Intuition

Vampire Owl: I remember having an intuition myself.

Vampire Bat: Vampires don’t have intuitions, for we have the vampire sense.

Vampire Owl: I thought that it was called the vampire instinct.

Vampire Bat: It was changed after the film, Basic Instinct released.

Vampire Owl: I didn’t find anything wrong about that movie.

Vampire Bat: Yes, but vampires used to be very prude at that time.

Vampire Owl: It was because of Doctor Frankenstein. He had his strange habits.

Vampire Bat: Well, he is creating a COVID-19 vaccine with zero side effects.

Vampire Owl: You mean to say that there can be a vaccine which works with vampires.

Vampire Bat: A vaccine among the undead has its own possibilities. We are forever, and there won’t be the need for a second dose.

[Gets a red velvet cake and three glasses of pineapple shake].

What is the movie about? :: Francisco Juanez (Joaquin Furriel) had solved a case involving a serial killer who murdered young girls just recently. The murderer had killed himself before being caught. Due to an injury caused to a police officer on duty, a new recruit, Manuela Pelari (Luisana Lopilato) is assigned to investigate the murder of a woman who was assaulted with a sharp weapon. She is considered to be a VIP case, and the police are not able to find the weapon, as Francisco joins the team. The dead woman is Gloriana Marquez (Delfina Chaves), the daughter of a business magnate with many media connections, political contacts and the support of many big businessmen, and the police needs to be very careful about this case, or things could go out of control for the department whose reputation is at stake. Their first suspect is her boyfriend who has been in a relationship with her for two years, and was also the first person to find her body. Then her best friend is also added to that list.

So, what happens with the events here? :: At the same time, the head of the police department asks Manuela to keep an eye on Francisco who hasn’t been himself since his wife died, and it seems that the man who murdered her was killed earlier, and they suspect Francisco on that particular case. Manuela doesn’t believe that he might have committed the murder, but decides to investigate anyway. At the same time, the investigation on Gloriana’s death seems to go in a complex path. More information is added to Gloriana’s life is revealed by talking to her close contacts. Manuela tries to find where Francisco happened to be, at the time when the man’s murder had taken place. At the same time, the dead man’s family hopes to have vengeance, as they are sure that it was Francisco who murdered him. They are just waiting to pounce on the police officer as soon as there is clarity on who was really responsible for the death. El Zorro (Abel Ayala), his brother is ready for blood. Minerva del Valle (Maite Lanata) confesses to the murder of Gloriana, but Francisco is not convinced, or is he?

The defence of Intuition :: This one works as an interesting investigative thriller, without any doubt at all. Everything here seems to be perfectly arranged, and there is fine quality about how things go forward. There is no exaggeration being added here, and even if this is about a strange investigation, there is so much that we feel is close to reality around here. With two murders being investigated at the same time, and with the police officer also being a suspect, this one has more to guess than what originally meets the eye. The main character also serves as a mystery all by himself. The visuals are really good, and we see the beauty of the Argentine city with some good shots, just as it shows the area outside the urban area. The background score is also very much suitable and keeps us interested. There is also more about the murders than what meets the eye, and twists are there while suspense is maintained throughout the film, making one wonder who is one which side, and how all these would be coming together. It keeps you interested in what is happening, even when things get slow.

The claws of flaw :: There are moments when it seem a little confusing, and there are more dialogues than it was needed. There was no need to complicate things beyond the need for the case itself. The pace keeps getting higher and lower, even though the pace is mostly slow. The beginning stages are also badly used, and it doesn’t have much to do with the later case, and if they couldn’t use that to their advantage, it could have been removed – a serial killer would have suited this film really well too. This kind of initial cases not that useful for plot has been seen in different movies all around the world, for example, the Malayalam film, Abrahaminte Santhathikal. All these distractions occur when the better thrillers like Memories, Forensic and Anjaam Pathira focuses on what is to follow rather than providing an introduction which seems to be of grand focus, but doesn’t come into the picture after that except for some mentions. In the end, one feels that there is some missing out on the thrilling elements which should have been there in the film.

Performances of the soul :: The performances here and very good, and that includes so many of them who are involved. Joaquin Furriel whom we know for his film, The Son, leads the way as a police officer with a mystery surrounding him, and at the same time, also makes a perfect and determined cop. There are some nice dialogues to add to the same too. Luisana Lopilato matches the same in skills, and she remains solid as the rookie police officer too. She could have been parts of similar Hollywood films at some point of time, because she has that kind of a performance delivered throughout the film. Their moments together are really good, with some moments as well as dialogues to remember. Maite Lanata plays another character who is connected to the crime, and she plays well into the mystery of the whole thing. Her interrogations have more than what seems when we look forward to find more than what meets the eye. Rafael Ferro plays the cop with his own secrets very well. Abel Ayala’s character has short stay, and so does Delfina Chaves, whose death sets things in motion here.

