Mohan Kumar Fans

What is the movie about? :: Mohan Kumar (Siddique) used to be a huge superstar until he lost the race to the younger stars. He does believe that it was the result of black magic done by his rival actors. After a long gap, he does get a role to play in a critically acclaimed movie, for which everyone feels that he will get an award. His daughter Sreeranjini Mohankumar (Anarkali Nazar), is an interior designer who wishes to be a singer, for which she tries her luck in different reality shows. Krishnan Unni (Kunchacko Boban), is a youngster who is also trying to make it big as a playback singer. They meet at a reality show, and he is also sent to work for Mohan Kumar as the driver by Prakash (Mukesh), his old friend and a struggling producer who is trying to make a film with Kripesh aka Aghosh Menon (Vinay Forrt), a young superstar who is extremely arrogant, and thinks that he is above everyone. Krishnan Unni and Sreeranjini start competing in the reality show, mostly as a team, and Mohan Kumar also becomes fond of the young man who is there to help him.

So, what happens with the events to follow? :: Kripesh continues to try to make a name in the industry, as his fame rises, and tells everyone that his living together partner Brighty Menon (Deepa Thomas) is a sisterly figure, and fakes different events in which he is shown as a man with love and respect, raising his popularity even higher with PR work. When Arun Rajeev (Adil Ibrahim) and Prakash approaches him with a new film script, his demands only get higher. Meanwhile it is just another downwards journey for the former star, as the critical acclaimed film is taken out of the theatres much to the dismay of Mohan Kumar, who felt that he was going back to that stardom with all the appreciation he received, even more than Kripesh who was originally supposed to be the hero, but was sidelined in front of his fantastic performance. After a fight with Hamsa Randathani (Nisthar Sait), his name is nicely taken out of the Kerala state awards final list, but there is still hope for National Awards – yet, it is to be seen if they can find a way to take it to Delhi with time running out, and a lot more to be done.

The defence of Mohan Kumar Fans :: The movie’s messages are strong, for it is against the vanity and arrogance which has been going on in the film industry. The lack of quality in the visual media is also shown, and it also displays YouTube, Instagram and other social media as what it is, showing how celebrities use fake videos or good for nothing videos just to gain popularity, while skilled performers and quality actors don’t get the recognition they need. Well, if one actress stand outside her home and take a video, it gains so many viewers and appreciation, and it more or less shows the same. Well, you know that literacy means the ability to read and write, and with so many videos being preferred over written content, one has to wonder if it is because of the lack of literacy among people. Our YouTube-Instagram loving celebrities in the film might be suffering from that illiteracy too. It is shown with very nicely prepared humour with fine satire, and the feel-good factor is also high around here. The songs are just okay, and it is not short of some touching moments.

The claws of flaw :: As this movie makes fun of a certain group of people and says the truth about them, such people won’t like it – especially the blind superstar fans, creators of nonsense in YouTube and Instagram as well as those so called celebrities who try to become popular by fake means. For others, they will surely like the film, but they won’t be able to dismiss the fact that this should have had more depth with its content. Mohan Kumar Fans is that kind of a film which could have taken each of its strong elements into another level, but it is certainly not able to do that because it has chosen to travel through a safe path – the feel-good side can always get you over the line, but if you stick on to that, and play safe, it is like aiming for run-a-ball in an IPL match when there is good chance for stroke-play. Maybe, they did so because there was not much of a competition in the theatres with less number of big Malayalam films being released and less number of people watching in the theatres – but that would just be an excuse if we think so.

The performers of the soul :: This one comes after the director’s films which have maintained the feel-good factor at some point, starting with Bicycle Thieves, my least favourite film in a long time, the definite improvement in Sunday Holiday, the bigger improvement in Vijay Superum Pournamiyum and now this film, which also has Asif Ali in a cameo, making all these films Asif starrers. Well, you know that who else was there in all these movies, and it is Siddique, with his biggest role in this movie, as he is the real protagonist here, with everything centered around him, and all things being about him only. It ultimately becomes all about the positive message that is spread through his life, and in that, this movie races ahead of all among the director Jis Joy’s movies, except Vijay Superum Pournamiyum, which was much more ahead in the race. Siddique, the veteran actor, nicely stays at the core of the film, and manages everything in his usual style. If this much was done in a feel-good film, you can guess how much more could have been done if this was a serious tragedy.

Further performers of the soul :: Kunchacko Boban outside the thriller mode of Nizhal and Nayattu, does have his moments, as he is indeed the hero here, trying to keep the main character happy and ready to take the risks just for the sake of the man. Anarkali Nazar is a lovely addition here, as we see her for the first time, and despite the introduction not being that great, we see that the emotions work really well for her. Among the rest, it is Vinay Forrt who stays with us the most, with one of the best satires on the superstars who can’t really act, but tries to get mileage through videos posted in YouTube, Instagram or any social media. As video medium attracts the illiterate and those who find it difficult to read English, these celebrities get more attention that they need, and being as fake as the character he displays here, their first option will always be YouTube to fake their life in front of the blind fans, who will share the same in social media, displaying their foolishness as much as they can. After Saroj Kumar, his Aagosh Menon strikes gold with the satire.

How it finishes :: Mohan Kumar Fans does take an approach which the movies like Driving Licence didn’t have the courage to take. Instead of taking the side of the common man, it had stood with the superstar and his fans. This movie is courageous in that case, taking the side of the common people, and it focuses on the gracious actor instead of the dumb superstar, the dumbness of the latter nicely shown throughout the film, and it also shows everything fake that has been running through YouTube. We keep seeing those celebrities doing YouTube videos, and we know that they are all fake, but there will always be those people who watch such nonsense posted by such people who are only looking for fame. Well, if a celebrity post any nonsense on YouTube, everyone wants to watch that, and if something sensible is posted on YouTube by the common man, you know how it is left unnoticed – it is such an age, when quality is not rewarded, a common problem with the visual media in comparison to the written one. This is the same reason why people who are looking for easy paths to success without hard work won’t like this flick. For others, this works in varying levels of interest, mostly on the higher levels.

Release date: 19th March 2021 (Theatre), 21st May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Jis Joy
Starring: Kunchacko Boban, Anarkali Nazar, Siddique, Mukesh, Sreenivasan, Saiju Kurup, Vinay Forrt, Ramesh Pisharody, TG Ravi, Alencier Ley Lopez, Major Ravi, Joy Mathew, Krishna Shankar, Adil Ibrahim, Sudheer Karamana, KPAC Lalitha, Deepa Thomas, Srikant Murali, Anjali Nair, Prasanth Alexander, Sreelakshmi, Sethu Lakshmi, Nisthar Sait

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Varane Avashyamundu

What is the movie about? :: Neena (Shobhana) is a divorced mother who is living with her daughter Nikitha (Kalyani Priyadarshan) in the busy city of Chennai. As Neena had eloped from home and married, the only relative who comes to see them is her uncle Manuel (Lalu Alex) while her husband lived far away from them. While Neena works as a teacher of French language, Nikitha also supports herself with a job, and is looking for a groom in a matrimonial website all by herself. Those whom she finds as match include Alphonse (Siju Wilson) and Aby (Rahul Rajasekharan), a Motor Vehicle Inspector and an NRI respectively. In the same block of apartments where they are living, Major Unnikrishnan (Suresh Gopi), a retired army officer also lives alone. He is known for his anger management issues due to which he often gets into trouble, and is disliked by the people living near him.

