Mohan Kumar Fans

What is the movie about? :: Mohan Kumar (Siddique) used to be a huge superstar until he lost the race to the younger stars. He does believe that it was the result of black magic done by his rival actors. After a long gap, he does get a role to play in a critically acclaimed movie, for which everyone feels that he will get an award. His daughter Sreeranjini Mohankumar (Anarkali Nazar), is an interior designer who wishes to be a singer, for which she tries her luck in different reality shows. Krishnan Unni (Kunchacko Boban), is a youngster who is also trying to make it big as a playback singer. They meet at a reality show, and he is also sent to work for Mohan Kumar as the driver by Prakash (Mukesh), his old friend and a struggling producer who is trying to make a film with Kripesh aka Aghosh Menon (Vinay Forrt), a young superstar who is extremely arrogant, and thinks that he is above everyone. Krishnan Unni and Sreeranjini start competing in the reality show, mostly as a team, and Mohan Kumar also becomes fond of the young man who is there to help him.

So, what happens with the events to follow? :: Kripesh continues to try to make a name in the industry, as his fame rises, and tells everyone that his living together partner Brighty Menon (Deepa Thomas) is a sisterly figure, and fakes different events in which he is shown as a man with love and respect, raising his popularity even higher with PR work. When Arun Rajeev (Adil Ibrahim) and Prakash approaches him with a new film script, his demands only get higher. Meanwhile it is just another downwards journey for the former star, as the critical acclaimed film is taken out of the theatres much to the dismay of Mohan Kumar, who felt that he was going back to that stardom with all the appreciation he received, even more than Kripesh who was originally supposed to be the hero, but was sidelined in front of his fantastic performance. After a fight with Hamsa Randathani (Nisthar Sait), his name is nicely taken out of the Kerala state awards final list, but there is still hope for National Awards – yet, it is to be seen if they can find a way to take it to Delhi with time running out, and a lot more to be done.

The defence of Mohan Kumar Fans :: The movie’s messages are strong, for it is against the vanity and arrogance which has been going on in the film industry. The lack of quality in the visual media is also shown, and it also displays YouTube, Instagram and other social media as what it is, showing how celebrities use fake videos or good for nothing videos just to gain popularity, while skilled performers and quality actors don’t get the recognition they need. Well, if one actress stand outside her home and take a video, it gains so many viewers and appreciation, and it more or less shows the same. Well, you know that literacy means the ability to read and write, and with so many videos being preferred over written content, one has to wonder if it is because of the lack of literacy among people. Our YouTube-Instagram loving celebrities in the film might be suffering from that illiteracy too. It is shown with very nicely prepared humour with fine satire, and the feel-good factor is also high around here. The songs are just okay, and it is not short of some touching moments.

The claws of flaw :: As this movie makes fun of a certain group of people and says the truth about them, such people won’t like it – especially the blind superstar fans, creators of nonsense in YouTube and Instagram as well as those so called celebrities who try to become popular by fake means. For others, they will surely like the film, but they won’t be able to dismiss the fact that this should have had more depth with its content. Mohan Kumar Fans is that kind of a film which could have taken each of its strong elements into another level, but it is certainly not able to do that because it has chosen to travel through a safe path – the feel-good side can always get you over the line, but if you stick on to that, and play safe, it is like aiming for run-a-ball in an IPL match when there is good chance for stroke-play. Maybe, they did so because there was not much of a competition in the theatres with less number of big Malayalam films being released and less number of people watching in the theatres – but that would just be an excuse if we think so.

The performers of the soul :: This one comes after the director’s films which have maintained the feel-good factor at some point, starting with Bicycle Thieves, my least favourite film in a long time, the definite improvement in Sunday Holiday, the bigger improvement in Vijay Superum Pournamiyum and now this film, which also has Asif Ali in a cameo, making all these films Asif starrers. Well, you know that who else was there in all these movies, and it is Siddique, with his biggest role in this movie, as he is the real protagonist here, with everything centered around him, and all things being about him only. It ultimately becomes all about the positive message that is spread through his life, and in that, this movie races ahead of all among the director Jis Joy’s movies, except Vijay Superum Pournamiyum, which was much more ahead in the race. Siddique, the veteran actor, nicely stays at the core of the film, and manages everything in his usual style. If this much was done in a feel-good film, you can guess how much more could have been done if this was a serious tragedy.