How it finishes :: Intuition makes it to list of interesting Spanish films to watch, especially those thrillers that we would like to watch carefully. These are the kind of thrillers which have something special about them for everyone if we look at them closer. Even with its slower pace, and some complications, it manages to be another thriller with more than one mystery to be solved. As the first Argentine original Netflix film, it does have the quality to go to the international audience. Based on the novel called La Virgen en tus Ojos in Spanish and translated as The Virgin in your Eyes, written by Florencia Etcheves, it also works as a prequel to the 2018 thriller Perdida a.k.a. Missing. As the original novel is in Spanish, the idea about the book that we can have here is minimum, but without that, we can surely enjoy the movie, and can see how it has managed to work here. When we think about Argentina, the first thing that comes to our mind is surely the Argentinian football team with Lionel Messi, and Maradona from the past, and maybe the fans should also have a look into the Spanish films from Argentina and enjoy them.

Release date: 28th May 2020
Running time: 116 minutes
Directed by: Alejandro Montiel
Starring: Luisana Lopilato, Joaquin Furriel, Rafael Ferro, Delfina Chaves, Maite Lanata, Marita Ballesteros, Juan Manuel Guilera, Sebastian Mogordo, Abel Ayala

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@ Cemetery Watch
✠ The Vampire Bat.

Nayattu

What is the movie about? :: Praveen Michael (Kunchacko Boban) is seen as rejoining the police force after taking a small break from service for a tug of war competition. Even though he made a fake medical claim, he is reinstated into the force as the police department is preparing for bye-elections. He meets his superior officer Maniyan (Joju George) and Sunitha (Nimisha Sajayan) works at the same police station. One day, they have a fight with a local goon, a relative of Sunitha in the police station who has been harassing her, and the situation goes out of hand with Praveen and Maniyan fighting the goons. The issue is finally settled, and no case is charged against the person for assualting the police because of his political influence as part of a Dalit party. Later, their jeep meets an accident, and a person is almost killed. The driver who is a relative of Maniyan runs away, and the person who met the accident happens to be a friend of the person with whom they had a fight.

So, what happens with the events to follow? :: They take the person to the nearby hospital, but he is soon, pronounced dead. At the same time, the goons reach the hospital, and the three cops run away towards the police station, almost getting attacked on the way. They get to the station, and tells them the details, but it turns out that the news in channels haven’t come in such a way that it would be helpful to them. It turns out that the police was planning to arrest them, and as they understands the same, makes their move. They leave the police station, and decides to run away, even though there is no clear destination awaiting them. The Chief Minister calls for immediate arrest of the police officers because he needs the support of the Dalit group. At the same time, even though left with minimum help, they manage to go for the highlands. But a group of elite police officers are searching for them, and time is surely running out.

The defence of Nayattu :: Nayattu shows the strength of a certain survival mode at all times. Malayalam movies have had their own dose of survival films, but none of them have come close to being this effective. There is also the case of a corrupt system which is hell bent on punishing the innocents if that means political advantage, and power always shifting to politics and their goons, even if one has law and order in hands. The movie deals with the realistic side of a survival thriller, and it doesn’t pretend in doing the same. There were many paths which Nayattu could have taken, but here it takes the one with the least pretensions, and that can be seen in the final moments of the film too, as there is nothing like an uplifting moment in this movie. The ending is open-ended, and it is up for the viewers to decide how this ends, even though the options seem pretty much straight forward. With some good visuals to add to it in the later stages, the movie reaches there.

Positives and negatives :: Nayattu is a reflection of that world in which putting up a fine show in front of the camera is more important than truth, and it is a mirror that should be held against a good number of cases which the media had taken up in the last few years – truth had often taken the backseat favouring the sensational in almost every case there. It is that world were facts are not important, as the objective viewpoint becomes weaker in comparison to the emotional side. It is like a fixed match of IPL, and people just wish to enjoy the show, and different castes wishes to play their cards, sometimes in an extremely violent manner and at other times that of victim – this situation is reflected rather clearly around here. Still, the ending could have been made crisper, and better meaning could have been given to these happening instead of making all these acts resulting in nothing, a case of absurd. Even when going the realistic path, there are always more things to be done, and something else to be added.

The performers of the soul :: Kunchako Boban plays the main character here, even though the balance does lie among the three police officers. He plays the rookie police officer in a very much believable manner, as this realistic depiction makes another version of dealing with crime unlike what we had seen earlier in Anjaam Pathira. It is indeed nice to see him being part of such serious movies again and again. Joju George’s character here reminds us of his work in Joseph and Action Hero Biju, and he does a very believable job in this film too. He has some of the best dialogues in the movie too. Nimisha Sajayan is realistically good as usual, and we have seen her choosing the realistic path on so many occasions and succeeding in the same. She was on one side of crime before, as we have seen in Oru Kuprasidha Payyan when she played a lawyer.