So, what happens with the events here? :: Bipeesh (Dulquer Salmaan) is the new resident at the apartments, beginning his stay with an argument with Nikitha over their two-wheelers. Nikitha is not fond of him as well as Unnikrishnan who also buys a dog which is almost as huge as him. Major Athmaram (Major Ravi) who was also in the army tries to solve Unnikrishnan’s anger management issues by sending him to his friend who is also a doctor – Doctor Bose (Johny Antony). Unnikrishnan is someone who had managed to climb Mount Everest during his youth, and is also someone who participated in the skirmishes at the Indo-Pakistan border. But he finds it difficult to mingle with people, especially with ladies. The kids of the apartments particularly hate him for his rough attitude. As he tries to change his behaviour, he ends up getting closer to Neena, which changes the lives of Nikitha and Bipeesh as well. But what does it mean for his anger?

The defence of Varane Avashyamundu :: The movie runs on its cast which is an enviable one. It has one generation of veteran performers in the form of Suresh Gopi and Shobhana, and another generation with Dulquer Salmaan and Kalyani Priyadarshan, making it something which everyone from more than one generation feeling the need to watch it. The focus being on the elder stars is the best thing about this movie, as it works really well with the tale to connect with everyone. The funny moments work really well, and the credit for the same rests mostly with Suresh Gopi, supported by Johny Antony. The setting of the apartments in the middle of a city, and people going through their flawed, but interesting lives is nicely shown here. There are some messages given, and most of the time, it is about life and relationships. But, it should have had more depth, in more than one way.

The claws of flaw :: One trouble that Varane Avashyamundu seems to face is that it doesn’t have a script to match the cast that it possesses. It had to be better focused on what it was doing, and the same would have allowed us to go beyond that initial drag with ease, and that ending which seemed to be rushed, even though it cannot be termed terrible. The predictability is always there, as we know which direction this is heading – there is no need for any special skill for the same. The need to put the feel-good factor into place would always be a priority, considering the fact that this movie’s competitors were all focused on other genres including the year’s first big hit Anjaam Pathira which is clearly on the other side with the shades. The movie doesn’t have memorable songs or music, and it could have also been shorter, removing some scenes. Even some characters seemed to be rather unnecessary here.

The performers of the soul :: If there is a question about the leading performer in the movie, that is not the leading young pair – it is Suresh Gopi who makes the retired army officer a joy to watch. We had last seen him in My God, and here we have him doing the comedy and emotions exceptionally well, and his character and the changes undergone are too good. Shobana adds to the charm here, and her combination scenes with Suresh Gopi as well as Kalyani. Urvashi also has a memorable role to add here. But at the same time, Dulquer Salmaan doesn’t have much of a screen time – his character is also one which doesn’t suit the overall mood of the movie, and the romance here is also half-baked, seemingly built on fake emotions and therefore lacking in strength. Johny Antony is the next person to bring the comic side alive, while Siju Wilson and Major Ravi also have a few similar moments. Meanwhile, Lalu Alex is there with another usual, but memorable kind of role.

Further performers of the soul :: Kalyani Priyadarshan has her first Malayalam movie, and Marakkar: Arabikadalinte Simham will be the next. As the daughter of the renowned film director Priyadarshan and the popular actress of her time Lissy Priyadarshan, her debut was long overdue. The other star children had already arrived, and we know what nepotism can do to you, as it was proven with the star kids, even though not that much as it has done with Bollywood. At least in the case of Malayalam movie industry, the sons and daughters can act, and often even excel in what they do, a case which have made the industry rise above the usual brainless acts of Bollywood. Kalyani is no exception either, as she nails her emotional and funny moments. Often reminding one of Bhagyalakshmi Prabhu who plays Meenakshi in Thatteem Mutteem especially with KPAC Lalitha around, she gets to be perfectly fit in this family feel-good stuff.

How it finishes :: Anoop Sathyan, son of the veteran film director Sathyan Anthikad is at the helm of this movie. He is known to have served as assistant director at Malayalam film industry and have also directed independent documentaries. There is a certain Sathyan Anthikad touch that can be seen in this movie, and the same can’t be denied, especially in a feel-good movie directed by his son. It is just with the setting that the difference can be seen – otherwise the model is more or less the same. A shift from the village to the city can be felt more, as it is a change from a very rural setting to a very urban metro setting. But the characters are shown in a simple and lovable manner as we have seen in those rural settings, which make this movie a fine watch for the family audience. There is no question about what the one clean family movie can be, with a modern setting.

Release date: 7th February 2020
Running time: 145 minutes
Directed by: Anoop Sathyan
Starring: Suresh Gopi, Shobana, Kalyani Priyadarshan, Dulquer Salmaan, Urvashi, Lalu Alex, KPAC Lalitha, Johny Antony, Siju Wilson, Major Ravi, Sarvajith Santosh, Meera Krishnan, Sreeja Ravi, Rahul Rajasekharan, Wafa Khatheeja Rahman, Krishna Chandran A Nair, Vidya Menon, Aravind Venugopal, Theni Murugan, K Gopal, Nalsen K Gafoor, Lal Jose (cameo)

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@ Cemetery Watch
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Driving Licence

What is the movie about? :: Hareendran (Prithviraj Sukumaran) is a superstar who is in no shortage of fans, gaining all success with continuous superhit movies breaking one box-office record after the other. He is a typical, arrogant, billionaire star who doesn’t care about people in general. His love for cars is well-known, but as nobody had asked him for a driving licence for a long time, he had lost it somewhere, and the shooting of the climax required the licence. For the same, he attempts to get a new one issued by Motor Vehicle Inspector Kuruvilla (Suraj Venjaramoodu) who is a die hard fan of the star. Even though Kuruvilla is a lot interested in meeting the star, things don’t turn out so well with media coming to know about the superstar driving all these years without a driving licence. Hareendran is particularly angry about this being flashed on the news.

So, what happens with the events here? :: At the same time, the other big superstar on the big screen, Bhadran (Suresh Krishna) is trying to get some success with his movies, as it is Hareendran’s movies which get all the attention and the best of theatres. He tries to exaggerate this problem between the two, and is successful up to an extent, as the news is everywhere on all television channels. At the same time, there is the attack on Kuruvilla’s family, and further problems between Hareendran and the producer of the movie, as he wants to leave to the United States with his wife for her treatment before completing the film. But he would really need that driving licence, but because of the confusion and humiliation which he had faced due to the superstar, Kuruvilla is reluctant, but with his contacts, the arrogant Hareendran would try to force him out of his options.

The defence of Driving Licence :: The movie has two people in different fields set against each other, with certain background humour working well all the time. Some of the scenes seem to stand apart, and the interval punch is very good. Some of the situations are nicely created, and well acted too. The visuals are pretty good to add to the same. There are some elements of the evil of blind celebrity worship and the celebrity attitude being shown here, even though the focus is not that much to be seen. The common man’s plight is shown, even though heroism is once again left to the superstar. The focus is partially on different aspects of the society, and there are some messages to be taken home. The whole thing is kept simple, and there are no pretensions here, as many things are shown as they should be, even though the deviations can’t be denied.

