Byzantium

byzantium (1)

The vampires who keep coming :: Ever since Byzantium released, I have been looking forward to watching the same, and it is only much later that I had a chance. May be Byzantium is not a movie for everyone or most of the normal people, and the multiplex owners seems to have realized it even before the movie had any chance to grace the theatres – I guess they would have done the same with Interview with the Vampire: The Vampire Chronicles if released in this decade without Tom Cruise and Brad Pitt. My desire for a good vampire movies has rarely been given wings and neither did any possible werewolf love, thanks to the pathetic creations like Twilight and Mortal Instruments which have used the supernatural beings in a terrible manner, forcing me to abandon any thoughts of watching movies with vampires in it – saying no to vampire stuff was never that easy before. There was also Vampire Academy: Blood Sisters which seriously contributed to the same (it at least had the stunningly beautiful Zoey Deutch, unlike the Twilight series), only turning itself to a funny movie whenever it was really serious. Then I had to watch Byzantium, and that made me come up with a few points why I loved this wonderful movie.

1. Byzantium is the best vampire movie after Interview with the Vampire: The Vampire Chronicles of 1994, belonging to the same class as the 2010 movie Let Me In (or Let the Right One In) and slightly better than the less appreciated movie of 1997 – Vampire Journals.

2. Byzantium is a good thing to have if you did accidentally put your head into Twilight or Mortal Instruments, as it has that ability to bring you back to love the supernatural and the vampire yet again; thus the antidote you will need.

3. The movie stands right between Let Me In and Twilight, with a romance that has a teenager falling for the very old teenage vampire girl, but with all the creepiness of the former, and no bloody exaggerated romance like Bella vomits on Edward Cullen.

4. The bloodsucking is given a new dimension with the use of nails, while we have been looking at bites all the time – coming from the same director who gave us Interview with the Vampire: The Vampire Chronicles, I was expecting something new like that.

5. The story has two female protagonists, a mother and daughter who are vampires who are always on the run, and mystery that surrounds them if unfolds in such a beautiful manner that you can’t stop thinking about it.

6. There is a code among these two vampires, as one of them only feeds from the weak and the dying, sending them to eternal joy from the world of pain, and the other one feeds on those who attempts to take advantage of the weak.

7. There is no turning the other into vampire by biting, and the vampirism of this movie is something that is gained by being prepared to sacrifice one’s life – only by being ready for death can one achieve eternal life – now that is no usual evil vampire stuff.

8. The use of flashbacks is beautiful, and they come up with something every now and then as the story of the present moves on. It is never without its captivating ability, and the background story is a big boon for this one.

9. Saoirse Ronan is an awesome young vampire who has complications with her mother who never ages, and makes them go around the world. Her words and the pain that she narrates with it, are striking; and then there are her eyes and the way she stares.

10. Gemma Arterton as Clara Webb is wonderful with her ability to survive, from being the subaltern among all due to one bad decision of her life, she keeps making the right decision, and supported by her beauty and charms, she thrives; looks more beautiful than ever.

11. Jonny Lee Miller’s Captain Ruthven is a as close to a dreadful villain as possible, one who unfortunately for the viewers, is not seen in the present, but with those flashbacks, he is responsible for all that the mother and daughter are now, a man of pure evil.

12. Sam Riley’s Midshipman Darvell also has a certain amount of charm, being the man who could have avoided this plight, but was not given the opportunity by the young lady. This depiction shows him as a man in pain and helplessness which he tries to hide.

13. The movie has a haunting atmosphere right from the beginning to the end, and there is no real happy side to it. There is some brutal telling of the story which is dark and with abiding sadness, but still not that horror or tragedy that one would expect.

14. Byzantium is incredibly powerful in its dealings with the supernatural as well as the human side. It has a huge darkness element in each of its characters, which is surely more than any sign of goodness we see in this movie.

15. There is a river of blood which flows down through a waterfall and meets the sea, while birds make strange sounds a fly away, as dark clouds fill the sky – that moment of transformation which is an awesome moment of visual splendor.

16. The movie has successfully captured the feeling of being alone and different with the daugher, and that of being mistreated and punished for no crime of oneself with the mother, and there is so much beauty in how it is shown.

17. There is a certain amount of contrast being made, with the humans and the vampires, with all the humans in the movie being either good and weak or evil and strong, just the vampires being in the middle of all these with no specific side.

