Color Out of Space

Vampire Owl: Does space have preference for any particular colour?

Vampire Bat: The colour here does look pink during the alien invasion.

Vampire Owl: Oh! I had considered it to be blue after the release of Avatar.

Vampire Bat: So, you didn’t think that it is black after Alien released.

Vampire Owl: No, blue just gave a better feeling, and nothing could rise over Avatar until Avengers: Endgame broke its box-office records.

Vampire Bat: But here, we have a pinkish colour which is almost pink.

Vampire Owl: We can take that for now, and leave it after the movie ends, because then it will always be blue.

Vampire Bat: Well, this one is from a story by HP Lovecraft, a master of horror. So, it is better to accept this colour as the alien shade.

Vampire Owl: I can’t do that. I have tried the same before with Stephen King.

Vampire Bat: Well, you can at least watch the movie and make the final decision.

[Gets an orange cake and three cups of black tea].

What is the movie about? :: Theresa Gardner (Joely Richardson), a financial advisor has been losing her clients after she was diagonised with breast cancer, and had a long treatment. As she settled down in a rural are with a farm where the family attempted to grow tomatoes and have alpacas for milk, she also had limited access to the internet, leading to a further problems in her career. Her husband Nathan Gardner (Nicolas Cage) had received the huge farm from his father, covering a grand area which extended towards the river on one side, and one the other side, it was almost impossible to find the borders. Their son Benny Gardner (Brendan Meyer) has been hanging around with Ezra (Tommy Chong) a local recluse who has been drinking a lot of alcohol and smoking weed all the time after he stopped being an electrician, and settled down in an area surrounded by woods. Nathan and Theresa are disappointed at the same, but there is nothing they can do.

So, what happens with the events here? :: Benny is not the only one affected by her mother’s disease and their move to the ancestral property, as their youngest son Jack Gardner (Julian Hilliard) is not even interested in talking to anyone else other than his pet dog Sam as he kept to himself all the time. Their only daughter Lavinia Gardner (Madeleine Arthur) becomes a Wiccan, and starts pagan witchcraft with the help of guides on black magic, hoping that one of those rituals close to nature can cure her mother’s remaining cancer cells completely. She keeps wearing strange and revealing Wiccan or Gothic clothing, and has coloured her hair in shade of violet, often traveling on a horse, much to the dismay of her parents. It is then that Ward Phillips (Elliot Knight) a hydrologist, surveying the water for an upcoming hydroelectric dam arrives there, and meets Lavinia in the middle of a pagan ritual involving a lock of hair.

And what else is to follow in this rural setting, making things different and divergent? :: One night, they are woken up by a Pinkish colour and a huge sound, which seems to be not of this world. While Lavinia feels it to be something magical, Benny finds it to be something from another planet, and they all finally agree that it is a meteorite after seeing a pink piece of the same lying on their lands. It is not exactly pink, with the colour feeling to be rather unearthly, and there is also a foul smell related to it. The very next morning, the meteorite is no longer glowing and is crumbling to dust. The mayor and the sheriff of the nearby town of Arkham also arrive to see it, followed by the television channels. But by that time, there is not much of the alien object remaining, seemingly having crumbled to death, leading to nobody taking it seriously. But on the next day, it is continuously struck by several bolts of lightning. Ward finds something wrong with the water there. How has the meteorite influenced the land, water and people around there? Is it safe anymore?

The defence of Color Out of Space :: HP Lovecraft is known to have blended science fiction with horror well, and it can be seen here too – use of science to reinforce the terror can be seen here, and it is displayed well in the movie. Use of recognizable monsters, jump scares and gory stuff is not longer the case, as a we go for the weird. It leaves a lot to be imagined too, as the fear feels more than what is seen here. The primordial forces from different worlds are stronger and beyond control, with no chance to escape, as no conceptions of reality can go beyond them. We are left with no power in front of things we don’t understand at all – it is the kind of horror from where nobody leaves alive. The colours are beautiful to watch on screen, adding to the lovely visuals of the countryside, but is supposed to be terror inside. Nicolas Cage does the usual job here and nothing more, but he is the one we trust every time. Madeleine Arthur remains cute even when going on the witch mode, and comes up with the next best performance, followed by Elliot Knight in this different horror thriller science fiction with colour itself as the alien life-form.

The claws of flaw :: As you already know, Colour Out of Space is not your usual type of horror thriller with a science fiction background present too – it is not for everyone, with all the weirdness, and a certain amount of disgust related to the same. The strangeness that one can feel in this movie goes rather too much for many people, and for Lovecraftian works transformed into movies, this might be found to be natural. This is the kind of tale which came before Alien and its sequels, and so, right now, we expect this movie adaptation to be even better – we don’t see that much of an extra effort which is put in here. The horror could have been added with something more, making it even more suitable for the age. There are times when one feels a comic effect, which should have been avoided, considering how terrifying, an inescapable this situation seems to be. One also has to doubt the use of Nicolas Cage here, who is not at his usual self. The final moments could have been better managed too.

How it finishes :: The movie is based on The Colour Out of Space, which is a science fiction as well as horror short story by the famous American author HP Lovecraft, who has come up with special interpretations in his tales regarding humanity’s place in the universe. His popular tales like The Call of Cthulhu, The Rats in the Walls, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time have all been needing film adaptations, due to them bringing something a lot different than what we have had during those times. There has been many previous adaptations of his works, especially this particular story, but most of them haven’t been that popular, at least at this part of the world. This one has the ability to be more popular, even after some time after its release, because it has Nicolas Cage at the centre of things, and supported well, this one will rise above the others – this surely is one interesting journey, and you can go through that Lovecraft divergence nicely here.

