The 8th Night

Vampire Owl: Another Korean horror film with monsters? That sounds good.

Vampire Bat: Korean movies have some fine monsters.

Vampire Owl: I wish that I could invite a few of them here.

Vampire Bat: Monsters are not allowed here. They are considered the same as werewolves and zombies.

Vampire Owl: But dead monsters are allowed.

Vampire Bat: Well, we do give them honorable burial in the cemetery.

Vampire Owl: Why would a monster come here to be buried?

Vampire Bat: We are now promoting burial tourism.

Vampire Owl: Now you are giving those kinds of ads?

Vampire Bat: Yes, the ads are very popular now.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: A long time ago, a monster roamed free, and intended to create eternal suffering for humans. Unable to kill it, the Buddha was finally able to stop the monster by taking out its eyes, coloured black and red. The red eye continued fighting, and when the Buddha was finally able to stop the red eye, he placed it along with the black one in different caskets. He buried one eye in the great hills of the Far East, and the other eye he buried in the great deserts of the Far West, hoping to make sure that these would never meet and bring the monster back. In the year 2005, a professor Kim Joon-cheol (Choi Jin-ho) wants to prove that the Buddhist myth is real, and finds one of the eyes in the India-Pakistan border. But he is disgraced, and people don’t believe in him. The media makes fun of him, and the authorities say that what he has with him is forged. This angers him, and after many years, he still wants to let everyone know that he was telling the truth.

So, what happens with the events here as we just keep looking? :: He reawakens the monster’s red eye, and open the gates of hell, in an attempt to prove that the Buddish myth real, thus also making people realize that he is not a liar. Monk Ha-jung (Lee Eol), a protector of one of the caskets, understands that the red eye has reawakened, as he alwso wakes up from his meditation. He asks another monk Chung-seok (Nam Da-reum) to seek Park Jin-soo (Lee Sung-min), a construction worker who was banished from the monk community – the one who is supposed to be born to stop the eyes’ reunification. All these were foretold, and the prophecy is to be fulfilled – if the eyes are united, on the eighth night, the monster will be unleashed, and it will unstoppable. At the same time, Detective Kim Ho-tae (Park Hae-joon) is also working in the case of the strange corpses that the red eye leaves behind after its grand awakening. But are these people good enough to stop the evil which seems to possess so many people and murder many of them?

The defence of The 8th Night :: The movie has some good divergence with its myth as well as the horror that it brings. There are also the characters who have some interesting past to go with the present, and are defined by past, present and future. The mythological elements about the monster works really well, and its effectiveness only increases as the movie goes forward. There is a certain amount of quality which has been maintained in its use of properties. It uses the settings of the city quite well to gaining advantage in horror. One would initially have the doubt about what a horror movie can do with two eyes lying apart and coming together at some other point of time – how can random eyes be horror? Well, this one answers the same quite well, and has a number of moments which bring some divergent horror, different from what we expect and what we have been seeing. The idea of the ancient prophecies and monsters is used effectively here as the journey never gets less interesting.

Positives and negatives :: The movie could have had more grandeur in the establishment of the characters and terror which is unleashed, and some moments don’t contribute that much like it was intended. It also gets very complicated at times, and also a bit slow in some moments. There is a lot of mystery about what has been happening around here, and with this kind of a monster, you have absolutely no idea what can happen next – it keeps us guessing as well as thinking. There are some shots which are so good and effective that they stay with us for long enough. They have captured the essence of nature, as the movie goes forward with its battle between good and evil too. The eerie feeling which this movie provides, might seem different than the usual, that we would get elsewhere. South Korean movies are pretty much rich in providing some symbolic horror, and this one also does try to deviate from the normal and most traveled course of action for the best. The movie also has some service as an investigative thriller – we know how the spirits and real-life investigations of crimes go together, like in the case of Malayalam movie, Cold Case.

The performers of the soul :: Lee Sung-min whom we have known from Hit-and-Run Squad leads the way as the man who is part of different missions, having violence and non-violence on two different sides, none of them leaving him, as he serves as the guardian. He has moments as he comes out of the past to face the present, in an attempt to the save the future for everyone in this world. It is a solid work that suits the personality that we see here, strong and with better different abilities than an average monk would possess. Park Hae-joon plays the detective, and he does that in a convincing manner, even though he remains a foolish believer in science and logic only. A detective in a movie dealing with magic and myth might feel out of the place, but he does make sure that it is not the case here, and there is a lot to be done from his side too. Kim Yoo-jung plays the female character with most screen presence, and she makes another interesting character of significance. Choi Jin-ho plays the man who begins all of these, and one can only wish that his scenes were more chaotic in nature too. Nam Da-reum is the usual apprentice who doesn’t know enough until he changes in the end.