Further performers of the soul :: Jaffer Idukki was seen playing the Transport Minister in Yuvam, and here he plays the Chief Minister – the role of the politician, especially that of a minister seems to suit him really well again and again. His character here reflects the typical politician who wants to retain power at any cost, and will plan successfully to win elections. Yama Gilgamesh who plays the police officer in charge of the operation has everyone’s attention too. This is also one of the last films of Anil Nedumangad, the actor who have done some memorable supporting roles in the last few years, and had died by drowning at the reservoir of Malankara Dam during break in between shooting. He plays the officer who supports the investigation, and this is once again very much a notable role. The rest of the supporting cast feel very much realistic.

How it finishes :: Nayattu is the one realistic survival thriller which reflects the corrupt system so well, that we feel the strength of that depiction in more than one way. There are castes and communities which try to get their due, and for governments, these divisions matter – now the question remain about the position of justice, and that is left to the crowd and media, The film is a fine reflection of this situation, and as it has reached Netflix, I am sure that more people will be interested in watching the flick. Unlike the forgettable Irul which had released in Netflix, this one has a lot more to offer, even more than what the Amazon Prime releases Drishyam 2 and Joji had to offer. It is time that the films which were taken out of theatres due to lock-down come to some OTT platform or maybe have an early television premiere, because it is the worst stage of COVID-19, and we do not know what the future holds for anyone in India right now.

Release date: 8th April 2021 (Theatre), 9th May 2021 (Netflix)
Running time: 124 minutes
Directed by: Martin Prakkat
Starring: Kunchako Boban, Joju George, Nimisha Sajayan, Anil Nedumangad, Jaffer Idukki, Samson Matthew Valiyaparambil, Ajit Koshy, Manohari Joy, Yama Gilgamesh, Jineesh Chandran, Hakkim Shajahan, Vinod Sagar, Dineesh P, Jithu Asharef, Kiran Peethambaran, Sminu Sijo, Arafath

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@ Cemetery Watch
✠ The Vampire Bat.

The Courier

Vampire Owl: Did you collect your parcel from the Vampire Courier Service?

Vampire Bat: No, I didn’t. What did it have?

Vampire Owl: How can I know? I was just notified that you had a courier.

Vampire Bat: Okay, so they don’t deliver at the vampire castle.

Vampire Owl: No, not after the Corona Virus crisis.

Vampire Bat: So, they think that the vampire castle is infected beyond redemption.

Vampire Owl: Yes, they think so because of the large number of human visitors who were at the castle last month.

Vampire Bat: Well, nobody trusts the humans these days.

Vampire Owl: I don’t remember the last time any of our people trusted them.

Vampire Bat: When we keep them away, things will get better, and the couriers will be delivering at home.

[Gets a chicken puffs and three cups of mixed tea].

What is the movie about? :: A young woman is tied to a chair at the middle of a parking lot and from the blood on her body, it seems that she was brutally tortured. As she struggles to breathe, she is about to be run down by an accelerating car when it goes to a flashback. Gary Oldman (Ezekiel Mannings) is one of the most powerful crime lords who has his business running in the United States of America and Europe, someone whom nobody dares to question or testify against, until Nick Murch (Amit Shah) makes the decision to go to the police, after witnessing a murder committed by him. For the interpol and the FBI, this is the first time that someone came forward to testify against the much feared crime lord, as usually only the dead bodies remain whenever someone tries to do something like that. The crime lord’s seductive, psychotic and manipulative daughter Alys Mannings (Calli Taylor) would not tolerate the fact that her father was arrested from a church, and was put on house arrest while he awaited trial.

So, what happens with the events here? :: The interpol officers lead by Agent Simmonds (Alicia Agneson) takes Nick to a safe house where they are supposed to stay and contact the court using the live stream video, but when a courier (Olga Kurylenko) rings a bell to deliver a package, things begin to go differently. The courier is the same lady who was tortured in the beginning of the movie, and it turns out that the parcel which she brought with her was something which would mean death. Simmonds shoots her, and turns rogue, trying to kill Nick, and blame it on the courier, who manages to attack her back, and almost kill the agent. Nick escapes from the floor with the help of the courier who seems to have some skill in fighting, but they are caught in the underground parking lot, surrounded by men who wants to kill them. They keep on running through different levels of the parking lot, as more and more men who seems to be mercenaries keep coming. Can Nick somehow manage to testify at the court with the help of the stranger?

The defence of The Courier :: A fine package of action can be seen in the form of The Courier which has all its fights set in just one place where the two protagonists as well as those who are trying to kill them are set – the movie keeps the three classical unities of place, time and action, with everything happening at the same place, and ending, with only one mission to save the witness. Olga Kurylenko is the one person who keeps the action at top level, and even after these many years, she remains a level apart from the other actresses, except for Rebecca Ferguson who is the perfect action impossible girl who also was the psychic vampire in Doctor Sleep. The action sequences are all made in a believable style, as we see her fighting – landing the punches, kicks, gunshots and bike stunts in a parking lot so well in this ride full of thrills. The stunts are all stylish and believable here, with no exaggeration at all.

