Mooniloraal

Vampire Owl: But there are only two of us.

Vampire Bat: When we are there, the presence of four can be seen.

Vampire Owl: I don’t understand. How can there be four when we are only two people?

Vampire Bat: You need to count the guardian angel too.

Vampire Owl: Doesn’t that make the total as three?

Vampire Bat: No, my guardian angel and yours. It makes a total of four.

Vampire Owl: Are you sure that vampires also have guardian angels? It is never mentioned in the books at the great vampire libraries?

Vampire Bat: Yes, guardian angels are provided without discrimination.

Vampire Owl: Is it a new guardian angel or is it the same as we had before we died and became undead?

Vampire Bat: You are surely angelophobic. The fear for angels is quite common in the case of owlish vampires.

[Gets some potato chips and three cups of Ceylon tea].

What is the movie about? :: The three are best friends – Sam (Don James), Jithu (Steve Antony) and the more philosophical of them, Vishnu (Johns Mathew) who is living with the realization that change is necessary, and will happen, as they ponder about their life at Winnipeg in Canada, far away from home. It is a friendship which has been going on for a long time, and is what they consider is forever. Sam and Vishnu meet a restaurant over a cup of coffee, after which they go on a ride in former’s car who tells his friend that their destination is a place where he hasn’t gone, but needs to go at some point. The road through which the car goes is something of scenic beauty, and they enjoy the beautiful scenery on the way, and Vishnu is interested in the surprise which is in store for him in between the busy and rather too modern life they are living.

So, what happens next? :: Their families need them to come back home leaving their life away from home and settle down at their hometown, but they have settled down rather too much to make their return. On their way, their car meets with an accident, but there seems to be no big problem after the collision. At the same time, Vishnu gets a call from Jithu talking about the death of Sam which had just happened in a car accident. This leaves Vishnu confused about the person who is with him in the car and their destination. A rather weird and frightening feeling comes up right from within him. He then shouts to get the car stopped and runs away only to reach a cemetery which has only fallen leaves and tombstones to give company. So, is it true that Sam had died in a car crash? If it is so, who is the one with him? Which kind of demons or spirits are Vishnu hiding from? What is the thing with being at a cemetery far away from the city?

Soul exploration 1: A case of reality and illusion :: Coming up with the tagline “The Strangest Imagination is Reality”, the movie exactly about the same, bringing a mystery in which one is doubtful about what is reality and what an illusion would be. Along with the illusions spread by media and fake news, we also have our own personal illusions which come back to us depending on the situations – on some cases, it is even bigger. The line between reality and imagination is so thin in so many cases that illusions tend to take over. We ourselves have had such feelings more than once, but we are hesitant to talk further about it in fear of the world. We live in that kind of a world where logic gets a better spot compared to imagination and creativity; money gets more value than values – it is a world which is closer to chaos than order, even if it pretends to hold on to the latter.

Soul exploration 2: Friendship and alienation in a land far away :: It feels strange being away from your roots, and even if it is to another city just a few hundred kilometres away, there is that feeling to get back home – the nostalgia and homesickness are things that humans usually can’t live without. It makes people do stranger things, and despite denying the same, there is that feeling about our own lands that come back – unless you are orcs forced to leave your world like in Warcraft, or humans looking for hope in new planets like in the case of Pandorum and Passengers. You have seen similar complications in the underrated Ivide too. In a land a long way away from home, it is friendship that matters the most, and here we have three of them, and their friendship which has something strangely working within – it is what becomes nicely solved by the end. Alienation in an alien land is another level, when you look at it.

How it finishes :: Not to be confused with the 2006 movie Moonnamathoral, Mooniloraal is a short-film which keeps you wondering about what is to happen next. It is the perfect example of another short-film which is smarter than a good number of those full-length movies which have been arriving in the theatres with the labels of being thrillers. Malayalam short-films are coming up with more ideas these days, and Mooniloraal is the reflection of something that has even enough to be made into a full-length movie, as we notice the friendship, thrills and twists maintained in the right balance bringing the clarity between the two, but certainly not radically ending the cycle – it is fittingly established that there are a few things that will never end. Mooniloraal from Triune Productions is the kind of movie that brings the twists nicely, but not without leaving clues – the final twist brings things together, and we once again understand that there is more than what meets the eye.

[Walks into the balcony with another cup of tea].

Vampire Owl: This is why I told you that I am not going to the lands of the dark elves even if it is on a diplomatic mission.

Vampire Bat: Dark Elves play no role in such cases.

Vampire Owl: Dark Elves use dark magic to cause disruptions in the bridge connecting life and death, leaving some souls trapped in between. It is a crime.

Vampire Bat: But how is it related to this short-film?

Vampire Owl: Didn’t you see the supernatural forces affecting even technology? It is something which only the Dark Elves can do, joining magic with science.

Vampire Bat: You don’t have any proof for that. The other world always finds a way.

Vampire Owl: Yes, but when they are aided by Dark Elves, it is easier. As the Wood Elves, or the High Elves – they will tell you the stories.

Vampire Bat: There is caste-related violence going on between the three groups of elves – do you think that any of them will tell you the truth about the other?

Vampire Owl: You mean to say that they are no more united against the joint forces of orcs and goblins?

Vampire Bat: Well, you need to read The Great Vampire Imperial Times at some point. These days, they even have a special offer for free coffins.

[Walks into the silence of darkness].

