Things Heard and Seen

Vampire Owl: I have seen and heard many things.

Vampire Bat: Yes, we have to see and hear a lot these days.

Vampire Owl: I have seen and listened to more specific things.

Vampire Bat: We, vampires are supposed to have a shared vision too.

Vampire Owl: Well, we are now in an age of respect for privacy.

Vampire Bat: You have a lot of privacy within the coffin.

Vampire Owl: It is just undead privacy. That won’t count.

Vampire Bat: Why do you require so much of privacy these days after sleeping in cemetery for most of your life?

Vampire Owl: The world has changed, even though we haven’t.

Vampire Bat: And you want to change against all vampire traditions.

[Gets a vegetable samosa and three cups of black tea].

What is the movie about? :: It is the year 1979, and Catherine Claire (Amanda Seyfried), an art restorer, lives in Manhattan with her husband George Claire (James Norton) and daughter. When George gets the job of teaching art history at a college, the family is forced to move into a huge farmhouse in the countryside of New York. The house seems to be really old, belonging to the 1800s, and is a big house, which is available at a small price. As an art restorer, Catherine instantly falls in love with the place, and it also has a piano which seems to have been abandoned for a long time. The child is first one to be scared in the house, even though the parents are more interested in the beauty of the place as well as the low cost. George is happy to be in the new college campus, but Catherine feels isolated in the house. Catherine employs brothers Eddie Vayle (Alex Neustaedter) and Cole Vayle (Jack Gore) from nearby to take care of the house, while she remains obsessed about her gaining weight, and eats very less.

So, what happens with the events here as we just keep looking? :: Catherine finds the family tree of people who were living in the house before. She also comes actoss an antique ring, which she starts wearing. Their daughter continues to wish to sleep with her parents. Catherine goes to the Historical Society, and tells them that she wishes to volunteer for their programmes, as she is new to the town, and loves to meet the people around. There, she finds the old photos of the house, and of the people who had originally built the house. George meets Eddie’s cousin sister Willis Howell (Natalia Dyer) in a library, and they start an affair. He is also quite popular in the college too, despite giving up fine arts to focus on the theory. Catherine become friends with George’s colleague Justine Sokolov (Rhea Seehorn), while George remains close to the department head Floyd DeBeers (F Murray Abraham). Their daughter keeps telling them that she had seen a lady in her room, and Catherine has the eerie feeling, but George dismisses both of them, but for how long?

The defence of Things Heard and Seen :: The movie can boast about a beautiful as well as eerie setting which is present throughout its run. A number of paintings from the Hudson River School, a mid nineteenth century American art movement influenced by Romanticism, can be seen here throughout the movie, and the beautiful paintings often reflects different parts of the setting in movie itself. As they nicely depict the Hudson River Valley and the surrounding area, we also wonder if there could be a similar movie about British Romanticism, reflecting what the Lake Poets of the time had penned down. The focus on relationships do happen, and the emotional as well as dramatic side is strong, even though overdone at times, with some moments not really making that much sense related to the situations. The performances are of top quality, and the twists are very much effective – there are many of them, as we look around. You have to love how things come together in the end here.

The claws of flaw :: The movie does feel a little long, as it takes some time to keep things going forward. It seems to be on a struggle to establish everything right at the beginning, and later, the struggle makes way for the lack of pace, and then there is another struggle to end things. It shows so much promise in between, and then it just misses out on the whole thing. There are lots of slow moments in between, and speeding up or removing the same would have made this film no longer than one and a quarter hours instead of the two hours length which seems rather too much. It seems that it has also kept the elements of horror to the minimum, and the focus is shifted to drama instead. The movie is basically categorized as horror, but it is more of drama and mystery – the chances to have some terrifying sequences in this atmosphere have not been taken, and it is a shame that despite finding so many opportunities, they have let it go. The idea is really good, and they haven’t really used it to the best effect.

