Sunny

What is the movie about? :: Sunny Varkey (Jayasurya) has finally returned home from Dubai after a long time with his Logistics business failing, and these are the troubling times of COVID-19 pandemic. He used to want to become a successful musician, but left that idea much earlier. He gets a quarantine spot in Grand Hyatt Residency in Bolgatty Island, Cochin, and gets to be all alone there. SI Sadashivan Nair (Vijayaraghavan) is the police officer who is in charge of looking out for the people in quarantine there, and he keeps an eye on Sunny. He feels lonely, and is uneasy because he is not able to get any more alcohol, with the hotel changing its policies as people were creating nuisance after being drunk. Dr Erali (Innocent) tries to help him with his withdrawal symptoms and a stage of depression. Adithi (Shritha Sivadas) is in quarantine in the room above him, and they also have regular talks.

So, what happens with the events here? :: Nimmi (Shritha Sivadas) had divorced Sunny because he had an affair which he had confessed, much to her dismay. Sunny is as much disappointed about this, as he has been with his financial affairs. She is also pregnant, and it was for the second time, after their child had died a few hours after birth. He has to pay back a lot of money, as a result of his best friend making him an investment which he now regrets. Nimmi no longer wants to do anything with him anymore, and neither does his former lover Dr Anuradha (Mamta Mohandas). It also seems that some of the passengers in his flight were COVID-19 positive, and there is a chance that he might also be in trouble. But he moves on with his lonely life, which doesn’t seem to have much left for him. Yet, it is still to found if there is something more than what meets the eye. With COVID-19 around, you never know.

The defence of Sunny :: Sunny is quite a small movie when we consider its limited setting within a room. Among the classical unities of Aristotle, unity of place and action are maintained, and with a shorter quarantine, all of them could have been there. The setting is really nice, and it is good to see this particular world where parts of one’s life is revealed. There is a whole grand episode of life which is revealed here through small moments. The past, present and future gets intertwined in these incidents which occur in the grand quarantine centre. There is the usual life being reflected here, and the protagonist is very much human, trying to survive in a world which has descended into chaos for him. It shows the life of a depressed man in quarantine really well, and never does it lags behind in doing the same. These are indeed good times for emotional films, as we know what the COVID-19 affected world has come to. Amazon Prime Video has the right films for the same too.

The claws of flaw :: Sunny doesn’t live much beyond the scope here, and it is indeed predictable. A lot of things that we see here, follow the expected routine, with not many surprises to come around. The movie also maintains its slow pace throughout its run, and it is also something which doesn’t come as a surprise when we look at this particular world. It should have had more, even with life being restricted to a room – there is a lot more to be shown with the scenery and the world around, as well as what is inside. It could have also had more events for the main character, as being in quarantine in such a grand space always has more to be added – it is not like being locked in a small room. There could have been more from other characters, even with their faces not shown, as some of them are not really there, exploring their best possibilities. We wished for the sun to shine brighter with Sunny, even though we are okay with what we have around here.

Performers of the soul :: Sunny is a fully Jayasurya movie, as one would expect it to be, from the trailer, and also with the talks regarding the same. There are only a few others who have faces at least inside their masks, or have part of their faces revealed in one way or the other. This is also Jayasurya’s 100th film, and might be his best film to come to Amazon Prime Video. He has come up with a fantastic performance, as a man who doesn’t have any hope in life, and as the only one character which truly performs on the screen, has the whole canvas to himself – we can do nothing more than just applaud the same. We see different phases of his life in the quarantine room itself, and this is a character that shows a certain amount of evolution, which he reflects really well. There is not that much of a challenge provided here for him, but there is indeed something.

Further performers of the soul :: The other characters are introduced through their voices, as they call the main character or sometimes the other way around. There is something to be revealed from each character whom we identify through their voices. Some of the characters have part of their faces being shown, and the voices are those which we identify with ease, especially that of Innocent, Aju Varghese and Vijayaraghavan. They are all part of the tale, even though we don’t see them. All these phone calls play significant roles to keep the film going forward. It is nice to see people like Shritha Sivadas whom we have loved for her early works, and had gone missing for some time. Mamta Mohandas’ voice is heard for much shorter time than we would have expected.

