Annabelle

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Vampire Owl :: This is the day I have been waiting for.

Vampire Bat :: Are you sure this is the movie you waited for?

Vampire Owl :: Yes, I am hoping that I can adopt that doll soon. I have also written a letter to the Dracula Castle requesting permission from Uncle Dracula for the same.

Vampire Bat :: You don’t need that doll right now. You are pretty much a scary owl as of now.

Vampire Owl :: No, it is part of my plan to owlify the world. I would need a side-kick, like Robin is to Batman. Otherwise, I know that I am scary and dangerous.

Vampire Bat :: Annabelle doll doesn’t play supporting role. She always does the main role. She is a level five demon, not a level zero vampire.

Vampire Owl :: What? Bad doll. What makes it think that it can get the main role outside movies? Especially when super hero-villains like me are alive?

Vampire Bat :: Because she has pride, and also the rest of those seven deadly sins. It is why she is an evil demonic doll.

Vampire Owl :: I shall rate this movie low.

Vampire Bat :: No, it is me who does the rating, and I choose not for an owlified world.

[Gets the tickets].

What is it about? :: The movie has the same beginning as The Conjuring, with people telling the story of a demonic doll. From there, the movie goes to a flashback which shows John (Ward Horton) and Mia Gordon (Annabelle Wallis) expecting the birth of their first child. But they are attacked by a satanic cult which kills their neighbours and causes terror before the cops arrive. Annabelle Higgins (Tree O’Toole), a member of the occult group marks their wall with a symbol and a drop of her blood is left in the eyes of a doll which was in the house. Even as they throw the bloodied doll away, it makes another appearance at the house after a baby is born and they shift the house. They keep it feeling that the doll made its way to the new house during a quick packing and decides to keep it this time. But strange things begin to happen at the new home, and Mia begins to suspect the doll. She contacts the local priest and a detective, but there doesn’t seem to be a way to stop the terror, or is there a solution?

The defence of Annabelle :: The scares that this movie provides are impressive, just like it was for The Conjuring, even if lesser in a comparison, which should be avoided at each and every moment of this one. There is a very nice creepy environment and chilling atmosphere already created for the thriving of this doll and its scary demons. The way in which the lighting and the darkness are managed can be considered pretty much admirable. The sound effects support the visual horror in an impressive manner. There is one scene when an elevator keeps stopping at one floor full of darkness, and when you think you can avoid this moment by taking the stairs, there is a demon waiting downstairs. There is the moment when a young girl appears and runs towards you and when the door closes and opens, she transforms into something else. There is the bloody guarantee to scare the audience here, and it is something which is not easy to provide. It is time you respect the dolls, and may be after watching this movie, you will.

The claws of flaw :: There are those expectations which make things a lot worse than they really are, and what people expect after watching The Conjuring should be something not less than marvelous, and even as that movie’s fans will surely watch this one, the same has badly affected the opinions which have come out. Considering how much of a big level that movie had left for all the horror movies which were to follow, especially for a flick which claims to be its prequel. Annabelle lags behind The Conjuring with its ideas and the repetition of things that we have seen so many times in our horror watching life, as its plot gets thinner. Even as the end is satisfying, it is rather too predictable and not something that was wanted by those who wanted the evil to end or for the same to thrive. There is no grand success in a pure evil manner, or the end of evil with an exorcism, and also the movie takes a little bit too time to get into full flow of horror and those who are looking for ghosts end up getting restless early itself.

Performers of the soul :: Annabelle Wallis is lovely in her role (with the name of the doll for herself – that’s a nice surprise in the credits section and makes one wonder if it was intentional), but being scared becomes the more important part of her presence, and that indeed seems to work well with her character. Ward Horton and the rest of the cast are left with not much to do, except for a little bit from Alfre Woodard and Tony Amendola. Otherwise, there is not much to do for the actors and actresses, and that is no surprise from a horror movie. Its ddependenceon the performance of its cast is pretty low, as it keeps bringing those moments of terror now and then to minimize the focus on everything else. But the question remains if some more for the acting department would have been good, as this is nothing like The Conjuring, and needed more doses here and there to elevate its status.