How it finishes :: The 8th Night has the ability to rise beyond the typical horror story that we have, with all the monsters coming out of hell, as it establishes the myth, and follows it up with enough horror to go with it. With an investigation which is nicely managed, this one goes forward in an interesting manner. There is the message about destiny, and the roles that one is supposed to perform in this world, as well as something about where conscience comes into play. With the visuals adding to the mystery and horror, we know that this could be another classic horror flick like Train to Busan and The Wailing, which could rise above the rest many years ago, and the later arrivals like Svaha, Metamorphosis an The Divine Fury. You are never really short of some interesting Korean movies to watch, and The 8th Night is the film which you can add to the list of what can be recommended to the horror fans. This is also not to be confused with the Malayalam movie, 7th Day which deals with another investigation of murders.

Release date: 2nd July 2021 (Netflix)
Running time: 115 minutes
Directed by: Kim Tae-hyoung
Starring: Lee Sung-min, Park Hae-joon, Kim Yoo-jung, Nam Da-reum, Choi Jin-ho, Park Se-hyun, Lee Eol, Kim Han-sol

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@ Cemetery Watch
✠ The Vampire Bat.

The Whole Truth

Vampire Owl: There is a lot of talk about truth going on around here.

Vampire Bat: It is something that humans never try to speak.

Vampire Owl: Humans haven’t been close to truth for a long time.

Vampire Bat: Truth just doesn’t suit them. They are basically liars. You cannot blame them for going back to their basic nature.

Vampire Owl: Their basic nature is related to robbery and murder.

Vampire Bat: It is really difficult to talk about human nature. They are pure evil.

Vampire Owl: Yes, which is why many witches travel to their world and try to kill a few of them or transform them into better creatures like cats and dogs.

Vampire Bat: It is the same reason why we don’t have Vampire Cats anymore.

Vampire Owl: Human existence has no real meaning related to anything other than evil.

Vampire Bat: If Corona virus makes them go extinct, it can be called a pure evil thing.

[Gets a marble cake and three glasses of mango shake].

What is the movie about? :: Mai (Nicole Theriault) is living happily with her two children, Pim (Sutatta Udomsilp) and Putt (Mac Nattapat Nimjirawat) in the city of Bangkok, until she meets with an accident on her way back home from office, on the same day that she received a promotion at her office. She is now in a coma, and even though out of critical situation, has to stay in the ICU. It is then that their grandparents come to visit them – Phong (Sompob Benjathikul) and Wan (Tarika Tidatid) takes them to their ancestral home. The house is quite a large one, and Phong says that Wan is not really well, and due to her dementia, she also needs some taking care of. At the same time, Mai has some severe injury to her brain, and it will take some time for her to get better. Until then, the two siblings will have to stay in their ancestral home, even though they are not really comfortable about it. They take everything from home, and place them at the new place, as they feel that they are for a very long time. But this doesn’t seem that good a place for them.

So, what happens with the events here as we just keep looking? :: Soon, the cat which they brought there from the original home is no longer found. They are also able to find a hole on the wall, which the grandparents don’t find to be present. They blame the children for making up things which are not there, and advises them to stop looking for cats. There is something going on in the house, and it feels really strange for the siblings. When Putt looks through the hole, he sees a strange girl on the other side, and it does seem like a strange house on the other side there. At the same time, Fame (Sadanont Durongkaweroj), a boy who studies with Pim, comes to the house and warns them about leaking a video of her showering in the gym. He is also not able to see the hole on the wall either, but is pulled to the wall, hurting his nose. He leaves the place with a broken nose, telling Pim that he will leak her naked video on the internet. As the grandmother reaches home, she sees the blood on the floor and losses her mind for a few minutes. Pim and Putt understand that things can get only worse from there, as there are some secrets out there.

