Kaanekkaane

What is the movie about? :: Deputy Tahsildar Paul Mathai (Suraj Venjaramoodu) is still not out of shock after his daughter Sherin Allen Mathai (Shruti Ramachandran) died as part of a hit and run accident. He is running a case against the man who was responsible for the incident, and he reiterates the fact that he will not forgive the driver not because of the accident, but because he didn’t stop to check on her daughter, and didn’t try to take her to the hospital. Paul believes that it was this hesitation that led to the death of his daughter, as he went missing, and was not found for a long time – an earlier treatment could have saved her. Paul hopes that he will get justice for his dead daughter soon enough. His son-in-law Allen Mathai (Tovino Thomas) is now married to a woman whom he had met during one of his business trips, Sneha George (Aishwarya Lekshmi), who is also pregnant for the first time at the moment. They seem to be a happy family, and his grandson Kuttu (Master Alok Krishna) is also a happy child when he is among them.

So, what happens with the events here? :: Sneha’s father George (Prem Prakash) is concerned about Paul’s infatuation with the case, but Paul is determined to keep his eyes on the case all the time. It is then that he feels that there is something strange about Allen and Sneha, as he looks into her past. Even though Allen had introduced Sneha to him much later, and had asked him permission to marry her, he finds out that they were together much earlier, from a photo dated many months earlier. Even when he was supposed to be alone for work, he was with Sneha. He feels that Allen was cheating on Sherin for a very long time, and for both Allen and Sneha, it was a comfortable death – with Sherin out of the way, they could quickly get into a relationship. He also figures out that Allen reached the accident spot from the exact opposite direction of where he was then. He decides to find out if there is something more to the death of Sherin than what meets the eye. But as he gets closer to the same, he is not finding it easy to live with anymore.

The defence of Kaanekkaane :: If you consider the emotional side, this film is one of the strongest in that category, and there is no force that can drive it out of there – this one is an emotional thriller with class. Combining family elements and bringing the thrills is no easy task, and such emotional feeling takes some extra skill. The melancholy mood is always there, and defines the work, even before the revelations are made, and we move to the ideas of remorse and vengeance in multiple dimensions. In the end, all these lead to the message of forgiveness and the relief that lies in the same. It reaches the same by following multiple paths, and we never really feel that there is such a revelation. The emotional strength of the film grows on you, and it is at its top most level by the end. All these emotions are shown as ruling these characters. The emotional undercurrents never seem to disappear, as we keep coming back to it, like the Lake Poets to the beauty of nature and the Gothic Novelists to the dark terrors of any ancient castle.

The claws of flaw :: The emotional side often takes over long above the tale of people which is explored here. The story is basic, and we see that the pace doesn’t really pick up here at any point, and there is no attempt to focus around there. The moments before one main character’s death are not that much explored, as the first wife only gets a little less of screen space for our liking. The chance to throw in some thrills here and there has also been missed, and there too, the focus shifts to the emotional side. There is not much of colour in this film, and that should be because of its melancholy side rather than anything else. The movie could have had more advertisements before its release, even though we are seeing more of it right now. It does have a big heart, but that could be something which the people outside the film might be lacking. But when we are immersed in the emotions of the film, any problem is easily forgotten.

Performers of the soul :: Suraj Venjaramoodu leads the way here, and he comes up with another emotional performance, the kind in which he has excelled in the last few years, moving out of that comedy genre for long. As far as he is concerned, the list of fantastic performances is just too long, and my favourite has been Finals, in which he played the determined sportsman and father. The same fatherly strength can be seen here too, and the determination that he shows here, and how his character is displayed here are all, a few things to be remembered. There is a lot of melancholy that runs through his face, and we go through his pain as much as he does. His character is also as close to reality as possible, and the emotional depth of the film starts from him, is strengthened by him, and comes to a close with his own actions. Prem Prakash plays the father of the second wife, and the veteran actor has no problems with the work here.

Further performers of the soul :: Tovino Thomas also plays a different kind of character, and like he did in Luca, has a heavy emotional performance to come up with. Here, he is okay with playing the second most important character, and he once again excels without doubt. One has to wonder how well he has risen in the last few years, and last year he had Kilometers and Kilometers as well as Forensic, but this year, he has many more films to his credit. Shruti Ramachandran who was last seen in Anveshanam has rather smaller role, but we note that down too. Then we have Aishwarya Lekshmi as the leading lady in the movie, one of the best young actresses of our times, keeping the melancholy mood of the film going forward. Seen with Tovino in one of the best combinations through Maayanadhi after her debut in Njandukalude Nattil Oridavela, she is indeed the one actress whom everyone needs to watch out for, as she impresses each and every time, leaving nothing to criticize – the same is the case here.

How it finishes :: This is the movie of Suraj Venjaramoodu, Tovino Thomas and Aishwarya Lekshmi, all three coming up with splendid performances, and when we add these three to the melancholic mood which deals with themes that run through here, there is something of fine quality. The human emotions are really well portrayed through these performers, and the strong emotions are always running strong in the background. With such a strong cast, the film has no problems in portraying what it has been trying to do. It is so much multi-layered that we won’t be able to take the side of any character, and therefore we choose to travel through this journey. This is also the first Malayalam film to directly release in this particular OTT platform. Well, for every other good movie in Malayalam, we seem to have the choice of Amazon Prime Video. There is a lot more to release there in October, and that should be enough to keep the movie lovers interested even during the times of Corona virus.

Release date: 17th September 2021 (Sony LIV)
Running time: 120 minutes
Directed by: Manu Ashokan
Starring: Suraj Venjaramoodu, Tovino Thomas, Aishwarya Lekshmi, Shruti Ramachandran, Prem Prakash, Rony David, Dhanya Mary Varghese, Binu Pappu, Sruthy Jayan, Sreeja Das, Master Alok Krishna

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Sunny

What is the movie about? :: Sunny Varkey (Jayasurya) has finally returned home from Dubai after a long time with his Logistics business failing, and these are the troubling times of COVID-19 pandemic. He used to want to become a successful musician, but left that idea much earlier. He gets a quarantine spot in Grand Hyatt Residency in Bolgatty Island, Cochin, and gets to be all alone there. SI Sadashivan Nair (Vijayaraghavan) is the police officer who is in charge of looking out for the people in quarantine there, and he keeps an eye on Sunny. He feels lonely, and is uneasy because he is not able to get any more alcohol, with the hotel changing its policies as people were creating nuisance after being drunk. Dr Erali (Innocent) tries to help him with his withdrawal symptoms and a stage of depression. Adithi (Shritha Sivadas) is in quarantine in the room above him, and they also have regular talks.

So, what happens with the events here? :: Nimmi (Shritha Sivadas) had divorced Sunny because he had an affair which he had confessed, much to her dismay. Sunny is as much disappointed about this, as he has been with his financial affairs. She is also pregnant, and it was for the second time, after their child had died a few hours after birth. He has to pay back a lot of money, as a result of his best friend making him an investment which he now regrets. Nimmi no longer wants to do anything with him anymore, and neither does his former lover Dr Anuradha (Mamta Mohandas). It also seems that some of the passengers in his flight were COVID-19 positive, and there is a chance that he might also be in trouble. But he moves on with his lonely life, which doesn’t seem to have much left for him. Yet, it is still to found if there is something more than what meets the eye. With COVID-19 around, you never know.