Soul exploration :: Annabelle reinforces the faith in the supernatural, and it is always a good thing to have, in a world where people live with the false pride of being everything and believing to the be the centre of the world. Such movies are necessary for the realization that we can’t always know everything, and there will always be things beyond our comprehension. The more we remember about our minuteness, the better the world gets. There might be too many supernatural horror movies which are better than Annabelle, including the two parts of Insidious, Sinister and The Conjuring, and the dolls of Curse of Chucky and Dead Silence surely seems to do better than our demonic doll here. But Annabelle has life of her own, and despite the need to take a few lessons from Chucky, her power as the demonic doll will also stay. Do watch those other two doll movies I mentioned if you missed them. For a review of the former: https://moviesofthesoul.wordpress.com/2014/09/01/curseofchucky/

How it finishes :: People will obviously want to think low of Annabelle due to the high expectations which haven’t come down even after the bad reviews. A number of reviewers from this part of the world had given even better ratings to below average movies like Pizza just because it was produced by Bollywood – is it how the quality is to be decided? Yes, one has to wonder how such a thing should even happen. Lets not come to any conclusions here though, as there is the certainty that Annabelle scares the audience, and any denial of the same directly takes the viewer with such an opinion into the demonic realm where he or she can join the devil. No, Annabelle is nowhere close to being perfect, and it has its moments of struggles. You can ask for many things extra in this movie, but that it clearly a direct result of your deadly high expectations which had ventured too high and as a result had gone to Mars with Mangalyaan. Just remember that there is chance for another movie between this one and The Conjuring 😀

Release date: 10th October 2014 (India); 3rd October 2014 (USA)
Running time: 98 minutes
Directed by: John R. Leonetti
Starring: Annabelle Wallis, Ward Horton, Alfre Woodard, Tony Amendola, Kerry O’Malley, Brian Howe, Eric Ladin, Ivar Brogger, Tree O’Toole, Keira Daniels, Morganna May

annabelle

@ Cemetery Watch
✠ The Vampire Bat.

2013 in Review

Happy New Year everyone. I was waiting for WordPress to give me my year in review, but no such summary and statistics came up for this blog, and so I thought I should come up with a movie summary instead. I had posted this without detail on Facebook, and I guess I would share this in detail here for the new year.

2013 copy

Best Malayalam movie: Celluloid
Its awesomeness approved by Kerala State Film Awards and the National Film Award committee of India. Prithviraj starts the year well. Check for review: https://moviesofthesoul.wordpress.com/2013/02/16/celluloid/

Best Hindi movie: Madras Cafe
There is absolutely no doubt about this one, as even with actors not known for their acting, this movie nails it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/28/madras-cafe/

Best English movie: The Conjuring
I had thought long and hard about this one, but a horror movie always deserves an extra push and this one deserved it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/04/the-conjuring/

Best Animated movie: Frozen
Unlike Brave, this year has a respectable animated movie at the top. People of no age group can afford to miss this one. Check for review: https://moviesofthesoul.wordpress.com/2013/12/01/frozen/

Best Action movie: Pacific Rim
Guillermo del Toro doesn’t miss out as he makes the right robot movie in our world plagued by Transformers. Check for review: https://moviesofthesoul.wordpress.com/2013/07/12/pacific-rim/

Best Visual experience: Gravity
This visually superior movie is all set to make it big on the Academy Awards next year, that is for sure. Check for review: https://moviesofthesoul.wordpress.com/2013/10/13/gravity/

Best Thrills: Drishyam
The director Jeethu Joseph maintains his cent percent record with another thriller, his second super hit of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/

Big Surprise: Philips and the Monkey Pen
Not that inspiring from the name, and not at all hyped, this movie is a beautifully crafted allegory with children as main characters. Check for review: https://moviesofthesoul.wordpress.com/2013/11/12/monkey-pen/

Righteous One: North 24 Kaatham
This movie is so simple and yet scores with the simple thoughts about goodness, righteous and happiness, and it has the power to change lives. Check for review: https://moviesofthesoul.wordpress.com/2013/09/18/north-24-kaatham/

Magical Movie: Amen
This movie is magical with or without its clear share of magic realism, and it is one of its kind, to be remade in other Indian languages. Check for review: https://moviesofthesoul.wordpress.com/2013/03/27/amen/

Powerful Experience: Rush
For a movie which can bring even non-Formula One fans to feel the emotions, there is no evil to be said about this one. Check for review: https://moviesofthesoul.wordpress.com/2013/10/25/rush/

Game Changer: Go Goa Gone
This movie might be the best thing that has happened to Bollywood in 2013, and I hope that this zom-com brings good changes instead of mindlessness. Check for review: https://moviesofthesoul.wordpress.com/2013/05/11/go-goa-gone/

Personal Favourite: Memories
One of the two brilliant movies from the director of the year, this movie establishes Prithviraj as the Malayalam actor of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/08/12/memories/

Unnoticed One: 10:30 am Local Call
This movie had lots of good things about it despite a small cast except for Lal. This is a thriller as well as a love story with strength at both levels. Sadly, it didn’t get the attention or the appreciation it actually deserved.

