Escape Room II

Vampire Owl: I am not that fond of the rooms from where one can escape.

Vampire Bat: Yes, you want those rooms from which escape is impossible.

Vampire Owl: You know that vampires have always wanted to make the best use of their dungeons.

Vampire Bat: The dungeons from which there is no escape; I have heard about them.

Vampire Owl: Almost all those dungeons below the castle are like that.

Vampire Bat: There is one exception though.

Vampire Owl: You are saying that there is a dungeon in the castle which allows people to escape.

Vampire Bat: Well, I don’t see why there wouldn’t be a loop hole.

Vampire Owl: So, there is always a small chance to escape.

Vampire Bat: Yes, there is always that hand of God.

[Gets a vegetable pizza and three cups of ginger tea].

What is the movie about? :: It is shown that a woman is locked within a hot shower room of a huge mansion and is burnt to death as she expresses her desire to leave her husband. She was left with clues to escape while showering, but was too late to use them to her advantage, leading to a painful death. This husband is shown as the man who is responsible for the escape rooms, and is certainly obsessed with the same. Zoey Davis (Taylor Russell) and Ben Miller (Logan Miller) are the only survivors of these escape rooms which were built by the Minos Corporation, and they plany to confront them after finding the coordinates to its headquarters in New York City. Zoey is aeorphobic, and therefore decides to find the corporation by driving all the way to New York, thus getting rid of the uneasy encounter. They do have nightmares about being in escape rooms whenever they are in closed spaces. When they reach the place where the headquarters of the corporation is supposed to be, they don’t find any workers our there, and there is only a vagrant who manages to steal Zoey’s necklace.

So, what happens with the events here as we just keep looking? :: As they chase the thief, they end up in an underground train which has its doors locked and the vehicle on a journey to the next station. The thief manages to get down before the door closes though. Their train car separates from the rest, and finds themselves being redirected to a remote station, as the two along with a few others are trapped in the carriage. They meet the other passengers Rachel (Holland Roden), Brianna (Indya Moore), Nathan (Thomas Cocquerel), and Theo (Carlito Olivero) inside, and it turns out that they are all winners from previous games in escape rooms. As the passengers understand that they are in trouble again, being locked in the train car which also gets electrified, not allowing them to touch anywhere. Now, they are forced to find the subway tokens which will open one of the doors. They keep looking for clues until it almost gets too late, and Theo is killed by electrification. The others do manage to find the clues and the tokens to escape.

And what more is with another escape room or more around here? :: The team finds out that all these survivors were part of groups which had their own type of people, like full of influencers, priests etc. Their next level is a bank which has a deadly laser security system that almost kills Brianna. There is a vault in the end of the bank’s room which seems to be the only way out, but they have to go past the lasers. They do find a certain clues out there, but it seems that they won’t be enough. There are references to a person named Sonya, but none of them are able to find all the necessary clues. Nathan decides to make a walk of faith in between, but that doesn’t seem to work either. This won’t be anything close to the final escape rooms, and getting out of the room is only going to be a small problem in comparison to what is to come next, including some seemingly outdoor rooms well designed in 3D. They are all upset about not being to crack the codes, but that is not going to lead them anywhere in a complicated world of mazes. Can at least one or two of these people make out of these rooms in time? Can anyone if not Zoey can bring this corporation in front of the law?

The defence of Escape Room 2: Tournament of Champions :: There is the continuation of what we had witnessed in the first movie, and we all know that the levels of the first movie was never enough for the eyes. Here, we have some more interesting rooms to escape from, and there is some fine detail related to each of them. There are multiple endings to keep one interested in a sequel, as there is scope for one or two in both of those finishes. The close battles that the participants have with the rooms assigned to them remain engaging, and with the time limits, things only get more interesting. The setting is there for another movie to continue the franchise and the performances are pretty good too. Taylor Russell leads well to continue the franchise, while the others provide support nicely. The special effects are used effectively to add to the efficiency of the rooms too. There are some twists added here and there, and there are indeed some different ones with those multiple endings that we see here.