18. The cinematography is too beautiful in this movie, and every time we look at it, we see a beautiful world created with a suiting surrounding, and lovely looking people around, as the two leading ladies steal the show.

19. The past and present comes together, and when it is finished and the mosaic is complete, we have a finished product which is nothing less than a poetry which we were told to complete during our school days.

20. I quote from the movie: “My story can never be told. I write it over and over, wherever we find shelter. I write of what I cannot speak: the truth. I write all I know of it, then I throw the pages to the wind. Maybe the birds can read it“.

The final Vampire Bat touch :: I believe many of us might have thought that there is nothing new to come up with the vampires, unless Anne Rice gets younger and come up with some new book or Suzanne Collins moves into some kind of futuristic vampire science fiction story. But this movie proves otherwise. Even with slight drag and often lacking in big surprises, this exquisite movie successfully battles the popularity of stupid vampire romance for teenagers, and leaves us hoping that it had a better release around the world. Neil Jordan once again scores, this time, without the help of a novel. Well, how can one expect the Vampire Bat not to like a vampire movie which has some intellect and imagination associated with it? *Meanwhile, I have reached twenty posts of the story @ The Divine Epic (http://divineepic.wordpress.com/) and I hope you all can have a look my fiction work 😀 As I have separated the story into four separate timelines, I believe that it will be easy to follow if you click on each timeline and read the story instead of going ahead right from the beginning to last post 😉

Release date: 28th June 2013
Running time: 118 minutes
Directed by: Neil Jordan
Starring: Saoirse Ronan, Gemma Arterton, Sam Riley, Jonny Lee Miller, Daniel Mays, Caleb Landry Jones, Maria Doyle Kennedy, Warren Brown, Thure Lindhardt

byzantium copy

@ Cemetery Watch
✠ The Vampire Bat.

The Wolverine

thewolverine (3)

The sixth movie of the X-Men film series has been released on that day on which I had to submit my thesis, which I found to be a reason to identify myself with the Wolverine; with immortality reigning both in my that thesis of mine and also through the blood of our leading character in this movie. The fact that this movie follows the events of the 2006 movie and the worst one of the series, X-Men: The Last Stand was depressing, but not many people can deny Wolverine a.k.a Logan a visit after how well X-Men Origins: Wolverine turned out to be. It was when X-Men: First Class released, that the realization about how much we miss this character flashed through the mind which was full of absurdity. The movie was still good, and if we think about how much bigger that movie would have become with this character, there might be shocking box-office figures expected. This is the impact Wolverine brings with him, and he is that character who has the status that almost rivals most of the individual heroes like Spider-Man, Superman and Batman, and clearly makes an impression which none of the X-Men can make alone. This is that movie which can take all the other English movies out of the theatres here, and from the bookings happening right now, that is quite likely.

So, this installment of the movie series comes up without the X-Men tag added to its title, and it is clear that this is more about Wolverine than anything else, and there is enough power in it to survive without that tag. Chronologically, this is to be considered X-Men 4 though, as this doesn’t follow X-Men Origins: Wolverine as some had thought it would. Logan (Hugh Jackman) has been living the life of a recluse after the death of Jean Grey which was a major part of the events of X-Men: The Last Stand which practically ended the need for the existence of X-Men as there was a period of relative peace which followed. But there is no peace of mind for Logan as is frequently troubled by hallucinations nightmares about Jean, whom he was forced to kill, and a lesser memory from the Nagasaki bombing of 1945 where he saved the life of a Japanese soldier. He maintains very less contact with the human world, and stays in the wilderness most of the time. One day, during a fight with a group of hunters in a bar, he is found by Yukio (Rila Fukushima), another mutant, representing Ichirō Yashida, the man whom Logan had saved earlier. He is asked to go to Tokyo so that the dying man can possibly thank him and bid adieu, to which Logan reluctantly agrees.

