Fender Bender

fenderbender-2

Vampire Owl: A movie on a minor collision? How minor is that?

Vampire Bat: It is not really minor, as you consider what happens after the collision. You should read the synopsis of the story somewhere.

Vampire Owl: Yes, that person is a serial killer. It is quite natural.

Vampire Bat: It is not natural! Are you thinking Joy Ride, Wrecker or Duel?

Vampire Owl: No, people drive like serial killers these days.

Vampire Bat: It is a human thing. The whole humanity finds it difficult to drive. It is because they have lost all their magic to science.

Vampire Owl: We could provide them with more magic. Then there will be more necromancers than serial killers. We will be doing them a favour.

Vampire Bat: Necromancers are really not that good for them under the current circumstances either.

Vampire Owl: Then they should really learn how to drive.

Vampire Bat: Well, I hope that they do.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: A girl named Jennifer (Cassidy Freeman) is alone in her house, and after talking on phone about some random incident during the day, gets the message from an unknown number – the person on the other side seems to know what she is doing though. Even though she feels uncomfortable in the beginning, she just dismisses it as one random guess becoming correct. Soon, she is attacked by a masked figure right out of darkness, and while trying to escape through the window, is stabbed to death by the man in the mask. Then there is Hilary (Makenzie Vega), a teenager has just found out that her boyfriend Andy (Harrison Sim) is cheating her with another girl whom he kisses in front of her. Just a few days after getting her driving license and driving her mother’s new car for the first time, it happens that some random car just hits her vehicle on the back.

So, what happens next? :: She provides all of her information to the driver of the car (Bill Sage) who also shares his information – from address and phone number to taking photos, they keep the information, which Hilary uses to contact the insurance company that tells her to wait till they process the data. Her boyfriend apologizes to her, but she goes with what her friends had said, and dumps him. When she returns home, her parents are really angry about her relationship with the recently dumped boyfriend, and it gets worse that she has ruined the new car. They decide to go on their intended trip without her, and despite her repeated requests, they leave her alone in house after declaring her grounded. She notices that the car which had hit her earlier was moving on the road in front her home too. But it does disappear soon enough, and she gets back to doing her things.

So, how do things go from here? :: But strange things begin to happen as she finds her own photo in her mobile which was taken by someone else, and the photos of the car and the driver which she had taken were deleted. She hears a knock at the door, and is relieved to find that it is her friends Erik (Kelsey Montoya) and Rachel (Dre Davis) who have come to check if she is okay. The ex-boyfriend, Andy also comes at the door, and they blame him for the pranks on her phone, but it is certainly not the case, as it turns out to be. A late call from the insurance agency reveals the truth about the owner of the car, and the killer soon begins his game. Can Hilary escape from this madness, or will she become another victim on the long list? How can her friends help, and what role will the ex-boyfriend play with death sneaking around the dark corners?

The defence of Fender Bender :: Even though we know who the killer is and who the next victim is supposed to be, there is no shortage of thrills in this flick. The scary moments come in very well, and we will like this as a slasher movie too, with all the gore. As a home invasion movie, this one gets to a good position in the list too. There is also one other costume, which can nicely establish this villain as another big name like Jason, Freddy, Chrome Skull, Rusty Nail, Michael Myers, Harry Warden or Victor Crowley – if there is a sequel, that could work really well to establish a new franchise; the ending also makes sure that the scope is there to do the same. We can make sure that people will drive more responsibly if one such antagonist is unleashed only on those creepy ones on the road. Among many things, one thing that the leading lady Makenzie Vega proves here though, is that she can be in more of similar movies – a future scream queen in store here for sure.

The claws of flaw :: For some reason, Fender Bender just tries to keep close to what has been tried before, and doesn’t bring anything that new, even when there was a solid chance in store. There could have surely been more intensity with what the movie deals with – there is one serious serial killer right here, and the movie’s inability to make the maximum use of the same is rather confusing. We could have also done without the antagonist making his intentions clear too early – more suspense could have been added there. After it is made clear, the movie delays too much to get into the killing spree, which is really a bad idea. Also, the characters other than the leading lady gets killed too fast, and these characters are also there for a less amount of time for us to get to know them. This story could have gone deeper too, with the antagonist more established, but this should work pretty well for most people with all that is present in the movie.

[Walks into a bakery after the movie].

Vampire Owl: It was not bad as I expected.

Vampire Bat: Your expectations have been flawed for some time.

Vampire Owl: Do you know what kind of people need to be taught a lesson by some fender bender people?