The claws of flaw :: It is sad to see that the movie deviates from what should have been its most important message, against the fanatic fans – here, the movie takes the most extreme level, as the so called superstar talks in support of his loyal fans who almost murdered a police officer in an extreme case of crowd frenzy. The superstar’s rich and filthy arrogance is allowed to win over the common man with ease, which is a shame, because the movie without a second thought chooses to go against everyman with its support for violent fans and arrogant superheroes. Some characters are of no use too. Even though the movie focuses on the mood of Christmas, there is nothing much in there to reflect the same. Some parts of the film just looks not needed. There is also a problem with the movie’s flow, and it bothers everyone that it is only the good everyman character who gets beaten up, and all the evil people around him are shown in better light, and spared the rod.

The performers of the soul :: Prithviraj Sukumaran after his highly underrated thrillers as the lead, Brother’s Day and 9, has the superstar to play, and it doesn’t become difficult for him at any moment. It is the kind of star who is shown as the bigger superstar of the industry, and that gets done rather easily. Playing the roles of actors in movies, the extra performance which is to be put in seems to be rather less in almost every case. Suraj Venjaramoodu continues to impress in the emotional sequences, and the comedy as usual, comes natural to him in this movie too. We have been witnessing much of such skills in the last few years rather than sticking to the humorous side. The roles of simple common men have been coming very fine to him. The child actor Adhish Praveen also comes with a nice performance as the child who wants his father to win against the giant superstar at least once.

Further performers of the soul :: Mia George is the heroine who gets more dialogues, and has some funny moments of her, as she shines in a role which brings the laughter in a simple manner. Deepti Sati, the other heroine does look beautiful, and has less to do – but the purpose is served well in her case too. Salim Kumar plays a kind of cameo which becomes relevant in the end, but is irritating during most of its existence. It was good to see Lalu Alex there doing a fine job, and we need to see him more in the industry. Idavela Babu and Vijayaraghavan play two irritating characters from the movie industry. Major Ravi and Shivaji Guruvayoor have some smaller roles to play too. At the same time, Suresh Krishna is really funny in his avatar, and the same can be said about Saiju Kurup too. Nandhu has a memorable tole to play here too.

How it finishes :: Driving Licence could have been a better movie if it had shown the courage to show evil as it is. But the movie hesitates in doing the same, and finds the rich celebrity and his fans abusing and almost murdering a common man to be okay – maybe they did the same to satisfy their large number of fans, but it cannot be considered as a fair thing. The good start of the movie should have been better maintained, especially in the second half – the ending should have been better too. Still, as these are holidays, it is easier to have these kinds of movies running in the theatres, as we have that kind of family audience who have come out to enjoy the Christmas vacations. So, this works for some simple fun, but could have been more with its premise. After all, getting a driving licence never ceases to be a thing of interest.

Release date: 20th December 2019
Running time: 135 minutes
Directed by: Jean Paul Lal
Starring: Prithviraj Sukumaran, Suraj Venjaramoodu, Mia George, Deepti Sati, Lalu Alex, Suresh Krishna, Arun, Idavela Babu, Vijayaraghavan, Salim Kumar, Saiju Kurup, Adhish Praveen, Major Ravi, Kalabhavan Navas, Sohan Seenulal, Nandhu

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@ Cemetery Watch
✠ The Vampire Bat.

Vimaanam

What is the movie about? :: Venkateswaran a.k.a. Venkidi (Prithviraj Sukumaran), a man with hearing problems, is the latest recipient of Padma Bhushan for his grand achievements in the field of Aeronautics. But it turns out that he has a past which is deeply set in emotions. As he travels back to his hometown in Kerala from Delhi despite the warnings of his good friend Elias (Major Ravi), his flashback is revealed. It goes back to that time when he was going through his school days. From then, there was only one thing which interested him, and it was all about flying. His desire to fly got him to a bigger need, to build an airplane, inspired by Roger’s (Alencier Ley Lopez) tales about how the first flying airplane was invented. He grew up dreaming about the same, and not being interested in studies much, despite being an excellent student. There is someone who had supported him all the time, and continued to do so; that would be Janaki (Durga Krishna), his childhood friend who plans to join MBBS – they have been in love for longer than they can remember.

So, what happens with the events to follow? :: As Venkidi is half-Christian and half-Hindu, the possibility of their love story becoming something that would be approved at Janaki’s home, is very less, despite him following the same Hindu traditions. But their love continues to grow, and causing trouble for the romance is Anand (Saiju Kurup) to whom Janaki’s father hopes to marry her off, as his family is rich and settled in Singapore. Meanwhile, with the help of Janaki, Roger and his favourite uncle (Sudheer Karamana), Venkidi keeps trying to fly his new machines, none of which manage to rise from the floor. The whole village makes fun of his attempts, but he is not the kind of person who would back down. During difficult times, Venkidi and Roger, with the help of Janaki, steals an engine, which does help them to fly, but flying won’t be enough to get the lovers together in a society which looks for more than just that.

The defence of Vimaanam :: The movie tries to be another inspirational movie in Malayalam, and adds to that long list of similar movies which have tried to do the same, a few being Mili, Su Su Sudhi Vathmeekam, Rani Padmini, Udaharanam Sujatha, My God and Aby. Yes, the inspiration to achieve the dreams which have been there for long, is right there. It achieves the same, and makes one feel the power of dreams, not just with the dream of the protagonist, but with that of a shared dream, which gets its significance by the end – as some people would say, that one’s dream is not his or her alone, as it is shared by all those who are beloved. The love story scores more due to the songs, as this flick undoubtedly has some delightful songs, as do its romantic competitor, Mayaanadhi. Well, this one uses subtitles whether it is English or Hindi, and it is something which people related to Mayaanadhi couldn’t do for Tamil. The visuals are also good, and the setting of this movie is something which is capable of achieving a lot more than what we can see on the big screen.

The claws of flaw :: We can see that a simple tale based on real-life people has been exaggerated a lot rather than keeping the simplicity in place. Vineeth Sreenivasan starrer Aby, which released in February this year also dealt with the same thing, about its protagonist trying to make an airplane and fly, fighting against all odds. A number of people might have felt that this is more of a repetition, with bigger budget, and more familiar cast. But the fact remains that Aby was a much simpler story, and it had some light moments of fun to go with it; this one lacks the same. You remember the Jomonte Suvisheshangal becoming the repetition of Jacobinte Swargarajyam, and the same is the case here, causing Vimaanam not to go that high as it could have. The romantic side of this movie, and the incidents surrounding the same, are also the same old wine in that bottle which was available in the market from February itself. There is absolutely no attempt to make this one special, even there were so many chances in there, and the result is a certain predictability with drag in between.

The performers of the soul :: Prithviraj Sukumaran comes up with more here, as we see him in another avatar, unlike his recent adventures of the year, Ezra, Tiyaan and Adam Joan. Among the young stars, he has been the one with the most variety in his roles, and with Vimaanam, there is nothing there to compared with his previous roles of 2017. Vimaanam‘s role is rather easy for him, compared to the other three characters which he had played in the year, which included a troubled man tackling a Jewish creature of pure darkness, a former gangster turning into a mystic and a father hoping to find his kidnapped daughter who might be in the hands of Satan worshipers – even the movie before that, Oozham had him seeking vengeance; in comparison, this one brings no challenge to him. As he has played character from real life with charm, significant examples being Celluloid and Ennu Ninte Moideen, you know what to expect when he is out there.