Further performers of the soul :: Kunchacko Boban outside the thriller mode of Nizhal and Nayattu, does have his moments, as he is indeed the hero here, trying to keep the main character happy and ready to take the risks just for the sake of the man. Anarkali Nazar is a lovely addition here, as we see her for the first time, and despite the introduction not being that great, we see that the emotions work really well for her. Among the rest, it is Vinay Forrt who stays with us the most, with one of the best satires on the superstars who can’t really act, but tries to get mileage through videos posted in YouTube, Instagram or any social media. As video medium attracts the illiterate and those who find it difficult to read English, these celebrities get more attention that they need, and being as fake as the character he displays here, their first option will always be YouTube to fake their life in front of the blind fans, who will share the same in social media, displaying their foolishness as much as they can. After Saroj Kumar, his Aagosh Menon strikes gold with the satire.

How it finishes :: Mohan Kumar Fans does take an approach which the movies like Driving Licence didn’t have the courage to take. Instead of taking the side of the common man, it had stood with the superstar and his fans. This movie is courageous in that case, taking the side of the common people, and it focuses on the gracious actor instead of the dumb superstar, the dumbness of the latter nicely shown throughout the film, and it also shows everything fake that has been running through YouTube. We keep seeing those celebrities doing YouTube videos, and we know that they are all fake, but there will always be those people who watch such nonsense posted by such people who are only looking for fame. Well, if a celebrity post any nonsense on YouTube, everyone wants to watch that, and if something sensible is posted on YouTube by the common man, you know how it is left unnoticed – it is such an age, when quality is not rewarded, a common problem with the visual media in comparison to the written one. This is the same reason why people who are looking for easy paths to success without hard work won’t like this flick. For others, this works in varying levels of interest, mostly on the higher levels.

Release date: 19th March 2021 (Theatre), 21st May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Jis Joy
Starring: Kunchacko Boban, Anarkali Nazar, Siddique, Mukesh, Sreenivasan, Saiju Kurup, Vinay Forrt, Ramesh Pisharody, TG Ravi, Alencier Ley Lopez, Major Ravi, Joy Mathew, Krishna Shankar, Adil Ibrahim, Sudheer Karamana, KPAC Lalitha, Deepa Thomas, Srikant Murali, Anjali Nair, Prasanth Alexander, Sreelakshmi, Sethu Lakshmi, Nisthar Sait

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@ Cemetery Watch
✠ The Vampire Bat.

Odiyan

What is the movie about? :: Manikyan (Mohanlal) is the last among the odiyans, a group known to know sorcery and had shape-shifting abilities. The skill is passed to him by his grandfather after his father and mother were not ready to stand it, and left the village with their daughter, hoping for a better social and economic status elsewhere. Manikyan is one of the most well-known figures in the village of Thankurissi in Palakkad and also beyond the borders in the Tamil-speaking areas near the Western Ghats – some people consider him to be famous, and the others feel that he is a notorious figure. He is known to lurk in the shadows, with darkness as his ally. As it was the time when there was no electricity in the villages, it was easy for him to induce fear into the minds of the victims. He would take different forms, most commonly that of a bull or a buffalo, to torment those who are given as targets by people who pay a fair amount.

So, what happens with the events to follow? :: Manikyan’s biggest enemy in the village is Ravunni Menon (Prakash Raj) with whom he has had his problems since childhood. Ravunni’s interest and unrequited love for his cousins Prabha (Manju Warrier) and Meenakshi (Sana Althaf) only makes things worse as Manikyan has been working in their family household and taking care of them for generations. Ravunni decides to make things troublesome for his cousins as well as Manikyan, and with the death of Prabha’s husband Prakashan (Narain) and Meenakshi’s husband Ravi (Kailash), he succeeds in putting the blame on Manikyan. With electricity coming to the village, and almost everyone blaming him for the two deaths, Manikyan is forced to leave for Varanasi. As he is wandering around there, something changes, and he feels the need to return. What would that mean for everyone in the small village?