After reaching Japan, Logan comes across Yashida’s son Shingen (Hiroyuki Sanada)and his grand daughter, Mariko (Tao Okamoto), both seemingly having problems with the relationship with eachother. Yashida offers Logan the opportunity of a transfer of mutant powers to get rid of his immortality and die in peace instead of living in nightmares and pain. Logan refuses to transfer his powers to the dying man, and is later informed that Yashida has died. During the funeral, he saves Mariko from the assassins of an enemy clan with help from Kenuichio Harada (Will Yun Lee), an archer and Mariko’s lover. They get onboard a train and more opponents are encountered in a fighting sequence which involves combat even on the top of the train. While fighting, Logan is shot multiple times and finds out that he is not healing instantly as he used to, and has to be taken care of by a doctor. With another mutant, Viper (Svetlana Khodchenkova) chasing him for his powers, and Mariko being hunted by her own father for the control of the family business empire, Logan has more to deal with this time, at a time when he is losing his powers and has become incredibly close to mortality. But this would lead to that moment which he needs to get rid of the psychotic monster that his lover was, from his head. It might be worth fighting for.

It is fair to say that Hugh Jackman controls this movie and makes the whole thing work as if he is playing that much of a superhero as Spider-man, Superman or Batman. Wolverine has turned out to be the one mutant who can work out alone and be the saviour of the world alone. Hugh Jackman has achieved all these alone, and from what it seems, this could get a better box-office collection that X-Men: First Class which had so many more mutants with interesting powers. I would consider that one the better movie, but this one has Hugh Jackman and he has done magic with his character, something which would depress the audience if someone else was to play the Wolverine, from what it seems right now. The possibility of a stand-alone expansion to X-Men has been wonderfully done through his character. X-Men: The Last Stand might have dminished the scope of the whole franchise, and had made X-Men: First Class suffer; but the case of the movies featuring Wolverine as the hero would be different, and Hugh Jackman scores again and again right there. He was there as Leopold in Kate & Leopold, as Gabriel Van Helsing in Van Helsing, and as our favourite robot-controlling boxer in Real Steel. But what Wolverine does, stays not only with one movie, as the man has made the character bigger than what one mutant could ever be, and that is worth all the respect.

Haruhiko Yamanouchi as Ichirō Yashida brings surprises, and be ready for it. Tao Okamoto as Mariko Yashida brings a kind of serenity to the world which is otherwise full of heavy action and hidden evil. Rila Fukushima as Yukio adds to the martial arts segment of the movie, and as a mutant, she is one of the main three gifted people in the movie, and may be the more physically trained and skilled one among them. Will Yun Lee as Kenuichio Harada and Hiroyuki Sanada as Shingen Yashida also adds to the martial arts powered action sequences. Meanwhile, Svetlana Khodchenkova makes an entrance as Viper, a poisonous mutant immune to toxins, resembling a snake in many ways. She is seen as the most powerful and the most vigorous enemy of Wolverine and Mariko until the Silver Samurai finally shows up covered in adamantium armour and holding an adamantium sword of immense power. Famke Janssen is also there as Jean Grey, but more as a hallucination or nightmare for the protagonist, but still the character portrayed better than X-Men: The Last Stand. This is hundred percent a better Jean Grey than that of the third movie of the X-Men franchise. It is a vital presence, even as it is not real. There is also a post-credits scene involing Patrick Stewart and Ian McKellen as Professor Charles Xavier and Magneto respectively.

Even in the presence of the psychological elements, the movie runs on its action sequences, and some of the one-liners as the others lack innovation. The battle of the claws against the swords of the samurai makes an impact, but I would still prefer the usual mutant battles, or the Wolverine v/s Sabretooth head-to-head combats. The action sequence on the bullet train came as no surprise, and it was indeed powerful. The most interesting thing is that all these action sequences and interesting dialogues happen around Wolverine, and the whole situation is about him, just like the title suggests. Everyone else just revolves around the character, and with Hugh Jackman holding one end strongly, there is no need for anything spectacular. There was always the need for balance, and it is attained by the Wolverine suffering from that pain which Louis de Pointe du Lac seemed to suffer in Interview with the Vampire, the only difference being the lack of need for blood which is replaced by the need for combat. As Louis wished for death as he hated his inability to act, Wolverine hated his life as he had acted in such a way that he lost control of his world even as he saved the same. Both were reborn as hunters, weren’t they? Both were seemingly indestructible, and both were clear misfits in a world which had no place for them.