The performers of the soul :: I have loved most of the early movies of Amanda Seyfried, and she shines in this one too, even though there is the feeling of being a little tired. This still won’t be among my favourite performances or movies of her, but with the focus on her, she maintains the character with all characteristics, without failing at any point. The work of James Norton is solid, and the realization of the true nature in him comes through stages – a character with many faces, but is much lovable at all places. You will also notice how Natalia Dyer comes in, does a fine job in the few minutes when she is there. Alex Neustaedter also blends in to the role really well, and so does Jack Gore who plays his brother. Rhea Seehorn comes with a nice performance in a role which has more than what it seemed in the early stages of the movie. One can say the same about F Murray Abraham who also has more to contribute than we would think. Emily Dorsch’s ghostly appearance doesn’t get what it deserves – no spirit in this movie gets what was deserved.

How it finishes :: Things Heard and Seen is a slow moving drama and mystery film with horror taking the backseat as if it is terrified of the dramatic elements. But it still works with some fine twists, and there are the surprises which were not thought about before. The final few moments take the thrilling path, and there are also some symbolic moments to go with them here. The title would also seem to make perfect sense as the movie reaches the final stages, and big revelations are made. It doesn’t go through the path of usual horror movies due to the mixing of genre, and therefore, we have no need to expect The Conjuring, Annabelle, The Nun, Insidious, Sinister, Deliver Us From Evil, The Curse of La Llorna, or anything like that which brings some direct horror with the evil sprits. This movie is certainly not about that kind of horror. This one just flows slowly with the drama, as mysteries are revealed, and finally ends with the twists in a thrilling few moments. You can watch this particular movie only with this type of expectations.

Release date: 29th April 2021 (Netflix)
Running time: 121 minutes
Directed by: Shari Springer Berman, Robert Pulcini
Starring: Amanda Seyfried, James Norton, Natalia Dyer, Rhea Seehorn, Karen Allen, Alex Neustaedter, Jack Gore, F Murray Abraham, Michael O’Keefe, Emily Dorsch, James Urbaniak

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@ Cemetery Watch
✠ The Vampire Bat.

Girl

Vampire Owl: I can feel the presence of something divergent here.

Vampire Bat: The divergence of humans are mostly foolish though.

Vampire Owl: The foolishness of humanity has brought the world to this situation.

Vampire Bat: And also their greed and hatred which know no bounds.

Vampire Owl: Can we trust the humans related to anything?

Vampire Bat: About cheating and murdering others of their kind, for sure.

Vampire Owl: When was the last time you met a good human being?

Vampire Bat: They don’t really have angelic creatures out there.

Vampire Owl: Angels have become myths everywhere.

Vampire Bat: There are no myths that have not becoming reality at some point of time, at least in this particular realm.

[Gets a vegetable cutlet and three glasses of pista shake].

What is the movie about? :: A young lady known only by the name Girl (Bella Thorne) returns to her small hometown after a long time. She does have the feeling that something is not right there, and she actually came there with the intention of murdering her abusive father. He had earlier written a letter to her mother, threatening to kill the middle-aged lady, and Girl hopes to set things right, as she goes to the village with hatchet in her possession. Even though her mother knows the address of her father, she doesn’t give her the same, telling her that she doesn’t really need to know it. But that doesn’t stop Girl from looking for the person everywhere. She manages to keep a doubting sheriff away, and also keeps the people at a bar further away from her while finding the address of her father in the phonebook at the place. But, much to her shock, she finds her father already murdered. She tries to report the murder to the sheriff, but is able to connect nobody with her mobile phone. There seems to be no range more mobile phones anywhere in the small town out there.

So, what happens with the events here as we just keep looking? :: She is finally able to connect to her mother from the bar in the town, and inform her about the death – she only wishes her daughter to come back home, but Girl really wants to know who killed her father, as she considered it to be her duty to commit the murder. She continues to try and find the sheriff, but there is nothing good coming out of the same, as he never really appears anywhere, not in his office, bar or the church. When she finally finds the person, things are not like she had imagined. The death of her father has something more than what she thought, and there is a mystery related to the last letter which he had sent to her mother. There is a lot of money also related to the same. They tie her up and threaten to torture her until she reveals where the money is, but it turns out that she didn’t have any idea that there was any money involved with her parents. They wouldn’t believe the fact that she came there to kill her father, and has no idea about him having any money with him.

