Kaanekkaane

What is the movie about? :: Deputy Tahsildar Paul Mathai (Suraj Venjaramoodu) is still not out of shock after his daughter Sherin Allen Mathai (Shruti Ramachandran) died as part of a hit and run accident. He is running a case against the man who was responsible for the incident, and he reiterates the fact that he will not forgive the driver not because of the accident, but because he didn’t stop to check on her daughter, and didn’t try to take her to the hospital. Paul believes that it was this hesitation that led to the death of his daughter, as he went missing, and was not found for a long time – an earlier treatment could have saved her. Paul hopes that he will get justice for his dead daughter soon enough. His son-in-law Allen Mathai (Tovino Thomas) is now married to a woman whom he had met during one of his business trips, Sneha George (Aishwarya Lekshmi), who is also pregnant for the first time at the moment. They seem to be a happy family, and his grandson Kuttu (Master Alok Krishna) is also a happy child when he is among them.

So, what happens with the events here? :: Sneha’s father George (Prem Prakash) is concerned about Paul’s infatuation with the case, but Paul is determined to keep his eyes on the case all the time. It is then that he feels that there is something strange about Allen and Sneha, as he looks into her past. Even though Allen had introduced Sneha to him much later, and had asked him permission to marry her, he finds out that they were together much earlier, from a photo dated many months earlier. Even when he was supposed to be alone for work, he was with Sneha. He feels that Allen was cheating on Sherin for a very long time, and for both Allen and Sneha, it was a comfortable death – with Sherin out of the way, they could quickly get into a relationship. He also figures out that Allen reached the accident spot from the exact opposite direction of where he was then. He decides to find out if there is something more to the death of Sherin than what meets the eye. But as he gets closer to the same, he is not finding it easy to live with anymore.

The defence of Kaanekkaane :: If you consider the emotional side, this film is one of the strongest in that category, and there is no force that can drive it out of there – this one is an emotional thriller with class. Combining family elements and bringing the thrills is no easy task, and such emotional feeling takes some extra skill. The melancholy mood is always there, and defines the work, even before the revelations are made, and we move to the ideas of remorse and vengeance in multiple dimensions. In the end, all these lead to the message of forgiveness and the relief that lies in the same. It reaches the same by following multiple paths, and we never really feel that there is such a revelation. The emotional strength of the film grows on you, and it is at its top most level by the end. All these emotions are shown as ruling these characters. The emotional undercurrents never seem to disappear, as we keep coming back to it, like the Lake Poets to the beauty of nature and the Gothic Novelists to the dark terrors of any ancient castle.

The claws of flaw :: The emotional side often takes over long above the tale of people which is explored here. The story is basic, and we see that the pace doesn’t really pick up here at any point, and there is no attempt to focus around there. The moments before one main character’s death are not that much explored, as the first wife only gets a little less of screen space for our liking. The chance to throw in some thrills here and there has also been missed, and there too, the focus shifts to the emotional side. There is not much of colour in this film, and that should be because of its melancholy side rather than anything else. The movie could have had more advertisements before its release, even though we are seeing more of it right now. It does have a big heart, but that could be something which the people outside the film might be lacking. But when we are immersed in the emotions of the film, any problem is easily forgotten.

Performers of the soul :: Suraj Venjaramoodu leads the way here, and he comes up with another emotional performance, the kind in which he has excelled in the last few years, moving out of that comedy genre for long. As far as he is concerned, the list of fantastic performances is just too long, and my favourite has been Finals, in which he played the determined sportsman and father. The same fatherly strength can be seen here too, and the determination that he shows here, and how his character is displayed here are all, a few things to be remembered. There is a lot of melancholy that runs through his face, and we go through his pain as much as he does. His character is also as close to reality as possible, and the emotional depth of the film starts from him, is strengthened by him, and comes to a close with his own actions. Prem Prakash plays the father of the second wife, and the veteran actor has no problems with the work here.

Further performers of the soul :: Tovino Thomas also plays a different kind of character, and like he did in Luca, has a heavy emotional performance to come up with. Here, he is okay with playing the second most important character, and he once again excels without doubt. One has to wonder how well he has risen in the last few years, and last year he had Kilometers and Kilometers as well as Forensic, but this year, he has many more films to his credit. Shruti Ramachandran who was last seen in Anveshanam has rather smaller role, but we note that down too. Then we have Aishwarya Lekshmi as the leading lady in the movie, one of the best young actresses of our times, keeping the melancholy mood of the film going forward. Seen with Tovino in one of the best combinations through Maayanadhi after her debut in Njandukalude Nattil Oridavela, she is indeed the one actress whom everyone needs to watch out for, as she impresses each and every time, leaving nothing to criticize – the same is the case here.

How it finishes :: This is the movie of Suraj Venjaramoodu, Tovino Thomas and Aishwarya Lekshmi, all three coming up with splendid performances, and when we add these three to the melancholic mood which deals with themes that run through here, there is something of fine quality. The human emotions are really well portrayed through these performers, and the strong emotions are always running strong in the background. With such a strong cast, the film has no problems in portraying what it has been trying to do. It is so much multi-layered that we won’t be able to take the side of any character, and therefore we choose to travel through this journey. This is also the first Malayalam film to directly release in this particular OTT platform. Well, for every other good movie in Malayalam, we seem to have the choice of Amazon Prime Video. There is a lot more to release there in October, and that should be enough to keep the movie lovers interested even during the times of Corona virus.

Release date: 17th September 2021 (Sony LIV)
Running time: 120 minutes
Directed by: Manu Ashokan
Starring: Suraj Venjaramoodu, Tovino Thomas, Aishwarya Lekshmi, Shruti Ramachandran, Prem Prakash, Rony David, Dhanya Mary Varghese, Binu Pappu, Sruthy Jayan, Sreeja Das, Master Alok Krishna

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@ Cemetery Watch
✠ The Vampire Bat.

Kilometers and Kilometers

Vampire Owl: I have been waiting for this movie for a long time.

Vampire Bat: This was the next film which we were supposed to watch before COVID-19 came up in March and theatres closed.

Vampire Owl: Well, one of the many things which one virus had changed.

Vampire Bat: A change which brought the movies home.

Vampire Owl: I was thinking Amazon Prime or Netflix in that case.

Vampire Bat: For a change, we have the first television channel release here.

Vampire Owl: Well, it is good to have such a release.

Vampire Bat: Yes, after all, everyone is not into those online platforms.

Vampire Owl: Finally, a release for the common man.

Vampire Bat: Let us makes sure that we don’t miss this!

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: In the village of Thalanadu, Josemon (Tovino Thomas) doesn’t have any job, and struggles to keep everything going, including paying fees for his sister’s studies. He only manages to get some small jobs which don’t translate to anything. He finally decides to sell his Royal Enfield which the family valued a lot. It is then that Cathy (India Jarvis) comes to visit India, starting from Kerala, after winning a lottery. As this is her final destination before return to the United States of America, she hopes to spend the rest of her money there, and with the help of Appachan (Joju George), Josemon finds this as an opportunity to make some quick money. They make their journey to different parts of India, and when they are in the North, their bags get stolen. Now, they have to find the documents which they had lost, and return to Kerala, but with no clue of what had happened with the theft, the same might not be easy.

The defence of Kilometers and Kilometers :: Simple fun and feel-good elements are abundant in this movie. The light-hearted fun in this movie is suitable for everyone in the family, without pretensions. There is the presence of the good message, giving importance to values and relationships over money, a message which has always been there, but is something which people these days won’t care about. What can surprise us the most is that even the people from earlier generation are still proud of their sons and daughters earning more, instead of being proud of their education or acts of goodness towards fellow human beings. The message will stay significant for a long time, because people won’t change, and this one is another addition to that particular message. The visuals are very good, and we would love to see how the places are being depicted. The performances are also very good. The emotional moments are working well too.

The claws of flaw :: People might not find many things new with this film, and it does maintain a certain amount of simplicity here. The idea is indeed in the old style mode, as you can see from the beginning stages itself. The predictability factor is high around here, as soon as the first major turning point occurs. Going innovative surely wasn’t the idea at work around here. As the promotion was not that much even for the first Malayalam movie which released on television, some people might have missed this movie at least in parts. The film could have actually done more with a greater number of characters, and more locations added, making this a travel movie too. But the journey actually gets stuck a little bit too early for our liking. There is no mingling with the cultures of different parts of India, and we only see small parts of the lifestyle being scattered here and there. The final moments, even though emotional enough, is a little too much of cliche.

Performers of the soul :: When COVID-19 started its side-effects, the earlier Tovino Thomas movie, Forensic was running in the theatres but reaching an early unexpected end, and his next film is here, this time completely off the theatres from the beginning itself. He has been one actor whose movies kept a certain level on most occasions, except for maybe one film in between which went full masala. His performance here reminds one of Ente Ummante Peru a little bit, and he does that with ease. There were clues about what was to be expected, from the trailer itself. Basil Joseph, the director of two smart movies Kunjiramayanam and Godha also brings some early humour here, and it is the one thing that lifts up the movie in its early stages – Joju George can also be seen contributing well during those stages. Longer final moments would have meant that these characters would have had a chance to add some more feel-good fun.

Further performers of the soul :: It is to be noted that Sidhartha Siva, director of the crowd favourites like Kochavva Paulo Ayyappa Coelho and Sakhavu nicely takes over the humour, and manages the same really well in the later stages of the film. His talk about the flashback is done with some fine humour, and he keeps bringing the laughter. The moments in Rajasthan are elevated with his use of the funny side. We have already seen him handling the humour really well, and this one has him around for a long period of time. India Jarvis does the job well, and plays the character as expected. From the performance, one would feel the need to see her in more Malayalam movies with similar characters being in requirement. She is not the random person who plays a European or an American just because there is space for the same, as she does much more. Sudheesh also has a very small, but notable role in the beginning stages of the movie.

How it finishes :: Kilometers and Kilometers has been a movie which had to wait quite some time due to COVID-19. At a time when we were wondering if something was actually going to happen, as theatres are still not opening any time soon, the movie has come to Asianet. During the pandemics, having a feel-good film delivered home can surely help to lighten the mood, especially during Onam. Still one has to wonder if most people did have time to watch this movie during the time of Onam celebrations at home. I would like to wish all of you who are reading this, and everyone from Kerala, a Very Happy Onam. Let us face this Corona Virus pandemic together, and rise together, as we did during the floods in the last two years. I really hope that Asianet shows the movie again, because it is a fun flick which can provide the feel-good factor to the Onam Celebrations. After all, we are having a ten day vacation here instead of the usual COVID-19 forced or flood-forced holidays.