The defence of Sunny :: Sunny is quite a small movie when we consider its limited setting within a room. Among the classical unities of Aristotle, unity of place and action are maintained, and with a shorter quarantine, all of them could have been there. The setting is really nice, and it is good to see this particular world where parts of one’s life is revealed. There is a whole grand episode of life which is revealed here through small moments. The past, present and future gets intertwined in these incidents which occur in the grand quarantine centre. There is the usual life being reflected here, and the protagonist is very much human, trying to survive in a world which has descended into chaos for him. It shows the life of a depressed man in quarantine really well, and never does it lags behind in doing the same. These are indeed good times for emotional films, as we know what the COVID-19 affected world has come to. Amazon Prime Video has the right films for the same too.

The claws of flaw :: Sunny doesn’t live much beyond the scope here, and it is indeed predictable. A lot of things that we see here, follow the expected routine, with not many surprises to come around. The movie also maintains its slow pace throughout its run, and it is also something which doesn’t come as a surprise when we look at this particular world. It should have had more, even with life being restricted to a room – there is a lot more to be shown with the scenery and the world around, as well as what is inside. It could have also had more events for the main character, as being in quarantine in such a grand space always has more to be added – it is not like being locked in a small room. There could have been more from other characters, even with their faces not shown, as some of them are not really there, exploring their best possibilities. We wished for the sun to shine brighter with Sunny, even though we are okay with what we have around here.

Performers of the soul :: Sunny is a fully Jayasurya movie, as one would expect it to be, from the trailer, and also with the talks regarding the same. There are only a few others who have faces at least inside their masks, or have part of their faces revealed in one way or the other. This is also Jayasurya’s 100th film, and might be his best film to come to Amazon Prime Video. He has come up with a fantastic performance, as a man who doesn’t have any hope in life, and as the only one character which truly performs on the screen, has the whole canvas to himself – we can do nothing more than just applaud the same. We see different phases of his life in the quarantine room itself, and this is a character that shows a certain amount of evolution, which he reflects really well. There is not that much of a challenge provided here for him, but there is indeed something.

Further performers of the soul :: The other characters are introduced through their voices, as they call the main character or sometimes the other way around. There is something to be revealed from each character whom we identify through their voices. Some of the characters have part of their faces being shown, and the voices are those which we identify with ease, especially that of Innocent, Aju Varghese and Vijayaraghavan. They are all part of the tale, even though we don’t see them. All these phone calls play significant roles to keep the film going forward. It is nice to see people like Shritha Sivadas whom we have loved for her early works, and had gone missing for some time. Mamta Mohandas’ voice is heard for much shorter time than we would have expected.

How it finishes :: Sunny nicely sets itself during the COVID-19 and quarantine times, and has the same feeling running through it. There is the loneliness of a quarantine that runs through it, and as we know that we are going to live with COVID-19 with more and more waves supposed to come at some point, this one is closer to reality than one might think. As a movie which has only one face completely shown, and with one person having the chance to come up with all the performance. This is basically the one man film that we don’t usually see around, and it is one risk which has been taken on with success. Amazon Prime has already provided some fine experiences during the Corona virus times, and this one goes the divergent way with ease. There is always more about smaller films like these than what meets the eye, and this one is also that drama which goes feel-good and does that with effectiveness.

Release date: 23rd September 2021 (Amazon Prime Video)
Running time: 103 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Mamta Mohandas, Vijayaraghavan, Innocent, Vijay Babu, Shritha Sivadas, Aju Varghese, Sivada Nair, Purnima Krishnan, Binoy KG

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Ente Ummante Peru

What is the movie about? :: Hameed (Tovino Thomas) is left with nobody to call a relative after the death of his father Haider (Renji Panicker). Even though he inherits the big house along with his father’s business as well as a few acres of land, he is lonely – as he has nobody to call his own, he is not able to get married to a respectable family either. He, along with Beeran (Hareesh Perumanna) and Hamsa (Mamukkoya) keeps looking for a suitable alliance for him. He soon falls in love with Sainaba (Saipriya Deva), a girl whose proposal had already come for him, but was rejected by her father because he seemed to be nothing less than an orphan. While he is running his family business and looking for a way to marry Sainaba, he comes across a will left by his father, which points to two women, and one of them could be his mother. He decides that this is his chance to find his family.

So, what happens with the events to follow? :: So, the the wives are to be given a share of the property, and there is the need to find both of them to figure out which one his mother is. The two of them are located in Kozhikode and Ponnani in the form of Ramlath (Shanthi Krishna) and Aisha (Urvashi), the former being married with two children and the latter living alone in her house on the side of the lake. But the question remains if this can happen because the truth is still hidden in some of the pages about which there is not much information, even for Haider’s good old friend, Sivankutty (Dileesh Pothan) who seemed to know almost everything about his friend’s past. Can Hameed rise above all these to get what he wants? Will he finally cease being an orphan? Can he finally marry the girl whom he loves? It would take a journey not just through North Kerala, but through North India to make sure about that.

The defence of Ente Ummante Peru :: Unlike the usual stories with the same setting, this one never really does manage to keep selling the same thing again and again. But the tale is kept simple and enjoyable for families. It sticks to the point from the beginning to the end, never really deviating from the path or having moments of dullness – the total movie length makes sure that it stays put. There is nothing exaggerated here with everything going on while staying close to life. The feel-good factor never really falls behind here, and the visuals, wherever it is set, stays good. The emotional side is strong, and by the end, it reaches an even better level. Along with the expected comic side, the use of gallows humour is to be noted – it is the human condition that makes us think on more than one occasion, as the point of life and its meaning is always something to ponder about with death making a grand entry at so many unexpected times.

The claws of flaw :: There is no special ingredient with this one, as we look deep into this tale of search for the main character’s mother. This is the kind of story that we have heard for a long time, with search being for parents or siblings. The children separated from their parents or brothers is an idea which goes older than some of those very old flicks, not just in Malayalam or South India. Even Oru Indian Pranayakatha had a similar search with its main character looking for both parents, after returning from Canada and collecting clues leading to more than one state in India. The songs and music are not really that good. We never really get that much of a romance between the leading characters, and one has to remember that Tovino used to be an expert in that. The journey through Uttar Pradesh could have been more interesting, and the supporting characters could have been closer to our heart that what they seemed to be.

The performers of the soul :: Tovino Thomas is the one to keep this movie going with a realistic and lovable performance once again. His last movies Oru Kuprasidha Payyan, Theevandi and Maradona – all were among the strongest flicks of the year. Here, we continue to admire his work, as the emotional state of a man looking for his mother is nicely shown – he is someone who is looking for his last hope in changing things. This is not the first time that he has shown this with the same strength though. Urvashi had a fine role in Aravindante Athidhikal, but here she has a lot more to do, and she has done the same well. It is in no way, an easy character to play this time, as her role becomes the most significant thing in the movie ever since she makes her entrance. We hope that we see her in more movies, and without that many breaks in between.