Vampire Bat: Those who drive like maniacs, especially those on those huge motorbikes riding like psychos, right? You were talking about them last day.

Vampire Owl: Yes them too. But more than that, it is about those people who cause traffic jams. A few days ago, I was traveling from Aluva to Perumbavoor, and there is this auditorium on the way at Thottumugham which has very less parking space, and people are parking everywhere on the road. Disgusting, anti-social creatures who have no respect for others. At least, if they can’t arrange enough parking, these people shouldn’t invite this many people for wedding receptions.

Vampire Bat: I faced the same thing near Muvattupuzha on the Arakuzha road which has an auditorium which seems to have not enough parking. These people have everyone parking on the sides of the road – actually both sides on a road which is not a big enough one. Along with the same, they had buses for this particular wedding reception, and it was held in the evening. There was almost no hope to escape from this traffic trouble – it was so long.

Vampire Owl: The same was the case of the wedding reception I am talking about. When will the auditoriums provide enough parking space, or will these idiots have the brain to park responsibly?

Vampire Bat: We should note down those who repeat the offence and send the list to the responsible humans.

Vampire Owl: They all need their fender benders.

Vampire Bat: Yes, they do.

[Gets one sweet porotta, one blackcurrant shake and a glass full of grape juice].

Release date: 23rd May 2016
Running time: 91 minutes
Directed by: Mark Pavia
Starring: Makenzie Vega, Cassidy Freeman, Dre Davis, Kelsey Leos Montoya, Harrison Sim, Bill Sage, Lora Cunningham, Steven Michael Quezada

fenderbender

@ Cemetery Watch
✠ The Vampire Bat.

In Fear

infear (2)

Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

infear

@ Cemetery Watch
✠ The Vampire Bat.

Transformers IV

transformers extinction (3)

Vampire Owl :: Isn’t this the movie in which your Chevrolet Beat transforms?

Vampire Bat :: No, it doesn’t. The best it can do is to transform into a Titanic on on our roads on a monsoon season giving company to the other cars.

Vampire Owl :: Shouldn’t the movie at least feature you?

Vampire Bat :: Why me? When was the last time I transformed?

Vampire Owl :: It is named Age of Extinction. I think Vampire Bats are going extinct. Nobody really likes you. Even Poe prefers a raven at night.

Vampire Bat :: No, that is not true. There are people who like me, like Count Dracula, Batman, the cute zombie girl next door and twelve thousand two hundred and fifty three normal vampires. I might even have a candlelight dinner with Countess Dracula.

Vampire Owl :: I hope you take this lightly, but Countess Dracula is dead.

Vampire Bat :: What? When?

Vampire Owl :: I am not sure, but that should be about four hundred years ago or so?

Vampire Bat :: It is difficult being immortal; you have to watch good people suffering and bad people thriving.

[Enters the movie hall].

What is it about? :: Years have passed since the last battle between autobots and decepticons which left the city in ruins and so many people dead, making it difficult for the government to rebuild it again, and as a result, all the aliens were declared fugitives and there was not going to be any combined efforts between humans and the autobots anymore. Another transformer called Lockdown who belongs to neither of the two factions is shown to help the government in doing the same, with a promise of something in return for the capture of the autobot leader, Optimus Prime. Meanwhile, the human research on dead transformers is progressing, and there was the discovery of transformium, a metal which is unstable and can transform, creating more of such robots which can replace human soldiers in the case of a war. With the help of a captured Brains, they are slowly using this metal to build transformers which accept command from the humans, including Galvatron, Stinger and Junkheap. At the same time, Cade Yeager (Mark Wahlberg) and his friend Lucas Flannery (T. J. Miller) purchase an old truck in hope of helping Tessa Yeager (Nicola Peltz) in her studies with the money they can get from selling the parts. But that truck would be Optimus Prime in hiding and things will take a turn.

The defence of Transformers: Age of Extinction :: The movie has great battles, as robots collide and fight against each other in a war which lets sparks fly and makes things come towards you in 3D which is a nice visual extravaganza. The special effects nicely compliment the action sequences, and the chaotic world is nice to watch with transformations to come with the same. There are the nice cars to which the robots transform which look better than ever. The best scene is that which involves the huge spaceship which wanders in the sky, and also uses its powers with all the possible awesomeness as far as a movie like this is concerned. The destruction is also taken to another level. The transformations also take a twist, with dinobots having robots transforming into giant dinosaurs as well as the human constructed transformers having their own way of changing, all of them contributing in a different manner. The three machines which are better than the others are the Optimus Prime and Galvatron (Pacific Rim‘s Gypsy Danger’s evil twin) trucks along with the cars of Lockdown and Stinger. There is a lot for the Transformers fans to cheer about, as the awesome heroes once again go on their mission to save planet Earth with the support of a very few human allies. The human greed and the inherent evil are also nicely shown.

