Paappan

Vampire Owl: So, we are going to see Suresh Gopi’s true return.

Vampire Bat: Well, this is indeed the return which we have been waiting for.

Vampire Owl: So, the earlier return won’t count at all?

Vampire Bat: Some returns are more important than others.

Vampire Owl: In some cases, there are too many returns which make it insignificant.

Vampire Bat: Well, this should be the one grand return.

Vampire Owl: We are no strangers to grand returns.

Vampire Bat: Uncle Dracula’s returns would not count.

Vampire Owl: A vampire return is of fine significance too.

Vampire Bat: Not for a vampire that comes alive many times.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A dead body is discovered in a forest by some youngsters, and it is rumoured to be that of super star Ravi Varman (Rahul Madhav), but turns out to be that of his driver Rajan (Sreejith Ravi) who was the initial suspect for this particular murder. ASI Raghavan (Nandhu), SI Sabu (Abhishek Raveendran) and SI Soman (Tini Tom) are the first two police officers on the scene, and the case is transferred to be handled by ASP Vincy Abraham IPS (Neeta Pillai) under the order of SP Bhaskar Shenoy IPS (Vijayaraghavan). The murder seems to have been committed with much brutality. The evidences including the mode of operation and use of weapon seem to point to a former serial killer Iruttan Chacko (Shammi Thilakan) who is known to choose lone male victims at night randomly. CI Abraham Mathew Mathan (Suresh Gopi) who is affectionately called Pappan is asked to assist in the case as he was the one who caught Chacko earlier after a series of incidents which led to the death of his wife, Nancy (Nyla Usha).

So, what happens with the events here as we just keep looking? :: These incidents which followed her mother’s death made Vincy move away from Abraham, who had taken Michael (Gokul Suresh) and his mother Sussan (Kaniha) under his wing, which complicated things further. Abraham is sure that it is not Chacko who committed these murders, but someone who might be inspired by it. Vincy is married to a thatre artist named Sidharth (Chandunath), and the news that she is pregnant makes things only a little better between them. A retired forensic expert Dr Pattabhiraman (Janardhanan) provides further evidence to Abraham related to Chacko’s case. Things get further complicated when another forensic surgeon Dr Sherly Somasundaram (Asha Sharath) seems to be attacked, and that is completely beyond the facts which the police had figured out. Sidharth is worried about Vincy taking too much of worries when pregnant. Can Abraham, Vincy or anyone find the truth behind these murders? Who would copy Chacko and become a similar murderer just because there is some grudge which has stayed for long?

The defence of Paappan :: The quality which has been associated with the movie needs to be appreciated. It is also a feature of the main characters of the film who maintains a higher level. The movie maintains the thrills and the suspense is present till the end. There is the presence of some fine red herrings around here, and the viewers are kept guessing without exaggerating the elements of strength. The procedure of investigation is portrayed well along with a certain emotional side associated here and there. Some spirit of a few older movies is maintained here. The film is also quick to get going as the murder happens rather too early, and the flashbacks just fit into the forward movement. The visuals are really good, and the area as well as the moments of terror are well-captured. There are no exaggerated dialogues or action being overdone. There is also the importance of maintaining balance between one’s family and duty being asserted, and the reminder that past could always manage to return to haunt all humans. There is the journey away from stereotypes during multiple occasions.

Positives and negatives :: The inability of Paappan to keep the last few minutes effective is rather disappointing, and the revelation of the secondary villain also lacks the same effectiveness in a movie which was going in a classic mode until then. There is the feeling that there are not enough actors to play some of the important roles even with so many big names out there. The fight scenes in the end seem to keep repeating as if in a loop, and we are made to keep wondering if it would ever end – the length of the movie is felt to be long in the last few moments than the longer periods of time when investigation goes on. For a movie like this, the usual ending was not supposed to be the right one. The flashback tale is too weak as we have a look at it. But one could still think about this movie without paying too much attention to the unnecessary details. After all, this is all about the murders, killers and the police officers set to solve the riddle – the basic thing remains to hold on to the strengths without fail.

The performers of the soul :: Suresh Gopi and Gokul Suresh have come together for the first time in a movie here. The return of the former is a grand one this time, and it has the troubles of the previous Kaaval return removed well. He is once again the police officer that we continue to love. The one person who catches our attention more than the others is Neeta Pillai, who does such a fantastic job as the leading investigator of a series of murders. Years after her first work in Poomaram, this is one work which makes her a solid performer above many other actresses who debuted in the last few years. In comparison, the role of Gokul Suresh is smaller, but maintains a fine presence in a role which also makes a difference. Shammi Thilakan’s role is a very much impressive one, and he maintains a realistic side to it. It is always nice to see Dayyana Hameed of Star Magic fame and Yuvam in the small, but notable roles too, but we would hope for more of her. Sadhika Venugopal of Star Magic is also notable here. Nyla Usha’s role in flashback is pretty much okay. Asha Sharath has her moments, while Ajmal Ameer’s role feels forced. Kaniha does the predictable role well.

