Bhramam

What is the movie about? :: Ray Mathews (Prithviraj Sukumaran) is a blind musician who hopes that he will be known among the great pianists of the world. It is when he crosses the road and gets hit by Anna’s (Raashi Khanna) scooter, that there is the beginning of a romantic relationship between the two – then, it is revealed to the audience that he is not really blind, but is only acting as if he cannot see. Uday Kumar (Shankar Panicker) who was one of the big superstars of an earlier time asks him to sing at his home for his wedding anniversary with his wife Simi (Mamta Mohandas). But when Ray reaches there, he finds out that Uday is lying there dead, and Dinesh (Unni Mukundan) is also there with Simi. He sees that the two are trying to get rid of the body and the clues, as they feel that he won’t know as he is blind. Soon, Uday’s body is found in the container terminal road, and a story is created about how he was murdered by his driver.

So, what happens with the events here? :: As Dinesh is the police officer investigating the case, Ray is not able to tell anything to the police, but his arrival at the police station creates suspicions for both Dinesh and Simi. Dinesh’s wife Swapna (Ananya Nair) feels that her husband can find the murderer with ease. Dinesh has further doubts about Ray’s eye sight after searching his place, but as him being a witness only helps them, they decide not to do anything. But it is then that Ray witness another murder that Simi commits, and she decides to visit him at his place. Then, she would realize that he is not really blind, and due to the same, she has to take better precautions. At the same time, Anna is worried that Ray hasn’t shown up for a long time. A worried Dinesh wants Ray dead, and a boy in the neighborhood has proof that Ray is not really blind. All these lead to a sequence of events which means that life won’t be the same again for the people involved.

The defence of Bhramam :: Bhramam, even though not an original story, is executed really well. The strength of the cast is one advantage that this film can be proud about. The recreation of the tale in this particular setting is very good – the choice of Cochin and its surroundings, especially Fort Cochin makes it a better visual treat than one would expect. There have been similar visual splendour before, but not in a way that it suits the whole thing so well. From reading about the original film, there seems to be some differences here, but nothing that someone who hasn’t watched the Hindi version can confirm. As it stands, the film does rise above the expectations which the trailer had created, especially with the black humour and the twists that it provides. There is always something different that we can expect with Bhramam, as it moves forward, as it never hesitates to move away from the usual and the predictable.

The claws of flaw :: There can be comparisons between Bhramam and the original version which was in Hindi, and we know that original can often have the advantage, but as I have not watch that one, it won’t be my job to do. There are surely some moments in this film which could have been better, and the beginning moments could have had an extension, as they were indeed cute. Some more changes could have also been added to make this not that exact an adaptation. It could have managed to get more out of the last moments too, as scope was always there. The social commentary could have also been stronger, even though the presence is felt on some occasions. Some occasions could have also had better clarity, and a few scenes could also take better strength. As a film on a musician and a pianist, this could have also had more songs to add to the quality.

Performers of the soul :: After Cold Case and Kuruthi, Prithviraj Sukumaran has another release on Amazon Prime Video, the only OTT platform, where he had fresh releases. In comparison with the other roles in these movies, this does take a fine deviation for him, and this is further away from what one would expect from the trailer. The black comedy factor does work well for him. Unni Mukundan has had a certain amount of break time after the release of Mamangam much earlier. In the role of a police officer, he makes a fine comeback, even though this role doesn’t demand that much. Shankar Panicker has a small role, as he plays a superstar of the past himself with ease. At the same time, Jagadish comes up with a role which we don’t usually see him doing, and supporting him are Sminu Sijo and Aneesh Gopal, who have some fine contributions to provide here – the three are basically the unexpected turning point providers in the film.

Further performers of the soul :: Mamta Mohandas had her voice in Sunny, after having her full works in Forensic, Kodathi Samaksham Balan Vakeel, 9 and the quick appearance of Johny Johny Yes Appa. She is back here, playing the main role, and she has done the same in a believable manner, leaving not much to the doubts. It is always good to have her back, and it doesn’t matter how many times we miss her due to her health related reasons. Raashi Khanna has her second Malayalam film here after Villain. This is a more notable role as we look at it, and she holds on to the cuteness factor from the beginning stages, even though she has to make way for Mamta later, only to have something to add in the final stages of the film. Shine Tom Chacko also makes an appearance in a cameo, but it is a role which defines many things in the film. Nandhana Varma plays the role of the daughter of the superstar, and that also is a notable one. Valsala Menon plays a neighbour of importance too.

How it finishes :: Bhramam is the remake of the much appreciated Hindi movie, Andhadhun – basically one of the many remakes as the same film is remade in different languages. Those who have watched that critically acclaimed movie, can know the quality of this version better for sure. When we consider this film as a stand-alone work, it is also a very well done work. After all, keeping up the quality is often difficult with remakes, unless there is something like a Drishyam which can come in many languages, and can even come up with the right sequel. For now, we can be sure that Bhramam which is taken out of Andhadhun works really well in this form too, and if there was ever any doubt about that, the same was not needed. We cannot blame ourselves about the same though, as doubting is in our blood, and trusting people to make things better is never really that easy.

Release date: 7th October 2021 (Amazon Prime Video)
Running time: 152 minutes
Directed by: Ravi K Chandran
Starring: Prithviraj Sukumaran, Raashi Khanna, Unni Mukundan, Mamta Mohandas, Shankar Panicker, Ananya Nair, Sminu Sijo, Sudheer Karamana, Aneesh Gopal, Valsala Menon, Nandhana Varma, Jagadish, Rajesh Raj, Master Avyukth Menon, Shine Tom Chacko (cameo)

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Mamangam

What is the movie about? :: Mamangam, a grand fair used to be held on the banks of Bharathappuzha in the north of Kerala has a history that is written in blood. It had great economic, social and political significance, along with being a religious festival associated with the temples. There, the Zamorin ruler of the Kingdom of Calicut challenged other regional kingdoms to oppose his supremacy. There were the suicidal warriors from Valluvanad region who dared to oppose him and make history. But they would mostly die fighting against the powerful army of Zamorin, and only left those messages of bravery and honour for their people to cherish. It becomes their right to die as a soldier in the battlefield, and inspire more to follow their path through martyrdom. The last Mamangam fair was held in 1755, and this movie comes up with a memorable one before that.

So, what happens with the events here? :: Chandroth Panicker (Unni Mukundan) is the latest addition to that list of the suicidal warriors known as Cheverukal, attempting to challenge Calicut’s Zamorin’s authority again. His mother, wife and sister are unhappy about the decision, but they can do nothing, as for him, it is a decision made by the gods. It is then that the son of his sister, the young Chandroth Chanthunni (Master Achuthan) also joins him to join Chaverukal, much to the dismay of the whole family. They have the tale of Chandroth Valiya Panicker (Mammootty) who betrayed their tradition ahead of them, so that they should go on with that they have been training for – to end Zamorin which is the best thing to do. On the way, they have to stop at the abode of Unnimaaya (Prachi Tehlan) and Unni Neeli (Iniya), after being attacked by Zamorin’s men. There is a long way ahead of them, but they will need some help to get anywhere close to success.