Further performers of the soul :: Meanwhile, there is a new face in Malayalam movie industry in the form of Saipriya Deva who plays the heroine, and she does that with a lot of charm. It can be seen that the movie doesn’t focus on her at all, as far as the complete plot is considered. We can surely keep her close to our hearts though. Malayalam movie industry does need its heroines more than its heroes, and more skilled actresses will elevate the level of the characters that they play. At the same time, Hareesh Perumanna in charge of the comedy, and he does that with amazing skill. Shanthi Krishna has a smaller, but emotionally strong role – since her return in Njandukalude Nattil Oridavela, we have all wished to see her on the big screen very often. Mamukkoya and Siddique got the kind of roles which they have done before, and brings no challenge to them, while Dileesh Pothan makes a short, but nice appearance of significance.

How it finishes :: There are four Malayalam movies releasing in the beginning of Christmas vacation, and this is just one of them. Unlike the others, this movie seems to have made no big claim, and therefore the expectations have been kept low. We know what expectations could do to a movie like Odiyan, and how the low expectations for DC movies did help Aquaman in the early stages. Ente Ummante Peru brings the surprise not only due to the lower expectations, but also with how it remains so simple and yet so effective at the same time. It is one movie which possesses and displays the true spirit of Christmas season, more than anything else. Therefore, choosing Ente Ummante Peru over most of the other movies won’t be that difficult a job. The idea of feeling happy and leaving the theatre with a smile on one’s face never has a substitute, especially when with family.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Jose Sebastian
Starring: Tovino Thomas, Saipriya Deva, Urvashi, Shanthi Krishna, Hareesh Perumanna, Dileesh Pothan, Mamukkoya, Siddique

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Mayaanadhi

What is the movie about? :: A young man named John Mathews a.k.a. Mathan (Tovino Thomas), hailing from Perumbavoor, is in love with a girl from Kakkanad, Aparna Ravi a.k.a. Appu (Aishwarya Lekshmi) who studied as his junior at the engineering college outside the state, both not gaining much from the professional course. Mathan gets caught in a series of events that lead to the death of a police officer while he was trying to escape. While the Tamil Nadu police is looking for him, he gets back to Cochin in an attempt to find Aparna who is trying to make it big with the help of her friend Sameera (Leona Lishoy) who is a big name in the movie industry. Aparna couldn’t make much of a progress with her life, as she has been doing different jobs following dropping out of her Engineering course. Her relationship with Mathan is strained due to the fact that he didn’t return the money which she had borrowed from her friend, and she feels that he took advantage of her trust.

So, what happens with the events to follow? :: As policemen from Madurai chases him to Kerala for vengeance for the death of their colleague rather than anything else, Mathan is trying to get a visa to the Middle East, and hopes that he can also take Aparna with him. Irritated by the attitude of her mother towards her, and failing in auditions, Aparna is in no mood to forgive Mathan, and seems to have no time to get back into a relationship. With revenge-seeking policemen on his trail who would be happy with nothing less than his encounter, can Mathan, with his simple ways, escape to the Middle East with the love of his life without whom he doesn’t want to run? Can Aparna make something out of her never-ending adventures related to cinema and modeling? Does fate get to play the final twisted role in this tale as it does in most of the love stories?

The defence of Mayaanadhi :: As this one brings a new love story of this age, the melodrama never finds a seat. There is a realistic approach in this movie, and we never really gets tired of the same, even when the movie seems to get slow in between. We see how much people need each other, when things get better, or when they get terrible. The protagonists are two people who have struggled with their lives, and their world is something which is not difficult to relate as we understand their circumstances. The music is really good, and there is “Uyirin Nadhiye” which will grab your attention and stay in your mind for long. There are some jokes in there too, but there is the overall sadness in this movie, which seems to reflect on the depressing human condition which remains the same, no matter how the world changes. There are also some harsh realities reflected too, with either fate being so cruel, or the society being against the individual. There is very less for one to be happy in the grim world of Mayaanadhi, and even in between the beautiful shots of the city, there is melancholy.

The claws of flaw :: Mayaanadhi might not be the best option for the family audience, considering the intensity of love that is shown in there, even though the movie uses everything in an aesthetic way rather than in a sexual manner. There is a certain slowness with this movie, and you will also feel that there is not much of a story to tell here other than what we have seen and heard on so many occasions. Maybe, two hours could have done just enough for this movie, and the gangster and police angle could have been left out to bring something just random into the scene as the factors causing problems for the protagonists. The Tamil dialogues without subtitles caused problems for the audience who had tough time figuring it out. The fact that this is the least hyped movie among all the releases of Christmas, Aadu oru Bheekara Jeeviyanu 2, Vimaanam, Aana Alaralodalaral, Masterpiece and also Tiger Zinda Hai from Bollywood, we know that this one could use some attention if it is to do any better at the theatres.

The performers of the soul :: You might have felt that Tovino Thomas hasn’t got the best of divergence out of his movies, and this one surely has that element. Tharangam, Godha, Oru Mexican Aparatha, Ezra and Guppy, which were his last movies had good performances from him, but nothing as divergent as this one. His character has no heroism associated, and he lets his pair, the leading actress who is two movies old, handle the job so well. Aishwarya Lekshmi coming right out of Njandukalude Nattil Oridavela is too good in this movie – she was certainly good in that one, but with this adventure, she makes it many levels here; she gets the bigger opportunity to perform here, and never does she fail to deliver. Her best moment might be during her final audition, but her first which has getting down to reality from the plastic side is not far behind, and you will also find her scenes with Tovino charged with fine chemistry.

Further performers of the soul :: We last saw Leona Lishoy in Annmariya Kalippilannu, and even though we have seen her in other flicks including the lead role in Jawan of Vellimala, she gets enough moments in this one to make sure that Mayaanadhi is something to remember her for. This is also my second favourite movie of Aashiq Abu, after Rani Padmini. You will note that the directors Basil Joseph and Lijo Jose Pellissery also make smaller appearances in the flick. Unnimaya Prasad who played Sara in Maheshinte Prathikaram and Maya teacher in Parava also catches our attention. Soubin Shahir and Aparna Balamurali got very small cameos in the film – it is the kind of job that could have been done by anybody. There are some faces which we are not familiar with, but you see that nobody has to be behind in this realistic tale which has good work from the whole cast. Aashiq Abu has no worries with the acting department.

How it finishes :: It has been a difficult job for those who have been looking for sensible love stories on the big screen. What most of the critics seem to have appreciated seems to be the slow motion walk into absurdity called Annayum Rasoolum and an exaggeration of reality called Ennu Ninte Moideen. Thankfully, we have Mayaanadhi here, which is the one river which shows the right kind of divergence, as it chooses to flow like a river of beautiful illusions, as its name suggests, and in the sadness and phantasm, finds a real world which we can relate. There might be many other movies which would get the attention of the youth, as well as that of the family audience – but this is one movie which shows how the movies are to be made in the right manner, without showing the tendency to follow that path which has been traveled so much that there are rather too many pot-holes on the way. Mayaanadhi is different, and enjoyable in the right way for a movie-loving group of people, looking out for better stuff all the time, as well as the variety. If you liked Thondimuthalum Drisksakshiyum, I don’t see why you can’t like this one with its realism.