How it finishes :: We never have enough of investigation thrillers which make an impact with the smartness factor effectively used. The thrillers like John Luther and Twenty One Grams successfully became the murder investigations of quality rising above the more hyped films with murder investigations, like CBI 5: The Brain. This movie also gets to that better level rather than going for the superstar exaggeration which often becomes the biggest flaw of thrillers leading with murder mysteries. There are no shortage of psycho killers who can become part of such movies, as we have had films like Forensic with the murderers who had no true motive, like revenge or hatred. A little bit more of attention could have made sure that this movie could become one of the best of its kind. Well, there are more movies which can come up with similar investigations, and after corona virus pandemic having its say, thrillers have surely done better.

Release date: 7th September 2022 (ZEE 5), 29th July 2022 (Theatre)
Running time: 170 minutes
Directed by: Joshiy
Starring: Suresh Gopi, Neeta Pillai, Gokul Suresh, Asha Sharath, Nyla Usha, Kaniha, Vijayaraghavan, Chandunath, Janardhanan, Nandhu, Ajmal Ameer, Abhishek Raveendran, Tini Tom, Shammi Thilakan, Dayyana Hameed, Sadhika Venugopal, Baiju Jose, Sreejith Ravi, Rahul Madhav, Jewel Mary, Manasa Radhakrishnan, Malavika Menon, Rosin Jolly, Preetha Pradeep, Chali Pala, Nirmal Palazhi, Sajitha Madathil, Srikanth Murali, Madan Mohan, Benzi Mathews, Nandhu Pothuval, Kottayam Ramesh, Sinoj Varghese, Savithri Sreedharan, Sanuja Somanath, Parvathi T, Saniya Babu, Baby Kanmani, Jordi Poonjar, Sundarapandiyan, George Abraham

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@ Cemetery Watch
✠ The Vampire Bat.

Makal

Vampire Owl: I feel that this refers to the daughters of darkness.

Vampire Bat: Uncle Dracula refers to to the children of darkness, but they are different.

Vampire Owl: I am sure that darkness can have many undead children.

Vampire Bat: Yet, most of them are also the children of chaos.

Vampire Owl: You just cannot have such children roaming around.

Vampire Bat: The witches would not mind that.

Vampire Owl: They wouldn’t, while looking for some special ingredients for potions.

Vampire Bat: It has somewhat gone out of fashion, especially after the hunters started targeting the lesser witches of the woods.

Vampire Owl: The witches will still maintain most of their features.

Vampire Bat: The future of witches is yet to be finalized.

[Gets a vancho cake and three cups of ginger tea].

What is the movie about? :: Juliet (Meera Jasmine) lives with her daughter Aparna (Devika Sanjay) who is studying in plus two, and preparing for medical entrance. Aparna’s father Nandakumar (Jayaram) had been working as a mechanic in the Middle East for a long time, and finally returns to Kerala after losing his job. As Nandakumar and Juliet comes from different religious, social and economic backgrounds, there is more complication here. He starts a food processing unit with the name Pravasi Food Products which gains some initial success. But it seems that the products need more publicity, as sales in the supermarkets stay at an all-time low, and he is forced to find some other methods for support. Meanwhile, Rohit (Naslen K Gafoor) keeps trying to get closer to Aparna. He even becomes a part of Nandakumar’s factory in the disguise of a migrant worker from West Bengal. He keeps trying to make an impression upon Nandakumar until finally getting caught. Nandakumar and Aparna go through regular arguments related to her dog being inside the house, the problem reaching its highest point when the dog goes missing.

So, what happens with the events here as we just keep looking? :: When Juliet finally gets a government job in Wayanad, things get more complicated. There is the generation gap which is always present, and misunderstandings also exist. Aparna driving the car without a license becomes another common reason for fights. Even Nandakumar doesn’t have an Indian license, and he doesn’t like the car as it was given by Juliet’s family. He also feels tha Aparna is getting too close to her male friends. Meanwhile, Juliet arranges her stay with her co-worker Fathima (Dayyana Hameed), and is not able to take off on weekends to go home and meet her husband and daughter. Premlal (Kottayam Ramesh), the superior officer at the collectorate where she works is not ready to provide any relief to the employees. It is then that something strange happens in their life, as an unknown person also becomes part of their life – coming from Karnataka, Garuda Naik (Balaji Manohar) is a man of mystery. This would change their perspective about father-daughter relationship. But will that come a little too late for their liking?

The defence of Makal :: This family drama moves forward with a touch of humour, which seems to work very well with the audience for whom it is intended. The messages for the families related to parenting and family attachment are always there, as one would expect from this kind of a movie. Most of the struggles shown here feels very much real, and the problems with a new generation of teenagers are portrayed close to reality. It shows how difficult it is to take care of the new generation of such teenagers who rarely listen to their parents, despite seemingly staying with them and using their money for what seems to be forever. As this kind of movies are not easy to find among the categories these days, it is good to see this one coming back too. The emotional sequences are mostly working, and the credit to the same goes to a certain amount of nostalgia that goes towards the past. These are the kind of movies which takes us into the past, and places that world in the contemporary world, and we remember the values which are rarely present during these days when there is a new generation descending into chaos – it can be lamented, while the feel-good factor of this film is strong.