The defence of The Whole Truth :: Even though this particular movie is from Thailand, there is the feeling of watching a Korean film – that kind of quality is here with the visuals. It also gets into action quite fast, and we are glad to follow it around early enough. The idea of the hole in the wall which provides some strange visions is nice, especially with the arrangements on the other side. The feeling of danger is always effectively there. This does bring some scares, but the film is more about mystery, revealing a few things about human nature, rather than anything else. The theme of the movie is related to how people only give half truths, manipulating everything to suit their own versions. The film also has a nice way of revealing everything, through visions and incidents. The way that it keeps us in suspense is good, as we are not really sure which way it is to go, not just about the ghostly figure, but also about how the leading lady’s situation would be, in the school – there are even twists about her life there, and the supernatural only comes later.

Positives and negatives :: The Rings creature feeling is there for sure, as if to provide something like a repetition, for that is one demonic presence which everyone has liked for a long time. There were also so many more possibilities for the incidents of the movie to progress, and it could have used better clarity at some parts. The ending could have also been more direct. There are moments when it makes us feel that this is going to be like The Visit, but it is surely not going that way. Also, the movie’s drama feels a lot like Indian films at times, and therefore, it is more relatable to our audience. The ghost here more like the past which continues to haunt us, reminding us of a few dialogues in Crimson Peak. The idea of the ghost trying to tell the truth, or rather the whole truth is not something new, but this one takes different steps towards it. The way in which this movie changes your expectations in between, is also notable. There is no early clue about what we have in the end, for the twists work in that way, and make this one effective.

Performers of the soul :: Among the performers, it is Sutatta Udomsilp who stands the strongest, as the elder grandchild and sister who has to stay strong in the absence of her mother. She reflects a number of scream queens which we have seen in Hollywood movies, and still has a lovely touch of divergence that relates her to horror movie stars of Bollywood too. She expresses herself incredibly well throughout the different events, from the emotional ones to the scary ones. Nicole Theriault has only the first few minutes as the mother, as she gets to face the car accident too soon, waking up much late. Mac Nattapat Nimjirawat plays the young brother figure who is weakened, pretty well. Sompob Benjathikul plays the grandfather figure with a lot of strength, while Tarika Tidatid fits into the grandmother role with ease. Sadanont Durongkaweroj plays the usual creepy boy who reminds one of the Drishyam boy who got buried under the police station, after capturing the video of the showering girl. Thasorn Klinnium, who is only there for a few minutes, also has her contribution.

How it finishes :: The Whole Truth is the first Thai movie at Movies of the Soul, and it did come late, when we look at the foreign language movies at the website. Even though there have been many movies which came close to becoming the first, this one finally made it way here through Netflix. It is rather surprising that we have already had Korean, Vietnamese, Japanese, Chinese and Indonesian movies here to add to a South East Asian list, there hasn’t been any from Thailand. This movie changes that in style. Movies like Furie, Impetigore, The Wandering Earth and Train to Busan were all movies which had something special in their own ways, coming from different countries and languages. The Whole Truth proved to be a fine example with which to start Thai films. When we had visited Pattaya and Bangkok, we did really want to watch a movie or two, but that didn’t happen because of the busy schedule of the trips. At least, that desire is fulfilled for now. As we go through the beginning of the new year, let us hope that more wishes can be fulfilled in 2022.

Release date: 2nd December 2021 (Netflix)
Running time: 125 minutes
Directed by: Wisit Sasanatieng
Starring: Sutatta Udomsilp, Tarika Tidatid, Sompob Benjathikul, Sadanont Durongkaweroj, Steven Isarapong, Thasorn Klinnium, Mac Nattapat Nimjirawat, Keetapat Pongrue, Nicole Theriault

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Curse of Audrey Earnshaw

Vampire Owl: I think that I have met this girl before.

Vampire Bat: No, she is not the witch who cursed you last year.

Vampire Owl: How can you be so sure? She had the same expressions.

Vampire Bat: The witches can be confusing with their looks.

Vampire Owl: You mean to say that they alter their appearances very often.

Vampire Bat: Yes, many more times than we do in a human city.

Vampire Owl: Yet, we can see through them, can’t we?

Vampire Bat: We are not immune to all kinds of magic.

Vampire Owl: We are still immune to dark magic.

Vampire Bat: Yes, but not all kind of dark magic. Some witches practice the darkest of magic, and we are often not strong enough to resist the same.