Release date: 22nd December 2017
Running time: 136 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Aishwarya Lekshmi, Leona Lishoy, Basil Joseph, Lijo Jose Pellissery, Darshana, Unnimaya Prasad, Maya Rajesh, Harish Uthaman, Khalid Rahman, Nizhalgal Ravi, Shine Tom Chacko, Aparna Balamurali (cameo), Soubin Shahir (cameo)

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Qarib Qarib Singlle

What is the movie about? :: Jaya Sashidharan (Parvathy), a Keralite based in the city of Mumbai, spends her time alone, both at home and at office, as she has only a few friends, and has been a widow for about ten years. After so many years of lone life, and not listening to anyone who tells her to marry or get a boyfriend, she finally decides to have a look at an online dating website at the age of thirty five. After being bombarded by so many ridiculous comments by so many men, she finally comes across Yogi (Irrfan Khan) who is interested in poetry and has his own special style, making his case very different from the rest. She is careful about him and understands that both of them are different from each other in so many ways, but decides to go with him to meet three of his ex-girlfriends so that he could understand more about him as a person.

And what is to follow in this particular adventure? :: As part of this long adventure, the two has to travel through Haridwar, Bikaner and Gangtok. But there is one particular fact about Yogi, and it is that he is a carefree person who takes no responsibility on his shoulders – he doesn’t work even after passing engineering, but has written poetry in his mother tongue, and also speaks not much of English. This leads to him missing his flight and getting on the wrong train, and creating a few other situations. Meanwhile, Jaya who has identified herself as Jayashree TK, is fluent in English, and needs everything to go as planned. At their first location itself, they do become good friends, but going past that might be a little difficult, but who knows where some paths can lead? Well, strange things do happen, especially in love and war!

The defence of Qarib Qarib Singlle :: You will find the changes in this movie as a lot refreshing, and a fine thing which is away from the usual Bollywood model. The movie feels real with its incidents and emotions, and never really jumps into that fountain of melodrama which has kept the industry buried alive in a coffin from which there was never supposed to a chance of return, and it is a situation that could be termed as a sadistic thing of terrible beauty if we take a look at things as an outsider. Yes, the fans have always enjoyed the same, as it is what they have always been trying to do, but when we are outside that thought process of becoming addicted to a celebrity who has enough strength to become a parasite on the common man, throwing nonsense and grabbing money, we want the change. Qarib Qarib Singlle is surely that divergence from the regular path, and has fun moments in its realistic world having people who come up with no wonders in love, and are good at heart, not in their muscles, clothes or freaky singing and dancing in a party or pub.

The claws of flaw :: Some people can consider Qarib Qarib Singlle to be a little slow for their liking, but thanks to the smaller length, things get better. People who want less simplicity, and go for that colourful jump mode new generation romance in a pub calling for party, can also skip this one, as the movie calls more for the combined audience of family and youth. You can actually agree to the fact that there could be more comic sequences in this flick, and the journeys to different places could have also been more beautiful with the local scenery captured further along with what all are already there. All those characters other than the two protagonists never really get to do much here, and there is no development of the background as one would expect to be there. The reason for the movie’s journey would also seem a little strange for many. More could have been thus developed with the setting itself too.

Performers of the soul :: There is no stopping Irrfan Khan, and it is a proven fact. It was a few months back that I had come across Hindi Medium, and realized that how much this man had elevated it above the Malayalam version with the same theme, Salt Mango Tree. There is something that he brings on the big screen every time, and we cannot keep ourselves away from it. While Bollywood has been bringing nonsense in the name of keeping the audience entertained with masala, he was there with movies like The Lunchbox, Talvaar and Madaari. Here, he delivers two sides of a character with ease, as the funny side as well as another side with a certain depth in his ideology, arrives safely here. With no fake image of a hero being built, he becomes the everyman character, speaking a little too much, and doing a little more than a usual person, but doing all of them with such perfection which you will find difficult to find with any superstar who depends on his or her fans to sing blind praise.

Further performers of the soul :: While Irrfan Khan’s character maintains a certain amount of mystery as we come across him only after Parvathy’s character decides to go on to meet him, the latter gets a clear personality to work with, right from the beginning. She has worked with it with such skill that one can easily understand that she is one step ahead of almost everyone with that “superstar” title on head, which all try to hold on to. Still, the question remains if Bollywood is worthy enough or at least ready to have a heroine like her, who won’t jump into that masala stuff which provides a heroine with so less to work with that she is reduced to an eye candy. Into a world which is full of “actors or actresses who are related to someone in the industry”, she thrives with her performance rather than anything else, as she did this year with the amazing upgrade to Airlift, known as Take Off, and earlier with Charlie and Ennu Ninte Moideen. Here is one Bollywood debut of quality.

How it finishes :: A long way ahead of the usual romantic flick that Bollywood has been providing us, and also racing ahead of many overrated dumb romance from many languages which got only some ridiculous party songs, pub dance and meaningless infatuation for the audience, Qarib Qarib Singlle makes a point. It shows exactly how a fine romantic feel-good movie can be made, without those unnecessary elements appreciated by a certain group of half-witted audience who should be held responsible for Bollywood having so many low quality hundred crore movies with content not worthy of even being made a short-film – such cases are better suited only for an alien world which has no scope for brain development. If you prefer movies with aversion for clothes being at the same high level as the disinclination for making something sensible, do not bother, and go back to your usual world and continue watching what you call “cool”. Sometimes, the audience becomes the villain to an industry.

Release date: 11th November 2017
Running time: 125 minutes
Directed by: Tanuja Chandra
Starring: Irrfan Khan, Parvathy, Bajrangbali Singh, Anud Singh Dhaka, Neha Dhupia, Brijendra Kala, Luke Kenny, Siddharth Menon, Pushtii Shakti, Isha Sharvani

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Adhura

Vampire Owl: It has been long enough since you reviewed a short-film.

Vampire Bat: I would say that the frequency of movie reviews at Movies of the Soul has decreased overall, and it is not just with the shorter versions.

Vampire Owl: I have found you to be too far away from cinema these days than ever.

Vampire Bat: Yes, I have been busy. There has been other work in between.

Vampire Owl: But I am glad that we are back to watching movies as it used to be.

Vampire Bat: This is just a small break, and you can’t expect me to review movies as much as I used to be.

Vampire Owl: I am sure that this short-film has proven to be an inspiration to bring you back to the movie reviewing world, and there will be more to get you back.

Vampire Bat: It is somewhat true. But even then, that would depend on the availability of time.

Vampire Owl: Still, you remember that we have found more in short-films than the rest.