The claws of flaw :: There are many unnecessary sequences in the movie which makes one feel that they lose the focus on regular intervals. With better focus, some of the dialogues and situations wouldn’t have found light in relation to this particular movie, which had the potential for much more. The feeling of being outdated is also there at times. The major twist which happens in the movie is indeed the strangest addition which feels rather unwanted, and a movie which was going the realistic path seems to struggle in finding some realism from that moment. Before the incident, there were also the repetitions which never hesitate to appear out of nowhere. One would feel that some characters should have had more purpose around here. Some moments just gets added to bring more humour in here. Even the main characters seem to be irritating at times, but considering how the real-life people go about, blaming them for being so feels rather difficult. The small romantic angle added here seems to serve nothing other than some humour and a little bit more of emotions, even though all of these were already there.

The performers of the soul :: Jayaram has been having some skill in maintaining this kind of family-oriented films, and that quality is still here, even though the world has changed a little too much from those early times. The fatherly figure has suited him very well for some time now. Meera Jasmine makes her return to Malayalam cinema industry as a grand one, as she is the leading lady again, maybe marking a permanent stay around here. Devika Sanjay who was earlier seen in Njan Prakashan is the one person whom we notice more than anyone else, as she once again scores in playing the teenager with the usual problems which are reflective of the new generation. Naslen K Gafoor of Thanneer Mathan Dinangal and Kuruthi kind of variety and most recently seen in Jo and Jo, has much less to do, but still adds to the humour really well – still, this is a character with minimal impact on the tale. Sreenivasan makes a notable, but less influential appearance here too. Innocent and Siddique remain strong as the veterans. The smaller roles of Nilja K Baby and Dayyana Hameed would also be remembered, and the two are surely going to make it big sooner or later.

How it finishes :: It is clear that the audience intended for this particular movie are the groups which come to the theatre as families. For the other audience, this would seem like something which they have already seen. The movie released on the OTT platform much later than the other, and it comes as a surprise as it could have easily grabbed more viewers with an earlier release. It is late by at least two months, and such a delay would have been heart-breaking for the fans of Meera Jasmine waiting to see her return. We have known what Sathyan Anthikad movies have been capable of, and not much change has come across them. We can still feel the absence of some common names which were part of the cast in his most films, some of them not alive anymore and others not being there for some reason. Well, the 1980s and 1990s were the classic ages of the director, and it is clear that he still have the power of the same family values to be brought to the audience. One can accept them or choose to reject, but these works which has the minimum guarantee are not to be avoided. Most of our parents would always prefer to watch movies like this one.

Release date: 18th August 2022 (Manorama MAX); 29th April 2022 (Theatre)
Running time: 142 minutes
Directed by: Sathyan Anthikad
Starring: Jayaram, Meera Jasmine, Siddique, Sreenivasan, Innocent, Devika Sanjay, Dayyana Hameed, Naslen K Gafoor, Meera Nair, Sreedhanya, Balaji Manohar, Jayashankar Karimuttam, Nilja K Baby, Althaf Salim, Sreelatha Namboothiri, Kottayam Ramesh, Krishna Praba, Mani Shornur, Salim Hasan

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@ Cemetery Watch
✠ The Vampire Bat.

Vaashi

Vampire Owl: I did like the trailer enough to go for this particular movie.

Vampire Bat: Yes, but we are less interested in watching movies in general.

Vampire Owl: We can’t leave the movies just like that.

Vampire Bat: We are not leaving them. We just don’t watch that many of them.

Vampire Owl: It is a deviation from our earlier policy.

Vampire Bat: There are no permanent policies in a world of chaos.

Vampire Owl: You mean to say that chaos hasn’t left our world again.

Vampire Bat: I will not hesitate to say that it is forever.

Vampire Owl: Why is it that humans can’t keep the chaos to themselves?

Vampire Bat: Maybe they are too busy with evil that chaos is no longer deemed necessary.

[Gets a vancho cake and three cups of elaichi tea].

What is the movie about? :: Advocate Ebin Mathew (Tovino Thomas) and Advocate Madhavi Mohan (Keerthy Suresh) are collegues who have only started some progress in their field of expertise. While Ebin struggles to find the cases, Madhavi feels that she is wasting her time under a senior lawyer who doesn’t value her at all. Even though Madhavi is not even able to submit documents to the court properly, she blames other for it, and continuously plays the victim card. Advocate Satheesh Mulloor (Baiju Santhosh) tells them that there is a room available for setting up a lawyer’s office. They start working together, also falling in love in the process, and soon, Ebin gets appointed as the public prosecutor, as his influential brother-in-law manages to get his name ahead of the other lawyers trying for the post. Soon, as both of them are forced by their parents to get married, the two finally decide to get together with one another, even though Madhavi feels that she is not ready, as she is not settled yet. She is insecure because she always feels that she is targeted because she is a woman, but in reality, she remains an irritating person who doesn’t know how to talk to people with mutual respect. Ebin gets his first duty in the form of Anusha Shivakumar (Anagha Narayanan) who has filed a case against Gautam Ganesh (Anu Mohan), which goes forward as breach of promise to marry after intercourse.

