Svaha

Vampire Owl: Another Korean movie. You are going international very often.

Vampire Bat: Well, there is the need for more movies for lock-down as far as vampires are concerned.

Vampire Owl: You still haven’t watched everything from Hollywood.

Vampire Bat: That can surely wait. There are many types of movies in different languages, from all parts of the world.

Vampire Owl: You have become a movie explorer beyond borders, haven’t you?

Vampire Bat: Exploration is a pure vampire trait, driven by blood. It is either a place or a movie, and it won’t matter what.

Vampire Owl: The quality of the wanderer and explorer has been inherited by all vampires in and around the castle.

Vampire Bat: About this movie, I feel that we are going to be reminded about another Korean movie, The Divine Fury, as this one also has demons.

Vampire Owl: But I do see a difference in pattern here.

Vampire Bat: Yes, they are not the same in soul, as the type is different.

[Gets a whiteforest cake and three cups of ginger tea].

What is the movie about? :: In the beginning, a few minutes show the existence of evil in the countryside, as something strange begins to happen there, making people worried. Back in the city, Pastor Park (Lee Jung-jae) is someone who spends his time trying to expose those religious groups which are involved in illegal activities, and he specializes in finding similar cults which have deviated from the main-stream religions, and are using the name of religious denominations to achive something sinister. He is paid for doing this by the heads of different religions, and the latest one is a cult group known as Deer Mount, supposed to be a Buddhist group, but does not worship or adore Lord Buddha, but others. This makes the Buddhist leaders interested, and they ask him to find proof, because it is certain that they might be having some kind of scripture, which will be the key to understanding where they stand, and how much they are different from Buddhism.

So, what happens with the events here? :: The result of the search is that they found out the existence of some edited versions, and also those parts which are never heard of before, giving a strange feeling with its content. There is something like a Book of Revelation, talking about beasts trampling the snakes and protecting the light. The Buddhist monk who is with them is not able to find the exact meaning, and what all these are about, and need to contact an expert. Meanwhile, Chief Hwang (Jung Jin-young) investigates the murder of a child and the main suspect might related to the same Deer Mount cult. As the suspect commits suicide, there seems to be no link to take this case forward. There is a much darker secret related to whatever has been happening around. It can now be traced and moved to a village where a family had two children, a girl and a thing, the latter being kept outside the house, locked in a shed. So where does all these lead?

The defence of Svaha: The Sixth Finger :: A Korean movie with a difference never stops being interesting, and this movie is no different. This one is also a complex tale regarding a series of murders of young school girls, and it is as interesting as the mysterious and spiritual side which it deals with from the other side, connecting to the killings which has been occuring through years, not being a new thing. The movie has its thrills regarding the same, and there is also a philosophical side to the movie, as the main character does have things to wonder about. The scary elements are there, but they do not run throughout the movie – they can be seen in moments though. The Divine Fury, another Korean movie was cent percent direct about the whole thing, but this one takes a divergent path to reach its destination, and therefore leaves some ambiguity, even while catching the interest of the viewers in style.

The claws of flaw :: The complexity of Svaha: The Sixth Finger will not be that appealing to everyone, as it throws in more characters into the mixture of things, making things even more complex. Everything just gets too tight at times, and some characters just seem to be there for the sake of it, not being defined well enough. The diverging story-line also has some problem in coming back together, and we are bombarded with one thing after the other, which makes us struggle to follow it at times. The characters provided for support are too many, and we do forget a good number of them, even though they don’t come up with a bad performance or anything. The movie should have also known to present its idea in a better way, even though it is entertaining and exciting as of now – after all, there seems to be a lot of things going in the background, and everything needed to be in the front, strong and clear in soul.

Peformers of the soul :: Lee Jung-jae as Pastor Park is the main character in the movie, and one person whom the audience is supporting from the beginning itself. He gets the special focus once he is introduced, and never does anyone rise above him. Park Jung-min as Na-han gets the significance later, but soon becomes a very important character that stays for long. Lee Jae-in’s character is also a notable one, and we see her at many points of the movie, which are all moments that will remain in our mind. Jung Jin-young as Chief Hwang gets a little less as far as the time spent on the screen is concerned, even after being introduced much earlier, seemingly with more importance. There is also some good support from Lee David as Joseph, the one who supports Pastor Park throughout, even though he is a bigger believer than the pastor is. There are so many other characters and all of them do manage to contribute by their own.