Release date: 31st August 2020
Running time: 129 minutes
Directed by: Jeo Baby
Starring: Tovino Thomas, Joju George, India Jarvis, Sidhartha Siva, Basil Joseph, Sudheesh

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<— Click here to go to the previous Malayalam drama.

@ Cemetery Watch
✠ The Vampire Bat.

Forensic

What is the movie about? :: A little girl is separated from her elder sister at a dance school, and is later found murdered. Rithika Xavier IPS (Mamta Mohandas) is in charge of the case which had soon become a media sensation. Samuel John Kattookaran (Tovino Thomas) and Shikha Damodar (Reba Monica John), the forensic experts are asked to assist Rithika in the case. But Samuel also has a past with Rithika who was his elder brother Xavier John Kattookkaran’s (Saiju Kurup) wife until their divorce due to the loss of one of their daughters. Due to the same reason, Samuel and Rithika are not happy about working together in the case, but they manage to find out some important clues, as another child is murdered. They find out that this is the work of a serial killer who was linked to another series of murders known as the Burma Colony serial killings.

So, what happens with the events here? :: A retired police officer Abdul Wahab (Renji Panicker) who was dealing with Burma murders case, a child psychologist Jayakumar Menon (Prathap Pothan) and the two other police officers who are also in the case, Murali Mohankumar (Anwar Shereef) and Dano Mammen (Rony David) also become the key factors in moving forward in the investigation. But time is running out for them, as another child is kidnapped, and this time within a few minutes of her mother leaving her at a seat in the hospital, that too with so much of crowd and CCTV camers around. The cops figure out that it is not the usual serial killer, and the person couldn’t be alone. Someone working close to them might also be helping the killer. But time is running out, and the media has created enough panic among people – how long will it take to end this?

The defence of Forensic :: This movie releases at a time when a little girl had gone missing and her body was found in the nearby river, and this date of release being a strange co-incidence which adds to that feeling of fear and eerie. With twists and thrills maintained, and the suspense existing till the end unlike Anjaam Pathira which decided to make it a revenge movie too early as it showed the villain rather earlier, Forensic definitely holds strong. It takes the terror to the last moments, and has one psycho killer who could actually be called so, without a motive other than the murder which becomes the justification all by itself. There is a balance, and an order being followed here. For a movie which begins with a patricide, there is a fine foreshadowing of what is to follow, if the character shown in the opening scenes is going to be at the centre of attraction. The red herrings are given very well to improve the impact further.

The claws of flaw :: Even though the movie does hold advantage over Anjaam Pathira, the movie lacks similar moments of sudden shock, but the same can be seen running underneath the idea of the movie throughout, and coming to light more in the later stages with the psycho coming out of the darkness. But a better use of darkness and silence was required instead of focusing more on the blood and violent moments – it could have had some balance there. The final moments leading to revelation could have also been managed in a different way to create better impact. There are also some usual moments which were not needed in a serious movie of investigation like this. A few moments of the movie are also predictable, and a better treatment of its main characters like Memories did, would have also contributed here in a better way, but Forensic makes no such effort.

The performers of the soul :: After having two of the best movies of the year to his credit in the form of Virus and Uyare, Tovino Thomas does manage to begin this year in style, as 2020 has one thriller to follow the much appreciated Anjaam Pathira for him too. The character works for him well, as he plays a smart forensic expert who helps the police – it is the kind of role which doesn’t require him to bring anything special. There are some action scenes for him too, as he moves forward strongly with this character. Mamta Mohandas had only two movies to her credit last year, with a supporting role in 9 and playing the lady lead in Kodathi Samaksham Balan Vakeel, both of them not crossing the border to create further impact among the audience. She makes a police officer with a troubled past with ease – the character works well on two levels.

Further performers of the soul :: Reba Monica John who made her debut in Jacobinte Swargarajyam had things going in her favour with the role in Bigil, but other than Paippin Chuvattile Pranayam, she remained mostly unnoticed by the Malayalam movie audience. Her supposed cameo in Mikhael had also gone unnoticed. She has a good role here, and the same doesn’t have any romantic side, and it is a positive thing in a movie like this. Saiju Kurup is paired with Mamta here, and it is to be noted that the two made their debuts as leading actors in the movie Mayookham. He has a rather usual role, which he does with ease, and the same can be said about Renji Panicker who is not stranger to his character in this movie too. Anwar Shereef and Rony David also come up with the roles of police officers, which they do well enough. The kids also play the roles nicely, especially the boy with long hair and the girl who plays the leading actress’ daughter.

How it finishes :: With the success of Anjaam Pathira, there was always going to be the need for more thrillers, and with movies like Anveshanam only becoming half-thrillers while going deep into melodrama, Forensic had become a necessity. Well, it can be said that Forensic scores over Anjaam Pathira when we compare the two – this movie is clear with each element, and shows how one events lead to the other. Forensic also has a clear psycho killer with the motive not being revenge from a long gone post. The movie also doesn’t rush through things like Anjaam Pathira – the terror in Forensic also feels more real, as murder itself becomes the motive, as it was said in the trailer. With a clear revenge motive like Anjaam Pathira did, such a feeling couldn’t have been achieved. The advantage has been clearly gained.

Release date: 28th February 2020
Running time: 134 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Reba Monica John, Mamta Mohandas, Renji Panicker, Saiju Kurup, Prathap Pothan, Mohan Sharma, Rony David, Anwar Shereef, Srikanth Murali, Ramu, Dhanesh Anand, Anjali Nair, Devi Ajith, Anil Murali, Lukman, Giridhar, Rajesh Hebbar, Sadhika Venugopal, Thennal

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@ Cemetery Watch
✠ The Vampire Bat.

Luca

What is the movie about? :: As part of a case investigation, Police officer Akbar (Nithin George) comes across a diary which goes through the lives of Luca (Tovino Thomas) and Niharika (Ahaana Krishna). Luca is a highly talented artist who makes the best art works out of scrap materials, but is a short-tempered man who lives close to his small circle of friends. He had lost his father at a very young age, and his mother within a few years after that. He has extreme fear of death and dead bodies. Niharika is a research scholar in industrial chemistry who has come to Cochin from Bangalore as part of her research. Half-Malayali and half-Bengali, she has had a troubled childhood, and had lost her father at a very young age. Akbar is very close to divorcing his wife Fathima (Vinitha Koshy), as he is unable to forget his first love Jannet (Neethu Bala) who left him for reasons unknown to him, and is often adviced by his senior officer Jayaraman (Thalaivasal Vijay).

So, what happens with the events to follow? :: The story goes through the love story of Luca and Niharika as well as the tale of Akbar going through his investigation with the help of his junior officer Aloshy (Anwar Shereef). The friendship and later love of Luca and Niharika develops after latter has a bad opinion about the former’s works, which she changes soon. Later, the two meets again, only to have her move to one of the empty rooms in his house, as she feels safer there. The only two people who are at the home most of the time are those who do the household duties, Martin (Chempil Asokan) and Salomi (Pauly Valsan). Niharika’s uncle Jayaprakash (Srikant Murali) despises her attitude and actions, but as she hates him, things come as no surprise. But there would be a few incidents which would change the lives of Luca and Niharika, but nothing changes regarding love.

The defence of Luca :: There is beauty in every frame of Luca. It is more or less like having a wizard, an overlord of aesthetics at work here, as we see beauty on the big screen, which never gets even close to fading away. We have home which is a work or art by itself, and the presence of rain makes the scenes even more beautiful. At the same time, we see some of those elements which have certain significance in the society, and the role that childhood plays in the lives of people and how it affects them as grown-ups can be seen. The movie is also strong with its emotional moments, especially in the end, as it deals with love in a deeper way rather than what is usually seen on the outside. There are also those moments which are there to stay for now, and we feel that a few things are rather symbolic of something else. The narrative strength of the tale keeps the movie together, and one has to love the way it progresses.

The claws of flaw :: Luca does not become your usual flick about romance. Well, it goes beyond that, and can make Romeo and Juliet feel that they can do better at a few things – it is that kind of love that is deeper that what our common movie watchers can take on. There is also a certain tragedy associated with it, and it stretches a bit with the story. One would also think that the tale could have been better, with a deeper investigation side. The mystery could have unfolded in another way too, and with such visual beauty on the screen, the movie had all it needed to go bigger. There is also that usage of flashback which is a little more than one would want to have. There might have been the feeling that Luca was going to be Charlie, but that didn’t happen, as this one develops its own identity.

The performers of the soul :: Tovino Thomas’ avatar is nothing less than stunning, as we see the character go through the journey of colours. Even though this is not your usual character, he makes his character both lovable and believable, set close to all that defines Kochi Biennale. He is here after three highly appreciated critical and commercial success movies, Virus, Uyare and Lucifer, and this happens to be one fantastic year for him already – we still have half an year to go. Well, the last year was not less grand either, as we had more. Ahaana Krishna hasn’t been there in many movies, and we remember seeing her last in Njandukalude Nattil Oridavela – she has nicely blended in here and has done a fantastic job. She has become the character with ease, and we see her excel in the emotional as well as romantic moments, as she makes a fine combination with Tovino.

Further performers of the soul :: Nithin George who plays the police officer in charge of the investigation comes up with a brilliant performance. He plays the man who lives in his memories, and hopes for answers from the past, and we go on the journey with the character. There is the beauty of serenity in that performance, and the situation that he is in also has us interested. Vinitha Koshy who played the teacher in Aanandam once again has interested in her character. Chempil Asokan and Pauly Valsan makes a perfect pair as the helping hands of the house. Anwar Shereef gives good support as the junior police officer. Jaffer Idukki is there for only a short period of time, and Thalaivasal Vijay only has a little more time with bigger dialogues. Srikant Murali leaves a mark with certain moments. Neethu Bala makes some good impact with one song which she is part of.