So, what happens with the events here as we just keep looking? :: Anusha had also tried to commit suicide after he had refused to marry her. But it turns out that Ganesh is a relative of Madhavi, and she is forced to take the case, much to the shock and dismay of Ebin, as he sees her in the court in defence of the accused. The two decide to keep the matters of court away from their personal lives in the beginning stages. Even though the two families find their marriage idea with the case going on in the background complicated, they agree to the alliance despite the community differences. But their battle against each other in the court soon begins to cause problems in their personal life, and most of the time, they try not to let anyone else know about the crisis. Ganesh assures Keerthy that he made no promise to marry Anusha at any point of time, and that they didn’t come close to a proposal either. Ebin and Madhavi continues to fight over the case, and the relationship gets to a new low. But the question remains about how far they can go on like this, and also about who will win the case in the end? Who will be the one desiring for a win the most? Where will pride and prejudice lead them?

The defence of Vaashi :: The film is pretty much effective as a courtroom drama, and has its moments to lift the level. It doesn’t make a mess of things even when there were so many chances – it sticks to the points instead of looking for mass masala dialogues like Jana Gana Mana, and there is not that much of a stress on romance and other usual nuisance which comes to ruin a film which deals with the relevant things. The movie has control over the world, and doesn’t go on to add the dialogues to get the claps. There are messages about right and wrong, while also talking about the complicated situation of law, as subjectivity and objectivity might come up with different results every time. It reminds us that people can’t be understood by just feeling that we have known them for very long, and also that balancing work and family is important. The songs are mostly good, even though not that much effective to remember for long. It is the combination of the leading performers that makes this one better – they do make us feel that they are stronger together, and the supporting cast contributes nicely. This is the kind of the movie which makes you feel the need to watch it from the trailer itself.

The claws of flaw :: The emotional side is not that effective unlike how it seems to have been intended. The movie rushes through some of the moments which should have taken more time, while it slows down for no particular reason at times. It doesn’t try to make the point strong enough, and in the end, even though there seems to be valid ideas, there are rather too many of them, and we feel that they bring conflict with each other, as ending struggles. The final talk about no right and wrong being present feels rather foolish, as one just can’t put everything in the grey zone, for good and evil makes the grey, sometimes a lighter version or at other times the darker one. Having one’s own principles matter in life, and trying to be righteous is not a bad thing. You just can’t avoid the opportunity to find the right thing to do, and it is where the spectrum of feel-good films lie, and we appreciate them for the amount of goodness it displays against the chaotic world – the female lead’s ideas also go vague from the beginning itself. In the end, it feels that the movie is trying to lose the meaning rather than to find it by the end.

The performers of the soul :: Tovino Thomas has another interesting movie for him, and manages to come up with a fine performance yet again. Minnal Murali star has had the different varieties of movies – Kaanekkaane of the emotional side, Forensic of the thriller side and Kilometers and Kilometers of the funny side. He gets to shine here, more than anyone else, as his character feels that it is the naïve young woman that needs justice as there was manipulation. Keerthy Suresh is back to Malayalam movie industry, and we only hope that she is here to stay. Even though her character does seem irritating in the beginning stages, she gets her moments in the later stages, and finishes off really well – the dialogue from Maayanadhi is nicely used in her speech, providing a reminder that women often get away easily due to the favourable laws and men are punished. Baiju Santhosh has another solid role which is done very well. Anagha Narayanan gets her moments to perform, and she contributes well – she could be the talent that Malayalam cinema industry could use more in future. Anu Mohan also gets a good role to work with after Twenty One Grams, and there is no trouble there either. Rony David also has a notable role which will be remembered. Kottayam Ramesh as magistrate is very much a fine act too. At the same time, Nandu plays the father figure in a convincing manner.

How it finishes :: The movie manages to be an engaging courtroom drama for most of its run-time. There are moments when the struggles appear, but with some other sequences, the movie gets over them. Here, we have something at almost all times to make up for what goes missing, and it is a film of ups and downs, but it talks about two sides of a problem effectively. The idea becomes even more relevant in the contemporary world, as similar cases have been in the news for some time, and one can only wonder if there will be answers to some questions which are raised by such situations. The world is a strange place, and it often struggles to provide truth in a world of lies. The movie also seems to have focused on taking a safe side, as there is no clear conclusion derived around here. It seems to try and make sure that it makes some point, but as it is reluctant to take any risk, the questions remain. Well, this is one movie which was of interest due to the cast and the premise, and considering the same, it has delivered well enough.