The defence of Girl :: There is a certain amount of deviation related to how things go on around here, and it is not your usual kind of film which has the female looking for vengeance for an abusive father for her mother, as it would feel in the beginning stages. There is more to the film than what meets the eye, and there are some twists in waiting here. We feel that there is something about Bella Thorne with a hatchet, and that suits an image like nothing else, even though there are not that many action scenes around here related to that. A determined lady with a hatchet in her hands can make you believe in the scope here. She is more or less like Jamie Bernadette in I Spit on Your Grave: Deja Vu, not with the particular details, but with the determination on her face. The atmosphere created by the small town is really good, even though we were always looking for more related to that. The film successfully brings the feeling of a hidden danger at parts of this particular world which is visually beautiful with scenery, but has more.

The claws of flaw :: The film here is just too slow to become a thriller, as picking up the pace seems to be difficult for the flick at all times. Even when there were many different chances to speed up at different intervals, the movie doesn’t really take them. Drama takes over the thrilling side at too many occasions, but on many occasions, we would have preferred it to be the other way around. Even with its twists, it takes some predictable turns in between, and that wouldn’t have been expected with a film like this. There could have been more action around here, with more fighting, chasing and maybe even more murders in the countryside, for the setting could have added to that well enough. This is the kind of a small, remote town which could have more secrets to reveal, and more mysteries to bring to light than this. The violence could have also been smarter, not with too much gore, but done in a balanced way, but here, it just goes off and misses out on scope.

Performers of the soul :: Bella Thorne is the Girl here, and without a name for her character, there is the feeling of something special being about her – she does the job really well here too. The determination and a certain about of fury that is within the character is nicely portrayed by her, and one would surely love to see her in a horror movie at some point of time. She excels at the simple fight scenes, with a hatchet in her hands, from the laundry to the final outdoor fights. The Girl portrayed here is surely different from anyone whom we have seen in a leading role, looking at the past. She gets mystery unveiled all by herself, and Bella Thorne proves to be brilliant in what she does here. Chad Faust and Mickey Rourke makes pretty good villains out here, but they are not used to be the best advantage, as we see a lot more of scope related to them, with chances of being terrifying menace being laid down there. Elizabeth Saunders has only a small appearance, while Lanette Ware is more memorable here. Glen Gould also leaves a little bit of something to remember.

How it finishes :: Girl can feel like a slow movie for many, as it does get into action late, and doesn’t speed up even when the twists and thrills come up, and yet, it is a pretty good drama and thrills mix which can be watched mostly due to Bella Thorne, the leading lady who has done a remarkable job. This is all about her, and we follow her into a world which is not that familiar, unless we are in a horror movie. Even though slow moving thrillers with elements of drama are not that preferred, we have had movies like Ivide and Ranam doing some good job here too. Movies like these are not to be avoided for their slower pace, but are to be appreciated for how well they have gone through the same, and managed to come out strong. You take the French thriller The Swarm, Norwegian thriller Lake of Death or the Spanish thriller The Paramedic – you see that they do their jobs, even at such slow pace. Well, we need our thrillers to go through all paths, especially the less traveled ones.

Release date: 20th November 2020
Running time: 92 minutes
Directed by: Chad Faust
Starring: Bella Thorne, Chad Faust, Elizabeth Saunders, Lanette Ware, Mickey Rourke, Glen Gould

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@ Cemetery Watch
✠ The Vampire Bat.

Curse of Audrey Earnshaw

Vampire Owl: I think that I have met this girl before.

Vampire Bat: No, she is not the witch who cursed you last year.

Vampire Owl: How can you be so sure? She had the same expressions.

Vampire Bat: The witches can be confusing with their looks.

Vampire Owl: You mean to say that they alter their appearances very often.

Vampire Bat: Yes, many more times than we do in a human city.

Vampire Owl: Yet, we can see through them, can’t we?

Vampire Bat: We are not immune to all kinds of magic.

Vampire Owl: We are still immune to dark magic.

Vampire Bat: Yes, but not all kind of dark magic. Some witches practice the darkest of magic, and we are often not strong enough to resist the same.

