starts talking to him using the same app which he was using to talk to others, and it identifies itself as Larry, who just wants to be a friend. As Marty who is bothered by Sarah’s talks finally decides to move out, the latter organizes a sleepover to help Oliver to become more social. But the chosen friends are the boys who had earlier bullied Oliver. Oliver hides the tablet as he is afraid of it, but the other boys find it, with a boy reading the story. It leads to Larry appearing, and things, as expected, can only get worse. But who would believe that Oliver is not responsible for all that is happening in house, and that there is a supernatural force at work?

The defence of Come Play :: There are some interesting scares added here and there in the movie, and some of them are more effective than the rest. The darkness and the sound effects are used well, as the visual effectiveness gets only better at the later stages of the film. The demon at work here is pretty good, and the idea that it can be seen in its original form through the tablet opens another dimension for horror very well. The idea of loneliness being spread through technology feels real, and as part of our present world. The demons from inside the technology – social media and the internet, mobile phones and laptops, they are all more real than ever. They might not be having an exact form these days, but they are present at all times, and even in the absence of the supernatural, the human evil shows its presence. Come Play’s monster can also be seen as a reflection of such evil humans, and the film also scores with a fine emotional side. It is not that easy to escape from such realistic monsters.

The claws of flaw :: Come Play could have added more effective creature horror rather than focusing more on those quick scares, and use of divergent creatures is nothing new, as we know from movies like Lights Out and It Follows. One does feel that something better could have been added with the creature detail, as better design only means the possibility of something better around here. With such a premise, it is not ready to take the risk, and that is surprising, because there was a lot that could be done with this particular monster. It could have gone beyond one family, and maybe it could have also had a background story – instead, we go for the safe zone with singular focus around here. An appearance of the monster at school, or at shops would have also been useful. The ending of the film also seems forced, and it doesn’t try to take a peek into the other dimension. All the build-up surely required more than this, as we look close here.

Performers of the soul :: Gillian Jacobs is very effective in becoming the motherly figure in a horror movie, and seemingly suiting the horror genre well. She is the one person who is there throughout the film as a mother who tries to understand, and is also the kind of person who would suit a horror film with younger cast, as she looks very much young. She does shine as the mother who has made some mistakes in the past, but does love her child and is ready to make all the sacrifices for him, as she also gets certain emotional moments which are of quality. John Gallagher Jr joins as the father figure well enough too. There are some moments for him too, especially with the creature making it to him. Azhy Robertson plays the child in trouble well, and Winslow Fegley plays his friend without much trouble. Some good performances from children also means that the horror story has better strength. The monster here is a fine performer all by himself, but a creature of electricity is surely capable of more – maybe the creature required a face too.

How it finishes :: Come Play might be a lesser known horror film in comparison to others, but is one effective work anyway. When children are involved, and when there is a monster from another dimension trying to come in through technology, one knows that this cannot be of lesser horror, especially with so many more people getting into technology due to the Corona virus pandemic and the related lock-down, work from home, schooling from home and more. Another film, Chathur Mukham has also dealt with the same thing, in Malayalam. Demons as part of technology can only get worse – we have watched Pretham and its sequel too. Let us have as many monsters are we need, because humans and the one virus spreading all over the world has made it much worse for the world. At least these monsters stick to a routine, but not those whom we see in real life. If you are looking for a similar movie with children and demons, you might also want to watch the Spanish film, Don’t Listen and the Korean one, The Closet.

Release date: 30th October 2020
Running time: 96 minutes
Directed by: Jacob Chase
Starring: Gillian Jacobs, John Gallagher Jr, Azhy Robertson, Winslow Fegley, Rachel Wilson, Jayden Marine as Mateo, Gavin MacIver-Wright, Eboni Booth, Dalmar Abuzeid

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@ Cemetery Watch
✠ The Vampire Bat.

Encounter

Vampire Owl: I have always enjoyed encounters with aliens.

Vampire Bat: Yes, you have always been looking for vampire aliens.

Vampire Owl: If a species requires blood to survive, they would just vampires and not aliens.

Vampire Bat: Well, if they are from another planet, they are surely aliens.

Vampire Owl: You are questioning their basic nature of existence.

Vampire Bat: When on Earth, they are still aliens.

Vampire Owl: Drinking blood is in their nature, and that counts as vampires only.

Vampire Bat: This one is worth a debate at the Dracula Castle.

Vampire Owl: I am sure that Uncle Dracula will accept them as just vampires.

Vampire Bat: You don’t know him well enough after the Corona virus pandemic.

[Gets some French fries and three glasses of strawberry shake].