Release date: 17th July 2022 (Netflix); 17th June 2022 (Theatre)
Running time: 128 minutes
Directed by: Vishnu G Raghav
Starring: Tovino Thomas, Keerthy Suresh, Anagha Narayanan, Anu Mohan, Baiju Sathosh, Rony David, Kottayam Ramesh, G Suresh Kumar, Maya Menon, Sreelakshmi, Nandu, Maya Viswanath, Arya, Vanitha Krishnachandran, RJ Raghu, Meera Nair PS, Amal Rajdev, Vijaya Kumari

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@ Cemetery Watch
✠ The Vampire Bat.

Antakshari

Vampire Owl: This reminds us of the great game that we had in the castle.

Vampire Bat: The human game was indeed interesting.

Vampire Owl: Yet, humans play more of the evil games.

Vampire Bat: It is just a part of their evil nature.

Vampire Owl: Evil is part of their nature more than ever these days.

Vampire Bat: Can you guess how many evil humans are in this movie?

Vampire Owl: I am guessing that at least ninety five percent of them will be evil.

Vampire Bat: It is not really a big percentage for any group of humans.

Vampire Owl: Doctor Frankenstein has determined it be as high as ninety nine most of the time.

Vampire Bat: I don’t think that this has anything to do with Mr Frankenstein and his fake experiments of no meaning.

[Gets a chicken samosa and three cups of orange tea].

What is the movie about? :: Circle Inspector Das (Saiju Kurup) is the officer in charge of a police station in the remote area of a hilly terrain, where Srinivas (Sudhi Koppa) joins as a probationary officer while hoping to solve a big case as soon as possible. Das gets into a fight with Vasudevan (Vijay Babu), who is a local leader of a prominent party, and also has multiple business interests. On the very next day, Das’ daughter is almost strangled to death by a man wearing a paper mask, saved only because of his wife Chitra (Priyanka Nair) noticing it at the right time. Despite threatening Das and his family before, Vasudevan denies any kind of involvement in the act, affirming that his problems are solved face to face, and there will be no hiding. Das has the habit of playing antakshari where each person sings a song, and the next person begins with the letter on which the previous person’s song ended. On the day on which his daughter was attacked, he had also received a call from an unknown number asking him to sing a song, or his daughter will be singing instead.

So, what happens with the events here as we just keep looking? :: Their senior officer Jayachandran (Binu Pappu) and the local head constable Hariharan (Kottayam Ramesh) are not really fond of Das, as they are on the side of Vasudevan, and do not want him to solve too mysterious a case. He also comes against a strange, mute girl named Nayana (Ishita Singh) who has come to her grandparents’ home from Delhi. There is something about her, as she also seems to be hiding some secrets which nobody would want to know. Das and Srinivas slowly, but effectively connects the dots and finds out that similar murders have happened before, but police had closed the cases. Some of those murders were also considered to be accidents, and the deaths of the fathers after the murders of their children were considered to be accidents or suicides as a result of alcoholism and depression. The two officers end up finding a chain of events which lead a long way back, but will they be able to find the person behind it in time or is there another murder on the path?

The defence of Antakshari :: The movie has a police officer who is rather ordinary, and it has his struggles in finding the psychotic murderer, who is really that crazy as in Forensic, and very unlike the non-psychotic revenge seeker in Anjaam Pathira. The cop doesn’t have that much of a flaw as the protagonist of Memories, but is very much relatable with a usual kind of family and personal problems. The movie is shot nicely, and with some fine performances, leaves scope for a possible sequel – despite the low chances, we hope that such an attempt is made; there are also other similar trials of investigation which can be combined with this one to create a shared universe. Such a sequel can also talk about those elements of this movie which seems lost, and maybe, it can be a serial killer universe instead of a cop universe. This is the kind of movie which Bollywood would use to make a super-cop, but thankfully, we don’t leave it in their hands. The movie doesn’t take the predictable path either, as there seems to be the possibility of fun discovered in taking the road less taken, on the lines of Robert Frost.

The claws of flaw :: Antakshari is quite slow in its progression, and there are characters who don’t really play much of a role in moving the tale forward. A few things also go without explanations. The whole saga of one family with an abusive father, frustrated mother, music-playing son and cat-loving daughter facing a mysterious girl don’t fit in here at all – neither do the broken guitar and dead cat. This is that kind of a family which could have been there for namesake, but so much of time is wasted on them. If a red herring was intended, that should have been a part of the storyline – there was another villain out there who could have served the same. The young engineering student who is in love with a mysterious mute girl makes no sense, even if the vampires were to turn cent percent vegetarian. Without these moments, the movie could have been shorter, and the pacing could have surely been better. This one lets the lost moments go lost rather than get it back and link them. There were so many paths that this film could have taken, that is for sure.

The performers of the soul :: Saiju Kurup shines really well as the police inspector who has this investigation on a personal level rather than anything else, like Joju George of Joseph. He has been one actor who didn’t get enough opportunities to lead, but this is one chance which he holds on to. He is someone who suits this kind of a police officer really well. Sudhi Koppa plays the role of the supporting officer well, and it is also not a role he is stranger to. He is another performer whom we need to see very often, as there seems to be a lot of requirements for quality actors rather than entertainers. Binu Pappu doesn’t have that good and understanding police officer role here, but does this shade with ease. Priyanka Nair who did have some fine roles years ago has another one to remember here. Among all the roles being performed here, Ishita Singh’s role remains the one which doesn’t seem to give us any idea of its purpose of existence – feels like an absurd side around here, even though she suits the character. The rest of the characters mostly just have to play along here, but more notable are the woman and child from the flashback. Vijay Babu has a small role.