[Gets a vegetable samosa and three glasses of Vanilla shake].

What is the movie about? :: During the times when there were more and more settlements in North America, a group of families decided to separate from the Church of England, leading to the establishment of an isolated settlement, further away from the rest in the continent. Years passed, the the World Wars broke out, and science had the advantage over religion, with unrestricted expansions, but the villagers of this particular settlement kept their old ways of life alive. Later, in the year 1956, a strange phenomenon, which came to be known as the eclipse, a kind of pestilence spread throughout the settlement and its surroundings, poisoning the land and also corrupting the livestock. The only exception was the land belonging to one woman, Agatha Earnshaw (Catherine Walker), and he was suspected of heresy. She also gave birth to a girl child during the eclipse, but kept the child as a secret from the villagers who kept looking at her with suspecting eyes.

So, what happens with the events here as we just keep looking? :: The community has kept struggling without hope, and with a feeling that God abandoned them, and that there is no future for them, as the time shifts the 1973 – not many things have changed for this particular village far away from civilization. Agatha continues to live separated from everyone with her daughter who has now grown up, and yet remains hidden from the eyes of others. She tells Audrey that anyone who tries to come to their place is a villain, and that everyone in the village wishes to steal young girls like her. The villagers continue to despise her as she still has a great harvest all for herself, and is not ready to help even those who have been starving for days and close to death. Colm Dwyer (Jared Abrahamson) and Hannah Bridget Dwyer (Emily Anderson) are further angry about her as they lost their child for some illness, and lack of food comes naturally with the life. Everyone knows that there is a curse going on, and soon, they will have to take another step to change their lives.

The defence of The Curse of Audrey Earnshaw :: The film thrives on its atmosphere, which has so much in store with a setting which is established nicely with an initial writing about the premise – the first scene surely sets the mood, and the visuals nicely contributes to the same, as it does raise our expectations by quite some distance. If the story could have explained all the happenings better, the atmosphere could have elevated this one in the blink of an eye. There is the presence of blood and gore, but the same is not that much justified as we look at them. The main character does have the looks which are required, and there is always the feeling of having more than what meets the eye soon enough. We have seen films like The Witch, and so we are expecting something similar around here too, as the evil creatures of the night, from vampires and werewolves to zombies and demons, we are also interested in the witches to make the horror runs strong into a world of escapism that we always need.

The claws of flaw :: The real-life curse for the movie lies in the ending here. It doesn’t seem to know how to finish everything after building up all these. Running towards confusion is not what one would want with a film like this one. Finally, you are wondering what has actually happened, and there is always something wrong with the titular character, and it is not just the usual kind of wrong, but more, in a complicated manner. The movie is also really slow, and in between, there are scenes which don’t seem to make much of a sense, and we are always looking for some big terrifying sequence with sorcery to happen, but that is not there to be taken. There are no real witch-like gathering or frightening events happening in there, and due to the same, the movie has less strength as a horror movie, as it focuses on being a slow thriller. There were so many paths for this movie to follow, and none of them are taken, which brings some disappointment around here, as we don’t really get what we were expecting at all.

Performers of the soul :: Jessica Reynolds as Audrey Earnshaw is the young lady who is the reason for almost everything around here to happen – she has that kind of a look which would serve a witch, supported by the expressions and even movements. She has taken on the character which is a little bit too complex and strange, but managed to work with that well enough. She also has that stare that a witch would require, and her violence is unparalleled just like her curses. Catherine Walker as Agatha Earnshaw plays the mother, and she also remains as strange she can get, staying close to the character with the possible mysteries. Jared Abrahamson plays the role which is closest to a leading man, but he doesn’t really get much of a screen space either. Hannah Emily Anderson plays his wife, and that is done pretty well too. Sean McGinley adds well to the characters of interest in the movie, and so does Don McKellar, and later Geraldine O’Rawe. There are others who are just part of the world, and has something or the other to do at some occasions.