How it finishes :: Luca easily gets to the list of the best movies of the year, and it does the same with the love story side rather than getting into some other genre – the investigation and twist are there, but the focus continues to be with the romantic side. With some wonderful music in there, the flick had already caught out attention, and it is one movie which you shouldn’t miss for the beauty on the screen. Along with the same, the socially relevant issues also stays there. As it stands, Luca will continue to stay strong in our theatres. One would wish to watch it again for the emotional content as well as the power of aesthetics, both never backing away from giving the best, just like the actors in there. Have a look at a song from the movie, among the best of the year so far.

Release date: 28th June 2019
Running time: 151 minutes
Directed by: Arun Bose
Starring: Tovino Thomas, Nithin George, Ahaana Krishna, Neethu Bala, Anwar Shereef, Rajesh Sharma, Vinitha Koshy, Sooraj S Kurup, Shalu Rahim, Chempil Asokan, Devi Ajith, Jaffer Idukki, Neena Kurup, Pauly Valsan, Srikant Murali, Thalaivasal Vijay, Raghavan, Hansika Krrishna

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@ Cemetery Watch
✠ The Vampire Bat.

Virus

What is the movie about? :: Kozhikode District collector Paul V Abraham (Tovino Thomas) gets an urgent call when he is about to leave home. There are a series of events that lead to the same, and most of it happens in the Kozhikode Medical Centre. A nurse named Akhila (Rima Kallingal), was taking care of a young man named Zachariah (Zakariya Mohammed), who was admitted to her hospital for fever, but is now suffering from the same symptoms. Dr. Abid Rahman (Sreenath Bhasi) is having his normal shift in the hospital as his lover and medical student Sara Yakub (Madonna Sebastian) shows signs of ending their relationship – at the same time, more and more patients are being admitted in the hospital. But the signs that some of these patients show are not natural, as the doctors figure out that something strange and unusual is coming up. It is also not limited to one or two people anymore, and there is panic.

So, what happens with the events to follow? :: The samples are sent to Manipal to be tested by the experts led by Dr Suresh Rajan (Kunchacko Boban), and it is confirmed that it is Nipah virus which has affected the patients. With no vaccination or specific treatment available for the epidemic, the only hope for the goverment is quarantine, and hope to find the source, as well as make sure that it didn’t spread to many people. The team lead by Health Minister CK Prameela (Revathi) includes the collector Paul V Abraham with Dr Smrithy (Poornima Indrajith) and Dr Annu (Parvathy) in an attempt to stop the infection from spreading. First identified in 1998 in Malaysia, the disease, in most cases has taken the lives of those who were infected. With people not related to the first patient, like Unnikrishnan (Soubin Shahir) getting infected, there are questions raised how the source could be found. Are the authorities good enough to find it?

The defence of Virus :: The movie nicely deals with a situation that Keralites, especially those from Kozhikode and Malappuram districts in the north of the state had to go through. With the virus showing its signs of return in the central area now, the case has gained further significance. One won’t fail to notice how the movie has kept itself close to reality, and how each character has been given significance, with each actor having a job to do. The movie is never dependent on one person, as there is no main character – there are only people who tries to help others, and a few others who try to survive in a world which is threatened by something new, and something deadly. The movie was a need, as the world needed to know the story, and making it a memorable one was Aashiq Abu’s duty, which he did with ease, as we have three good memories in a row, with Rani Padmini, Mayaanadhi and this one.

Positives and negatives :: The movie might feel slow at some points, but it quickly goes past the same. We are able to place ourselves in the place of the characters, and we go through their emotions with ease. The emotional strength of the movie is high, and it can even be more with different people, and their perspectives. The thrills are also there, and we keep close to the whole thing, each moment. Parts of the movie might be fictionalized, but our director surely knows where to stop that. The location is as nicely captured as the people themselves. The view from the top more or less makes us feel the city. You know what is going to happen in the end, and you want to know how we reach there, and to go through that journey, we are with the characters like never before – in creating that closeness to the characters, the director has succeeded.

The performers of the soul :: The movie has a fantastic cast, and the talent can be seen in each part of it. Parvathy comes up with another great job after Uyare, and this one has one more natural performance from her. Two of the three best movies of the year belongs to her, with the other one without her presence is Kumbalangi Nights. Tovino who was Parvathy’s co-star in Uyare had only memorable performances, with Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona giving him a continuous impressive run in Malayalam movie industry. Here, once again, he owns his role. Kunchacko Boban didn’t have that much of a great run with his previous movies, but he is right there, solid with this role of a doctor. Asif Ali continues his choice of some good movies with another emotional role. Vijay Superum Pournamiyum had provided a great beginning to the year for him. Joju George, after Joseph, continues to strike our emotions in a beautiful way.

Further performers of the soul :: Indrajith Sukumaran and Rahman has smaller, but memorable roles, especially with the former who manages to come up with some nice moments in between. It is also great to see Poornima Indrajith after such a long time, and this is a role to remember for sure – nice to see Remya Nambeeshan there too. Revathi manages to do the job of Health Minister in a believable manner. The similarity in appearance has also been achieved up to an extent. Madonna Sebastian doesn’t have much to do here, and neither does Sharafudheen. Rima Kallingal is quick to come and go, and stays in memories because of the emotional connect with the real-life character being attained. Meanwhile, Sreenath Bhasi gets a different role this time, and he manages to provide complete justice to the same. He had provided some signs of the same in the last movie, but that was a mute character – this time, he raises the bar. The roles of Jinu Joseph and Dileesh Pothan are small, but to be noted. Unnimaya Prasad and Soubin Shahir also catches our attention.

How it finishes :: Virus is already the biggest movie of the weekend, with so almost all shows being booked early. The success here lies in the fact that it shows everything in a realistic manner, never do we see those unreal heroes – we feel that almost every character in there are people like us, and therefore part of us. We can feel the pain and troubles of the characters, as well as reflect the same. As Nipah virus once again becomes a cause of concern, this becomes a thing of focus yet again. Virus is a movie that needs to be watched for how it shows the people showing their fighting spirit and their concern for others, in a battle for survival. It is also a memory of the people who lost their lives in the process, especially the nurse, Lini Puthussery who died while doing her duty. It is the same reason why this movie needs to be watched more than any other.

Release date: 7th June 2019
Running time: 152 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Kunchacko Boban, Asif Ali, Joju George, Jinu Joseph, Rahman, Soubin Shahir, Indrajith Sukumaran, Parvathy, Poornima Indrajith, Remya Nambeeshan, Revathi, Madonna Sebastian, Sreenath Bhasi, Indrans, Rima Kallingal, Dileesh Pothan, Senthil Krishna, Sharafudheen, Shebin Benson, Zakariya Mohammed, Sudheesh, Savithri Sreedharan, Darshana Rajendran, Basil Joseph, Lukman Lukku, Ann Saleem, Haris Saleem, Sajitha Madathil, Leona Lishoy, Nikhil Raveendran, Sreekanth Murali, Vettukili Prakash, Sreedevi Unni, Ambika Rao, Divya Gopinath, Unnimaya Prasad, Sundara Pandyan, Binu Pappu,Vimal Muraleedharan, Nilambur Ayisha

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@ Cemetery Watch
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Uyare

What is the movie about? :: Pallavi Raveendran (Parvathy) has had one particular dream since childhood, from the first time she traveled in a plane – to become a pilot. It is the same reason why she decides to stop pursuing her degree at Union Christian College as soon as she gets selected for the course. It doesn’t bring any joy to her lover Govind Balakrishnan (Asif Ali) who is very possessive about her, as she has to go and join the training academy at Mumbai. Her father Raveendran (Siddique) provides full support to her, as she begins her journey towards achieving her greatest wish and the one ambition that never left her. At the academy, she meets Sariya D Costa (Anarkali Marikar) who would go on to become her best friend – she would warn Pallavi about the possessive nature of her relationship with Govind, but nothing comes out of it.

So, what happens with the events to follow? :: As her course is almost complete, the new graduates go on a party at night and Pallavi joins them, but not before lying to Govind that she is going to sleep. Govind who had reached Mumbai as part of job hunting finds this out, causing a rift between the two. As Pallavi tries to break up with him, the possessive Govind throws acid on her face. With a weakened eye sight, she gets rejected as pilot, and goes back home. It is during one of her journeys from and towards home that she meets an acquaintance, Vishal Rajashekharan (Tovino Thomas), and it would bring a certain change. With the support of Vishal and Sariya, there would be an opportunity for her that she might not have even come close to guessing. But is that chance something that can be taken, and will that be an effective one in her case?

The defence of Uyare :: The struggle in the movie goes deep and there is no exaggeration regarding the same. It feels real with the actors and actresses nicely getting into their characters providing quality work. The characters and their transformation can also be seen, and how the movie begins in the control centre nicely unfolds the narrative. The issues faced by acid attack survivors and those in over-possessive relationships are nicely shown. The last moments of the movie are among the best, with some thrills added to the emotions which go strong throughout the flick. We are able to feel the pain of the protagonist even before the life-changing incident occurs, and after that, the emotions strengthen. At a time when violence against women has failed to come down, this is cent percent relevant. Even though the news about acid attacks have been from the North, we have had strange and terrible actions from scorned lovers here too.

Positives and negatives :: Compared to those facing the same problem from other backgrounds, the comeback might not seem this easy, with some situations seemingly custom made and out of the otherwise realistic spirit here, like the case of the flight. But one inspiring incident can change things, as we look at it. But the same is not really the focus, as we see how the protagonist accepts her as she is, and takes another bold step forward – never does she look for compassion, and she is not the one who is looking for favours, as she moves on through another path. It is when the movie becomes not about the acid attack and the scars, but the later rise, like a phoenix from the ashes. As a phoenix has the rebirth by rising from the ashes of its predecessor, the main character also will have the same transformation, from the ashes of her dreams of flight, to the same flight which had rejected her. As Maya Angelou said, like moons and suns, with the certainty of tides, like hopes springing high – the character rises and it is joy to watch.

The performers of the soul :: Parvathy leads the way here as she did in Take Off – Asif Ali is another common factor here, once again playing a character not bringing her anything for the future despite being in a relationship earlier. This might be her Take Off this year, and even though she was a crowd favourite with Ennu Ninte Moideen and Charlie while Qarib Qarib Singlle had her going further North, this performance surely stretches far ahead. The change in her character, and the courage that she displays against adversity can be clearly seen as a reflection of the positive changes that have come across an already brilliant actress. The moments after the acid attack shows her calibre, and also later with the determination when many lives are at stake. The girl who plays Parvathy as a school student, Evelin also seems similar both in looks as well as the enthusiasm – nobody would say that she is not the same character in childhood.