What is the movie about? :: Malik Khan (Riz Ahmed) is a dishonorably discharged Marine who is having a tough time living the usual kind of life. He sees that there is so much of riots going on the nearby cities, and the is bothered by increase in violence all around the state and the country. His former wife Piya Khan (Janina Gavankar) and children Jay Khan (Lucian-River Chauhan) and Bobby Khan (Aditya Geddada) are now living with her present husband Dylan (Misha Collins), a long distance from him. The sons, especially Jay is not happy with the situation, and has turned extremely arrogant. He visits Jay and Bobby at takes them away in his car, saying that this is a road trip which their mother has kept as a surprise. The boys feel that this could really be a fun ride, but there is more to it than what he says. Malik seems to be waiting for something bad to happen at all times, and there is a lot of worries that he seems to have here.

So, what happens with the events here as we just keep looking? :: When they are stopped on the road by a police officer, he is forced to tell the boys the truth about what has been happening in the last few days. He tells them that there are some non-terrestrial microorganisms taking over the planet, as these aliens are using human bodies are used as hosts – most of the humans are no longer in control, and some heavy research is required regarding this, for which they hope to reach a safe place. He also feels that at least half of the population has been infected. The idea of a parasite growing inside one’s body frightens the boys, but they decide to fight and make it the safe place with their father. As Hattie (Octavia Spencer) is the one who is in charge of Malik’s parole understands that he took the children after tying up Piya and Dylan, she understands that he is in trouble. Back home, FBI is in charge of the investigation on the kidnapping of the boys, and they feel that he might be going to keep his children.

The defence of Encounter :: The beginning of the movie was really good, and it keeps us interested throughout most part of its run. Most of the things which were shown in the beginning turns useless in the end, but they had a fine role in making the whole film engaging. This has the strength to work as a post-apocalyptic movie after the worms, parasites, or anything takes over later, but it chooses to go ordinary, and that is indeed a shame. The performance are really good, and the visuals are also nice, when we look at them. Some action is also added here and there, but there is almost no horror being part of this, even though there was the chance for that too. It is basically what we thought about the movie before watching it that has kept us interested, and one has to say that the talk about the film before its release did go well to create an image – the same is not reflected well here though, as we stare at it.

The claws of flaw :: Encounter is very much a confused movie, as it doesn’t really seem to know what it is aiming for, with a beginning as an alien invasion movie, and then going on to be a strange family drama. This change that the movie brings at a point of time does no favour to it – if everything happened the other way around, things would have been much better. The movie is called a science fiction thriller both on IMDB and Wikipedia, and one really has to wonder how this film gets into that particular category, especially in the second half, as the path seems completely lost. Even though the ending does look realistic, it is not the kind of finish that are looking for, and for a climax like this one, not many people would wish to buy the tickets – well, this is on Amazon Prime Video and when you have already taken the subscription, one might just end up watching it quickly for the sake of it. Promoting a movie as what it really is, would be the right thing to do, in my opinion.

Performers of the soul :: It is the performances that score for the movie which struggles with confusion over its own identity, as Riz Ahmed does a very good job as the former Marine who seems to be trying to end an alien invasion, but is as confused as the movie itself. His feeling of paranoia, worries and strange acts are all things which work well for us. If the movie could have actually stepped it up well enough, this could have brought wonders for him, but unfortunately, he also struggles with the film as we reach the disappointing end. Janina Gavankar has some fine family moments in the beginning, but that doesn’t carry over as the protagonist doesn’t really feel the need to save her from aliens. Octavia Spenser also has some fine moments, as one of the most likable characters that we see anywhere. Rory Cochrance is the typical FBI agent that we see in different movies in similar forms. The two children are good, especially Lucian-River Chauhan who has a little more to contribute in comparison with Aditya Geddada.

How it finishes :: Encounter makes another science fiction alien invasion thriller entry to Amazon Prime Video after The Tomorrow War did the same thing a few months ago. Still, our movie here is rather different, with no big alien attacking people around, and no huge action scenes – in this case, we don’t have too much of sci-fi being thrown around, as no certainty about the alien attack is provided. Almost all the movie, you keep thinking if there is really an alien, a doubt which won’t favour you if you are looking for full action alien flicks. This movie is more drama when we consider the case here. You have an alien movie here without the certainty of the existence of the aliens, and that is indeed not the science fiction that you want. Well, when there are so many alien invasion movies at your disposal, and which a good number of science fiction films waiting for your eyes, this one which degrades into a family drama might not be the one you prefer, but it is still an interesting watch, especially during the first half.

Release date: 10th December 2021
Running time: 108 minutes
Directed by: Michael Pearce
Starring: Riz Ahmed, Octavia Spencer, Janina Gavankar, Rory Cochrane, Lucian-River Chauhan, Aditya Geddada

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@ Cemetery Watch
✠ The Vampire Bat.