The defence of Odiyan :: The legend of the people from Kerala folklore with shape-shifting abilities deserved a movie, and it is always nice to have such an adaptation which has its roots in our own historical fantasy. The action scenes are nicely done, and the scenes involving the titular character in the darkness will make sure that we are interested in the whole thing. The setting nicely helps the progress of the movie, and all locations provide some nice visuals. Compared to the 150 crore grand movie Pulimurugan with Mohanlal fighting the tiger, Odiyan is surely a better flick which has a nice background as well as setting – there is also no bad jokes, and the acting itself is of a superior level when we compare the two. Odiyan has moments of class, and it is the quality which that highest grossing Malayalam movie missed in more than one way.

The claws of flaw :: The trailer as well as the hype created with the information provided regarding the movie, might be the one thing which works against the movie more than anything else. The expectations had gone so high that greatness was expected without excuses, and that was one thing which caused so many of early negative reviews. There is no denying the fact that this legend could have been used in an even better way, reducing the mass elements, and adding more mystery, sorcery, twists and horror. The movie is also too long, and the first forty-five minutes might be the least interesting part of the flick. A better beginning would have helped to keep the interest going, and the non-linear narrative disrupts the flow. Flashbacks are good, but not when they are used at inappropriate timings. The final fight could have been better edited. The background music might catch our attention, but the songs never really manage to do so.

The performers of the soul :: Mohanlal, in more than one avatar during two different ages, displays top form as usual. There are not just the action scenes that make an impact, as the emotional side is also strong with him – the strength as well as the helplessness of the main character is shown nicely here. We remember how he could be both in Villain having the same pair in the lead. Maybe, he could have had more with the shape-shifting idea, resembling that of a werewolf, but that much is not there for him to use his full potential. His last movies Drama and Neerali didn’t make that much of an impact, but I would say that they were better than the common opinions; the case here is also not so different, as Odiyan is certainly better than Pulimurugan, and the hard work that Mohanlal has put in to become this character from the folklore is worth the appreciation.

Further performers of the soul :: Manju Warrier’s previous movie Mohanlal was not really something to be appreciated, whether it was about the flick or regarding her own performance. But she is back once again with her work in this movie. The comments which were made about her one dialogue in this movie is rather strange, because it is a perfectly suited one for the moment – it once again shows that a lot of our viewers are struggling with understanding characters. The lack of empathy that our audience shows at times is rather strange and unacceptable. Prakash Raj is a strong villain indeed, but could have had better dubbing. Sana Althaf has a nice role after Basheerinte Premalekhanam, and she also has her moments. Kailash, Sreejaya Nair and Narain are there only for a few minutes, but they do leave us with something to remember. Siddique, Innocent and Nandhu do provide some good support too.

How it finishes :: Odiyan becomes the second high budget and the most awaited movie of the year after Kayamkulam Kochunni which had great success already. Despite negative opinions, Odiyan also had a strong weekend, with the only challenge coming from Hollywood, in the form of Aquaman, which has lesser number of shows. There is the need for movies like Odiyan, because only such flicks can assure that we will have better exploration of the myths and legends of the lands. We also need people who are ready to go through the less traveled path – we know, as Robert Frost has said, that would make all the difference. Your level of enjoyment would be different according to your expectations from cinema, but Odiyan is surely a movie which you can’t ignore, and is definitely a movie which is better than the highest grossing Malayalam movie of all-time, the Mohanlal starrer Pulimurugan.

Release date: 14th December 2018
Running time: minutes
Directed by: VA Shrikumar Menon
Starring: Mohanlal, Manju Warrier, Innocent, Prakash Raj, Siddique, Manoj Joshi, Nandhu, Narain, Kailash, Sana Althaf, Santhosh Keezhattoor, Sreejaya Nair

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@ Cemetery Watch
✠ The Vampire Bat.