Vijay Superum Pournamiyum

What is the movie about? :: Vijay (Asif Ali) represents a generation of young men who were forced to do engineering even as they want to do something else. He struggled hard and finally managed to pass the exams after multiple efforts. But his dream is to become a chef and for the same, he keeps trying. But his father Chandramohan (Siddique) is convinced that he shouldn’t do cooking after studying engineering, and gets him a job in a call centre. He meets Reshma (Viviya Santh) there and falls in love, only to end up realizing that she was cheating on her – his expression of his anger becomes viral on Youtube, and he also losses his job. His parents feel that the only way to make him responsible is to get him married to a rich and educated girl who would also be able to provide him with financial support. Finally, they find such a family and a girl.

So, what happens with the events to follow? :: This leads them to the house of Venugopal (Renji Panicker) who wishes to see his daughter Pournami a.k.a. Pinky (Aishwarya Lekshmi) married as soon as possible. Being an MBA holder and wishing to become a successful entrepreneur, she has the record of failing in every business she tried to begin, and in the process, losing the money her father invested in her ventures. As the two meet and talk, the door of the room which was being repaired, gets closed and is automatically locked. As the two are locked inside with the carpenter being called for, they are left with a few hours to talk about their past, present, future and ambitions. This talk changes the journey of life for both of them. They don’t find them as good match for each other and are not in a mood to marry soon, but destiny has other plans.

The defence of Vijay Superum Pournamiyum :: Remake of a Telugu movie Pelli Choopulu starring Vijay Devarakonda and Ritu Varma which is also known to have a Hindi remake called Mitron, Vijay Superum Pournamiyum does manage to make it completely Keralite with its moments nicely reflecting life easily. The feel-good elements work nicely, and the movie is light-hearted throughout its run, despite having moments which could have driven it through another path. The first half is full of fun, and the second one comes with an emotional touch as expected. With a simple plot, the characters are of interest right from the beginning itself. There are things that you can relate to, and it is a fine watch for the family audience in more than one way. The messages are good, and these also go for all kinds of audience of the present age.

The claws of flaw :: The second half, except for the final moments, doesn’t have the fun as the first half had. The radio talk sequence also could have something better to replace it, as it made things look too easy in the end. There is too much of a journey on the expected path, and the divergence could have been shown in a better way. There is the confusion, inability to talk about one’s love for each other, business deals relating to wedding and more, all of them going in a predictable manner. After the food truck business started, there was actually scope for more too. The songs are okay, and there is a nice one; the background music is good enough to give the feeling – there are those strange and ridiculous dance sequences in one song though, which don’t even come close to being funny. There are times when the movie seems to get into the melodrama mood, which was kind of out of place. Well, this is the first big Malayalam movie of the year, and you can expect more every time.

The performers of the soul :: Asif Ali plays the immature youth unable to do anything positive in life, and lacking confidence – it is something that he does with ease and in a believable way. We remember how he did the confused young man roles in the movies like Thrissivaperoor Kliptham, Avarude Raavukal and Adventures of Omanakkuttan. The irresponsible youth role was safe with him even in the earlier movies like Kavi Uddheshichathu..? and Anuraga Karikkin Vellam. Aishwarya Lekshmi coming out of the Njandukalude Nattil Oridavela, Mayaanadhi, Varathan trio of big hits critically appreciated, does another fantastic job in portraying the lady who is set to leave a mark – she is once again a long way ahead of the rest, getting into her role so well. She has all those moments in control, no matter what is thrown at her.

Further performers of the soul :: Siddique and Renji Panicker handles the father roles here really well, with former going through his familiar territory nicely and latter doing what he has been doing so well since Om Shanti Oshana – the father who is very much caring for his children and supports them in more than one way. Another father figure who is there for a lesser amount of time is Devan who has not a lot to do. Aju Varghese has only a smaller role, but it is significant, and the funny side is strong during his presence. Balu Varghese and Joseph Annamkutty Jose support with enough jokes to add to the fun too. Shantikrishna has another mother role which she continues after the recently released Ente Ummante Peru in which she was there only for a few minutes. Darshana Rajendran also has some friendly, cute support in store for the protagonists. Then there is KPAC Lalitha doing the perfect grandmother yet again.

How it finishes :: As the third movie that united Jis Joy and Asif Ali as director and leading actor, following Bicycle Thieves and Sunday Holiday, this movie was expected to have something special in store. Bicycle Thieves was a dumb movie with foolish twists which were not needed, but Sunday Holiday had nice feel-good factor in store. With Vijay Superum Pournamiyum too, it was the same thing that the audience expected, and it is the same that they received, but in an even better package. Njan Prakashan is still running in the theatres with strong feel-good elements and Ente Ummante Peru had no shortage of the same; Thattumpurath Achuthan despite lagging behind had also tried the same – in this season of feel-good supported by Christmas and New Year, Vijay Superum Pournamiyum has its own high position to be proud of.

Release date: 11th January 2019
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Balu Varghese, Aju Varghese, Aishwarya Lekshmi, Siddique, Darshana Rajendran, Devan, Joseph Annamkutty Jose, KPAC Lalitha, Maya Menon, Renji Panicker, Shantikrishna, Austin Dan, Viviya Santh, Shaheen Siddique, Rajesh Sharma, K. S. Chithra, Harisanth Sharan

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@ Cemetery Watch
✠ The Vampire Bat.