Skylines

Vampire Owl: We have been looking at the sky for too long.

Vampire Bat: I don’t understand why you do that though.

Vampire Owl: I am awaiting the great vampire prophecy to become true.

Vampire Bat: I am not a fan of the prophecies of the new age.

Vampire Owl: The Vampire Oracle still has sixty five percent success rate.

Vampire Bat: But there are a few things which we know well enough that we are sure about it not happening in any way.

Vampire Owl: You really need to have more faith in the Vampire Oracle.

Vampire Bat: You should read the Vampire Chronicle to know about the failures of the Oracle who has struggled throughout history.

Vampire Owl: The Vampire Chronicle was written by a fake vampire, a non-believer of the vampire legacy.

Vampire Bat: Okay, let us see where this can lead you.

[Gets a paneer burger and three cups of elaichi tea].

What is the movie about? :: Captain Rose Corley (Lindsey Morgan), the daughter of the man whose conscience was transferred to a machine, but still maintained his human characteristsics, was the one who was born in the alien spaceship, making her grow very fast. Her powers had freed every human-alien hybrid from the alien control, keeping the aliens away from Earth. She continued to lead the Earth Defense fleet against the invaders with her brother, until the alien harvesters unveiled their ultimate weapon known as the Armada Vessel supposed to harvest all life on a planet with a single, powerful blast like no other. Rose had one chace for a shot and try to stop it, but froze at the exact moment, leading to her next shot running through one of her own ships, murdering thousands of her own people. The price that she paid for this victory with the life of her soldiers made her turn away from the battles, and the harvesters had also failed to show during the same time period.

So, what happens with the events here? :: Rose, believing that the war is now over, lives as an outsider in an almost ruined London, but finds out that there are still people looking for her. But as she is captured by the authority, she realizes that the war is still not over, with the human-alien hybrids going by the name of Pilots are having some problems, as they are going back to their basic needs, their biology of hunting and draining Earth and its inhabitants. They feel that finding the core of the Alien Armada is the key to changing the situation. To keep the hard earned peace and to ensure of human survival against the aliens, it was necessary to find that core which is now on a planet known as Cobalt One. They will be doing the first manned mission to an alien planet, and Rose will be in charge of detaching the core from the Armanda, but it wouldn’t be an easy thing to do by any means. Now the question remains if the newly formed team is good enough to do the same.

And what more happens here as things go out of control for humanity? :: Rose also meets her brother has turned into one of the aliens, but with his human conscience intact – Trent Corley (Jeremy Fitzgerald), and he is just one of the people who will accompany her to the new, undiscovered planet about which nobody has any idea except for the fact that the armada had crashed there, and there lies the one hope ahead. But getting it might not be as direct a mission as they think that it is. There is more than what meets the eye with the planet, as they are attacked by some strange creatures which are different from the aliens they had known earlier. Meanwhile, at home, Dr Mal (Rhona Mitra) continues to try to find a cure for the Pilots. But the Pilots have already started attacking the human survivors in a large scale, and there is even less time left on Earth in comparison to the other planet. There is more than one path to follow here, and may be one of these can mean success.

The defence of Skylines :: This movie’s biggest advantage is its extravagant visuals bringing the magnificence of a post apocalyptic as well as other worldly feeling, and one can trust the quality of the same here. You wouldn’t expect such grand CGI concerning movies like this, but we have to say that the graphics do score very highly. The creatures are all good, and the alien planet is a joy to watch which its stylish looks, and it seems that new things just get added to the franchise every time. Lindsey Morgan is a nice choice here for the hybrid creature of a protagonist, even though she gets going only a little bit later, after the armada is found. She does score with those action sequences with such ease, and also has some emotional moments to go with it. The rest just provide good support. The opening for the next movie in line is well-thought too.

The claws of flaw :: The film doesn’t really keep us interested in the beginning as one would expect in a movie like this. The scenes on Earth are not that interesting with the content either. Most of the cast left on Earth go wasted, as there is only a little bit of action for them. Rhona Mitra doesn’t get that much to do too, and it is a disappointment. There is the feeling of trying to connect to that District 9 model without the undercurrents, but the same doesn’t go that far. This goes through as too much of a usual science fiction with aliens, as we get memories of many other movies with similar content, and that includes even the good old Alien franchise and a bit of Independence Day. We would actually begin thinking about some alternative scenarios for the storyline to progress all the time, because there are surely so many more things that this film could have done.

