The Woman in the Window

Vampire Owl: There is a vampire in the window if you look around from here.

Vampire Bat: It is only a picture of the vampire in that mansion.

Vampire Owl: Why would someone put a picture up like that?

Vampire Bat: Maybe it is someone who wishes to be popular.

Vampire Owl: I should put my picture on the window too.

Vampire Bat: We are not that kind of vampires.

Vampire Owl: We are still the kind vampires around here.

Vampire Bat: Why should vampires be kind?

Vampire Owl: Kindness is a quality which can be used to fool people easily.

Vampire Bat: Vampires do not fool people. Humans do. They lie, cheat, steal and murder all the time.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Anna Fox (Amy Adams) lives alone in an apartment in Manhattan, New York after being separated from his husband Edward Fox (Anthony Mackie) and daughter Olivia Fox (Mariah Bozeman). She always try to cheer herself up despite the loneliness, and has good support through the phone. Anna suffers from agoraphobia, leading to a lot of anxiety about her surroundings and she observes her neighbors from a second-story window, and that includes the Russell family who recently moved in across the street. She has a large number of medications to take on a daily basis, and also goes on with a lot of alcohol consumption. David Winter (Wyatt Russell) is her tenant who lives in the basement area of her home, and often helps her with some househould work as well as repairs. She does feel lonely at times, and has talks with Ethan Russell (Fred Hechinger), the boy who lives as part of the Russell family, and is upset for some strange reasons – she tries to use her skills as a former child psychologist here.

So, what happens with the events here as we just keep looking? :: Anna continues to see the world around her in suspicion and feels that her neighbours are up to something all the time, and that Ethan suffers due to the same. Soon, she also comes across Ethan’s mother, Jane Russell (Julianne Moore), who has some good moments of talk with her, making her happy and relieved. This leads to her believing that Ethan has an abusive father. One night, Anna hears a scream from the Russell family home and then sees Jane being stabbed to death in the living room, but she is not able to find who exactly did that. She has a camera, but forgets to take a photo in panic. She contacts the police, but they do not believe her, and tells her that everyone in the family is just fine. At the same time, Alistair arrives at her home along with his wife, who is a different woman from the one she had met earlier. The police as well as the neighbours tell her that she is hallucinating and making up things, and David also has the same opinion. But she decides to keep spying on the Russells, but it won’t be an idea which will help her.

The defence of The Woman in the Window :: Here, we do have a murder happening, without the surety that it is real, and one would wait for the twist which is to happen at some point of time, as there is the feeling that something is not right, throughout the movie. It puts almost everyone in the line of doubt, and one keep guessing, only to find out that there are not enough clues to completely focus on one suspect. The movie does mix agoraphobia well with the happenings, and we know that it is something that needs serious attention. It is the kind of thing that many of us do feel, and while reading about the same, I have felt that I did have similar problems on many occasions too. I have felt my world to be unsafe with no escape, and had continuous fear and discomfort with regular nightmares for months, as I kept at home for a very long time, and very rarely, I did go out, and that too only with people by my side. Therefore, I was able to connect to this lady very well, and there are moments which make us believe that one of them could be speaking the truth, but that person actually changes as movie progresses.

The claws of flaw :: The Woman in the Window is quite a slow movie, and that is indeed strange, because there were so many occasions here where some more material could have been added to strengthen it further. It could have also focused completely on agoraphobia, and also divide the world into reality and hallucination – it instead focuses on dialogues and what the main character is doing without focusing on the relevant. The time that it takes to start moving is also a little too much, and the revelations could have been made in a more powerful manner, for here we just have it done quickly. It could have also speeded up things at least during those moments which are rather thrilling. The focus on the killer is also a little too less, and we end up not watching enough of his actions of terror and the murders also stay a little too much outside focus. The whole movie focuses on one place with one type of action being focused, thus maintaining the unity of action and the unity of place among the three classical unities talked about by Aristotle, but by doing the same, this movie doesn’t really focus that well on both to elevate the movie, and thus rather brings it down.