Release date: 7th September 2019
Running time: 111 minutes
Directed by: Richard Stanley
Starring: Nicolas Cage, Madeleine Arthur, Joely Richardson, Q’orianka Kilcher, Tommy Chong

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@ Cemetery Watch
✠ The Vampire Bat.

Clint

What is the movie about? :: Edmund Thomas Clint (Master Alok) is the only son of MT Joseph (Unni Mukundan) and Chinnamma Joseph (Rima Kallingal), and was named after the famous Hollywood actor Clint Eastwood, as his parents were his fan at that time. While his mother remained a housewife, his father has been working as an upper division clerk with the government. He loved colours so much that he started painting at a very small age. His work impressed his parents as well as people around, but their decision to accept the boy’s decision to not attend school anymore was considered, and often declared as radical and foolish by so many of his well-wishers. He has been known to be a curious boy who wished to travel and see things, reflecting them on his canvas, and when he couldn’t, he used the descriptions by the people around him and the books given by his father to come up with an idea of how things could really be, as he combined them with his creativity and sharp intellect.

So, what happens with the events to follow in this biopic? :: It is one of Joseph’s friends Mohanan (Vinay Forrt) who appreciates his work the most, among those outside his family. It is when he is getting more and more attention, and even while getting selected to participate in a number of competitions, that tragedy strikes. His doctor and nephrologist Joseph Abraham (Joy Mathew) lets his parents know the terrible thing, that his kidneys are failing, and there might not be many days left before him – they can only try, according to him. Shattered by this news, Clint’s parents’ life won’t be the same again. But they try their best to keep their child happy during his last days. But fate always wins, and there is no chance to stop him – but can they delay the inevitable as much as they can, and bring some hope? There is the certainty of more being painted by the boy, even when being so close to death.

The defence of Clint :: Showing the life of a child prodigy who is known to have drawn over twenty five thousand paintings during his short life of a little less than seven years, here is a certain amount of inspiration in store with this movie, and we get close to life of the little genius on the big screen. Telling the tale of a naturally skilled person, this one nicely explores how he had been doing what was best at. There are some nice visuals and a few memorable moments to go with the same. The setting is very good, and helps to make the movie better. Even though the child is at the centre, there are some familiar names who get to show their skills in the movie too. The best thing about this movie is that it hasn’t complicated things that much when it could have done the same, and it never does concentrate that much on the disease when the usual tendency to do the same. Without that, the movie provides us a pretty good journey through the life of the famous child prodigy.

The claws of flaw :: There is the movie going so close to melodrama, and some moments just seem to be added to bring the cliche stuff in a predictable manner rather than anything else. We also find some dialogues rather too much for the child, and the sequence involving Salim Kumar is rather strange instead of being funny – it is the worst point of this flick. It even has a barber who looks on like a butcher. The movie also drags in between, which is rather strange, because they could have kept things going just with the paintings, and children playing; also those dialogues between father and son, which could have been the highlights of this movie, goes rather restricted, despite the promise shown in the beginning. There seems to be limitations around here, with the story and its moments, for there was scope to bring in more and more, which could have made this movie a big, colourful thing just like the real child in his real life is known to be. There was the need for quality.

Performers of the soul :: It is never that easy to get a biopic related to the life of one special child with amazing skills at a very young age. It was essential to find the right cast, and Master Alok, despite providing us with a few doubts in the beginning, does a fine reflection of the character he plays here. The existential questions do provide him the chance to take it further, as life after death, one’s existence as stars after that, and many other come to him. He has his best moments after getting the disease though, and goes throughout without struggling at any point. Baby Akshara is good support to him, even though some dialogues given to her just go strange, as with Alok on a few occasions, but latter has better control. Children and their world, if given more life with the colours on the canvas reflected into them, would have provided these two something further cute to work with though.

Further performers of the soul :: It is only after the movie gets to come up with a talk with the real life parents of Clint that we get into the movie. After we get in there, it is Unni Mukundan and Rima Kallingal, especially the latter, who gets to work through the pillars of this movie, and hold it together for its protagonist to manage. Both of them provide us with what seems to be an honest attempt at making this work, and their presence makes some of those problems in this movie to be forgotten. They are really good right from the beginning, and they excel at the emotional sequences. There is not that much revealed about their characters, but the two rightly portray what is needed here. The next big role here goes to Vinay Forrt, who is not far behind in his portrayal of the friend and well-wisher. Renji Panicker comes in and contributes in a good, smaller role, but Joy Mathew is indeed the next noticeable one, as he does his doctor act with no problems.

How it finishes :: One can be sure that this is a good attempt at making a biopic on the life of our own child prodigy. But there will still be doubts if this couldn’t be any better. With four movies being there in the theatres from last ten days, including Thrissivaperoor Kliptham, Varnyathil Aashanka, Sarvopari Palakkaran and Chunkzz, along with the leftover movies Basheerinte Premalekhanam, Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum, Clint is going to have a tough time in the less number of theatres it is being screened. With some more, attention, this movie could have competed well, and even won against most of these titles – there can be more from the life of a child prodigy who has gone on to become someone whom we all know. As of now, as this movie stands, it becomes also our opportunity to check this movie, and feel the strength of the life of a little master of colours – it is where this movie has our attention, making an attempt not to be forgotten. I watched this one because I wanted to know, and I wished to see everything alive – don’t you too, for such a skilled child?

Release date: 11th August 2017
Running time: 138 minutes
Directed by: Harikumar
Starring: Unni Mukundan, Rima Kallingal, Master Alok, Vinay Forrt, Joy Mathew, Renji Panicker, Baby Akshara, Salim Kumar, KPAC Lalitha

@ Cemetery Watch
✠ The Vampire Bat.