Worst Malayalam movie: Kammath and Kammath
The movie provides us a world of nonsense and one can’t even understand what they say or intend to say. It wastes two actors and two actresses in a few hours of crime which they call a film. The side-effects of this movie include an eternal hatred for dosa which I could overcome only by hating idli.

Worst Hindi movie: Besharam
The shameless movie of the year has one of the so called young actors of the future in one of the worst roles anyone can do. This movie is a disgrace to Gandhiji as it released on the day of Gandhi Jayanthi. Taking in a whole family of actors and adding bad jokes which are older than our leading actor doesn’t help either.

Worst English movie: Mortal Instruments
This movie wonders who is the lover of whose brother and demons, vampires, hunters and werewolves have never been this retarded. There is this nonsense which makes Twilight look better. One comes to know that Lily Collins is incredibly cute, but the story or the characters makes no sense even when they are not on screen.

Most Undeserving Hit: Chennai Express
This is a painful watch as its take on the South – the actress has a Hindi accent which is not from the South of India, but from outside the nation, and the movie isn’t even funny enought to be taken lightly, and its romantic side is terrible. This is a clear case of stereotyping, and with all due disrespect to Krrish 3 and Dhoom 3, this will remain the undeserving one.

Of a Mental Asylum: Olipporu
From the moment it begins, to the end, the movie has tried to do something intellectual, that is for sure – but at most times, it makes no sense and with this movie, I have stopped watching Malayalam movies on the first day, alone. In the movie Nadan, Jayaram tells a few words which are applicable for this movie.

Worst Drag: Annayum Rasoolum
This had three hours of nothing but drag – the hero looks at the heroine, and keeps looking at her till the end of first half, and in a relationship of few words, they kiss, he goes to jail and she dies in a world of pathetic pseudo-romance. To add to an already slow movie, there is slow motion – what is wrong with these people?

Worst Drift: Bicycle Thieves
This movie drifts again and again with no idea where to go and what to do with its characters. There are twists of no sense and characters of no use. After stealing the title from Vittorio De Sica, this one comes up with a heroine who looks many times younger than the hero, and lead by her being weird. almost everyone acts strange, wonder why.

Worst Emptiness: Kili Poyi
This one has nothing, but smoke inside it, with clear glorification of drugs and a loose lifestyle, and its characters are so plain that one can hope to have just smoke inside it and feel the emptiness throughout the world. The movie itself is a black hole which has unfortunately made an impact of nonsense.

Worst Lie: Neelakasam Pachakadal Chuvanna Bhoomi
This movie is a lie from the beginning to the end, and has characters who use the mask of travel for being stupid and aimless. The leading character is a man who pretends so much that he obviously has no identity of his own, and the journey is useless. This is rather an Indian Born Confused Desi (IBCD).

Worst Stupidity: ABCD
This one uses that kind of jokes which can’t appeal to even the worst of brains, and it is surprising that it became a big hit. The story of two shameless people who live a shameless life to end shameless doesn’t bring up any interest, except for the fine debutant performance of Jacob Gregory.

Unbearable One: Sringaravelan
This year’s most shameful comic movie comes up with a hero who falls in love with the heroine in another strange and meaningless way and their adventure is indeed a mentally retarded one, with the only hope being the beautiful heroine. Why would someone subtitle a movie “The Romantic Fighter” is beyond all hope.

Clueless One: The Host
There are no Twilight movies this year, and this movie is the worthy successor to that legacy, coming from a work of the same author. From the beginning to the end, this is a clueless alien invasion with no sense. At the end of the movie, we are aliens and would wish to escape from that world.

Worst Hype: Django Unchained
A story of violence and racial hatred has the shoot-at-random-people theory going throughout it. If the colour is different, shoot more people, and dead people are so much fun in this movie. Show a grin after you shoot people, because murder and destruction is so much fun. I have written a review, but you needn’t read it 😀

Malayalam Only:
Best Actor: Prithviraj Sukumaran (Celluloid, Memories, Mumbai Police)
Second Best: Fahadh Faasil (North 24 Kaatham, Amen)

Best Actress: Remya Nambeesan (Philips and the Monkey Pen, Left Right Left, Nadan)
Second Best: Swati Reddy (Amen, North 24 Kaatham)

Best Pair: Fahadh Faasil and Swati Reddy (Amen, North 24 Kaatham)
Second Best: Nivin Pauly and Nazriya Nazim (Neram)