How it finishes :: Svaha: The Sixth Finger is that kind of a movie which has so many ideas, and brings them all from different directions on you, without pausing at any moment. It never losses focus in doing that, and only gets richer in ideas as it moves forward. As it gains in complexity, it doesn’t really use its strengths to the advantage, and it is where the movie losses control in some parts, but that is not a problem here, with the movie coming back stronger when needed. What runs under the movie is surely strong enough, and the variety in treatment of the subject also comes into the picture – it never ceases to be interesting, as we all need to unveil this mystery and understand the terror which has been going through here, underneath everything that is clearly seen. The result is that we have one more Korean movie which brings something different for us to watch, from many kilometres away from that nation.

Release date: 20th February 2019
Running time: 122 minutes
Directed by: Jang Jae-hyun
Starring: Lee Jung-jae, Park Jung-min, Lee Jae-in, Jung Jin-young, Lee David, Jin Seon-kyu, Ji Seung-hyun, Min Tanaka, Cha Sun-bae, Hwang Jung-min, Jung Dong-hwan

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@ Cemetery Watch
✠ The Vampire Bat.

Tiyaan

What is the movie about? :: Pattabhiraman Giri (Indrajith Sukumaran) is living a happy and normal life with his wife Amba (Ananya) and his only daughter, Arya (Nakshatra Indrajith). They belong to a small group, including Malayalis who reside in a small village, somewhere in North India. He comes from a long line of Brahmins who have a huge legacy. But the respect and the admiration that he has in the village due to his good nature, closeness to God and kindness lands himself in trouble as Mahashay Bhagavan (Murali Gopy), a famous godman with millions of followers wishes to build an ashram there. While a number of people are forced to run away from the village in one way or the other, a few others like Jayanthan Nair (Suraj Venjaramoodu) decides to become the poweful godman’s latest disciple, and find a place to stay within his ashram after selling his assets to the spiritual organisation and being assured of some monthly earnings.

So, what happens next? :: Mahashay, whose original name is Remakant, was a disciple of the great spiritual guru, Vasundhara Devi (Padmapriya Janakiraman) who was found dead in her ashram, after which the man has been everything about the organisation. He is so powerful that almost every V.I.P. in the belt worships him – the Chief Minister himself visits him so often, and has declared his victory even before the election began as he has the blessings of this godman. With all these people in his pocket, the police is also helpless, focusing more on dealing with smaller cases, or those which will make the politicians happy, making the common man suffer in the absence of law and order. He has branches of his ashram in different parts of India, and has spread abroad a lot during the recent times. He has everything planned all the time, and keeps getting what he wants.

And, what is to follow next in this tale? :: Pattabhiraman is determined to keep his ancestral home at any cost, and he finds it his duty and privilege to do the same. Mahashay provides him with time until Shivaratri to come up with the right decision, which is to leave his place and go back to Kerala after accepting the compensation and the blessings from him; otherwise, there is only the curse that will await him. Almost everyone who is left in the village has accepted this new godman as their new saviour and guru, as they feel that it is the only option as well as the right choice for the future. It is during these troubled times that he comes across Aslan Mohammed (Prithviraj Sukumaran) who offers him help. One day, while looking for Aslan and not finding him, Pattabhiraman is told the tale of Aslan by another man, Jameel Askari (Shine Tom Chacko). Aslan might not be the man whom Pattabhiraman thought he was, but can he be of help?

The defence of Tiyaan :: The thought-provoking moments of Tiyaan are intense, with that intensity like never before. The dialogues are stronger than ever, and we feel all the correct emotions in each of them, whether it is anger, hate, fear or grief. There are signs of what is to come from the beginning itself, and we feel how this is going to be something different, and it is. The whole thing remains a thought-provoking saga, and we are left with hope in a world which doesn’t have much of the same with almost everyone being hypocrites. There might be complexity within, but the final message is rather too simple, with all religions leading to one God, and love being the path. There are only some people who use the name of God in vain, and use it to hate and kill others; but our culture has always been in favour of diversity, and in our world, we have always been one. It is only the corporate side and the rest who are seeking mileage political or social, spreading the hate, as it is shown in the movie – it is all for the rich and influential as the rest suffers. The visuals are really good too.

The claws of flaw :: Tiyaan is too long a movie, and this much of a length doesn’t work in favour of such a flick. It is predictable at parts, and the flashback story is not that interesting. There are those parts of the movie which could have had more focus on them than the rest, but the movie just leave some of them behind. The philosophical side just hesitates to go any deeper, and the mass takes over when things could have been rather natural and realistic. One can only wonder what more this flick could have achieved with the material that it possessed, and considering the way it began and set everything ready by the interval. The final scene about the link between the two protagonists from the past might actually be the lowest point of the movie, and it was never needed to exist. Even though this is a Malayalam movie, there is less presence of the language, and the common audience will have trouble with the same.