[Gets a vegetable samosa and three glasses of Vanilla shake].

What is the movie about? :: During the times when there were more and more settlements in North America, a group of families decided to separate from the Church of England, leading to the establishment of an isolated settlement, further away from the rest in the continent. Years passed, the the World Wars broke out, and science had the advantage over religion, with unrestricted expansions, but the villagers of this particular settlement kept their old ways of life alive. Later, in the year 1956, a strange phenomenon, which came to be known as the eclipse, a kind of pestilence spread throughout the settlement and its surroundings, poisoning the land and also corrupting the livestock. The only exception was the land belonging to one woman, Agatha Earnshaw (Catherine Walker), and he was suspected of heresy. She also gave birth to a girl child during the eclipse, but kept the child as a secret from the villagers who kept looking at her with suspecting eyes.

So, what happens with the events here as we just keep looking? :: The community has kept struggling without hope, and with a feeling that God abandoned them, and that there is no future for them, as the time shifts the 1973 – not many things have changed for this particular village far away from civilization. Agatha continues to live separated from everyone with her daughter who has now grown up, and yet remains hidden from the eyes of others. She tells Audrey that anyone who tries to come to their place is a villain, and that everyone in the village wishes to steal young girls like her. The villagers continue to despise her as she still has a great harvest all for herself, and is not ready to help even those who have been starving for days and close to death. Colm Dwyer (Jared Abrahamson) and Hannah Bridget Dwyer (Emily Anderson) are further angry about her as they lost their child for some illness, and lack of food comes naturally with the life. Everyone knows that there is a curse going on, and soon, they will have to take another step to change their lives.

The defence of The Curse of Audrey Earnshaw :: The film thrives on its atmosphere, which has so much in store with a setting which is established nicely with an initial writing about the premise – the first scene surely sets the mood, and the visuals nicely contributes to the same, as it does raise our expectations by quite some distance. If the story could have explained all the happenings better, the atmosphere could have elevated this one in the blink of an eye. There is the presence of blood and gore, but the same is not that much justified as we look at them. The main character does have the looks which are required, and there is always the feeling of having more than what meets the eye soon enough. We have seen films like The Witch, and so we are expecting something similar around here too, as the evil creatures of the night, from vampires and werewolves to zombies and demons, we are also interested in the witches to make the horror runs strong into a world of escapism that we always need.

The claws of flaw :: The real-life curse for the movie lies in the ending here. It doesn’t seem to know how to finish everything after building up all these. Running towards confusion is not what one would want with a film like this one. Finally, you are wondering what has actually happened, and there is always something wrong with the titular character, and it is not just the usual kind of wrong, but more, in a complicated manner. The movie is also really slow, and in between, there are scenes which don’t seem to make much of a sense, and we are always looking for some big terrifying sequence with sorcery to happen, but that is not there to be taken. There are no real witch-like gathering or frightening events happening in there, and due to the same, the movie has less strength as a horror movie, as it focuses on being a slow thriller. There were so many paths for this movie to follow, and none of them are taken, which brings some disappointment around here, as we don’t really get what we were expecting at all.

Performers of the soul :: Jessica Reynolds as Audrey Earnshaw is the young lady who is the reason for almost everything around here to happen – she has that kind of a look which would serve a witch, supported by the expressions and even movements. She has taken on the character which is a little bit too complex and strange, but managed to work with that well enough. She also has that stare that a witch would require, and her violence is unparalleled just like her curses. Catherine Walker as Agatha Earnshaw plays the mother, and she also remains as strange she can get, staying close to the character with the possible mysteries. Jared Abrahamson plays the role which is closest to a leading man, but he doesn’t really get much of a screen space either. Hannah Emily Anderson plays his wife, and that is done pretty well too. Sean McGinley adds well to the characters of interest in the movie, and so does Don McKellar, and later Geraldine O’Rawe. There are others who are just part of the world, and has something or the other to do at some occasions.