Further performers of the soul :: When we look at Aby and this movie, we keep looking for something new, and that new element is Durga Krishna, the debutante actress who brings cuteness and energy to the flick, in a performance which is certain to bring her more roles in the future. The character might feel single-dimensional, and cent percent predictable in a world itself having no surprises, but her work makes the same work for the audience. Alencier Ley Lopez is certainly the man to look out for in the movie, as this character seems to be so well suited for him. Sudheer Karamana is not far behind in that case either, for he was against flight in Aby, but is with all support for his favourite boy’s flight in this one. Eric Zachariah who plays Prithviraj’s childhood has one delightful performance for us, which would prepare us for what is to follow, a wonderful child actor there. Anarkali Marikar has a smaller role, but it is nice to have her there after Aanandam. Lena and Saiju Kurup are good as usual.

How it finishes :: Vimaanam is a movie which was much talked about for a long time. Even as Aby had overtaken the movie with its own protagonist trying to make an airplane and fly like Jacobinte Swargarajyam did before Jomonte Suvisheshangal, this one was something which kept the audience’s interest alive due to the presence of Prithviraj Sukumaran in a different look. But you will find that even with its cliched characters and melodrama, Vimaanam has managed to fly, and battle Aadu Oru Bheegara Jeevi Aanu 2 which has been the youth favourite even before it had released, and even with Mayaanadhi, Masterpiece and Aana Alaralodalaral there with Tiger Zinda Hai, this flight is also catching our attention. It is more or less a reflection of the noble intentions of a movie which is hoping to inspire more and more dreams in a world of chaos. Vimaanam might be the one right family movie for Christmas, catering to the needs of the full family outing, unlike the rest of the movies which are focusing on selections.

Release date: 22nd December 2017
Running time: 147 minutes
Directed by: Pradeep M Nair
Starring: Prithviraj Sukumaran, Durga Krishna, Alencier Ley Lopez, Lena, Sudheer Karamana, Saiju Kurup, P. Balachandran, Anarkali Marikar, Major Ravi, Nandhu, Master Eric Zachariah, Ashokan, Tesni Khan, Liya Anu Varghese, Baby Durga Premjith

@ Cemetery Watch
✠ The Vampire Bat.

Lavakusha

What is the movie about? :: Two jobless youngsters who would later be addressed as Lavan (Neeraj Madhav) and Kushan (Aju Varghese), meets in Chennai city, and becomes very good friends. The problems that both of them face, are almost the same, and after being kicked out of their place for not paying the rent, the two decide to return to Kerala, hoping to find something better in their home state. As the lazy people that they are, they can’t stop thinking about earning maximum money with the least effort. It is during their journey back to Kerala that they come across a number of strangers on the train. There is a girl named Sheethal (Deepti Sati), and a man who identifies himself as Venkat (Biju Menon). In an attempt to get the attention of the girl, they cross the way of a group of people smuggling gold in the train who threatens to kill them.

So, what happens with the events to follow? :: After being captured by the smugglers, the three escapes, and Venkat reveals himself as Joy Kappan, a senior police inspector. A series of confusions follow, and it ends with Joy being able to seize all the gold, and the smugglers escaping. Inspired by the turn of events, Lavan and Kushan decides to become private detectives. But living in a rented house, they are once again very close to being kicked out – it is then that they come across Joy again, who gives them a task to perform. They are to find and take out a huge amount of gold which is stored inside a reputed institution in the middle of the city. As they feel the need for an adventure, the two men agree and goes on the mission. But there are more twists to their mission than they think that there is, and there is more to the truth than what meets the eye.

The defence of Lavakusha :: There are enjoyable moments here and there in this one, and after the comic side gets awakened early, there is also the presence of twists later. It is in the final moments that everything comes together, and we get to see the movie rising above the possibility of just ending up as a foolish thing. The movie is clearly dependent on the trio of Neeraj Madhav, Aju Varghese and Biju Menon, and the three remains the pillars of this flick which leaves less for the rest. The former two get to begin and go on with the humour without restrictions. Even then, it is the second half which manages to use its resources better, improving as it moves towards the finish. You will see the signs of the same by the interval itself. When you are looking for some fun of the simpler kind, Lavakusha might be exactly the movie to turn to.

The claws of flaw :: Lavakusha never really uses its cast to the best possible advantage. When we have a leading cast like this, one has to wonder why there is inability to use it to the full advantage with fun. The jokes often struggle to identify as what they are actually supposed to be – even without logic and with foolishness allowed in there, we see struggle. We see that none of the characters are never really well established for the audience – that applies even to the leading characters. It is for the same reason that there are too many ups and downs in this movie, and the momentum that is often gains is not maintained and carried on to the next moments. The first sequence of the movie itself is rather not needed, and the same thing is repeated again in this movie, without bringing any chance for laughter. The music in this movie is rather forgettable – there is nothing to keep us there with that too. You will also find that the female characters also have less screen presence.

Performers of the soul :: It is Aju Varghese and Neeraj Madhav whose combination works really well to make things better. Even the comedy which might have gone over our head otherwise, works well, thanks to how well the two manages everything together. Aju Varghese has been present throughout the year’s movies from Aby and Alamara earlier to right now, while Neeraj Madhav comes out of that impressive performance in Oru Mexican Aparatha – we have seen them together at their best in Adi Kapyare Kootamani and Kunjiramayanam; this movie is not of such level, but together, they are not behind, at any point. You will notice that the former has a more responsible character in comparison, but then too, you will know that it is only by a small distance. You will feel that this particular combination also meant that the expectations were a little too high with this one – well, it is no surprise, right?

Further performers of the soul :: The movie focuses mostly on the characters played by Aju Varghese and Neeraj Madhav, but the only one with heroic quality in this movie is played by Biju Menon – he gets to be the hero in the movie lead by the two youngsters. As concerning the titles, Rakshadhikari Baiju Oppu, Lakshyam and Sherlock Toms, he had caught our attention with three different roles in the year, and here he gets another one to perform – there is no difficulty for him here, and he has all under control. Sadly, Aditi Ravi is restricted to a smaller role which could have been developed instead of a few other things in a movie which is rather so long for its content, and even Deepti Sati’s presence seems to be strange when she disappears and appears; there even seems to be a certain lack of efficiency in dubbing for her. Vijay Babu and Major Ravi are good with their work at the same time.

How it finishes :: Lavakusha could have been a nice action comedy in Hollywood style – our heroes could have gone through this in Get Smart model, becoming the unlikely saviours when the others in the investigation turn hopeless. Two police officers in undercover mode, finishing their missions in a funny and interesting way was the need here, but that much work isn’t done, and there seems to be not that much focus on attention either. Even with such a longer run-time, this one couldn’t build up enough. Still, this makes mostly an entertaining watch for the weekend. It could be an interesting time-pass movie without doubt. You can also feel a little bit of Tharangam in this one. As of now, Parava seems to have the lead as the most interesting one in the last thirty days. Just like the other Biju Menon starrer in the theatres, Sherlock Toms, this one attempts to combine comedy with the twists, and by the end, you will feel that it is the latter that has caught your attention, unlike what you were expecting.