The claws of flaw :: The movie doesn’t feel that new as we have already seen the establishment of the escape rooms well in the first movie, and it was an interesting venture indeed. There is not that much of an improvement on the design of the escape rooms – the same could have helped better with further innovations; we know that even the computer games need better levels every time, especially those dealing with puzzles and traps like Prince of Persia and Lara Croft: Tomb Raider series. It doesn’t use the possibilities to the best advantage in that case. As this is the second movie in the franchise, we were expecting to see that one grand level design which couldn’t be easily copied. The puzzles of escape could have also been better planned, for some of them don’t really feel interesting, with too much of absurd calculations there – things can be made difficult without adding too much of mathematics, the thing that we all have hated since school days. There can always be some hidden trapdoor or item; even a thing from the past to replace it.

How it finishes :: Escape Room 2: Tournament of Champions does remind us of the world that we are in, with no escape – that is one a philosophical note, even though there is a lot of truth in such a statement which serves more as warning than anything else. The movie does have more than version, which leads to different endings and divergent possibilities which can come later in a possible sequel. It does feel difficult to wonder about the better ending without watching both of them. This also makes one wonder which sequel we are all going to have at some later point of time. If the corona virus is not going to come back that strong again, maybe we are going to see a sequel of this franchise in the theatres too – after this rush of movies looking for screens end at a later point. With the puzzles leading to and beyond danger with twists, this is the kind of franchise that we are all looking for. After all, there are lots of puzzles and riddles that we face in every day life, as humans are all creatures of their own dangerous rooms of the mind with intrusions.

Release date: 16th July 2021 (Theatre); 20th September 2021 (Netflix)
Running time: 88 minutes
Directed by: Adam Robitel
Starring: Taylor Russell, Logan Miller, Deborah Ann Woll, Holland Roden, Indya Moore, Thomas Cocquerel, Carlito Olivero, Isabelle Fuhrman, James Frain

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@ Cemetery Watch
✠ The Vampire Bat.

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Udta Punjab

Vampire Owl: I know a few humans who thought that they would never get to watch this movie.

Vampire Bat: There are humans who think that they will never get to see a vampire, but here we are, able to appear whenever we wish to.

Vampire Owl: I heard that they had a problem with censor board.

Vampire Bat: We should be thankful that the movies about the great deeds of Uncle Dracula are not given to them for certification.

Vampire Owl: You mean to say that the great imperial vampire video was uncensored?

Vampire Bat: Yes, you easily get that from the violence.

Vampire Owl: You mean to say that it is violence – what you see in the video feels rather natural than anything else.

Vampire Bat: It is more natural to humans than us, but they censor it, you know.

Vampire Owl: They are so afraid of the inherent evil in them.

Vampire Bat: Yes, and they blame everyone other than them for the same.

[Gets three cups of English tea with special snacks].

What is the movie about? :: The movie tells the tale of four people people in the state of Punjab, a Punjabi musician named Tejinder Singh (Shahid Kapoor), an unnamed Bihari migrant working at a farm known only by the name Bauria (Alia Bhatt), an inspector in the Punjab police department named Sartaj Singh (Diljit Dosanjh), and a doctor who is also a social activist named Preet Sahni (Kareena Kapoor), whose lives get connected to each other due to the smuggling of drugs into the state. Sartaj’s brother Balli Singh (Prabhjyot Singh) is one of those drug addicts who ends up in the hospital, and it turns out that the police officer had almost no idea about his brother using drugs. He is treated by Preet who hopes to bring him back to normal life, through her rehabilitation cenre. At the same time, she tells Sartaj that the drug menace has become too much and the police department is not taking action about the same.