The performers of the soul :: If there is a movie starring Amy Adams, I would rarely choose not to watch it, and a thriller does suit her as much as the many genres which she has explored in the past in her career. Nocturnal Animals and Arrival had some fine work being done by her, and both of them were movies which were slow enough too, and you do remember her as a Disney princess too. The superhero movies fans would recognize her more from Man of Steel, Batman v Superman: Dawn of Justice and Justice League – well, she is a well-known actress in this part of the world too, and she surely deserved a quicker movie rather than this one. Gary Oldman plays the man who seems to be full of mysteries, and also the one the protagonist feels, is a murderer. He surely has his secrets, and the role is played with a certain amount of class being added there. Julianne Moore seems to be there more as playing a guest role rather than anything else, but we remember her for that scene. Fred Hechinger plays the boy well enough, while Wyatt Russell has his moments. Brian Tyree Henry has memorable times as the detective too.

How it finishes :: The Woman in the Window is the slow thriller that just manages to keep you interested by throwing something in here and there, serving well as the psychological thriller that it is. You do have the doubt about whom you should doubt, even though there is no specific assertion on where you should concentrate that particular feeling. My first thought was that this could be a movie like The Voyeurs, but that is not the case – being a psychological thriller, that path could have also been taken, but The Woman in the Window takes the safe one, lacking in courage and thus being not ready to take the tougher step. But it is nice to see that it still works, and has enough steam to keep it going – the usage of the word “steam” is more relevant than it seems, as it is not innovative or better equipped as some of those newer films are. Well, it can always do better, and if you are standing at the window, witnessing something terrifying, this won’t be the rest during most of the times. The Woman in the Window doesn’t seem to think that further on the same.

Release date: 14th May 2021 (Netflix)
Running time: 100 minutes
Directed by: Joe Wright
Starring: Amy Adams, Gary Oldman, Anthony Mackie, Fred Hechinger, Wyatt Russell, Brian Tyree Henry, Jennifer Jason Leigh, Julianne Moore

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@ Cemetery Watch
✠ The Vampire Bat.

Bhoothakaalam

Vampire Owl: So, the title could mean the days of the past as well as the days of the ghost.

Vampire Bat: It is a nice play on the words being used here.

Vampire Owl: Do you think that Malayalam movie industry can have good horror anymore?

Vampire Bat: Well, horror is the only reality of life. So, it is always possible.

Vampire Owl: You mean to say that the realistic tendencies of the industry can help.

Vampire Bat: Yes, what is life, but a collection of horror of reality?

Vampire Owl: I can’t disagree. I once heard the story of the devil finding the burning hell as a better place to live in comparison to Earth.

Vampire Bat: Well, you know what humans are capable of. They have already made their world a place worse than hell.

Vampire Owl: So, who are the real monsters?

Vampire Bat: Humans are the real monsters, from the day of birth itself. You should see how they torment their own people.

[Gets a chicken biriyani and three cups of elaichi tea].

What is the movie about? :: Vinu (Shane Nigam) is a D.Pharm graduate who is living with his mother, Asha (Revathy) in what seems to have been a very unhappy household since the death of Vinu’s father post leaving a lot of money to be paid back for the loans which were taken. His grandmother dies after living most of her life on the bed after a terrible stroke which she barely survived, and the life of mother and son which was full of negativity only gets worse after the demise. Vinu has been looking for a job for a long time, but as he is focusing on getting some work in his field, and is also trying to keep the search close to home, he is not really able to make any progress with that. Depression seems to come naturally to him, as well as his mother, who is a school teacher for small children. Asha is also hesitant to send him anywhere distant, especially to go for a job which is not directly related to the course which he studied. She also temporarily losses her job, as she ends up hitting a child accidently.

So, what happens with the events here as we just keep looking? :: The mother and the son continues to have arguments over the past, present and future, as Vinu decides to find a job outside Kerala or even India at some hotels where his friends are working. Asha finds him as a rather useless person, as she originally wanted him to study MBBS, and they had spent a lot of money related to that too. But soon, things get worse, as Vinu feels that he was locked within a room by his dead grandmother, who moves around in the wheel chair. Asha feels that he needs counselling, but he doesn’t agree. George (Saiju Kurup) who runs a counselling centre comes home to help him, but Vinu is not happy about it at all, as he feels that he is being marked as an alcoholic and drug addict. George also feels that the sleeplessness might also be a reason, along with the mental problems which runs within the family. Vinu is in love with Priya (Athira Patel), but has stopped returning her calls, as he does almost nothing, while staying in his room, or in front of the television. But he continues to see and feel things – can this mean something else?