How it finishes :: Like Salute, Antakshari is another movie which doesn’t depend on the foolish mass masala to go through investigations by police officers. It is very good and effective because it doesn’t cater to those brainless fans who visit the theatres and get a movie crores of business while losing all their money to petrol, parking fees, highly expensive food and others. This movie is for the others, who look out for the new releases on OTT platforms, as the Corona virus pandemic has shown us that it is indeed the right thing to do. Well, you have the choice not to go to the theatre and watch those foolish dance and music to which insanity is unleashed in between a story – I would call for the lack of the same every time. The mass masala genre itself is a fake thing created for the superstars and their children to call their fans to the theatres and by creating the fake vibes, they make the rest of the audience feel that the movie is fantastic – lets see how long these star kids who fly around beating people and doing dumb romance will go. After that, you can come back to good movies like this one.

Release date: 22nd April 2022 (Sony LIV)
Running time: 122 minutes
Directed by: Vipin Das
Starring: Saiju Kurup, Priyanka Nair, Sudhi Koppa, Vijay Babu, Binu Pappu, Thomas Kunnampuzha, Shabareesh Varma, Sruthy Suresh, Kottayam Ramesh, Boban Samuel, Sandeep Pradeep, Ishita Singh

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@ Cemetery Watch
✠ The Vampire Bat.

Pada

Vampire Owl: I had heard some good opinions about this movie from outside Kerala.

Vampire Bat: These days, good Malayalam movies get nice opinions from outside.

Vampire Owl: And the bad ones get the mass opinions from inside the state.

Vampire Bat: Yes, about the masses, it has been so for quite a long time.

Vampire Owl: I thought that humans have survived to go past the mass masala.

Vampire Bat: Well, not everyone has a fully grown brain to do that.

Vampire Owl: The existence of such a strange genre itself is a crime.

Vampire Bat: It is rather the useless genre.

Vampire Owl: Do you think that humans can have some intellect with movies?

Vampire Bat: Maybe with movies like this one around.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: The Adivasi Land Act Amendment seems to have changed the life of the tribal people by a long way, as in the year 1996, in Palakkad, Rakesh Kanhangad (Kunchacko Boban) gives an interview and says that he is now a fugitive for strange reasons. He talks about the situation of the adivasis and the new laws passed without any protest from any Member of the Legislative Assembly, something which could actually drive them away from their lands within the forests. Aravindan Mannur (Joju George) is also someone who is frustrated with the system, and hopes that there will be a change through the actions of the people. Balu Kallaar (Vinayakan) is also a determined man who leaves his wife Sheeja PK (Kani Kusruti) and children behind citing some important work. Narayanan Kutty (Dileesh Pothan) is also someone who wants to see some change, and the same is the case of Mini KS (Unnimaya Prasad) who supports what these people seems to be planning.

So, what happens with the events here as we just keep looking? :: Rakesh Kanhangad, Aravindan Mannur, Balu Kallaar and Narayanan Kutty are determined to get inside the collectorate with some sinister plan for the collector. But it seems that the collector won’t be there for the day, and they are forced to return on the very next day. The team feels that it is a good thing as they are not that prepared or organized – one more day for preparation can only help their cause better. They decide not to be seen together, and make their own preparations for the next day all by themselves. Mini remains anxious about Narayanan Kutty being a direct part of this, but is forced to return home as he insists on the same. Sheeja also remains worried about her husband, but can do nothing about it. Rakesh manages to nicely evade the police despite being caught in the name of a case in which he was acquitted. But the plan won’t go as straight forward as they had wanted it to happen.

The defence of Pada :: It can be seen that Pada nicely and slowly gets into action, and by the interval, it has the main thing being initiated. The movie keeps on going through the realistic treatment of the whole thing, never really trying to build up the tension in a twisted or forced manner. There is no unnecessary action, and there is no romance at all, which means that the movie is kept close to reality – the two would have only brought a deviation away from the real world. The movie does make a strong point towards the requirement of the subaltern, and there is the strong political statement related to the governments which have come and gone, but never cared about the people who really needed the attention of the people in power. Well, it can serve as more of a reminder that the government doesn’t care about most of the people, and the politics has rarely helped the common man, and never came to the service of those who were even further below in status. A reminder of how the government machinery works can only help us at all times.