How it finishes :: Sunny nicely sets itself during the COVID-19 and quarantine times, and has the same feeling running through it. There is the loneliness of a quarantine that runs through it, and as we know that we are going to live with COVID-19 with more and more waves supposed to come at some point, this one is closer to reality than one might think. As a movie which has only one face completely shown, and with one person having the chance to come up with all the performance. This is basically the one man film that we don’t usually see around, and it is one risk which has been taken on with success. Amazon Prime has already provided some fine experiences during the Corona virus times, and this one goes the divergent way with ease. There is always more about smaller films like these than what meets the eye, and this one is also that drama which goes feel-good and does that with effectiveness.

Release date: 23rd September 2021 (Amazon Prime Video)
Running time: 103 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Mamta Mohandas, Vijayaraghavan, Innocent, Vijay Babu, Shritha Sivadas, Aju Varghese, Sivada Nair, Purnima Krishnan, Binoy KG

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Aarkkariyam

What is the movie about? :: Ittyavira (Biju Menon) is a retired mathematics teacher who is spending his time alone in a village in the district of Kottayam. At the same time, his daughter Shirley (Parvathy Thiruvothu) and her second husband Roy (Sharafudheen) are living in Andheri, Mumbai, and are planning to come back to Kerala after some time, despite the COVID-19 restrictions being further imposed everywhere. The coming of Corona has kept all of them in their own space, without much contact with outside world, and the spread of Corona virus had also brought some financial crisis to Roy and Shirley. The former’s business was already failing and there is no success in mutual fund either. The two manage to come all the way to Kerala to Shirley’s hometown and meet Ittyvira, who is really happy to see them. But they are also not able to meet their daughter, as the borders are closed. They apply for permission, but soon, a nation-wide lock-down is imposed, and they are all stuck there in their home in the village.

So, what happens with the events to follow? :: The lock-down changes their lives by a long way, and the restrictions reach their place too. The already interior home now feels even more away from civilization. This is the time when people were only beginning to understand the COVID-19 situation, and everyone was expecting all these problems to be solved as the virus would eradicated in the end of lock-down. One of the consignments of Roy is now stuck with the customs, and without that, there is nothing much that can be done. Now, the only way to get some quick money so that they can pay back Vyshak (Saiju Kurup) is by selling the ancestral lands, and it is Ittyvira who provides them that idea. But there are some complications related to the same, as there seems to be some secrets from the past which need to be taken care of. Roy begins to feel uncomfortable about the same, but there is nothing that he can do, other than worry about the same.

The defence of Aarkkariyam :: Aarkkariyam would seem to be a usual film in a village setting, but it is surely more than that – we get the idea only later though. Every moment in this movie nicely contributes to keep it going, and it is not that long either with each second in there used in an interesting manner. It does have that fine punch at the interval, something that makes the film take another route from the second half. The title itself is a worthy one here, as we keep wondering who all knows about a number of things including a sinister event and a person who was involved in the same. The performance of the three main characters elevates the film further, and the supporting cast is also interesting. The surroundings are nicely created, and the feeling of Pala-Kanjirappilly area is given with the rural touch everywhere, from the people to the environment. The film also focuses on the different opinions that different people would have about one person, and how polarized the same happens to be – how one can pretend to be good among the common people.

The claws of flaw :: Aarkkariyam is not the kind of movie which you would expect, as it has a certain deviation in store there. It is also slow at times, and there are lots of moments when nothing happens, even though they do contribute to the mood. There is also the presence of some usual cliché stuff here, but the same will go on and pass. Even if it feels like family drama, it doesn’t suit into that genre completely, and one would have doubt about the kind of audience it is actually looking for – even though we can keep it for the common audience in general. A little bit more of the moments in Mumbai and their return to hometown as well as a few twists in between would have helped more, even if it would deviate further away from the genre. It was an opportunity for something more, and there was the chance to be a classic, but the film manages to keep it going straight and without adding any special ingredient into it – maybe because there was the feeling that it was not needed, like Kungfu Panda would agree.