The defence of Mamangam :: There are not many movies which we have waited for so long like Mamangam, except for some which are still to be released. Malayalam movie industry always needed good historical movies other than those which keep talking about the British – The Colachel War has been long forgotten, despite it being a landmark. Considering the same, Mamangam has taken the pain to bring something with a difference. The visuals are all grand, even better than some of those overrated movies seemingly belonging to a similar genre. The beauty out there is not limited to the background, but to almost everything in particular. The action sequences are all very good, especially in the final moments, which are breath-taking, leaving one wishing for more. The message goes on against revenge, and that it is not something healthy to pass the same through the generations – forgiving and forgetting do have better meaning.

The claws of flaw :: The movie is a little bit too long, and its extra dose of dialogues make it feel even longer. It does seem to repeat the same thing multiple times, and deviates from the idea of action and adventure associated with the title. Even though the “Mookkuthi” song makes some impact, the rest of the songs are not up to the mark. The presence of a mentor character doesn’t add much to the otherwise direct and straightforward movie, and the feminine version of the character is a bad and unnecessary diversion. The lack of completeness is evident, as the movie struggles to live up to its theme and story on many occasions. The final scene after the mamangam fight also feels unnecessary, as there could be nothing bigger to be added. A movie like this should offer something better, and one is left to wonder why it is becoming more and more difficult to make movies based on Kerala History, even those which are set at a time period not even five hundred years into the past.

The performers of the soul :: Mammootty was part of one of the best movies of the year, Unda, and now he is back with the movie with we have all been waiting for. As we all know, he is no stranger to historical movies and epic stories which tell the tales of heroes of the past, and this was time that he had another one to add to that list. Still, one has to wonder why he went for that exaggerated dance and some ridiculous comedy with another side of that character – this kind of ridiculous moments are not suitable for this kind of a movie, not for a historical epic action movie. Unni Mukundan does a fine work here, and his controlled performance is worth the appreciation. Master Achuthan comes up with a wonderful performance at the same time. It is him who catches our attention the most, and he excels in the action sequences even more. The last scenes are nothing less than magnificent, and it belongs to him completely.

Further performers of the soul :: Prachi Tehlan comes up as the leading female presence in this one – the former netball and basketball player has no trouble in the less amount of role given to her. Iniya provides her support, even though not much is needed from her side. At the same time, Anu Sithara and Kaniha has even smaller roles here, most of the time sticking to some dialogue or tears. There are also other actresses here including Maala Parvathi and Kaviyoor Ponnamma, but the female characters here are rather insignificant in the movie plan at work. Siddique has a villainous role here, and even though done quite well, it is not the kind of antagonist that we are going to remember for doing the terrifying job. Sudev Nair, even though nice, is wasted in a role which makes no difference to story at all – the character doesn’t add anything significant to the whole thing, for even otherwise, things could progress in the same manner without any trouble at all.

How it finishes :: Last year, in another December, on almost the same date, we had another Malayalam movie set in the past trying to make history – Odiyan. It was not that much of a successful attempt, but that was certainly a sign. We have more signs here, even though we are still far away from having that right historical movie. There is the need to improve, as Mamangam goes on through its journey. There is a better understanding of history and the reflection of the same required, and one can only hope that things could reach further level with the genre. A fine depiction of Colachel War might be the solution, but we haven’t heard about anyone trying for such a case. Until then, we have these movies which have the potential for greatness, but fall short in the process. But we would need to watch these, with all the splendour which is displayed on the big screen.

Release date: 12th December 2019
Running time: 157 minutes
Directed by: M Padmakumar
Starring: Mammootty, Prachi Tehlan, Unni Mukundan, Master Achuthan, Siddique, Anu Sithara, Kaniha, Mohan Sharma, Tarun Arora, Iniya, Maala Parvathi, Neeraj Madhav, Idavela Babu, Manikuttan, Kaviyoor Ponnamma, Suresh Krishna, Sunil Sukhada, Meghanathan, Manikandan Achari, Baiju Ezhupunna, Jayan Cherthala, Sudheer Sukumaran, Vishnu Marakkal, Abu Salim, Sudev Nair, Nandan Unni, Valsala Menon, Nilambur Ayisha

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Mikhael

What is the movie about? :: George Peter (Siddique) is the rich and notorious don of the area who is known to run the family business as well as criminal activities of the city and its surroundings with such energy and enthusiasm that he doesn’t hesistate to kill even police officers according to his will, the latest of them being N Sreenivasan (Kishore) who dared to arrest him in front of the public. When a new investigating officer Easa (JD Chakravarthi) is appointed in his place with Issac (Suraj Venjaramoodu) to assist him, the hunt for the mafia ruling the city gets stronger. It is then that the headless body of George is found along with his right-hand man, brutally murdered. Then the man who mediates between two rival gangs, Patrick (Kalabhavan Shajohn) is also shot by someone. This brings trouble with gang wars ready to break out.

So, what happens with the events to follow? :: With George’s brother Marco Jr (Unni Mukundan) coming to the scene, and Francis Davi (Sudev Nair) from the opposite gang trying to have his own vengeance, the police department is kept on his toes. All these seem to point to one man, doctor of the nearby Starcare hospital called Mikhael John (Nivin Pauly) who seems to have a long story to tell about his family and how it came across George. He is the man who seems to be responsible for the death of George and Patrick, but the question remains about what Marco Jr will do about that, with going to police and assuring law and justice, not being an option for him. Easa and Issac will be happy to see the rival gangs fighting each other, or someone murdering the gangsters, but how long can the police department keep away from the scene? Will there be vengeance and can there be justice?

The defence of Mikhael :: The movie is high on style and action sequences, but one can note that it never really goes too far, as it keeps away from elements like flying villains, hero who knows everything before it happens, and all. The music is mostly good and at times excellent, with very few exceptions that we can notice. There are those mass elements, but they are kept in control unlike The Great Father and Abrahaminte Santhathikal which had the same director’s hands firmly on them in one way or the other, or Masterpiece which had so much of the same – the heroism as well as the whole story itself is far more believable, and has better and smarter twists with this one. The thrills are present all the time, and the emotional side works pretty well. The visual style is very nice, and the same rises above the rest. The dialogues are powerful, and Mikhael is a movie that doesn’t hesitate to come up with some moments which are above a normal movie in the industry.

The claws of flaw :: There are times when style gets over substance in this movie too, as The Great Father and Abrahaminte Santhathikal also did. We also see too many similarities with former, with a school being at the centre of attraction, and one girl who is dear to the protagonist – fighting for her becomes the priority for the protagonist. The slow motion could have been reduced, and the interest in sunglasses for some characters continues to be strange. The first half also takes some time to get into the main idea, and we also see the presence of predictability here, with the protagonist and antagonist coming close to facing each other. The ladies don’t have much to do in this movie either, except for the girl who sets everything moving. You can see that some moments were added just for the sake of adding them, and inspirations from foreign movies are certainly there.