Vampire Bat: With Bengali short-films, I am sure that I can find more.

[Gets some banana chips and three cups of Munnar tea].

What is the movie about? :: It is the time of Durga Puja at Kolkata, as the City of Joy prepares for the festival. It is on one of those days that Sudipto (Praveen Srivastava) couldn’t help noticing a beautiful girl on the other side of the road where he awaits his friend to arrive on his motor-bike to provide him a ride to his office. He keeps finding the girl at the same place at the same time, and she is revealed to be Mira (Amita Bharat). As days pass, he feels that he has fallen in love with her at the first sight itself, and soon, he feels the need to gets closer to her, and desperately wishes to express his feelings for her. His friend, Bunny (Dhruv Jha) is a mutual friend to them both, who has feelings for her too, but decides to sacrifice his own feelings for Sudipto. Soon, he decides that it is time for him to propose, but then, there is a twist that awaits him.

The defence of Adhura :: Based on the Micro Story, One Rainy Day by Reetwika Banerjee, the movie is nicely brought together as an interesting short-film. With a good cast and a lovely song in between, the movie nicely brings the romantic side to full strength. It has that kind of a romantic side which some movie can only bring with a full-length. We remember that the movies like Ennu Ninte Moideen and Annayum Rasoolum took about three hours to show that there is romance out there, especially in the eyes of the male lead. This short-film takes only a few moments to do the same. We can see that the male lead, Praveen Srivastava has done an excellent job in that case – the feelings, from innocent love to heartbreak that tends to follow. The rest of the cast, Amita Bharat, Dhruv Jha and Ajoy Chakraborty, all feel so natural, something for which many bigger short-films struggle with the cast.

Soul exploration 1: The irony of love at first sight :: The story has the strength inside to keep the romance going, and nicely takes it to that final twist. It is the love at first sight, that takes on through that beautiful song, and into those final moments of agony. It is more of less the futility of what is often reflected in the feelings of infatuation that can be seen here. As love develops for beauty without knowing a person, the result, as it is always possible, could be disaster. There is the feeling of romance, but it is only half-baked, as we go deep about what has caused one to fall in love. We see the same with the protagonist, who is innocent in his dreams, but fate has that special to be more cruel that one can guess. It assures that there is no such thing as love at first sight which can stay, and there is no strength in such romance that is built on weak pillars of infatuation.

Soul exploration 2: There is no seeing behind the masks of others :: People are rarely those whom we think that they are, and most of them have a twist in waiting for us. We think that things are straight forward as it seems, but they are not. You see people with many faces, like personalities in Split, or a terrible secret to hide like in Pet. The mask that a smile brings is stronger than any other. There are not many people who are not wearing masks, and it is the tendency that comes out of innocence to believe that the masks are real faces. True love has it difficult during these days, and it is sad to say that even friendship has to struggle to find the right one. Sometimes, we are just not that good to see through people, and love is just one of those things that take the sight away from us – for, people always say that love is blind, and some others learn how bad the blindness is.

How it finishes :: Adhura might feel a little long for a few, but its shots make sure that they have our attention. Simple and yet immediately catching our attention, this one has all that it takes to keep things strong throughout its run-time in its story. You feel that you have watched what could be the perfect, cute, love story, but then you know that you have been slowly moving towards a twist which was destined to turn things upside down. This surely has the firepower to go full movie, with necessary elements added – maybe something in the lines of Premam with different stages of realization of the protagonist. With such a good cast, maybe it could go ahead of a number of other movies which have dealt with a similar theme as a full movie.

[Walks into the balcony with another cup of tea].

Vampire Owl: So, I see that this is your first review of a Bengali movie of any kind.

Vampire Bat: Yes, and the fourth one that I have watched.

Vampire Owl: Interesting. I remember that you also started reviewing movies in foreign languages this year.

Vampire Bat: Yes, this has been an interesting year. Just like the last year, so many things happened around here.

Vampire Owl: Who would have thought that Take Off would be our favourite movie of the year?

Vampire Bat: A lot of things including this review were not on our list. I am sure that there is more to come this year with more than two months left.

Vampire Owl: I can already say that you are going to review more Bengali movies.

Vampire Bat: That would depend on the permission given by time.

Vampire Owl: Time is a fraud. He would never stop for us.

Vampire Bat: Unless, we go so fast that it would make us feel that he has almost stopped.

[Walks into the silence of darkness].

Watch the movie Adhura here:

Release date: 24th September 2017
Running time: 19 minutes
Directed by: Abhijit Sinha
Starring: Amita Bharat, Praveen Srivastava, Ajoy Chakraborty, Dhruv Jha

<— Go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Clint

What is the movie about? :: Edmund Thomas Clint (Master Alok) is the only son of MT Joseph (Unni Mukundan) and Chinnamma Joseph (Rima Kallingal), and was named after the famous Hollywood actor Clint Eastwood, as his parents were his fan at that time. While his mother remained a housewife, his father has been working as an upper division clerk with the government. He loved colours so much that he started painting at a very small age. His work impressed his parents as well as people around, but their decision to accept the boy’s decision to not attend school anymore was considered, and often declared as radical and foolish by so many of his well-wishers. He has been known to be a curious boy who wished to travel and see things, reflecting them on his canvas, and when he couldn’t, he used the descriptions by the people around him and the books given by his father to come up with an idea of how things could really be, as he combined them with his creativity and sharp intellect.

So, what happens with the events to follow in this biopic? :: It is one of Joseph’s friends Mohanan (Vinay Forrt) who appreciates his work the most, among those outside his family. It is when he is getting more and more attention, and even while getting selected to participate in a number of competitions, that tragedy strikes. His doctor and nephrologist Joseph Abraham (Joy Mathew) lets his parents know the terrible thing, that his kidneys are failing, and there might not be many days left before him – they can only try, according to him. Shattered by this news, Clint’s parents’ life won’t be the same again. But they try their best to keep their child happy during his last days. But fate always wins, and there is no chance to stop him – but can they delay the inevitable as much as they can, and bring some hope? There is the certainty of more being painted by the boy, even when being so close to death.

The defence of Clint :: Showing the life of a child prodigy who is known to have drawn over twenty five thousand paintings during his short life of a little less than seven years, here is a certain amount of inspiration in store with this movie, and we get close to life of the little genius on the big screen. Telling the tale of a naturally skilled person, this one nicely explores how he had been doing what was best at. There are some nice visuals and a few memorable moments to go with the same. The setting is very good, and helps to make the movie better. Even though the child is at the centre, there are some familiar names who get to show their skills in the movie too. The best thing about this movie is that it hasn’t complicated things that much when it could have done the same, and it never does concentrate that much on the disease when the usual tendency to do the same. Without that, the movie provides us a pretty good journey through the life of the famous child prodigy.