Pathemari

pathemarii (3)

What is it about? :: Pathemari is a movie of struggle and survival through an unfair world. Pallikkal Narayanan (Mammootty) is a man who left for the Middle East with his friend Moideen (Sreenivasan) and many others on a boat defeating the waves of sea to swim and reach UAE at a time when the border laws were not as strict as it is now. Becoming part of that exodus from Kerala to the Gulf area at that time when unemployment was at its peak, Naranan becomes the symbol of the journey that one has to undertake to make sure that the whole family survives. He is someone who struggles for not just one’s own family, but the extended relatives as he keep working to see life getting better for them while his youth as well as the existence beyond that disappears. But he continues to do the same without complaints.

The defence of Pathemari :: There is a lot of truth and sincerity on display in Pathemari. It is certain that a lot of NRIs, not just of the Middle East, but also belonging to the United States, United Kingdom, Canada, Australia and may be even other nations can relate to the story here. It doesn’t change according to circumstances, but instead stick to the common man. The movie’s second half and the ending are the more powerful ones; the finish might be the most touching one – simple, but easy to be connected and with significant power to touch one’s emotions. It is sad, and with its sadness, the movie becomes lovable; with the depressing truth which it shows on the screen, it becomes more beautiful – it is a poetry of lost hope and desire which brings tears to the eyes of the audience; this is what the ending of the movie is truly about. There are also some nice visuals for support.

Claws of flaw :: Pathemari doesn’t bring anything new to the most part of its story-line. There is the usual problems of a man who has left home reflected here. It follows the sacrifice model of movies like Vatsalyam and the problems of the man who returns from the Middle East with the relatives as in Varavelpu, even though this one follows a more realistic path and passes through the ages. There is also some drag here and there, even though the emotional side hides it for most of the time. The movie could have shown some more of the life in the Middle East too, how the protagonist had struggled there throughout the ages with how the others have lived and faded around there; it would have been a fine boost; after all the movie is also shot there – but we have to appreciate the fact that they have kept the movie not too long. The songs are not interesting, but other music is catchy.

Performers of the soul :: Even though Mammootty takes some time to appear in this flick, he becomes the heart and soul of Pathemari as soon as that happens. Most of us have been complaining about his choice of movies with Acha Din and Utopiayile Rajavu, but he gives no chance for us to complain this time. As the director had earlier said, what we see is the just the character through ages, and not Mammootty as he lives as this character who becomes not just Pallikkal Narayanan, but many other people who really exist. It is his grand return to the class role that we see here, and it is something worth the applause that even the multiplex never hesitated to provide. What has to be admired more about this movie as the commercial thing is that it didn’t overdo its promotions, and the fans have also been self-controlled in their actions in favour of this movie.

Further Performers of the soul :: This is also the debut movie of Jewel Mary who was first seen in Utopiayile Rajavu which released first because of the delay on Pathemari. She is good on her debut, and her performance is clearly above what was seen in the movie which first released. Sreenivasan has a memorable role in this one, and so does Siddique who has a smaller but interesting character to play. Salim Kumar just has a small presence while Joy Mathew brings another good performance on screen. The actresses Anju Aravind and Anu Joseph gets to play the sisters of Mammootty, and it good to see them back on the big screen out of those serials. Siddique’s son Shaheen Siddique also makes a good debut in this movie. All of them make sure that Pathemari is indeed driven by performances.

Soul exploration :: There is something about the life of the NRIs that people here won’t know about. Even though the people who leave for the foreign nations these days have better status, it was not the case during the early days. As the situation here was so bad, they just wanted to get there so that things could only get better if they survived. But people here would think that they live a happy life there and are sending only a small amount of money after spending like they wish to. It might be so in the case of some people these days, especially the youth, but in most cases, when we consider people who have left to save their families, it has always been about survival and saving the family. There are lots of people who haven’t gained much for themselves or their children, but have managed to make sure that their brothers, sisters and cousins have managed to do better – aren’t they winners too?

How it finishes :: As far as NRIs who have left not for glory, but due to the problems at home are concerned, this one will be a big reflection. It will also be effective for the rest, and it won’t be easy for anyone to leave the theatre without being touched by the emotions, and this abiding sadness is an achievement for the movie. In the end, we know that there are good men and bad men, and with both types among the achievers, we further feel that most of the people who have failed are actually very good men who have sacrificed a lot for others – but it is actually an achievement in itself to have suffered and gained victories for others in a world where only the rich are officially considered the achievers even by the relatives and friends of the poor. It is an achievement often forgotten, as the rich write their own names into the history; but God knows, and so does nature.

Release date: 9th October 2015
Running time: 109 minutes
Directed by: Vinay Govind
Starring: Mammootty, Sreenivasan, Joy Mathew, Jewel Mary, Siddique, Anu Joseph, Anju Aravind, Salim Kumar, Shaheen Siddique, Saju Navodaya, Yavanika Gopalakrishnan, Hashik TK, Kalabhavan Haneef, Viji Chandrasekhar, Santosh Keezhattoor, Safin, Nyla Usha (cameo)

pathemari

@ Cemetery Watch
✠ The Vampire Bat.