So, what happens next? :: As Sartaj decides to get deep into the drug problem, Tejinder, who is known by the name Tommy Singh, and as Gabru among his fans, is leading a rather clueless life outside the world of music. Throwing parties all the time, and keeping on consuming cocaine, he has no control over his life. His fans are not that different either, as they follow his example, having no responsibility, and trying to be like him. As Tommy takes this troubled path, he ends up in jail, and there he meets his fans inspired by him ending up in prison just like him. Sartaj is also the one to arrest Tommy, and is influenced by Preet to do something against the drug problem which threatens to turn the state into a situation similar to Mexico. He decides that it is time that he does something about this problem against which nobody even dares to talk or take action.

And, what is to follow next in the adventure? :: As this girl known by the name Bauria wanders around in the farm where she is working, she ends up finding a packet. She understands that it is some kind of drug, as her landlord uses agriculture to hide his dealing with drugs. The girl, who had her dreams of playing national level hockey for the nation shattered, decides to sell this, and get some money. But she doesn’t know trouble she is getting herself into, as she is captured by a gang of drug dealers who sexually abuse her, and keep her locked in their farmhouse. It is then that a reformed Tommy decides to take responsibility to change the world, and Sartaj as well as Preet gets further in gathering information about the drug problem and the people behind the same. But with so many powerful people including police and politicians having their hands in the same, can anyone bring a change?

The defence of Udta Punjab :: There is sincerity about this movie, and we are put face to face against an evil which needs to be stopped as soon as possible. The best thing about the movie is that it never glorifies drug abuse – there was the movie Spirit against alcohol, which began with the glorification of the same only to end up with a message against the same as it strived towards the finish. But Udta Punjab begins and ends with the same idea shown on the screen, and chooses the right path. At the same time, we once again notice that it is Alia Bhatt who steals the show with that kind of a character which is to stay with us for long, unlike what she has been doing with ridiculous romantic flicks like Humpty Sharma Ki Dulhania, Badrinath Ki Dulhaniya and Shaandar, or some half-cooked story like Dear Zindagi. Here she scores by playing the role of a commoner going through the struggle, and we know how good she can be, from Highway. Shahid Kapoor, at the same time, seems to live in this role, which is too good to watch. Diljit Dosanjh, whom most of us are seeing for the first time on the screen, has a controlled and memorable performance in store for us here. Kareena Kapoor, compared to the rest, has lesser to do, but remains the big presence.

The claws of flaw :: You will feel that the movie does go too slow in the middle, and it also takes a little too much in the beginning to get going, having you as a doubtful one in the beginning. The movie could have used its tale in a more effective way so that nothing is lost in the middle. There is rather too much of ups and downs in this movie, which could have kept itself at a certain level instead of coming down when not expected. A lot of people are also going to feel the essence of a documentary in this one, as there are no real heroes in this one, but common people who struggle against an evil which threatens to destroy our world – not really the usual Bollywood-ish kind of thing, is it? Well, it also seems to be forced to add a little bit of a romantic side to its main characters, and maybe the inspiration for the same is nothing more than knowing that we still have the Bollywood fans to please and gather support so that the one hundred crore mark could be reached. The seemingly funny side is also as a little bit too strange at times to be called funny.

How it finishes :: Udta Punjab is the movie that you can’t ignore, no matter what you think about it – it is also difficult to end up not appreciating this effort which seems so genuine right from the beginning itself. There is a certain amount of honesty here that we will end up appreciating – even when there is chance, the movie doesn’t pretend to be what it is not. It is surely a lesson, something for the new generation who is taking the easy path out with alcohol and drugs; the question will be whether they will learn enough from the movie to stop being addicted or if they will continue to fall into addiction. No matter what the youth decides, it is up to everyone to unite against the drug menace, and also spread the word against this kind of silent terror which has more strength than any direct act of terrorism to destroy our world as well as what goes beyond the same.

PS: Do watch the movie of the week, Thondimuthalum Driksakshiyum.