Best Performance: Prithviraj Sukumaran in Celluloid
Second Best: Prithviraj Sukumaran in Memories

Best Negative Shades: Indrajith Sukumaran in Left Right Left
Second Best: Indrajith Sukumaran in Ezhamathe Varavu

Best Villain: Joy Mathew in Amen
Second Best: Sreekumar in Memories

Best Supporting Role: Indrajith Sukumaran in Amen
Second Best: Fahadh Faasil in Immanuel

Best Comic Lead: Asif Ali in Honey Bee
Second Best: Kunchacko Boban in Pullipulikalum Aattinkuttiyum

Best Debut: Reenu Mathews in Immmanuel
Second Best: Keerthi Suresh in Geethanjali

Surprising Performers: Vijay Babu in Philips and the Monkey Pen
Second Best: Lena Abhilash in Left Right Left

Best Impact: Shobana in Thira
Second Best: Indrajith Sukumaran in Amen

Best Character: Georgekutty in Drishyam (Mohanlal)
Second Best: Sam Alex in Memories (Prithviraj Sukumaran)

Best Director: Jeethu Joseph (Memories, Drishyam)
Second Best: Lijo Jose Pellissery (Amen)

Best Child Artist: Esther Anil (Drishyam)
Second Best: Sanoop Santhosh (Philips and the Monkey Pen)

Best Song: Memories Never Die (Memories)
Second Best: Etho Sayahna Swapnangalil (10:30 am Local Call)

PS: Most read movie reviews:
Drishyam (https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/)
Oru Indian Pranaya Katha (https://moviesofthesoul.wordpress.com/2013/12/22/oru-indian-pranaya-katha/)
Phata Poster Nikla Hero (https://moviesofthesoul.wordpress.com/2013/09/24/phata-poster-nikhla-hero/)

*103 movies watched on the big screen this year, with 71 of them reviewed. There were 44 English movies, 43 Malayalam movies, 12 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones = 109.

Insidious II

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It was in 2011 that we were treated with one of the “different” horror movies in the name of Insidious which was partially copied to Hindi by Bollywood’s last sequel to Raaz. Now we have its sequel, in the same year as two horror big-shots release, including The Conjuring and Carrie. Never before did more than one horror movie release here in the same year, and I almost thought that this was never going to release, just like The Chainsaw 3D, Evil Dead and The Haunting in Connecticut: Ghosts of Georgia. But here we are, with this sequel, even as the original never released on the big screen here and we had to strive to get to it. It didn’t release on that original date of a Friday the 13th though, as it just released here on a Friday 15th, about two months later. Its trailer had reached here long ago, and was well received by the audience who had a great experience with The Conjuring which itself had delayed – all three horror movies releasing late here – something with the censor board or looking forward to their performances in other parts of the world before the risk is taken here? May be they underestimate the audience quite a lot. They can end their devotion to the series if there was any, and look for cheap gore.

After a small flashback into the childhood of our major father character during the time of his encounter with the Lady in Black, the Bride, the movie takes over the story from where it had left off, with Elise (Lin Shaye) dead, and the demon from the other world taking over the body of Josh Lambert (Patrick Wilson). There is a lot of mystery over the death too. With Josh doubted by Renai Lambert (Rose Byrne) and his children, Lorraine Lambert (Barbara Hershey) goes to visit Elise’s friends and partners in finding the supernatural after feeling strange occurences in the house and even seeing a woman in white. The same mysterious woman knocks out Renai after abducting their little kid for a few moments. The piano playing by itself is just one of the strange things occuring in the house. Lorraine meets up with Carl (Steve Coulter), one of the old friends of Elise, who is another paranormal investigator using his dices to contact the spirits from the other world. Through the dices, after contacting Elise, they find out that they will know something from Our Lady of Angels hospital where Lorraine used to work as a nurse during her young days.

There Lorraine remembers the story of Parker Crane (Tom Fitzpatrick), a patient who committed suicide by jumping from the top of the hospital, as he appeared to her after his death. They are guided to his home, and they soon find out that the spirit which is leading them might not be of Elise at all, and it is not a good one nor is it friendly. They come across the story of a serial killer and his mother who used to terrorize him throughout her life as well as after it. It becomes clear to them that Josh is possessed and not himself, even as the detective couldn’t find him guilty of the murder of Elise. Renai and the kids are in danger, and so are they themselves. There are only a few ideas left for their survival, and one of them might be to drug Josh and bring the original person back to his body; the other one might be to find him in the other world itself. With time running out, and a serial killer ready to come back to this world through Josh’s body, this time more powerful than before, can they make the right decision and succeed or does the demon killer take charge start its killing procedure?