How it finishes :: There have always been something about the tales of witches in worlds created in any village far away from civilization, and with strange curses being felt all around. This one is no exception, even though it doesn’t make the best use of its resources, not living up to the strength that it displays in the beginning, and progressing to the end without enough of the explanations. You know that this movie was capable for much more, but we take this dark and disturbing story as it is, and enjoy is as much as we can, without that much expectations in horror. These movies serve as a reminder to how the world of strange beliefs have been, and how we have not become better people with science taking over – we are just the same if not worse, even without the supernatural, evil, distrustful and full of hate. We all have the devil in more people these days, and humanity’s lack of conscience has made the present world a worse place to live in than those days when people at least feared and revered God. Beware of the people around you more than the witches.

Release date: 2nd October 2020
Running time: 103 minutes
Directed by: Thomas Robert Lee
Starring: Catherine Walker, Jessica Reynolds, Jared Abrahamson, Sean McGinley, Geraldine O’Rawe, Don McKellar

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@ Cemetery Watch
✠ The Vampire Bat.

Don’t Listen

Vampire Owl: We, vampires don’t really need to listen because we know.

Vampire Bat: Still, we don’t know everything.

Vampire Owl: I know almost everything, and I am sure about that.

Vampire Bat: Your certainty of knowledge only creates doubts.

Vampire Owl: My doubts are the results of me knowing, and nothing more.

Vampire Bat: You should at least listen to Uncle Dracula.

Vampire Owl: Uncle Dracula is no longer a proper source of knowledge.

Vampire Bat: I feel that you are thinking about starting a revolution.

Vampire Owl: Nonsense. I am not a revolutionary. I am beyond that.

Vampire Bat: Okay, let us see how far you can take that.

[Gets a vanilla chake and three glasses of blackcurrant shake].

What is the movie about? :: Daniel (Rodolfo Sancho) and Sara (Belen Fabra) moves into a new house with their son Eric (Lucas Blas), and hopes that they would have a happy time there, as it is a big house in the beautiful countryside. But things don’t turn out to be that good as they had expected. In this old house in a rural setting, they are not longer happy. Daniel and Sara still plans to restore and sell the house, and they don’t care much about the voices which Erice talks about, and the fact that he cannot sleep much either. Soon, a psychiatrist who comes to help Eric dies, seemingly in the same way as Eric was drawing. Eric also had the feeling that the voices were making him draw things. The boy continues to make problems at the school too, and keeps waking up at night, screaming aloud. The problems continue in the house with further weird occurrences, and soon Eric is found dead in a swimming pool just outside the house on a strange night. This separates the two who can no longer handle the pain of losing the child.

So, what happens with the events here as we just keep looking? :: Sara is not able to handle it anymore and moves to her parents’ place, but Daniel decides to stay in the house and renovate it to sell it some day. Sara hopes that he will leave the house with terrible memories and follow her back to the city soon enough. That night, when he records a voice message and sends it to Sara, there are many voices in it. Right in there, he hears the voice of Eric, asking for his help. The same frightens him and he meets a supernatural investigator specialized in electronic voice with a paranormal touch. He is the one who is supposed to have gone through so many of similar paranormal events and have written books related to the same. Even though he is reluctant to believe the depressed father in the beginning, he finally decides to have a look, and travels to the place with his daughter, hoping to find something. Everything seems normal from a distance, but as they go inside, there are a few things that need to be taken care of.

The defence of Don’t Listen :: The atmosphere is well created for the movie, with everything happening in a house in the middle of nowhere. This is a house with a past, and it is located perfectly away from civilization for the people other world to make an appearance. Visually, it has a fine score, and it also scores well with the sound effects that asserts the supernatural presence strongly. The movie had also got into action quite early. It does have its scares, and there are some effective ones around here that does have the repetitive elements, but do work as we would have wanted it to. There are some interesting moments in the end, and there is a twist to go with it too. The haunting of this particular house and the people associated with it does have a different touch at times, along with the added history. It is to be noted that the movie has managed to achieve most of its positive things without using much of the gory elements, and with a simple tale. You have watched Hollywood do this before, and now we have the same in Spanish.