How it finishes :: Skylines could have surely achieved more coming out of the shadows of two films which had set things going through the alien invasion. The first two movies were fun for sure, and the second one had managed to think in a divergent manner, which has led to this movie coming up later – without the changes which came up, this one might not have been possible at all. The movie is still pretty good in its entertainment factor, and there is a lot of action in this adventure set on another, unknown planet, as we keep asking for more. The movie does leave an option for a sequel, and we do get the feeling that this can get better if they add something more to the usual work of the franchise. You do see more possibilities at every turn of the film, and with the fourth movie in the series, this can achieve the divergence which it has always deserved.

Release date: 18th December 2020
Running time: 110 minutes
Directed by: Liam O’Donnell
Starring: Lindsey Morgan, Jonathan Howard, Daniel Bernhardt, Rhona Mitra, James Cosmo, Alexander Siddig, Yayan Ruhian, Ieva Andrejevaite, Samantha Jean, Jeremy Fitzgerald, Giedre Mockeliunaite, Naomi Tankel, Cha-Lee Yoon, Phong Giang

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@ Cemetery Watch
✠ The Vampire Bat.

MIB International

Vampire Owl: This particular franchise has been so old that I am beginning to feel young.

Vampire Bat: Do you know that we have a group, Vampires in Black?

Vampire Owl: We do? What do they do?

Vampire Bat: They wear black, and wander around the castle, as if black is the coolest colour a vampire can wear.

Vampire Owl: So, this VIB does nothing of use.

Vampire Bat: Well, MIB has had another sequel, and so we might be up for more.

Vampire Owl: I think that we should run VIB parallel to MIB because I have so many ideas related to it.

Vampire Bat: What kind of idea do you have?

Vampire Owl: It is regarding a group of vampires wearing black, and facing aliens.

Vampire Bat: I think that people won’t need many more of that, unless created with some really good content.

[Gets a ghee cake and three cups of mixed tea].

What is the movie about? :: Molly Wright (Tessa Thompson) is someone who had witnessed her parents’ memories of aliens erased by agents of Men in Black while she helps an alien escape. As her memories of aliens stayed, she started looking for employment in the secret organization which she found out about, but finds out that there is no chance. Everybody thinks that she is delusional, and that there is something really weird about her. With no friends and no life of her own, she finally manages to find the Men in Black after tracing an alien who is taken away by the agents. She discovers the headquarters of the organization quite fast, enters without any hesitation, and makes a fine impression on Agent O (Emma Thompson) who heads the team in United States of America, and after naming her Agent M, sends her to work in London as a probationary agent to know how much she is capable of.

So, what happens with the events here? :: There, Agent M meets High T (Liam Neeson), head of the London branch, and Agent H (Chris Hemsworth), the two of whom are supposed to have stopped an invasion of the Hive, a parasitic race at the Eiffel Tower, many years ago. After that, while High T leads the force, Agent H had become irresponsible, leading to T having to cover up all his failures. M meets H, and manages to go with him in his meeting with his close friend and alien royalty who is killed by some mysterious alien twins able to manifest as pure energy, which the agents are not able to counter. Before dying, the alien royalty provides M with a strange crystal, telling to her that it won’t be useful giving it to H because he had changed after the incident during which he saved the world. It turns out that the crystal is not just the usual thing, and that there is something special about it, but they will have to find it the hard way, while the agency is not happy about the royal alien being killed. So, what is next for the two against all odds? Can they save the world?

The defence of Men in Black International :: As expected, the special effects with the action sequences score more than anything else, and the CGI elements are at fine work here, making the alien presence have glory – after all, the technology has improved so much, and this was to look better in each and every movie. The location explored are really nice, especially Marrakesh in Morocco which provides the best visuals around. MIB does manage to continue as how it used to be in essence, with a big universe with unlimited number of aliens to be saved these days. There is some humour present, even though most of them don’t work, or are repetitive. We can hope to have another movie in the franchise though, including these new characters and some of the old ones, which can prove to be interesting with some extra innovation, for we should never be short of smart ideas as far as alien invasion is concerned.

The claws of flaw :: There is not much different here as far as the plot idea of the Men in Black series is concerned, as each movie works on a similar thing every time, and the disadvantage here is that it lacks those stars whom we have associated this movie franchise with, and there is absolutely no emotional connection here – that side is almost completely done with. We develop no feelings for the protagonists here, and therefore the concern is rather less. There is not much to save here compared to those original movies which we had, and the villain reveal was rather unnecessary, because we could have guessed that from a long time ago, and it was certainly not that good a choice. The twist was pretty much unnecessary, and the best characters in the movie go unexplored. There is also absence of humour, as the funny side here is rather minimal, and it rarely works, leading us to question the direction it is going.