The claws of flaw :: There is the movie going so close to melodrama, and some moments just seem to be added to bring the cliche stuff in a predictable manner rather than anything else. We also find some dialogues rather too much for the child, and the sequence involving Salim Kumar is rather strange instead of being funny – it is the worst point of this flick. It even has a barber who looks on like a butcher. The movie also drags in between, which is rather strange, because they could have kept things going just with the paintings, and children playing; also those dialogues between father and son, which could have been the highlights of this movie, goes rather restricted, despite the promise shown in the beginning. There seems to be limitations around here, with the story and its moments, for there was scope to bring in more and more, which could have made this movie a big, colourful thing just like the real child in his real life is known to be. There was the need for quality.

Performers of the soul :: It is never that easy to get a biopic related to the life of one special child with amazing skills at a very young age. It was essential to find the right cast, and Master Alok, despite providing us with a few doubts in the beginning, does a fine reflection of the character he plays here. The existential questions do provide him the chance to take it further, as life after death, one’s existence as stars after that, and many other come to him. He has his best moments after getting the disease though, and goes throughout without struggling at any point. Baby Akshara is good support to him, even though some dialogues given to her just go strange, as with Alok on a few occasions, but latter has better control. Children and their world, if given more life with the colours on the canvas reflected into them, would have provided these two something further cute to work with though.

Further performers of the soul :: It is only after the movie gets to come up with a talk with the real life parents of Clint that we get into the movie. After we get in there, it is Unni Mukundan and Rima Kallingal, especially the latter, who gets to work through the pillars of this movie, and hold it together for its protagonist to manage. Both of them provide us with what seems to be an honest attempt at making this work, and their presence makes some of those problems in this movie to be forgotten. They are really good right from the beginning, and they excel at the emotional sequences. There is not that much revealed about their characters, but the two rightly portray what is needed here. The next big role here goes to Vinay Forrt, who is not far behind in his portrayal of the friend and well-wisher. Renji Panicker comes in and contributes in a good, smaller role, but Joy Mathew is indeed the next noticeable one, as he does his doctor act with no problems.

How it finishes :: One can be sure that this is a good attempt at making a biopic on the life of our own child prodigy. But there will still be doubts if this couldn’t be any better. With four movies being there in the theatres from last ten days, including Thrissivaperoor Kliptham, Varnyathil Aashanka, Sarvopari Palakkaran and Chunkzz, along with the leftover movies Basheerinte Premalekhanam, Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum, Clint is going to have a tough time in the less number of theatres it is being screened. With some more, attention, this movie could have competed well, and even won against most of these titles – there can be more from the life of a child prodigy who has gone on to become someone whom we all know. As of now, as this movie stands, it becomes also our opportunity to check this movie, and feel the strength of the life of a little master of colours – it is where this movie has our attention, making an attempt not to be forgotten. I watched this one because I wanted to know, and I wished to see everything alive – don’t you too, for such a skilled child?

Release date: 11th August 2017
Running time: 138 minutes
Directed by: Harikumar
Starring: Unni Mukundan, Rima Kallingal, Master Alok, Vinay Forrt, Joy Mathew, Renji Panicker, Baby Akshara, Salim Kumar, KPAC Lalitha

@ Cemetery Watch
✠ The Vampire Bat.

Te3n

te3n (2)

Vampire Owl :: Remakes and remakes – this trend is going on and on…

Vampire Bat :: This one is an official remake though, with the copyrights for the movie officially purchased from the South Korean thriller Montage, as mentioned.

Vampire Owl :: I would give extra points for that. What I really don’t like are those blind copies without telling anybody else.

Vampire Bat :: Like when you hear that Ek Villain is from I Saw the Devil and Zinda from Oldboy?

Vampire Owl :: Yes, a fair remake is the right remake.

Vampire Bat :: That makes us choose this movie other the others for the weekend.

Vampire Owl :: The fact that we are not watching The Conjuring 2 this weekend will be highly disappointing to Uncle Dracula.

Vampire Bat :: And the fact that we won’t be watching Warcraft can even trigger an Orc invasion on the Vampire Lands.

Vampire Owl :: We need to warn the rest of the team immediately! After watching the movie, of course!

Vampire Bat :: Lets go and check how well the remade thriller stands then!

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is it about? :: John Biswas (Amitabh Bachchan) is an old man who visits the police station almost every day much to the dismay of Sarita Sarkar (Vidya Balan) who tells him that there is no point in doing that for a case which was investigated eight years ago. John is looking to find the kidnapper and murderer of his granddaughter who was abducted by a man who demanded twenty lakhs, but even after the money was delivered, he didn’t get the girl alive. He keeps trying to find the man who is responsible for the same, and keeps searching for clues despite his ill health, making his wheel chair ridden wife Nancy Biswas (Padmavati Rao) a lot worried. Another disheartened person is Inspector Martin Das (Nawazuddin Siddiqui) who joined the seminary and has become a priest, trying to make spiritual amends for his inability to save the kidnapped little girl, Angela.

So what happens next? :: John knows that police will no longer proceed with the same case, and so he asks the help of the new priest, Father Martin Das, but he himself asks John to let go and try to attend the church services some time as one has to accept things as they are, when nothing comes out of the struggle. Martin doesn’t want to be reminded of his guilt of not doing a better job with the case, but things take a twist when another kid is abducted. The way of kidnapping this boy is the same as what happened with Angela, and he is consulted by the police for he was so close in catching the culprit last time. Despite the initial hesitation, he decides to help Sarita with the case. There are no suspects here though, just the hope that the kidnapper can be outsmarted this time, unlike what had happened with the case of Angela. Martin will have his second chance here, but is he good enough for it this time?

The defence of Te3n :: There are a number of movies which Te3n reminds you of, with its style – one of them is the Malayalam movie Memories, and another one is the earlier thriller featuring Amitabh Bachchan – Wazir. There is the deep feeling of sadness prevailing in all these movies, and there is one hurt police officer in each of these. The sadness is the first thing that gets you, with the two main characters hoping against hope, one to find the evil, and the other to keep himself from evil. The emotions are deep, even though not shown on the screen as some terrible Bollywood melodrama; the rest comes later. The intensity goes to a higher level and thrills get stronger, and the suspense is maintained till the end. With some power-packed performances and beautiful visuals, this one touches emotions and also becomes an interesting thriller. When people die, it is the living that suffers the most, and we feel that abiding sadness throughout this movie.

The claws of flaw :: The movie does take some time to get into its thrilling side, and it also doesn’t follow the usual Bollywood style – neither in drama or with its thriller side; it won’t be the movie for the usual masala fans, that is for sure. There is no super-cop here, and we have just the worried people hoping to go through this problem in front of them. The movie could have actually used its central idea with bigger twists, and even though they are there, the big shock isn’t there. Still, there could have been a better flow to the proceedings. The situation demanded things to go straight, rather than depending too much on the flashbacks which arrive at times when they were not required – the time-line of the movie surely could have used some work. A little bit of polishing here and there – maybe that was all that this movie really needed to make it rise a level up, and a certain funny side was there to be taken – but that is left untouched.