The defence of Bhoothakaalam :: Starting off as a movie which seems to have characters with some mental problems related to trauma, it smoothly enters the horror mode after some time. With many options being left behind, one can make different guesses about what actually happened. The minimum elements are used effectively, and the atmosphere of the house also brings a certain amount nostalgia – like our old houses which had mosaic on the floor along with some old style furniture as well as spaces on the wall. The darkness and shadows are pretty much effective in bringing the scares, and there is much to be felt about the possible presence in the house – they contribute to reaching a point where the title can be justified. The emotional side is also very much working, and there is much of the feelings going through here. Even with all the terror coming from outside, there is also the presence of the depressing past related to regret which continues to haunt everyone – the memories can be disorienting enough, as we move forward through a world of chaotic mind here too.

The claws of flaw :: Bhoothakaalam often restricts itself in the use of horror, except for the finally fifteen to twenty minutes when the film is finally allowed to unleash itself, bringing all the elements which it had in store, but didn’t use early enough. It does take its own time, and one feels that it is moving too slowly during that period of time. There are movies which slowly gets stronger, like Come Play, In Fear and It Follows, and one might feel that this might not feel that new with the early slow movement. The mind could have been given better focus, and the presence in the house could have also been better explained, thus leading to a better final finish. It is surely not that scary as some people seem to talk about it – there is something to be frightened about, but not that much as what the reviews exaggerate here, for only those who haven’t watched Hollywood horror movies at all can be that scared about it. After all, these are not the days when people are scared of ghosts that much, because humans have proven themselves to be more evil, each and every time. Ghosts have to be a special kind of scary to rise about human demonic acts.

The performers of the soul :: Shane Nigam continues his work more out of Kumbalangi Nights rather than the other movies, as he once again plays a similar youth who doesn’t really have a job for a multitude of reason, even though he is better educated this time. Revathy’s work continues to be a thing of quality, as he plays a mother role with a difference. There are moments which rises above the natural so well. James Eliya seems to be the man with logic, and has his moments of advice. Jilu Joseph has a small presence as a psychiatrist, as it is Saiju Kurup who deals with the counselling more, and even finds out a few secrets about the house – one would have loved to see more actions being taken by him here. Manju Pathrose plays the usual nosy neighbour, a role which is quite short. Valsala Menon played the grandmother, and that was the role which also lasted for only a few minutes as the movie continues to focus on the mother-son duo for almost all the time. Athira Patel is more or less the Mamitha Baiju of Operation Java coming in here as the seemingly forced love affair which in this case doesn’t reach anywhere in comparison.

How it finishes :: When we think about ghosts and past, the first movie which comes to our mind is Guillermo del Toro’s Crimson Peak, a Gothic romance horror which was not watched by that many people in this part of the world. But the past that haunts this movie is more or less related a good number of other horror movies, with one haunted house as well as a psychological side, both complimenting each other, sometimes from a distance, and at times, getting close enough and going through one another in style. Bhoothakaalam doesn’t hesitate to combine its elements, and then come up with the defining moments in the final stages of the film. This is surely a good deviation from the usual horror movies that we have in the Malayalam movie industry, and just like some of the other Sony LIV movies which released in the last few months, like Madhuram and Kaanekaane, this one also has a strong emotional side to go with. Well, you can also have some interesting horror with relationships running emotional in the background, for the ghosts are better and truer with their emotions than the fake humans.

Release date: 21st January 2021 (Sony LIV)
Running time: 105 minutes
Directed by: Rahul Sadasivan
Starring: Shane Nigam, Revathy, Athira Patel, Saiju Kurup, Manju Pathrose, James Eliya, Jilu Joseph, Valsala Menon

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@ Cemetery Watch
✠ The Vampire Bat.

Warning: Do Not Play

Vampire Owl: I have watched a movie with the name Warning, some years back.

Vampire Bat: Yes, that was in the year 2013. We watched that Hindi movie with the same name.

Vampire Owl: So, this one provides another warning.

Vampire Bat: Well, horror movies do come up with many warnings.

Vampire Owl: Yes, those warnings which the people in the movie ignores.

Vampire Bat: Without such foolish actions, the horror movie losses the charm.

Vampire Owl: I would always support such actions though.

Vampire Bat: There is no need to overdo the same thing again and again though.

Vampire Owl: Yes, even being foolish for the sake of horror has its limits.

Vampire Bat: Let us see what the characters in this movie manage to do.

[Gets a vancho cake and three glasses of vanilla-strawberry shake].