Release date: 17th June 2016
Running time: 149 minutes
Directed by: Abhishek Chaubey
Starring: Shahid Kapoor, Alia Bhatt, Kareena Kapoor, Diljit Dosanjh, Satish Kaushik, Suhail Nayyar, Prabhjyot Singh, Harpreet Singh, Manav Vij, Avinash Kumar

@ Cemetery Watch
✠ The Vampire Bat.

Sakhavu

What is the movie about? :: Krishna Kumar (Nivin Pauly) is a leftist student leader who wishes to make it big at every level. For the same, he has been studying different courses in the college – his aim is to get to the top of party’s student wing, and from there, get to a big position in party’s trade union, and then become MLA or MP. For the same, he is ready to do anything, including getting rid of his best friends who are threat to him. It is his friend in the party Mahesh (Althaf Salim) who provides him support in all his plans without asking for anything in return. One day, he gets a call from the party office to go to the hospital and donate blood for a party member who is in critical condition. He isn’t really interested in the same, and tries to act rude so that he could get out of there as fast as possible. There, he meets Aishwarya (Gayathri Suresh), his old friend from school, working as a nurse at the same hospital, who talks to him about the person who is in the ICU.

So, what happens next? :: There he meets more people including the man’s friends, and also his wife Janaki (Aishwarya Rajesh) and his daughter Nidhi (Aparna Gopinath), and the tale of a much loved comrade is revealed. There is a long past that goes to those days when this comrade, named Krishnan (again Nivin Pauly) had come to Peermade to strengthen the left trade union activities at the place. There were many things that followed, including those incidents which made the man a favourite among the masses, and nothing less than trouble for the exploiters. Krishna Kumar listens to the tale and also to that incident that landed Krishnan at the hospital – there is more to things here than what meets the eye, as he hears about what the comrade has been working on in the last few days. So, how does this tale influence Krishna Kumar, and how does life change for the man who was always after high positions and fame in the party?

The defence of Sakhavu :: There is the strength of ideology behind this movie, and it goes towards taking a righteous stand, especially when a political leader is concerned – on what the left ideals really mean, if they are implemented in the right way. The message is strong, and there is the presence of feel-good elements. The flashback scenes look really nice, and you need to watch this one on the big screen for the same. There is the presence of a lot of humour in the first forty five minutes of the movie, and then things get serious – the strength of the whole thing is tested, but the movie then stands the test, and comes back victorious. It is also the final sequence after the credits start rolling that score big at a time when we feel that the movie ended too soon. The movie can be considered as a nice mixture of things, and without showing no overdose of action sequences, the intensity of the sequences are very well delivered.

The claws of flaw :: There is a rather predictable story in this flick – even though the hero from the past has his heroics to be talked about by others, there is nothing new or special in that tale which follows a pattern which so many tales from the past has followed, with a big estate and firm, along with the workers who suffer because the rich and the affluent just don’t care. The movie could have also been shorter, or could have added some special ingredients to justify its length – maybe a return to the present in the end, and some more sequences to follow with the protagonist’s life could have made things even better, rather than stretching the flashback a little too much with the predictable things. The scope was so much more for this movie, and the divergence that it has taken here is not much, as the attempt is there to balance the class and the mass, never to overdo any of them. The movie could have also used its heroines more, especially in the present.

Performers of the soul :: When you look at Nivin Pauly’s last few movies, Jacobinte Swargarajyam, Action Hero Biju and Premam, they were not just very good movies, but also did great at the box-office; now he is back for more. This is also the best movie with him as a solo hero, and also the best performance from him till date. Here he comes in two roles, and among the two, it is the new-age role that suits the best for him – the other role also demands him to play the elder version of the character, which also leaves a mark. There is the new generation social worker portrayed nicely with all the shortcuts of life which are taken, and there is the maturity of the old generation comrade, who has struggled so hard with everything in life for the party as well as the society. It works at both sides for Nivin Pauly, and this is the kind of performance which will mean a big change and the right kind of deviation in his career. Here, it is Althaf who provides him great support with a nice funny side, making things so much alive.