Performers of the soul :: Amitabh Bachchan and Nawazuddin Siddiqui completely steals the show there. The former plays a character that reminds us of the one he played in Wazir, helpless against the person who killed his child, but finds a way, and is also friends with a police officer who is also going through a case of depression. With his wife in a wheel chair, riding all around hopelessly on an old scooter that starts at occasions, bothering the cops and doing all his household activities by himself, the legendary actor plays a character whose sadness and never-dying hope is the first thing that we feel, and it will stir our emotions like nothing else. He makes us feel everything; for John Biswas is a simple common man looking for justice with hope. The latter goes through another path of his particular character though, as Martin Das looks to accept things by turning into spirituality. This character is strong in his hands, as he looks well-suited for both sides of Martin. Vidya Balan is left with a lesser role though.

How it finishes :: A comparison with the original can’t be made here, as I am sure that a lot of people haven’t watched the South Korean thriller. But it is surely better than the usual stuff that Bollywood has provided in the name of entertainment, which is why people who don’t feel the need to use the brains here, are to be warned from watching this particular flick. The idea is already proved working with an original work which seems to have had a nice reception. The one doubt that people had to have was about how the adaptation would work in an Indian scenario, and I am pretty sure that this has been remade well enough – I don’t doubt the fact that it could have been even better, still this is what we require, and not that mass masala entertainers. When we watch and support movies like this one, that becomes the inspiration for better thrillers to be made, maybe even original ones!

Release date: 10th June 2016
Running time: 136 minutes
Directed by: Ribhu Dasgupta
Starring: Amitabh Bachchan, Nawazuddin Siddiqui, Vidya Balan, Sabyasachi Chakrabarty, Padmavati Rao

te3n

@ Cemetery Watch
✠ The Vampire Bat.

Inside Out

insideout ()

Vampire Owl :: I have a certain feeling that I am going to love this one.

Vampire Bat :: Even though the movie is critically acclaimed I don’t think that you are going to love it that much; I also feel that you have got it wrong here.

Vampire Owl :: Well, the insides are out, so this should be a slasher horror movie, right?

Vampire Bat :: What? This is rather too much even for you while being sleepy.

Vampire Owl :: I had myself thought about giving this name to a story which I was about to right. It was supposed to be about serial killers.

Vampire Bat :: Mr. Owl, it won the Academy Award for the Best Animated Movie of the year.

Vampire Owl :: Holy Vampire Crocodile! It won the Oscars?

Vampire Bat :: Which planet where you residing in the last few months?

Vampire Owl :: Ever since the teleportation device started working, I haven’t been sure about my location.

Vampire Bat :: I see what the problem is. You have been deprived of your daily dose of tea.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Riley Andersen (Kaitlyn Dias) is born, and five of her basic feelings get active – Joy (Amy Poehler), Sadness (Phyllis Smith), Disgust (Mindy Kaling), Fear (Bill Hader) and Anger (Lewis Black); they all become part of her mind and affects her life in various ways from the mind headquarters. The incidents in her life becomes memories as time progresses, and her happy core memories are stored carefully. There are also the personality islands which reflects different and significant parts of her life as an individual, and they keep her emotional state steady. Joy takes the leading role hoping to keep the girl happy, while Sadness as well as the others keep wondering what her role really is. They could never really find anything positive out of her presence in the girl’s mind.

So what happens next? :: Things seemed to be going smoothly until one day when Riley moves to a new city with her parents (Diane Lane and Kyle MacLachlan) – the whole thing gets disrupted here. Not liking the new house is only the beginning of things getting worse. As life at the new city continue to be not so good, one day, when a sad core memory is created, Joy tries to dispose it, but Sadness attempts to prevent that from happening; this struggle leads to them being caught with the memories and along with them, gets thrown out of the mind headquarters. Fear, Anger, and Disgust tries to manage things in their absence, but they only end up making things worse, and the personality islands start crumbling. With Riley going more and more unpopular in school, neighbourhood and at home, can Joy make it back in time to make things right for her again?

The defence of Inside Out :: An intelligent, fun movie is what we get here in the form of Inside Out, something that will keep one entertained as well as thinking. With the smartness that becomes an inherent quality in this movie, it becomes a fine watch for people of all ages. There is the message that stays strong, or rather a collection of such messages. It remains highly appealing for children, but at the same time, maintains a strong philosophical side – a skill that a number of animated movies have developed in the recent past, but most of them haven’t been this much balanced in achieving the same. The movie’s world is also visually very good; there is skill in the design of this universe inside the mind and the characters are also a lot likable. We can connect to the emotions as well as the characters, and them both at the same time – that is new.

Claws of flaw :: There should be questions about the movie fully using its potential though, and even if not that much visible on the outside, it is often too smart for children, and at other times, too childish for adults – it often depends on how you are going to view this one. Inside Out is surely not the usual animated movie, and there are moments when the audience can doubt its ability to balance the two sides. There is also the predictability that comes in, and it is something that this movie could have left behind. I am also not that glad that the other emotions are not given that much importance; anger, sadness and fear – I have felt them more than joy and sadness in my entire life! So, it is once again rather subjective, isn’t it? I don’t believe that joy and sadness will ever have more significance; they never did even when I was a kid.

Soul exploration :: The movie’s message is more about balance rather than anything else, and we often need sadness as much as the happiness in our lives. Anger, disgust, fear and everything else are just integral parts of our lives. There are moments during which each of these will produce something special; there are beautiful songs and poems inspired by sadness or bringing that effect, most of them even more popular than those joyful ones. As the movie brings out, sadness is surely that significant; if you ask me, I would go for sadness over joy as it is one emotion that makes a person understand the world and the other people as what they are. Joy is more like fog that blurs our vision and is often a lie, but sadness and the rest of the team makes us see everything as they are; these bring us back on Earth and shows us the true faces of people. I will choose disgust as the strongest of them all.

How it finishes :: The last movie from Pixar which I really liked was Up, in the year 2009. Inside Out brings that kind of an emotional connection even though I would still prefer that 2009 movie as well as WALL-E, with Brave being the worst. What I will be looking for the most from Pixar, shall be Finding Dory though. Some movies just go so much childish, and it is a trap that has been set for the animated flicks; Inside Out successfully escapes that one with the skills of Prince of Persia through the Sands of Time or Tomb Raider through one of those undiscovered ruins of an ancient civilization. It is what clever movie-making is all about. The one big advantage that you will have with Inside Out is that after those emotional moments, you can show your feelings and blame Miss Sadness for the same.

Release date: 26th June 2015 (India); 19th June 2015 (USA)
Running time: 94 minutes
Directed by: Pete Docter
Starring: Amy Poehler, Phyllis Smith, Richard Kind, Lewis Black, Bill Hader, Mindy Kaling, Kaitlyn Dias, Diane Lane, Kyle MacLachlan, Paula Poundstone, Bobby Moynihan, Paula Pell, Dave Goelz, Frank Oz, Josh Cooley, Flea, John Ratzenberger, Carlos Alazraqui, Lori Alan, Rashida Jones

insideout

@ Cemetery Watch
✠ The Vampire Bat.

Angry Babies

angrybabies (1)

Vampire Bat :: Did you just say Angry Birds at the ticket counter?

Vampire Owl :: Yes, but he heard Angry Babies.