How it finishes :: There have always been something about the tales of witches in worlds created in any village far away from civilization, and with strange curses being felt all around. This one is no exception, even though it doesn’t make the best use of its resources, not living up to the strength that it displays in the beginning, and progressing to the end without enough of the explanations. You know that this movie was capable for much more, but we take this dark and disturbing story as it is, and enjoy is as much as we can, without that much expectations in horror. These movies serve as a reminder to how the world of strange beliefs have been, and how we have not become better people with science taking over – we are just the same if not worse, even without the supernatural, evil, distrustful and full of hate. We all have the devil in more people these days, and humanity’s lack of conscience has made the present world a worse place to live in than those days when people at least feared and revered God. Beware of the people around you more than the witches.

Release date: 2nd October 2020
Running time: 103 minutes
Directed by: Thomas Robert Lee
Starring: Catherine Walker, Jessica Reynolds, Jared Abrahamson, Sean McGinley, Geraldine O’Rawe, Don McKellar

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

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Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

crimsonpeak

@ Cemetery Watch
✠ The Vampire Bat.

Drishyam

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Vampire Owl :: So, we are now going to complete watching a trilogy of Drishyam(s).

Vampire Bat :: Yes, even though there are a total of five Drishyam(s) with only two movies having exactly that name and only four movies having similarities to that name.

Vampire Owl :: I was simply making a simple statement which is also true in another way.

Vampire Bat :: Yes, but the statement that I made is also true if you look deeply into it.

Vampire Owl :: I still appreciate this movie for keeping the title of the original. This way, I can tell people that I have watched Drishyam twice.

Vampire Bat :: Well, when you say that you watched a remake so many times, do make it clear that it is Drishyam and not Bodyguard. We have to keep certain horror standards.

Vampire Owl :: Do you know that I had no clue that this would be remade into this many languages when it had released with lesser hype than some of those mindless movies?

Vampire Bat :: Do you remember that this is the Drishyam movie that we are watching with the cheapest tickets?

Vampire Owl :: Is it? I have no memory about the bloody human currency. They can’t even keep one standard currency for their realm – how bad is that?

Vampire Bat :: Actually we paid Rs.116 per ticket for the Malayalam version, Rs.90 for the Tamil version, and it is Rs.50 for this one. So, this movie is actually very cheap and will surely give us the money’s worth.

[Gets the tickets].

What is it about? :: The story might be well known, but lets go for a recap. Vijay Salgaonkar (Ajay Devgan) is a simple man and a huge movie lover running a cable television network in a locality in Goa. He watches a lot of movies and lives happily with his family consisting of his wife Nandhani (Shriya Saran) and two daughters. But when an unexpected guest comes into their life to ruin the life of his elder daughter Anju (Ishita Dutta), their small world get a twist of events. The guest is dealt with, but the mother of that missing boy is IG Meera Deshmukh (Tabu) who is ready to go to any extent to find his son who came to the house of Vijay. The protagonist has his plans, but how far can a man with minimum education go to save his family against the angry IG and her husband (Rajat Kapoor)?

The new Drishyam :: Just like we have already seen in the original Drishyam, Papanasam and the other remakes, this begins as the family drama, but here it gets into the thriller side much earlier. In less than fourty five minutes, this one gets into the main action. The movie also has some fine visuals of Goa as it is never completely a rural setting, and the families are surely richer as you can see from the houses of both the protagonist and the police officer. This is also the lighter one among the three, as the police torture is lesser with no bones broken compared to the Tamil version, and the girl also accidentally hits the boy as she aims the mobile phone which is lifted over his shoulder – she never really has the idea of hurting the boy there. The bad boy’s car remains yellow in colour, but there is a certain upgrade here from Maruti Suzuki Zen in the other two verstions to a Hyndai Getz.

Positives and Negatives :: As I have talked about earlier, I have watched only three versions as of now, and so the comparisons are to be limited to them. The version here inherits only the positives and negatives of the original, expect for the small changes which have been made. The biggest visible change is that the elder girl was adopted by the protagonist – one has to wonder if it is because the girl is considered too old to be the real daughter of Ajay Devgan and Shriya Saran or if it comes as part of the goodness package for the hero who was to be established as the good man. I like the fact that this movie quickly got into the thrills, and it might also be the shortest in total run-time among the three, which is favourable. The police officer is also bigger cop, than the big mother figure, and even has her own slow motion sequences from the prison after getting random villains beaten up.

