Sakhavu

What is the movie about? :: Krishna Kumar (Nivin Pauly) is a leftist student leader who wishes to make it big at every level. For the same, he has been studying different courses in the college – his aim is to get to the top of party’s student wing, and from there, get to a big position in party’s trade union, and then become MLA or MP. For the same, he is ready to do anything, including getting rid of his best friends who are threat to him. It is his friend in the party Mahesh (Althaf Salim) who provides him support in all his plans without asking for anything in return. One day, he gets a call from the party office to go to the hospital and donate blood for a party member who is in critical condition. He isn’t really interested in the same, and tries to act rude so that he could get out of there as fast as possible. There, he meets Aishwarya (Gayathri Suresh), his old friend from school, working as a nurse at the same hospital, who talks to him about the person who is in the ICU.

So, what happens next? :: There he meets more people including the man’s friends, and also his wife Janaki (Aishwarya Rajesh) and his daughter Nidhi (Aparna Gopinath), and the tale of a much loved comrade is revealed. There is a long past that goes to those days when this comrade, named Krishnan (again Nivin Pauly) had come to Peermade to strengthen the left trade union activities at the place. There were many things that followed, including those incidents which made the man a favourite among the masses, and nothing less than trouble for the exploiters. Krishna Kumar listens to the tale and also to that incident that landed Krishnan at the hospital – there is more to things here than what meets the eye, as he hears about what the comrade has been working on in the last few days. So, how does this tale influence Krishna Kumar, and how does life change for the man who was always after high positions and fame in the party?

The defence of Sakhavu :: There is the strength of ideology behind this movie, and it goes towards taking a righteous stand, especially when a political leader is concerned – on what the left ideals really mean, if they are implemented in the right way. The message is strong, and there is the presence of feel-good elements. The flashback scenes look really nice, and you need to watch this one on the big screen for the same. There is the presence of a lot of humour in the first forty five minutes of the movie, and then things get serious – the strength of the whole thing is tested, but the movie then stands the test, and comes back victorious. It is also the final sequence after the credits start rolling that score big at a time when we feel that the movie ended too soon. The movie can be considered as a nice mixture of things, and without showing no overdose of action sequences, the intensity of the sequences are very well delivered.

The claws of flaw :: There is a rather predictable story in this flick – even though the hero from the past has his heroics to be talked about by others, there is nothing new or special in that tale which follows a pattern which so many tales from the past has followed, with a big estate and firm, along with the workers who suffer because the rich and the affluent just don’t care. The movie could have also been shorter, or could have added some special ingredients to justify its length – maybe a return to the present in the end, and some more sequences to follow with the protagonist’s life could have made things even better, rather than stretching the flashback a little too much with the predictable things. The scope was so much more for this movie, and the divergence that it has taken here is not much, as the attempt is there to balance the class and the mass, never to overdo any of them. The movie could have also used its heroines more, especially in the present.

Performers of the soul :: When you look at Nivin Pauly’s last few movies, Jacobinte Swargarajyam, Action Hero Biju and Premam, they were not just very good movies, but also did great at the box-office; now he is back for more. This is also the best movie with him as a solo hero, and also the best performance from him till date. Here he comes in two roles, and among the two, it is the new-age role that suits the best for him – the other role also demands him to play the elder version of the character, which also leaves a mark. There is the new generation social worker portrayed nicely with all the shortcuts of life which are taken, and there is the maturity of the old generation comrade, who has struggled so hard with everything in life for the party as well as the society. It works at both sides for Nivin Pauly, and this is the kind of performance which will mean a big change and the right kind of deviation in his career. Here, it is Althaf who provides him great support with a nice funny side, making things so much alive.