The performers of the soul :: This movie, as expected has Biju Menon with a performance to remember, and that too with a different kind of work. He has embraced this role like Vijayaraghavan did, as he moved from the usual kind of hero to the senior roles. Much elder to Biju Menon, he would be the one we would expect in a role like this, something which he has done in earlier films, but not as the protagonist like we see here. We know that other older superstars are still playing the characters of lower age group, but Biju Menon has had the courage to take it to the next level. If we remember his last few films, we will see that this difference in looks has come unexpected, and by a long way. Even as everything is kept simple about the character, there is always something to remember with this act. There are also those simple dialogues will stay, and sometimes come back – it is one realistic performance to remember as we look at it.

Further performers of the soul :: The movie is indeed about Biju Menon, but others do play their part too. Parvathy Thiruvothu once again has a role to remember, as she blends in here nicely, just like she has done so many times with ease not limited to her most appreciated performances in Uyare, Charlie and Ennu Ninte Moideen. She does get pushed to the background though, as the film progresses. It is also nice to see Sharafudheen in a serious role this time. We have been so much used to see him in those comic roles, except for that villainy in Varathan and the psychotic side in Anjaam Pathira, but those were kind of exaggerated when we have a look back – this is really a fine change here from the early comic side in Premam and the same later in Njandukalude Naattil Oridavela. The two match with their performances, and the cast has worked really well. Saiju Kurup plays the supporting role in the usual kind of way, but could have been part of more of the action too. Shoba Mohan is the only person here who gives the feeling that we have seen the person before.

How it finishes :: The first movie directed by cinematographer Sanu John Varghese is not something that we can leave behind. This is the kind of movie which I would have surely watched in the theatre early enough, if there was no COVID-19. It was a good decision to release this one on Amazon Prime Video along with Neestream, Roots Video and Cave OTT platforms because most of us were always going to watch it on Prime Video only – it is still difficult to find the movie there because of the spelling required to be exactly as it is when searching, and surprisingly it is also not on the list of the new film releases on Amazon. But we do get to it anyway, and during this time of lock-down and triple lock-down in Kerala, this is the kind of movie that reminds us of last year’s lock-down exactly as it is, and it is more or less a realistic experience that we go through – the kind which we had seen in Joji, and also in Nayattu even though this one keeps the thriller side at a distance.

Release date: 1st April 2021 (Theatre), 19th May 2021 (Amazon Prime Video, Neestream, Roots Video, Cave)
Running time: 126 minutes
Directed by: Sanu John Varghese
Starring: Biju Menon, Parvathy Thiruvothu, Sharafudheen, Arya Salim, Ganga G Nair, Saiju Kurup, Thejaswi Praveen, Shoba Mohan, Jacob George, Pramod Veliyanad

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Joji

What is the movie about? :: Joji Panachel (Fahadh Faasil) is the youngest son of Panachel family, an engineering drop-out who has now failed in his latest attempt in the tourism field due to the COVID-19 pandemic. Living somewhere in the isolated part of the highlands, where his father Kuttappan PK (Sunny PN) owns many acres of land around their house, Joji condemns the fact that everyone considers him as a failure. Kuttappan’s other two sons Jomon Panachel (Baburaj) and Jaison Panachel (Joji Mundakayam) fear him as much as Joji does, and the terrifying head of the family is ruthless in his attitude towards his family members. He keeps all the money to himself, and the sons are ever dependent on him. Jaison and his wife Bincy Jaison (Unnimaya Prasad) are highly obedient towards him, while Jomon also has his son Popy Panachel (Alister Alex) living with him after just recently completing the procedures of his divorce.

So, what happens with the events to follow? :: It is a world where Kuttappan maintains full control, and Jomon is a son who seems to be becoming just like his father. Joji is upset about nothing positive happening in his life, while Popy is a hopeless young boy himself. Bincy also has no hope for future, while her husband the son in the middle, Jaison has no courage to do anything that could change the sequence of events for everyone in the family. But when Kuttappan has a stroke while once again trying to show his strength in front of everyone else, the regular sequence of events is disturbed. The doctors and most family members feel that there is no comeback for him, and even the local priest Fr Kevin (Basil Joseph) believes that now only prayers can save him. But to everyone’s surprise, the 74 year old man survives death and comes back to them in a wheelchair. The fear factor is back, but now there is a chance for everyone to have a deviation here.

