In Fear

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Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

infear

@ Cemetery Watch
✠ The Vampire Bat.

Annabelle

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Vampire Owl :: This is the day I have been waiting for.

Vampire Bat :: Are you sure this is the movie you waited for?

Vampire Owl :: Yes, I am hoping that I can adopt that doll soon. I have also written a letter to the Dracula Castle requesting permission from Uncle Dracula for the same.

Vampire Bat :: You don’t need that doll right now. You are pretty much a scary owl as of now.

Vampire Owl :: No, it is part of my plan to owlify the world. I would need a side-kick, like Robin is to Batman. Otherwise, I know that I am scary and dangerous.

Vampire Bat :: Annabelle doll doesn’t play supporting role. She always does the main role. She is a level five demon, not a level zero vampire.

Vampire Owl :: What? Bad doll. What makes it think that it can get the main role outside movies? Especially when super hero-villains like me are alive?

Vampire Bat :: Because she has pride, and also the rest of those seven deadly sins. It is why she is an evil demonic doll.

Vampire Owl :: I shall rate this movie low.

Vampire Bat :: No, it is me who does the rating, and I choose not for an owlified world.

[Gets the tickets].

What is it about? :: The movie has the same beginning as The Conjuring, with people telling the story of a demonic doll. From there, the movie goes to a flashback which shows John (Ward Horton) and Mia Gordon (Annabelle Wallis) expecting the birth of their first child. But they are attacked by a satanic cult which kills their neighbours and causes terror before the cops arrive. Annabelle Higgins (Tree O’Toole), a member of the occult group marks their wall with a symbol and a drop of her blood is left in the eyes of a doll which was in the house. Even as they throw the bloodied doll away, it makes another appearance at the house after a baby is born and they shift the house. They keep it feeling that the doll made its way to the new house during a quick packing and decides to keep it this time. But strange things begin to happen at the new home, and Mia begins to suspect the doll. She contacts the local priest and a detective, but there doesn’t seem to be a way to stop the terror, or is there a solution?

The defence of Annabelle :: The scares that this movie provides are impressive, just like it was for The Conjuring, even if lesser in a comparison, which should be avoided at each and every moment of this one. There is a very nice creepy environment and chilling atmosphere already created for the thriving of this doll and its scary demons. The way in which the lighting and the darkness are managed can be considered pretty much admirable. The sound effects support the visual horror in an impressive manner. There is one scene when an elevator keeps stopping at one floor full of darkness, and when you think you can avoid this moment by taking the stairs, there is a demon waiting downstairs. There is the moment when a young girl appears and runs towards you and when the door closes and opens, she transforms into something else. There is the bloody guarantee to scare the audience here, and it is something which is not easy to provide. It is time you respect the dolls, and may be after watching this movie, you will.

The claws of flaw :: There are those expectations which make things a lot worse than they really are, and what people expect after watching The Conjuring should be something not less than marvelous, and even as that movie’s fans will surely watch this one, the same has badly affected the opinions which have come out. Considering how much of a big level that movie had left for all the horror movies which were to follow, especially for a flick which claims to be its prequel. Annabelle lags behind The Conjuring with its ideas and the repetition of things that we have seen so many times in our horror watching life, as its plot gets thinner. Even as the end is satisfying, it is rather too predictable and not something that was wanted by those who wanted the evil to end or for the same to thrive. There is no grand success in a pure evil manner, or the end of evil with an exorcism, and also the movie takes a little bit too time to get into full flow of horror and those who are looking for ghosts end up getting restless early itself.

Performers of the soul :: Annabelle Wallis is lovely in her role (with the name of the doll for herself – that’s a nice surprise in the credits section and makes one wonder if it was intentional), but being scared becomes the more important part of her presence, and that indeed seems to work well with her character. Ward Horton and the rest of the cast are left with not much to do, except for a little bit from Alfre Woodard and Tony Amendola. Otherwise, there is not much to do for the actors and actresses, and that is no surprise from a horror movie. Its ddependenceon the performance of its cast is pretty low, as it keeps bringing those moments of terror now and then to minimize the focus on everything else. But the question remains if some more for the acting department would have been good, as this is nothing like The Conjuring, and needed more doses here and there to elevate its status.