Positives and negatives :: There is indeed grandeur related to the cast here – the leading four, Kunchacko Boban, Joju George, Dileesh Pothan and Vinayakan were always sure to bring quality around here. The two main women, Kani Kusruti who won the Best Actress at Kerala State Film Awards for her exceptional work at Biriyaani and Unnimaya Prasad who has come up with some of the most memorable performances out of even small roles. Then there is the classic Prakash Raj and Indrans who has come into serious roles with a lot of strength and class. Shine Tom Chacko and Sudheer Karamana are the kind of actors who work strongly in the background every time – could have been used better for sure. At the end of the movie, there are the clips to show that this was a real incident, and we also have the realization to understand that nothing much changed after that in real life too. The world belongs to a few, and the majority are fooled easily – a reminder of the same is always good, and serves a fine purpose. Well, after many movies like this one, you have the same world – some people won’t even like the film’s slow pace, and lack of surprises or innovations.

The performers of the soul :: Coming out of the less interesting and often struggling Bheemante Vazhi, Kunchacko Boban is back to form again within a thriller of quality. Related to the earlier Nizhal, Nayattu, Virus and Anjaam Pathiraa, there was the rise of thrillers in his bio-data – he has very soon become no stranger to this genre, unlike his early romantic journeys which continued for so many years then. He leads the way strong and sharp around here. Joju George has been choosing some of the right movies since Joseph, and the last classic choice was Madhuram – this one is no exception, and he does a fantastic jon as usual. Dileesh Pothan, the legendary director of our times, Maheshinte Prathikaaram, Thondimuthalum Driksakshiyum and Joji comes up with another realistic performance, and Vinayakan also does the same. Shine Tom Chacko and Sudheer Karamana are limited to small, but still notable roles. Prakash Raj has a solid presence in the second half, while Unnimaya Prasad and Indrans do their job in a rather usual manner. Biriyaani movie’s classic actress Kani Kusruti’s role is also limited, but there is charm in the actress’ small presence itself.

How it finishes :: This is another one of those realistic movies which has a hostage situation in the centre. If we imagine Bollywood doing a similar film, we can only feel threatened about the intellectual poverty that we would have to come up against, and end up being devastated in the process. But with Pada releasing here, we can only be thankful. Whether it is the case of the subaltern or the struggle for independence, they are best done in a realistic manner, showing the struggles that people go through, rather than making some mass masala entertainer out of them. We don’t need to make superheroes out of people who struggled for us – we should respect them for these struggles rather than portray them as metahumans who have had it easy because they were too powerful. I would never understand why people have the wish to demean the people who fought for us, and thus make an attempt to annihilate their dignity. I wouldn’t support such a cause, because for me those who struggle and win are the true triumphant ones, and not those who are shown to fly and fight hundreds of people at once in the process.

Release date: 10th March 2022 (Theatre); 30th March 2022 (Amazon Prime Video)
Running time: 122 minutes
Directed by: Kamal KM
Starring: Kunchacko Boban, Joju George, Dileesh Pothan, Vinayakan, Unnimaya Prasad, Kani Kusruti, Prakash Raj, Indrans, Arjun Radhakrishnan, Jagadish, Salim Kumar, Savithri Sreedharan, TG Ravi, Shine Tom Chacko, VK Sreeraman, Gopalan Adat, Dasan Kongad, Siby Thomas, Bitto Davis, James Elia, Sajitha Madathil, Hari Kongad, Vivek Vijayakumaran, K Rajesh, Kottayam Ramesh, Shankar Ramakrishnan, Devendranath Shankarnarayanan, Unni Vijayan, Kannan Nayar, Sunil Annur, Rajeevan Vellur, Haris Saleem, Nithin George, Ishitha Sudheesh, Master Davinchi, Santhosh Keezhattur

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Meppadiyan

Vampire Owl: So, this is officially the third Malayalam movie that we watch this year.

Vampire Bat: Yes, Bheemante Vazhi was watched last year, and review posted this year.

Vampire Owl: Well, it was not really that good an adventure.

Vampire Bat: That was indeed a path which shouldn’t have been travelled.

Vampire Owl: I am sure that this one is a better path in comparison.

Vampire Bat: I have travelled through too many paths of similar quality.

Vampire Owl: You only travel through the clouds these days.

Vampire Bat: I make my own path through the clouds.

Vampire Owl: I hope that this movie shows enough of human evil.

Vampire Bat: I have read that this film has enough of that.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Xavier (Aju Varghese), Democratic Malayora Congress Youth Wing President burns down a small hotel namely Ammini tea shop. Even though he is blamed for this, there is no proof for his involvement in the act. At the same time, Jayakrishnan (Unni Mukundan) continues as an expert autombile mechanic who has a high reputation for his skills in the village. One of his best friends is Varkey (Saiju Kurup) is someone who spends his time with alcohol and cigarattes, and also tries all the business activities which don’t work. Still, his wife Annie (Arya) supports him all the time. He also gets into regular fights in bars, and wants to make some easy money. He also runs a small business venture known as Varkey Stores without any responsibility. People say that he has destroyed all the reputation that his father had created, and lost most of the money and property which belonged to his family. But he continues to think big, and hopes to make quick profits. Jayakrishnan is in love with Renuka (Anju Kurian), who is a temporary school teacher.