The performers of the soul :: It is up to Nivin Pauly to rise and stay at the top, and he manages to do that well – still, his best moments were when his character was a family man, with vulnerability, but it was surely nice to see him in a different avatar, extending what he showed in Action Hero Biju. He does show that he is good at them all, and in a movie which has substance rising over style will surely have him shining better. There are the two qualities of Michael shown by Christina Rossetti with her poem on the angels – service & strength, as doctor & martial arts expert here. One the other side is Unni Mukundan who plays the main antagonist towards the end, and we remember him playing just the opposite in the movie Style – with Tovino as his villain; here he has to face the same thing, even though stylish as he is, with less space on the screen, and not getting the best of dialogues when there was scope for a lot of the same. He should have been given the opportunity to be a more menacing villain rather than showing the muscles. The Luciferesque qualities are seen better with Siddique’s character as Satan against Michael, the leader of heavenly angels – the one who chooses to reign in hell & go against all norms, establishing his own pandemonium. He is the Satan that Milton would keep in his Paradise Lost.

Further performers of the soul :: At the same, Siddique becomes that villain who anyone could have wanted to be – evil and sadistic, going on to reach a state which is nothing less than mentally sick. His ways of tormenting or even finishing off his opponents, and even his dialogues are with that kind of terror that an antagonist can always dream about, and a protagonist can have nightmares about. The girl who played the main character’s sister, a name which hasn’t been known through the early cast list on internet or posters, Navani Devanand also needs some applause as she gets everything right in this movie – she could be a talent to look out for, in the future. She nails all emotions perfectly, whether its anger, sadness or joy. Shantikrishna, Babu Antony, Kalabhavan Shajohn, Ashokan, Baiju and KPAC Lalitha are left with not much to do here. Manjima Mohan as the heroine doesn’t really have anything to do either, and even Reba Monica John who is there for a few minutes leave better impact. JD Chakravarthi, Sudev Nair and Suraj Venjaramoodu get their nice moments though.

How it finishes :: The whole story of Mikhael here has an allusion to the archangel Michael, the leader of the archangels who lead the battle against Satan, a.k.a. Lucifer and his forces who rebeled against God. As a protector and a fighter against evil, this image is reiterated here by giving the same name to the protagonist, and the images of the angel being shown on multiple spaces – the opposite can be seen through the images displayed in the room of the antagonist. The whole movie is about how the brother becomes the guardian angel for his sister, vanquishing the evil forces – with the same, we have the style, all the action, thrills and twists which keep coming at regular intervals; surprisingly, there is also the presence of some funny side. This one might not be the favourite for the family audience, but is surely one nice entertainer which successfully defends its territory within the genre.

Release date: 18th January 2019
Running time: 150 minutes
Directed by: Haneef Adeni
Starring: Nivin Pauly, Unni Mukundan, Navani Devanand, Manjima Mohan, JD Chakravarthi, Sudev Nair, Babu Antony, Suraj Venjaramoodu, Siddique, Renji Panicker, Shantikrishna, Kalabhavan Shajohn, KPAC Lalitha, Amal Shah, V Jayaprakash, Kishore, Reba Monica John, Baiju

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Ira

What is the movie about? :: Dr. Aryan (Gokul Suresh) arrived at Cochin from Kolkata, trying to leave a mark in his own home state, but is accused of murdering the Minister of Forests and Wildlife Protection, KP Chandy (Alencier Ley Lopez) who seemingly dies due to cardiac arrest. The much discussed case becomes a favourite for the media, as the minister was already in the news for corruption allegations, and his son, the next big name in politics, Jacob Chandy (Shanker Ramakrishnan) is looking forward to punish the man who is supposed to have murdered his father. Aryan is accused of being a naxalite and part of a group which is known to target politicians, and police is very much interested in making him confess to this crime. It is during these times that Inspector Rajeev (Unni Mukundan) arrives to take over the investigation from Delhi.

So, what happens with the events to follow? :: Rajeev doesn’t have a smooth run with the investigation, as the Commissioner of Police, Satheesh Varma (Kailash) is not interested in helping him. Even the people at the hospital seems to be not that much interested in helping him. But beginning with the taxi driver who dropped Aryan at the nearby church, Rameshan (Saju Navodaya), Rajeev begins to solve the mystery. There is more than what meets the eye with this tale, and he soon finds one love story which becomes the core of the whole thing, with Jennifer Jacob (Niranjana Anoop), the neighbour of Aryan, and his own tale of love with a girl whom he met in a forest near Kothamangalam, a long time ago – Karthika (Miya George). Now, the question remains about who is so much interested in framing Aryan as the murderer of a minister, and it is a difficult question to solve.

The defence of Ira :: We can see that the suspense stays strong throughout the movie, and there is the nice use of opportunities for twists towards the end. The first half as well as the second, has its thrilling moments as well as an effective emotional side. The entertainment side is strong throughout its run, and it has the audience interested in the investigation, and the predicament of the main characters. It is something offering a full run of entertaining moments, even adding some jokes here and there, with some of them working well. We can see how much the politicians manipulate people, and how so many incidents are twisted to be of advantage to them – we see where the common man’s place is, and what they are made to believe by putting them into a coma of indirect oppression. The visuals are very good, especially those of the forest, as we see that it is close enough to the locations where Pulimurugan and Shikkari Shambhu were shot – the beautiful world on the other side of Kothamangalam.

The claws of flaw :: There seems to be reflection of real life moments in the movie, but they really have no point here, and we see that they are unable to affect the movie well enough to make an impact worth remembering – these are more or less like the ingredients added to catch the attention of the viewers with the manifestation of a strange visage. We can also guess a number of things about this movie, as there is not that much focus on making sure that all minor twists hold ground. The movie could have also focused more on its title, as its oppressed including the tribals and the common people facing powerful politicians, never really get enough of justice, even though the poetic justice is delivered by vengeance. This could have been a better thriller, no doubt about that – it could have had a smarter investigation, and a stronger backstory which would be able to connect better with the right kind of bridges between the past and the present.

The performers of the soul :: Unni Mukundan doesn’t have any problem with this police role, the kind which he has already done before. From the nice entry in the beginning, he has things under control, with no real challenge being present in there to play this particular police officer for him. Gokul Suresh seems to be getting better with every movie, and we see how things have managed to rise in quality from Mudhugauv to Masterpiece, and now here. Even though Unni Mukundan’s police officer is established as the hero very early, we come to know in the end that all that Gokul’s character did was of high purpose, from the very first moment itself, with or without him knowing about it. There are also signs of a younger Suresh Gopi with his work, and the viewers are sure to wait for more from him. The significance of him being in an action-thriller is displayed so.

Further performers of the soul :: As you will notice here, the movie does have quite an interesting list of actors. The main female lead would be Miya George, even though she has lesser time on the screen, arriving late, and leaving rather early – she is very good in her work here. It is rather surprising that we don’t see that much of her work these days, Niranjana Anoop has more presence, and has done a pretty good job. There is a long way to go for her, in the industry for sure. Alencier Ley Lopez plays the corrupt politician in a nice way, Shanker Ramakrishnan plays a pretty good negative character for most of the time. Lena plays a strong character, that of a lawyer with ease, and Saju Navodaya only has a few moments to bring the laughter, which he manages; so does Nelson during the flashback moments.