The claws of flaw :: The movie suffers from the usual problems with the plot which we can associate with all the Transformers movies which try to follow the path of the original with one villain at a time, Megatron, Fallen and Sentinel Prime who were in the previous movies make way for Lockdown, and Megatron is once again here being the secondary villain, just in another form. There is also the old truck Optimus Prime who refuses to stay in the grave and comes back from the dead as the metallic zombie which I have always hoped to have stayed dead or refusing to die at all. Bumblebee continues to be overrated and lives, while the kill off the last interesting robot from the first movie, Ratchet, something which they already did to Jazz and Ironhide. The robot design is also more complicated, but at the same time, horribly flawed, as we no longer see the usual robot faces, but creatures with face of Japanese Samurai and those with beard and smoking cigars, something which looks so dumb in the detail. The plot gets predictable by the second half, and the addition of dinobots is nice variety, but the way in which they are introduced is lame. The movie is also too long and has too many repetitive fights which often makes the viewers wonder if they had already seen all these. The characterization is another case for downfall.

Performances of the soul :: Mark Wahlberg is rock solid in this movie, and it is good to see him instead of the usual cast that we had, because he is always one of those nice action stars who are suitable to play this kind of role which involves being the hero and yet not being the strongest one around. Here he is, being the mechanic, father and action hero all at the same time, and makes it work even as his character is not without flaws. Nicola Peltz is more about being the beauty among the population which are mostly robots or action heroes, and being the one with teenage girl problems and having problems with her father. She looks great and proves that one thing. Sophia Myles and Li Bingbing also contributes to the overall beauty, having nothing too much with their characters. T. J. Miller provides some comic side which is there only for some time. Stanley Tucci’s partially villainous character also provides some comic relief during the intense action, but it only works partially – not something which the Transformers franchise haven’t tried before and often succeeded; other times proving the inherent dumbness. Jack Reynor has a nice presence, as what can be called the supporting actor, but as a need for our girlfriend to have a love interest. Kelsey Grammer is a nice villain, but not fully utilized and forced to come second. Titus Welliver also comes up with a strong performance.

Soul exploration :: The movie leaves with hope for a sequel, but the question remains if it has a soul to work on. It had the always-ready-to-die Optimus Prime with an ideal, but that is actually less worked on now. The autobot-decepticon enmity has also gone the wrong way. At the same time, the movie has given us an idea about how bad the effects of science and technology can be, and there are secrets that should be left alone, for there are other things that humanity should focus on, as they are that species which are infested by greed, hatred, lust and envy. The technology is rarely safe in the hands of man, as they are incapable of handling the same due to the presence of their inherent evil nature. When the movie goes on to be a massive success story at the box-office, the one thing we have to think about is how well it has portrayed humanity and the problems caused by its pride. Even a robot knows better than humans who are blessed with better teachers throughout the centuries, and even with all the knowledge that they have gathered, man fails to be good, and it is a case of shame. Then in finding the creators, they are indeed Prometheus infested.

How it finishes :: I had considered Transformers: Dark of the Moon as the worst Transformers movie of all time, and I will stick to the same, but I would still think that our movie here has got more problems in its story-line than the others, but it does make up with the better special effects and action sequences, plus Mark Wahlberg who looks very well suited for this kind of role. Still, except for the first Transformers movie which I have watched so many times already, I wouldn’t dare to watch another one of this franchise again. I would suggest you watch the robots of Pacific Rim rather than watch the aliens of this movie if given a choice. But there is no denying that this movie is pure entertainment, except for the fact that its lack of brain and the repetition, along with the terrible length makes the situation a bit intolerable to a few. Transformers fans should like this movie a lot, and the new additions can impress a number of viewers. This is one of those non-superhero Hollywood movies which are running houseful right from the day it was released, and one can be sure that this is not the end for this franchise, and this sequel is going to collect a lot of money.

Release date: 27th June 2014
Running time: 165 minutes
Directed by: Michael Bay
Starring: Mark Wahlberg, Nicola Peltz, Kelsey Grammer, Stanley Tucci, Jack Reynor, Sophia Myles, Li Bingbing, Titus Welliver, T. J. Miller, Melanie Specht, Victoria Summer

transformers copy

@ Cemetery Watch
✠ The Vampire Bat.