The defence of Joji :: Joji thrives on the realistic feeling that it generates with the thrills, something which Dileesh Pothan carries over from Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, with setting coming back to the highlands yet again. The time, from a Google search, the location seems to be more Kottayam than Idukki, and the atmosphere here is nicely set – could even serve as a lesson for anyone who makes a film based on the Koodathayi cyanide murders. This kind of a world is something that could take Malayalam cinema further, especially considering the fact that this flick is no longer limited to the local theatres, but gracing many nations of the world. The build-up is really nice, even though a little bit slow, and it has us expecting a lot to follow, considering the fact that a good number of main characters have certain secret motives. The film does make us remain suspicious at all times, even though some of those doubts are really without any reason. The camera work is excellent, and you also get to see some spectacular shots.

The claws of flaw :: The ending here is not that effective, and there we can see a big opportunity gone missing in a movie which was going to be far more efficient in divergence. One would expect one master twist in the end, but the final moments were just predictable and without the strength that such a movie needed to have. Seeing a top quality psychopath running out of ideas, and nobody stepping into take his place creates a struggle in the end. Even though there is the talk of this being an adaptation from William Shakespeare’s Macbeth, one would find that to be an unnecessary addition to the details about the movie, because the protagonist whom we see here is none like that particular character. I wouldn’t connect that Elizabethan age drama to this one because it feels like not doing justice to both – this one works separately, and could have achieved more with this premise. Also, the female character representation is too low here.

The performers of the soul :: Just like the earlier Dileesh Pothan movies which had Fahadh Faasil as the main character, this one also depends on him to bring the magic, which he does with a certain amount of ease, as he has done before in multiple occasions as part of many different movies. We can also find traces of what was seen in Kumbalangi Nights with his psychotic character that brought the twist in the end. That was a movie which should have been sent for the Oscars, and Fahadh has another performance here that follows the much appreciated self-proclaimed hero of Kumbalangi. Unnimaya Prasad is also here doing a really interesting character, someone who seems to have hidden dark shades, even though the same is not explored further. An opportunity to bring the Macbeth element with a guilt-filled Lady Macbeth is not taken here, against expectations. We had seen her most memorable role in Anjaam Paathira, and this is the next most memorable thing.

Further performers of the soul :: Baburaj’s performance in this movie serves as a big boost too, as he excels in the serious as well as the funny moments. In the end, we feel the character as a person who holds on to his own values, and the same differentiates him from others, even though he is still an alcoholic with not control over his tongue – a character nicely executed. Shammi Thilakan’s character also catches our attention, and it is also as realistic a character as we can get. Sunny PN who plays the controlling father character will also have our attention from the beginning itself. Basil Joseph’s role of the priest is a welcome addition too, even though it doesn’t directly affect the storyline. It is to be noted that the director of movies like Kunjiramayanam and Godha has played a good number of interesting roles until now. The lesser characters are also nicely added to the film, as we see them contributing really well in what seems to be nice roles for them.

How it finishes :: During the continuing time of COVID-19 pandemic, this movie has released in Amazon Prime Video, and that has been a nice idea indeed, at least for most of us who haven’t really started visiting theatres again as the cases of infections are still going up. This one is another winner for Dileesh Pothan as a director, as he scored three out of three with simple, realistic movies. I would place this movie between Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, better than the latter, but not that much of an interesting thing as the former. It seems that a pandemic like this version of mutating Corona virus has given us more thriller movies than those films with hope which were filling up the theatres before we went into that lock-down, an example being seen in Kilometers and Kilometers starring Tovino Thomas which served as a light-hearted feel-good film. We are surrounded by horror and suspense, and it is a fine change.

Release date: 7th April 2021
Running time: 155 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Unnimaya Prasad, Baburaj, Basil Joseph, Shammi Thilakan, Joji Mundakayam, Sunny PN, Alister Alex, Renjith Rajan, Dhaneesh A Balan, Renjith Gopali

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@ Cemetery Watch
✠ The Vampire Bat.