The claws of flaw :: This is another movie which reminds us of the usual horror films of Hollywood, even though not exactly the same as The Conjuring, The Nun, Annabelle, Sinister or Insidious – the common ones of our times which people try to watch all the time. It doesn’t move that much away from the usual path here too. The ideas of witchcraft and possession could have been much stronger here. The tale could have been twisted at many points, but they go for the safe background story yet again. The film is also slow in parts, and when there were so many opportunities to minimize such problems, it doesn’t make the best use of them. There were moments of horror which could have been better used, and the atmosphere could have been heavily worked on. After all, we have gone through so much of horror already, and there are enough resources to elevate the level of horror. Without thinking enough about the same, a horror film is more of a work of mystery, and that is the pothole where the movie almost fell during an earlier point.

Performers of the soul :: Rodolfo Sancho plays the father figure, and the one who is looking to get his son back in whatever way possible – the good father is played well, and he goes through the horror elements well too. The final moments have him at his best too. Belen Fabra plays the mother with less to do, but the two make the family well enough. Ana Fernandez is the one who catches our attention the most though, and she also plays the smarter character around there. She takes on the supernatural rather sensibly, and there is the bond with the father that runs through. She should give a try with Hollywood horror too. Ramon Barea is more or less the usual paranormal activist that we see around, and he suits the role very well – very much with experience. The kid has very less to do in comparison, as death comes rather too fast for him. As it is in most of the horror films, it is the demonic presence that maintains the scary work.

How it finishes :: Don’t Listen makes an attempt at the usual horror, with some differences which comes with the “voice” idea. One would have wished for it to bring more horror, but it does have some fine points. We do need our horror movies at regular intervals. It is good enough to watch one more horror film, while waiting for Ezra to be remade for Bollywood. We cannot be sure about that remake’s quality, but from the trailer, it is certain that it is done well enough. Corona virus pandemic has unleashed a different kind of horror into our world, and the usual horror is currently of lesser significance, but we await the return of the monsters of the night, as well as the demons which are part of our life. As we are certain that they will slowly and steadily return to haunt us, Don’t Listen is a pretty good reminder that we can go back to that at some point. Until we get to that particular horror, let us be safe from the present terror, the COVID-19 pandemic. We do have too many horror movies to watch in our short life time.

Release date: 24th July 2020
Running time: 97 minutes
Directed by: Angel Gomez Hernandez
Starring: Rodolfo Sancho, Ana Fernandez, Ramon Barea, Bethlehem Fabra, Lucas de Blas, Nerea Barros, Javier Botet , Viti Suarez, Ruben Corvo, Jorge Oubel, Peter van randen

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@ Cemetery Watch
✠ The Vampire Bat.

In the Tall Grass

Vampire Owl: How tall can the grass around the castle get?

Vampire Bat: They surely can’t be taller than us, because we have to use those fields for daily exercise, sports and other activities.

Vampire Owl: The grass in this movie surely looks scary even for vampires.

Vampire Bat: It is based on Stephen King and his son Joe Hill’s 2012 novella with the same name, and so it had to be scary.

Vampire Owl: I didn’t know that Stephen King’s son was also writing horror stories.

Vampire Bat: Yes, and there are film adaptations based on his works, like The Horns which had Daniel Radcliffe and Juno Temple in the lead.

Vampire Owl: That is something not well known, I am sure.

Vampire Bat: The television series NOS4A2 is also based on his novel of the same name, and is pronounced Nosferatu.

Vampire Owl: So, he is also a master of horror, only of a later and new generation.

Vampire Bat: Yes, his original name is Joseph Hillstrom King, and his brother Owen Philip King and mother Tabitha King are also authors.

[Gets a ghee roast and three glasses of grape juice].

What is the movie about? :: Becky DeMuth (Laysla De Oliveira) is a young lady, six months pregnant, who seemed to be becoming a mother before he was prepared for it, and due to the same reason, the child’s father Travis McKean (Harrison Gilbertson) is no longer with her, leading her to think about not having this baby or leaving the baby behind after giving birth. Her brother Cal DeMuth (Avery Whitted) is in charge of driving the car all the way to San Diego so that she can live with her aunt there, and with Travis gone, he considers himself to be the protector of his sister and her child. Traveling through an empty road, they stop at an empty space near what seemed to be an abandoned old church. Some other vehicles were also parked nearby, but there was nobody around. It is then that they hear the voice of a child from the field nearby, which has very tall grass, and they also hear the child’s mother calling.