Further performers of the soul :: Asif Ali plays a possessive lover who has been with the main character since childhood, and there is some villainy written over him from the beginning itself, even though the signs become further clear later. He does the same calmly. His character, for some reason, doesn’t create that much of a scene that we would notice, and keeps away for most of the time. He had started the year with the feel-good of Vijay Superum Pournamiyum, and we would have hoped for more of his character here. Well, it is Tovino’s character that we remember though, as the one who tries to help the main character get back to life. Nivin Pauly had done a similar role in Mili, but this one is closer to life. Take a look back to his previous Malayalam movies, and we see Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona – we wonder if he can go wrong these days. Anarkali Marikar of Aanandam fame does a fantastic supporting job and Siddique as usual does great.

How it finishes :: The performances are indeed the strength of the movie, and with Parvathy leading the way, the movie has all the ingredients to fly high – it is still doing the same as it goes on in the theatres even after a month of its release, as Athiran did, rising with the opinions of critics as well as the common man. As a tribute to the acid attack survivors, one need to watch this one, but one would notice that it is not all. We see the strength of ambitions, powered by courage and determination, as this becomes an inspirational movie, not just for women, but also for each and everyone who is forced to struggle due to the cruelty of fate, or others around them. Lack of freedom, especially in a relationship, is not something to boast about, for control and manipulation are not love – it comes as a strong message with Uyare too. It is still not late to watch this one, and remember that dreams, as it is with hope, are meant to rise, like the sun, not to be buried in the catacombs for the interest of the possessive sentinel.

Release date: 26th April 2019
Running time: 125 minutes
Directed by: Manu Ashokan
Starring: Parvathy, Tovino Thomas, Asif Ali, Siddique, Anarkali Marikar, Pratap K Pothen, Prem Prakash, Rajani Murali, Bhagath Manuel, Preetha Pradeep, Sreeram Ramachandran, Mathew Arun, Evelin, VK Baiju, Kay Kay Menon, Ajay Mathew, Irshad, Anil Murali, Latheef, Blessy Kurian, Samyuktha Menon (cameo)

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@ Cemetery Watch
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Lucifer

What is the movie about? :: Kerala is ruled by IUF, and its leader and Chief Minister PK Ramdas (Sachin Khedekar) is a respected figure with a great fan following, not just among the people of his party, but also outside. It is his death which changes things in Kerala’s politics, all of a sudden. Mahesh Varma (Saikumar) who is next in charge finds this to be a golden opportunity to become the leader of the party as well as the Chief Minister of the state. Ramdas’ eldest daughter Priyadarshini (Manju Warrier) along with her daughter Jhanvi (Saniya Iyappan) is the first to come to the scene. Her second and current husband Bimal Nair a.k.a. Bobby (Vivek Oberoi) keeps close watch of the situation at the same time. Even though Priyadarshini and Jhanvi are not after political power, Bobby looks forward to it so that he can use it to spread his narcotics business to Kerala and earn a great amount of money.

So, what happens with the events to follow? :: Meanwhile, the only son of Ramdas, Jathin (Tovino Thomas) is living abroad. Bobby figures out that he is the one big chance that they have here, and by making him the new leader, could go through the drug business without anyone coming to know. He already has the support of Mahesh Varma and Priyadarshini regarding the same. He uses Jhanvi as a means to go through the family smoother. Govardhan (Indrajith Sukumaran) is one of those people who knows all these, as he had been searching for truth for a very long time – but he finds himself locked inside a mental asylum, thanks to Bobby. But before he is locked up, he finds the one other person who might be part of this power struggle – Stephen Nedumpally (Mohanlal), an orphan who was raised by Ramdas, a people’s favourite leader from the highrange constituency of Central Kerala.

And what else is to follow? :: Stephen Nedumpally is the kind of person none of the power seekers here want to have in the game, and the family also wants no part of him out there. The politicians on both sides, Mahesh Varma on one side and Medayil Rajan (Shivaji Guruvayoor) on the other wants him gone. Bobby is also hoping to make no mistakes, as he is playing a dangerous game involving Abdul (Suresh Chandra Menon) and Fyodor (Frank Free) who are masters of the game in Mumbai. He would have Stephen’s opposition out of the way as the party would be sponsored by the drug mafia. The people in the middle part of all these including Aloshy Joseph (Kalabhavan Shajohn) and Murugan (Baiju Santhosh) will have interesting roles to play as Kerala prepares for the big change. But the question remains about who would gain and loss the most in the battle between evil and evil.

The defence of Lucifer :: Unlike what was expected, Lucifer doesn’t jump into the shoes of a mass movie all of a sudden, and that is the clear advantage that this one has over Pulimurugan. Clearly a better movie having content of quality and rich in ideas, this one rises over the expected mass masala, and becomes more, but at the same time, it never hesitates to provide what the fans want. There is working on two levels, something which Odiyan could have focused on, to become a favourite. There are elements from politics nicely used too, and we get to go through a certain dirty side that attempts to take over politics every time, and may be even succeeds up to an extent. The action scenes are nicely done, and except for a very few, keeps itself in control to make us believe. The control that is maintained in the final scene with the song nicely contributing to it, is also worth mentioning. There is a higher level of making here, and the thrills are of great strength.

The claws of flaw :: The slow motion sequences, even though less in number, could have been avoided. There could have been more of Tovino Thomas on the screen too. Vivek Oberoi’s character could have been bigger terror, something that could pose a challenge that goes a long way ahead. The presence of predictable elements in between, should have been avoided. The references and allusions made in the movie also seems nice, but could have been better connected. There are quotes shown in the end including the one from Lucifer as the tragic figure of John Milton’s Paradise Lost who famously declares “Better to reign in Hell than serve in Heaven”; we also have “Hell Is Empty and All the Devils Are Here” from William Shakespeare’s The Tempest being shown on the screen in the end – is there something left for a sequel? One is left to wonder. The use of media could also been better shown. The movie is also too long.

The performers of the soul :: It is late to review a movie which has reached the 100 crore collection mark already, Pulimurugan, Drishyam, Oppam and this one leading the glory with the rest – almost everyone knows what Mohanlal has brought to this movie as the titular character, and needs no more talk about the same, as Stephen Nedumpally is grand. Meanwhile, the one person who steals the show with less amount of screen time is Tovino Thomas whose moments are nothing less than glorious. Manju Warrier has her fine emotional moments in here following Odiyan. Vivek Oberoi’s villain doesn’t maintain that terror that he seemed to possess in the beginning, but he is a fine choice for the role as we can see. Kalabhavan Shajohn, Saikumar, Baiju Santhosh, Shivaji Guruvayoor, Nandhu – all the characters play the roles of politicians with ease. Meanwhile, we see Shaun Romy of Kammatipaadam making an appearance after a long time. There is a long line of extended support here too.

How it finishes :: When someone like Prithviraj Sukumaran comes up with his directorial debut, you know that there is something special coming up. His previous movies as the leading actor had the Hollywood touch, whether it was the never before science fiction apocalyptic thriller called 9 or the diasporic crime drama set in a deteriorating, decaying city called Ranam – this one has the elements beyond the usual Malayalam movie, and as a flick written by Murali Gopy, we know that there is more. Lucifer is the kind of movie which combines its elements very well, and thus becomes a rare piece of a flick. It can be liked for more than one reason, and there is much to cherish for almost every kind of viewer. Well, this is Vishu and Easter is also on its way, and we have much to watch. For now, I wish all of you a Very Happy Vishu, and hope you enjoy the holidays well – but at the same time, be careful about the heat which is rising.

Release date: 28th March 2019
Running time: 174 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Tovino Thomas, Manju Warrier, Prithviraj Sukumaran, Indrajith Sukumaran, Saniya Iyappan, Kalabhavan Shajohn, Giju John, Saikumar, Baiju Santhosh, Fazil, Sachin Khedekar, Suresh Chandra Menon, Shivaji Guruvayoor, Nandhu, John Vijay, Aneesh G Menon, Kainakary Thankaraj, Bala, Adil Ibrahim, Shaun Romy, Adarsh, Helen, Frank Freem, Waluscha De Sousa, Sijoy Varghese, Thara Kalyan, Parvathi T, Binu Pappu, Parvathy Menon, Sreeya Remesh, Sshivada, Antony Perumbavoor, Shakti Kapoor

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@ Cemetery Watch
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Ente Ummante Peru

What is the movie about? :: Hameed (Tovino Thomas) is left with nobody to call a relative after the death of his father Haider (Renji Panicker). Even though he inherits the big house along with his father’s business as well as a few acres of land, he is lonely – as he has nobody to call his own, he is not able to get married to a respectable family either. He, along with Beeran (Hareesh Perumanna) and Hamsa (Mamukkoya) keeps looking for a suitable alliance for him. He soon falls in love with Sainaba (Saipriya Deva), a girl whose proposal had already come for him, but was rejected by her father because he seemed to be nothing less than an orphan. While he is running his family business and looking for a way to marry Sainaba, he comes across a will left by his father, which points to two women, and one of them could be his mother. He decides that this is his chance to find his family.

So, what happens with the events to follow? :: So, the the wives are to be given a share of the property, and there is the need to find both of them to figure out which one his mother is. The two of them are located in Kozhikode and Ponnani in the form of Ramlath (Shanthi Krishna) and Aisha (Urvashi), the former being married with two children and the latter living alone in her house on the side of the lake. But the question remains if this can happen because the truth is still hidden in some of the pages about which there is not much information, even for Haider’s good old friend, Sivankutty (Dileesh Pothan) who seemed to know almost everything about his friend’s past. Can Hameed rise above all these to get what he wants? Will he finally cease being an orphan? Can he finally marry the girl whom he loves? It would take a journey not just through North Kerala, but through North India to make sure about that.

The defence of Ente Ummante Peru :: Unlike the usual stories with the same setting, this one never really does manage to keep selling the same thing again and again. But the tale is kept simple and enjoyable for families. It sticks to the point from the beginning to the end, never really deviating from the path or having moments of dullness – the total movie length makes sure that it stays put. There is nothing exaggerated here with everything going on while staying close to life. The feel-good factor never really falls behind here, and the visuals, wherever it is set, stays good. The emotional side is strong, and by the end, it reaches an even better level. Along with the expected comic side, the use of gallows humour is to be noted – it is the human condition that makes us think on more than one occasion, as the point of life and its meaning is always something to ponder about with death making a grand entry at so many unexpected times.