Performers of the soul :: The movie focuses on Indrajith in the first half and on Prithviraj in the second. While the former returning after Lakshyam has quality time on screen in those beginning stages, the latter returning after Ezra finishes off in style, and also brings something for the mass in the second half. The fact that even after the performances, considering our common nature, some fans will also have to write imposition to remember the message for daily life. There is one dialogue from Indrajith about what is spoken by God and what is added by humans for their convenience – that one stays for so long. Then there is Prithviraj talking about selfish people and the rest of the world, so much charm there. Murali Gopy’s godman act is something that will be remembered for his way of bringing that character to its full strength right from the beginning. We also see Indrajith’s daughter Nakshatra doing so well, and Ananya is there in a short role done fine. Suraj Venjaramoodu does nice when he is there, and the same can be said about Shine Tom Chacko.

How it finishes :: On one side, we get those movies made in a hurry as if they have just got the dates of superstars and there is no time – on the other side, there are movies like Tiyaan which seems to be well-thought, and made to suit the times. They could have done without those overdone action sequences and the larger than life flashback which serve as nothing less than road blocks on a long journey. It is the messages that balance the equation, and when they rise above the rest, brings the thoughts that our world needs, and our people have been waiting for. As the message that all religions are one, leading to one final destination, spreads, there is no longer the need for change of faith, for it is replaced by change of mind – there is no more conversion, but transformation of the soul. There are the good and evil in each religion, and then there is God who plays no part in the terrible acts of people who claim to be like the Almighty One, or as following his path. There was Thondimuthalum Driksakshiyum, and now there is this movie – divergent ways are surely back!

Release date: 7th July 2017
Running time: 168 minutes
Directed by: Jiyen Krishnakumar
Starring: Prithviraj Sukumaran, Indrajith Sukumaran, Shine Tom Chacko, Suraj Venjaramoodu, Murali Gopy, Ananya, Padmapriya Janakiraman, Ravi Singh, John Kokken, Mridula Sathe, Rahul Madhav, Ranjeet, Amit Tiwari, Nakshatra Indrajith, Manasa Radhakrishnan, Paris Laxmi, Bhavika, Anand Attukal, Adesh S Nair

@ Cemetery Watch
✠ The Vampire Bat.

World War Z

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Even in the world dominated more by vampires as the popular fantasy creature, there is no lack of support for the zombies, even in India as shown in Go Goa Gone. Otherwise, the Resident Evil series always had the complete control over that zombie world which came up as the result of an infection. The animated corpses which were something more than just a mindless vampire or human, has had more success with the stories of science rather than magic, with virus infection rather than being resurrected by necromancy or being summoned from another world by a sorcerer or a witch. Even then, they would remain the most important weapon for the battle in the box-office, as vampires have had too much run on the big screen. I would still miss I Am Legend for the kind of vampire mix which was given to the zombies, a combination of intellect which has been completely destroyed by Twilight. There are many people whom I can recommend to be zombies without being dead and coming back, but I choose to remain silent now due to the respect which I pay towards them – not those people, but the real zombies of the world. Still, I can’t hesitate to say that the hunger of the human flesh or the human brain should exist with both of them. I would thank Mary Shelley and her Frankenstein more than anything else on this occasion, and move forward.

A global pandemic in the form of a zombie outbreak has become so interesting these days that even if someone prepares for it as if the end of the world is near, there is no need to be surprised. A zombie apocalypse is something which needs its own glorification, as it is already happening with some of the mindless hypocrites who are slave to logic. But here in this Brad Pitt starrer, we have the true, respectable undead zombies, based on the 2006 novel with the same name by Max Brooks. Even as seeing Brad Pitt among the list of producers reminded me of what happened with Will Smith’s After Earth which shattered those hopes made of glass into so many pieces that it was not easy mend, there was a certain belief about this one. In that case, it would have been surprising that this movie made it to the theatres here, as there was a great chance for this one to miss the multiplexes belonging to this part of the world. The presence of Man of Steel and its reluctance to move out of the theatres might be a major blow to this one as well as to Monsters University which has been restricted to a single show if present. None of these can give even a small fight to Superman and his impact on this part of the world, something which is rooted in the childhood memories – the presence of Now You See Me and Fast & Furious 6 shouldn’t really hurt this one though.

After Tom Cruise and Will Smith jumped into the world that was post-apocalyptic Earth in the same year, with the former been a vampire in Interview with the Vampire and the latter been a zombie-vampire killer in I am Legend, Brad Pitt already had the vampire experience as Louis de Pointe du Lac, the complete vampire despite of the human conscience and existential questions of life and death, good and evil, God and Satan, heaven and hell. This time, he is not part of the attacking gang, but still raises his own questions about humanity in not that effective manner. Anne Rice’s works had its own versions of zombies, even as they were also called vampires, like the ones the leading characters encounter in Eastern Europe, with no mind of its own, attacking everything that moves, driven by its own need to feed; the only characteristic that can define them. One has to wonder what differentiates a zombie from the human beings without civilization in a world which has quite a shortage of resources. Won’t each and everyone act the same as a zombie in such a situation, in the absence of the rules and regulations of the society and the restrictions of sin imposed by the religion? That should identify us more with the term zombie rather than the vampire, knowing our need for society and religion to keep us from becoming zombies or even worse.