There are a few things one has to be aware of; this one is not an origin story, but still it moves on like one, with a good amount of slower moments. The 3D was almost unnecessary. It also has a predictable climax and not too surprising twist which supports it. There is the absence of an imposing villain, as the one expected challenge for Wolverine is unleashed only the end, but that too within limitations. There is so much left on the shoulders of Hugh Jackman. But still the man with the claws cannot be resisted. X2: X-Men United would still be the best of the franchise, followed by X-Men: First Class, the first entry of the series, and X-Men Origins: Wolverine. But there will be more hope about X-Men: Days of Future Past which combines the cast of all these movies. For now, The Wolverine will do just fine at the box-office, as this week doesn’t have many powerful competitors around here, which has caused Pacific Rim to bounce back. Turbo, Despicable Me 2 and Man of Steel hasn’t left the theatres too, but they should worry this one less. We need X-Men, and we need Wolverine, and therefore we will need to watch this movie – even with varying thoughts about the X-Men movies which we can agree to disagree on. I would still miss Nightcrawler and Shadowcat, and that fact diminishes this X-Men world.

Release date: 26th July 2013
Running time: 126 minutes
Directed by: James Mangold
Starring: Hugh Jackman, Svetlana Khodchenkova, Hiroyuki Sanada, Tao Okamoto, Rila Fukushima, Famke Janssen, Will Yun Lee, Brian Tee, Patrick Stewart (cameo), Ian McKellen (cameo)

thewolverine copy

@ Cemetery Watch
✠ The Vampire Bat.

Underworld: Awakening

underworld (6)

The first impression all those mindless critic-believers would have about this movie is nothing more than a bulk of disbelief inspired by the support of the people who are paid to write, something which has plagued the movie world as a hellish hound spreading pseudo-love for movies as a plague which has exterminated most of the better movies which was released in the last few years, and supported senselessness. Sometimes, one would wonder if they need Tarantino’s name in the director’s column and only then can they give a good review; so goes the cynics, the masters of annihilation of the better ones. Unfortunately, this one is not even directed by Len Wiseman, the director of Underworld: Evolution, the previous movie which had Kate Beckinsale playing the same character. But that hasn’t affected this vampire-werewolf world too much. The same director and the same actress had the movie Total Recall working for them in the same year, and just like Mila Jovovich and her husband in the Resident Evil series along with The Three Musketeers, all of these movies having one thing in common – a gorgeous, stong and agile female protagonist who moves around kicking and punching the opponents, along with dodging bullets and arrows spinning around them as if she was a spinning delivery by Shane Warne of Muttiah Muralitharan.

This fourth installment in the Underworld series, and the major protagonist, Selene (Kate Beckinsale) is captured and imprisoned by the humans, and most of the vampire population has been exterminated with the few remaining blood-suckers living underground as survivors and rebels. The lycans are supposed to have been extinct for years, or so the world is forced to believe. Selene escapes from the medical facility where she was cryogenically preserved as a female vampire specimen. She finds out about Eve (India Eisley) a vampire-werewolf hybrid and the daughter of Selene and Michael. The vampire mother and daughter is escorted by David (Theo James) to his vampire coven where his father Thomas (Charles Dance), an elder vampire is sceptical about the whole thing. But the problem remains that the lycans had never been extinct and they are looking to develop a drug which could make lycans immune to the deadly effects of silver on them and also to enhance their physical abilities, for which they need to capture Eve and take her apart. Dr. Jacob Lane (Stephen Rea) and his son Quint Lane (Kris Holden-Ried) look forward to capturing the young girl and using her genetic code to achieve near invincibility for the lycan race.

So Kate Beckinsale’s Selene has returned to once again with that the skintight latex outfit, a costume which defines the movie outside its mythology, and it is one situation comparable only with Milla Jovovich’s Alice in Resident Evil: Retribution and also Sienna Guillory’s Jill Valentine in the same movie. Alice and Selene has so many things in common though, as both of them gets the infected other, the species who are leading her own to extinction, in black skintight costumes and displaying all the athleticism – the two leading actress portraying them married to the same director who directed their most popular movie series, and the three characters, Alice, Jill and Selene are portrayed by the actresses whose age difference in one as of this exact moment. Kate Beckinsale wins the battle of whom being the better destroyer for sure, which is why Underworld series survive. Just like Underworld and Underworld: Evolution, this movie revolves around her, and she is the undisputed sun of this solar system, even as there is a hint that another sun is to rise in the form of Eve, and this would be a system of not one, but two stars providing the resources for survival. The possibility of a Jill-Alice, Claire-Alice or Ada-Alice world or the combination of all is the next possible thing though, and this sharing of Underworld is rather distant.