The claws of flaw :: The Courier is a movie which always had a lot of scope, and could have had a better background tale for it too. There could have been more use of the motor-bike, and also something more about her past and her new life as a courier, which can be linked to The Transporter considering what she does, and to Die Hard considering the fact that they are locked in a building, and has to survive – Olga Kurylenko is Jason Statham, Bruce Willis and even Tom Cruise at some points, but it is good to see the lady action star coming up with more in a realistic way, as you are not supposed to look for something exaggerated around here, for that is not the kind of action which we have here. The dialogues could have been better, and with one of them, they could have explained the Kevlar jacket and a little more. Maybe it could have also had its antagonist to do more, and as it was quite a big building, possibilities were endless.

Performers of the soul :: Olga Kurylenko is a name not unknown to us, as we have seen her in a lot of movies, and she has handled the action genre really well throughout the years – she is someone who means business as far as fighting is concerned. The last one of them was on the funny side with Johnny English Strikes Again, but she had movies like Hitman, Max Payne, Oblivion, November Man, Centurion and the James Bond movie, Quantum of Solace. Age is showing on the Bond girl, and she is not that lean figure anymore, but her skills with action sequences have only gotten better here. Alicia Agneson looks fine as the special agent when she is there, but her stay is limited, leaving us with hope to see more of her another day. Meanwhile, Calli Taylor has some nice moments, and you cannot doubt her about not being a crime lord’s daughter here. Gary Oldman makes a solid crime lord, and we feel that he is capable of lots of evil, and can always find opportunities for evil with him around. Amit Shah also does a fine job, and adds some humour too, and nobody should be confused about the name.

How it finishes :: Happening at a place within a limited time with one motive, this movie which would make Aristotle happy with its unities, manages to be higher than the level of many other action movies of the same kind. The reviews about this movie hasn’t been that good, but after you watch this movie, you will understand that there is not much that this movie could have done to make them feel better, as this is one wonderful action fest full of thrills, and Olga Kurylenko is the one lady action star who could pull this off so easily. You can always trust Olga to do that, and for the same reason, you can go for this one without second thoughts like I did. I am sure that the audience from this part of the world would like it even more. Just forget those reviews, some of which are not even explaining why they didn’t like this flick, and enjoy The Courier like you would have enjoyed most of those action movies with a male lead.

Release date: 22nd November 2019
Running time: 97 minutes
Directed by: Zackary Adler
Starring: Olga Kurylenko, Alicia Agneson, Gary Oldman, Amit Shah, Greg Orvis, Craig Conway, William Moseley, Dermot Mulroney

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@ Cemetery Watch
✠ The Vampire Bat.

Extreme Job

Vampire Owl: So how extreme is this job going to be?

Vampire Bat: This is actually supposed to be a comedy movie.

Vampire Owl: Well, comedy movie can also be extreme.

Vampire Bat: This one has an undercover operation, and so that is possible.

Vampire Owl: We have had some interesting Korean movies.

Vampire Bat: And there will be more, especially when it is Korean.

Vampire Owl: When we began watching these movies during lock-down, we never thought that it could get this far.

Vampire Bat: I am sure that there is more to come with this Corona Virus.

Vampire Owl: As long as there is the guarantee of fun, I am in.

Vampire Bat: Yes, we need a funny side like this movie has, during these terrible times.

[Gets a vanilla cake and three glasses of orange shake].

What is the movie about? :: A group of young narcotics department detectives led by Captain Ko (Ryu Seung-Yong) fails a mission which was supposed to be easy. While doing the same, they end up almost killing the person they were supposed to arrest and bring to the police station – along with the same, they also end up causing an accident involving many cars which hit each other. They have one last chance to prove that they are good enough, as they have to do undercover surveillance of an international drug gang which has been gaining in strength. They decide to buy a chicken restaurant just opposite to where the gang stays. But it is not that good a decision, because the place doesn’t have customers, and only the gangs ask for deliveries at times. Captain Ko is determined, but his performance hasn’t been up to the mark, as he gets demoted, and some others get promoted – even those who are much younger and less experienced than him. They feel that it is their last chance.

So, what happens with the events here? :: But the police department hesitates to give them money because the team lead by Ko produces no positive result at all. So, they find a way themselves as Ko takes money from his retirement fund, and pose as a family which wants to run the business. The team which consists of him, Detective Jang (Lee Hanee), Detective Young-ho (Lee Dong-hwi), Detective Ma (Jin Seon-kyu) and Detective Jae-hoon (Gong Myung) are ready to run the business with no customers as they could watch the gangsters and plan their next move. But surprisingly, new customers begin to come into the restaurant, and they keep sending them away in the name of renovation. But they would have to serve at some point, or their cover would be blown. There is not much going on at the place where the gangsters are staying, and with no other way, they decide to cook some chicken so that everyone would accept the fact that they are really running the restaurant. But that would lead a twist of fate they didn’t expect as undercover gets more about it.

The defence of Extreme Job :: The best thing about Extreme Job is its funny side, and it is the first time that I am watching a really funny Korean movie, and the film works really well with its humour – you will notice it at the begining itself, with all those characters bringing the comic side at the start. Even the action which has some martial arts moments, is also nothing less than funny. The silliness with effective humour that this movie shows reminds us of some of the cult classics of our times, the earlier Bollywood flick Andaz Apna Apna and the later Malayalam movie CID Moosa. When we talk about the latter, we also have a similar seemingly incompetent people on an investigation, but they end up solving the case, bringing a surprise – even though, the luck involved here is rather less. The movie also goes through the action quickly, even when nothing much happens around. The chicken-related jokes work really well, as you will see.