Vampire Bat :: How can you be so sure?

Vampire Owl :: Because he gave me tickets. Angry Babies sounds dumb. I am not going to say that with Angry Birds in my mobile.

Vampire Bat :: But what if there are real babies in it and justifies the title?

Vampire Owl :: I have watched the trailer. It didn’t seem like the protagonists were ever going to have a baby.

Vampire Bat :: It should have been Angry Babes then, unless they act like babies.

Vampire Owl :: I am afraid this will remind me of What Happens in Vegas.

Vampire Bat :: I think it will be like Just Married.

[Enters the movie hall].

What is it about? :: The rich and the poor love story begins in the highranges of Kerala as Sarah Thomas (Bhavana), daughter of a wealthy businessman and Jeevan Paul (Anoop Menon), a still photographer decides to run away on the day of the lady’s betrothal. They arrives in Mumbai and starts a Coffee Shop with name Sarah Jeevan by selling the ornaments she was wearing for her engagement function. As Sarah is more into the shop and Jeevan rarely goes there and attempting to get a job as a photographer, they slowly moves away from each other; his photographing beautiful models acting as a powerful catalyst for the same. They slowly begins to detest the presence of each other, and files a divorce only to be asked to wait for six months which seems longer to them than ever. After failing in an attempt to push the other person out of their flat, they decide to share the place until the legal separation, and their problems are mediated by Madhavan (P. Balachandran). Sarah attempts to take over things by appointing a servant Selvi (Anusree) and being close to Alex (Joju) much to Jeevan’s dismay. But as their friends who helped them elope comes to Mumbai, they decide to act like all is well so that they are not hurt.

The defence of Angry Babies :: The one thing which was guaranteed from the beginning and delivered with ease was the fun. The movie has clean entertainment and comedy, unlike the new generation comedy which laughs at things or use multiple double meaning words in an attempt to evoke laughter. This is where the has been quite an attention, and even if there is some loss of fun, such tidy status is to be managed if families are to watch this one, and the flick manages some security there. This is lots of fun right from the beginning to the end, but as it moved towards the climax, it doesn’t fail to give some message about adjustments in marriage, and the weaknesses that the love marriages will show sooner or later as long as there is no support from the families of the bride and groom. The blessings of one’s parents is always a major factor in marriage. There is difference between love and marriage and it is easier to talk stupid things about love and wander around together doing nothing, but wedding takes it to another level, and this one deals with the problems in Ivar Vivahitharayal in a funny and sometimes stupid manner – the same director handles this one too. There are lots of funny situations, and the beauty of Mumbai is nicely captured too.

The claws of flaw :: Angry Babies doesn’t have that much of an innovation, and the story is mostly predictable except for the smaller details. The story has is own dose of exaggeration, but nothing that thrives on inflammation to the wrong emotions like Bangalore Days had been trying; why do you need to over-think Angry Birds though, for it serves it purpose and do what it is supposed to do, with no unnecessary additions to make it something it is not. The ending is also a bit forced with the love returning to the life like a boomerang quickly remembering that it was actually supposed to come back – well, this was supposed to maintain that comic factor throughout the movie and the ending is no different as it ends up in another funny moment. This is not for the people who are not looking forward to such a movie, and if someone feels the need to inject anything other than just fun into this movie, it is their problem and needs to stop watching movies in the theatre. There is no denying that it could have created a few more funny moments, and the flashback story of love needn’t even exist – it never bores with such stuff, and then why not the creation of a little more funny moments like What Happens in Vegas and Just Married could come up with?

Performances of the soul :: Most of the screen time is reserved for Anoop Menon and Bhavana, and there is almost no moment which doesn’t include one of them and most of the time, they spend together. Anoop Menon shows his skill for comedy like never before, especially in the first half and in the end works well with the emotional stuff. Bhavana is a beauty; not just with the looks, but with her handling of both comic and emotional scenes. She plays a character which reminds one of Mamtha Mohandas in My Boss, and yet keeps so many good elements with her unlike that “boss”, and this middle path that she has taken for her character is rather a smart idea by the director not making her the more egotic person, and gives enough to Anoop’s character too. None of these characters preach though, and keeps things simple, fighting and getting over with it. Anusree’s character is a little overdose at times, but manages to funny throughout the movie, and she is one actress who can thrive in simplicity. The Vodafone Comedy Stars fame Noby was the funniest one in the second half, and it makes one extremely happy to see him coming up with so much to make us laugh, and Joju comes next in the comic contribution. Noby needs a lot more chances, for he has earned it. Meanwhile, Nishanth Sagar makes a nice come back looking so much younger, and Parvathy Nair looks beautiful in her short stay. Kalabhavan Shaju also contributes to the fun.

Soul exploration :: One thing is very clear about this movie, and it is the lack of pretending to be something. Unlike our most recent pretender to the throne of awesomeness called Bangalore Days, this movie knows where it stands and where the strengths lie. This one also doesn’t depend on a hufe starcast to hide its weaknesses, but it uses very good use of the resources available. The disadvantages of a multi-starrer cast has always been its special ability to hide its weaknesses; just like what was evident from the early opinions about Bangalore Days. The people would be staring at their favourite stars and it will be impossible for them to tell the truth that the movie had problems, and will say that the movie is awesome just because they are typical fanboys and fangirls. The real movies shouldn’t have too many superstars because it spoils its essence even as there will be a good amount of box-office collections, and there will no real review about it as nobody wishes to go against the fans because people only need to read what they want to read, and this case, they are intoxicated just because their favourite actor or actress looks great on the screen. When those involved with the movie other than the cast are also popular, the movie needs zero substance. This movie moves away from such lies, and that is a point for the soul.

How it finishes :: Coming from the director who has handles the funny side nicely, like in Ivar Vivahitharayal, Happy Husbands and Husbands in Goa, this was expected to be interesting stuff which is certain to make the audience laugh as long as it kept close to the genre. This is his sixth movie and the first one without Jayasurya being a part of the cast. This would be his first movie with Anoop Menon and the second with Bhavana as a part of it. In a weekend when movies like Koothara released, it was good to have this movie from Saji Surendran, with a movie that doesn’t think that the audience are stupid and the flick is too intellectual. As I was not a part of the Mermaid Welfare Association of India, I wasn’t happy at all with Koothara, but that is one story I am not going to talk about now. For now, what we need to remember is that Angry Babies is the movie which promises and delivers what it is supposed to come up with, as anything else would have been an unnecessary overdose which the superstar movies come up with, and not a movie which has an identity of its own rather than wearing a fake visage intended only for making money. Now, for the question about the title of the movie, the protagonists are indeed like babies in both love and hatred 😀

Release date: 14th June 2014
Running time: 130 minutes (estimate)
Directed by: Saji Surendran
Starring: Bhavana Menon, Anoop Menon, Noby Tharian, Joju George, Parvathy Nair, P. Balachandran, Kalabhavan Shaju, Nishanth Sagar, Anusree Nair

angrybabies copy

@ Cemetery Watch
✠ The Vampire Bat.