How it finishes :: Ira has enough to make sure that the viewers are engaged at all moments. It might not be the best investigative thriller of our times, but it possesses enough in there to make sure that the audience is entertained. One might think that it could have been made better, as the premise was set very well. But it has been difficult to make good stories of investigation for some time in Malayalam industry, and Ira makes sure that something more is added to that genre. Well, thrillers don’t usually have enough support from the audience, unless it has those family elements like Drishyam, and also has a big superstar at the helm. Let us hope that this one has that support, as experimentation in the genre seems to have stopped rather too early. If the early opinions about the movie is going to continue, Ira might be followed by more of similar flicks.

Release date: 16th March 2018
Running time: 139 minutes
Directed by: Saiju SS
Starring: Unni Mukundan, Gokul Suresh, Miya George, Lena, Alencier Ley Lopez, Niranjana Anoop, Shanker Ramakrishnan, Neeraja, Saju Navodaya, Kailash, Nelson, Mareena Michael Kurisingal

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Masterpiece

What is the movie about? :: An arrogant Roshan Cherian (John Kaipallil) and an adamant Mahesh Raj (Maqbool Salmaan) leads two rival gangs at the Travancore Maharaja College in the centre of the city. These two gangs, Royal Warriors and Real Fighters fight for domination, with hockey sticks, cricket bats, cycle chains, table legs or whatever they can find, sometimes in the remote corners of the huge college campus, and at other right times, right in front of the students and faculty, much to the dismay of the Roshan’s father, Vice Principal Cherian Philip (Mukesha) and Principal Narayana Kaimal (Sunil Sukhada). There is no shortage of chaos already, but the love story of a Real Fighters member Unnikrishnan (Gokul Suresh) with a girl named Vedhika (Mahima Nambiar) from the nearby college makes things even worse. They soon find the dead body of Vedhika in the college premises, and first suspect for the crime is Unnikrishnan who is arrested.

So, what happens with the events to follow? :: Soon, Unnikrishnan is found hanging inside his cell in the police station, and things get worse. A.C.P. John Thekkan I.P.S. (Unni Mukundan) who was leading the investigation lands up in the hospital after college students attack the police, and S.I. Ramakrishnan (Kalabhavan Shajohn) is suspended after being held responsible for the death of the student. There are wide protests in the city by student organisations which take over the whole thing, and as Vedhika comes from a reputed and rich family, and is the daughter of an influential politician, pressure mounts on the officials, and a new team lead by A.C.P Bhavani Durga I.P.S. is brought to action. With John Thekkan expected to return and join the team soon, the group decides to take quick and firm action against the possible culprits before new orders come from the top again.

And what comes next with this murder mystery? :: After questioning the peon of the college, Sankarankutty (Santhosh Pandit), canteen in charge Maniyan (Saju Navodaya) and helper Reji (Bijukuttan), the police comes to know that Roshan had alcohol mixed in Unnikrishnan’s drink making sure that he wouldn’t get to meet Vedhika who was waiting for them at the beach, where she was last spotted. Roshan becomes the suspect, and the police tries to enter the campus to arrest him, only to be stopped by protesting students, with the exception of Real Fighters who welcome the move to arrest the leader of Royal Warriors. As police and students fight inside the campus, the new English professor arrives to take charge – Edward Livingstone (Mammootty) who has a record of police cases for himself. He decides to change the whole setup in the college, and re-unite its students, as police looks for the murderer.

The defence of Masterpiece :: It is after Mammootty arrives that this movie gets better, as the latter part of the movie is surely better. There will also be a lot for the fans, and that is for sure – as I skipped the early fan shows and watched the movie with normal hardworking people, there was no focus on those mass scenes in the theatre. The suspense is maintained till the end, and the revelation awaits at the final moments. Just like Aadu 2, this one is for more the fans, and the other categories of viewers will find only limited impact. The festival mood of this holiday season is also maintained in this movie. This leaves no surprise about how well the movie began at the theatres, as the first of the many flicks of Christmas including Mayaanadhi, Vimaanam, Aadu 2 and Aana Alaralodalaral. Well, it is always good to go back to the campus isn’t it? And nothing better than a murder mystery in a college campus to provide a grand entry for the hero who is all prepared to go invincible and immortal in a world of cheap mortal humans.

The claws of flaw :: You will find Masterpiece to be too similar to Mohanlal starrer Velipadinte Pusthakam, but the mass elements are rather too much in this one. A college professor with a complicated past coming into a college where students battle each other as part of two separate gangs with a murder behind – just the same idea that you had seen on the big screen earlier. The shots of hero throwing the goons to the Mahindra Scorpios parked there, destroying the vehicles too easily will have the makers of the vehicles wonder what would happen if a Scooty is to hit them in the middle – will the SUV be split into two then? Then there is a modified vehicle which goes through walls – are they promoting this vehicle against Mahindra? Is that a foreign-made SUV that is declared to be better than Mahindra SUVs? The hero also throws a heavily built villain around with one hand a little too many times, and the movie could have done without these scenes. In this too long a movie, the jokes are less effective and there is confusion about where it is going. Slow motion is used badly as expected.

The performers of the soul :: It takes just above an hour for Mammootty to come in, and it might be because of the presence of too many characters that it takes so long. It is after he arrives that things begin to get interesting, as he immediately makes the impact as the college professor. The two female characters who are there till the end, Poonam Bajwa and Varalaxmi Sarathkumar got not much to contribute, playing stereotypes. Mahima Nambiar gets better but the character goes dead. Unni Mukundan has to go a little too much towards the stylish side, but has our attention. Kalabhavan Shajohn is someone who never struggles in this one, as a cop suits him so well just like in Oppam and Drishyam. Gokul Suresh did believable work here. John Kaipallil and Maqbool Salmaan were good playing what Arun Kurian and Sarath Kumar played in Velipadinte Pusthakam. Saju Navodaya brings some comedy here and here with Bijukuttan, but not that much as we would expect. Captain Raju brings some laughs, even though we see more going over the head.

How it finishes :: The movie is something which seems to be exactly opposite what the title says. Masterpiece is exactly what this movie isn’t, but if we separate the word into two, and say “Master in pieces”, that would be more appropriate. But as Velipadinte Pusthakam itself was, this is not really a terrible movie. There is something here and there for the fans, and we know that the core idea had more potential. The hero worship in this movie is exactly what brings this movie down – it is always the superstar’s fans and their needs that brings a wonderful actor down, as it is proven on so many occasions. We need to forget a few moments defying gravitational force along with slow motion, and some unnecessary dialogues about respecting women without meaning the same when there is no need, and we have one twist awaiting us in the end, and a villain whom we least expected. As a thriller, the idea at the base is surely good, but we have to often wonder at the final product.