The claws of flaw :: There is no special ingredient with this one, as we look deep into this tale of search for the main character’s mother. This is the kind of story that we have heard for a long time, with search being for parents or siblings. The children separated from their parents or brothers is an idea which goes older than some of those very old flicks, not just in Malayalam or South India. Even Oru Indian Pranayakatha had a similar search with its main character looking for both parents, after returning from Canada and collecting clues leading to more than one state in India. The songs and music are not really that good. We never really get that much of a romance between the leading characters, and one has to remember that Tovino used to be an expert in that. The journey through Uttar Pradesh could have been more interesting, and the supporting characters could have been closer to our heart that what they seemed to be.

The performers of the soul :: Tovino Thomas is the one to keep this movie going with a realistic and lovable performance once again. His last movies Oru Kuprasidha Payyan, Theevandi and Maradona – all were among the strongest flicks of the year. Here, we continue to admire his work, as the emotional state of a man looking for his mother is nicely shown – he is someone who is looking for his last hope in changing things. This is not the first time that he has shown this with the same strength though. Urvashi had a fine role in Aravindante Athidhikal, but here she has a lot more to do, and she has done the same well. It is in no way, an easy character to play this time, as her role becomes the most significant thing in the movie ever since she makes her entrance. We hope that we see her in more movies, and without that many breaks in between.

Further performers of the soul :: Meanwhile, there is a new face in Malayalam movie industry in the form of Saipriya Deva who plays the heroine, and she does that with a lot of charm. It can be seen that the movie doesn’t focus on her at all, as far as the complete plot is considered. We can surely keep her close to our hearts though. Malayalam movie industry does need its heroines more than its heroes, and more skilled actresses will elevate the level of the characters that they play. At the same time, Hareesh Perumanna in charge of the comedy, and he does that with amazing skill. Shanthi Krishna has a smaller, but emotionally strong role – since her return in Njandukalude Nattil Oridavela, we have all wished to see her on the big screen very often. Mamukkoya and Siddique got the kind of roles which they have done before, and brings no challenge to them, while Dileesh Pothan makes a short, but nice appearance of significance.

How it finishes :: There are four Malayalam movies releasing in the beginning of Christmas vacation, and this is just one of them. Unlike the others, this movie seems to have made no big claim, and therefore the expectations have been kept low. We know what expectations could do to a movie like Odiyan, and how the low expectations for DC movies did help Aquaman in the early stages. Ente Ummante Peru brings the surprise not only due to the lower expectations, but also with how it remains so simple and yet so effective at the same time. It is one movie which possesses and displays the true spirit of Christmas season, more than anything else. Therefore, choosing Ente Ummante Peru over most of the other movies won’t be that difficult a job. The idea of feeling happy and leaving the theatre with a smile on one’s face never has a substitute, especially when with family.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Jose Sebastian
Starring: Tovino Thomas, Saipriya Deva, Urvashi, Shanthi Krishna, Hareesh Perumanna, Dileesh Pothan, Mamukkoya, Siddique

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Oru Kuprasidha Payyan

What is the movie about? :: An orphan, Ajayan (Tovino Thomas) was doing different kinds of work, and finally he settled down in a Restaurant named Paradise with Jineesh (Balu Varghese), his good friend who is also with him. He does almost every job in the restaurant, and has the special duty of bringing idli from Chembakam (Saranya Ponvannan) to the restaurant – it is something that he has to do early morning. At the same time, Jalaja (Anu Sithara) who also works in the same restaurant is in love with him, and soon their attraction towards each other grows further. But things change for the worst when Chembakam is murdered by an unknown assailant. The local police investigation doesn’t reach anywhere, and crime branch is assigned the investigation after the protests from people. The new police officer in charge of the case is Simon George (Sujith Shankar) who has an envious record with the number of solved cases.

So, what happens with the events to follow? :: Simon is determined to solve the case in one way or the other, and the local people seems to know nothing much about what could have happened on that night of murder. It is then that they interrogate Bhaskaran (Alencier Ley Lopez), a drunkard who comes up with a strange and baseless accusation. Simon decides to develop on the same, even though there is not much truth in it. Soon, Ajayan finds himself framed for the murder of Chembakam. Simon makes sure that he confesses to having committed the murder, after days of torture. Everything is perfectly planned by Simon, and against Ajayan, the famous lawyer Suresh Narayanan (Nedumudi Venu) is set to appear. The court has the junior lawyer Hannah Elizabeth (Nimisha Sajayan) fighting the case for Ajayan as her first case. This one wouldn’t be the case she wanted to begin her career, but she decides that it is her best chance.

The defence of Oru Kuprasidha Payyan :: The movie deals with a variety of themes and we alienation, society’s labels, human emotions running high, and more, as the movie goes through its journey reflecting the contemporary society itself. It is a struggle of more than one person, even though it is just one person whom we see. Everyone has something to prove as well as a few things to lose, and more than one worlds collide in proving the point – the movie shows the same nicely, and never does it back down from showing the people as they are, and the society as it is, with no exaggerated character. The movie has some nice courtroom scenes with nothing overdone there. We also have some twists with the proceedings, and the struggle of a lone man without hope is not something that has reflected in our world so well, just like the abuse of power, prejudice and opportunism go along with the movie well.

The claws of flaw :: With this movie coming from the director of the critically acclaimed movies like Thalappavu and Ozhimuri, the expectations were certainly high. Such a level of movie isn’t here, as another path is taken. The first few minutes of the movie were also not really needed, because a quick entry to action is always the best in a flick like this, and that could have made this movie just above two hours – an appropriate length, and also very quick with its proceedings. The court room scenes are the movie’s strength, and therefore, being there early would have done the movie more favours. The film also chooses a middle path, not going for the mass audience, and not going the exact other way either, which means that it won’t be for all, but is meant mostly for those who are looking for a believable and good cinematic experience. Still, we feel that it ends too soon without that expected grandeur in the end.

The performers of the soul :: Tovino Thomas is back at the top again, after his Theevandi and Maradona, both having a great run as well as some nice opinions as he reflected this generation of youth with two tragic flaws in both cases, even though none of them lead to his fall. Well, Mayaanadhi, just like Guppy was that movie which set a wonderful fairy-tale kind of path for him, which seems to be at the strongest point right now. You remember him doing secondary roles in Ennu Ninte Moideen, Charlie and Style in succession, but you see where he is now – there is that display of simple and human emotions which is there better than ever this time. The emotional side is nicely handled, and he plays the character that is the representative of someone who has nobody to help, and as the character says, there is always someone from above who will be there to help.

Further performers of the soul :: Anu Sithara is one actress who has done very well in the industry with certain charm, but never really managed to go beyond a certain level with her movies, as almost all of them couldn’t rise to become the flicks which they promised to be. She has a smaller role here compared to what we thought, but she is really good in this avatar. It is very much a suitable one, as she proves. Beginning with a lead role for the first time in Thondimuthalum Driksakshiyum, Nimisha Sajayan also couldn’t get a movie of that level after that. But Nimisha is too good in this movie in which we can see the struggling junior lawyer seeking to give her best, perfectly placed in her hands. Sujith Shankar’s police officer is a solid one, and so is Nedumudi Venu’s lawyer lacking in humanity.

How it finishes :: With Drama and Kayamkulam Kochunni still running in the theatres, Oru Kuprasidha Payyan makes a grand entry into the shows, promising to be something special considering the fact that it comes from the director of movies like Thalappavu and Ozhimuri. Malayalam movie industry surely needs some thrillers, as those days of Drishyam and Memories seem to be long gone. We are in need of more thrillers like Oru Kuprasidha Payyan which doesn’t just have the murder investigation in there, but also something hidden behind the real scene. A mirror to the contemporary society is another recommended factor in cinema, and it is exactly what Oru Kuprasidha Payyan becomes, in part. There is more than what meets the eye to Oru Kuprasidha Payyan, and it is why the flick shall endure and won’t yield to the rest of the flicks currently running in the theatres.

Release date: 9th November 2018
Running time: 145 minutes
Directed by: Madhupal
Starring: Tovino Thomas, Anu Sithara, Nimisha Sajayan, Dileesh Pothan, Alencier Ley Lopez, Siddique, Balu Varghese, Saranya Ponvannan, Shwetha Menon, Nedumudi Venu, Sukanya, Sreelakshmi, Maala Parvathi, Sujith Shankar, Sudheer Karamana, G. Suresh Kumar, Madhupal

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Theevandi

What is the movie about? :: Bineesh (Tovino Thomas) started smoking at an early age, and tries to go on with his life without having any responsibility. He has a few friends around whom most of his life happens. The smoking which he started in school followed him to youth, and even though that bothers his lover Devika (Samyuktha Menon), they continue the relationship. Her father Madhu (Suraaj Venjarammood) is not confident about the relationship as he knows that he is a chain smoker due to which the title “Theevandi” was given to him – there is no positive side in the future which he sees about Bineesh, but he reluctantly agrees as Devika is certain about it. He talks to Bineesh’s brother-in-law, Vijith (Saiju Kurup) who works with him in the same political party and gets Devika and Bineesh engaged.

So, what happens with the events to follow? :: But Devika discovers that the smoking habit of Bineesh is beyond all limits and decides that she can no longer continue to be in love with a man who is obsessed with cigarettes. As she decides to be no longer engaged, another problem arises about who would be the next MLA of the constituency, following a terrible accident involving the MLA who has only a few days left to live. The two possible candidates are Bineesh’s brother-in-law and his possible father-in-law which brings another problem to light. In between all of these, is his smoking problem, and as long as the same exists, he can solve nothing. Can there be a solution to Bineesh’s problems, and how far can he go to make it happen? Or will he take the easy way out?

The defence of Theevandi :: There is the certainty of fun as far as Theevandi is concerned. Some jokes will be remembered for longer than we think, that is for sure. The message also arrives strong, and gets stronger and stronger as the movie progresses. The song “Jeevamshamayi Thaane” might be the best moment of the movie, with some other songs to join in. The music of the flick is very good, and there are some nice visuals of the beautiful village at which the flick is based. There is simplicity all around, and the message which the flick deals with, is serious and beyond the limitations. It is complicated when we see the whole of it, and the message against smoking is something of universal relevance. If the movie can inspire at least one person to give up smoking and lead a better life, there is great success being shown here – that one person will surely not be the end of it.