What is the movie about? :: Mi-Jung (Seo Ye-Ji) is an aspiring film director has been preparing a horror film for many years, but is not able to find the right story despite watching many movies of the same genre, and reading many short stories and novels belonging to the same category, and that leaves her in a desperate need for something. As an young and energetic girl looking to shine in her field, she decides to go after a news about one short-film which was taken in a university by a student as part of the person’s project. It is supposed to have caused some strange incidents in the university, and people say that the movie was originally filmed by a ghost. She does travel all the way there, but from the professor who has been working in the film department for about ten years, she gets no information regarding the same. This leads to her looking for some information from the students of the university, but manages to get very little.

So, what happens with the events here? :: It is then that she gets something from a film festival which was supposed to screen the movie, and as she posts the same online, she is approached by a strange man who is supposed to have created the movie. He forces her to delete her post, and tells her nothing. But she follows him to his house, and manages to steal a copy of the movie, as she has to create her film as soon as possible. But these sequence of events does bring her much trouble. She does manage to see a strange figure lurking in the shadows, and within the darkness. She struggles hard to get whole of the movie retrieved, as some part of it was destroyed. After she is successful in doing the same, she hopes to bring a new version of the same story with a lot of edits. But the question remains if she will be alive or with enough sanity to continue what she has been doing. There is something coming right after her, and it is not good – now, it is more about survival.

The defence of Warning: Do Not Play :: It is clear that this movie chooses to go on through the usual horror path, with one video tape at the centre, reminding one of the Ring series of movies which went on producing many sequels after the grand success with the first flick. The idea of a movie which kills people itself is always something of interest. There are some nice scares which comes in the later stages of the movie, and the settings are also pretty well managed, but what scares more might be the selfishness of someone who looks forward to get what the person wants. If you have watched those usual horror movies, this one can be added to that list – we had seen what an electronic device can do with the help of a ghost, as shown Polaroid, and this one also seems to share some similarities with that particular flick. Still, it is nice that this one is not a found footage movie, because that would have brought the level of the film further down in this case.

The claws of flaw :: Warning: Do Not Play did have many paths to choose from, and for some reason, it decides to go with the usual one without surprises, and it is not a good sign. It leaves the horror behind for the mystery elements on too many occasions despite being branded as a horror movie, and it surely has some problem with bringing the scares to the screen, which takes too much time to come, and doesn’t elevate itself above those usual horror films. As it makes the attempt to bring the past and the present together for a future horror movie, it seemed to be in a certain amount of confusion at times. Even though it is usual in its basic methods of horror, this complication which comes in here and there causes a certain amount of confusion. When you look at it closer, you can see that one more opportunity for a grand horror thing is lost here, and only a sequel can bring it back. The movie is also too short to bring a story like this to further strength.

Performers of the soul :: Seo Ye-Ji plays the protagonist looking forward to get her movie idea working, but is not able to write well enough to reach anywhere with the script. We see the perfect choice for the cast as her, as we see her worries reflected in her actions and face itself, really well – the determination to do something more is also with her, all the time. The rest of the cast just plays according to the needs of the protagonist. She is the only character in this movie that matters, and the only one person who needs our attention. She takes us through the journey of a struggling film maker who would do anything to have her movie idea working. As she looks younger than her age, it is easy to have her in this role. There is energy, and the emotions are all very well reflected on her face. The obsession that she shows is as clear as the desperation which could be seen in her earlier. Still, the movie could have developed the other characters a little bit more for support, as this one is more or less the one-woman show throughout the run.

How it finishes :: There is always space for another Korean movie around here. During the time of Corona virus lock-down, nothing has kept people entertained like the works from South Korea on the screen. During this time of COVID-19, we are always looking for the other types of horror, and we have it again in this form. We still need work to be done in the usual horror movies like this one, and prepare a better work, even though we do have something pretty good around here. At the same time, I hope that all the readers of Movies of the Soul are safe from the Corona virus during this time. Stay safe, and let us hope that things which are getting worse all around the world as well as the nation now can get better – after all, we are all better prepared now. Let us believe that everyone will contribute to preventing this crisis from getting worse, with people coming from outside keeping themselves inside the quarantine as well as people here continuing the social distancing practice. Well, horror is indeed real in life.

Release date: 15th August 2019
Running time: 116 minutes
Directed by: Kim Jin-won
Starring: Seo Ye-Ji, Seon-kyu Jin, Bo-ra Kim, Cha Yub, Yoon-ho Ji, Jae-Young Joe, Mi-kyung Kim, Kim Jae-In, Yoon Jeong-ro, Tae-boo Nam, So-Yi Shin

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@ Cemetery Watch
✠ The Vampire Bat.