Release date: 13th October 2017
Running time: 151 minutes
Directed by: Gireesh Mano
Starring: Aju Varghese, Neeraj Madhav, Biju Menon, Deepti Sati, Aditi Ravi, Vijay Babu, Major Ravi, Sinoj Varghese, Anjali Aneesh, Ashwin Kumar, Janardhanan, Neena Kurup

@ Cemetery Watch
✠ The Vampire Bat.

1971: Beyond Borders

Vampire Owl: It has been some time since the last war movie had released.

Vampire Bat: You remember that Kandahar with the same character in the leading role was released in 2010.

Vampire Owl: And the last movie with soldiers at border in Picket 43 of 2015.

Vampire Bat: The director did act in Anarkali and Action Hero Biju after that though.

Vampire Owl: I have been looking forward to our own war here though.

Vampire Bat: You mean to talk about expanding the vampire territory beyond the current borders.

Vampire Owl: Yes, you know that it has always been my patriotic intention. The zombie minions are trained for the same.

Vampire Bat: They are trained, but that doesn’t supply the brains.

Vampire Owl: We are buying them at the Goblin Market at fifty five percent discount.

Vampire Bat: That explains the never-ending preparation for war.

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is the movie about? :: Colonel Mahadevan (Mohanlal) is fighting with the United Nations troops in Georgia. There, his team saves the lives of a group of Pakistani soldiers who have also been fighting for the United Nations. After some friendly chat, Mahadevan invites the Pakistani troops to their battle honours day, an invitation which they seem to accept. While the programme is going on, it is revealed that Mahadevan’s father, Major Sahadevan (Mohanlal) had fought a battle against the Pakistani commander’s father, Mohammed Akram Raja (Arunoday Singh), in the 1971 Indo-Pak War for Bangladesh, and it had resulted in the death of the commander on the losing side. There is also more than that happened during those days of war, and we see Sahadevan narrating the same story to his grandchildren accompanied by his wife, Parvathy Sahadevan (Asha Sarath).

So, what happens next? :: Sahadevan is going through a holiday and some fun time with his friends at his hometown, when the news about the war reaches him. He decides to leave early before the telegram arrives, much to the dismay of his wife, son and all others who hoped for his presence there for a longer period of time. The same is the case of many other soldiers, especially Sudharshan (Krishna Kumar) whose father is extremely ill. The path ahead seems to be difficult for his team, as this is not the usual war for territorial gains, and the presence of a strong enemy force at their area makes things tougher – but there are some brave, tough and patriotic soldiers who are there with him for support; Lieutenant Chinmay (Allu Sirish) and Captain Aadhiselvam (Sudheer Karamana) are two of such men whom he meets and has his attention very soon. But Mohammed Akram Raja is determined to win this war and go home – well, so is Sahadevan.

The defence of 1971: Beyond Borders :: The movie’s best action sequences involve one with the battle tanks, and another one which has the two commanders going at each other in the end, even with the extra punch of heroism making both sequences strange at times – heroism without intelligence is not a quality that a hero should go for, and that makes one less a hero and more of a daredevil. The visuals are really good here, and there are some touching moments, which successfully make one feel for the troops as well as bring a certain amount of patriotism to keep the flame strong enough. The scenes of war deserves the appreciation, as it only gets better these days; yet there is the feeling that each of them could have been better. As it is said in Sir Walter Scott’s Lochinvar, “So daring in love, and so dauntless in war” – these are the qualities that determine the two main characters here, and after the deep consideration that war is meaningless, they will fight to death for their respective nations, obeying orders. The intention here seems to be good, as well as true – just not enough of the best application of ideas.

The claws of flaw :: There is that feeling of having seen all these before, especially with three movies already with Mohanlal playing the main character – Keerthi Chakra, Kurukshetra and Kandahar, along with the Prithviraj Starrer Picket 43. Except for having Mohanlal instead of Prithviraj, this one is surely closer to the last one, giving the idea that you can’t blame it on the enemy country, and it is all because of war. So, in one way or the other, it is patriotism which is responsible for the deaths of many people in more than one nation. Even in the opening credits, there is that long narration which won’t seem to make much of a difference as we go through the movie that touches not much of the same. The movie also doesn’t maintain the pace all the time, and there is too much repetition in store. The heroism displayed in this movie is also overdone, especially considering the fact that it tries to prove that this is all for the nation rather than being personal. The stereotypes also keep rushing, and we see an emotional side dependent on the same with less battle plans and too much lost between the meaninglessness of war and patriotism.

Performers of the soul :: Playing two characters, the son and the father, Colonel Mahadevan and Major Sahadevan, this one has been made for Mohanlal yet again. Major Mahadevan is not a character that Keralites as well as other Malayalam movie lovers will forget for a long time, and this one goes back to bring the prequel tale. This is no tough job for Mohanlal who controls this one, even though the father character is certainly inferior to the son – there are too many sequences which just seem to contradict the situations here for him. Allu Arjun’s younger brother, Allu Sirish also makes his Malayalam debut in this flick – there has been no shortage of dubbed movies of his brother getting success here, and lets hope that this will follow up with more from him; here he surely has our attention. But it is Arunoday Singh who leaves the best mark here – he shines as the Pakistani commander, and could use more of such roles with material to perform. All the female characters are left with not much to do in this movie.

How it finishes :: There has been some great success for Malayalam movies recently, most prominent ones among them being Mohanlal starrers themselves, Pulimurugan, Oppam and Munthirivallikal Thalirkkumbol, all three belonging to three different categories of action, thriller and drama respectively. Prithviraj’s Ezra had also went on to become the highest grossing horror movie of all time in the industry. Then, here is the war genre being explored yet again by Mohanlal – Major Ravi combination again. With The Great Father doing great job at the box-office, and the movies like Take Off staying there due to the excellence in making, 1971: Beyond Borders was to face some competition, but during this holiday season, it could stay there for some time easily – it is sure to do that for sure, and has the usual ingredients need for a movie in this genre, but there was always the scope to make this a better movie; this chance has been missed.

Release date: 7th April 2017
Running time: 135 minutes
Directed by: Major Ravi
Starring: Mohanlal, Arunoday Singh, Allu Sirish, Renji Panicker, Sudheer Karamana, Devan Asha Sarath, Priyanka Agrawal, Srushti Dange, Neha Khan, Saiju Kurup as Gunner Nathan, Padmaraj Ratheesh, Zoya Zayed Khan, Pradeep Chandran, Krishna Kumar, Manikuttan, Shafeeq Rahman, Sudhir Sukumaran, Kannan Pattambi

@ Cemetery Watch
✠ The Vampire Bat.

Karinkunnam 6s

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Vampire Owl :: When was the last time we watched a Malayalam movie in the theatre?

Vampire Bat :: Last month, I guess?

Vampire Owl :: Is it? Still, that feels like an eternity.

Vampire Bat :: It is mostly because we are not used to not watching movies.

Vampire Owl :: Yes, I think someone has worked black magic against us, which is why we are missing so many movies.

Vampire Bat :: I see that hands of pure evil itself. But in this case, it is more because we don’t have time.

Vampire Owl :: Did you see the half-yearly list of the movies we have watched in the theatre? It is quite a small list compared to the last few years.

Vampire Bat :: Yes, we definitely need to work on that.

Vampire Owl :: Until then, one Malayalam movie for this weekend?