The claws of flaw :: There is no doubt about the fact that Theevandi could have done even better with its content. Being a movie which was supposed to release in June, this has been delayed for too long. The length of the move is also a negative thing, especially considering the fact that the main purpose here to provide one message, the one thing that it attempts more than the others. Some moments which were supposed to be funny, also falls short. The ending of the movie is certainly interesting and feel-good, and after a good beginning, it is the middle part that has somewhat a struggle. The political side could have also been a better satire. The tools and the premise were present there, but we see a struggle to go too deep in there, and maybe that concerns the possible risks.

The performers of the soul :: Tovino Thomas has another role of a flawed hero after Maradona and Mayaanadhi. He has done this job naturally, and there is no moment when he seems to be in trouble. The protagonist’s problems are nicely shown, and the man caught in the terrible situation has our attention. Samyuktha Menon makes a big impact in her first big role. As the industry seems to have less big names among current actresses, her performance here should elevate more of the cinema of these times too. She excels in the romantic and funny sequences, and just holds the ground during emotional scenes. The pair has fine chemistry running through, and the same feeling that was conveyed through the popular romantic song in the movie, goes on even when she seems to show less interest.

Further performers of the soul :: Despite being provided with an exaggerated character, Surabhi Lakshmi manages to bring the most fun of the same. The character seems to be forced into existence without detailed thoughts, but she could manage that, and make things work. Suraj Venjaramood is comfortable in this role which is mostly serious with some chance for comedy. We remember how he nicely kept the balance earlier with Varnyathil Aashanka, Oru Muthassi Gadha, Thondimuthalum Driksakshiyum and Aby – here he has no problems in doing the same again. Shammi Thilakan also brings the funny elements, even though for a lesser amount of time. Sudheesh and Vijilesh do leave a few things for the funny side too. Rajesh Sharma is also there leaving a mark.

How it finishes :: These are the days when the Malayalam movies are making a comeback after a short break caused by the Kerala Floods. It is the return of the films as much as the return of the state to the normal world. It is with more interesting releases including Ranam and Theevandi that Malayalam movies are making a return, as movies like Koode and Maradona have been there for quite long. The case of Theevandi is stronger because it deals with a socially relevant movie. Translated better as “the vehicle of fire” rather than as the literal translation “the train”, this movie certainly becomes a better notice against smoking than any of those small advertisements shown in the beginning of the flicks. It marks a fine return of Malayalam movies as it surely seems to serve its purpose. You might also want to watch the video song from the movie which has become so popular.

Release date: 7th September 2018
Running time: 144 minutes
Directed by: Fellini TP
Starring: Tovino Thomas, Samyuktha Menon, Surabhi Lakshmi, Rajesh Sharma, Suraaj Venjarammood, Shammi Thilakan, Sudheesh, Krishna Praba, Neena Kurup, Vijilesh, Musthafa

@ Cemetery Watch
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Maradona

What is the movie about? :: Maradona (Tovino Thomas) is a young man who finds some illegal ways of getting easy money every time, and for his support, there is his childhood friend Sudhi (Tito Wilson). Breaking law came easy to them, and they did the same without any regret. Both gets in trouble as they end up in a dangerous situation involving a lawyer as well as a rich politician. The influential people are looking for revenge on the young men, and it sets Martin (Chemban Vinod Jose) and his aid Anto (Kichu Tellus) are after them. They search for Maradona and his friend throughout Kerala, and follows the trail to the neighbouring states of Tamil Nadu and Karnataka. While Sudhi travels to Kanyakumari with a journey to the South, Maradona seeks refuge in the flat of his distant relative at Bangalore. Martin searches and finds the links getting close to finding both of them at different points.

So, what happens with the events to follow? :: Maradona is not happy with his stay, but he has nowhere to go. The result is that he finds his own moments of happiness in the flat. Soon, he finds new friends in the nearby homes including a girl who works as a home nurse at the adjacent flat, Asha (Sharanya R Nair). The relationship goes further, as both can’t help falling in love with each other. But with the people chasing him getting closer, Maradona will have think about more than just love to make something good out of life. Is there a chance for a happy ending for Maradona? What can satisfy the people who are chasing him? Hope might be the thing with wings, but is Maradona good enough to have some? How much more trouble can he take after being injured in a clash?

The defence of Maradona :: The movie’s game is that of life, and the man named after the great footballer needs to score his goals – life is a tough game, and we can see the same reflected without exaggeration here. The visuals are nicely captured, and the songs are lovely to listen here. The “Kaadhale” song along with its visuals are nothing less than the bliss of solitude, as Wordsworth would compare. The thrills are present with a chase going on right from the beginning. The action scenes are good, and as a movie with more, we see the drama and the romantic scenes working very well too. Above them all, we see the gradual transformation of the character as he goes through the situations which he hasn’t been familiar with. It is a coming of age story in a different way, and there is nothing here that restricts the movie’s slow, but steady movement towards the same.

The claws of flaw :: The movie feels a little bit stretched with its idea, and even then, a flashback to the flawed hero is not that much there. The title Maradona might have mislead many people, but there is absolutely no presence of football in this one; it is just that people kicking others are present all the time. There is also more scope for Maradona, not just with its thrills and action, but also with the cute romantic side – more of the comic side could have made the presence felt right there. The ending might seem a little bit too far-fetched for a movie like this, and it is more or less an attempt to quickly move towards a happy ending loved by the audience, something which Mayaanadhi never really tried to achieve. Dealing with a certain divergence, this one could have thrived on it, but takes a step back as it moves towards the end – there is no doubt of the same being enjoyable though.

The performers of the soul :: Tovino once again scores as the flawed hero – the question here once again whether his flaws lead to his fall or can he rise above it? There are similarities to his character in Mayaanadhi, but clearly, this role is tougher, and there is no asking for sympathy – all actions of this particular character are intentional, and most of them are not good even for the standards of the typically bad hero. The movie celebrates his deeds, whether good or bad, and it is on his character that the movie progresses. We also see the gradual change that come across the character – it is also nicely shown by him. We have the character that is close to life, and we never doubt the flawed hero’s reality that is displayed here, no matter how much it stays away from the usual heroic stuff.

Further performers of the soul :: Chemban Vinod Jose as strong as he has always been, playing an antagonist without backing down at any moment. He has his own moments here too, showing more than one side of the character. Tito Wilson with the Angamaly Diaries fame excels once again, and his supporting role is once again natural and realistic. Sharanya R Nair is the new face in this flick, and this addition to the list of heroines nicely makes her presence felt. All her work here is nicely balanced, and we are glad to welcome her into the industry, being confident that there is a lot more for her to contribute. Leona Lishoy also makes her presence felt with her supporting work again. The cuteness factor does help, but it is not restricted to that, and we see her going through the different emotions at various points of time without any problem that a newcomer would be exhibiting, and all’s just natural.

How it finishes :: There is something about the movie chosen by Tovino Thomas, for they bring the difference almost every time. Maradona also shows such qualities, with the seemingly usual characters and usual tale choosing to go through a divergent path, with quite a different treatment. This one might not be the movie for everyone, but just like Tharangam, it chooses to make something more out of what seems to be a usual story. In a monotonous world, there are only a few movies which try to experiment with its content, covering the possibility of predictability so well – Maradona will be remembered as one of those movies. With some moments which can stay in our minds for long, this one will continue to be the one movie which will go on into the Onam vacations despite nature having its own way with the never-ending rainfall.

Here is a video song from the movie:

Release date: 27th July 2018
Running time: 148 minutes
Directed by: Vishnu Narayan
Starring: Tovino Thomas, Chemban Vinod Jose, Tito Wilson, Sharanya R Nair, Leona Lishoy, Shalu Rahim, Kichu Tellus, Parthavi, Niranjan Harish, Hari Thampuran, Nistar Ahmed, Jins Baskar

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@ Cemetery Watch
✠ The Vampire Bat.

Mayaanadhi

What is the movie about? :: A young man named John Mathews a.k.a. Mathan (Tovino Thomas), hailing from Perumbavoor, is in love with a girl from Kakkanad, Aparna Ravi a.k.a. Appu (Aishwarya Lekshmi) who studied as his junior at the engineering college outside the state, both not gaining much from the professional course. Mathan gets caught in a series of events that lead to the death of a police officer while he was trying to escape. While the Tamil Nadu police is looking for him, he gets back to Cochin in an attempt to find Aparna who is trying to make it big with the help of her friend Sameera (Leona Lishoy) who is a big name in the movie industry. Aparna couldn’t make much of a progress with her life, as she has been doing different jobs following dropping out of her Engineering course. Her relationship with Mathan is strained due to the fact that he didn’t return the money which she had borrowed from her friend, and she feels that he took advantage of her trust.

So, what happens with the events to follow? :: As policemen from Madurai chases him to Kerala for vengeance for the death of their colleague rather than anything else, Mathan is trying to get a visa to the Middle East, and hopes that he can also take Aparna with him. Irritated by the attitude of her mother towards her, and failing in auditions, Aparna is in no mood to forgive Mathan, and seems to have no time to get back into a relationship. With revenge-seeking policemen on his trail who would be happy with nothing less than his encounter, can Mathan, with his simple ways, escape to the Middle East with the love of his life without whom he doesn’t want to run? Can Aparna make something out of her never-ending adventures related to cinema and modeling? Does fate get to play the final twisted role in this tale as it does in most of the love stories?

The defence of Mayaanadhi :: As this one brings a new love story of this age, the melodrama never finds a seat. There is a realistic approach in this movie, and we never really gets tired of the same, even when the movie seems to get slow in between. We see how much people need each other, when things get better, or when they get terrible. The protagonists are two people who have struggled with their lives, and their world is something which is not difficult to relate as we understand their circumstances. The music is really good, and there is “Uyirin Nadhiye” which will grab your attention and stay in your mind for long. There are some jokes in there too, but there is the overall sadness in this movie, which seems to reflect on the depressing human condition which remains the same, no matter how the world changes. There are also some harsh realities reflected too, with either fate being so cruel, or the society being against the individual. There is very less for one to be happy in the grim world of Mayaanadhi, and even in between the beautiful shots of the city, there is melancholy.