So, what happens with the events here as we just keep looking? :: Renuka wants him to get a government job and get settled in life, but he is not so sure about it, as he is confident about his abilities. She is also featured in the rank list of the last examination which she wrote. But he feels that by doing what he does the best, he could be successful in life, and getting a government job or going to the Middle East is totally unnecessary. It is then that Varkey and Satheesan (Jordi Poonjar) comes up with a plan to buy the land where the Ammini tea shop was standing, belonging to Yacob (Kundara Johny) and Stella (Nisha Sarang), and Jayakrishnan who requires ten cents of land also becomes part of it. As they decide to buy the land and gives an advance, they are forced to get money for half of the plot immediately as Yacob’s daughter is going to get married soon, and they have made arrangements having this in mind. But Jayakrishnan will only get the required money after a few months, and Varkey’s home and lands are going to be taken away by the bank. Now, they have to find some quick money, but the path which they choose will lead to many complications.

The defence of Meppadiyan :: The movie is a reflection of the common man’s suffering as he is the one who lands in trouble due to all these problems, and the terrible complications which government offices and the government itself brings on. Then there is the reflection of the inherent evil in humans which has gotten bigger in scope due to the greed for money that has cast a pure evil shadow on everyone. It is so close to truth that most probably, after watching this movie, you will no longer trust most of the people around you, as an understanding of evil humanity is provided without a chance to doubt it. I desire to call this the warning movie for everyone, and if you are going to sell or buy something that costs a lot, maximum care is to be taken. The film captures the essence of a village really well, and there are some nice twists which are added here and there, mostly related to problems being added one after the other to trouble the common man. It was only a few days ago that we read about a man who committed suicide due to problems related to his land, and this is also a grand reminder.

The claws of flaw :: The movie’s beginning stages seems to be stretched with a certain amount of predictability, and some parts of the movie can be guessed. Some of the websites about this movie also provided the spoilers without that much of a warning, and there was also an unnecessary controversy created related to that, even though I wouldn’t see any such problem related to that. The emotional side is also a little bit more stretched than how it should have existed here. The female characters could have also had something to do here, instead of being worried for most of the time and depending on the main characters for help. Also, much earlier, the movie was expected to be a thriller, but those elements are very much limited. Even though we do understand the evil which is present in this movie, we should have been able to see its reflection as pure evil, like how we associate them with goblins and orcs – well, even though they belong to fantasy, some of the humans are exactly like them, not that much with appearance, but with what goes on inside. Trust a human, goblin or orc too much, you might be gone forever. The ending could have been better, and not quickly forced like seen here.

The performers of the soul :: Unni Mukundan who plays the main character, just lives as the man, as this seems to be one role which suits him so well. He plays the one man who is determined to get things right for everyone, and we are left to support him above everyone else as he seems to be the only one who doesn’t have any negative shades – those other positive people are all more helpless than him. His character serves as a mortal instrument to understand the evil humanity around us, and this understanding which will prevent us from trusting people again will be helpful to us in future, and considering the same, Unni Mukundan’s performance is a blessing in a fake world of chaos. Aju Varghese plays a good friend who also takes commission, and so not so good – interesting performance there. Anju Kurian’s role is good, but limited in presence. Saiju Kurup plays the usual dumb and lazy person who hopes to get rich by one good deal, but doesn’t have the ability to do that, and once again he is good. Indrans is very much notable in his role. Kottayam Ramesh also contributes nicely, while Kundara Johny and Nisha Sarang also got their moments.

How it finishes :: Meppadiyan‘s basic idea is that most of the people, as well as the government and politics remain evil at all times. It is a perfect understanding of the world that surrounds us. One should understand that in this money-oriented world, there is no hope for good common man, unless he has a huge amount of luck or gets a favour from the heavens. Everyone around you is looking for monetary benefits, and it will be nice if everyone takes the warning out of this movie and be careful with dealing with people all around. Living in this world and trusting humans will be more difficult than ever after watching the film – what we can do is to take the best precautions, for you cannot trust any person, not your friend, government official or the government itself. Everyone is after your money, and these are the kind of people who will beg for cash out of a beggar’s bowl. Along with being an interesting emotional thriller, Meppadiyan works as a warning against the devils that are around you. The movie leaves a doubtful, but really careful person, which will help for your future dealing with those who live around you, as this seems to be inspired from things heard and seen in our world – stay awake to possible evil, and make sure you take no wrong turn.

Release date: 18th February 2022 (Amazon Prime Video); 14th January 2022 (Theatres)
Running time: 122 minutes
Directed by: Vishnu Mohan
Starring: Unni Mukundan, Aju Varghese, Anju Kurian, Arya, Kottayam Ramesh, Saiju Kurup, Indrans, Nisha Sarang, Shankar Ramakrishnan, Kundara Johny, Pauly Valsan, Jordi Poonjar, Manohari Joy, Kalabhavan Shajohn, Major Ravi, Krishna Prasad, Sreejith Ravi, Aparna Janardhanan, Naveen Illath

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

<<< Click here to go to the previous Malayalam film review of thrills.

@ Cemetery Watch
✠ The Vampire Bat.