Release date: 25th January 2017
Running time: 19 minutes
Directed by (DOP): Jessay Gopuran
Starring: Don James, Steve Antony, Johns Mathew, Rosamma Nelson (voice)

Watch the movie Mooniloraal here:

Other recommended short-films from India: Red Jacket, Mangalyam Thanthunanena, Moonnamathe Vazhi, Invisible Actor, Grace Villa, Culprit, Ima, Mrithyumjayam.

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

My God

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What is it about? :: Sam Thottumkal (Master Adarsh) is a kid with many problems in his life. When we are introduced to him in detail after a song, we understand that he is taken by the police into the juvenile home for murdering his own father Thomas Thottumkal (Joy Mathew). The parish priest Father Vadakkan (Sreenivasan) desperately tries to get him out of trouble, but his own family members don’t want him as they feel that he stabbed his own father. Meanwhile, Aarathy (Honey Rose), a social worker who spends time with children decides to take the boy’s case seriously. When her husband, a successful businessman from the United States, Aadhi (Suresh Gopi) arrives in Kerala after a long time, it turns out that he knows the boy very well. The husband and wife team decides to influence the boy’s life in a good way.

What is it actually about? :: The flashback is about Sam’s troubled childhood. He is a late arrival as the third child of his parents who wanted to have no more than two children, and he grows up listening to the stories that his own mother (Rekha) wanted to murder him before he was born. His father has absolutely no opinion about him as he scores less in examinations and does well in the other activities like painting, elocution, writing and some more creative work. His mother doesn’t really care about him as he is the unwanted child. His brother and sister are engineers working in reputed IT companies outside Kerala and are earning high salary; the former thinks that he is a good for nothing idiot who deserves no love and the latter is only sympathetic to him because he is of no good. His only hope is an aunty Alphonsa (Lena Abhilash) and Father Vadakkan.

The defence of My God :: Here is another movie to make you think, and you can keep the thoughts and the received messages for long. The emotional side of the movie is strong and it will undoubtedly touch your heart. There are dialogues which you can take home from here, and even if you leave them behind, at some point of life they will surely return to you. The movie is going to be effective for all kinds of audience too, not just the family, and not just the children, youth or parents – it has a much wider scope. It is a story of people and their dreams right from their childhood – no, not ambition, but dreams as something with wings and not that random thing which students answer when teachers ask about it. The movie inspires you to be better, for some people to be better humans with respect for the dreams of others and the rest to be better dreamers.

Claws of flaw :: The beginning of the movie seems to be a struggle, as a start like Philips and the Monkey Pen is not achieved here. In comparison, this one might be mostly behind, but with the emotional strength, My God is powerful. Too many brands shown in the movie rather than incorporating it to it, will make the audience feel strange. There are also some weak moments here and there, and the songs also don’t provide the desired effect; the film does overreach and often forgets its limitations and the area of strength – but what you gain in the end is a lot bigger, and the ending with Suresh Gopi and Sreenivasan is something that elevates this movie to a higher level. In the end, the movie’s strength is not its story and it is not the totality of things, but in the idea and how emotionally powerful the core happens to be, and how it is brought to the viewers. It also depends upon how you are able to take the inspirational movies and the flicks with messages because it is what this movie is about.

Performers of the soul :: Master Adarsh who plays the central character, the kid in trouble, does a good job, and the other children also support very well – it is a very nice thing to witness. The movie’s strength undoubtedly improves with the entry of Suresh Gopi, especially after the interval. The first half has only a smaller screen presence for him, but in the second half, he becomes the big man who brings the change. There are some striking dialogues from him which will stay in our minds for a very long time. There is no doubt that he raises the level of this movie after he arrives and makes sure that the second half outshines the first, and also finishes well. I can recommend nobody better for this type of a role, as Suresh Gopi has our attention and captures our emotions with this performance.

Further performers of the soul :: Sreenivasan in the priest role adds some extra feel-good factor to this movie, as he reflects a guardian angel here. We don’t usually see Sreenivasan in this kind of a role, but this one has suited him very well. He isn’t a person who comes to our mind when we think about the priest roles, but from now on, he might be. Joy Mathew is really good as the father character who doesn’t like his son’s choices; he leaves a very tough impression. Honey Rose does her job well. Lena Abhilash plays the one symbol of hope in this movie really well. The roles of the rest of the actors are limited, and only a few leaves any impact on the audience, as the focus is so much on three, Suresh Gopi, Sreenivasan and Master Adarsh, who manages their side really well.

Soul exploration :: There has been a good number of inspirational movies this year with Mili and Rani Padmini gaining positive reviews with the female-centric stories while the story of a man who rises above his disability, Su Su Sudhi Vathmeekam is still running successfully in the theatres. We have always accepted movies with messages and Philips and the Monkey Pen with a child as the central character had gone on to become a big success in the year 2013. My God follows the path of these movies and tries to bring a message and a lesson along with being inspirational in nature. The best thing about this type of movies is that they will make an impact one way or the other, and will bring some change in the minds of some people now or later when the viewers watch it again. So, are you going to watch this movie on the weekend? Do you accept the dreams of your child, and allow them to follow the same?

Release date: 4th December 2015
Running time: 129 minutes
Directed by: M Mohanan
Starring: Suresh Gopi, Honey Rose, Joy Mathew, Sreenivasan, Master Adarsh, Lena Abhilash, Rekha, Sreejith Ravi, Indrans, Devan, Praveen Prem

mygod

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

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Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

crimsonpeak

@ Cemetery Watch
✠ The Vampire Bat.