The claws of flaw :: With this idea, the movie could have surely done better, not just with the comedy, but also with the mission, with some fine sequences of action added in between. We have those moments when the movie seems to run out of its ideas, and it has to come up again with some else to keep it going. The final few moments go in a rather predictable manner, and it is the usual fight that ends everything. There is also no doubt about the fact that it could have been funnier, and more of comic situations could have added related to chicken, restaurant and cooking. Some of the moments in between could have had more of a flavour of comedy too, and a funny coating could have been better at some points. Some more of the city could have also been added here, and we are seing more scope here. It could have also been shorter, because there is not that much material in here to add to such a length. We are never really short of ideas, right?

Performers of the soul :: The cast chosen to play the misfit police officers is really nice. Ryu Seung-ryong leads the way in this movie with the comedy as well as a certain emotional side to go with it. He has many fine moments with his co-workers, and there some with his wife too, which are also funny. Lee Hanee manages to be the funniest around there too, as some of her expressions are just too good. The way she looks at people also adds it to that funny side. There is the love-hate relationship between her and the fellow detective played by Jin Seon-kyu, and it is really good – latter has some very funny moments added in the last few moments of the film. Lee Dong-hwi and Gong Myung very much supportive too, and we see them all coming up with some very interesting moments in the last few moments of the movie. From Kim Eui-sung who plays the Police Superintendent to Kim Ji-young who plays the chief’s wife, there is a lot of good work being done here by the supporting cast which doesn’t go unnoticed.

How it finishes :: Extreme Job makes an interesting comedy action thriller, and the kind that leaves us with a pretty good mixture of everything. It is no wonder that it is the second most viewed film in South Korean history, as it provides that kind of a feeling – it is never serious, but we love the characters in it seriously. During the days of COVID, it is the kind of movie that we can watch for some extra amount of fun. The movie once again proves that you can look forward to South Korea for all kinds of movies, even though we often consider some genres to be special coming from the Korean side. If I look back at the first two Korean movies which I reviewed, they are Train to Busan and The Wailing. Those have been the movies from South Korea which we were watching – then there was Old Boy long ago, and you know what were looking for from South Korean movies, and it is an interesting thing that there is more than that for us.

Release date: 23rd January 2019
Running time: 111 minutes
Directed by: Lee Byeong-heon
Starring: Ryu Seung-ryong, Lee Hanee, Jin Seon-kyu, Lee Dong-hwi, Gong Myung, Shin Ha-kyun, Oh Jung-se, Kim Eui-sung, Song Young-kyu, Heo Joon-su, Kim Ji-young, Kim Jong-soo, Yang Hyun-min

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@ Cemetery Watch
✠ The Vampire Bat.

The Whistlers

Vampire Owl: Do you remember how long we waited to watch a Romanian movie?

Vampire Bat: I am not sure. Maybe, we waited for an eternity.

Vampire Owl: Vampires deserve to watch Romanian movies, don’t they?

Vampire Bat: This movie was selected as the Romanian entry for the Academy Award for Best International Feature Film at the 92nd Oscars.

Vampire Owl: So, we might be beginning our Romanian movie watching with one of the best.

Vampire Bat: Yes, I don’t see why we shouldn’t go for the best.

Vampire Owl: Should we call Uncle Dracula and the minions to watch this one too?

Vampire Bat: After we watch the movie and declare it safe, they can watch it too.

Vampire Owl: Okay, then. We are going for our first Romanian film.

Vampire Bat: Do watch it carefully, and come up with an opinion.

[Gets an chocolate cake and three cups of white tea].

What is the movie about? :: Cristi (Vlad Ivanov) is a Romanian police officer who acts as a whistle blower for mafia, and it is made clear that he is not someone who stays on one side at all times, as the switch does happen very often. Even though he is under police surveillance for suspected corruption, Gilda (Catrinel Marlon) who has been part of organized crime, manages to bring up a plan to free a controversial businessman arrested in Bucharest and asks for his help in the job. She poses as a high level prostitute with Cristi as her most valued customer to make the cameras set in his house believe that she is up to nothing related to such crimes and gangs, and is just there to provide him her service which she proves to the eyes behind the camera. Cristi is forced by her to go to La Gomera Island, one of Spain’s Canary Islands to learn an ancestral whistling language which he can use to connect to mobsters without being detected by the police or anybody else who possessed some threat to them.