Further performers of the soul :: Along with Nivin Pauly continuing his run as the one actor whose movies keep the standard, there is also a supporting cast which has rather less to do in helping. There are three heroines in this movie, but they get to do rather less in this flick which is highly dependent on Nivin Pauly to perform in two separate roles. Aishwarya Rajesh gets the most to do in the flashback, as the comrade’s wife, and a little bit in the present, and she manages the same fine, even though there seemed to a little bit of urgency about everything; rather more than required. It is good to see her again after Jomonte Suvisheshangal. Gayathri Suresh gets rather too little in this one, even less than what he had to do in Oru Mexican Aparatha and Puthiya Mugham, playing a character that the protagonist knows from school. Then there is Aparna Gopinath who plays the strongest of female leads, and also the most charming one – a good continuation after the magic of Charlie and the message supply in School Bus.

How it finishes :: Sidhartha Siva, the director is known for some of those critically appreciated movies including 101 Chodyangal and Ain, both winning him national awards, along with that inspirational flick which was very much feel-good, Kochavva Paulo Ayyappa Coelho. Sakhavu undoubtedly keeps that high level, and once again, there is no trouble with the quality. Sakhavu is a movie that has almost everything, and it is the movie that you wouldn’t want to miss – it will win this Easter-Vishu season, considering the fact that most people have already watched The Great Father, 1971: Beyond Borders under-performing, and Puthan Panam ended up as one of the worst movies to have released in some time. This should be the season of Sakhavu which succeeds in rising above the expectations; it not just superior to Oru Mexican Aparatha, it is also more responsible, getting to the point in the right way, and leaving the right messages. This is one of the best movies of the year so far. Well, what seems to be a simple family flick, Rakshadhikari Baiju is the next one up at the theatres.

Release date: 15th April 2017
Running time: 134 minutes
Directed by: Sidhartha Siva
Starring: Nivin Pauly, Gayathri Suresh, Sreenivasan, Aishwarya Rajesh, Aparna Gopinath, Althaf Salim, Tony Luke, Musthafa, Sudheesh, Kalabhavan Rahman, Renji Panicker, Prem Kumar, Manianpillai Raju, Aliyar

@ Cemetery Watch
✠ The Vampire Bat.

Fireman

fireman ()

Vampire Owl :: I believe that you are talking about Kane.

Vampire Bat :: No, Kane sets people on fire. This is about saving people.

Vampire Owl :: So he saves those people who are set on fire by Kane. I know that the fire still burns.

Vampire Bat :: No, this is only about saving people from fire.

Vampire Owl :: He should save a few cricketers then. During the last India Pakistan match, I heard from many people that Virat Kohli was on fire.

Vampire Bat :: What? I think that this is too early for you. Go back to sleep, it is only ten thirty in the morning.

Vampire Owl :: What about the English movies this weekend?

Vampire Bat :: There are only Oscar nominated movies in the theatres this weekend. Nothing has been released. By the time they finish cutting Fifty Shades of Grey, even our immortality would have expired.

Vampire Owl :: I am hoping for a job at the censor board. Then I can display my cruelty by cutting parts of a movie. I hope to become Mr. Cruelty for the next Global Vampire Cruelty contest.

Vampire Bat :: First, you can try to come to your senses at least at 10:30 AM.

[Goes to the theatre].

What is it about? :: Vijay (Mammootty) is a firefighter who is highly dedicated to his work and considers helping the public as his main motive. Lakshmanan Pillai (P Sreekumar) is his senior who is almost ready to retire from service, and Shahjahan (Unni Mukundan) is a young man who works under him. One day, he faces a problem that he never had before. A tanker losses its control, and the tank which it carries is tossed around. As a number of his comrades including his senior are killed, Vijay has to take control and make sure that there is no explosion of the tank, and with the help of the City Commissioner Sherin Thomas (Nyla Usha) and her reluctant police force, he has to get things under control. The local political worker Iqbal (Siddique) also offers to help. But it is not an easy situation here with the need to evacuate the surroundings, one of the nearby buildings being the central prison.