Kate Beckinsale once again proves that she is the one suited for this role as Selene, one of the most attractive, gun wielding “good” vampires the movie world might ever bring to the human eyes. Lori, the undercover agent and the fake wife of Total Recall proves the same later, and what Anna Valerious proved in Van Helsing lives on with this version of the vampire named after the Greek moon goddess. Here, the superhuman powers make her close enough to a demi-god, even as the daughter of the Titans Hyperion and Theia wouldn’t dare to agree. There is no brother for this Selene in the form of the sun-god Helios, and there is no sister in the form of the goddess of the dawn, Eos. She is still that nocturnal creature, despite of her ability to move around in sunlight. She is also the hunter, Artemis and also almost Aphrodite in beauty. As we consider the fact that she was a cryogenically frozen female vampire specimen until waking up, there is the multiple assertion of her continuity from where she stopped, as she has not changed a bit from her earlier appearance which was six years earlier through Underworld: Evolution. She didn’t seem to have a aged a bit, and there is absolutely no loss of touch with the character which has been the most popular lady vampire for quite a long time, and Isabella Swan’s transformation into a pale creature won’t change a thing.

Selene’s atheleticism and vampiric nature is perfectly portrayed by Kate Beckinsale as defends the hybrid daughter and her own kind against the lycans and humans with such fury and aggression which can make even Count Dracula passive. Along with the blue eyes, that face and all the expressions in the movie points to that one mythical creature only, the vampire, or as John William Polidori would say – The Vampyre. Forget Vacancy and Click, as this is the movie which she would be identified with, and that blue-eyed face and the short black hair falling on the face at regular intervals; that is the image which comes to the mind with the name Kate Beckinsale, and it is that impact that Selene has created from this wonderful actress, and that beautiful awesomeness of a gorgeous vampire lady is her gift to Selene in return. That wouldn’t make her any less attractive not as Selene, but the vampire lady is the one archetype which would stay there for a very long time. It has to be something all the lunar goddesses of history have to approve. None of those action movies Underworld, Van Helsing, Underworld: Evolution, Total Recall and Underworld: Awakening has recieved a Rotten Tomatoes rating above 40 percent, which is a sign of not the weakness of these movies, but the lack of strength in the critics to take them to the soul.

The action sequences and the 3D support Kate Beckinsale in her quest to get Selene to new heights, and they are of incredible power with that dark background. There is the excellent usage of the visual imagery and the special effects, and it had to get the maximum out of the fight sequences which it does. One can still complain about the story being ordinary and the movie being too short, but those have helped in making this one more interesting for those who haven’t seen the earlier movies of the series. There is no special talks about the motivatios and inspirations of the two species, and there are no long dialogues about the origins and history. It might have gone unnoticed, but India Eisley also scores within the limits of her character, as Eve has only begun. We haven’t seen enough of that one vampire hybrid for sure. Michael Ealy and Theo James plays the role of the allies of Selene, with the expected results. Stephen Rea has that powerful existence on the other side of the realm, unlike his vampiric presence in Interview with the Vampire, then to become a European vampire who becomes an enemy of the main vampire character, Louis de Pointe du Lac, and here to become the rival of the beautiful vampire protagonist, Selene. Kris Holden-Ried makes another powerful villain who makes one feel that he is never without lycan effect at any moment. Charles Dance scores with his presence as the Vampire Elder alone.

When Underworld: Evolution and Ghost Rider 2: Spirit of Vengeance had the same rating with critics, and The Lone Ranger managed a better rating, there was always something wrong, and the former was a pure eye-opening moment for this Vampire Bat looking for the “movies of the soul”. Even Snow White and the Huntsman had a rating near fifty percent which created that realization that all these paid reviews are just for a specific group of people, and there is a bigger division of people who are misguided with the same, thinking that these are for them. This higher rating for the movie will make for the lies which have haunted this movie and the whole series as a whole. If the critics rating is seventeen percent and I give it a ninety two percent, that should make the situation a healthy ninety nine, with that remaining one percent donated to charity. It is the duty of the Vampire Bat, and his honour as part of the “movies of the soul” to immortalize Selene, and that vampire world which righteously fights the lycans long before Twilight came up with such an idea which would pervert the vampire world and destroy the image of all vampires before the humans. It is on this realization that this review has originated, and with that idea, it shall wind up. There will be a fifth movie in the series, and the Vampire Bat shall eagerly wait for it – there is nothing of humanity and there exists no critical force that can end his craving.