Release date: 21st December 2017
Running time: 160 minutes
Directed by: Ajai Vasudev
Starring: Mammootty, Unni Mukundan, Poonam Bajwa, Varalaxmi Sarathkumar, Kalabhavan Shajohn, Mahima Nambiar, Megha Mathew, Lena, John Kaipallil, Mukesh, Gokul Suresh, Maqbool Salmaan, David John, Santhosh Pandit, Kailash, Nandu, Divya Pillai, Sunil Sukhada, Arjun Nandhakumar, Saju Navodaya, Thesni Khan, Divyadarshan, Ameer Niyaz, Bijukuttan, Shivaji Guruvayoor, Udaykrishna, Renji Panicker, Manikkuttan, Anjali Nair, Captain Raju

@ Cemetery Watch
✠ The Vampire Bat.

Tharangam

What is the movie about? :: Padmanabhan Pillai a.k.a. Pappan (Tovino Thomas) used to be the Sub Inspector of Police working in the traffic department until getting suspended on an unfortunate night during a special operation not approved by the department, along with his good friend and subordinate officer Joy C (Balu Varghese). This incident which lead to the death of their senior officer Antony (Manoj K Jayan) has them wandering around the city in need of money, as they need to pay Ittimani (Alencier Ley Lopez) a sum of five lakhs. Their senior officer Sivadasa Menon (Vijayaraghavan) assures them that he will do all that he can to get them back in the uniform. It is him who come up with a special duty for them, which could bring them some money as part of an unofficial investigation. With things not being that great with his girlfriend Malini a.k.a Malu, Pappan decides to take the job, as some easy money with less risk is not that much of a bad idea.

So, what happens with the events to follow? :: This unofficial investigation is provided to them by Tharian Mathew (Shammi Thilakan), who offers them a lot of money to find what is going on with his wife, Omana Varghese (Neha Iyer) who owns a restaurant chain in the city and its surroundings. He suspects that she is having an affair, and wishes to divorce her after finding proof of her adultery. As the two friends go on their newly discovered adventure, they only find out that something is strange with the people that she meets, but there is no proof of her having an affair. But when they are watching her, someone else is watching them – Christopher Luke (Sijoy Varghese) is the man after them, and then there is their earlier enemy from the failed operation, Siju (Saiju Kurup) who comes in their way. There is so much going on with their lives that the whole thing seems to be messed up. Can they make the necessary changes to make things better?

The defence of Tharangam :: There is something different in the way this movie begins and ends, and even though the same is not something seen before, it has never been this fresh. It is a fine experiment as far as Malayalam movie industry is concerned – with the hero and a lot of characters surrounding him, and add all the fun, you will find something like Aadu Oru Bheegara Jeeviyaanu here, as our heroes as well as more than one teams of villains are looking for one thing that goes missing. The movie also has a strong side of fantasy to go with the real incidents, even though they are only related in a few occasions. There are messages about people being responsible for their own fate, as God provides them with a number of choices in their life, as one little act of kindness or cruelty, can change everything. There is a lot of dark humour present in this one too, as it nicely deviates from the usual foolish comedy which could have been served here with the subject on another day.

The claws of flaw :: Tharangam doesn’t go through the path which the common audience would expect – the trailer had given less idea about what it was going to be in totality, but even then, this seems to have deviated a lot, and will not leave the viewers with the usual and expected kind of experience for them to cherish. Maybe, they could have shortened the fantasy side, and maybe even limited the same to a few dialogues. The romance also disappears earlier than one would expect. There are opportunities of humour being lost, and there are moments when the audience can feel lost. The two cops could have handled the whole thing with lots of funny moments, but such an attempt is not made, as this one tries to bring one thing after the other, creating a mixture which not everyone can take home. The divergence is a fine thing, but the doubt about where to go with the same, is rather strange when we look deep. It is the story that needed to rise more when needed.

Performers of the soul :: It is nice to see Tovino Thomas coming up with different types of roles, as he could do with the two big movies Godha and Oru Mexican Aparatha, as well as that much respected movie on the internet, Guppy. But we know that his best is still to come, and that can even go bilingual. We see him go through the comic side rather easily. Balu Varghese supports him well, even though one wonders why there is no big memorable comedy sequences in this movie even there was more than one chance. The “Luketta” call from the two is just one of them. The one person whom we miss early is Manoj K Jayan, who has only a few minutes of presence there. Dileesh Pothan surprises us in his avatar and is very good with the same, even when the movie could have gone on without extending that sequence a little too much in the beginning.

Further performers of the soul :: Santhy Balachandran makes a much memorable debut here, and she has some very nice moments as well as dialogues in the movie – one can be sure that there are miles ahead for her in Malayalam movie industry. We keep feeling that she is capable of more if provided the bigger roles. One is going to find it hard to believe that this is her first movie. The other new face, Neha Iyer is also strong with her character into which she seems to have dived deep – there is more than face to this character, which she reflects with skill. Saiju Kurup has another character who catches our attention with ease, as he had in Pokkiri Simon, Njandukalude Nattil Oridavela, Adventures of Omanakuttan and Alamara earlier. Sijoy Varghese is strong with the negative side of the character throughout his existence in this movie. Alencier Ley Lopez, Vijayaraghavan and Shammi Thilakan get rather shorter, but important roles in this movie.

How it finishes :: Tharangam is that kind of a movie which you can either love or hate, and there is also the option to stand in between – it is more of a movie of the audience, as each viewer can have a separate opinion regarding the same. The level of enjoyment regarding this movie is different, as you notice those simple things which affect your opinion. We know that crime comedy thrillers are not that easy to bring to the common audience, and this one has surely tried hard to do the same, even with those flaws. Dhanush has also made his Malayalam debut as a producer with Tharangam. It has been on the list of much awaited movies for quite some time, and one song with Tovino Thomas and Santhy Balachandran had brought further need to watch this movie as soon as possible. Now, we have this one for Pooja holidays, and if you like movies like Aadu Oru Bheegara Jeeviyaanu, there is a good chance that you will like this one too, and the overall quality of Tharangam feels more – be ready for some experimentation on screen. I will leave you with the wonderful song from the movie.

Release date: 29th September 2017
Running time: 153 minutes
Directed by: Dominic Arun
Starring: Tovino Thomas, Balu Varghese, Santhy Balachandran, Neha Iyer, Dileesh Pothan, Sijoy Varghese, Alencier Ley Lopez, Vijayaraghavan, Manoj K Jayan, Shammi Thilakan, Saiju Kurup, Sanju Shivram, Unni Mukundan (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Clint

What is the movie about? :: Edmund Thomas Clint (Master Alok) is the only son of MT Joseph (Unni Mukundan) and Chinnamma Joseph (Rima Kallingal), and was named after the famous Hollywood actor Clint Eastwood, as his parents were his fan at that time. While his mother remained a housewife, his father has been working as an upper division clerk with the government. He loved colours so much that he started painting at a very small age. His work impressed his parents as well as people around, but their decision to accept the boy’s decision to not attend school anymore was considered, and often declared as radical and foolish by so many of his well-wishers. He has been known to be a curious boy who wished to travel and see things, reflecting them on his canvas, and when he couldn’t, he used the descriptions by the people around him and the books given by his father to come up with an idea of how things could really be, as he combined them with his creativity and sharp intellect.