Soul exploration :: Annabelle reinforces the faith in the supernatural, and it is always a good thing to have, in a world where people live with the false pride of being everything and believing to the be the centre of the world. Such movies are necessary for the realization that we can’t always know everything, and there will always be things beyond our comprehension. The more we remember about our minuteness, the better the world gets. There might be too many supernatural horror movies which are better than Annabelle, including the two parts of Insidious, Sinister and The Conjuring, and the dolls of Curse of Chucky and Dead Silence surely seems to do better than our demonic doll here. But Annabelle has life of her own, and despite the need to take a few lessons from Chucky, her power as the demonic doll will also stay. Do watch those other two doll movies I mentioned if you missed them. For a review of the former: https://moviesofthesoul.wordpress.com/2014/09/01/curseofchucky/

How it finishes :: People will obviously want to think low of Annabelle due to the high expectations which haven’t come down even after the bad reviews. A number of reviewers from this part of the world had given even better ratings to below average movies like Pizza just because it was produced by Bollywood – is it how the quality is to be decided? Yes, one has to wonder how such a thing should even happen. Lets not come to any conclusions here though, as there is the certainty that Annabelle scares the audience, and any denial of the same directly takes the viewer with such an opinion into the demonic realm where he or she can join the devil. No, Annabelle is nowhere close to being perfect, and it has its moments of struggles. You can ask for many things extra in this movie, but that it clearly a direct result of your deadly high expectations which had ventured too high and as a result had gone to Mars with Mangalyaan. Just remember that there is chance for another movie between this one and The Conjuring 😀

Release date: 10th October 2014 (India); 3rd October 2014 (USA)
Running time: 98 minutes
Directed by: John R. Leonetti
Starring: Annabelle Wallis, Ward Horton, Alfre Woodard, Tony Amendola, Kerry O’Malley, Brian Howe, Eric Ladin, Ivar Brogger, Tree O’Toole, Keira Daniels, Morganna May

annabelle

@ Cemetery Watch
✠ The Vampire Bat.

Deliver Us from Evil

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Vampire Owl :: You are obviously talking about me.

Vampire Bat :: No, I am not. Why should I talk about you now when I am going to watch a horror movie?

Vampire Owl :: You said “deliver us from evil”. I am evil.

Vampire Bat :: No, you are not evil, not even remotely close to being a bad guy.

Vampire Owl :: But I am bad. Super evil.

Vampire Bat :: Owls are not evil. It is impossible. Bats are evil.

Vampire Owl :: You cannot take my right to be evil. I am going to owlify the world and establish my greatness.

Vampire Bat :: As if that is going to happen. You said you would do it before Mangalyan reached Mars.

Vampire Owl :: Damn. It all happens too fast. These strange space related things are not covered by the vampire newspapers.

Vampire Bat :: I would say that it is more due to your brain’s clock working so slow.

[Gets into the theatre].

What is it about? :: A cop Ralph Sarchie (Eric Bana) is going through some strange situations, as weird incidents happen in the city, and some of them has almost no reason or solution. A Spanish priest Mendoza (Édgar Ramírez) tries to convince the police officer that these incidents have something with it than what meets the eye. There are three former soldiers from Iraq who seems to be involved with the crimes that has occured in the city, and the priest warns Sarchie that it is beyond the human comprehension as there are two types of evil, primary and secondary, and it is only the second about which the humanity can find answers with its ability to understand things in the scientific way. At first, the cop refuses to believe that the three men are possessed, but he might not be able to hold on with that viewpoint for too long, as things go out of control, and it affects even his own relationships with his wife and daughter.