Release date: 20th January 2012
Running time: 88 minutes
Directed by: Måns Mårlind, Björn Stein
Starring: Kate Beckinsale, India Eisley, Sandrine Holt, Theo James, Michael Ealy, Stephen Rea, Charles Dance

underworldawakening copy

@ Cemetery Watch
✠ The Vampire Bat.

World War Z

worldwarz (2)

Even in the world dominated more by vampires as the popular fantasy creature, there is no lack of support for the zombies, even in India as shown in Go Goa Gone. Otherwise, the Resident Evil series always had the complete control over that zombie world which came up as the result of an infection. The animated corpses which were something more than just a mindless vampire or human, has had more success with the stories of science rather than magic, with virus infection rather than being resurrected by necromancy or being summoned from another world by a sorcerer or a witch. Even then, they would remain the most important weapon for the battle in the box-office, as vampires have had too much run on the big screen. I would still miss I Am Legend for the kind of vampire mix which was given to the zombies, a combination of intellect which has been completely destroyed by Twilight. There are many people whom I can recommend to be zombies without being dead and coming back, but I choose to remain silent now due to the respect which I pay towards them – not those people, but the real zombies of the world. Still, I can’t hesitate to say that the hunger of the human flesh or the human brain should exist with both of them. I would thank Mary Shelley and her Frankenstein more than anything else on this occasion, and move forward.

A global pandemic in the form of a zombie outbreak has become so interesting these days that even if someone prepares for it as if the end of the world is near, there is no need to be surprised. A zombie apocalypse is something which needs its own glorification, as it is already happening with some of the mindless hypocrites who are slave to logic. But here in this Brad Pitt starrer, we have the true, respectable undead zombies, based on the 2006 novel with the same name by Max Brooks. Even as seeing Brad Pitt among the list of producers reminded me of what happened with Will Smith’s After Earth which shattered those hopes made of glass into so many pieces that it was not easy mend, there was a certain belief about this one. In that case, it would have been surprising that this movie made it to the theatres here, as there was a great chance for this one to miss the multiplexes belonging to this part of the world. The presence of Man of Steel and its reluctance to move out of the theatres might be a major blow to this one as well as to Monsters University which has been restricted to a single show if present. None of these can give even a small fight to Superman and his impact on this part of the world, something which is rooted in the childhood memories – the presence of Now You See Me and Fast & Furious 6 shouldn’t really hurt this one though.

After Tom Cruise and Will Smith jumped into the world that was post-apocalyptic Earth in the same year, with the former been a vampire in Interview with the Vampire and the latter been a zombie-vampire killer in I am Legend, Brad Pitt already had the vampire experience as Louis de Pointe du Lac, the complete vampire despite of the human conscience and existential questions of life and death, good and evil, God and Satan, heaven and hell. This time, he is not part of the attacking gang, but still raises his own questions about humanity in not that effective manner. Anne Rice’s works had its own versions of zombies, even as they were also called vampires, like the ones the leading characters encounter in Eastern Europe, with no mind of its own, attacking everything that moves, driven by its own need to feed; the only characteristic that can define them. One has to wonder what differentiates a zombie from the human beings without civilization in a world which has quite a shortage of resources. Won’t each and everyone act the same as a zombie in such a situation, in the absence of the rules and regulations of the society and the restrictions of sin imposed by the religion? That should identify us more with the term zombie rather than the vampire, knowing our need for society and religion to keep us from becoming zombies or even worse.

It must be clear from the title by now that the “Z” stands for Zombies. There is no doubt about the fact that most of the people who came to the theatre were not expecting the same, thanks to the posters which gave no clue about such a thing. Another thing is that there is no scope for 3D, as those glasses give you almost nothing other than some words which would seem to project off the screen in the beginning of the movie. There are some good CGI moments for sure, and the special effects are limited; not a very good thing for a movie of this genre. There is a good chance that most of the comon zombie fans might choose to say a no to this one. It is the story of former UN employee Gerry Lane (Brad Pitt) and his family who are saved from a group of zombies who turn all who they bite into their kind, and after being taken to a US Navy ship in the middle of the sea, he is forced to invetigate into the matter using the special skills he achieved through his missions, so that the origins of the virus could be found out and the pandemic could be stopped. Not without reluctance, but still agreeing for the sake of his family’s staying on the ship rather than in a refugee camp on the land surrounded by zombies, Gerry joins the team of experts on a plane for a military base in South Korea from where some of this is supposed to have started in the first place.