Vampire Bat :: So be it. A sports drama would be a welcome change!

[Gets the tickets with tea and cheese popcorn].

What is it about? :: Vandana (Manju Warrier) lives with her husband Aby (Anoop Menon) after successfully running away from home in favour of an inter-caste marriage. Both are from sports background, and the latter has one dream only, to make things better for volleyball in a world dominated by cricket. His love for the game is above everything else, and for the same, he supports his own team Karinkunnam 6s. With the same dream in his mind, he contacts Kesavan (Shyamaprasad), a man who is very much interested in the profits to be gained from the venture. Even though he agrees to the idea of having a Volleyball Premier League on the lines of Indian Premier League and Indian Super League, he decides that it has to be entertainment, and that should include fixed matches – it is something to which Aby can’t agree.

So what happens next? :: What follows next are all against Aby, as he is bed-ridden and Vandana has to take over the team to make sure that it plays in the league, and plays fair. For the same, she contacts many players, but the rich and the influential groups in the league works against her making sure that she gets no official players. But Vandana has help from Haritha (Lena Abhilash), the head of the police department, and decides to choose and train a number of inmates in the prison. The team starts from the powerhouse Douglas (Babu Antony), and is joined by many other inmates who look forward to making a mark. But with no professional training, can the prisoners do enough to make it to the next round of the tournament featuring some of the best? Can they leave their own personal rivalries behind and live for the moment?

The defence of Karinkunnam 6s :: One can easily say that this is one of the best sports drama movies made in Malayalam – there are not many interesting movies belonging to that genre around here. When it is not based on an overrated sport like cricket, things only get better. It takes some courage to take a movie based on something which is not cricket or football – and that risk is taken, and they make sure that it appeals to the audience in this part of the world. The movie is also dedicated to Jimmy George, who was considered as one of the greatest volleyball players – the deserving heroes of our land who are less known just because they didn’t play the hyped game of cricket. There are some very nice moments in this movie, which are a lot inspirational; there are more which are emotional, but it never manages to overdo the same. There is power and there is also a lot of energy here!

The claws of flaw :: This is a movie which could have made it to the list of the best among its kind. The tale here is still predictable for most of the time though. There could have been more focus on the sports rather than the drama and the incidents which occurred outside the court. It could have gone deeper with both too, with the sporting side as well as the dramatic events with direct relation to the characters. It also takes some time to get going in the beginning, and it is with the prisoners getting to the act that things get to be interesting. The climax could have also been bigger. People might be able to find problems with this movie related to the sports, but none of the sports movies in Malayalam can be considered close enough to that big reality, and this one can also be forgiven for those flaws that can be taken out of the grave when the DVD comes out.

Performers of the soul :: Having no huge star, this one relies on the long list of actors who play the characters in fine style – nobody lets us down around here. After Vettah, Manju Warrier is excellent here, and there is so much energy that she carries forward here – it is shared by the rest of the cast too, especially the team which is lead by Babu Antony with his usual style. The other person who catches our attention from the team is Sudheer Karamana who has some very nice moments; Baiju also gets some nice dialogues here. Suraj Venjaramoodu impresses us with a different avatar here too, and he deservingly gets some claps. Anoop Menon goes on smoothly with his role. Even those who does some cameo roles here leaves something for the audience.

How it finishes :: Without the big cast that the other movies of this season have come up with, this one has managed to come up with a special identity of its own. There is entertainment guaranteed, and it is worth a fine watch with the family. This is no perfect sports drama, but you find inspiration here and you will also get the thrills. Lets hope that this movie brings back to its viewers the memories of the volleyball legend, and also bring more interest into this game. Unlike the movies which are filled with ridiculous content for the fans, this is the kind of movie that needs to be watched – there are no superstars here, but everyone in this movie ends up being no less than a special star. All of them contribute here, and we are left applauding for those final dialogues and the tribute.

Release date: 7th July 2016
Running time: 144 minutes
Directed by: Deepu Karunakaran
Starring: Manju Warrier, Babu Antony, Anoop Menon, Jacob Gregory, Baiju, Padmaraj Ratheesh, Sudev Nair, Sudheer Karamana, Santhosh Keezhattoor, Nandhu, Suraj Venjaramoodu, Manikuttan, Vivek Gopan, Kevin, Lena Abhilash (cameo), Shyamaprasad (cameo), Major Ravi (cameo), Hareesh Peradi (cameo), Maniyanpilla Raju (cameo), Jagadish (cameo), Gayathri Suresh (cameo), Samuthirakani (cameo)

karinkunnam6s ()

@ Cemetery Watch
✠ The Vampire Bat.

Action Hero Biju

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Vampire Owl :: I have read and heard mixed reviews about this one.

Vampire Bat :: Yes, and I have even heard that the other flick at the theatres is a better movie than this.

Vampire Owl :: Do you know what that means?

Vampire Bat :: Yes, it means that we should watch this movie before going for any other.

Vampire Owl :: If someone says that the other movie is better and keeps telling us that we should watch that particular movie, we should watch this movie only.

Vampire Bat :: Exactly; we know that our tastes are different as individuals, unless we blindly follow a trend.

Vampire Owl :: I remember us liking Lord Livingstone 7000 Kandi more than Amar Akbar Anthony.

Vampire Bat :: Yes, they told us that the former was not a movie at all. Strange people.

Vampire Owl :: And they declared a repetitive comedy movie as one of the best entertainers of all-time.

Vampire Bat :: Which is why we should watch them all, and what they don’t like, we should surely try.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Sub Inspector Biju Paulose (Nivin Pauly) is a teacher turned police officer who is determined to serve the people and has dedicated his life to his duty. He intends to keep the law and order in the city of Cochin, and for the same, he intends to keep himself close to work all the time. The movie goes through his daily life as a police officer, and deals with the cases that he comes up against everyday, as he gets ready for his marriage with Benitta Dominic (Anu Emmanuvel). There will be enough trouble to keep him busy. And yes, you get all of these without slow-motion sequences, beating up twenty five people at a time, and not catching dangerous serial killers, international criminals or extreme terrorists. Do you know about realistic movies with messages, but having no real dull moment in between? Yes, this works in that way!

The defence of Action Hero Biju :: The one thing which you can be sure about this movie is that it is realistic to the core. The protagonist doesn’t go on fighting the big villains beating them up on the roads or defeating his minions by fighting them all over the city. There is no villain here, but the crimes. There are no heavy dialogues around there either. You shall find no Bharathchandran, Balram, Mohammed Sarkar, Madhavan, Easo Panicker, Baba Kalyani, Chandrasekharan, Sharafuddin Tharamasi and the rest who are part of that long list of heroes from the past, or even those divergent ones of the later times like Sam Alex, Solomon Joseph, Hameem Hyder and Anthony Moses. The movie has no complications, and things are simple, as one would expect to happen as part of the usual life. The comedy as well as the emotional side are very much working; the visuals are really good and the songs are just okay. This one also works as a tribute to the police force.