Performers of the soul :: Men in Black will miss Will Smith and Tommy Lee Jones this time, and there is no doubt about the same. It might be due to the same reason that we have a pair which worked so well with Thor: Ragnarok to get out of the Avengers world with that grand finish in Avengers: Endgame, and come to this franchise. Yes, they will have their roles to play in the Marvel Cinematic Universe as Thor and Valkyire, but their combination doesn’t work that well in this movie, even though they are okay together for most part of the movie. Chris Hemsworth does take a little bit of the early Thor attitude in here too, as the proud MIB agent. Tessa Thompson is fine here, but a younger actress playing this role would have been more appropriate. Rebecca Ferguson, the Mission Impossible and Doctor Sleep girl has fine run in her smaller role, while our TakenNon-stop action star Liam Neeson is a fine addition to the movie here, but they could have used him in a better way, at least by the end scenes.

How it finishes :: Men in Black International continues that same format which it had been following for a long time, and through that idea which has been well-established, it manages to be entertaining – after all, there is also the presence of the big names like Chris Hemsworth, Tessa Thompson, Rebecca Ferguson and Liam Neeson who are there to keep us entertained. There is not much that we will find new in this movie, or to be greater than the previous movies in the franchise, but you have the guarantee because it is this particular franchise that we are talking about. But, it could have had a movie like Charlie’s Angels had, a long time later, but falls short due to the absence of that humour and an energetic cast. Yet, it is the movie that you watch for being Men in Black with all the aliens and saving the world stuff.

Release date: 14th June 2019
Running time: 115 minutes
Directed by: F Gary Gray
Starring: Chris Hemsworth, Tessa Thompson, Rebecca Ferguson, Liam Neeson, Kumail Nanjiani, Rafe Spall, Laurent Bourgeois, Larry Bourgeois, Emma Thompson

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@ Cemetery Watch
✠ The Vampire Bat.

Color Out of Space

Vampire Owl: Does space have preference for any particular colour?

Vampire Bat: The colour here does look pink during the alien invasion.

Vampire Owl: Oh! I had considered it to be blue after the release of Avatar.

Vampire Bat: So, you didn’t think that it is black after Alien released.

Vampire Owl: No, blue just gave a better feeling, and nothing could rise over Avatar until Avengers: Endgame broke its box-office records.

Vampire Bat: But here, we have a pinkish colour which is almost pink.

Vampire Owl: We can take that for now, and leave it after the movie ends, because then it will always be blue.

Vampire Bat: Well, this one is from a story by HP Lovecraft, a master of horror. So, it is better to accept this colour as the alien shade.

Vampire Owl: I can’t do that. I have tried the same before with Stephen King.

Vampire Bat: Well, you can at least watch the movie and make the final decision.

[Gets an orange cake and three cups of black tea].

What is the movie about? :: Theresa Gardner (Joely Richardson), a financial advisor has been losing her clients after she was diagonised with breast cancer, and had a long treatment. As she settled down in a rural are with a farm where the family attempted to grow tomatoes and have alpacas for milk, she also had limited access to the internet, leading to a further problems in her career. Her husband Nathan Gardner (Nicolas Cage) had received the huge farm from his father, covering a grand area which extended towards the river on one side, and one the other side, it was almost impossible to find the borders. Their son Benny Gardner (Brendan Meyer) has been hanging around with Ezra (Tommy Chong) a local recluse who has been drinking a lot of alcohol and smoking weed all the time after he stopped being an electrician, and settled down in an area surrounded by woods. Nathan and Theresa are disappointed at the same, but there is nothing they can do.

So, what happens with the events here? :: Benny is not the only one affected by her mother’s disease and their move to the ancestral property, as their youngest son Jack Gardner (Julian Hilliard) is not even interested in talking to anyone else other than his pet dog Sam as he kept to himself all the time. Their only daughter Lavinia Gardner (Madeleine Arthur) becomes a Wiccan, and starts pagan witchcraft with the help of guides on black magic, hoping that one of those rituals close to nature can cure her mother’s remaining cancer cells completely. She keeps wearing strange and revealing Wiccan or Gothic clothing, and has coloured her hair in shade of violet, often traveling on a horse, much to the dismay of her parents. It is then that Ward Phillips (Elliot Knight) a hydrologist, surveying the water for an upcoming hydroelectric dam arrives there, and meets Lavinia in the middle of a pagan ritual involving a lock of hair.

And what else is to follow in this rural setting, making things different and divergent? :: One night, they are woken up by a Pinkish colour and a huge sound, which seems to be not of this world. While Lavinia feels it to be something magical, Benny finds it to be something from another planet, and they all finally agree that it is a meteorite after seeing a pink piece of the same lying on their lands. It is not exactly pink, with the colour feeling to be rather unearthly, and there is also a foul smell related to it. The very next morning, the meteorite is no longer glowing and is crumbling to dust. The mayor and the sheriff of the nearby town of Arkham also arrive to see it, followed by the television channels. But by that time, there is not much of the alien object remaining, seemingly having crumbled to death, leading to nobody taking it seriously. But on the next day, it is continuously struck by several bolts of lightning. Ward finds something wrong with the water there. How has the meteorite influenced the land, water and people around there? Is it safe anymore?