The Forest

Vampire Owl: I once went to this particular forest known for suicides.

Vampire Bat: And then what happened?

Vampire Owl: I just couldn’t live up-to its reputation as I had already died.

Vampire Bat: Even the undead can die, you know.

Vampire Owl: Yes, but the ghosts were against it. They told me that it is cheating.

Vampire Bat: Why did you even have to listen to them?

Vampire Owl: Well, they told me that they would transform me into a human.

Vampire Bat: What? It is so cruel. It would have been better to keep split personalities instead.

Vampire Owl: Yes, I just couldn’t bear being part of an inherently evil species. So, I said no.

Vampire Bat: I have to say that you did the right thing this time. The blood wars are coming, and we have to say no to more than one thing.

[Gets three cups of lemon tea with 50-50 biscuits].

What is the movie about? :: Sara Price (Natalie Dormer) is spending her time with her fiance, Rob (Eoin Macken), and is having some happy moments of her life in her home in the United States of America when she gets an unexpected call from Japan. She is informed that her twin sister, Jess Price (again Natalie Dormer) is dead. The idea is that she was last seen going into Aokigahara forest known more as the Suicide Forest or Sea of Trees, and those who go there alone at night rarely come back as it is a place where people commit suicide. It is rather believed to be the most popular suicide destination in the world which has so many strange tales associated with it. The forest is known to be home to yurei or or rather the ghosts of Japanese mythology. It is also said that long ago, the elderly or unwell people were left to die in the forest, and the place had its dead bodies and ghosts from centuries ago. The place has that kind of a terrifying reputation.

So, what happens next? :: But that doesn’t stop Sara from looking for her sister, and despite the concerns of Rob, she travels to Japan, and after talking to the people at the school where she was teaching, gets to the hotel where Jess was staying. There she meets a man named Aiden (Taylor Kinney) with whom she share a drink and they become friends. After listening to her story, he tells her that he is a photographer and will accompany her to the forest. They are also to be accompanied by a guide named Michi (Yukiyoshi Ozawa) whose presence will help them to get out of the forest if they lose their way or if anything goes wrong. As they go to the forest, Michi tells her that Jess should most probably be dead, and there is nothing changing the same. But Sara says that it is not possible, and as they are twins, she will somehow know if she was dead. She is quite convinced that her sister would never commit suicide.

And, what is to follow next in the adventure? :: After traveling for some time in the forest, they come across the tent which Jess had used, but it was nearing nightfall, and Michi tells them that they have to go back as soon as possible. But Sara is convinced that the best option for them is to stay there, as Jess might come back to the tent by night. But Michi tells her that it is not safe, as the forest has its own ghosts, and they will make her see things which will drive her mad, and it will be she who will be lost on the next day. With their best efforts not seeing anything good in the end, Aiden says that he will stay with her throughout the night, and Michi leaves them to what seems to be a complicated fate. So, by staying in the dark forest which is believed to have more spirits than people, can Sara finally find Jess, and can at least one of the two sisters return home alive from the forest? Well, it is not that simple as it seems to be.

The defence of The Forest :: Aokigahara Forest is a nice location for a change, and with the tales that are told about the same, we become more and more interesting in watching a horror movie based on the same location. Natalie Dormer does a very good job as the twins here, and we are glad to see her in two roles, and she does her job very well. Known the best for her work in Game of Thrones series and also in The Hunger Games, it is great to see the talented actress doing the big role in a horror movie. The forest is also a solid character by itself, as we see possibilities going endless from the beginning itself. It does bring the question about what really is the reality and what is the hallucination – something that the ghosts use to confuse its new preys. The visuals are nicely used to support the same, and we surely have to say that there is an attempt to go different here.

The claws of flaw :: The movie could have surely used more scares, especially with such a mysterious forest at the centre of everything – the site of tragedy and strange beliefs hasn’t got the due that it deserved. The Forest could have used more ghosts than any other movie, and the variety that it could have brought with its scares would have made it close to a masterpiece; but such an effort is certainly not made here. When such creepiness is around, you expect the scary side to hold on and get to be better, and it is something that you never see anywhere around here. This struggle to use the material in hand should feel strange for many viewers. It also has to be noted that other than Natalie Dormer, there is nothing much of a cast to do anything big. Maybe it is the lack of focus that bring the trouble rather than anything else, as we see the struggle towards the end from a movie which began so well.