Further performers of the soul :: Along with Nivin Pauly continuing his run as the one actor whose movies keep the standard, there is also a supporting cast which has rather less to do in helping. There are three heroines in this movie, but they get to do rather less in this flick which is highly dependent on Nivin Pauly to perform in two separate roles. Aishwarya Rajesh gets the most to do in the flashback, as the comrade’s wife, and a little bit in the present, and she manages the same fine, even though there seemed to a little bit of urgency about everything; rather more than required. It is good to see her again after Jomonte Suvisheshangal. Gayathri Suresh gets rather too little in this one, even less than what he had to do in Oru Mexican Aparatha and Puthiya Mugham, playing a character that the protagonist knows from school. Then there is Aparna Gopinath who plays the strongest of female leads, and also the most charming one – a good continuation after the magic of Charlie and the message supply in School Bus.

How it finishes :: Sidhartha Siva, the director is known for some of those critically appreciated movies including 101 Chodyangal and Ain, both winning him national awards, along with that inspirational flick which was very much feel-good, Kochavva Paulo Ayyappa Coelho. Sakhavu undoubtedly keeps that high level, and once again, there is no trouble with the quality. Sakhavu is a movie that has almost everything, and it is the movie that you wouldn’t want to miss – it will win this Easter-Vishu season, considering the fact that most people have already watched The Great Father, 1971: Beyond Borders under-performing, and Puthan Panam ended up as one of the worst movies to have released in some time. This should be the season of Sakhavu which succeeds in rising above the expectations; it not just superior to Oru Mexican Aparatha, it is also more responsible, getting to the point in the right way, and leaving the right messages. This is one of the best movies of the year so far. Well, what seems to be a simple family flick, Rakshadhikari Baiju is the next one up at the theatres.

Release date: 15th April 2017
Running time: 134 minutes
Directed by: Sidhartha Siva
Starring: Nivin Pauly, Gayathri Suresh, Sreenivasan, Aishwarya Rajesh, Aparna Gopinath, Althaf Salim, Tony Luke, Musthafa, Sudheesh, Kalabhavan Rahman, Renji Panicker, Prem Kumar, Manianpillai Raju, Aliyar

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✠ The Vampire Bat.

Jomonte Suvisheshangal

jomontesuviseshangal

What is the movie about? :: Jomon (Dulquer Salmaan) is the youngest son of a very rich businessman named Vincent (Mukesh) who hails from the city of Thrissur. The big family is Vincent’s other success story along with his huge business empire and assets – it includes Laly (Muthumani), Alphonse (Vinu Mohan) and Jessy (Rasna Pavithran) as well as their spouses who are all successful people in life, along with Jomon who is considered as the son who is born to spoil the name of the family along with all the money that he keeps squandering. He successfully continues the procedure, as he finishes the trouble-making with a sentence that ends with “still I love you” to his father. There is no shortage of people who think that he is good for nothing though, as he even misses his sister Jessy’s wedding function after he meets his old friend Mushtaq (Jacob Gregory) and spends time at a bar with him at Coimbatore, ending up in the police station.

Where are things heading for? :: It is during these times that Jomon falls in love with Catherine (Anupama Parameswaran) which changes the attitude of his family members towards him, as she is from one of the richest families around, and her parents have business established in various parts of the Middle East. They get really close until one day, Vincent miscalculates one of his business deals, and has his biggest failure in life. Everyone blames Vincent for the terrible decision he made, but Jomon doesn’t. He stands with his father, and hopes to reclaim at least most of what was lost. For the same, he relocates with Vincent to Tirupur in Tamil Nadu, and meets Vydehi (Aishwarya Rajesh) who helps him and vice versa. It was easy to go forward in the early stages, and now the question remains about how he can get his father to return to his lost glory, as that world is miles away.

The defence of Jomonte Suvisheshangal :: Without much of a surprise, Dulquer Salmaan leads the way as the protagonist, on whom this movie is based right from the title itself – there are messages about family, and there is some motivation to go through it; even as there is not that much visible. There is also some comedy, and the emotional side remains strong in this one, especially around Dulquer and Mukesh. Even with the smaller roles, Indu Thampi and Rasna Pavithran from Oozham get their moments too, even more than the bigger names in the cast. This will work even better for you if you haven’t watched Jacobinte Swargarajyam which has the same theme. The one bigger positive in this movie’s messages is that this one tells the audience to save more while the movie from last year was asking to earn more – it was more reclaiming the glory that was lost, while this one builds another one, something that is different from what was gone. It is also a long way ahead of the disappointing Kali, but is nowhere near that beautiful divergent dream which was Charlie.