Claws of flaw :: The movie’s realistic approach won’t appeal to all. It is not that kind of a realistic approach which is forced upon us like in the case of Annayum Rasoolum which declared the same to be just drag and more drag. It was a case of exaggerated realistic world which seemed to work with a section of people, but Action Hero Biju chooses not to use that, but go for what can be believed by the common man. That should still disappoint the fans as they might have been looking for something else, with action, thrills, twists and turns, punch dialogues and everything else; even otherwise, they might look for the exaggerated heroism or a heavy dose of cheap comedy – none of these happens to be here. It is the substantial problem with expectations, as that becomes a flaw in the eyes of the fans. The movie might also be a little bit too long for the kind of subject it deals with and the way of treatment. There could have been a better focused ending too.

Performers of the soul :: Nivin Pauly returns with one of his most anticipated titles in a long time as he joins forces with Abrid Shine yet again, after the much appreciated 1983 as the director comes up with his second movie. He has managed the role of the rather human police officer without that much trouble. There are moments which are not that good, but there are some in which he looks very well in form. Anu Emmanuel looks good, but this is the debut in which she has not much to do, and it is only the smile and the name of the character that stays with this one – she needs a movie with more screen presence. The comic side is at its best with Joju George, and Suraj Venjaramoodu comes up with a huge performance in one of the best, emotional moments in the movie – there is another one with Meghanathan and Rohini, and the girl who plays her daughter has some nice moments. Major Ravi and Saiju Kurup plays protagonist’s superior officers well. There are a few lesser known faces who provides some interesting performances too.

Soul exploration :: As we go further into this, we feel that what we have seen on the screen has no part in being unrealistic. It is a ride through the life of a police officer as expected under the normal circumstances, and there are multiple incidents and cases which the protagonist has to deal with, among which none of them is related to solving a mystery which only the hero can bring out to light. Instead, the police officer deals with the usual cases that comes up in life – yes, no serial killers, no big gangster lord, no catching international criminals, no standing face to face with powerful politicians, no reaching at scenes of crime at the exact time, no chance of becoming the only man in the whole world who can catch a fiery terrorist, no beating up twenty people just because he can in a movie and surely no unlimited dose of dialogues. Last year, there was the realistic Pathemari, and in Hindi, there was the realistic Airlift; this one also follows the more realistic model, but with fun.

How it finishes :: The one problem which has undoubtedly worked against this movie is its title itself. The movie is not what the title suggests, as it seems to make us feel that this will either be masala action entertainer or a full comedy movie, but as it ended up becoming a realistic movie, it is sure to make one wonder what kind of audience the makers were looking to target. If people feel that the pathetic eternal drag like Annayum Rasoolum was good and Action Hero Biju is not, I will ask for a change of the meaning of the word. Another fact about Action Hero Biju is that it is cent percent better than the overrated flick which was 1983. But these days, people rarely look for a realistic movie which is closer to life, except for those pseudo-realistic movies like Annayum Rasoolum, the bloody movie in which nothing happens and we have more and more tea to the end. And is it just Premam that we always need? It was clear that people in the theatre enjoyed in this case too.

Release date: 4th February 2016
Running time: 145 minutes
Directed by: Abrid Shine
Starring: Nivin Pauly, Anu Emmanuel, Jude Anthany Joseph, Suraj Venjaramoodu, Major Ravi, Rony Davis, Joju George, Prajod Kalabhavan, Saiju Kurup, Kochu Preman, Valsala Menon, Azeez, Rohini, Meghanathan, Sajan Palluruthy, Balachandran Chullikad, Abhija Sivakala, Madhu Mohan, Bobby Mohan, Devi Ajith, Manju Vani

actionherobiju

@ Cemetery Watch
✠ The Vampire Bat.

Anarkali

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What is it about? :: Shanthanu (Prithviraj Sukumaran) who arrives at Lakshadweep Islands as a diving instructor actually has another plan in his mind. His old friend Zachariya (Biju Menon) is already on the island and they are joined by Koya (Suresh Krishna) to whom they tell that love story which goes back by many years. The tale is about a girl named Nadira (Priyal Gor) and her love with Shanthanu before being separated by her father. Far away from her, and with no idea where the girl is, Shanthanu hopes to find her through her brother who is an officer at the Naval base at Kavaratti, the capital of Lakshadweep. With her rich and influential father standing on the way, and very less chances to find his lady love, Shanthanu knows that he will need all the help that he can get.

The defence of Anarkali :: The success of Anarkali lies in being direct and not taking the easy way out like many other movies. It is a believable love story with strong presence of the “true love” elements and along with maintaining that status, goes beyond states and languages. The comic sequences are very nicely done, and Biju Menon with his amazing comic timing, makes sure that the funny side is perfect. The visuals are amazing, and if you look deeper into this movie, there are similarities with Mosayile Kuthira Meenukal and there is an abiding sad mood of “impossible hope” throughout the movie which reminds one of Prithviraj’s another flick, London Bridge. But Anarkali manages to soar ahead of all these movies. The visuals here might be the best you can have from an island location and the songs are good. The emotions are strong throughout this movie.

Claws of flaw :: A disadvantage of the movie is its length, even though there is no feeling of drag anywhere – that is quite an achievement for the people behind the flick. The movie’s love story is still cliched up-to an extent with the hero and heroine waiting for the approval of the girl’s father, and making that one last effort defying all odds. It could have also used Sufism more. There is also a little bit of Mosayile Kuthira Meenukal here, but Anarkali does manage to rise above that by being an entertainer and a full love story for all kinds of audience. But aren’t these things which can be forgiven in the case of a true romantic story? There is no romance without cliche, and with a lot of other aspects staying away from the cliches, Anarkali is not going to be just another love story, because it is better! You really don’t need to judge this movie based on the opinions of the others, because this one is for the heart and that changes according to individual.

Performers of the soul :: You see another chance for Prithviraj Sukumaran here, and he has once again provided an amazing performance to make sure that this one will work well along with his other movies in the theatre, Ennu Ninte Moideen and Amar Akbar Anthony. There is a lot of energy from him here, and he has also kept this character close to our hearts. Intensity and tranquility are just two sides of this character, and with Prithviraj’s exceptional skills, reaches the audience really well. Biju Menon is there in the supporting role after playing the lead in Salt Mango Tree, and he has managed to give the right amount of the same; most of the funny side of the movie is handled by him, and you will surely love his character. He brings so many of those memorable comic situations in this one. Meanwhile, Renji Panicker and Major Ravi has notable cameo roles.

Further Performers of the soul :: Coming to the heroines, even though only one fits the exact definition, there are two others who share some nice screen presence. Priyal Gor might be the cutest heroine ever to step into the Malayalam movie industry. Another positive thing is that she could bring the emotions to the scene very well. Meanwhile, Miya George has a strong character to perform here and she manages that very well; she is also the first to arrive on screen. Samskruthy Shenoy who plays the third significant female character brings her best performance here – the abiding sadness of her character is elegantly reflected on her face. The Kerala State Film Award Winner of this year, Sudev Nair does a very nice job. Kabir Bedi is very strong in his role, Suresh Krishna brings a notable performance. As Prithviraj scores his hat-trick success, there nothing negative in the cast.

Soul exploration :: Once again, the symbol of true love is “waiting” – there is something about the romance here. The two lovers are radically determined in this movie, as the sea becomes the metaphor for the distance between them and it is the final obstacle for them just like the girl’s father was the metaphor for the same earlier. As the ocean kept them away, it is the island of loneliness to which the protagonist was restricted to, and it has a form when he reaches Lakshadweep. The sea and the girl’s father are his obstacles among which only one needs to be conquered at a time, and as true love is not without troubles, he goes through them, but not without risking his own life and earning a name on the pages inside the chronicles where the saga of sacrifice is written. True love is near impossible because it demands a lot, and our protagonist runs right through, as the emotional side remains strong.