So where does the sequel stand in front of the original? I would consider it as slightly better than the original, even as most of the critics seemed to have found it negative if not average. I was surprised by the same though. The movie has an unsettling atmosphere supported by a truly phenomenal settings which has been used to support the same, and give us a truly paranormal feeling. The tricks to scare the audience might feel a little repetitive, but are used in the right manner with correct effects. Yes, it i genuinely scary, and undoubtedly scarier than its predecessor. There is the presence of more scary moments and it explains most of the things which were left unexplained in the first, and also contributes to the horror of the same. The spirits are pretty much good both in the real world and the other. The Lady in White and the Bride in Black are just two of those figures which rule the screen. There is nothing like the man possessed though. Insidious: Chapter 2 undoubtedly becomes the next best horror movie to The Conjuring here, and it is still insignificant as there are only two English horror movies released here. Yes, it is effective and undoubtedly very creepy and successfully scaring people. But do not watch this if you are not a horror fan or you are pseudo-horror fan who says that this isn’t enough for “the great ME” – the things pride can do to you, my dear vain man.

Patrick Wilson is the star here, and he plays the astral traveler possessed by the demon with so much ease. We can see his transformation as he becomes more and more of the demon who has taken over his body. He seems to be a person perfectly fitting horror movies – loved his performance in The Conjuring too. He was a gifted spirit walker, but is now kept out of his body by the demon, both roles well done. There is a little bit of The Shining’s Jack Torrance in him for sure. Rose Byrne has a sweet and innocent screen presence, and Barbara Hershey is no stranger to such things, tracing back to playing that victim of supernatural sexual liasions in The Entity – her presence itself is a real boost to the movie. Jocelin Donahue plays Lorraine’s younger self to perfection, and Lin Shaye’s Elise is very good, and her younger self played by Lindsay Seim is no different. Leigh Whannell and Angus Sampson as Specs and Tucker provides the comic relief which is very less throughout this serious movie. Tom Fitzpatrick’s villain is strong and ruthless, yet made scary more by the visual imagery and effects rather than anything else, and so is the case with Danielle Bisutti’s Lady in white, or the Mother of Crane. The kids have limited role this time, and are no longer the focus of the movie.

Thanks to James Wan for giving us this fine sequel, the third of his brilliant horror collection beginning from Insidious and going through The Conjuring. It is very much a necessary sequel and it only adds to the value of its predecessor even as it doesn’t reach above The Conjuring. None of the two movies of the series are to be looked at alone, as they perfectly compliments each other, adding something which perfects the other. There has been nothing wrong with the badly reviewed horror flicks of the year, The Chainsaw 3D, The Haunting in Connecticut: Ghosts of Georgia, and this one – but the critics choose to devalue them for almost no real reason. They can’t understand that the Lady in White or the mother was mentally not right. I wonder why would they feel bad about people in the other world being white, and how the people in this world are able to fight with the demons in the spectral world. People are looking for strange questions while it is not the movie that makes sense, but their questions. They can’t find the answers, but it doesn’t mean that they can take the creativity of the viewer as a big zero, for nowadays it is the common arts graduate who has the right imagination. But still, The Conjuring might be the horror movie of the decade if we consider The Cabin in the Woods as not just horror.

It is the season of demons, that is for sure – just because of one thing, that Krrish 3 has been given four out of five by some strange people. Such acts of evil has forced me to keep the rating of this movie a little higher than I intended to. There are weird people in this part of the world who rate the movies of their language high, and the others low – and some of them follows the foot steps of those who reviewed it from America and Europe, but in that case, one has to consider the fact that what third rate movies like Krrish 3 would get if they review the same would be zero out of five if no negatives are allowed. So following their rating for English movie is pure hopelessness as long as they are going to rate horrible Bollywood movies with a consistent four out of five just because it has superstar sons acting in it or the same will make the pathetic fan-boys and girls incredibly happy. May be they can learn something from the Malayalam movie critics who give a maximum of three out five for the best movie of the year. Our world will only get better when the demonic fans disappear and all actors are considered as equal performers – hope Insidious could do that.

Release date: 15th November 2013 (India); 13th September 2013 (US)
Running time: 106 minutes
Directed by: James Wan
Starring: Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Barbara Hershey, Steve Coulter, Leigh Whannell, Angus Sampson, Lindsay Seim, Jocelin Donahue, Andrew Astor, Danielle Bisutti, Tom Fitzpatrick, Michael Beach

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@ Cemetery Watch
✠The Vampire Bat.