So, what happens with the events here? :: This ancestral whistling language has been the kind of thing used to communicate across the deep ravines and narrow valleys of the island. It enables messages to be exchanged over long distance, and he hopes to study it soon enough, because he needs to get the man out of prison, as he is someone who needs to be outside to give information about millions of cash. As this a case with so much of money involved, there is the certainty of twists occurring. Everyone is after a missing thirty million in cash, and as both the criminals and the police tries to find where the man hid the money. But Cristi has some other plans along with finding the money for any of these sides. For the same, he would come up with a more twisted idea. But it is to be seen whether he would be successful in the same, because he is playing with fire on more than one side. Can he get out of there, maybe with Gilda on his side without being hurt, or will he be hit by the terror that is going to be unleashed when the thirty million is lost?

The defence of The Whistlers :: It can be seen that The Whistlers is that kind of a movie which slowly gets the thrills to us, and from the beginning itself, the same starts getting on to us. You know that all the characters here are up to something, and we are able to feel the same quite early. It also brings a certain amount of humour in there and we also have the surprises thrown in here and there. The settings used here are all beautiful, and when looking at the scenes in Romanian towns as well as the Spanish island far away from its coasts, we are all glad to see such things of beauty. The performances of Vlad Ivanov and Catrinel Marlon are nothing less than deadly either. If you haven’t watched any Romanian movies yet, this might be the film to begin watching these from that particular industry, as it seems to be a lot ahead to catch our attention with almost everything shown on the screen. With the same, there is also simplicity in its complexity.

Positives and negatives :: The Whistlers is the kind of movie which moves too slow for some kind of audience who might be looking for better pace considering the fact that this is a crime thriller. The beginning with the main characters playing certain roles for the cameras seemed to suggest that this was going to be quicker in pace, but it was not so. But it is good to see that unlike the other crime thrillers, this is the kind of movie which cares about its humans too, and they are not really the kind of people who are there to keep shooting and get shot. You can see that power and weakness, loneliness and companionship, pretension and sincerity, trust and the lack of it – all are shown as part of life, while we see everyman elements in these characters around here. The world of crime is not about keeping on shooting people and creating chaos, as there is something more about it, as this movie tries to prove. The Whistlers is more than what meets the eye, as you compare it to the other movies of the genre.

Performers of the soul :: Vlad Ivanov as Cristi comes up with a solid performance, as he plays a character whose intentions are never really that clear, and it is one unpredictable character which he plays to perfection. This particular character is never really the person we think that he is, and he shows signs of the person who brings the twists quite early. Catrinel Marlon as Gilda is nothing less than fantastic, as she plays a femme fatale character with certain class, but it is also a character with more than one side, which she proves quite early into the movie. In the beginning, we even have the doubt if she is the main character, as she is in action just ten minutes into the movie, dictating terms and flourishing on the screen. She is a different kind of Anna, as you look at her closely, and she never hesitates to bring all that she can, at any moment. The same can be seen again in more and more moments, as we see her getting her righteous place in there on different occasions. Rodica Lazar comes up with a fine believable role as the police officer who is in charge.

How it finishes :: The Whistlers is a special movie, not just because it is a crime thriller which keeps itself solid, but also due to how well it handles the content smoothly. This is surely a movie that you would want to watch, and then continue to watch more of Romanian movies – I had said the same about another movie, a Vietnamese one which could introduce you to that film industry really well. Both The Whistlers and Furie as unknown movies in this part of the world, and as people rush to look for more and more Korean movies, these two movies in two different languages from different parts of the world deserves your attention. I have always loved Romania as a place which had the historical region of Transylvania, as my best interest is in Gothic works – it is a place which I would love to visit one day to see those castles which are often related with Count Dracula, but until then, maybe I can watch some more of wonderful Romanian movies. This one is just beginning, as rest will surely come.

Release date: 13th September 2019
Running time: 97 minutes
Directed by: Corneliu Porumboiu
Starring: Catrinel Marlon, Vlad Ivanov, Agusti Villaronga, Cristobal Pinto, Sergiu Costache, Antonio Buil

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@ Cemetery Watch
✠ The Vampire Bat.

The Legacy of the Bones

Vampire Owl: We, the vampires hadn’t known that the bones had legacy.

Vampire Bat: Well, for us, only the blood has legacy, for it binds us as well as curses us.

Vampire Owl: For the zombies, it is the brain that holds the legacy and it awakens them.

Vampire Bat: Maybe, for the werewolves and the witches, they do have something.

Vampire Owl: What can be the significance of bones without flesh?

Vampire Bat: Bones can be symbolic, and it can also be a serial killer thing.

Vampire Owl: In a world of chaos, a skull and two bones never losses its significance.

Vampire Bat: Yes, when there is danger all around, and we ignore it.

Vampire Owl: So, a Spanish movie is the need for the time.

Vampire Bat: Yes, we have been wandering through multiple languages these days, as far as movies are concerned.

[Gets a black-forest cake and three cups of cardamom tea].