How it finishes :: Anarkali is above Amar Akbar Anthony and Ennu Ninte Moideen both in content and presentation; the feel-good factor also comes as a nice advantage. Rising above the latter as well as Premam, this is undoubtedly the best romantic story which has released for quite some time. If you don’t blindly adore these three movies, you can easily fall in love with Anarkali, because it is made clear in the beginning itself that nothing other than true love awaits in the flick. There is no need to go for the general opinion in this case because a lot of people are still lost in the other movies from Prithviraj and might find it not that easy to digest a movie which has a better philosophical side. If you place these four movies and think neutrally without consulting anyone else, you will know, and in the end, you will re-assert the fact that true love is beyond all barriers and that there is the need to visit the beautiful Lakshadweep Islands.

Release date: 13th November 2015
Running time: 168 minutes
Directed by: Sachy
Starring: Prithviraj Sukumaran, Miya George, Priyal Gor, Biju Menon, Samskruthy Shenoy, Kabir Bedi, Sudev Nair, Suresh Krishna, Rajeev Menon, Major Ravi, Assim Jamal, Renji Panicker, Madhupal, Shyamaprasad.

anarkali

@ Cemetery Watch
✠ The Vampire Bat.

Picket 43

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Vampire Owl :: Is this the right time for a patriotic movie?

Vampire Bat :: Surely it is. We had harthal just a few days ago and observed another bane of our nation. After a negative thing for the nation, this is our chance to reclaim the good things.

Vampire Owl :: So after lots of harthals giving losses of thousands of millions of rupees, we can always gain patriotism by watching movies?

Vampire Bat :: May be movies like this will help. Lets watch and know more about it.

Vampire Owl :: Will such movies make the common man any better?

Vampire Bat :: People only take what they want. So, I doubt it.

Vampire Owl :: Still, they are all patriots on three days an year and if that Team BCCI or Indian cricket team wins the World Cup.

Vampire Bat :: Yes, but when there is the need to do something for the nation, it is to be seen if what is preached can be practiced.

Vampire Owl :: This is the season of Facebook patriots and social workers.

Vampire Bat :: And lets see what Picket 43 brings to the season.

[Gets the tickets].

What is it about? :: Hareendran Nair (Prithviraj Sukumaran) is one of the Indian soldiers who are posted at Picket 43, an area on the border which has seen regular ceasefire violations, and has also lead to the death of a number of soldiers from the Indian side. With the last soldier murdered by the militants, the place becomes something to be talked about a lot among the soldiers and Hareendran Nair is the latest person to be posted there, alone except for a dog with him. As his superior officer Vinaya Chandran (Renji Panicker) denies him leave to go back to his lover to marry her or to support his ailing mother, he is left with no option but to stay at the hostile area. The Pakistani soldier on the other side keeps shooting on regular intervals until a change is made, and another soldier Mushraff (Javed Jaffrey) comes for service. Hareendran and Mushraff becomes friends and the latter promises the former that no militant will come through his picket to attack India as long as he is alive.

The defence of Picket 43 :: The power of patriotism is once again on display here, and this is one of those movies that we need to watch now and then. This might also be our director’s second best movie after Keerthi Chakra that has come after a long time. The movie is also about friendship and that too beyond borders and all kinds of obstacles,as humanity thrives without limitations. There is also mutual respect and love for one’s country which are proclaimed again and again. It also makes things clear that friendship has no limits and it can be made with ease if needed in the presence of a good heart. There is an idea given about the hardships that the soldiers suffer and the sacrifices that they make to serve their country, keeping their personal choices away to keep the citizens safe. The beauty of Kashmir is well captured, as the snow covered world as well as the green side are equally amazing, even as the white side suits the working of the movie better. The shots at Picket 43 are the best of the movie.

The Claws of Flaw :: The family drama and romantic side are completely out of place. It is good that they mention that it is love, and otherwise it would have been really difficult to find any romance there – almost everything shot in Kerala remains clear negative and was not needed. Even the shots which were supposed to be in Pakistan should have been better taken with more imaginary power instead of just going through that Malala-Taliban model idea which needed not much thinking. The focus should have been even further on the friendship and talking about their philosophies about life and what they think about war, and how the two nations could go into a better relationship. Well, those who are expecting a Tango Charlie model philosophy and a powerful anti-war ideology are going to be disappointed. The heavy non-linear narrative style might also depress a few. The songs are also not that up-to the mark. The final shooting scenes also go into heroism, something that was not supposed to be part of this movie. Being slave to the clichés is sometimes a fashion, isn’t it?

Performers of the soul :: Prithviraj Sukumaran shines in the movie as the Indian soldier guarding Picket 43; he excels in those emotional scenes and nicely manages the lighter moments too. He is there throughout the movie, and there is not much time in the movie without his presence, and we can safely say that this is his movie. The next big character, and among the two really significant characters is the Pakistani soldier played by Javed Jaffrey who steals our hearts from the other side. May be he was chosen because he played a Pakistani soldier in the war satire which was War Chhod Na Yaar. Whatever be the reason, he has done an amazing job here. Both of them get some nice dialogues, and a few memorable lines too. Then there is the dog which is a cool addition to the movie, even as there was more scope for things to be added with the pet. Renji Panicker is also good. Prithviraj’s love interest has a forgettable outing here, and so do most of the characters of Kerala episode.

Soul exploration :: Picket 43 links friendship, patriotism and sacrifice together to make an impact, and these are major elements of this movie. The first one is the major theme of the movie which also asserts humanity and hopes for peace, so that there could be humans who no longer hate each other for no real reason – friendship beyond boundaries is the factor at the core. Patriotism is present here and there, but I have felt better of the same with the other running movie from Bollywood, Baby. The use of patriotism was expected and in the beginning and end, it is even more strong – but it is still not a core element. The sacrifice element is also in abundance, and it is not just for the country, but also in the name of friendship and honour, thus the sacrifice element joining the other two together. May be the forced happy ending was not necessary. Even the dog becomes a symbol another friendship here, even as it has no role in the other two elements.

How it finishes :: Releasing on the Republic Day weekend, Picket 43 is doing a nice job at the theatres along with Mili, not really being a mutual challenge as the themes are entirely different with the two, bringing no comparisons into the question. It is also the right time for the release of this movie. There is no better time to get the best results at the box-office. What needs to be appreciated is the effort to take a movie like this, all the way from the South to the North, and using so many themes in it. The same thing seems to be rewarded nicely by the audience, and it was also the movie which has had most number of screens having shows. Yes, Major Ravi is back with this movie. Lets hope for peace and no war, and also pray for a bright future in the relationship between the two neighbouring nations which still have hope for better relations. May God bless our soldiers and may goodness and humanity thrive among chaos and destruction.

Release date: 23rd January 2015
Running time: 103 minutes
Directed by: Major Ravi
Starring: Prithviraj Sukumaran, Javed Jaffrey, Renji Panicker, Sudheer Karamana, Kannan Nair, Haresh Peradi, Angana Roy, Anu Mohan, Anshu Sharma, Sreerag Nambiar

picket43

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