The claws of flaw :: Mayaanadhi might not be the best option for the family audience, considering the intensity of love that is shown in there, even though the movie uses everything in an aesthetic way rather than in a sexual manner. There is a certain slowness with this movie, and you will also feel that there is not much of a story to tell here other than what we have seen and heard on so many occasions. Maybe, two hours could have done just enough for this movie, and the gangster and police angle could have been left out to bring something just random into the scene as the factors causing problems for the protagonists. The Tamil dialogues without subtitles caused problems for the audience who had tough time figuring it out. The fact that this is the least hyped movie among all the releases of Christmas, Aadu oru Bheekara Jeeviyanu 2, Vimaanam, Aana Alaralodalaral, Masterpiece and also Tiger Zinda Hai from Bollywood, we know that this one could use some attention if it is to do any better at the theatres.

The performers of the soul :: You might have felt that Tovino Thomas hasn’t got the best of divergence out of his movies, and this one surely has that element. Tharangam, Godha, Oru Mexican Aparatha, Ezra and Guppy, which were his last movies had good performances from him, but nothing as divergent as this one. His character has no heroism associated, and he lets his pair, the leading actress who is two movies old, handle the job so well. Aishwarya Lekshmi coming right out of Njandukalude Nattil Oridavela is too good in this movie – she was certainly good in that one, but with this adventure, she makes it many levels here; she gets the bigger opportunity to perform here, and never does she fail to deliver. Her best moment might be during her final audition, but her first which has getting down to reality from the plastic side is not far behind, and you will also find her scenes with Tovino charged with fine chemistry.

Further performers of the soul :: We last saw Leona Lishoy in Annmariya Kalippilannu, and even though we have seen her in other flicks including the lead role in Jawan of Vellimala, she gets enough moments in this one to make sure that Mayaanadhi is something to remember her for. This is also my second favourite movie of Aashiq Abu, after Rani Padmini. You will note that the directors Basil Joseph and Lijo Jose Pellissery also make smaller appearances in the flick. Unnimaya Prasad who played Sara in Maheshinte Prathikaram and Maya teacher in Parava also catches our attention. Soubin Shahir and Aparna Balamurali got very small cameos in the film – it is the kind of job that could have been done by anybody. There are some faces which we are not familiar with, but you see that nobody has to be behind in this realistic tale which has good work from the whole cast. Aashiq Abu has no worries with the acting department.

How it finishes :: It has been a difficult job for those who have been looking for sensible love stories on the big screen. What most of the critics seem to have appreciated seems to be the slow motion walk into absurdity called Annayum Rasoolum and an exaggeration of reality called Ennu Ninte Moideen. Thankfully, we have Mayaanadhi here, which is the one river which shows the right kind of divergence, as it chooses to flow like a river of beautiful illusions, as its name suggests, and in the sadness and phantasm, finds a real world which we can relate. There might be many other movies which would get the attention of the youth, as well as that of the family audience – but this is one movie which shows how the movies are to be made in the right manner, without showing the tendency to follow that path which has been traveled so much that there are rather too many pot-holes on the way. Mayaanadhi is different, and enjoyable in the right way for a movie-loving group of people, looking out for better stuff all the time, as well as the variety. If you liked Thondimuthalum Drisksakshiyum, I don’t see why you can’t like this one with its realism.

Release date: 22nd December 2017
Running time: 136 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Aishwarya Lekshmi, Leona Lishoy, Basil Joseph, Lijo Jose Pellissery, Darshana, Unnimaya Prasad, Maya Rajesh, Harish Uthaman, Khalid Rahman, Nizhalgal Ravi, Shine Tom Chacko, Aparna Balamurali (cameo), Soubin Shahir (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Tharangam

What is the movie about? :: Padmanabhan Pillai a.k.a. Pappan (Tovino Thomas) used to be the Sub Inspector of Police working in the traffic department until getting suspended on an unfortunate night during a special operation not approved by the department, along with his good friend and subordinate officer Joy C (Balu Varghese). This incident which lead to the death of their senior officer Antony (Manoj K Jayan) has them wandering around the city in need of money, as they need to pay Ittimani (Alencier Ley Lopez) a sum of five lakhs. Their senior officer Sivadasa Menon (Vijayaraghavan) assures them that he will do all that he can to get them back in the uniform. It is him who come up with a special duty for them, which could bring them some money as part of an unofficial investigation. With things not being that great with his girlfriend Malini a.k.a Malu, Pappan decides to take the job, as some easy money with less risk is not that much of a bad idea.

So, what happens with the events to follow? :: This unofficial investigation is provided to them by Tharian Mathew (Shammi Thilakan), who offers them a lot of money to find what is going on with his wife, Omana Varghese (Neha Iyer) who owns a restaurant chain in the city and its surroundings. He suspects that she is having an affair, and wishes to divorce her after finding proof of her adultery. As the two friends go on their newly discovered adventure, they only find out that something is strange with the people that she meets, but there is no proof of her having an affair. But when they are watching her, someone else is watching them – Christopher Luke (Sijoy Varghese) is the man after them, and then there is their earlier enemy from the failed operation, Siju (Saiju Kurup) who comes in their way. There is so much going on with their lives that the whole thing seems to be messed up. Can they make the necessary changes to make things better?

The defence of Tharangam :: There is something different in the way this movie begins and ends, and even though the same is not something seen before, it has never been this fresh. It is a fine experiment as far as Malayalam movie industry is concerned – with the hero and a lot of characters surrounding him, and add all the fun, you will find something like Aadu Oru Bheegara Jeeviyaanu here, as our heroes as well as more than one teams of villains are looking for one thing that goes missing. The movie also has a strong side of fantasy to go with the real incidents, even though they are only related in a few occasions. There are messages about people being responsible for their own fate, as God provides them with a number of choices in their life, as one little act of kindness or cruelty, can change everything. There is a lot of dark humour present in this one too, as it nicely deviates from the usual foolish comedy which could have been served here with the subject on another day.

The claws of flaw :: Tharangam doesn’t go through the path which the common audience would expect – the trailer had given less idea about what it was going to be in totality, but even then, this seems to have deviated a lot, and will not leave the viewers with the usual and expected kind of experience for them to cherish. Maybe, they could have shortened the fantasy side, and maybe even limited the same to a few dialogues. The romance also disappears earlier than one would expect. There are opportunities of humour being lost, and there are moments when the audience can feel lost. The two cops could have handled the whole thing with lots of funny moments, but such an attempt is not made, as this one tries to bring one thing after the other, creating a mixture which not everyone can take home. The divergence is a fine thing, but the doubt about where to go with the same, is rather strange when we look deep. It is the story that needed to rise more when needed.

Performers of the soul :: It is nice to see Tovino Thomas coming up with different types of roles, as he could do with the two big movies Godha and Oru Mexican Aparatha, as well as that much respected movie on the internet, Guppy. But we know that his best is still to come, and that can even go bilingual. We see him go through the comic side rather easily. Balu Varghese supports him well, even though one wonders why there is no big memorable comedy sequences in this movie even there was more than one chance. The “Luketta” call from the two is just one of them. The one person whom we miss early is Manoj K Jayan, who has only a few minutes of presence there. Dileesh Pothan surprises us in his avatar and is very good with the same, even when the movie could have gone on without extending that sequence a little too much in the beginning.

Further performers of the soul :: Santhy Balachandran makes a much memorable debut here, and she has some very nice moments as well as dialogues in the movie – one can be sure that there are miles ahead for her in Malayalam movie industry. We keep feeling that she is capable of more if provided the bigger roles. One is going to find it hard to believe that this is her first movie. The other new face, Neha Iyer is also strong with her character into which she seems to have dived deep – there is more than face to this character, which she reflects with skill. Saiju Kurup has another character who catches our attention with ease, as he had in Pokkiri Simon, Njandukalude Nattil Oridavela, Adventures of Omanakuttan and Alamara earlier. Sijoy Varghese is strong with the negative side of the character throughout his existence in this movie. Alencier Ley Lopez, Vijayaraghavan and Shammi Thilakan get rather shorter, but important roles in this movie.

How it finishes :: Tharangam is that kind of a movie which you can either love or hate, and there is also the option to stand in between – it is more of a movie of the audience, as each viewer can have a separate opinion regarding the same. The level of enjoyment regarding this movie is different, as you notice those simple things which affect your opinion. We know that crime comedy thrillers are not that easy to bring to the common audience, and this one has surely tried hard to do the same, even with those flaws. Dhanush has also made his Malayalam debut as a producer with Tharangam. It has been on the list of much awaited movies for quite some time, and one song with Tovino Thomas and Santhy Balachandran had brought further need to watch this movie as soon as possible. Now, we have this one for Pooja holidays, and if you like movies like Aadu Oru Bheegara Jeeviyaanu, there is a good chance that you will like this one too, and the overall quality of Tharangam feels more – be ready for some experimentation on screen. I will leave you with the wonderful song from the movie.

Release date: 29th September 2017
Running time: 153 minutes
Directed by: Dominic Arun
Starring: Tovino Thomas, Balu Varghese, Santhy Balachandran, Neha Iyer, Dileesh Pothan, Sijoy Varghese, Alencier Ley Lopez, Vijayaraghavan, Manoj K Jayan, Shammi Thilakan, Saiju Kurup, Sanju Shivram, Unni Mukundan (cameo)

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@ Cemetery Watch
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Godha

What is the movie about? :: Anjaneyan Das (Tovino Thomas) is an engineering graduate who spends most of his time playing cricket at the local ground as part of a cricket team lead by the local party leader Vijayan (Sreejith Ravi). Supported by the local youth including his own cousin brother Balan (Aju Varghese), they try to play the game on the ground with a lot of cricket craze even though they keep losing the matches. But the same is not possible during presence of the man they call Captain (Renji Panicker), a former wrestler who lives in the memories of those wrestling matches, and doesn’t let anyone play any other game on the ground. He is also the father of Anjaneyan who had dreams of making his son a wrestler too, but that didn’t go on well too. There is a certain fight going on between a new generation of cricket fans and the old generation of wrestling fans who wish to see their favourite sport brought back from the ashes.