Performers of the soul :: The script is the hero as everyone knows already, and the rest of the factors are supposed to follow. Once again, there are no comparisons to be made directly between the leading actors of the three movies. Still, indirectly taking a look at the same, even though not making the impact as Mohanlal and Kamal Hassan who had made their roles memorable in their own ways, Ajay Devgan is also very good here even without being that intense or emotional. It is good to see different actors doing the same thing in different styles without moving that much out of the core thing. Shriya Saran might be the best looking among all the actresses among five movies, but considering the three, she makes the least impact, may be because the Hindi version has cut some of those family scenes and the opportunities are less. The cut happens in the first half itself.

More performers of the soul :: Ishita Dutta who makes her Bollywood debut here is also quite good in her role as the elder daughter. She did very well for a debutante, especially in those emotional sequences. Esther Anil of the Malayalam and Tamil was the best option for the younger daughter’s role as she has done the same in the Telugu version too; the choice here is just okay. Tabu stays very strong here, as she matches Asha Sarath of Malayalam and Tamil with her strong cop role. The original’s Siddique and Kalabhavan shajon have their mirror images in this movie as not that strong, and the same is the case when compared with Papanasam’s Anant Mahadevan and Kalabhavan Mani. But any problem here is mostly erased by the strong script, and the movie has risen high already. After watching all these versions, I feel that I might be having confusion with the comparisons and so I would stop here!

How it finishes :: With the fifth movie of a very long remake saga, this version of Drishyam also manages to come strong with the audience, and once again asserts the importance of one’s own family strongly. In a theatre having a complete non-Keralite audience, the claps were so many and people were clearly entertained. Those haven’t watched the original or the other remakes should surely watch this one, and even for others, this will provide that feeling of going through that nice experience all over again. I still do wonder why some people had to get out of the theatre early and miss that final moment of revelation – are they even aware about what they missed? There are not many shows of this movie at this part of the nation because everyone knows a lot about this story, and so one should catch this Drishyam soon!

Release date: 31st July 2015
Running time: 163 minutes
Directed by: Nishikant Kamat
Starring: Ajay Devgan, Shriya Saran, Tabu, Ishita Dutta, Prathamesh Parab, Rajat Kapoor

drishyamh

@ Cemetery Watch
✠ The Vampire Bat.

Drishyam

drishyam!

The vision right here :: Translated as “The Sight” or may be as “The Visual”, and produced by Antony Perumbavoor under Aashirvad Cinemas, Drishyam is that movie which gave me big trouble in writing the title in English; whether it was Dryshyam, Dhryshyam or Dhrysyam with a lot of variations replacing one “y” or the other with “i” or both with “i”. But about the decision to watch the movie, there was absolutely no doubt. This movie released on a Thursday, a day before the flow of the weekend movies started, and had already come up with good reviews from both the critics and the audience. There was absolutely no reason why I wouldn’t watch this movie, as there were so many people asking about why I haven’t watched this movie, and I decided to book a the tickets, and there was never a better decision in the recent times, as the tickets for the movie was sold out everywhere in a flash, and much faster than Dhoom 3 – its trailer had said that the year would end with a “dhoom”, and now we know that they were talking about Drishyam, and not on some weird movie with strange characters doing stupid things on motor-bikes.

What is it about? :: Georgekutty (Mohanlal) is an orphan who has studied only till standard four, and Rani (Meena) is his wife, a simple woman who failed in standard ten. They have two daughters, Anju (Ansiba) and Anu (Esther Anil) and are leading a happy life in a village background. Georgekutty is a simple farmer who runs the business of a cable television business named after his wife along with being a farmer; he is loved by most of the people of the village has the image of a nice, innocent man. Still, he doesn’t back away from having opinions about most of the things of the world, which makes him the enemy of Sahadevan (Kalabhavan Shajon), a local cop. But as a simple incident changes their life, they are forced to prepare for the worst, and save their family together, as the common man who lags in education decides to take on the law which comes after them. Will they succeed in their mission or will the family break apart due to the power of external force lead by the Inspector General herself? Anything more said about the movie is rather giving away too much, and the rest is to be seen.

The defence of Drishyam :: Here is another thriller on the cards, after having Mumbai Police and Memories this year gaining critical acclaim as well good box-office collections. The thriller genre is indeed gaining the support of the audience, and even Up and Down: Mukalil Oralundu and Silence had enough of the average stuff inside them. Memories might still be the best investigative thriller this year for every one, as long as this one categorizes under a family thriller. The movie’s first half is a full family drama with light shades until the one major incident that happens just before the end of the half, taking the tension into the space after interval. There is the simple life of ordinary people close to nature portrayed throughout, something which is of goodness and dedication. The second half brings the thrilling twist to the world as the darker shade creeps in under the disguise of law. There is so much brilliance and beauty in the way the story is told, especially in the second half. There is the mixing of the right features that make this one a movie for more than one kind of person.