What is the movie about? :: The movie starts with a few moments in the past with witch hunts and inquisitors around. Then, in the present time period, nine-months pregnant Police Inspector Amaia Salazar (Marta Etura) is at the city court of Pamplona in Spain, waiting for the trial of a murderer and rapist. But the convict commits suicide in the washroom, after writing down a word, “Tarttalo”. She soon gives birth to her child, much to the happiness of James Westford (Benn Northover), Amaia’s husband, who is an artist. Coming back to the service after a few months of maternity leave, she finds herself caught in multiple cases, all seemingly linked to one another. There is a church being desecrated, the priests want the senior police officers to be involved, as there were bones of a baby’s amputated arms discovered. A man who is in prison for killing his wife had sent Amaia a note revealing where is his wife’s corpse was hidden, with the same message which she had seen months ago – “Tarttalo”.

So, what happens with the events here? :: As she finds multiple deaths and the desecration of the church related in more than one way, the case gets complicated for Amaia. Not really much of a believer herself, she finds herself dragged to the church’s past related to the witch-hunts and inquisitions. It even goes further behind time, to the pagan beliefs and rites, and she also discovers that Tarttalo is the name of a giant who eaten Christians, coming from ancient legends which were prevailing at that time. To add to it, Amaia’s mother Rosario (Susi Sanchez)had been admitted in a mental hospital for a long time after she tried kill her as a child, and she found out that the mother has killed a male nurse at the hospital and there was the writing with blood, once again saying “Tarttalo” under her bed. She finds out that this mystery is related to her and her family more than anyone else, and in case of a failure to solve this case will have all of her loved ones in trouble. Can he solve the mystery before death arrives again?

The defence of The Legacy of the Bones :: The visuals are really good here, as they give that special mood to the movie, something which fits the genre, and what is progressing on the screen with a mystery, and hidden supernatural elements. The feeling of what is to come is established in the beginning itself, and the audience is taken to that world of mystery and complexity. The world is definitely something which looks really good, and the mystery is maintained throughout. The element of fear is present, even though the movie doesn’t really rely on scares. The need for a better sequel is surely felt, and as this itself is a second movie, can have that at some point. This is one of the very few Spanish movies which I have watched, and there is none that hasn’t left me satisfied – this one also adds to that list of flicks which have been doing a fine job with mystery and thrills. The legacy will stay on in our mind with moments.

The claws of flaw :: The Legacy of the Bones goes into action quite slowly, and it doesn’t really pick up its pace even when there was the scope for such a thing to be done. Supposed to be based on the second book of a trilogy written by Dolores Redondo, and as a sequel to a Spanish movie known as The Invisible Guardian which was based on the first book, this movie’s events might not be that clear to those who are following the series for the first time, and also to those who are not aware of the Spanish inquisitions and the witch hunts from the medieval age and later. There is a little bit too much going on in this movie, and it losses focus in the sequence of events at times, maybe trying to raise its level to a higher level which is not achievable that easily. Often, some moments seem to stretch the movie rather than do anything else. There could have been more action here, especially when there is something supernatural lurking behind.

Peformers of the soul :: Also known as Legado en los huesos, The Legacy of the Bones has managed to have a pretty good cast on the scene. Marta Etura seems to continue her work from The Invisible Guardian a.k.a. El guardian invisible, the 2017 which started this all. She will also be there in third film in the franchise, Offering to the Storm, originally supposed to release on March 27, 2020, but due to this ongoing coronavirus pandemic, is expected to be released on June 12, 2020. Her work in this movie makes one feel that she would have done even better in the first movie, and watching that film would have let us understand the character better too. Benn Northover plays her American artist husband, and he makes sure that we get to hear some English in between. There are some good supporting performances being done here with the different characers – there are many of them, and it is up to us not to lose track here, for there had to a good number of priests and detectives among the many others.

How it finishes :: The Legacy of the Bones is not your usual kind of thriller, as it is also part drama centered around family and kids. The need to watch the earlier movie, The Invisible Guardian will also be felt during times. Better explanations, and a clear beginning would have kept this movie at a higher level, at least for the audience from outside Spain, and also Western Europe. But with an exotic location which seems the best to have a mystery set, and with some beauty on the screen with the colours as well as architecture, this is the movie which will keep you looking for answers in a thriller which has big secrets to be unveiled. It doesn’t focus on the crime investigation that much as I had said earlier, and you have to understand the mixing of genres which is happening here. Even without trying too hard, you will find this movie as an interesting journey though. Enjoy the legacy, and I am sure that the book would have been an even more interesting thing.

Release date: 5th December 2019
Running time: 121 minutes
Directed by: Fernando Gonzalez Molina
Starring: Marta Etura, Patricia Lopez Arnaiz, Alicia Sanchez, Nene, Leonardo Sbaraglia, Francesc Orella, Imanol Arias, Benn Northover, Itziar Aizpuru, Ana Wagener, Angel Alkain, Eduardo Rosa, Susi Sanchez

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@ Cemetery Watch
✠ The Vampire Bat.

Lavakusha

What is the movie about? :: Two jobless youngsters who would later be addressed as Lavan (Neeraj Madhav) and Kushan (Aju Varghese), meets in Chennai city, and becomes very good friends. The problems that both of them face, are almost the same, and after being kicked out of their place for not paying the rent, the two decide to return to Kerala, hoping to find something better in their home state. As the lazy people that they are, they can’t stop thinking about earning maximum money with the least effort. It is during their journey back to Kerala that they come across a number of strangers on the train. There is a girl named Sheethal (Deepti Sati), and a man who identifies himself as Venkat (Biju Menon). In an attempt to get the attention of the girl, they cross the way of a group of people smuggling gold in the train who threatens to kill them.