How it finishes :: You will surely find The Forest to be a rather strange movie, which means that whether you like it or not, it is very difficult to ignore it. With Natalie Dormer in full form, you might expect more and more, and what you get might not satisfy you enough. If you consider the mystery elements more and the scares a little less, you will not find this one to be less interesting. As you think differently, you will find this movie to catch your attention with its divergence. After all, it is one reality that we have in our lives, and the inability to understand what is real and what is unreal, and what is good and what is evil, is something that should be scary even out of the limits of a horror movie. Well, this one is creepy enough, and you just need to read less number of reviews before watching this movie. You remember the movie Pet, which was different in its own way.

Release date: 8th January 2016
Running time: 93 minutes
Directed by: Jason Zada
Starring: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken, Rina Takasaki, Noriko Sakura, Yûho Yamashita, James Owen

@ Cemetery Watch
✠ The Vampire Bat.

Darling

darling!

Vampire Owl :: You mean Darling Darling?

Vampire Bat :: No Darling just once, unless you want to create an echo.

Vampire Owl :: Vampire Owls don’t echo. We are immune to such inferior special effects.

Vampire Bat :: Then its easy to follow. This is the remake of the Telugu horror comedy romance, Prema Katha Chitram.

Vampire Owl :: That movie in which Nanditha Raj plays a Nanditha?

Vampire Bat :: Yes, and here Nikki Galrani plays someone not Nikki.

Vampire Owl :: You mean Nikki Galrani of Om Santhi Oshaana, 1983 and Vellimoonga, the not-so-owlish movie?

Vampire Bat :: Yes, with no doubt. How many other Nikkis do you know?

Vampire Owl :: Well, what about Nikki of Neal ‘n’ Nikki?

Vampire Bat :: That ruins my day. Why did you have to even try to mention that movie?

[Gets the tickets].

What is it about? :: Kathir (G. V. Prakash Kumar) is looking to commit suicide and for the same, he is joined by two other people consisting of his friend and another girl, seemingly leading to a nice small group suicide. Kumaran (Bala Saravanan) and Nisha (Nikki Galrani) who become part of the suicide gang, try to make their last wishes happen before committing the awesome act of self-destruction. There are things which they do, like having a new car which they steal and slapping an MLA in front of the news channels. They escape from the police and goons and go to a house accompanied by another man trying to suicide, Athisaya Raj (Karunas). Nisha is in love with Kathir, and her real plan is to stop him from killing himself, and Kumaran is also hoping to stop his friend from doing the act. But the house where they are staying has a back-story and things won’t go as planned.

The defence of Darling :: There are some improvements on Prema Katha Chitram that this movie has made here as the remake. The best of them is the climax and the ending which has some interesting changes. It is quite faithful to the original, but not a blind copy. The movie is funny and scary in parts, and does full justice to its genre of horror-comedy which hasn’t been an easy thing to do. It is time Bollywood also has some horror-comedies of this quality. There is ghost, romance, comedy, mystery and even the ghost slayer Ghost Gopal Varma. All four of the main actors are very good, and one thing that you can’t fail to notice from the posters of the movie in Kerala is that Nikki Galrani is the Queen of Luck or the Goddess of Fortune – judging from the Malayalam movies which she has acted in: Om Santhi Oshaana, 1983 and Vellimoonga; the three big hits – can we dare to disagree?

The Claws of Flaw :: As a remake of Prema Katha Chitram, the movie might seems redundant for a few. There are some scenes which doesn’t improve the original, and there is no big improvement in quality here. The original was a movie which a lot of people had watched here too, but Darling should still be a new experience for another good number of people. The movie does have some of the same problems as the original, with some misplaced jokes and some loss in the horror department, but those were expected as the remake. One big change which they could have done was with the face of the ghost, and even the first possession moment was no surprise. A scarier ghost could have been there, and the total spooky atmosphere should have been enhanced. Some innovation could have only done this move good, with a shorter flashback and more elements of mystery. Yes, more scares would have brought the awesomeness here, and there was the need to match the comedy.

Soul exploration :: The resurrection of horror genre in the right manner is a need among all the Indian movie industries. Bollywood seems to combine it too much with erotica and spoil the whole thing, or just copy something from Hollywood and add below average things here and there. Horror no longer seems to a genre that is interested in being spoken in Hindi. But a better working combination at this part of the world is horror with comedy and simple romance as it has been proven here. It is a good form for the horror genre to exist, without the extra seriousness that comes in and often fails to connect with the audience. There will always be people who want to laugh at the horror movies, and may be what people deserve more is the horror comedy. I would expect better times for horror with this mixture of genres in work, and I hope for such a movie in Malayalam too, without going too stupid or absurd.