Positives and negatives :: We are indeed caught in that world of uncertainty which no real assurance of what is to happen next, as an illiterate village guy takes on the educated smart people, but still there might be a little dragging in the first half, and it is just after the interval that the movie actually takes off as it is. The songs are just ordinary, but the performances are top class. The first half does have some ineffective jokes, and there is too much coming from a man who learns how to beat the police with the help of movies. You can actually come up with the need for disbelief, but considering the world that we love in, nothing is impossible, and as the demonic Overlord would say, evil always finds a way. Power and influence always got the upper-hand, and when the common man fights for his family and his world, it is always something that inspires millions. As George Orwell will give us through his Animal Farm, “All animals are equal, but some animals are more equal than others”. That should be another reference to the 2009 movie Ividam Swargamanu, which itself is mentioned in this movie as our hero goes to work on his land. Let’s add that this one is more emotionally touching and less complicated than that one.

Performers of the soul :: There are many directors who might have the best records for many, but for Jeethu Joseph, it is a perfect record when I look at it, with the most interesting thriller of a decade Detective, the best family drama of its age Mummy & Me, the funniest movie of last year My Boss and the best investigative thriller of this year, Memories – there is his perfect record, none of the movies deserves below 80/100 in my opinion. Even with the lesser number of movies, he is already among the best, no doubt about that. Mohanlal is back with a role where he perfectly fits in, reminding us of his performance in Ividam Swargamanu, or rather a role which is even more worthy of being loved – once again the farmer who fights for his small world. There is no longer a hero who transforms into a superhero who beats up the opponents, and he excels as the common man. It is good to see Meena back opposite Mohanlal after Chandrolsavam (2007) and the performance of Kalabhavan Shajon in a negative role is worth mentioning. Asha Sharath also remains strong throughout her presence. Meanwhile, the kids are just brilliant, and they are strong pillars of this movie – I hope that they will stay for long.

Soul exploration :: In its soul, Drishyam is more or less Ividam Swargamanu, even if not so in the presentation as well as the genre. The two characters instantly likable, and we are on their side right from the beginning to the end. Here Mohanlal plays Georgekutty who fights the law for his family in the place of Mathews who fights the law for his land. Both are quite innocent characters who are looking to save their respective worlds. Both movies have the protagonists who are not that educated common men who are on the back-foot most of the time. But this movie has the whole thing more under the control of the protagonist, and the external help he receives is much less. There is no law being used in the favour of him, but there is surely the appropriate use of media. Georgekutty is better planned, all by himself throughout the movie, and even as he suffers more, right from the beginning to the end, everything has been under his control. There is no real corruption in this movie, but there is just power and influence which troubles the common man. The end is indeed a very good, and not without the twist that was needed.

How it finishes :: Drishyam is indeed the winner of the weekend and the movie of Christmas. The movie is in many ways the triumph of goodness when placed against all kinds of problems. There is always evil and sin which often takes many forms and can sometimes rise above the law, and all that decisions belong to the fine thread that fate has woven for each man and woman unless Grimm Reaper decides to cut that thread with his scythe. But the movie ends up as the victory of the common man in his ability to do the right thing. The movie also asserts that there is nothing like family. The real immediate world is family, and without love and mutual co-operation, there is no such world in reality. We do not live for the moment or anything, as we live for the world, which is family – and most of us might have troubles with our blood, but none of them can stand the power of time, and problems and our struggles bring us together. It is never too late to find our little world as well as our role in it. Drishyam is the visualization of the struggle of a common man for the family, and there is brilliance in store.

Release date: 19th December 2013
Running time: 164 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Meena, Kalabhavan Shajon, Siddique, Asha Sharath, Ansiba, Esther Anil, Roshan Basheer, Koottickal Jayachandran, Neeraj Madhav, Irshad, Kunchan, Antony Perumbavoor

drishyam copy

@ Cemetery Watch
✠ The Vampire Bat.