What is it about? :: Pathemari is a movie of struggle and survival through an unfair world. Pallikkal Narayanan (Mammootty) is a man who left for the Middle East with his friend Moideen (Sreenivasan) and many others on a boat defeating the waves of sea to swim and reach UAE at a time when the border laws were not as strict as it is now. Becoming part of that exodus from Kerala to the Gulf area at that time when unemployment was at its peak, Naranan becomes the symbol of the journey that one has to undertake to make sure that the whole family survives. He is someone who struggles for not just one’s own family, but the extended relatives as he keep working to see life getting better for them while his youth as well as the existence beyond that disappears. But he continues to do the same without complaints.
The defence of Pathemari :: There is a lot of truth and sincerity on display in Pathemari. It is certain that a lot of NRIs, not just of the Middle East, but also belonging to the United States, United Kingdom, Canada, Australia and may be even other nations can relate to the story here. It doesn’t change according to circumstances, but instead stick to the common man. The movie’s second half and the ending are the more powerful ones; the finish might be the most touching one – simple, but easy to be connected and with significant power to touch one’s emotions. It is sad, and with its sadness, the movie becomes lovable; with the depressing truth which it shows on the screen, it becomes more beautiful – it is a poetry of lost hope and desire which brings tears to the eyes of the audience; this is what the ending of the movie is truly about. There are also some nice visuals for support.
Claws of flaw :: Pathemari doesn’t bring anything new to the most part of its story-line. There is the usual problems of a man who has left home reflected here. It follows the sacrifice model of movies like Vatsalyam and the problems of the man who returns from the Middle East with the relatives as in Varavelpu, even though this one follows a more realistic path and passes through the ages. There is also some drag here and there, even though the emotional side hides it for most of the time. The movie could have shown some more of the life in the Middle East too, how the protagonist had struggled there throughout the ages with how the others have lived and faded around there; it would have been a fine boost; after all the movie is also shot there – but we have to appreciate the fact that they have kept the movie not too long. The songs are not interesting, but other music is catchy.
Performers of the soul :: Even though Mammootty takes some time to appear in this flick, he becomes the heart and soul of Pathemari as soon as that happens. Most of us have been complaining about his choice of movies with Acha Din and Utopiayile Rajavu, but he gives no chance for us to complain this time. As the director had earlier said, what we see is the just the character through ages, and not Mammootty as he lives as this character who becomes not just Pallikkal Narayanan, but many other people who really exist. It is his grand return to the class role that we see here, and it is something worth the applause that even the multiplex never hesitated to provide. What has to be admired more about this movie as the commercial thing is that it didn’t overdo its promotions, and the fans have also been self-controlled in their actions in favour of this movie.
Further Performers of the soul :: This is also the debut movie of Jewel Mary who was first seen in Utopiayile Rajavu which released first because of the delay on Pathemari. She is good on her debut, and her performance is clearly above what was seen in the movie which first released. Sreenivasan has a memorable role in this one, and so does Siddique who has a smaller but interesting character to play. Salim Kumar just has a small presence while Joy Mathew brings another good performance on screen. The actresses Anju Aravind and Anu Joseph gets to play the sisters of Mammootty, and it good to see them back on the big screen out of those serials. Siddique’s son Shaheen Siddique also makes a good debut in this movie. All of them make sure that Pathemari is indeed driven by performances.
Soul exploration :: There is something about the life of the NRIs that people here won’t know about. Even though the people who leave for the foreign nations these days have better status, it was not the case during the early days. As the situation here was so bad, they just wanted to get there so that things could only get better if they survived. But people here would think that they live a happy life there and are sending only a small amount of money after spending like they wish to. It might be so in the case of some people these days, especially the youth, but in most cases, when we consider people who have left to save their families, it has always been about survival and saving the family. There are lots of people who haven’t gained much for themselves or their children, but have managed to make sure that their brothers, sisters and cousins have managed to do better – aren’t they winners too?
How it finishes :: As far as NRIs who have left not for glory, but due to the problems at home are concerned, this one will be a big reflection. It will also be effective for the rest, and it won’t be easy for anyone to leave the theatre without being touched by the emotions, and this abiding sadness is an achievement for the movie. In the end, we know that there are good men and bad men, and with both types among the achievers, we further feel that most of the people who have failed are actually very good men who have sacrificed a lot for others – but it is actually an achievement in itself to have suffered and gained victories for others in a world where only the rich are officially considered the achievers even by the relatives and friends of the poor. It is an achievement often forgotten, as the rich write their own names into the history; but God knows, and so does nature.
Release date: 9th October 2015
Running time: 109 minutes
Directed by: Vinay Govind
Starring: Mammootty, Sreenivasan, Joy Mathew, Jewel Mary, Siddique, Anu Joseph, Anju Aravind, Salim Kumar, Shaheen Siddique, Saju Navodaya, Yavanika Gopalakrishnan, Hashik TK, Kalabhavan Haneef, Viji Chandrasekhar, Santosh Keezhattoor, Safin, Nyla Usha (cameo)
@ Cemetery Watch
✠ The Vampire Bat.
Well crafted review…
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Thank you 🙂 🙂
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These movies don’t come here and so all I do is to clear the account whenever I visit my home in a year 🙂 By the way, how come Mammootty is not at all growing old? Guess that’s why, not many new star are able to make it much on screen as frequent as these two (including Mohanlal).
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Some people remain evergreen, I guess 🙂 But things change, some day, some time; there will be newer faces making it huge 🙂
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