So, what happens next? :: Captain who had enough of all this nonsense from his son that he forces Anjaneyan to go and pursue engineering post graduation at Punjab University, something which his reluctant son finally decide to agree to, and travel to the north. He does find things rather strange there, and just survives without getting beaten up due to his desire to have porotta and beef roast. But what catches his attention more than the rest of the things there is Aditi Singh (Wamiqa Gabbi), a girl who beats up almost everyone there. They become good friends until there is an incident involving Aditi and her brother who is a police officer there, and Anjaneyan comes back home much to the dismay of his parents. He gets back to his usual life until he gets a call from Aditi who had reached the railway station near his place.

And what follows the events? :: Aditi is also full of an intense desire to wrestle, for which her family doesn’t allow. Her brother had decided to marry her off to someone so that this craze for wrestling could be taken out of her, which is the reason why she has left Punjab and reached Kerala. Initially, Captain doesn’t want her presence in the place, but things change as he understands her passion for wrestling, and decides to help her to achieve her dream. Aditi starts training under Captain, and despite the initial problems, manages to get to a major tournament and win it, expanding the horizons of the dreams. But it is not just the Captain who is inspired by her dreams, as Anjaneyan also has his own memories of wrestling brought back to him due to the same. But will she finally be able to get the best out of her dreams for herself as well as the people around her?

The defence of Godha :: One quality that Godha has retained from the same director’s Kunjiramayanam is its quality in simplicity; as we look through these two movies, we see simple things made beautiful or memorable. The latter was all about making its comic side more and more effective while the former here works on delivering the inspiration on the big screen. In a world which is being swallowed by those sporting events which has more money and bigger heroes, there are the sports other than cricket which struggles to find a path towards attention, and Godha has certainly caught your eyes and brought it to something which is more than just WWE which at least has fans of entertainment. This movie lasting just two hours is nothing short of a full-length entertainer, as there is something to laugh or something to make you smile throughout its run. The same makes this movie a cent percent steady flick from the first scene itself.

Positives and negatives :: The humour is really good with this one, and those scenes providing goosebumps as well as the emotional side – all remain strong right there. The mixture of things is certain to attract all kinds of audience, as we have something for everyone in this quality mixture. The songs as well as the background music are really good, and the same can be said about the visuals, all keeping the level of this movie high. There might not be anything that huge with the tale here, which once again has its protagonists getting inspired to achieve their dreams, but in the end, it is all about dreams, isn’t it? Maybe people will need more seriousness concerning this kind of a topic, and the predictability is present for this movie too. There were cynics who thought that such a theme couldn’t be developed that well in Malayalam – but this one should make them take back their words. There was also the scope to make this one rather longer, as the audience did seem to want more. In a nation which avoids too many sports in favour of cricket, we just need more of such movies, even if the inspiration might feel repetitive later.

Performers of the soul :: The spirited cast of this movie is lead by Wamiqa Gabbi who, without doubt, brings unparalled charm here. There is something about the way she elevates the movie as the determined heroine – she has certainly made a huge impact with the audience as it was clear in the theatres. The determination in her eyes, and her performance within and outside the sport will be in your minds for long. Those who follow Bollywood will remember her for the work in the movie Sixteen, an underrated movie which deserves to be watched by more. Meanwhile, Tovino Thomas gets even stronger than Oru Mexican Aparatha with a role that brings more than one shade of him, and there is some nice skill in how he plays the second fiddle to Wamiqa when needed, and even to Renji Panicker’s powerful character when there is the need – it is the neat, and the right performance that he brings here, after the smaller role in Ezra and Guppy which deserved more. He also shines in the comic sequences mainly with Aju Varghese, and also with that long line of actors from Hareesh Perumanna and Dharmajan Bolgatty to Bijukuttan and Kottayam Pradeep.

How it finishes :: Godha has been in the news for some time with some wonderful music released, an interesting trailer, and having both Tovino Thomas and Wamiqa Gabbi as guests at Badai Bungalow programme on Asianet in one of its most entertaining episodes of all-time. So, the expectations were there, and the movie delivers. Basil Joseph’s last movie Kunjiramayanam, his debut flick was a huge laugh riot, and this one goes on to become more than one thing. Godha is your inspirational fun-filled entertainer which is also a sports drama. It required some special skill to keep all the elements working for this flick, which is a wonderful mixture – but everything is taken of with precision, and we have the final product as something which seems to have a fine invitation to make us go through and watch again at least once, a quality which was there in very few entertainers of this decade, most notably, Maheshinte Prathikaram.

Release date: 19th May 2017
Running time: 120 minutes
Directed by: Basil Joseph
Starring: Tovino Thomas, Wamiqa Gabbi, Aju Varghese, Renji Panicker, Bijukuttan, Mamukoya, Pradeep Kottayam, Hareesh Peradi, Hareesh Perumanna, Sreejith Ravi, Dharmajan Bolgatty

@ Cemetery Watch
✠ The Vampire Bat.

Oru Mexican Aparatha

orumexicanaparatha-1

What is the movie about? :: Paul (Tovino Thomas) is a happy going first year student in a famous arts college in the city who doesn’t think that much about many things, and is in love with Anu (Gayathri Suresh) who also seems to be in love with him until she reveals one day that she isn’t. Paul is highly disappointed about it, but finds solace in something else, which is mostly about going against the ruling paty of the college which is lead by their super senior and the angry young man, Roopesh (Roopesh Peethambaran). There is no shortage of violence whenever this man is concerned, as he would go to any extent to sieze victory. With the leader of the left party in the campus, Subhash (Neeraj Madhav), Paul decides to contest against the man who had lead his party to victory last year and looks forward to do the same again in one way or the other.

So, what happens next in the movie? :: The campus itself has a violent flashback, with a student leader Kochaniyan (also Tovino Thomas) being murdered during the time of emergency. Even though Paul begins the battle for chairman post out of frustration, more comes out of it eventually, including a revolution and the desire to bring a positive change for the next generation. Bringing the revolution seems to be too difficult though, as the opposition party seems to have be ready to even finish off Paul and Subhash. They get beaten regularly, but they don’t back off. With Paul contesting for the post of president and Subhash contesting to become the general secretary, Roopesh decides to contest for the president post himself so that this threat can be dealt with directly. With sparks flying all around, blood is certain to flow.

The defence of Oru Mexican Aparatha :: The debutante director has chosen a subject that would work for a lot of people who have witnessed the politics in the campus in one way or the other – whether it is the good side or the bad side. He has brought the same to the big screen nicely too. There is no more of the usual kind of campus movies, as this one focuses on one side which is not that beautiful, and this is one campus which gets lot of life with this movie. The film also have some elements of comedy, and in the end, you will know that there is only one purpose for student politics, even as it is not so these days – to stand for what is right, and to gain the freedom that has been denied. Well, with so many parties into the fray, one can’t be sure if it can be achieved together by all these parties, but we all understand that there will always be the need. The stylist shots help a lot here, and so does the extremely talented cast.

The claws of flaw :: The movie could have been shorter though, and it could have surely cut those early moments in the hostel, which serve nothing much. The songs are not that interesting except for the “Kalippu” song which serves as the one thing that brings more to the whole setup. It is the first half which could have used some checking, especially with a rather forced romance angle that disappears. The basic idea could have also been shown without the shades of political parties – for all these elements have been there before the campus politics and the college education itself; the parties could have existed but not on the front like they are now. This could have been a perfect political movie if the focus was more on the idea than politics, and the story more than style – it works as of now, but the immense scope is somehow restricted here. The flashback could have also been shown in a better way, even though the looks never cease to amaze us. We can have more comedy and less insignificant moments in a movie like this.

Performers of the soul :: Oru Mexican Aparatha actually continues the rise of the star in Tovino Thomas who had already shown what he is capable of in the main role in Guppy as well as that memorable supporting role in Ennu Ninte Moideen, and add one horror movie, Ezra to to the list of memories. He also does get to do a flashback role, but it is all about the present for most of the movie. There are moments from him that will give keep the audience on the toes – keep looking out for him with the red flag which he will raise with or without the stains of blood. The rise of the new stars like him, who has no family background in cinema, is something that we can all be glad about, for cinema is not the private property of families; it belongs to people, and each person as a separate individual who makes the same better with their ideas and opinions. He owns one moment in the end, that is sure to give you goosebumps, despite which political party you support. We all want him in bigger thrillers and we keep asking for the same, don’t we?

Further performers of the soul :: The one who stands tall against the protagonist, is the man who brings the fire as the antagonist – the man who hails from Perumbavoor, Roopesh Peethambaran. He has the intensity which is matched only by Tovino, and we have him to display the best of campus villainy that has been seen in a long time. Coming back from the 1995 movie Spadikam which had him as a child actor, he burns the coal for further intensifying the energy here, after directing Theevram and You Too Brutus. Neeraj Madhav comes up with a realistic character here, and he is the one with the principles and discipline here – he also gets some of the best dialogues for a college campus – these three are more than just actors, they are right there as the energy sources for this movie. Gayathri Suresh gets the scope limited though, and with the romantic angle sent to the abyss by a radical change of the favourite colour from violet to red, she has nothing left to do with a character which is not fully developed – she looks good in that role for sure though. Well, not all characters are significant in this one.

How it finishes :: Oru Mexican Aparatha is the kind of movie that works on many levels, and will do nicely to bring a better understanding to the people on the bloody side of campus politics, and also the need to bring a revolution when freedom is denied – this brings the two sides which even those who haven’t studied in an arts and science college needs to witness, and know. Even when it has its protagonist on a certain party, it doesn’t support the same cent percent. If you wonder what Mexico is about in this movie, there is one locked up room in which the hero from the flashback was murdered by the police during the emergency. There is evolution and revolution that follows, and change arrives and waits at the door. You see the entertainment and you feel the excitement – a must for all who have studied in an aided arts and science colleges of Kerala, and also appealing to the rest at different levels; it is what Oru Mexican Aparatha is about.

Release date: 3rd March 2017
Running time: 143 minutes
Directed by: Tom Emmatty
Starring: Tovino Thomas, Roopesh Peethambaran, Neeraj Madhav, Gayathri Suresh, Kalabhavan Shajon, Jino John, Sudheer Karamana, Sunil Sukhada, Sudhy Koppa, Hareesh Peradi, Jaffer Idukki, Anjali P Nair, Megha Mathew, Vishnu Govindan

orumexicanaparathaa

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