So, what happens with the events here? :: The two gets concerned, and enters the grass field, and begins searching for the mother and child. The sound seems to close, but they are not able to get to the father and child, despite moving quickly towards them. In the process, Becky and Cal are also separated from each other. There is no network connection in the mobile phone, and they are not able to find each other despite being able to hear the voices. In the process, they meet the members of a family who are all trapped in here. The boy whose voice they had heard is Tobin Humboldt (Will Buie Jr) who had entered the grass field chasing his dog, and his father Ross Humboldt (Patrick Wilson) and mother Natalie Humboldt (Rachel Wilson) had also entered the space following him. Now, the family is separated just like the brother and sister. It seems that there is no way out, or is there at least a slight chance?

The defence of In the Tall Grass :: The movie scores the best with its visuals. With the tall grass, and a mysterious rock in the open area which seems to be the middle of the grass field. This open space with the rock is as grand a visual as the tall grass which seems to have no end. There are separate feelings provided during the day and night, and we look back to a past which modernity cannot understand – something which goes to time before American colonization and the earlier tribes settling down, as the modern world looks at its people in confusion. There are those minutes in the beginning which serves the best to bring the terror, as the two siblings jump once to see each other close, and then with the next jump, they are nowhere to be found. The movie is also of a short length, and with only tall grass all around, it is a good thing, bringing no elongation.

The claws of flaw :: The humanization of the grass is rather underused, and the movie doesn’t have even a monster to use when caught in such a strange, supernatural world with creepy grass, a strange rock and darkness – it has a loop, and so much of mystery, but never chooses to reveal them. The background of the characters are not explored much either, and we don’t know why one character is acting different from another. The characters go out of control, as we don’t know who is dead, and who will end up killing someone, and also about who all are real, and belonging to what kind of loop. It is the kind of confusion that comes in the middle, but thankfully, things get solved in the end. But the movie could have used a post-credits scene, because this is the kind of horror film that will make people ask the questions, and they need to answer them.

Performers of the soul :: The movie has a collection of unknown actors and actresses trying to escape the tall grass field. Patrick Wilson of The Conjuring, Annabelle and Insidious fame is the only person whom most of us know. The actor who was also there in A-Team, Aquaman and Watchmen continues to be the one who makes the most impact, even though his character is so less developed, even though it was the one which needed the most of such development. Laysla De Oliveira is another actress among all others whom we are seeing for the first time, and she comes with a good performance as the pregnant lady caught in between some tall grass with no hope for escape. Will Buie Jr, the kid shows the hopeless and creepiness of those caught in such a situation very well. Harrison Gilbertson was there in Need for Speed, but we would be noticing here for the first time, and he is fine, and so is Avery Whitted. Rachel Wilson’s role is too small.

How it finishes :: The movie has you in a situation from where there can be no escape. The rules of the world, its physics won’t matter inside this strange field of tall grass, and it is a scary place to explore, and the movie has used this setting well enough to create the needed horror impact. But it has to be noted that there is not much of work done beyond that, and there is also a certain amount of confusion here, as everything is not that clear as far as In the Tall Grass is concerned. There are many things which this premise could have had, but as it is now, the whole thing looks good, and catches your attention – there are some nice visual moments of glory too. In the Tall Grass is surely not the movie which would make horror feel great, but is enough to keep it going, staying strongly within the genre, and using the tall grass to its advantage.

Release date: 4th October 2019
Running time: 101 minutes
Directed by: Vincenzo Natali
Starring: Laysla De Oliveira, Harrison Gilbertson, Avery Whitted, Will Buie Jr, Rachel Wilson, Patrick Wilson, Tiffany Helm, William Frater

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@ Cemetery Watch
✠ The Vampire Bat.

In Fear

infear (2)

Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

infear

@ Cemetery Watch
✠ The Vampire Bat.