How it finishes :: It is surprising how well the movie has attracted the audience here even as there is only one popular face for the people here, which is Nikki Galrani. It has come to only selected theatres here and at some places just to fill in the blanks, and may be that is a reason. The multiplexes hadn’t had much shows. I would say that Darling was a movie which could have done wonders here with some better promotion – after all, Nikki is one of the favourite actresses of the common movie fans here, and that has been accomplished by her presence in just one year – 2014. It is a sure entertainer and has its existence at a number of theatres in Kerala – you might have to search for them, but if you haven’t watched Prema Katha Chitram, this a movie that you should give a chance for the effort and the difference that it brings to the screen.

[After the movie]

Vampire Owl :: You didn’t tell me about the special 3D effects in the theatre.

Vampire Bat :: 3D at that theatre? We were in the same theatre, right?

Vampire Owl :: Yes, didn’t you see those effects?

Vampire Bat :: What exactly are you talking about?

Vampire Owl :: Didn’t you see the black kitten and the smoke outside the screen?

Vampire Bat :: That actually seemed like a rat. The smoke was just people with the cigarettes. This is why you should go to local theatres more often.

Vampire Owl :: It is still a special effect. We should have brought the Vampire Cat.

Vampire Bat :: So do you think that the hiking of ticket price by twenty rupees was justified?

Vampire Owl :: Absolutely not. These conditions deserve a maximum of fourty five rupees, thats all. We have better effects at the Dracula Castle.

Vampire Bat :: Then lets hope for another theatre next time.

[Runs to the Indian Coffee House].

Release date: 15th January 2015
Running time: 126 minutes
Directed by: Sam Anton
Starring: G. V. Prakash Kumar, Nikki Galrani, Karunas, Bala Saravanan, Srushti Dange, Rajendran

darling

@ Cemetery Watch
✠ The Vampire Bat.

Law Point

lawpoint (2)

That point to be noted :: There are some movies which come silently and go unnoticed. This was going to be the case of Law Point as it didn’t release in a good number of local theatres where even The Amazing Spider-Man 2 released, and that comes as a big surprise considering the fact that a Kunchako Boban – Namitha Pramod pairing has some good scope to attract audience, not just the fans of Kunchako, since Pullipulikalum Aattinkuttiyum. Now, where is that much needed hype which should have been present here at least a little bit? A movie which released in silence and went on to become a big hit was Memories, but that belonged to another class, and also to a director who had never known to have evaded victory, and the creator of greatest hit of all time in Malayalam (Drishyam), Jeethu Joseph. Meanwhile, this one comes from Lijin Jose who directed the 2012 movie Friday. It was a fine movie, no matter how some of the audience might have rated it, and it surely gave the viewers a lot to think about. Now, thinking isn’t what most of the fan-boys do these days right? If they do that, they would never be the minions of actors, but a lot above that with their own individuality. Friday had given us a director who could innovate well in his directorial debut, and it is on that same director that I trust while watching this movie.

What is it about? :: Sathya (Kunchako Boban) is a brilliant lawyer who has the ability to do wonders at the court, and spends most of his time taking the cases of big-shots and saving them from the crimes which they have committed. He is proud and shows more interest in money than anything else. After saving a rape-accused, Kuriyachan (Suraj Vencharamoodu) from the law, a millionaire named Ramakrishnan (Nedumudi Venu) comes to meet him and asks his help to get his son out of trouble. The son was in a big problem as his girlfriend tried to commit suicide as he refused to marry her and they were going to file a case against him according to the last letter that she had written. Sathya agrees to become a mediator and solve the case for which he is going to get rupees twenty lakhs and the girl’s family is going to get a crore rupees. Even as her father Philippos (Joy Matthew) seems to agree a bit, the girl Maya (Namitha Pramod) is not ready to agree. Therefore, Sathya asks her to come with him for a ride in his Volvo, to which she agrees as she has been spending too much time locked in her house. As the simple ride gets longer than expected, a lot more comes out of it, and sooner or later, it will change the life of Sathya with a twist.