The defence of Color Out of Space :: HP Lovecraft is known to have blended science fiction with horror well, and it can be seen here too – use of science to reinforce the terror can be seen here, and it is displayed well in the movie. Use of recognizable monsters, jump scares and gory stuff is not longer the case, as a we go for the weird. It leaves a lot to be imagined too, as the fear feels more than what is seen here. The primordial forces from different worlds are stronger and beyond control, with no chance to escape, as no conceptions of reality can go beyond them. We are left with no power in front of things we don’t understand at all – it is the kind of horror from where nobody leaves alive. The colours are beautiful to watch on screen, adding to the lovely visuals of the countryside, but is supposed to be terror inside. Nicolas Cage does the usual job here and nothing more, but he is the one we trust every time. Madeleine Arthur remains cute even when going on the witch mode, and comes up with the next best performance, followed by Elliot Knight in this different horror thriller science fiction with colour itself as the alien life-form.

The claws of flaw :: As you already know, Colour Out of Space is not your usual type of horror thriller with a science fiction background present too – it is not for everyone, with all the weirdness, and a certain amount of disgust related to the same. The strangeness that one can feel in this movie goes rather too much for many people, and for Lovecraftian works transformed into movies, this might be found to be natural. This is the kind of tale which came before Alien and its sequels, and so, right now, we expect this movie adaptation to be even better – we don’t see that much of an extra effort which is put in here. The horror could have been added with something more, making it even more suitable for the age. There are times when one feels a comic effect, which should have been avoided, considering how terrifying, an inescapable this situation seems to be. One also has to doubt the use of Nicolas Cage here, who is not at his usual self. The final moments could have been better managed too.

How it finishes :: The movie is based on The Colour Out of Space, which is a science fiction as well as horror short story by the famous American author HP Lovecraft, who has come up with special interpretations in his tales regarding humanity’s place in the universe. His popular tales like The Call of Cthulhu, The Rats in the Walls, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time have all been needing film adaptations, due to them bringing something a lot different than what we have had during those times. There has been many previous adaptations of his works, especially this particular story, but most of them haven’t been that popular, at least at this part of the world. This one has the ability to be more popular, even after some time after its release, because it has Nicolas Cage at the centre of things, and supported well, this one will rise above the others – this surely is one interesting journey, and you can go through that Lovecraft divergence nicely here.

Release date: 7th September 2019
Running time: 111 minutes
Directed by: Richard Stanley
Starring: Nicolas Cage, Madeleine Arthur, Joely Richardson, Q’orianka Kilcher, Tommy Chong

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@ Cemetery Watch
✠ The Vampire Bat.

15 Minutes of War

Vampire Owl: This is till longer than our last war against the werewolves.

Vampire Bat: That was not a war, but an ideological difference problem.

Vampire Owl: Okay, then what about the war against the zombies?

Vampire Bat: There has never been a direct war with the zombies.

Vampire Owl: You are denying the existence of life-threatening situations.

Vampire Bat: I am only denying its status as something it is not, and not its existence.

Vampire Owl: Okay, what is this particular war about?

Vampire Bat: The movie itself is about a hostage situation and not a war.

Vampire Owl: It seems that nobody got time for a real war.

Vampire Bat: Yes, everybody is busy with the war against the Corona virus which seems to be a long and tiresome process.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: In February 1976 in French controlled Djibouti, a school bus suddenly sees a number of gunmen and is taken hostage. After continuing to drive to the border of Djibouti attempting to cross the Somalian border, only to be stopped just before that, as the border security forces of Djibouti shoots it on the wheels, leading to them to halt just before the border, with the Somalian forces looking on from the other side, ready for anything including a full shootout with their neighbours. A negotiation doesn’t seem to be possible, as they intend to take the bus to the other side of the border. The terrorists won’t show any mercy as they don’t care about the children at all because they are white, and are most probably all French. They would be happy to see some of them dead, and didn’t care if the kids are hungry or not. This creates a crisis on both sides of the border, with each second being important.