So, what happens with the events to follow in this biopic? :: It is one of Joseph’s friends Mohanan (Vinay Forrt) who appreciates his work the most, among those outside his family. It is when he is getting more and more attention, and even while getting selected to participate in a number of competitions, that tragedy strikes. His doctor and nephrologist Joseph Abraham (Joy Mathew) lets his parents know the terrible thing, that his kidneys are failing, and there might not be many days left before him – they can only try, according to him. Shattered by this news, Clint’s parents’ life won’t be the same again. But they try their best to keep their child happy during his last days. But fate always wins, and there is no chance to stop him – but can they delay the inevitable as much as they can, and bring some hope? There is the certainty of more being painted by the boy, even when being so close to death.

The defence of Clint :: Showing the life of a child prodigy who is known to have drawn over twenty five thousand paintings during his short life of a little less than seven years, here is a certain amount of inspiration in store with this movie, and we get close to life of the little genius on the big screen. Telling the tale of a naturally skilled person, this one nicely explores how he had been doing what was best at. There are some nice visuals and a few memorable moments to go with the same. The setting is very good, and helps to make the movie better. Even though the child is at the centre, there are some familiar names who get to show their skills in the movie too. The best thing about this movie is that it hasn’t complicated things that much when it could have done the same, and it never does concentrate that much on the disease when the usual tendency to do the same. Without that, the movie provides us a pretty good journey through the life of the famous child prodigy.

The claws of flaw :: There is the movie going so close to melodrama, and some moments just seem to be added to bring the cliche stuff in a predictable manner rather than anything else. We also find some dialogues rather too much for the child, and the sequence involving Salim Kumar is rather strange instead of being funny – it is the worst point of this flick. It even has a barber who looks on like a butcher. The movie also drags in between, which is rather strange, because they could have kept things going just with the paintings, and children playing; also those dialogues between father and son, which could have been the highlights of this movie, goes rather restricted, despite the promise shown in the beginning. There seems to be limitations around here, with the story and its moments, for there was scope to bring in more and more, which could have made this movie a big, colourful thing just like the real child in his real life is known to be. There was the need for quality.

Performers of the soul :: It is never that easy to get a biopic related to the life of one special child with amazing skills at a very young age. It was essential to find the right cast, and Master Alok, despite providing us with a few doubts in the beginning, does a fine reflection of the character he plays here. The existential questions do provide him the chance to take it further, as life after death, one’s existence as stars after that, and many other come to him. He has his best moments after getting the disease though, and goes throughout without struggling at any point. Baby Akshara is good support to him, even though some dialogues given to her just go strange, as with Alok on a few occasions, but latter has better control. Children and their world, if given more life with the colours on the canvas reflected into them, would have provided these two something further cute to work with though.

Further performers of the soul :: It is only after the movie gets to come up with a talk with the real life parents of Clint that we get into the movie. After we get in there, it is Unni Mukundan and Rima Kallingal, especially the latter, who gets to work through the pillars of this movie, and hold it together for its protagonist to manage. Both of them provide us with what seems to be an honest attempt at making this work, and their presence makes some of those problems in this movie to be forgotten. They are really good right from the beginning, and they excel at the emotional sequences. There is not that much revealed about their characters, but the two rightly portray what is needed here. The next big role here goes to Vinay Forrt, who is not far behind in his portrayal of the friend and well-wisher. Renji Panicker comes in and contributes in a good, smaller role, but Joy Mathew is indeed the next noticeable one, as he does his doctor act with no problems.

How it finishes :: One can be sure that this is a good attempt at making a biopic on the life of our own child prodigy. But there will still be doubts if this couldn’t be any better. With four movies being there in the theatres from last ten days, including Thrissivaperoor Kliptham, Varnyathil Aashanka, Sarvopari Palakkaran and Chunkzz, along with the leftover movies Basheerinte Premalekhanam, Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum, Clint is going to have a tough time in the less number of theatres it is being screened. With some more, attention, this movie could have competed well, and even won against most of these titles – there can be more from the life of a child prodigy who has gone on to become someone whom we all know. As of now, as this movie stands, it becomes also our opportunity to check this movie, and feel the strength of the life of a little master of colours – it is where this movie has our attention, making an attempt not to be forgotten. I watched this one because I wanted to know, and I wished to see everything alive – don’t you too, for such a skilled child?

Release date: 11th August 2017
Running time: 138 minutes
Directed by: Harikumar
Starring: Unni Mukundan, Rima Kallingal, Master Alok, Vinay Forrt, Joy Mathew, Renji Panicker, Baby Akshara, Salim Kumar, KPAC Lalitha

@ Cemetery Watch
✠ The Vampire Bat.

Avarude Raavukal

What is the movie about? :: Ashik (Asif Ali) is the popular stage performer in a village on the Kerala-Tamil Nadu border who comes to Cochin hoping to work in a movie, after the villagers collect money from their own people to make sure that he gets a chance. Siddharth (Unni Mukundan) is an engineering graduate who is spending his time doing nothing other than to stay at home up-to that extent that his father has to throw him out of the house. Vijay (Vinay Forrt) is an angry young man who was suspended for getting into a fight with another employee in the same company he was working for. Scobo Johnson (Nedumudi Venu) is an old man who is staying alone, and looking for company. Bored and with no plans for future, he comes up with an advertisement calling for bachelors to stay at his place, free of cost – it gets to the three young men who are ready to come right away.

So, what happens next? :: Ashik finds Cochin and the movie world a lot different than what he had thought, and finds problems in even doing the simplest works. He goes to various auditions, but none of them work – he does find a new friend though, in the form of Vinod (Aju Varghese) who is also looking forward to acting in movies, one way or the other. They decide to attend the acting workshop held by Manoj Kuruvila (Mukesh), who is a famous movie director. But even that doesn’t seem to help the two who are more clueless than anything else. Siddharth who does nothing other than staring at girls, even consults Doctor Jayamurugan (Kochu Preman), but his life goes on in the same way until his brother recommends him for a job under Shivani (Honey Rose), which he gets despite performing terribly during the interview. What follows is a terrible mess at the office.

And what follows the events? :: Ashik and Siddharth are not just the ones reaching a higher level of their problems, as Vijay has a bigger issue at hand. His anger issue is more or less the result of something which happened in the past, and his girlfriend Meghna (Milana Pournami) tries to get him out of the same, but with no positive result. Scobo Johnson is the silent witness to all these, and tells them that there are two ways out of it, one the difficult path, and the other, the shortcut. Are the three good enough to get out of the mess that they are in, or is at least Johnson skilled enough to take them through their journeys? Can things finally take a positive twist of events in their lives which haven’t really had much to talk about otherwise? Will their upcoming experiences leave them as better people than who they already are? Only time will tell.