Hobbs and Shaw

What is the movie about? :: The movie begins in London, with a group of MI6 agents trying to recover a deadly virus, Snowflake, which is good enough to cause a global pandemic, bringing humanity closer to the sixth extinction. As they retrieve it from the global terrorist organization Eteon, Brixton Lore (Idris Elba), an Eteon soldier fitted with advanced cybernetic implants arrives and kills all agents except for their leader, Hattie Shaw (Vanessa Kirby). She injects Snowflake into herself to keep it away from others’ reach and escapes from the scene. Brixton frames her as a traitor who killed her team and stole Snowflake, and it leads to her being on the run from more than one intelligence agency. Both Luke Hobbs (Dwayne Johnson a.k.a. The Rock) and Deckard Shaw (Jason Statham) are given the duty to track her down and find Snowflake before it gets to Eteon or some other terrorist group.

So, what happens with the events to follow? :: It turns out that Hattie is the younger sister of Deckard, and after talking to their mother Magdalene Shaw (Helen Mirren) in prison, he finds it his duty to protect her. As expected, Luke and Deckard can’t get along, and that does cause problems as far as the mission is concerned. They do find her in the end, and even though she is taken to the CIA office, Brixton arrives with his team of mercenaries and captures her. Luke and Deckard manages to save her after trying to defeat Brixton in hand combat without any success. They manage to get away, and decide to find a way to get the virus out of Hattie who only seems to have a few days remaining. They figure out that she has to be killed needs to use an extraction device from the Eteon factory in Ukraine. Meanwhile, Brixton frames them as terrorists, and makes things further difficult.

And what more is to happen? :: For the same, they are helped by Madam M (Eiza Gonzalez), who is Deckard’s old flame, as well as a robber who lives in Russia – she also provides them with some special, powerful weapons. This leaves them with even lesser amount of time to get the virus out of Hattie. Brixton is also searching everywhere for the virus that he feels will change the world forever. With no option to save her, and after getting all the information from the creator of the virus, Professor Andreiko (Eddie Marsan) they decide to have her transferred to Brixton and then go after her in the factory where it was created, as it is the only place where it can be extracted. With time running out, they get their resources ready, while Andreiko is captured by Brixton. It is a tough task ahead for the two people who just don’t want to see each other – can they defeat Brixton, the man who is more like a superhuman with all the implants, or will death be unleashed on common people?

The defence of Hobbs and Shaw :: This is one movie in the Fast and Furious franchise that could do without its “FF” tag, as it has a story which can stand alone, and with its main characters and all the action around, has such great strength beyond the franchise. It is so good even without those scenes of racing in the streets, even though there are also present. The great action sequences go a long way beyond our expectations. The movie has the chases, hand to hand combat, a vertical walk and a grand final battle which has a group of cars against a helicopter. The best thing about the movie is that it knows where to draw the lines, and how to make things believable, helping the willing suspension of disbelief – it is something that some of those dumb masala Bollywood movies can never do. This one begins well and ends well, and in between has a lot to remember. The visuals are stunning, and the best is in store in the end, at Samoa.

Positives and negatives :: The movie has a certain amount of humour in there, and not all the comedy works here. Sometimes, the comic side tries to come in when not needed and the least expected – sometimes, we just love to avoid it as not being part of this grand adventure. All parts of the movie are also not at the same level, leaving us with ups and downs. The use of family idea gets repetitive, but is once again used effectively with the scene shifting to Samoa bring one more family together. Well, we know how much Fast and Furious 6, Fast and Furious 7 and Fast and Furious 8 talked about family, and that is one element which comes up in anything related to the franchise. There is also the talk about people being above technology, and regarding the final setting and The Rock who comes up with such a situation, it becomes believable. There are moments when we feel that it is this movie that needs the sequel and not the original series – Vanessa Kirby might be one strong reason for that.

The performers of the soul :: Fast and Furious franchise is known for its protagonists who have no hair on their head – this one does the job without Vin Diesel though. This is that kind of an occasion where it works perfectly without him – the contrasting styles of the two actors playing the two real different characters become perfect here. Dwayne Johnson brings the power of the Rock or rather Hercules in the last few scenes as we also have Roman Reigns joining in to give a reminder of that WWE world which we have loved for long. Jason Statham’s protagonist who comes with a different style of action has us asking for more. Vanessa Kirby is too good in the action sequences too, as she brings everything into the scene perfectly – Mission Impossible: Fallout had here doing less action, but not this time, as she has some fine sequences of action which we are going to remember. She can surely have a lot more action movies. Idris Alba does a great job playing the villain too. Elza Gonzalez has a small, but noticeable role.