The defence of Law Point :: Whatever is expected from Law Point, it has nothing to do with them, as it is not really a courtroom drama, suspense thriller or action romance or a mixture of any two of these combined in another combination. There is nothing about the court and neither is there much to justify its title. The movie chooses to be different and go in a path which might not be unexplored, but which is not expected to follow with such a cast and settings. The beginning setting is just the base for what is to be revealed in the end, and the whole thing that happens between works just to connect and make things interesting. The visuals are nicely captured, most of the best ones around Vagamon and the surrounding areas. The background music is nice (despite reminding of the Yuvvh music by the end), and the songs as well as their picturization are nice. The movie is very short for a Malayalam flick, lasting just above an hour and forty five minutes, and that makes sure that this becomes more of a fast food for the movie watchers. As the other Malayalam movies except 7th Day which has released since Vishu haven’t managed to work, Law Point might just work well with some audience with its points.

The claws of flaw :: The movie comes up with good drag in between, especially the time close to the interval, sometime before and after that. By the time the interval is reached, people might be left a little confused about where the movie is heading, as it doesn’t reach an interesting position by then. The first aim of the movie should have been to keep the viewers interested, but that is not the first preference here. The end might actually destroy the purpose of a lot of things which happen in the middle, but for others, there is good reason in the end. The end twist should have had a little more punch, and the lack of the dark side makes this one end up with a feel-good effect, but that won’t satisfy those with different expectations. The dark themes remain absent even as they threaten to come up in the beginning. The impact is less, and the movie ends when the viewers expect a little more twist or some addition to the romantic side or even a change of character from the protagonist who seems to remain the same proud young man with that over-confidence still failing to disappear.

Performers of the soul :: Kunchako Boban has a nice introduction, and comes up with a nice performance as the young lawyer even as he has just one scene in the court and the rest are all outside. He plays that kind of a proud and confident advocate who thinks that he can even save the devil himself if in trouble and he is that damn smart. His negative shade is nice, but kept under control throughout the movie. Then there is Namitha Pramod with her best performance ever, as she carries that character on her shoulder beautifully. There are times when one wonders if the middle period of the movie is meant to prove that she is pretty, something which doesn’t need any proof as far as any viewer is concerned. She looks better than ever, and her acting graces her beauty so well. They form a nice hit pair, second only to, may be the Nivin Pauly – Nazriya Nazim pair. Suraj Venjaramoodu has only the initial scenes, and there are the funnier scenes around. Meanwhile, Joy Mathew’s role is nice as usual.

Soul exploration :: Law Point plays a twisted game, something which looks rather plain in the first half, but it is not, as proven later. But this game of twists remain faithful to the lighter side. The centre of this movie is a suicide attempt. Yes, suicide is a punishable offence in India, and that is re-asserted in the movie. There have been something about repealing the same, but not active yet. Yes, the one who attempts to commit suicide and fails in the same is not just the victim, but also guilty in the eyes of the law. Here, that is often repeated in talking about the victimization, the culprit and the two sides of the same law, the only law point which keeps moving through the movie. Is it right to have the depressed suffer again just because he or she made the wrong choice at that moment of extreme emotions? As our lady protagonist asks, hasn’t everyone thought about committing suicide at some point of their lives? Still, isn’t each individual life so important that suicide is a sin? But there is that nice game that is being played, and after that twist, we come to know that all’s well that ends well.

How it finishes :: The current situation is favourable to Law Point, considering what else are the Indian movies running in the theatres released in the last few weeks. The movie needed a lot more publicity as well as a few additions here and there which could have made it complete. There is a lot that such popularity can do to this type of movies. I searched for its Facebook page and was disappointed not to find one, but found information about its release and other stuff from the official pages of the leading actors. It is a sure watch for the fans of both Kunchako Boban and Namitha Pramod. Kunchako has been a minimum guarantee star, and with Polytechnic and this one, he is coming back to the form slowly but steadily. Namitha’s success story has continued well so far, and even the lesser appreciated Puthiya Theerangal was a nice one, something which I can certify with ease. There is shortage of action and there are no real thrills, but the movie’s twists can pull it up from any trouble that it causes to the viewers.

Release date: 1st May 2014
Running time: 108 minutes
Directed by: Lijin Jose
Starring: Kunchacko Boban, Namitha Pramod, Joy Mathew, Nedumudi Venu, Praveena, Devan, Suraj Venjaramoodu, KPAC Lalitha, Kalabhavan Prajod, Shari, P. Balachandran, S. V. Krishna Shankar

lawpoint copy

@ Cemetery Watch
✠ The Vampire Bat.