The defence of Deliver Us from Evil :: The scares are surely working, especially with a number of scenes in the basement which brings the best out of horror. The atmosphere is creepy, and is successfully kept that way and the tension is efficiently maintained. The darkness and the rain are two elements that nicely supports the shocks that the movie dares to come up with. The movie nicely manages to stay in control with the blood and gore elements as well as the horror, and this intermediate path which it has taken can make it a safer bet. There is an attempt to explain evil with the need for faith, and there is some skill in the characterization of the two leading characters who go on to fight evil. The moments in the zoo and the basement of a family with a complaint are two very nicely done scenes, invoking terror as well as mystery, and a certainty that there is something yet to come. The cast is also a fine boost for this movie.

The claws of flaw :: The movie needed a lot more explanations about what is happening around with demons possessing people and making them do things, and by passing through the portal into this world from the other dimension, the question would remain about what they achieve other than scaring people and in the process, killing a few. There had to be a plan which isn’t seen anywhere here. A comparison to The Exorcism of Emily Rose and Sinister which comes from the same director is not possible as this belongs to a lower level, and any comparison to The Conjuring is clearly impossible. The movie should have used more special effects, and it could have given a much needed boost to the scary sequences. The end scene is also weaker with a usual exorcism performed in not that powerful manner as it was expected from the way the movie was working with its creatures from the other world. The second half is weaker compared to the first which was an impressive start.

Performers of the soul :: Eric Bana is in full control of things here in one of my favourite performances from him ever. There is something about him that makes him good with this character, and I would guess that his looks and style is pretty much best suited to playing this role. Édgar Ramírez also has left a mark as the new generation priest who has kept himself modern, but has still remained within his priestly world. I remember him mostly as Ares from Wrath of the Titans, and here he seems to fit in better. The prettiest one around, Olivia Munn has an admirable stay, and her character has presence, but she is left is not much to do in a world of demons repelled by one priest and a police officer. Sean Harris as Santino is impressive with his possessions and nicely compliments the horror elements of the movie with his performance. Meanwhile, Joel McHale is also good in his supporting role. Olivia Horton also delivers some terror with her role as the possessed lady.

Soul exploration :: The movie is based on the real life experiences of Ralph Sarchie recorded in his book, Beware the Night also co-written by Lisa Collier Cool. I would guess that it would add to the spookiness and surely has me wishing to read the work some day – it would be difficult to get it here, but there will be a way. The title of the movie is the ending of the Lord’s Prayer. It is that need to be saved from evil that we can see in this movie. There will always be things which are not in our control, and humanity’s minuteness and vulnerability are among those factors which will solidify the same fact. It is a clear thing that we can’t know everything, and no mater how or to whom we pray, there is something that prayer can always do. There is evil in this world, and however we categorize them, there is the need for God’s grace to save ourselves. The free will is there, but it is not the permission to do evil; as there is the presence of sinister forces at work, and only by goodness and faith that one can be redeemed.

How it finishes :: The reviews from critics which were negative, has now improved and the movie has come close to getting a fifty percent, and I would expect it to increase further as the opinions from most of my acquaintances have been quite positive. The other movie of the week happens to be November Man which should have its own audience due to the presence of Pierce Brosnan. Surprisingly, Lucy and The Maze Runner are the movies which stay on to this week, and I wonder more about the former, as it seems to have stayed there so much longer than it was expected to thrive. Deliver Us from Evil should be the movie of the week, and it is going to be replaced by Annabelle as the most awaited horror movie of the year. There is also that expectation for Haider the Hindi contemporary adaptation of William Shakespeare’s Hamlet along with the seemingly dumb remake of Knight and Day which has been named Bang Bang! which attempts to repeat what Besharam did during last year’s Gandhi Jayanthi. Let’s hope that horror will find a way to thrive!

Release date: 26th September 2014 (India); 2nd July 2014 (US)
Running time: 118 minutes
Directed by: Scott Derrickson
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Olivia Horton, Dorian Missick, Rhona Fox, Valentina Rendón

deliverusfromevill

@ Cemetery Watch
✠ The Vampire Bat.