The defence of Avarude Raavukal :: Vinay Forrt successfully leads the group of young men here towards their objectives, as motivation runs right through this one with inspirational dialogues, and featuring the rise of unexpected tales of success; emotional side is strong here. The movie asks its viewers to keep trying, as the fish does; it provides this message without missing its plot, and the direction that it shows is the right one for the new generation. The presence of movies like Mili, Aby, My God and Su Su Sudhi Vathmeekam has proved the same, but Avarude Raavukal is more the common person’s story than the rest. There is also the presence of some nice humour in between. There is also some beautiful music in this flick, beginning from “Ethetho Swapnamo” and through “Vaadaathe Veezhathe”, both bringing different but nice feeling. The feel-good effect stays, and despite the certain delay in the movie’s arrival and the morning shows canceled, we are glad to have this movie working and going well enough to provide enough motivation.

The claws of flaw :: The movie doesn’t go that close to perfection as the director’s earlier combined venture, Philips and the Monkey Pen, and what we expected was surely more. There are certain ups and downs in between for sure, even as everything seems to have kept at a certain level as much as possible. There are some occasions when we wonder if these things, which do look more and more possible, can ever be solved by the protagonists. The inspirational story is also not something new, and the old man is also a rather strange character, whose twist in the end is even stranger; this one could have just gone simpler and close to life towards the end. Even in the beginning, the movie had taken some time to get going. The cameo roles in the end by Shine Tom Chacko, Sunny Wayne and Sanju Sivram were rather unnecessary too, and the same can be said about a cricket match when it could have been just the engineering classes. You will find the weird and missing sides of the plot, but you can avoid them as they are not that significant.

Performers of the soul :: Asif Ali who is coming out of the late, but sure success of Adventures of Omanakkuttan has done a fine job with a character which had quite something to perform out there. Unni Mukundan comes out of the dismal movie which was Achayans, and makes good use of what was a rather easy job for him. Vinay Forrt had a little less to work with in Georgettan’s Pooram brings the best of them all – his story remains the most interesting one in the whole movie, and he is the backbone of the flick. Aju Varghese should be powered by the grand success of Godha, and does a pretty good job when he is there. Honey Rose who was last seen in My God which was an under-appreciated movie, makes a comeback after two years – not much to do, but good to see her back. Milana works through limited expressions in this one. Nedumudi Venu has some nice dialogues which prove inspirational, and forms the pillars of the movie’s progress.

How it finishes :: It has been a long time since a Malayalam movie with an interesting and long list of star cast released, and being the first movie to release for the Eid holidays, Avarude Raavukal surely has an early advantage among the others which are to follow. Shanil Mohammed, who had earlier directed Philips and the Monkey Pen with Rojin Thomas has his first solo outing here. The flick had won Kerala State Film Award for Best Children’s Movie and Kerala State Film Award for Best Child Artist for Sanoop Santhosh. This one might not create that much of an impact, and has a lot of heavyweights to follow. Getting itself to the list of feel-good movies with messages, Avarude Raavukal will leave with a positive effect more than anything else. There are not many other things that we need for this special season.

Release date: 23rd June 2017
Running time: 131 minutes
Directed by: Shanil Muhammed
Starring: Asif Ali, Unni Mukundan, Honey Rose, Vinay Forrt, Aju Varghese, Mukesh, Milana Pournami, Nedumudi Venu, Sudhi Koppa, Lena, Ambika Mohan, Kiran Aravindakshan, Nisha Sarangh, Aishwarya chandran, Kochu Preman, Shine Tom Chacko (cameo), Sunny Wayne (cameo), Sanju Sivram (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Style

style (1)

Vampire Owl :: It is strange that we haven’t yet watched the first big movie of the year yet.

Vampire Bat :: Yes, and it was also going to be one of the last movies of last year until the release was postponed.

Vampire Owl :: Then we are going to watch a movie which has a two year presence.

Vampire Bat :: Well, if you wish to explain the delay of a movie in that manner.

Vampire Owl :: Haven’t we finished the rest of the big movies? I don’t think that we have the opportunity not to watch this one.

Vampire Bat :: Yes, we also need to begin this year’s movie watching experience without delay.

Vampire Owl :: Exactly; only a fine beginning can ensure that we will end up watching one hundred movies in the theatres by the end of the year.

Vampire Bat :: We have to get there. It is a century which I could have achieved easily if the first six months had more movies watched in the theatres.

Vampire Owl :: So, lets begin the journey within the first week of the year itself.

Vampire Bat :: So be it. We shall begin our battles at this theatre.

[Gets the tickets with some cheese popcorn].

What is it about? :: Tom (Unni Mukundan) is leading a happy life with his little brother Jerry (Master Ilhan) and parents in the city, as he also works with modifying cars while the family also owns a restaurant. His best friend in Kapra (Balu Varghese) working as a car mechanic who doesn’t know how to repair anything. It is during one of these days that Diya (Priya Kandwal) comes into his life with the beginning of the rainy season. They gets closer and as expected, falls in love, with Tom already infatuated with her. As Diya keeps driving her father’s specially modified car through the busy city, she drives her way into Edgar (Tovino Thomas) who is a rich gangster controlling the most powerful criminal empire in the city. Edgar doesn’t like anyone touching his car, as it is to him like the dog is to John Wick, but Diya’s driving doesn’t help.

The defence of Style :: As the name suggests, the movie does look good, and it is stylish; you will know that it is special with the looks right from the beginning itself. The visuals are splendid and there are some good stunts performed in here. There is the attempt to use this visual advantage all the time, and as the big action entertainers have gone so less in number, this one also tries to make something out of that side. The action sequences were mostly very good, but the best one is surprisingly the one from the villain which comes first; that one has the least slow motion sequences and special acts as it is done straight in a believable way; it also kept the style factor very high. There are some pretty good jokes in the middle and the extended sequence after the movie that comes with the credits become a welcome addition. There are some thrills too, even though it is the first half romance and comedy which entertains next after the villain who makes smaller appearances than expected.

Claws of flaw :: There is not much of a story around here, and things go on as predicted. As the makers had already mentioned in the posters, this is indeed the first cliche story of the year, and there is no attempt to add anything different to that anywhere in the story. The later stunts in the movie got a little too much of the flying bodies, and more heroism; the final stunt deviates into the extra masala territory with more villains beaten up – even as this is supposed to have cliches, may be there were elements which could have made this one more believable, but they are left untouched in the end. I am pretty sure that the Malayali audience would have wanted a more believable cliche story as we consider the time from around interval are concerned. The stage was set by the end of first half, and then the movie slowly goes to that too much predictable finish which is not that much for this generation – we are surely beyond that kind of heroism. There could have been more funny moments too along with better songs.

Performers of the soul :: It is the villain who steals the show in this movie, and even though he appears only in a few sequences, it is Tovino Thomas who gets all the appreciation from the audience after the critically acclaimed Ennu Ninte Moideen fame. But as everyone would have wanted, he needed to be there for more time, but we see that he will only be there when the need is there. The makers haven’t used the powerful image that this villain had in the beginning of this movie, to the maximum advantage. The psychotic side of the villain is not used to benefit the movie either, and there goes the bonus which could have lifted this movie to the next level. I would say that when you have a villain with such big screen presence, you shouldn’t restrict him – he should be allowed to thrive like the evil existence that he is supposed to be. But it is not really the case here.