How it finishes :: We have always wanted more of the Fast and Furious franchise, and this one makes sure that there is more, and that too with the two superstars who could be even bigger than the whole movie. With Dwayne Johnson and Jason Statham launching the right punches, this one offers even more than what we thought it would deliver. A complete entertainer from the beginning to the end, Hobbs and Shaw is a movie that you shouldn’t miss, as far as you are looking for a grand action thriller. There will be more fast and furious movies coming up, but this one will be remembered for what has brought to the screen in a grand fashion. We are gladly past the boring street racing saga to aim at something higher. Creating a spin-off out of a successful franchise and making it as big as the original series requires some fine skills, and here the same is on display. Hobbs and Shaw will keep the expectations high until the next movie in the franchise arrives.

Release date: 2nd August 2019
Running time: 135 minutes
Directed by: David Leitch
Starring: Dwayne Johnson, Jason Statham, Vanessa Kirby, Idris Elba, Eiza Gonzalez, Eddie Marson, Helen Mirren, Cliff Curtis, Roman Reigns, Josh Mauga, John Tui, Lori Pelenise Tuisano

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@ Cemetery Watch
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World War Z

worldwarz (2)

Even in the world dominated more by vampires as the popular fantasy creature, there is no lack of support for the zombies, even in India as shown in Go Goa Gone. Otherwise, the Resident Evil series always had the complete control over that zombie world which came up as the result of an infection. The animated corpses which were something more than just a mindless vampire or human, has had more success with the stories of science rather than magic, with virus infection rather than being resurrected by necromancy or being summoned from another world by a sorcerer or a witch. Even then, they would remain the most important weapon for the battle in the box-office, as vampires have had too much run on the big screen. I would still miss I Am Legend for the kind of vampire mix which was given to the zombies, a combination of intellect which has been completely destroyed by Twilight. There are many people whom I can recommend to be zombies without being dead and coming back, but I choose to remain silent now due to the respect which I pay towards them – not those people, but the real zombies of the world. Still, I can’t hesitate to say that the hunger of the human flesh or the human brain should exist with both of them. I would thank Mary Shelley and her Frankenstein more than anything else on this occasion, and move forward.

A global pandemic in the form of a zombie outbreak has become so interesting these days that even if someone prepares for it as if the end of the world is near, there is no need to be surprised. A zombie apocalypse is something which needs its own glorification, as it is already happening with some of the mindless hypocrites who are slave to logic. But here in this Brad Pitt starrer, we have the true, respectable undead zombies, based on the 2006 novel with the same name by Max Brooks. Even as seeing Brad Pitt among the list of producers reminded me of what happened with Will Smith’s After Earth which shattered those hopes made of glass into so many pieces that it was not easy mend, there was a certain belief about this one. In that case, it would have been surprising that this movie made it to the theatres here, as there was a great chance for this one to miss the multiplexes belonging to this part of the world. The presence of Man of Steel and its reluctance to move out of the theatres might be a major blow to this one as well as to Monsters University which has been restricted to a single show if present. None of these can give even a small fight to Superman and his impact on this part of the world, something which is rooted in the childhood memories – the presence of Now You See Me and Fast & Furious 6 shouldn’t really hurt this one though.

After Tom Cruise and Will Smith jumped into the world that was post-apocalyptic Earth in the same year, with the former been a vampire in Interview with the Vampire and the latter been a zombie-vampire killer in I am Legend, Brad Pitt already had the vampire experience as Louis de Pointe du Lac, the complete vampire despite of the human conscience and existential questions of life and death, good and evil, God and Satan, heaven and hell. This time, he is not part of the attacking gang, but still raises his own questions about humanity in not that effective manner. Anne Rice’s works had its own versions of zombies, even as they were also called vampires, like the ones the leading characters encounter in Eastern Europe, with no mind of its own, attacking everything that moves, driven by its own need to feed; the only characteristic that can define them. One has to wonder what differentiates a zombie from the human beings without civilization in a world which has quite a shortage of resources. Won’t each and everyone act the same as a zombie in such a situation, in the absence of the rules and regulations of the society and the restrictions of sin imposed by the religion? That should identify us more with the term zombie rather than the vampire, knowing our need for society and religion to keep us from becoming zombies or even worse.