Claws of flaw :: There is absolutely no attempt to bring anything new with Jomonte Suvisheshangal, and there is no trying to make things less predictable throughout its run. They have also wasted Anupama Parameswaran in a role which was rather not needed – well, in another Malayalam movie, she gets less time on the screen after the hero sees her inside a church; Premam and now this. Aishwarya Rajesh, despite suiting the character she played, works less as a pair to Dulquer. Another sad thing is that there isn’t enough of a funny side provided for Jacob Gregory’s character, even when there was so much chance, for he is to Dulquer, what Aju Varghese has been to Nivin Pauly. The songs are not that good, even though “Nokki nokki” is something that will do well without being related to the overall progress of the movie. There is also that level that we expect from Sathyan Anthikad, which is not there – that won’t be considered the right thing.

Soul exploration :: The idea of the prodigal son continues here, as the money laundering son comes back to his father – well, he even saves the day. It is not something that we have missed; this is something that a hero would do in a movie without fail. A rather inexperienced son becoming all responsible to help his father when his business faces a crisis, isn’t really a new thing even for the newer team of movie watchers, as we had witnessed the same in the last year’s Nivin Pauly starrer, Jacobinte Swargagrajyam. With Dulquer Salmaan replacing Nivin Pauly, we have a similar tale here; it is Mukesh who replaces Renji Panicker too. But considering both movies as the same will be doing injustice, and we can only consider them to be similar as we look at how things have been proceeding. This thought is something which is often related to real-life incidents, and so Jomonte Suvisheshangal surely has the right to take it as much as any other flick.

Further soul exploration :: Those who have watched both movies won’t find it easy to stop these comparisons coming into their minds. In a movie in which Dulquer once again leaves his home, but this time with his father, one can safely say that the success of this movie does belong to him, as most of the time, it is him or Mukesh that holds the movie together. This one could have actually worked well with its songs and visuals as Jacobinte Swargarajyam did though. As far as similarities and differences are concerned, we have two businessmen whose sons get responsible all of a sudden, one at Dubai and the other at Thrissur, both families Christian, one Orthodox and the other Catholic, both the families having four children, with a more evenly matched gender count here without a mother, the Mercedes Benz being there in both cases – there is also at least one heroine who has less to do in both movies; well, everything ends well too with the handsome son doing the heroics helped by one stranger who gets impressed, whether it is Vineeth Srinivasan or a European lady.

How it finishes :: Being the first movie to release after the theatre strike, Jomonte Suvisheshangal surely had the advantage, and no wonder there were so many people wishing to watch this one on the big screen. Having one day advantage over Munthirivallikal Thalirkkumbol, this one certainly managed to begin well, and also continues to attract the crowds. With a simple story that will appeal to the family audience, both these movies have managed to make sure that things are going on well for Malayalam cinema, even as there was a break after Pulimurugan created that record of 150 crores – well, that one is still running, as you will notice. With no element of boredom, Jomonte Suvisheshangal is also certain to bring some fine moments for the audience. As Munthirivallikal Thalirkkumbol is also doing well, we can expect the theatres to be full with Ezra, Georgettan’s Pooram and Fukri getting ready for release.

Release date: 19th January 2017
Running time: 158 minutes
Directed by: Sathyan Anthikad
Starring: Dulquer Salmaan, Anupama Parameswaran, Mukesh, Jacob Gregory, Aishwarya Rajesh, Innocent, Irshad, Muthumani, Manobala, Rasna Pavithran, Vinu Mohan, Shivaji Guruvayoor, Vinod Kedamangalam, Indu Thampi

jomontesuvisheshangal

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