So, what happens with the events to follow? :: After being captured by the smugglers, the three escapes, and Venkat reveals himself as Joy Kappan, a senior police inspector. A series of confusions follow, and it ends with Joy being able to seize all the gold, and the smugglers escaping. Inspired by the turn of events, Lavan and Kushan decides to become private detectives. But living in a rented house, they are once again very close to being kicked out – it is then that they come across Joy again, who gives them a task to perform. They are to find and take out a huge amount of gold which is stored inside a reputed institution in the middle of the city. As they feel the need for an adventure, the two men agree and goes on the mission. But there are more twists to their mission than they think that there is, and there is more to the truth than what meets the eye.

The defence of Lavakusha :: There are enjoyable moments here and there in this one, and after the comic side gets awakened early, there is also the presence of twists later. It is in the final moments that everything comes together, and we get to see the movie rising above the possibility of just ending up as a foolish thing. The movie is clearly dependent on the trio of Neeraj Madhav, Aju Varghese and Biju Menon, and the three remains the pillars of this flick which leaves less for the rest. The former two get to begin and go on with the humour without restrictions. Even then, it is the second half which manages to use its resources better, improving as it moves towards the finish. You will see the signs of the same by the interval itself. When you are looking for some fun of the simpler kind, Lavakusha might be exactly the movie to turn to.

The claws of flaw :: Lavakusha never really uses its cast to the best possible advantage. When we have a leading cast like this, one has to wonder why there is inability to use it to the full advantage with fun. The jokes often struggle to identify as what they are actually supposed to be – even without logic and with foolishness allowed in there, we see struggle. We see that none of the characters are never really well established for the audience – that applies even to the leading characters. It is for the same reason that there are too many ups and downs in this movie, and the momentum that is often gains is not maintained and carried on to the next moments. The first sequence of the movie itself is rather not needed, and the same thing is repeated again in this movie, without bringing any chance for laughter. The music in this movie is rather forgettable – there is nothing to keep us there with that too. You will also find that the female characters also have less screen presence.

Performers of the soul :: It is Aju Varghese and Neeraj Madhav whose combination works really well to make things better. Even the comedy which might have gone over our head otherwise, works well, thanks to how well the two manages everything together. Aju Varghese has been present throughout the year’s movies from Aby and Alamara earlier to right now, while Neeraj Madhav comes out of that impressive performance in Oru Mexican Aparatha – we have seen them together at their best in Adi Kapyare Kootamani and Kunjiramayanam; this movie is not of such level, but together, they are not behind, at any point. You will notice that the former has a more responsible character in comparison, but then too, you will know that it is only by a small distance. You will feel that this particular combination also meant that the expectations were a little too high with this one – well, it is no surprise, right?

Further performers of the soul :: The movie focuses mostly on the characters played by Aju Varghese and Neeraj Madhav, but the only one with heroic quality in this movie is played by Biju Menon – he gets to be the hero in the movie lead by the two youngsters. As concerning the titles, Rakshadhikari Baiju Oppu, Lakshyam and Sherlock Toms, he had caught our attention with three different roles in the year, and here he gets another one to perform – there is no difficulty for him here, and he has all under control. Sadly, Aditi Ravi is restricted to a smaller role which could have been developed instead of a few other things in a movie which is rather so long for its content, and even Deepti Sati’s presence seems to be strange when she disappears and appears; there even seems to be a certain lack of efficiency in dubbing for her. Vijay Babu and Major Ravi are good with their work at the same time.

How it finishes :: Lavakusha could have been a nice action comedy in Hollywood style – our heroes could have gone through this in Get Smart model, becoming the unlikely saviours when the others in the investigation turn hopeless. Two police officers in undercover mode, finishing their missions in a funny and interesting way was the need here, but that much work isn’t done, and there seems to be not that much focus on attention either. Even with such a longer run-time, this one couldn’t build up enough. Still, this makes mostly an entertaining watch for the weekend. It could be an interesting time-pass movie without doubt. You can also feel a little bit of Tharangam in this one. As of now, Parava seems to have the lead as the most interesting one in the last thirty days. Just like the other Biju Menon starrer in the theatres, Sherlock Toms, this one attempts to combine comedy with the twists, and by the end, you will feel that it is the latter that has caught your attention, unlike what you were expecting.

Release date: 13th October 2017
Running time: 151 minutes
Directed by: Gireesh Mano
Starring: Aju Varghese, Neeraj Madhav, Biju Menon, Deepti Sati, Aditi Ravi, Vijay Babu, Major Ravi, Sinoj Varghese, Anjali Aneesh, Ashwin Kumar, Janardhanan, Neena Kurup

@ Cemetery Watch
✠ The Vampire Bat.