Here is the paragraph which might give you the spoiler – and the story till the end. From there the journey is to Jerusalem, as the nation of Israel seems to have had a prior knowledge about a possible zombie infection, as they did already bring up some walls. But he gets nothing useful from there, and Jerusalem is also attacked, as the zombies climb over the wall, as they form a ladder by piling on the top of one another. As the ultimate chaos follows, he manages to escape from there by boarding a Belarus Airlines flight with his escort soldier, a journey which is cut short when one of the zombies get to bite an airhostess from where hell breaks loose, and Gerry manages to throw a grenade which divides the plane into two and leads to a crash from which the two survive. They finally reach a World Health Organization research facility and assists them in finding a cure, and the find out that the virus needs people who are healthy, and those ill and therefore unsuitable as hosts for viral reproduction are not bitten, and are rather more invisible than anything else. This camouflage helps them to fight zombies, and that should save the day for the world, but the war would continue, as it might seem to the audience. There might be a question though, about this being all that we have been waiting for.

The huge pile-up of cars and the zombie attack in the beginning as well as the Jerusalem zombie attack forms the highlights of the movie. But it remains without enough moments when these two sequences are removed. The attack on the plane is the only other thing worth mentioning. Brad Pitt has done a great job to add to it. He plays an effective character, and without him, this movie would have surely collapsed. The zombies are fine, with their own pros and cons added in this one. But this movie remains slow, and without a good enough reason other than Brad Pitt to attract the viewers. All the awesomeness which was expected to follow after the initial zombie attack never comes, and as it doesn’t attempt to do anything extraordinary, the expectations are scattered and the 3D glasses are wasted. The catchy dialogues might be about the mother nature being a serial killer and how she disguises her strengths and weaknesses. The noises that the zombies make are somewhat attractive too. I would still prefer the zombies and special effects of Resident Evil, and it is a little depressing that this one lacks action, but the advantage is that this one is closer to reality and there is absolutely no exaggeration at any point of time.

The movie is just a little scary and a little thrilling. It might be the slowest zombie movie of the recent times and the most realistic of them all – it is an exaggeration, as these hardly get close enough to reality to be identified with. This world war of the zombies never tries to expand its entertainment elements beyond what is ordinary. It could have been its achievement, but for now, it is clearly working against it. Zombies and vampires have been too commericalized these days, and when the entertainment value is somewhat drained from it, there is only a little to gain. If this was about the wars from A to Z, and this one is the final one of them, there could have been a slightly better chance. World War Z does its job and there is no denying it. With Brad Pitt’s never ceasing charm and acting, and the realistic portrayal of a supernatural world stained with scientific curiosities, this one can go the distance, and stay there until something bigger comes its way and take over. One should choose to watch this one for the one leading actor who carries the movie on his shoulders, and a zombie world which takes a different stance. It is a war which this movie got to face now, as a certain amount of uncertainty is ready to pounce over it.

Release date: 21st June 2013
Running time: 116 minutes
Directed by: Marc Forster
Starring: Brad Pitt, Mireille Enos, James Badge Dale, Matthew Fox, Daniella Kertesz, David Morse

worldwarz copy

@ Cemetery Watch
✠ The Vampire Bat.

David

?????????????????????????????????????????????

The Vampire Bat was re-introduced into this world, but he is struggling to be a movie-watcher with so many horrible movies around. David was a relief, and therefore he shall write about it, but considering the fact that only seven of the fourteen movies he watched in the last thirty days managed to be satisfactory, he surely wishes to sleep for a century and wait for that day when no movies are made. There should be discount for tickets for the Vampire Bat, for he saves so many movies of the world from being left unwatched. He is doing a great service, for which even free tickets might be not enough. May be free tea with tickets would do. The Vampire Bat shall look towards the firmament for now and wait for that moment when it starts raining movie tickets.