So, what happens with the events here? :: Francois Simon (Claudio Dos Santos), the bus driver is asked to inform the military and police that any attempt to come near the bus will lead to the death of the kids. Jane Andersen (Olga Kurylenko), one of the teachers of the students’ class rushed to the scene evading the barricades, and asks the terrorists to let her help the children, as they let her stay on the bus as long as she doesn’t create any trouble there. This becomes a crisis which is to be dealt with extreme care, as the life of children are at stake. Groupe d’intervention de la Gendarmerie nationale a.k.a GIGN, an elite police force from Paris specialized in counter-terrorism and hostage rescue reaches there with the intention of freeing the school bus with zero hostilities among children. They are lead by Andre Gerval (Alban Lenoir) who decides to hide behind the rocks around the bus, and wait for the signal from Paris. But will that be coming in time?

The defence of 15 Minutes of War :: It has to be noted that the movie doesn’t even take fifteen minutes to begin the initiation of action with the school bus abduction happening so early. The situation of the hostages and the terrorists are presented well, and the movie is always in control regarding the same. Saving innocent children from terrorists and criminals never really loss its value in movies, for having little kids in the captivity of cruel, remorseless men with guns is something that has everyone tensed, even those who do not care about the movies of this genre. The location has some nice visuals with the shades of the sand having one green bus in the centre. The action is all nicely done, and the tension has been built really well. The final shooting is something which has us at the edge of the seat, and as there is a large amount of uncertainty in play here, 15 Minutes of War has us hoping for the special skill or at least the miracle or luck to help the kids.

The claws of flaw :: Most of the big action, as said in the title is limited to the last fifteen minutes or rather been ten and fifteen minutes here. The movie doesn’t really rush around here, and there is a certain amount slowness that we can find, as it changes focus towards people outside the bus a little more than expected – it should have kept more within the bus unless there were some plans being made about the possible attack on the bus to kill the terrorists and free the children. There are movies which have dealt with the hostage crisis even better, when we look back further, and they had all focused more on where the hostages were held, and in this case, that was even more needed. Some people can choose to be on the side of the terrorists citing reasons from the past, but anyone who holds children at gunpoint to get what they want can only be pure evil, and someone creating terror on the innocents will be called by one name only.

Performers of the soul :: When the Olga Kurylenko is attached to a title, you feel that it could be an interesting thriller, for the Bond girl from Quantum of Solace has been a name associated with some of the most entertaining titles. From the video game shooters made into cinema like Hitman and Max Payne, to Centurion from the past and Oblivion in the future, both history and science fiction had some fine movies for her. Johnny English Strikes Again had her with the gun in a different way while The Courier had her back to action thrillers. We now await more of interesting titles with her in the lead, like The Translators, Empires of the Deep and The Bay of Silence, all supposed to have their own dosage of thrills. If you go in between, you will see Mara and The Emperor of Paris. So, there is not doubt about her skills in movies like these, and she continues her fine form. Alban Lenoir is the next one to catch our attention, and he is very good here.

How it finishes :: Originally titled L’intervention, the movie makes another fine French war thriller which will catch your attention by keeping the tension going, with a thrilling beginning itself. Well, when you see a school bus with white children in what seems to be an African country, and you have also seen that this is an action movie with a hostage crisis right in the middle – that is a heads up with only a few seconds advantage, as the movie takes you on the bus with the children so well. There has been the absence of movies featuring hostage crisis well enough, and this one does manage to solve that absence up to an extent. This is also among the three movies of Olga Kurylenko which I watched in the recent past, and I have to say that all of these have been eight plus out of ten movies for me, and that would make me consider the leading lady as one safe bet as far as movies are considered, both English and French in language spoken.

Release date: 30th January 2019
Running time: 98 minutes
Directed by: Fred Grivois
Starring: Olga Kurylenko, Alban Lenoir, Kevin Layne, Michael Abiteboul, Sebastien Lalanne, David Murgia, Guillaume Labbe, Vincent Perez, Josiane Balasko

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@ Cemetery Watch
✠ The Vampire Bat.

Bacurau

Vampire Owl: Now, we have time for Portuguese movies too.

Vampire Bat: Yes, and this one is not really from Portugal. It is Brazilian.

Vampire Owl: Well, we have always loved most of the things which are Brazilian.

Vampire Bat: You are saying that mostly related to the football team.

Vampire Owl: It is something that one would say during the FIFA World Cup.

Vampire Bat: Well, in that case, Brazil is not the only team in the picture.

Vampire Owl: Actually, nothing matches the fan support of Argentina and Brazil even during these days when the European teams are gaining the fans.

Vampire Bat: Yes, even though Germany, France, Spain, Italy and England got quite a good number of fans, and increasing.

Vampire Owl: Let us now dedicate this movie watching adventure to the Brazilian football team then.

Vampire Bat: I am very much in support of such a thing, but it is to be noted that Movies of the Soul doesn’t get much of the views from Brazil or Portugal, even though the former is picking up these days of Corona Virus and lock-down.

[Gets a green apple cake and three cups of white tea].