Further performers of the soul :: Unni Mukundan does his role in a simple way, without adding anything grand. Action will surely work nicely for him, as proven. The movie should be a fine setting for him to reclaim the action hero image which he had displayed so well in Mallu Singh. Priya Kandwal manages to be a lot pretty in this debut movie, and even as she doesn’t have much to perform here except for being the fairest one around, she does her job without trouble. I am sure that Malayalam movies will see more of this debutante heroine. Balu Varghese is the one who handles most of the funny side, and he keeps his usual style here, and it works despite not that much humour being worked on here. Vijayaraghavan also has some humour elements to work with here. Also look out for the kid who has his own nice moments. Noby plays another character bringing some humour, but disappears soon. Shine Tom Chacko has just one scene which is not really relevant.

How it finishes :: Coming from the makers of the surprise hit Ithihasa, maybe the audience would have expected a lot more. The challenges are from the most awaited movie of 2015 which was Charlie, the funniest movie of 2015 which was Adi Kapyare Kootamani and the proven crowd-puller which was Two Countries. With Jo and the Boy also around at that time, the shifting of this movie to one week later was pretty much the good idea. With most people already watched the rest of the movie in the theatres, Style surely has a better chance – it is also the kind of movie which Malayalam movie industry has kept away from for quite some time; the entertainer filled with cliches. There will be the kind of audience who will be looking for this kind – there is one hero, one heroine and a villain who doesn’t like them both; you know what to expect.

Release date: 2nd January 2016
Running time: 155 minutes
Directed by: Binu S
Starring: Unni Mukundan, Tovino Thomas, Balu Varghese, Priya Kandwal, Vijayaraghavan, Master Ilhan, Noby Markose, Dominic, Baiju, Shine Tom Chacko

style

@ Cemetery Watch
✠ The Vampire Bat.

Fireman

fireman ()

Vampire Owl :: I believe that you are talking about Kane.

Vampire Bat :: No, Kane sets people on fire. This is about saving people.

Vampire Owl :: So he saves those people who are set on fire by Kane. I know that the fire still burns.

Vampire Bat :: No, this is only about saving people from fire.

Vampire Owl :: He should save a few cricketers then. During the last India Pakistan match, I heard from many people that Virat Kohli was on fire.

Vampire Bat :: What? I think that this is too early for you. Go back to sleep, it is only ten thirty in the morning.

Vampire Owl :: What about the English movies this weekend?

Vampire Bat :: There are only Oscar nominated movies in the theatres this weekend. Nothing has been released. By the time they finish cutting Fifty Shades of Grey, even our immortality would have expired.

Vampire Owl :: I am hoping for a job at the censor board. Then I can display my cruelty by cutting parts of a movie. I hope to become Mr. Cruelty for the next Global Vampire Cruelty contest.

Vampire Bat :: First, you can try to come to your senses at least at 10:30 AM.

[Goes to the theatre].

What is it about? :: Vijay (Mammootty) is a firefighter who is highly dedicated to his work and considers helping the public as his main motive. Lakshmanan Pillai (P Sreekumar) is his senior who is almost ready to retire from service, and Shahjahan (Unni Mukundan) is a young man who works under him. One day, he faces a problem that he never had before. A tanker losses its control, and the tank which it carries is tossed around. As a number of his comrades including his senior are killed, Vijay has to take control and make sure that there is no explosion of the tank, and with the help of the City Commissioner Sherin Thomas (Nyla Usha) and her reluctant police force, he has to get things under control. The local political worker Iqbal (Siddique) also offers to help. But it is not an easy situation here with the need to evacuate the surroundings, one of the nearby buildings being the central prison.

The defence of Fireman :: There is the certainty of thrills with this movie and the tribute to the Fire-force of Kerala is present as well as acknowledged. There is also the presence of twists, and the audience is kept glued to the screen. The background score is good and nicely keeps the level of the movie high. The dialogues are smart and powerful, mostly left for Mammootty. The way in which the movie transforms from a possible disaster movie to a possible investigative thriller adds to the power of that twist. Yes, once again, there is more than what meets the eye. The climax has some nice moments. There are a few more things that I could add here, but that might destroy the suspense at least up-to an extent and I choose not to. Then there is absolutely no romance here, and for that, I am more than just glad. Yet, the heroine has her moments too.

The Claws of Flaw :: The special effects are quite depressing to watch. Some of the moments should have been just talked about and declared happened, rather than showing them on the big screen. Just those fire effects were needed for this movie, and the rest could have been left for the imaginations – our viewers are very much used to creating something by themselves. The name itself is a repetition with its tagline, as you might have noticed – the publicity was also not enough. The movie also takes some time to get into the thrilling side. The movie is not without some loopholes with certain exaggeration, and the final action scene was rather unnecessary. The focus on the hero as always being the smartest of them all is also a little too much to digest. The other characters do have a certain tendency not to be that good.

Performers of the soul :: I haven’t watched a movie having Mammootty since Gangster, because it was the lowest that the great veteran actor could reach, may be with the exception of Parunthu, Love in Singapore and Pattanathil Bhootham. With some better movies being there in between as read here and there, I went to watch this movie, not without doubts – only to be happy that I made the right choice this time. This one is strengthened by that power packed performance from Mammootty that each and everyone of his fans deserve to see on the big screen. As the whole thing is centred around him, he continues keeping things under control. Unni Mukundan is good, and Siddique manages things with his usual ease. Nyla Usha comes up with her best performance ever, and I would consider this one the best supporting role from an actress in a police role. Salim Kumar’s character doesn’t really work.

Soul exploration :: We used to see the police officers acting at the right time to save the day, and even collectors – this time it is all about the fireman. The movie pays tribute to the fire workers who come to the aid of the common man as soon as there is the need with the number 101. The movie’s soul strikes the right place with its tribute, as we see the hero as fireman and not those usual roles which have been tried again and again. There is a question being asked about how many people want to be a fireman as much as having a desire to be a police officer or an army man? Well, hope this movie inspires more people to see the fireman as a hero and hope to save the lives. I am glad that this movie turns out to be a fine product on the screen, and it celebrates the efforts of those people who strives hard, but are often not in the spotlight.

How it finishes :: Fireman has a big chance this weekend with no Hollywood release and this one being the more awaited among the Malayalam movies with its change of release dates. The opinions have been positive too, as you can know from the audience. I did doubt our director here with his movies Tejabhai and Family and Crazy Gopalan, but his Winter had its thrills – I could also feel the confidence when he was there in the program Onnum Onnum Moonu with Unni Mukundan and Nyla Usha. This should be the first movie in India to have Fire-force and their activities at the centre – I still can’t say that with confidence because I don’t watch every movie in every language, but it seems to be so. Fireman is a movie that deserves to be watched, and it is not just a good start to Mammootty, but also the best thriller of the year so far.

Release date: 19th February 2015
Running time: 110 minutes
Directed by: Deepu Karunakaran
Starring: Mammootty, Nyla Usha, Unni Mukundan, Siddique, Sreerag Nambiar, Salim Kumar, Hareesh Peradi, P Sreekumar

fireman

@ Cemetery Watch
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