Why wouldn’t the Vampire Bat be disapponted. He had to watch Race 2 – old wine in an old bottle, while Kammath and Kammath and Lokpal were old wine in older leaking bottle. Natholi Oru Cheriya Meenalla was more like fish out of water gasping for air. While Da Thadiya had fish evolved with legs and thus made good contact with the people of the land, this little fish could make not keep people of the land or a flying Vampire Bat interested. Midnight’s Children had already lost its battle in a comparison to the novel. The Vampire Bat has been digging his own grave so that he could be buried in there forever, until something called David came to his attention. Then he went to watch it in Hindi and ended up watching it in Tamil. But it is not something he complained about, as he enjoyed the movie and considered it the best Indian movie he watched so far this year even as there is a long way to go.

What do we know about David in movies? There was the 1988 Malayalam movie David David Mr. David starring Balachandra Menon and Sumalata. But that would be totally unrelated to this one. Then there was King David of Bible, the ruler of Israel. The righteous king even with all his flaws, the warrior poet was mostly responsible for the Book of Psalms. But that was never the beginning, as the story of David and Goliath might be of more popularity. How it would relate to the upcoming Malayalam movie of the same name will be another story. Back to the original story, there stood Goliath, the strongest and the tallest of all, and there was young David with his sling and stones. Then fell the strongest; and the weak became strong. This has been repeated in the history with the rise and fall of huge empires all around the world.

The Hindi version has three Davids, but here there are only two to deal with. The first one belongs to 1999 Mumbai. He is a musician just like the Biblical figure. But his peaceful life is disrupted when his father, a priest is attacked by an anti-Christian group as part of communal politics. The second one belongs to 2010 Goa, a fisherman leading a happy life. He falls in love with a deaf and dumb girl who is soon to be married to his good friend. Both of them have to make decisions which will change their lives forever – one of them seeking revenge while the second one seeking love. But both of them would be committing their own acts of evil which they might repent for the rest of their lives. The battle is between the conscience and desire – between goodness and the basic desires. The world around plays a major part in dragging them to both sides. But eventually what triumphs forms the central point of the story.

Both Davids have to face their own inner demons which take the form of Goliaths – one of revenge and the other of lust (the one-sided infatuation based on looks could never be termed as love, but as sin – for King David himself had committed adultery with Bathsheba, the wife of Uriah and later married her). The same David had killed her husband, a murder which one of our Davids would have also committed. Even as the external opponents, the minions who are responsible for this situation of revenge to be created – they look stronger in the case of the musician, but the internal demon would work better in the case of other. The ultimate result of the battle against the two demons occur only in the end, even as the scene is shown to be set right at the beginning of the movie. It is the battle of the two Davids against two Goliaths, both internally and externally. This is a battle which is fought both physically and mentally, but is finally won in the mind.

Vikram has once again proved that he is such a versatile actor. Even as he is shown mostly as an alcoholiac, his character is never boring or withour passion. Jiiva has come up with a strong performance too. There are moments of pure awesomeness in the movie. The rest of the cast has successfully supported these two, on whom the stories are based on. It might not still be found an entertainer but I never found it boring at any moment. The transition between the stories are quite well done, and as both of them keeps the interest-level high, there is not much of a confusion in the change. Last year, we had Cloud Atlas which had too many stories to deal with. After that experience, one couldn’t be blamed of being confused and left in a slough of strange thoughts. This one has just two – both of them simple and never leaving the audience in an abyss. This is an inner journey of twins of the situation who never meet.

There are the messages of morality, making it nothing less than a morality play indirectly transformed to suit the modern world. There is good and there is evil – but as said in Anne Rice’s Interview With the Vampire: “Evil is always possible, and goodness is eternally difficult”. In the same book, Vampire Lestat had also added that “Evil is a point of view”. As the movie agrees with the first, I wouldn’t say the same with the second. If there was something like a point of view involved in it, the first choices would have been to succumb to revenge and lust. The first one would have been righteous payback and the second one irresistible eternal love. Some of the jokes are too foolish to suit the philosophy of the movie, but the rest add to the lighter side and throughout the movie, there is this eternal battle and the question “to be or not to be”. But our musician is no Hamlet and the man you saw at the beach is no selfish lover. There is a warning though – if you are allergic to moral advice and preachy tone can give you head ache, this movie might create no waves in your head filled with that “point of view”.

Release date: 1st February 2013
Running time: 127 minutes
Directed by: Bejoy Nambiar
Starring: Vikram, Jiiva, Isha Sharvani, Tabu, Lara Dutta, Sheetal Menon, Nishan, Nassar, John Vijay, Shweta Pandit

david copy

@ Cemetery Watch
✠The Vampire Bat.