It must be clear from the title by now that the “Z” stands for Zombies. There is no doubt about the fact that most of the people who came to the theatre were not expecting the same, thanks to the posters which gave no clue about such a thing. Another thing is that there is no scope for 3D, as those glasses give you almost nothing other than some words which would seem to project off the screen in the beginning of the movie. There are some good CGI moments for sure, and the special effects are limited; not a very good thing for a movie of this genre. There is a good chance that most of the comon zombie fans might choose to say a no to this one. It is the story of former UN employee Gerry Lane (Brad Pitt) and his family who are saved from a group of zombies who turn all who they bite into their kind, and after being taken to a US Navy ship in the middle of the sea, he is forced to invetigate into the matter using the special skills he achieved through his missions, so that the origins of the virus could be found out and the pandemic could be stopped. Not without reluctance, but still agreeing for the sake of his family’s staying on the ship rather than in a refugee camp on the land surrounded by zombies, Gerry joins the team of experts on a plane for a military base in South Korea from where some of this is supposed to have started in the first place.

Here is the paragraph which might give you the spoiler – and the story till the end. From there the journey is to Jerusalem, as the nation of Israel seems to have had a prior knowledge about a possible zombie infection, as they did already bring up some walls. But he gets nothing useful from there, and Jerusalem is also attacked, as the zombies climb over the wall, as they form a ladder by piling on the top of one another. As the ultimate chaos follows, he manages to escape from there by boarding a Belarus Airlines flight with his escort soldier, a journey which is cut short when one of the zombies get to bite an airhostess from where hell breaks loose, and Gerry manages to throw a grenade which divides the plane into two and leads to a crash from which the two survive. They finally reach a World Health Organization research facility and assists them in finding a cure, and the find out that the virus needs people who are healthy, and those ill and therefore unsuitable as hosts for viral reproduction are not bitten, and are rather more invisible than anything else. This camouflage helps them to fight zombies, and that should save the day for the world, but the war would continue, as it might seem to the audience. There might be a question though, about this being all that we have been waiting for.

The huge pile-up of cars and the zombie attack in the beginning as well as the Jerusalem zombie attack forms the highlights of the movie. But it remains without enough moments when these two sequences are removed. The attack on the plane is the only other thing worth mentioning. Brad Pitt has done a great job to add to it. He plays an effective character, and without him, this movie would have surely collapsed. The zombies are fine, with their own pros and cons added in this one. But this movie remains slow, and without a good enough reason other than Brad Pitt to attract the viewers. All the awesomeness which was expected to follow after the initial zombie attack never comes, and as it doesn’t attempt to do anything extraordinary, the expectations are scattered and the 3D glasses are wasted. The catchy dialogues might be about the mother nature being a serial killer and how she disguises her strengths and weaknesses. The noises that the zombies make are somewhat attractive too. I would still prefer the zombies and special effects of Resident Evil, and it is a little depressing that this one lacks action, but the advantage is that this one is closer to reality and there is absolutely no exaggeration at any point of time.

The movie is just a little scary and a little thrilling. It might be the slowest zombie movie of the recent times and the most realistic of them all – it is an exaggeration, as these hardly get close enough to reality to be identified with. This world war of the zombies never tries to expand its entertainment elements beyond what is ordinary. It could have been its achievement, but for now, it is clearly working against it. Zombies and vampires have been too commericalized these days, and when the entertainment value is somewhat drained from it, there is only a little to gain. If this was about the wars from A to Z, and this one is the final one of them, there could have been a slightly better chance. World War Z does its job and there is no denying it. With Brad Pitt’s never ceasing charm and acting, and the realistic portrayal of a supernatural world stained with scientific curiosities, this one can go the distance, and stay there until something bigger comes its way and take over. One should choose to watch this one for the one leading actor who carries the movie on his shoulders, and a zombie world which takes a different stance. It is a war which this movie got to face now, as a certain amount of uncertainty is ready to pounce over it.

Release date: 21st June 2013
Running time: 116 minutes
Directed by: Marc Forster
Starring: Brad Pitt, Mireille Enos, James Badge Dale, Matthew Fox, Daniella Kertesz, David Morse

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@ Cemetery Watch
✠ The Vampire Bat.