The defence of Fireman :: There is the certainty of thrills with this movie and the tribute to the Fire-force of Kerala is present as well as acknowledged. There is also the presence of twists, and the audience is kept glued to the screen. The background score is good and nicely keeps the level of the movie high. The dialogues are smart and powerful, mostly left for Mammootty. The way in which the movie transforms from a possible disaster movie to a possible investigative thriller adds to the power of that twist. Yes, once again, there is more than what meets the eye. The climax has some nice moments. There are a few more things that I could add here, but that might destroy the suspense at least up-to an extent and I choose not to. Then there is absolutely no romance here, and for that, I am more than just glad. Yet, the heroine has her moments too.

The Claws of Flaw :: The special effects are quite depressing to watch. Some of the moments should have been just talked about and declared happened, rather than showing them on the big screen. Just those fire effects were needed for this movie, and the rest could have been left for the imaginations – our viewers are very much used to creating something by themselves. The name itself is a repetition with its tagline, as you might have noticed – the publicity was also not enough. The movie also takes some time to get into the thrilling side. The movie is not without some loopholes with certain exaggeration, and the final action scene was rather unnecessary. The focus on the hero as always being the smartest of them all is also a little too much to digest. The other characters do have a certain tendency not to be that good.

Performers of the soul :: I haven’t watched a movie having Mammootty since Gangster, because it was the lowest that the great veteran actor could reach, may be with the exception of Parunthu, Love in Singapore and Pattanathil Bhootham. With some better movies being there in between as read here and there, I went to watch this movie, not without doubts – only to be happy that I made the right choice this time. This one is strengthened by that power packed performance from Mammootty that each and everyone of his fans deserve to see on the big screen. As the whole thing is centred around him, he continues keeping things under control. Unni Mukundan is good, and Siddique manages things with his usual ease. Nyla Usha comes up with her best performance ever, and I would consider this one the best supporting role from an actress in a police role. Salim Kumar’s character doesn’t really work.

Soul exploration :: We used to see the police officers acting at the right time to save the day, and even collectors – this time it is all about the fireman. The movie pays tribute to the fire workers who come to the aid of the common man as soon as there is the need with the number 101. The movie’s soul strikes the right place with its tribute, as we see the hero as fireman and not those usual roles which have been tried again and again. There is a question being asked about how many people want to be a fireman as much as having a desire to be a police officer or an army man? Well, hope this movie inspires more people to see the fireman as a hero and hope to save the lives. I am glad that this movie turns out to be a fine product on the screen, and it celebrates the efforts of those people who strives hard, but are often not in the spotlight.

How it finishes :: Fireman has a big chance this weekend with no Hollywood release and this one being the more awaited among the Malayalam movies with its change of release dates. The opinions have been positive too, as you can know from the audience. I did doubt our director here with his movies Tejabhai and Family and Crazy Gopalan, but his Winter had its thrills – I could also feel the confidence when he was there in the program Onnum Onnum Moonu with Unni Mukundan and Nyla Usha. This should be the first movie in India to have Fire-force and their activities at the centre – I still can’t say that with confidence because I don’t watch every movie in every language, but it seems to be so. Fireman is a movie that deserves to be watched, and it is not just a good start to Mammootty, but also the best thriller of the year so far.

Release date: 19th February 2015
Running time: 110 minutes
Directed by: Deepu Karunakaran
Starring: Mammootty, Nyla Usha, Unni Mukundan, Siddique, Sreerag Nambiar, Salim Kumar, Hareesh Peradi, P Sreekumar

fireman

@ Cemetery Watch
✠ The Vampire Bat.