What is the movie about? :: After the death of her grandmother Carmelita (Lia de Itamaraca), Teresa (Barbara Colen) comes home to her village in Brazil after a long time to find that something is not right, and it is not the same as she had left it then. Some of her old friends like Acacio (Thomas Aquino) are still there though, and there has not been much modern development out there. Bacurau, a small fictional settlement in Brazil’s remote backcountry doesn’t get much of an attention from anyone in the city, as nobody really comes that way. It doesn’t work even as a tourist destination with so many hills and forests around. Even those who are contesting for the mayor spot just comes there with some books and medicines, and after a few minutes, just leaves the place. It is so remote that if someone comes in an advanced car or bike, people would be feeling that there is something wrong, or something special is going to happen out there.

So, what happens with the events here? :: Even though there was a death recently, they have no time for mourning as the water supply has been cut off with water tankers coming that way having holes on it, animals from the forest are running through the streets, and their place has disappeared from all satellite maps completely. Soon, there is no network connection in their mobile phones either. Along with the same, some strangers are walking arouns with guns, and an Unidentified Flying Object has been located nearby. It had to do something with people who were not from around the settlement, and not even from further out in Sao Paulo, Brasilia or Rio de Janeiro. What could be happening around here? Can there be something sinister in play here? Will it be the work of something paranormal or that of influential people who have some evil plans?

The defence of Bacurau :: The visuals of a fictional, remote, Brazilian village makes an impact, and so does the people there, most of them being simple, likable people. The movie does get into the mood of a thriller in the later stages, and there is some nice shooting to go with it as the action begins. With danger getting closer, there are some stranger, but effective measures taken, and the whole situation changes. During the time of Corona Virus, this is more relevant, as people are quarantined into small towns and villages. There is the question about what one can do while facing an armed attack at the same time – with no defense against the human predators, what would the people who are locked in like animals do? The terror created colonialism and terrorism has a new face, as people are not considered to be humans, but things to be hunted and killed. When someone chooses your home as a shooting range with a racist ideology, there is nothing else to do, but to fight back, and the movie shows the underdogs coming up with the same, nicely.

The claws of flaw :: There is the chance of people having doubt about this movie in the beginning, wondering where the tale is heading, and only after establishing everything that we see a certain change beginning to happen. When a lady gets a lift with a truck driver and they are traveling in a road in the middle of nowhere, you feel that this is going to be a very slow, clueless, award movie in which nothing much happens, and you have to find meaning for everything after spending days thinking about it, but you have to get over that feeling to start enjoying this movie which is much more. It doesn’t follow the pattern of the usual action adventure thriller, and never does it try to explain everything which is happening around there, thus making it not a movie for everyone. Some sequences seem to be unwanted, and it surely drags in the beginning, taking time to get into its world. After avoiding some unnecessary sequences and shortening the run-time, this could have a better one to look out for.

Performers of the soul :: Berbara Colenmight seem like the main character in the beginning, but she is not – it is to be noted that she does come up with a simple and serene performance though. Then there is Sonia Braga, but she is not the leading lady either. Thomas Aquino also has a big role to play here, but he remains just one of the characters when we consider the film with its totality. Silvero Pereira as Lunga comes into the picture late, and has his own moments to steal some of the show. But one has to feel that this is a movie without one protagonist or an antagonist, as there are many characters spread throughout the movie – in the beginning, we think that one person is the star, and then we see the focus shifting from there, and other characters are thrown into the picture with chances of being the leader, but the same keeps changing all the time. There are moments when one feels that there is something here that people from other parts of the world might end up missing. Well, the approval rating of 90% based on 125 reviews on Rotten Tomatoes should mean something more.

How it finishes :: Bacurau is the first Portuguese movie that I have watched, and I have been wishing to watch one for a long time. The movie is Brazilian and not Portuguese in identity, and is thus closer to Latin America than Europe, providing a different experience. It is great to see a new world displayed in the movie, with all its simplicity, and the natural problems which come with the same. The action comes in the later stages, and the movie turns into a thrilling adventure without any warning. Bacurau might be a good choice to start watching as far as those different or rather strange movies are concerned. There are times when we think that Bacurau is not just a small town in the middle of nowhere that struggles to be displayed on the map, but a reflection of what can happen to people when facing the inherent cruelty from the rest of the human beings who consider themselves to be very much superior in race, technology, colour, strength or anything else.

Release date: 25th September 2019
Running time: 132 minutes
Directed by: Kleber Mendonça Filho, Juliano Dornelles
Starring: Sonia Braga, Udo Kier, Barbara Colen, Thomas Aquino, Silvero Pereira, Karine Teles, Julia Marie Peterson

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@ Cemetery Watch
✠ The Vampire Bat.