It must be clear from the title by now that the “Z” stands for Zombies. There is no doubt about the fact that most of the people who came to the theatre were not expecting the same, thanks to the posters which gave no clue about such a thing. Another thing is that there is no scope for 3D, as those glasses give you almost nothing other than some words which would seem to project off the screen in the beginning of the movie. There are some good CGI moments for sure, and the special effects are limited; not a very good thing for a movie of this genre. There is a good chance that most of the comon zombie fans might choose to say a no to this one. It is the story of former UN employee Gerry Lane (Brad Pitt) and his family who are saved from a group of zombies who turn all who they bite into their kind, and after being taken to a US Navy ship in the middle of the sea, he is forced to invetigate into the matter using the special skills he achieved through his missions, so that the origins of the virus could be found out and the pandemic could be stopped. Not without reluctance, but still agreeing for the sake of his family’s staying on the ship rather than in a refugee camp on the land surrounded by zombies, Gerry joins the team of experts on a plane for a military base in South Korea from where some of this is supposed to have started in the first place.

Here is the paragraph which might give you the spoiler – and the story till the end. From there the journey is to Jerusalem, as the nation of Israel seems to have had a prior knowledge about a possible zombie infection, as they did already bring up some walls. But he gets nothing useful from there, and Jerusalem is also attacked, as the zombies climb over the wall, as they form a ladder by piling on the top of one another. As the ultimate chaos follows, he manages to escape from there by boarding a Belarus Airlines flight with his escort soldier, a journey which is cut short when one of the zombies get to bite an airhostess from where hell breaks loose, and Gerry manages to throw a grenade which divides the plane into two and leads to a crash from which the two survive. They finally reach a World Health Organization research facility and assists them in finding a cure, and the find out that the virus needs people who are healthy, and those ill and therefore unsuitable as hosts for viral reproduction are not bitten, and are rather more invisible than anything else. This camouflage helps them to fight zombies, and that should save the day for the world, but the war would continue, as it might seem to the audience. There might be a question though, about this being all that we have been waiting for.

The huge pile-up of cars and the zombie attack in the beginning as well as the Jerusalem zombie attack forms the highlights of the movie. But it remains without enough moments when these two sequences are removed. The attack on the plane is the only other thing worth mentioning. Brad Pitt has done a great job to add to it. He plays an effective character, and without him, this movie would have surely collapsed. The zombies are fine, with their own pros and cons added in this one. But this movie remains slow, and without a good enough reason other than Brad Pitt to attract the viewers. All the awesomeness which was expected to follow after the initial zombie attack never comes, and as it doesn’t attempt to do anything extraordinary, the expectations are scattered and the 3D glasses are wasted. The catchy dialogues might be about the mother nature being a serial killer and how she disguises her strengths and weaknesses. The noises that the zombies make are somewhat attractive too. I would still prefer the zombies and special effects of Resident Evil, and it is a little depressing that this one lacks action, but the advantage is that this one is closer to reality and there is absolutely no exaggeration at any point of time.

The movie is just a little scary and a little thrilling. It might be the slowest zombie movie of the recent times and the most realistic of them all – it is an exaggeration, as these hardly get close enough to reality to be identified with. This world war of the zombies never tries to expand its entertainment elements beyond what is ordinary. It could have been its achievement, but for now, it is clearly working against it. Zombies and vampires have been too commericalized these days, and when the entertainment value is somewhat drained from it, there is only a little to gain. If this was about the wars from A to Z, and this one is the final one of them, there could have been a slightly better chance. World War Z does its job and there is no denying it. With Brad Pitt’s never ceasing charm and acting, and the realistic portrayal of a supernatural world stained with scientific curiosities, this one can go the distance, and stay there until something bigger comes its way and take over. One should choose to watch this one for the one leading actor who carries the movie on his shoulders, and a zombie world which takes a different stance. It is a war which this movie got to face now, as a certain amount of uncertainty is ready to pounce over it.

Release date: 21st June 2013
Running time: 116 minutes
Directed by: Marc Forster
Starring: Brad Pitt, Mireille Enos, James Badge Dale, Matthew Fox, Daniella Kertesz, David Morse

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@ Cemetery Watch
✠ The Vampire Bat.